Poe Dameron is Always Right
Pretty frequently in the sequel Trilogy of Star Wars we see that he is framed as being the one that's in the wrong or at least the one who's always argued about being in the wrong a by other characters.
But when you actually examine what's going on you can kind of see that for the most part he's normally right about things. Let me explain.
In the force awakens we don't really see enough of his character to really establish this character trait. We see enough to know he's a very confident commander and an even more confident pilot. He is a magician behind the stick of an X-Wing and in fact most ships you can pilot
In the last jedi, we start to see that him being wrong is very much an informed trait. Those bombers that got destroyed in the start of the movie? They had already set up their attack. Turning back probably would have caused all of them to be destroyed anyway without them actually doing anything to the enemy. He made a Command Decision and not only was it the right tactical decision but given that it gave them one less massive Star Destroyer to worry about in the upcoming Chase sequence of the movie he was also Vindicated on a strategic level.
But the movie framesman is being wrong. He's demoted from Commander to Captain (which is bullshit because captain is a higher naval rank and commander doesn't exist as a rank in a branch where he'd have been promoted to general but Star Wars is bad at military ranks ik ik) by Leia for pressing the attack. But the only way he's in the wrong here isn't because it was the wrong tactical or strategic decision. It wasn't. It was because of insubordination which is kind of fair
The next we see him clash with authority is with vice admiral holdo and she opens up hostilities like a turbo laser. The first thing he does is ask for Direction on what they're doing next because even if he is just a captain he is still one of the senior officers on board and that is a very fair thing to ask the now acting Commander of the fleet that's being torn apart. So she tells him to just follow orders which he just asked for and didn't get
The movie frames him is being a hot head and just wanting to fight. But that's not really how it's framed for most of the movie. Because strategically and tactically he was right to press the attack against the dreadnaught. And he only expresses his need to engage the enemy and fight when he sees that they are refueling the transports which is a very dumb character decision tbh. Like obviously there's no way they could fight against the ships chasing them at that point and the first time he's actually wrong in the movie it feels like a forced wrongness rather than an informed rockness. Him being wrong never feels both natural and accurate
Then we come to the rise of Skywalker where the real fun begins. I just rolled my eyes by the way. Because we see him open up with hyperspace skipping which is bad for the falcon, which makes sense because it's an older ship and I have no idea how it's still active at this point other than faith and duct tape, and he immediately gets lambasted by the main character. But he was still right to do it because those were hyperspace capable Tie fighters which is kind of a typical. So he gets points for being right or being prepared for a hyperspace Pursuit after what happened last movie when the basic premise of his side of it was being pursued through hyperspace
And then you have him leading the resistance fleet to exogol for final stand against a new empire. This was after Rey decided to just rush headfirst into a problem she had no idea how to handle (standard Star Wars mc flaw, not an indictment of her character to be fair). And honestly? He didn't really have much of a choice because there was almost no better opportunity because the opportunities to do this were only getting worse
All this to say. Very rarely is p
Poe Dameron in the wrong. He might be annoying about it sometimes. But Poe is almost always right on a strategic or tactical level but he only ever gets black or push back on it.
Anyways stan Poe Dameron
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designed 3 8-Balls for @muppet-skunk & @scoutverse and I’s spidersonas!!
image references: [X] [X] [X]
A little info about mine (middle) as well as what he actually looks like:
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Jeff is from out of town but moved to NY to get away. He often visits Montana's place and has a penchant for and is quite highly skilled at playing pool. became good friends with Montana, regularly he'll challenge Montana on his days off to a game or two, winner gets their drink free.
he usually dresses more casually when not in costume. his old job before moving away was dealing with rockets-- weapons and propulsion tech and the like. So he's quite smart and uses his engineering skills to fashion himself a special custom cue stick as well as the special head piece he wears that was crafted to look like an 8-Ball. Taking up the name for himself as well. He has a ragtag group of friends he's made along the way that form a little gang of followers, he's managed to design outfits for each of them, ones with stripes and ones without, giving each a specific number that will be their name while dressed up. each one's identity is hidden with their own masks, although theirs resemble bike helmets rather than an actual billiard ball.
Jeff works for no one, but won't mind being paid for a job or two if asked. No, he works alone and has no goals for controlling the city, he just wants to cause a little mischief and chaos here and there. have a bit of fun, you know? make the city his own pool table to play as he pleases! everything and everyone else are all obstacles that make the games more fun and challenging!
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Update 9/15/23 - New Chapter on Sunday!
Hey y'all! I'm back ;-)
To my shock, it's actually been a very productive month! Chapters 27 and 28 are finished (and chapter 29 is halfway there, but I know where I'm going with it). I also went back and reviewed chapters 1-10, which is something I've been meaning to do for a while.
My writing has improved a lot since starting this fic, and I've been itching to go back and rewrite/tweak those early/unbeta-ed chapters. I rewrote chapter 1 a few months back, but I just rewrote chapter 2 this last week and I'm much happier with it. The rest of the chapters were thankfully less terrible than I remembered, so I only had to clean them up a bit. With that in mind, I highly recommend a re-read if you've got the time! The rewritten chapter 2 is way more intense and it gives a bit more character to Alannys, who will continue to be fleshed out in coming chapters.
Chapter 27 will be posted this Sunday, and we'll hopefully be back to weekly updates for a while after that. Fair warning, chapter 27 will be pretty emotionally intense, but hopefully also somewhat cathartic. After that, we'll be wading more into ironborn culture and politics as Westeros continues to fracture and fall apart.
