#the digital version was made first but always with the intention to screen print from the way I constructed it

[soupacool]

psssst look under the cut

surprise I actually screen printed this poster

sorry I only have the one process pic but it was finals when I made this so I was in a rush

14x17, 5 color screen print- one for each type of skill + black. getting the layering and registration just right was a bitch and a half but I love how it came out <333

[chomelton76]

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[stuarthull2]

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[bjy-on-ao3]

Fic Friday: Shadow Play, Part 1

(As usual, you can find the AO3 version of all my uploads [and some things I don’t post here to tumblr] via my Masterlist blog page.)

This came out of some discussion I’d had talking about Izaya either pretending to drink with someone and them getting inadvertently wasted while was fine or having super high alcohol tolerance despite being so lean/slim. Originally it had a darker tone to it, but evolved into this. Oh well, I still like it.Broken into two chapters. Technically, you’ll miss some explanation/lead-up if you skip this first part, but you can skip it if you want just the sex/teasing. PART TWO

Summary Reader - an info broker from another city - arranges a meeting with Ikebukuro's infamous human-loving informant to discuss a truce to do some business in the area. Izaya invites them to share a drink with him to lighten the atmosphere. They soon discover the informant is very skilled at playing pretend, as well as getting more than he was first offered.

Tags/Warnings

Consensual Sex, Creampie, Drinking, Drunk Sex, Enthusiastic Consent, Fingerfucking, Reader-Insert, Shameless Smut, Teasing, Vaginal Fingering, Vaginal Sex

Shadow Play, Part 1: Dangerous Game (F! Reader/Izaya Orihara)

You took a deep breath, punching in the digits of the phone number you had acquired. Working yourself up to call the number had been more of an effort than getting it. Ordinarily calling some stranger you had never spoken to for business was a simple task, if inconvenient, thanks to having to learn someone new and their unique behaviors. With as infamous as the owner of the phone number was, and as widespread as his business was, getting the number had been easy, only requiring persuading the right person. 

Speaking with the owner would be an entirely different ordeal, though, because of that same notoriety. You would need to tread carefully. A text might have been an easier method, sure. But you were going to have to speak with him face-to-face later, one way or another, so you may as well get it over with and pick up on any extra pieces of useful information you could.

You tapped the ‘call’ button and waited, tapping a finger impatiently on the side of the cellphone pressed to your ear. The line rang once, twice, three times. By the time someone picked up the phone on the fourth ring, accompanied by a vague pop of static, you were frowning. “Yes?” A pleasant sounding voice floated out from the cellphone’s speak and you reminded yourself to relax. This was nothing but more business.

“Izaya Orihara?” You asked briefly.

“You’re speaking to him.” The answer was smooth, confident. You imagined he was used to random people calling him. “Who do I have the pleasure of speaking to?” There was something mischievous in his tone, light and cheery, but warning one to proceed cautiously all the same.

You answered, trying to reflect his carefree manner, providing him with the pseudonym you preferred to use. As far as you knew, with clients, he proudly used his real name, something that to you sounded rather careless. Most you would have labeled foolish for such a choice, but in this case, it was obvious it was confidence. His reputation cast a wide net, and he had made enemies in addition to those people who used his services. If he was truly a fool, some accident would surely have happened to him by now. The fact he was still alive and well was evidence enough he wasn’t no fool.

Izaya paused, then repeated the name as if to better store away the new information. The sudden intrusive thought of what your actual name would sound like in his dulcet rudely interrupted your focus. You held back the urge to physically shake the thought away, settling for crinkling your nose at the absurd idea. Now wasn’t the time to be thinking about something like that. You doubted you would have been the first lulled and lured in by his pleasant voice. Mentally scolding yourself, you were reminded you couldn’t afford to fall to someone else’s charms when it was supposed to be your job to do just the same.

“And what can I do for you?”

The question drew you from your unwelcome reverie, forcing you to recall the reason you had chanced to call someone like Izaya Orihara while knowing of his reputation for having a rather devious silver tongue. “I’m new in town and we’re in the same line of word,” you stared, successfully sounding level and confident. “I’d like to sit down and have a, ah, heart-to-heart. Make sure I’m not stepping on any toes.” You tried to make it sound as if you were granting him some favor or courtesy, hoping he was unaware of just how easily he could any hopes for the intentions you had of doing business in the area. “You can choose the time and place, it’s only fair.”

There was another pause, and you almost swore you heard a pensive hum from the other side of the call. “Alright. I’ll text you the information this call is over,” he decided, sound still as if he hadn’t a care in the world, casual and a little smug.

“Good. I think it’s done now then.” You drew the phone away, snapping it shut and ending the call. Maybe it had been rude, but you had said all that was needed without a face-to-face meeting. You didn’t think he would take it personally.

Slipping your phone into your pocket while you waited for his text, you grimaced. Only then were you allowed to notice how your heart pounded against your chest. You clenched a fist, cursing these new nerves. It was your job to remain cool and collected under a variety of circumstances, even when dealing with those of widely hailed infamy and menace. That was how the underground worked. Yet just speaking with Izaya Orihara over the phone had made you unsure and uneasy. Maybe his reputation of being so skillfully able to manipulate others was what rattled you.

Whatever the reasons were, it frustrated you all the same. Your heart jumped more forcefully when your pocket buzzed loudly. You withdrew the cellphone again, flipping it open. You took in the address and time printed boldly on the bright screen, accompanied by some trite remark about how he ‘couldn’t wait’.

You sighed heavily. You had until tomorrow morning to bolster your nerve and get your thumping heart under control.

When you arrived at the apartment door in the high-class building in Shinjuku, you ensured it was precisely the time in the text. Your punctuality alone likely told Orihara more than he needed to know to begin with. Though you hardly wanted to seem over eager by showing up earlier, or disrespectful by wasting his time being late. Rapping firmly, but calmly on the door in the unassuming, empty hallway, you waited.

It was only a minute before the door swung open, a slender man filling the doorway. Izaya Orihara looked even more pleasant than he sounded. He possessed a face and frame somewhere between handsome and pretty, and already you were warning yourself not to let your eyes drift from the over-confident grin on his face. Seeing him, you were fully convinced part of Izaya’s charm was based on his good looks alone.

After all, people were much happier being tricked by beautiful people than the alternative. If he had the sharp tongue and wit to match his good looks, he well-deserved his infamy.

“Ah, right on time. I appreciate someone punctual,” he greeted cheerily. He moved to the side, gesturing inward to the apartment, which even from the doorway you noted was as lavish as expected from the building exterior. “Come right in, make yourself at home.”

You wonder if he treated all of his business like this. His air was more of one welcoming a friend than the cordial sort reserved for work. Was he always so warm and casual? Or was he putting on on a show to convince you to like him more and let down your guard? It was hard to say for sure, given you had spoken to him only once before, and beyond that all you had was research and hearsay. That research had taught you plenty, but there was no finer research than studying someone in person up close. But that knowledge was a double-edged sword, and a razor sharp one at that. You were on display for Izaya to learn about and analyze, maybe even more so than he was for you.

You gave your thanks and stepped inside the apartment, following him after he shut the door and swept past the entry to a black leather sectional surrounding a coffee table in the center.At first, you studied the apartment interior as surreptitiously as possible, searching for any information that might make your meeting more beneficial to you. But bookshelves and potted plants told you nothing, save that he enjoyed psychology and anthropology. That was a given for someone in a line of work so closely tied to people, though. The long ‘S’-shaped desk with several computers atop it told you nothing as well, as did the floor-to-ceiling glass windows offering a breathtaking view to the city below.

“Seems business treats you well,” you commented absently.

Izaya sounded amused by your rather obvious insight. “Oh, what makes you say that?: He asked playfully, feigning naivety.

“Call it a hunch,” you answered, continuing the game of pretend.

Face still plastered with the same self-satisfied, close-lipped smile, Izaya gestured to the leather sectional. “Why don’t you have a seat?”

You looked for a second over at his desk, stopping on the chairs on either side of it, obviously the typical setting for a business meeting. But you didn’t protest, moving to one of the cushions and sitting down, folding your hands in your lap primly.

Expecting Izaya to sit across from you, leaving the coffee table between you as a comfortable buffer, you were thrown off when he sat down on the cushion beside you. One hand lay on the armrest, while the other draped across the back of the couch, fingertips hanging down the back. Your brows knit for a moment at just how absurdly casual the man next to behaved, before reminding yourself to wipe your internal train of thought from your face. You didn’t need to give him any handicaps in the mental game you knew the two of you were already playing.

“Comfortable?” He asked.

“Yes?” You cursed the questioning tone that came out in your answer. Why did it matter if you were comfortable? It wasn’t as if this was some pleasure trip.