As a final note, I've got a couple character playlists y'all might be interested in. I highly recommend listening to the Lanny playlist while reading this newest chapter on Sunday, it absolutely wrecked me lol. I've also had a Quen playlist simmering for a long time, so feel free to check it out!
the kraken's daughter (Quen)
the woman who waits (Alannys)
See y'all on Sunday!!
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Sorry if you've already posted something like this before, but how well do you think Claude's routes tackle the subject of dismantling prejudice and racism? Because I've seen some recent discourse that's caused some controversy and it was about how Azure Moon/gleam character's and Dimitri handle that theme better with Duscar. And how Claude is a bit redundant as a character in FE3H as the golden deer routes overall don't end up contributing too much to the overall story rather than lore. My personal opinion is that I do see what they were trying to do with Claude and racism because it was there but because of how undeveloped the writing in both of his routes were the message doesn't come off as strong or a bit naive for Claude. (I do have like 3 more chapters in VW I need to catch up on.)
The outright tackling of it, in the base route itself? Somewhat poorly, negl. But the concept of him doing so itself would not be redundant, imo. The two of them tackle the same core issue - trying to dismantle prejudice and allow for peace to fall between differing people - in two very distinct, different ways.
Dimitri, when all is said and done, has the power and the means to achieve this with the power he has as king of Faerghus. Duscur is a land that, while separate from it culturally, still resides in Faerghus, and it is a relatively small land at that. And Faerghus has been its direct oppressor for years - it has direct power over Duscur. So Dimitri taking up the reigns of king gives him a far more direct means of amending that - it's not a "blink and it's over" sort of thing, but he is ultimately the one with the most power in this situation to be able to fix it. And, as seen by AG, him doing so leads to a lot of progress being able to be made. There's still a lot to fix, but to say he's been king for, what, 2 years max? There's a lot he's been able to do.
Claude, however, is not in that sort of position. For starters, he's not even guaranteed to become king, unlike Dimitri who always would once he became of age (as Rufus was only a regent in place of king until Dimitri was old enough to be coronated). He has to deal with the struggle of attaining the power to be able to make change at all, unlike Dimitri who had to fight Rufus to keep his already attained right to the throne, which immediately differentiates the two stories by a fairly large degree. But aside from that, Claude is trying to amend the relationship between two entire continents worth of people. As king of Almyra, he would not have power over Fodlan - Almyra isn't oppressing Fodlan, like Faerghus was with Duscur, nor does Fodlan physically reside within Almyra. Therefore he has far less direct access to change than Dimitri does - he has to rely on his connections to Fodlan's people-in-charge far more than Dimitri does (who, mind, still does do that, but it wouldn't be to the necessary degrees Claude would have to go to).
The relationship between Faerghus and Duscur and Fodlan and Almyra are fundamentally different, therefore Dimitri and Claude's approaches to the issues of them would similarly be different at their cores. Dimitri has more direct power to change things, but the things that need changing are horrific and involve giving power back to a people who've had theirs stolen from them. Claude doesn't have to deal with a history of oppression per se, but he has to deal with a long-standing feud between two fairly-equally powered continents that he can only potentially have direct power over one of. The stories of how these two fix these relationships - as in, achieving their goals that are, at the end of the day, somewhat similar - wouldn't be redundant because of the important differences they do have.
HOWEVER. That's mostly conceptually. In practice, Dimitri does achieve his goals (or gets far closer to them) than Claude ever does, in either games, because both games cared more to give Dimitri a character-driven story. All Claude was ever given was a bootlegged BE route in both games, with Hopes going further and making Claude himself a bootleg of Edelgard. Not much of a chance for Claude to do much, given those facts lmao.
As well as that, the writers only cared to have any story centered around Fodlan and not much else - Duscur gets a pass for, again, physically residing in Fodlan, but as we can see anything else gets The Boot. Almyra is barely talked about, Brigid is barely talked about, Dagda is barely talked about, Sreng is barely talked about; despite having characters that come from those places (or in Sreng's case, having characters otherwise connected to it somehow), they have almost no information given about them at all, and they have pretty much no narrative focus. Which is somehow better than Albinea or Morphis, who both get pretty much nothing at all.
And not to be a bringer of wild and wacky news or anything, but centering a main character around a place that you deliberately give no information about save for the smallest crumbs... isn't going to lend itself to a good story if you try to make that character's story have much to do with that place. Which is Claude's biggest problem in that aspect of his writing. Duscur is allowed to have an important role in both Dimitri's story (and other characters' stories) as well as the plot of 3H itself (as it's connected to the reason Lambert is dead and thus Faerghus is weakened as much as it is, which makes Edelgard's invasion of it easier) - Almyra is not. Almyra, at its core, is only really allowed to set up Claude's character, but doing anything more with it - directly interacting with Almyra the same way that Duscur is directly interacted with? Not... really. It says a lot that the writers decided to make Claude's paralogue centered around Fodlan and not Almyra in 3H - and Hopes, technically, though for once it is slightly better there by having Almyra at least be involved somehow.
I'll say this, end of the day: Claude was never going to be able to focus any attention on amending Fodlan and Almyra's relationship in 3H in any sort of similar way that Dimitri was able to focus any attention to amending Faerghus and Duscur's relationship given the nature of 3H's narrative priority to Fodlan's issues. And while he did have a really good opportunity to do so in Hopes, that was impossible because for the majority of the game it's his dumbass evil Edelgard-wannabe twin Clyde that's in the game at all. While Claude ultimately is fairly redundant against Dimitri in execution regarding their goals, it didn't have to be on a conceptual level - hope that makes sense lmao
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