Izaya eased back into his seat, crossing one leg over the other, clearly unthreatened by your presence and very in his element. You told yourself again to keep your eyes level with his sharp brown gaze. To not dip lower and follow the curve of his arm slung over the couch or the hard, yet delicate lines of his collarbone peeking out of his neckline. ‘No respect for personal space, I see,’ you wondered silently. ‘Or is he doing it on purpose to put me off?’

“Now, what was it you wanted to discuss? Something about ‘not stepping on toes’?” His tone gave you pause. Once more you had to wonder if he all business like this. Polite, but not seeming very serious or interested by the idea.

“I, uh, yes,” you confirmed dumbly, wincing on the inside at the stumble in speech. He seemed to wait for you to continue, so you carried on. “I heard Ikebukuro was a very exciting place to be,” you explained, trying to shake off the air of awkwardness. “Things were getting boring at home, so I thought I’d take a trip and try my luck elsewhere a bit more… interesting. But then your name started coming an awful lot.” You weren’t being completely straight with him, of course. Business had come up in the area that had drawn your attention to Ikebukuro, but the last thing you needed was Izaya knowing you already had something riding on the meetings outcome to give him more leverage.

“Did it? And what did you learn? All good things, I hope?” Izaya sounded far too please, and you were positive he knew what his reputation looked like and how many thought of him as rather dangerous.

“That doesn’t matter, does it?” You deflected. You would not give him any extra information if you could help it. “What matters is I know you’re the man to see when it comes to intel in this area. S-so it seemed only polite to have a little chat before I made any plans,” you finished with a shrug, trying again to give the sense this was all a formality or courtesy to him. You could only hope he missed the way some of your words wavered.

Izaya considered you with a narrow, hawk-like gaze as you spoke, perfectly content to listen as you went on. Here and there you thought you saw his lips quirk up a hair. “How thoughtful of you.” There was a vague condescension in his voice that you resented immediately. “And what were you planning on doing if I didn’t like the idea of you intruding on my stage?” He asked lightly, the condescension vanishing.

“Well, to s-start, I--,” you began, but Izaya stopped you.

What’s the problem? You seem nervous,” he noted, and this time you saw his grin grow for sure.

“N-no, just a bit tired, that’s all,” you quickly lied. “You of all people should understand how exhausting this line of work can be,” you added.

“Exhausting? Oh, no,” he denied happily, “I find it invigorating,” he countered. “Why don’t you excuse me for a minute, I’ve got just the thing to help,” Izaya offered, getting to his feet without waiting for a response.

“Oh, no, no need to go to trouble for me. Let’s just get back to our talk, alright?” You tried to convince him. The quicker everything was settled, the better. You hadn’t need for more of his ‘hospitality’.

But he seemed dead set on the idea. “Can’t talk business if you’re too tired to pay attention, can we? Wouldn’t want to misunderstand anything,” Izaya argued.

”Alright,” you conceded.

He left for a moment, leaving you to sit in awkward silence on the sectional, waiting for him to return. In the meantime, you intended to collect yourself, unhappy to find your heart was thundering in your chest again like a stampeding beast, and your throat was dry. You hated that one man had somehow uprooted your typically collected facade - without hardly trying even. It frustrated you more not being able to put a finger on why either. Was it his looks? No, you had done business with attractive people before. The soothing sound of his voice? His reputation? None of those alone should have caused so much distress. Was it simply the perfect storm once it was all put together?

When Izaya returned, he carried two opaque mugs of something steaming. He passed one to you before making himself comfortable on the cushion beside you once more. You offered him a quick ‘thank you’ before taking the mug, but couldn’t help eyeing the warm liquid inside suspiciously. It seemed to be the same as whatever you had glimpsed in Izaya’s, but was it safe?

“Don’t worry, it’s not poison or anything,” Izaya reassured you, though there was something about his smile now that had the opposite effect. “Something like that would any fun, would it?” He added, his smile wider, showing a hint of teeth.

You lifted your eyes to meet his, still skeptical as he raised his own mug to his lips and took a sip. “Besides, if I wanted to get rid of you, don’t you think I’d have arranged for us to meet somewhere that isn’t where I live? Clean up is such a pain, you know.” You suppressed a shudder at how carefree he sounded talking about getting rid of someone, as if the only regret in the process was how tedious the aftermath was.

He was right, though. If he wanted you dead, you imagined you would have already been six feet under before the morning of the meeting. Giving the drink in your hand a final glance and, wrinkling your nose at the bitter scent wafting off it, you raised it to your lips. This time full-bodied and it burned vaguely, more than from the temperature. The smell of green tea blended with the undertone of some alcohol - whiskey or bourbon, you thought - and the taste was much the same. It was stronger than it smelled though. You tried to play off your expression of distaste for the drink. “Now can we get back to the point, please?” You insisted prettily.

Izaya nodding, raising his drink again and tipping the mug toward his lips. You mirrored the motion, but took a smaller drink than the first. “Gladly. But you never said what it was you were after,” he reminded you.

“Ah, r-right.” Your short explanation before hadn’t been enough. “I want to set up some business in Ikebukuro for a little while,” you declared.

“And?” He raised his mug again, and again you followed suit.

“I want your word you won’t butt into any of it, if I don’t butt into yours,” Your words came out more clipped than intended.

“I’m not seeing how that arrangement benefits me at all,” he mused. “This is my playground, after all, so tell me what I get in return. Promising not to meddle in my affairs isn’t enough when you’re already intruding,” Izaya insisted. “Not that I’d let you butt in anyway,” he added, and the smile he gave you then was no longer warm and welcoming, but cold and empty.

You made a show of considering what you could offer him. “A favor, anything you liked,” you announced finally. “I may not be infamous here, but I’ve got my own connections elsewhere I’m sure you’d find useful,” you boasted, trying to sound smug.

“Oh? Anything? Are you sure you want to give some infamous like me such an open-ended promise?” You didn’t miss the emphasis in the sentence.

You raised an eyebrow. “I trust whatever favor is most beneficial to you, I can manage,” you claimed. You knew the dangers of such a vague promise, sure, but you knew the game as well. Secrets and connections were almost always more valuable than physical debts or favors. “So, I get to do what I want, and I owe you one favor. Deal?” You pressed, feeling more confident, even if your heart was still thudding too wildly for your liking. 

Perhaps the drink was more helpful than you thought. You took another sip at the thought, and this time Izaya raised his own in reflection. You told yourself the warmth blossoming in your chest was the fault of the drink as well.

“Deal.” You didn’t like the sense of no going back that came with the way Izaya said that single word. But there was no regretting your choices now. You had the distinct feeling Izaya wasn’t the type who appreciated someone backing out of an agreement. “You can do whatever it is you came to Ikebukuro to do.” Izaya was silent for a moment, the atmosphere feeling strangely heavy. “But do be careful,” he warned, tone almost musical, “I can’t have you showing me up when it comes to my little humans.”

His humans? What did he mean by that? “Ah, sure, I’ll keep that in mind,” you agreed hesitantly, confused. You took another drink from the mug to distract you.

“Anything else you need to discuss while you’ve got my attention?” Izaya asked brightly.

“N-no, I… I’ve got everything under control,” you said, though you found the words came out slower, heavier, as if your tongue was half made of lead.

“Take care then. Maybe get some rest; you don’t sound so good, my dear,” Izaya observed, standing once more and looking down at you.

You shook your head stubbornly, placing your nearly empty mug on the coffee table beside you and moving to stand as well. To your dismay, when you stood, your legs wobbled, dizziness seizing you, and you lurched forward. Instead of crashing headfirst into the table or the floor, a solid warmth and the soft touch of fabric met you. A warm pressure rested over your shoulders on either side. Your lips stretching in an uneasy expression, you redirected your eyes from the floor with a shaky breath.

They landed on Izaya’s mug, sitting on the table alongside yours. It was still full to just below the rim, untouched, and a queasy feeling flickered through your gut.

[theonyxpath]

Here we are in almost the last week of the Deluxe M20 Technocracy Reloaded Kickstarter, and like all KSs, we’re at that time where pledges start to slow. So we’re thinking about this KS, and our previous ones, and the roster that’s coming up.

What works, what doesn’t, and what just makes us wonder. Like, should we continue to portion out sections of the complete text during the KS, so at the end backers have pretty much the text as it’s going to be before being formatted during layout. (Which makes it a lot easier to read in most cases!)

We like that model, as it shows prospective backers just what they’re getting so situations where folks expected one set of information but got something else don’t occur any longer. And it shows that the text being finished won’t be a factor in the final project delivery to KS backers.

Those are two pretty good things, in our estimation!

But, does that kill the fun for folks? Like, is there value in being, well, surprised by your new book when it arrives? So far, we’ve been betting that the surety of information is more important to more backers than those who might miss a surprise, but we could be wrong.

Similarly, if we say this is the text and if you don’t like it then you can drop your pledge before we finish, we see that as a valuable option for backers. We want folks who back to enjoy the Kickstarter and the material we’re releasing. We hope they enjoy the chance to help create one of these books by backing, or going further and taking one of those fancy, upper-tier rewards that let them add characters or be part of the art.

Lunars art by Gunship Revolution

Yet, we can only hope we’re pleasing folks as it is often hard to tell if our methods are not delivering our intention since the vast majority of backers don’t interact with KSs Comments section. Whether because of a general, well-earned, fear of Comments sections throughout the internet, or of KS Comments specifically, my impression from talking to backers is that they don’t need the stress.

Who can blame them? It’s why I always try and suggest other ways for folks to communicate with us – even here, I’ll suggest adding to the Comments for this blog, but whenever I do I also get direct emails. And they usually start off with a variant of: “Hope you don’t mind my contacting you this way, but I didn’t want to get involved with any drama in the Comments.”

Like I said, we tend to think a lot about how we do things, and particularly Kickstarters since they are one of our most public display of our processes.

In some states, public display of your processes can get you arrested!

To get back to the M20 Technocracy Reloaded KS, here’s some links to fun and informative programming that will be reposted in the Onyx Path Media section below:

Tune in to hear words of wisdom from the Technocratic Union live on Twitch, Tuesday, May 19th at 9 PM EDT on the Onyx Path Publishing Twitch Channel. twitch.tv/theonyxpath

Plus, Red Moon Roleplaying continue their actual play of Technocracy Reloaded right here: https://youtu.be/RtdW0znt7GU Please give them your support!

And also, Travis Legge’s M20 Technocracy Reloaded actual play, featuring a stellar cast including the one and only Satyr Phil Brucato: https://youtu.be/ALnD1nwuTis

TC: Aeon Jumpstart art by Aaron Riley

Our Next Kickstarter:

Of course, as we’ve been thinking about Kickstarters, we’ve been thinking about the best time to bring back the Legendlore Kickstarter. This was the KS we cancelled as we launched it right before the Covid-19 lock-downs, and we just didn’t think it could get the sort of attention it deserved.

But as we have considered the situation now, it seems like our lines of communication are, if not perfect, working far more closely to expectations. I’m getting regular notices from backers of our previous KSs again, for example.

So, without further ado, and not wanting to sit to long on Legendlore, we are going to Kickstart it next after M20 Technocracy Reloaded!

Expect most of our approach to be similar, but knowing that we already have a wonderful group of backers from the first go, we’ll be aiming at putting the KS together in a way that doesn’t just make them go through the same things again, and that appeals to folks who didn’t back the first time.

More on that as we have some actual examples!

Lunars art by Yiyhoung Li

Things We’re Doing To Try and Help During All This

On Wednesday, we’re opening up Dystopia Rising: Evolution Community Content on the Storypath Nexus. This is a chance for anyone to work with the templates and art packs we provide to create new projects for DR:E. As a creator, it’s a way to both publish your ideas, and to get a little extra cash during these difficult times.

That’s pretty much our feelings for any Community Content site right now. Plus, for players, the projects posted on these sites are PDFs that usually aren’t that big or expensive, and they very often are focused on useful additions to our official stuff. Adventures, deep dives into specific topics we’re not really set up to put together – just great ideas to add to your playing enjoyment.

Just wanted to chime in here to remind folks that we released Chronicles of Darkness: Dark Eras 2 on DTRPG last week, and besides the big book itself in PDF and PoD versions, we released each chapter as an individual PDF. If you’re into a particular line and/or historical period, but can’t indulge in buying the full book, these individual chapters are a lot easier on the budget with the job situation being what it is.

Also on DTRPG right now is the Shelter in Play Bundle containing about $180 worth of PDFs, including the Vinsen’s Tomb Jumpstart for Pugmire and A Light Extinguished, the Jumpstart for Scion 2e, plus a ton of other delightful games for playing while we’re all stuck in together – all for $10, and the proceeds go to two worthy charities! https://www.drivethrurpg.com/product/312564/Shelter-In-Play-BUNDLE

Our friends at IPR, Indie Press Revolution, are running sales of our books over on their site (link below in the sales partners area) and are planning to continue to do so for the foreseeable future. If you’re looking for our traditionally printed hardcover books and screens, Deluxe and otherwise, now’s a great chance!

We made the decision last week that we wouldn’t be attending gaming conventions until we feel like our folks would be safe from Covid-19 if they attended. Considering that “con crud” is a thing that we expect to get after major conventions during a normal period, we just can’t send our people into a convention right now. Unfortunately, that includes our industry biggie Gen Con, which still has not announced whether it is postponed or cancelled. Regardless of their decision, ours is: we’re not going.

Finally, speaking of conventions: Thanks for the support and interest in an online Onyx Path Convention I received in the blog Comments and elsewhere all last week. It was heartening, and a little scary, how many of you would enjoy virtually playing our games and meeting with us. Actually, all kidding aside, it was great to hear!

No news yet, but you gave us even more to think about. In this case, expect that we’ll be acting pretty quickly on running something like a virtual convention. We want to commit, if we’re going to, before the enormity of it has a chance to sink in!

So, thanks to your feedback, we’re a few steps closer to arranging a virtual venue where we can talk about and play in our:

Many Worlds, One Path!

Blurbs!

Kickstarter!

The M20 Technocracy Reloaded Kickstarter funded in 43 minutes and at with just over a week to go has passed 1800 backer operatives, is over 400% funded, and has achieved Stretch Goals consisting of a Storytellers Screen unlock, an unlock of more original Mage PDFs, Backers’ Exclusive T-Shirt, Wallpaper, and building the Technocracy Reloaded Player’s Companion PDF: sections on Constructs and Symposiums (and then expanded by a later SG), Digital Web 3.0, Technomancers’ Toybox 20 and the Q-Division bonus section, Unlikely Allies 1, 2, & 3, Mission Statement short scenarios, and the expanded Digital Web 3.0.2. https://www.kickstarter.com/projects/200664283/m20-technocracy-reloaded

Highlights of M20 Technocracy Reloaded include:

An Operative’s Handbook that provides a detailed overview of life in the Technocratic Union, describing the organization of the Union, the Conventions, and the roles that sympathizers, extraordinary citizens, and Enlightened Operatives play in the overall structure of the Technocracy.

An examination of Technocratic initiatives on a global scale.

Devices, procedures, and hypertech used by the Technocratic Union that explores the Enlightened Science, allowing operatives to apply similar effects in the field, if they have sufficient understanding of the principles that allow these gadgets to function.

A comprehensive list of citizens, cyborgs, operatives, progenitor creations, and allies to use as NPCs.

Storyteller support that explores story seeds and metaplot to shape a chronicle for their needs.

Next Kickstarter: We return to The Realm of Legendlore!

Onyx Path Media!

This week Impish Ian Watson returns to delve into the Trinity Continuum, specifically the recently announced Trinity Continuum: Anima, VtM Bloodlines, and the happy wonders of managing Onyx Path social media with the Terrific Trio!

As always, this Friday’s Onyx Pathcast will be on Podbean or your favorite podcast venue! https://onyxpathcast.podbean.com/

Tune in to hear words of wisdom from the Technocratic Union live on Twitch, Tuesday, May 19th at 9 PM EDT on the Onyx Path Publishing Twitch Channel. twitch.tv/theonyxpath

Join the Consensus and watch the stream.

Plus, Red Moon Roleplaying continue their actual play of Technocracy Reloaded right here: https://youtu.be/RtdW0znt7GU Please give them your support!

Come tune in to our Twitch channel for a schedule including:

Vampire: The Masquerade – Blood on the Tamesis

Vampire: The Masquerade – Chicago by Night Noir

Pugmire – Paws & Claws

Storytellers with Coffee

Scarred Lands: Chronicles of Calastia

Changeling: The Lost – Littlebrook Reunion

Changeling: The Dreaming – The Last Faerie Tale

Mage: The Awakening – Occultists Anonymous

Scarred Lands – Purge of the Serpentholds

Dark Eras Werewolf: The Forsaken

Chronicles of Darkness – Tooth & Claw

Deviant: The Renegades – A Cautionary Tale

Good heavens, that’s a lot of games for you to watch!

You can subscribe to our channel over on twitch.tv/theonyxpath to catch up with any episodes you missed!

Come take a look at our YouTube channel, youtube.com/user/theonyxpath, where you can find a whole load of videos of actual plays, dissections of our games, and more, including:

Changeling: The Dreaming – The Last Faerie Tale: https://youtu.be/fx_UEKY6moE

Scarred Lands: Purge of the Serpentholds: https://youtu.be/9YC0qb29vjk

Mage: The Ascension – Technocracy Reloaded: https://youtu.be/ALnD1nwuTis

Hunter: The Vigil – Hometown Heroes: https://youtu.be/LJs8Q6KVu1o

Changeling: The Lost – Littlebrook Reunion: https://youtu.be/SXYLA9rCjKk

Vampire: The Masquerade – Blood City Chicago by Night: https://youtu.be/NmDv9Sq_wKA

Chronicles of Darkness – Seattle by Streetlight: https://youtu.be/6CwozhRpUNo

Do subscribe to our channel and click the bell icon if you want to be notified whenever new news videos and uploads come online!

Did you miss 307 RPG interviewing Matthew Dawkins regarding everything from They Came from Beneath the Sea! and They Came from Beyond the Grave! to upcoming Vampire: The Masquerade books? Give them a listen here: https://307rpg.com/?p=265

Further to that interview, the 307 RPG Podcast released an episode all to do with the Archetypes in They Came from Beneath the Sea!:  https://307rpg.com/?p=282

That’s not all! Vorpal Tales commence an actual play of They Came from Beneath the Sea! tonight over on their Twitch channel! Find them here: https://twitch.tv/vorpaltales

Utility Muffin Labs, home of the 25 Years of Vampire: The Masquerade podcast, have released a glowing review of The Chicago Folios right here: https://utilitymuffinlabs.com/25-years-of-vampire-the-masquerade?author=51a88e2ee4b035d1810e13fe

Occultists Anonymous are here with a new special Mage: The Awakening series:

RV Mage 07: Reversion  With Orphean mages no longer on the field of battle, the Pentacle mages work to undo the warping of the Gauntlet. The werewolves threatening the Supernal Being is going to make negotiations a little difficult. https://youtu.be/iUZKuh0G5sI

RV Mage 08: Excursion Following the Supernal shenanigans in downtown Richmond, Vicar, Drifter, and Amanita begin the search for further Orphean agents. An attempt to restore relationships with the werewolves goes as well as you might expect… https://youtu.be/YUcXnQwB-vM

Please check these out and let us know if you find or produce any actual plays of our games! We’d love to feature you!

Electronic Gaming!

As we find ways to enable our community to more easily play our games, the Onyx Dice Rolling App is live! Our dev team has been doing updates since we launched based on the excellent use-case comments by our community, and this thing is awesome! (Seriously, you need to roll 100 dice for Exalted? This app has you covered.)

On Amazon and Barnes & Noble!

You can now read our fiction from the comfort and convenience of your Kindle (from Amazon) and Nook (from Barnes & Noble).

If you enjoy these or any other of our books, please help us by writing reviews on the site of the sales venue from which you bought it. Reviews really, really help us get folks interested in our amazing fiction!

Our selection includes these latest fiction books:

Our Sales Partners!

We’re working with Studio2 to get Pugmire and Monarchies of Mau out into stores, as well as to individuals through their online store. You can pick up the traditionally printed main book, the screen, and the official Pugmire dice through our friends there! https://studio2publishing.com/search?q=pugmire

We’ve added Prince’s Gambit to our Studio2 catalog: https://studio2publishing.com/products/prince-s-gambit-card-game

Now, we’ve added Changeling: The Lost Second Edition products to Studio2‘s store! See them here: https://studio2publishing.com/collections/all-products/changeling-the-lost

Scion 2e books and other products are available now at Studio2: https://studio2publishing.com/blogs/new-releases/scion-second-edition-book-one-origin-now-available-at-your-local-retailer-or-online

Looking for our Deluxe or Prestige Edition books? Try this link! http://www.indiepressrevolution.com/xcart/Onyx-Path-Publishing/

And you can order Pugmire, Monarchies of Mau, Cavaliers of Mars, and Changeling: The Lost 2e at the same link! And now Scion Origin and Scion Hero and Trinity Continuum Core and Trinity Continuum: Aeon are available to order!

As always, you can find Onyx Path’s titles at DriveThruRPG.com!

On Sale This Week!

This week, the PDF and PoD versions of Oak, Ash, and Thorn the Changeling: The Lost 2e Companion bolts from the freakish Hedge on DriveThruRPG on Wednesday!

Oak, Ash, and Thorn as a companion book to Changeling: The Lost Second Edition, expands on what’s in the core book. It contains:

Expanded rules for freeholds and a selection of seeds for sample freeholds in four international locations.

Rules for creating new court Bargains and an introduction to non-traditional Mantles, including free companies, traveling bands, and Lost dynasties, with a playable example of each.

Entitlements, the titles of nobility that changelings assume to inherit mystical legacies from the Lost who came before them, including three full examples with accompanying tokens and Merits.

Expanded rules for tokens, including two new types with examples, guidelines for creating your own, and a system for ripping out one’s heart to become unkillable.

Also on Wednesday, we open the Dystopia Rising: Evolution Community Content section of the Storypath Nexus! Expect template and art packs you can use to create your own supplements to the DR:E tabletop RPG (and even get a royalty for your work!) Check it out for community-created supplements to further expand your fun with DR:E!

Conventions!

Though dates are subject to change due to the current COVID-19 outbreak, here’s our current list of upcoming conventions:

UKGames Expo: https://www.ukgamesexpo.co.uk/

GenCon: https://www.gencon.com/

Tabletop Scotland: https://tabletopscotland.co.uk/

Gamehole Con: https://www.gameholecon.com/

PAX Unplugged: https://unplugged.paxsite.com/

And now, the new project status updates!

Development Status from Eddy Webb! (Projects in bold have changed status since last week.):

First Draft (The first phase of a project that is about the work being done by writers, not dev prep.)

Exalted Essay Collection (Exalted)

Under Alien Suns (Trinity Continuum: Aeon)

Adversaries of the Righteous (Exalted 3rd Edition)

The Clades Companion (Deviant: The Renegades)

The Devoted Companion (Deviant: The Renegades)

Saints and Monsters (Scion 2nd Edition)

Wild Hunt (Scion 2nd Edition)

Dead Man’s Rust (Scarred Lands)

V5 The Faithful Undead (Vampire: The Masquerade 5th Edition)

V5 Trails of Ash and Bone (Vampire: The Masquerade 5th Edition)

V5 Forbidden Religions (Vampire: The Masquerade 5th Edition)

Trinity Continuum: Anima

Redlines

Dragon-Blooded Novella #2 (Exalted 3rd Edition)

Hundred Devil’s Night Parade (Exalted 3rd Edition)

Trinity Continuum: Adventure! core (Trinity Continuum: Adventure!)

Contagion Chronicle Ready-Made Characters (Chronicles of Darkness)

Novas Worldwide (Trinity Continuum: Aberrant)

Exalted Essence Edition (Exalted 3rd Edition)

M20 Rich Bastard’s Guide To Magick (Mage: The Ascension 20th Anniversary)

Second Draft

Many-Faced Strangers – Lunars Companion (Exalted 3rd Edition)

Kith and Kin (Changeling: The Lost 2e)

Assassins (Trinity Continuum Core)

Dearly Bleak – Novella (Deviant: The Renegades)

Mission Statements (Trinity Continuum: Aeon)

Development

TC: Aberrant Reference Screen (Trinity Continuum: Aberrant)

Across the Eight Directions (Exalted 3rd Edition)

Contagion Chronicle: Global Outbreaks (Chronicles of Darkness)

M20 Victorian Mage (Mage: the Ascension 20th Anniversary Edition)

Crucible of Legends (Exalted 3rd Edition)

Exigents (Exalted 3rd Edition)

N!ternational Wrestling Entertainment (Trinity Continuum: Aberrant)

Manuscript Approval

They Came From Beyond the Grave! (They Came From!)

Post-Approval Development

Scion: Demigod (Scion 2nd Edition)

Scion: Dragon (Scion 2nd Edition)

Editing

Lunars Novella (Rosenberg) (Exalted 3rd Edition)

Mummy: The Curse 2nd Edition core rulebook (Mummy: The Curse 2nd Edition)

Player’s Guide to the Contagion Chronicle (Chronicles of Darkness)

Contagion Chronicle Jumpstart (Chronicles of Darkness)

TC: Aberrant Jumpstart (Trinity Continuum: Aberrant)

Trinity Continuum Jumpstart (Trinity Continuum)

Masks of the Mythos (Scion 2nd Edition)

LARP Rules (Scion 2nd Edition)

Heirs to the Shogunate (Exalted 3rd Edition)

The Book of Lasting Death (Mummy: The Curse 2e)

Post-Editing Development

City of the Towered Tombs (Cavaliers of Mars)

W20 Shattered Dreams Gift Cards (Werewolf: The Apocalypse 20th)

Cults of the Blood Gods (Vampire: The Masquerade 5th Edition)

Hunter: The Vigil 2e core (Hunter: The Vigil 2nd Edition)

Trinity Continuum: Aberrant core (Trinity Continuum: Aberrant)

Deviant: The Renegades (Deviant: The Renegades)

Monsters of the Deep (They Came From Beneath the Sea!)

Legendlore core book (Legendlore)

Pirates of Pugmire KS-Added Adventure (Realms of Pugmire)

Tales of Aquatic Terror (They Came From Beneath the Sea!)

Terra Firma (Trinity Continuum: Aeon)

One Foot in the Grave Jumpstart (Geist: The Sin-Eaters 2e)

Indexing

Art Direction from Mike Chaney!

In Art Direction

Scion Titanomachy

Tales of Aquatic Terror

WoD Ghost Hunters – KS final art: One more piece coming in.

Aberrant – Contacting and contracting. Signing off on sketches.

Pugmire Adventure – All sketches in.

Hunter: The Vigil 2e

Mummy 2

Deviant – Dividing up among current artists.

Legendlore – Back to KS prep.

Technocracy Reloaded (KS) – Happening.

Cults of the Blood God – Rolling along.

Scion: Dragon – Waiting on art notes.

Masks of the Mythos – Waiting on art notes.

Scion: Demigod – Waiting on art notes.

They Came From Beyond the Grave! (KS) – Sent out notes for fulls and splats for KS.

In Layout

Yugman’s Guide to Ghelspad

Vigil Watch

TC Aeon Terra Firma – Over to Josh.

V5 Let the Streets Run Red – Working on it.

Pirates of Pugmire Screen – Getting charts from dev.

Proofing

Trinity Aeon Jumpstart – New artist taking care of finishing missing art.

Pirates of Pugmire – Errata input.

TCFBTS Heroic Land Dwellers – Inputting backer errata.

Lunars: Fangs at the Gate – Gathering Backer PDF errata.

Scion Companion – Just waiting for two tweaked pieces, expected today.

Contagion Chronicle – Corrections going over to Josh.

Cavaliers of Mars: City of the Towered Tombs

Duke Rollo Book – Finishing gathering backer errata.

Buried Bones: Creating in the Realms of Pugmire (Realms of Pugmire)

Magic Item Decks (Scarred Lands)

Yugman’s Guide Support Decks (Scarred Lands)

At Press

Night Horrors : Nameless and Accursed – PoD proof on the way.

Dystopia Rising: Evolution Community Content site – Opening on the Storypath Nexus this Weds!

TCFBTS Screen and Booklet

They Came from Beneath the Sea!

C:tL 2e Oak, Ash, & Thorn – PDF and PoD versions on sale at DTRPG this Weds!

Today’s Reason to Celebrate!

Please welcome Aaron Voss to Onyx Path! Aaron is old White Wolf and was my print buyer in the years before the merger with CCP, and has expertise in every stage of the game book creation process, and is specifically going to oversee getting our projects printed and shipped (and help Mirthful Mike Chaney out where he is needed).

[nolaroleplay]

✧ NAME: Alaska Tucker ✧ AGE: 27 ✧ BIRTHDAY: March 25, 1990 ✧ GENDER: Female ✧ LOCATION: CBD ✧ TIME IN NOLA: 1 week ✧ OCCUPATION: Freelance photographer, currently working with The Advocate

From the moment four year old Alaska came home with the announcement that she wanted to cut off all her hair, fully prepared to plead her case, Christine and Raymond Tucker got the feeling their youngest daughter was destined to march to the beat of her own drum. From then on, she spent her life unwittingly providing them with endless evidence to back their assumptions. At seven she wondered why they’d never taken her to New York City if they lived so close, asking if they didn’t think that was a wasted opportunity. Then they took her and the gleam in her eyes was all anyone needed to know that it wouldn’t be her last time walking those streets, not if she had anything to do with it. When she was ten, after watching a documentary with her dad, she spent the following months saving all her allowance as an offer to pitch in if they got her a film camera like the one on the screen. The moment she took her first photograph, she was hooked; with the way the camera felt in her hand, with the notion of having captured a moment in time, with not instantly knowing how it would look and having to trust her gut.

As time passed and the fascination she had with the world around her grew, the girl only got bolder. From her many mid-Friday disappearances to Brooklyn and the summer train rides to wherever she could afford, to once hitchhiking most of the way to a concert at only sixteen. It came as no surprise to anyone that, unlike her sister before her, Alaska decided to omit college as a path to follow. Instead the girl packed up a bag of clothes, two of her favorite cameras, and took her college savings along with a check her grandfather left her and used them to kick off her travels. The money in it’s entirety wasn’t much, but she was unwavering in her confidence to make it work. As was true to her nature, the girl didn’t have a plan. She had a list of places accumulated in the back of her mind, but no real order in which to tick them off. Because of things she’d heard in the past, it made sense to make the city of New Orleans her first landing ground. Little did she expect the experience and lessons she would learn.

To say Noah McElroy was her first love, wouldn’t be fair. She’d been in love once before, and it’d been something that would always stick with her. But what she had with the young man from Kentucky was different to what she’d had with the one from her hometown. It was simpler, uncomplicated. To the outside world it might have seemed like they fell too fast, but there was no denying what they shared was serious. In fact, Alaska found herself staying in Louisiana longer than she originally planned. Upon her arrival the young woman had every intention of only stay a few months. Just long enough to experience the city, get a job and save some money, before gathering her things and heading west. Those few months came and went, and it was as though Noah tore up her plans and threw them out the window with little protest from her. Then the day came when he had to leave, and she surprised herself with her willingness to wait for him.

The idea of enrolling in the army was never something her boyfriend kept from her, it was one of the things they talked about the most. Although in her heart she would have liked him to stay, if that was something he wanted and felt the need to do, then who was she to tell him otherwise? It was hard on her at first, not knowing if he would come back, but as she and his sister leaned on one another it became easier to bear. The day Noah returned from his first tour was like feeling oxygen flow through her lungs for the first time in months, everything around them lit up and the two couldn’t be happier. At least that was the case until the night his shaking woke her up. She’d been warned he may not return the same as he’d left, but that was the first sign Alaska was getting to back those claims. After that night she started to notice them more, the subtle changes in his behavior. The day she brought it up was the beginning of a hard struggle between the two, one that only got worse after she found the ring.

Tucked away between one of the sweaters she was borrowing, her discovery of an engagement ring made the world feel like it was spinning. Despite the way things had changed, there had never been a doubt in her mind that Noah loved her. But to see exactly how much, to see he wanted to marry her, that was something she wasn’t prepared for. It would have been kinder to say that it was the thought of him being gone again, or the possibility that they’d gotten lucky with him coming back at all the last time. Although those thoughts did cross her mind, the reality was, the decision Alaska would make had nothing to do with him but rather with the idea of being tied to a single place for the rest of her life. She loved him, so much, but there was still a whole world out there that the young Tucker wanted to explore. Putting that dream on hold for a moment was one thing, but to do it permanently would have been shutting away a large part of who she was. So it was with a heavy heart that she put the ring back in it’s place as though she’d never seen it, asked Noah to stay safe and walked away.

With her time in New Orleans leaving the girl heart broken, she retreated to her safe haven in New York to gather herself once more. Shortly after it was back to a life on the road as Alaska made her way out west to the state of Washington. Getting a job with her sister’s new boss while she was there wasn’t what she intended, but with the money he was paying her it was hard to say no. The owner of an architecture firm, he asked that she take photos of some of his projects to showcase as part of their new advertisements. It held her in one place for two months, but as soon as the older man got what he wanted and she got her check it was off to Brazil. From that point forward, Alaska decided to take her passion and ability with a camera, and use them in freelance work whenever possible. Between the occasional contract and some jobs she took on the side, she would be able to keep seeing more and more of the world. It was when she got to Ireland that a call came in from an area code she hadn’t seen in a long time. A small part of her prepared itself to hear a familiar voice from a life that seemed so long ago. To her surprise it turned out to be one of her sister’s exes, an editor now working for The Advocate, calling about her latest project with the company.

The way Alaska felt most content, most fulfilled, with her photography was when she went about it in the same way she’d started all those years ago; shooting on film. Though she saw the advantages in digital when absolutely necessary, nothing would ever beat analog in her heart. It felt more personal, in every aspect, from the shooting to the development—the time spent in those dark rooms becoming like a meditation. Because of these reasons, she nearly jumped at the offer to go work with the print company, despite it’s location. The idea was to create a series based around the home city of the company, to showcase it through various perspectives. Where Alaska came in was through her camera. They wanted her to show their readers a different point of view of the city, how someone who hadn’t lived there her whole life took it in. The topper was when they agreed to let her do it in the medium she preferred. It was with that green light, that she agreed to return to the States as soon as possible.

Alaska knows what coming back to New Orleans could entail, it was why she was so specific with her requests on the project. If it hadn’t been something she truly wanted, that really ignited an excitement in her—on terms she could work with—then the young woman would not be returning. She’d burned a lot of bridges in her life, but none were ever as hard as the one a younger version of herself had left in ashes. That was why she kept telling herself the same series of words as she packed her bags, rode to the airport, landed back in Louisiana; her time here ends the day the contract does.

Some believe photography is an art form that contradicts itself, if that’s true then it’s no wonder a girl like Alaska is so drawn to it. A walking contradiction from day one, it’s a wonder her parents or friends ever kept up with her. From childhood the youngest Tucker has lived her life with her head in the stars, yet her feet planted on the ground. Confidence for days, she still shies away from showing many people her personal collection of photos. The same way her friendliness shines through in her smile, she has been never one to hold back from telling someone if she has a problem with them. Then, of course, there is the energy she has about her. She loves being surrounded by people, meeting new ones everywhere she goes, but too much too fast can leave her drained. Something that never changes or falters is how passionate she is in every aspect of her life, it’s also the one thing to she can guarantee she got from being a Tucker.

ALASKA’S FACECLAIM IS PHOEBE TONKIN AND IS PORTRAYED BY CAROLINE.

[plaround]

How to create a portfolio with Blurb.com magazine.

Disclaimer: The method described within this post are the author’s personal thoughts. They are not intended to be a definitive set of instructions for this project. You may discover there are other methods and materials to accomplish the same end result.

1. Go to  Blurb.com, 2. Click on “Create” -> “Creation & Layout Tools” 3. Click on “Download BookWright”. This will install Blurb creation tool on you computer

Once you will download the tool, you will be presented with the following screen:

Click the “Create” button, on the following screen select “Magazines”. For my portfolio I chose the Premium Magazine. I recommend to choose this format unless you have a tight budget.  

Choose a title for your book and you are now ready to create your portfolio. Yep, blank pages everywhere, but no panic, this is going to be super easy! 

First thing to do is to upload into the tool all the pictures you are planning to use in your portfolio: 

TIP: remember, the total number of pages in a Blurb Magazine must be a multiple of 4, so plan ahead when thinking about the total number of pictures to use. As a reference below you will find the overall structure of my portfolio, which is made of a total 44 pages. 

Page 1: Presentation  Page 2-41:  20 pictures in 40 pages Page 42-43: Awards   Page 44: Framed wall picture 

Alright, let’s move forward. First thing to do is changing the background color of all pages to black. Click on “Background” on the top menu to do so.

Let’s now create the “Presentation” page: 

This is going to be very easy. Drag and drop one of your uploaded pictures in the empty page to fill the upper part of the page, then create a text container at the bottom where you will insert your presentation. 

TIP: pay attention to those pink + red lines on your pages. Those are respectively “safe area” and “trim line”. Whatever is on that zone can be affected by cut off and binding of the page. So make sure that your text is always within the safe area (BookWright does a good job in giving you all sort of alerts to avoid unwanted cutouts). With the images it’s a bit different though, you may want to “play” with the safe area in order to have a “full page” image on your portfolio, like in my presentation page. Just make sure no key elements of your image are in the safe area zone. 

Now let’s create the double pages.This will be the core pagination of our portfolio. Visually speaking, we are basically going to “force” the viewer to view our portfolio in horizontal. This way we can use Blurb magazine format to show our 3:2 or 4:3 pictures on a full page. 

The left page will be used for the picture’s title. You can see in the “text details” menu below the rotation I applied to place it in this position.

Make sure you use the align tool to center properly the text

Then on the right I placed the image: 

My portfolio is made of pictures in 3:2, pictures in 4:3 and also pictures with some cropping. I wanted to make sure that the whole picture is displayed in the page area so I decided to go with a larger spacing at the top and align as tight as possible to the “safe area” at the bottom, as in the examples below: 

We are almost done! Yes... because now we can copy each time the previous page in order to quickly insert all the other pictures we need to include in our portfolio... how? 

Once this is done, we need to take care of the front and back covers. I used the modules “draw shapes” to create a side grey band at the bottom of my portfolio cover page, I then placed the title inside a text container.  I drew intentionally the shape all over over the safe area to create a “full margin” effect on that shape.

TIP: The “PREVIEW” button on top right of the BookWright tool is your best friend, you can see in advance how each page will look after trimming. 

It’s time to upload our porfolio from our computer into Blurb servers with the “Upload” button at the top right of the page.

I really like how Blurb can create at the same time print and digital book versions of your work that you can sell - always through Blurb.com - on digital marketplaces like Amazon’s Kindle Direct Publishing™ or the Apple iBooks Store™, pretty handy!

Before starting the upload we will have to go through some validations. In my specific case I will ignore all error messages related to intentional actions like the “off page” grey band: 

Be also careful not to approve some unwanted corrections, in the case below, the name of the river could be changed into something else:

Overall this validation phase is very useful before sending to print your portfolio.

TIP: If you are planning to print LOT of copies of your portfolio, do not print them all at once. Create a first test print to make sure that everything is alright 

After this step BookWright will finally complete the upload your book.

Done! After this step you will complete checkout and payment,  :-)   I hope this small tutorial can help you create a stunning Portfolio! 

[arheco-pro]

No Remains but Oeuvres remain

Joyful memoirs on reading Kazuo Ishiguru

A selection of my own

The author of a book I first recall fully enjoying was awarded, today, the Nobel Prize in Literature. Kazuo Ishiguru in 2017.

"who, in novels of great emotional force, has uncovered the abyss beneath our illusory sense of connection with the world"

I came across his name on a book review published at the university's magazine. That was over twenty years ago. The book is still around; I saw it recently while collecting my childhood remains at my parents' house. All aside my current reading regarding Student-ran magazines devoted to collect, preserve and publishing the Oral Tradition heritage. Profitability is one of the main objectives to achieve in order to persist amassing General Knowledge and Historical Sources.

Oral Tradition heritage, as noun, is all knowledge that has been preserved and inherited on the continent today named after Amerigo Vespucci. In current theories it stands as grounds of Freedom to Gather. On public places the People gather to listen to each other and share meaningful advice. People speak like this on that first book I mentioned. By doing so I can clearly visualise how a dinning table should look elegant and appealing; I read it late at night on a chit-chat with the characters. It was barely lit and rather whispers. We liked it. Very much. Yes.

Hence, Gladness was my emotion as I watched the announcement. And here is, as well, a due homage to all nerdy typists: I posted his name as Kazuo Izziguru; I guess my Soul beat was expecting a name akin to Iggy Pop or a Guru alike. I corrected once noticed; the first post remains as a Timestamp.

The years about reading as much

By the times I read Ishiguro's work I starved for words. The hunger was maelstrom. Much more was the appeal to read than it was for typing. Handwriting has never stoped. Afterwards we all succumbed before the mighty word-processor. Later on the Text Editor confused all and empowered those who much read on the screen.

So set your memories & History recalls in the middle of the 1990's decade. Mine remind me of many bookshops I visited and shopped at all across the city. After such a point, I do not recall where did I acquire the book of his authorship.

Nevertheless, I remember the joy of closing it for the last time. Those were the Coffee Times as well. Very well mixed indeed. Such was the way of my delight; such is the way I am meant to be. So I am. The book tasted as words meant to be chewed with a slow pace; into another space and time sphere. For dreams and affirmations still wander my mind up to date; plenty of those aroused by paragraphs trapped on paper. Just as the last drop of coffee encourages you to pursue, finishing a book frees you to start living it at its full.

Neither can I remember how long I enjoyed carrying it around; the goal those days was to apprehend as many meaningful readings as possible, as long as the pace remained pleasurable. Such grounding principle remains. Even the author can attest how different was the way of waving Art with words back then. However, letting such beauty come alive into your universe can only abide by your own time. Then again, read as much as feasible.

The Paper Reign remains nowadays. Hence, by then, the amount of books to carry around remained a parameter worth bearing in mind all the time. I bet many of us match the book's volume with length of time meant to be carried on. This was a book to enjoy anywhere. And so it was. Passages and scenes alive remain, as fresh as they were on such days. And so will do the joy of listening the very first time this year's prize was being announced. It all fits in a book many will regard as a weekend-reading.

For the first time in my life I learned the news as they occurred, and it happened to be about an author I knew about; even better: I had read a book of my selection payed for with my own income. Such was the case with coffee. Plenty of pages studied about the Gourmet Tradition, along with sufficient experimentation and self-financial investment, had lead to pin in the map a vendor with the required quality of my delights. The mix became a habit which remains rather ritualistic.

Rite scenes rewind my memories as these words are on the type straight after such a warm delight with the sole intent of them to be. Be them then. Be now.

A lecture to slow down

First joy, then surprise. It was my first time watching the announcement on real time; broadcasted via the Internet. By the time I read Kazuo's book such an achievement remained a fiction for the long_to_wait_for future. But such a rush of excitement does not belong neither to his book, nor to this article. In much we celebrate the Art of words. Today's laureate wrote in such a manner capable of inspiring many of us.

In my appreciation his style is rather a Feasible Fiction. It might be happening right as you read. Stylish and harsh, as required; moods mingle with atmospheres which depict more the characters' psychology than their acts do. For their acts rather depict prevailing manias of a meaningful life. A reading to slow down provides space and time apt for healing and replenishment; both mentally and physically. In such a manner, words mean more than mere sentences arranged in a knowledgeable array, but in a flow of emotions and awareness. By then not so many books have kept my attention delighted. But it made sense.

Empathy was an overall state of mind I experienced while reading. At times I caught my mind on an internal dialogue with either any of the characters or with the author. Those were the Literate Nights as well; certainly on paper. Computers were rather expensive, so I typed at the University's Computer Center and handled my paper_notebooks by night. Mobile communications were not a hazard to focus as they are nowadays; it all was limited to TV, radio and your reachable surroundings. Still, typewriting was falling on a clear oblivion. Now fellow words complice, lets wave a wave out of here.

Does a good coffee deserves multiple slow sips or long hot swallows? Since caffeine has a long lasting effect plenty of tales expect a type to bring them into life. Back then no computer was available at home; that gave me time to write on paper quick notes in order to gain reading time and focus. By then music was the sole potential distractor; but my uncle's example was good advice. Classical music at a comfortable distance.

A rencounter in Prague

Years later I found again his books in Prague, certainly in English as well as in Czech. This is a country where people enjoy learning and using foreign languages. And books abound.

Once again I am blocked from remembering where another book by Ishiguro came to my hands. But beautiful memories from those years flash back. Many books and authors more were now wandering my mind, as well as a broader taste of topics and styles had been rearranged within my preferences. Still, the good taste prevailed. By means of gained privileges several conversations got shared via Internet with authors from diverse mother tongue and preferred style and format.

These were the years of mobile computing. These were the very first years of the century; and we all were proud owners of portable computing and communications devices. Many books were being published in digital formats meant to be read on a screen. Whereas many claimed the death of the book, paper consumption for printers connected to a personal computer rose. Literature survived. Poetry Bloom.

Many of us got wounded on the Digital Transition; one rule prevails: become an early adopter As Soon As Possible. Another one withstands alongside: never underestimate the language of your handwriting.

Hence I wrote, plenty of pages. I received pretty notebooks from different sources; some as personal gifts, other from Literary events. I always wrote down whatever I noticed, letting go away many words arriving either late, or early. Calmness, clarity and peace of mind. Plenty Poetry Poped Op. And notebooks got lost as well; or for good. Fate in a well.

Ishiguro was among the authors I read by then. Certainly a book from a local library. Nor do I recall having shared an interview with each other. However, having met and read many authors over there assures me the Joy of Today ignites from acknowledging the prize was awarded to the Fine Art of Waving Words into Literature. Such is my taste.

The Years about reading & broadcasting

And there most be a good reason to let this story linger; or at least it seems so. How long does it take to deliver words worth awards? For some Poetry may seem as painter traces. But perhaps it was a hidden word which kept the poem trapped away from a paper; it just happened to yield a delightful meaning.

That was certainly the Semantic Era. It means making sense of it all. It actually is about abiding by the Laws of Life. Maieutics, ironically, was my method of preference. By the end of each day I closed the eyes; I gave myself into another mystery of our existencial nature. Hence happiness floated amidst a valley of questions.

It was a radio show which lead me into Literary events; and some authors dared to step into the studio. By so I can attest that publishing words in printed version is an entire different Art domain. Take a pause and imagine the role of silence in radio. Keep the waves in silence until solitude haunts you.

Abruptly fade in sounds of wonder.

'Is silence an enjoyable factor around your reading?'

The Joy of Today assures us Ouvres remain to be waved and sewn onto Beautiful Hardcovers worth collecting.

Long Live those devoted to a form of Fine Word Arts. Long Reads & Thanks to Nicanor Parra; 103 years old active writer in 2017.

But today, Respectful Reader, you are reading words born a week after the prize was awarded; one week old are the main ideas on it. Just because a calmed editing session is worth it. Just because, ironically, I found several typos and grammatical misbehaviours across the Nobel Prize's official website. All in all I consider starkly important to calm down, pay attention to the world, and revalue Time as an inherent element of our Artistic Understanding of the Universe; Einstein did.

Hence, fresh and aged words here are left for a pleasurable reading. A session left to your entire delight: the flesh of occasion's excitement, glazed with the age of a long awaited proof-reading.

Please bare in mind there is plenty of information about the 2017 Nobel Prize in Literature at the official Nobel Prize's webpage: https://www.nobelprize.org/nobel_prizes/literature/

Dear Authors

These words were assembled the very same day this Nobel Prize was announced, originally published at. Publishing is even more important for the sake of Global Knowledge. Type and share.

[elseniorespantapajaros-blog]

Begin An Online Shop.

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Finally, to handle the cookies that are put on your computer system, you could configure your net browser to reject, accept or delete cookies from our sites any time. Style personalized t-shirts with a firm that screen prints over 1,000,000 tees each year! Maintain merchandising info regular throughout all networks, while upgrading brochures with brand-new products or promos in much less time. Capability cookies: these cookies allow you to navigate the site and utilize our functions, such as maintaining things in your basket when shopping online. SAP Digital Business Solutions attaches organisation as well as IT to help you shut the void in between your digital change strategy as well as implementation. Our site home builder automatically produces a Facebook web page with a prominent Store Now" switch that brings people right into your on-line shop. Offering direct to consumers is the heart of ecommerce. Their main web site asserts that it' powers over 28% of all on the internet shops' WooCommerce is presently being made use of by over 380,000 on-line store owners. Learn what e-commerce preparedness looks like in today's data-driven marketplace. I had a buddy at one time in my life that told me she would deliberately "steal" other individuals's energy and feed off of other individuals energetically. An Omni-Channel B2B Shopping Platform provides you the capacity to provide constant, optimized purchasing experiences throughout all sales networks. All eCommerce site building contractors will certainly use options for your customers to buy items at your store. Now a Days Without Ecommerce Idea we can not get leads to our Business are always curious about B2B eCommerce companies.Really Great Article Article, it will really aid me to run out my service. 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Mainly, nonetheless, Kheloufi's consumers acquire their things in the same way she markets them: by application. With both exceptional & cost-free ecommerce themes available in the Shopify Theme Shop, you'll have no problem discovering the best corporate photo for your company. In an age of subscription-based ecommerce systems and web site building contractors, occasionally it's nice to have a solution that's totally free. Your facility of an LDS Account or your purchase of products or services from the Store constitutes your acceptance to those changes.

[barteldesigngmbh-blog]

Understanding the Different Types of Logo Design

You need to be aware up front that I'm The Logo Handler and not a logo designer. I've designed a few logos previously, but it is not my forte. Clients entrust their logo to me for printing and marketing purposes. While I can not design you a glorious logo, I can let you know instantly if the logo will cause you troubles on the way. I have spent the important portion of my career working with corporate logos. Some logos are excellent and others are an issue. They may be pleasing to the eye, but they pose a multitude of printing issues.

One critical mistake people make at the very beginning would be to offer their designer small to no way. They find a designer, provide them with the company name and inform them to design a logo. Typically no additional direction is given. Perhaps some favored colors or a suggestion or two on a symbol that may be utilized, but that's it. The business owner assumes that the designer understands the needs and parameters of logo design. From my experience, about 50 percent of these logos I encounter are centered on aesthetics only. While an eye pleasing logo is significant there are a number of different things to consider that will play an important roll down the road.

SELECTING A DESIGNER

While it may be tempting to use a buddy or family member that dabbles in graphic design (and therefore are normally very cheap or even free) the logo usually ends up costing you down the road. You're more likely to experience issues with layout egos and must manage time delays. They might also not have the technical knowledge (bitmaps vs. vector, bleeds etc.). That is less of a problem for logo design but has the potential to lead to significant problems on additional projects. On the flip side, don't discredit these individuals. I've seen some great work come in aspiring designers and those who design as a hobby.

Irrespective of where you find your logo designer, make sure you review their portfolio and then confirm these two criteria:

1. Find a designer that will provide you with a vector emblem. If they can not, get a different designer. If they don't understand what a vector picture is, then do NOT hire them!

2. Make sure that they will Provide Aarau one of the following files:

- The first (vector) file in the app the emblem was designed in.

- A (vector). Pdf of the logo.

- A (vector). Eps of the emblem.

- Three high resolution.jpg's of this logo, one 2" wide, one 12" wide and one 24" wide.

Though your computer probably does not have a program that can open the first 3 documents, make sure you have them onto a disc in your workplace and stored away in your PC. Future printers and designers will require these files. See Images 101 for more info on vector vs bitmap.

LOGO DESIGN GUIDELINES

Besides a symbol that looks good and makes sense for your company, make sure your designer follows these guidelines. You also should run their layouts through these factors (color, size and contour):

Colours

Colors play a significant function in a symbol. Ideally you need to keep colors to a minimum, avoid shading and maintain colors separated. When printing full colour digital images you likely won't encounter any difficulties. Digital printers print images just like your colour inkjet or laser printer. In general, electronic printing is more expensive and is not always readily available for non-paper items.

Maintaining Colours to a minimum can save yourself money. Printing applications for apparel, promotional and signage products will cost more for each color. Promotional products generally have a set-up charge plus a run charge per color. Display printing will even cost more for each color. Design a symbol with a couple of colors or have a version which can be utilized as one colour.

Engineered colour enrollment may cause issues. If your colours are touching that is deemed tight registration. Text that comes with an outline around it's a great example. Promotional items that are silk screened or mat printed can not always attain this. Tight registration may also become an issue if you are photocopying something in black and white. Two completely different colors can look like the exact same colour and end up being a huge black blob when photocopied. Avoid tight enrollment or have a version of the logo which doesn't have tight enrollment for these scenarios.

Color fading/shading can't always be printed. Most non-digital printing software print solid colors. When you've got a solid colour that fades or colors to a darker color or another colour you will need a modified version of your logo.

Custom colors may cost cash. Printers carry conventional ink colors for example but not limited to red, navy, royal, dark green, yellow and black. Most printers will charge a fee to combine a particular colour for you. Promotional logo would items are also chiefly available in standard colours. If you picked teal blue to your logo and want to find a teal pen for your business, you'd be quite limited in your selection.

Size

Lines or text which are too small or thin are not effective and can "disappear" when printed or photocopied. The little parts inside a lower case "e" and "a" can also fill-in if they're too tiny. When selecting your logo be sure that you can shrink it (or a variant of it) down to 1" wide. 1 inch is about the smallest size you will print your own logo.

Shape

Shape is much more compared to a horizontal or vertical layout. Shape needs to take into consideration what is known as white space. Avoid layout elements that float too far away from the primary design. If your logo has lots of unusable white area and you would like to publish it in a small area, the white area can prevent you from having room left for contact details which you need to include. View the illustration below. Think of how the logo will appear when paired with your address or website. Ask the designer to put your address block next to the emblem as it may appear on a business card or on letterhead.

An important notice on various versions - You should not feel restricted by any of these guidelines. As an example, a symbol that resembles modern graffiti will probably go against all of the guidelines above, however if that's what you need then that's exactly what you should have. Just ask your designer to create modified versions which may be printed in one colour or smaller distances. I have seen businesses with 10 page booklets and dozens of variations of their logo which may be used for different applications. Be prepared.

Consider color, shape and size when designing and selecting your logo. It's also advisable to have different versions for different applications. Make sure you have the correct files saved away for printing. Keep in mind that the most recognizable and many renowned logos are easy and the colours are restricted. Work it and re-work it till you've got the perfect emblem. It's your logo, take ownership of it and maintain your logo visible!

A logo design can be considered as one of the area which resembles a bit too easy in layman's eyes. However, in its execution, it can be quite hard if it is not correctly designed. The topic of emblem involves everything and anything about grabbing attention. It turns into a massive challenge for the logo designers to successfully mould the emblem by taking all the essential ingredients of the brand identity and implement it to catching everyone's interest.

The main trick of constructing a logo is all about creating a single which will last for ages and should get etched in the minds of their target market even when the business meets its demise. This article would take up some of the elements that are found to be widespread in the logos created in 2013. Becoming familiar with these components ould help you prepare for the next several years.

The Components Which Have Changed the Look of Logo This Year

The Finer sides of Fonts

If you're heavily into Logo Designs, then you're expected to be aware of the font types. Some of the most frequently used fonts for logo design are Lucinda, Tahoma and Verdana but they aren't the sole one. There are a number of fonts which are seen to be used this year. The new logo design for Yahoo introduces fonts such as Optima, which totally changes the firm's outlook. You'll also find the newest fonts for logos online like the Aesthetique in addition to the Operator. The most popular fonts which have being used for Logos this season until now comprise the likes of Fiddle, Songbird, Axe and Anguilette. A thorough research online can help you find not only the stated ones however more.

The illustrated face of Logo

Hand drawn illustrations are making a comeback this year. Gone will be the days when designers employed the stock illustrations and photographs to think of a clone referred to as a logo. This season has witnessed particular changes from this perspective. Logo Designers around the world are utilizing especially designed illustrations to come up with mind-blowing logos. These logos have helped in bringing out the psychological appeal from the ideal target market.

The logos are extensively influenced by the ads which they by themselves represent. They have more influence on the target audience than those being made with using stock images.

The Use of Colour and colors

This specific year concentrates more on the brightest and boldest of the hues and tones. The most important intention of the logo designer is to use certain colours which would grab the attention at a jiffy. The colors this season concentrated on this of the brand colour. The main emphasis was to use a color which may continue to the new identity of the targeted product.

Introducing Flat Design Logo

This season could be termed as the year of their apartment design. Together with Windows introducing Flat layout with Windows 8, Apple adapted the exact same fashion with iOS7, the logo layouts are in for a serious change. Every third party app developers are adapting their emblem to this Apartment change. Logo designing is moving back to the fundamental with colors and basic geometric Contours. The forthcoming 2018 Olympic Games logo is the perfect example of that.

Logo Designs throughout Initials and Letter

Simplicity is the center of the issue using the Logo design trend. The emblem design uses either the initials or one of the significant letters of the brand. It has grown into among the simplest and the easiest way to communicate the brand to the right target audience. The new logo for the famed TV series, Master Chef conveys only that.

In this guide, we will talk about some must-known logo design hints and summarized them to a list with 8 "Don'ts" rules. If you are enthusiast in logo designing, then you might note that an outstanding logo design should identify your brand or company ideas marketing goal and strategy, give decent impression to the general public. Here the subsequent designing tips, Most of them not only aim at a great logo design, but also focus on original and unique creations. Hope that they can help your design logos in a wise way.

Some Don'ts List:

1. DO NOT overlook any flash of inspirations.

Draw any of ideas down with pen as much as you can. Please note that you'd better draw black logos as drafts in the beginning. It is a practical way for you to distinguish better and weak designs.

2. DO NOT combine more than two font styles in 1 logo design.

Sometimes, more means less. More font styles existing in 1 design may cause chaotic problems. Too many factors can't grab the attentions. Folks might not grab the focus of your own design. So if not necessary, please use only a couple of font styles in your own logo. Actually, most of emblem designs are mix logos, which include symbol and emblem text together. In the case, we only need one type of font style for matching.

3. Don't use more than three colors in 1 logo's color scheme.

If you aren't eager to design multi-color or rainbow logos, then do not use three colours in 1 logo. It just made your logo flowery but not beautiful.

4. Don't copy other designs or ideas.

Unique logo design concept is obviously driven by the various business locations, objectives along with your client's ambitions. If follow other's layout, you'll receive nothing but just the accusation of plagiarism.

5. DO NOT constantly draw shapes and symbols with just rectangles and roundness.

Occasionally irregular shapes, unlike many others, may lead the way in logo designs. So keeps your mind ticking over and do a few adjustments on details. It'll make your logo standing out.

Note: using vector instead of bitmap picture since bitmap is not a good choice for stretching. Jagged edges always create the emblem design go down.

6. DO NOT make the logos increasingly more complex.

Simple logos are usually more memorable than others. Don't permit your logo get too complicated, only if you're confident that you could control the intricate huge designs.

7. DO NOT leave logo without drop shadow and gradient.

There are some long-standing effects that many designers often used. As an instance, you can use shadow, reflection, glow, and gradient. Attempt to use them flexibly, but not often. Please note again, less is more and less is better.

8. Don't work behind closed door.

Discover and get inspired from different designers' logo artworks. Try to discover the ingenious creations as well as the shortcomings of their work. But do not copy them. Please refer to the following tip.

[raystart]

Dave Nelson: On Making Design Front and Center at Microsoft

When you think of design-driven software companies, Microsoft won’t likely be the first that comes to mind. You might want to reassess your biases, though, because it turns out that Microsoft has been picking up some of the best design talent in the game for several years now, and its design-forward attitude shows no signs of abating.

Dave Nelson, Microsoft’s principal creative director, is one of the design team’s brightest stars and is a key player in this seismic shift. Training in calligraphy at the age of 12 made Nelson realize that he would one day work in design. He studied under former students of luminaries Paul Rand and Katherine McCoy, receiving a rigorous design foundation before breaking into the commercial world. Nelson has been a catalyst for change at Microsoft by adopting a small and agile team model that not only forces designers and developers to collaborate, but also requires that every team member interact directly with customers in the field so they can witness how their products work in the real world.

By moving toward these small customer-centric teams, Microsoft has been changing the way it approaches product development. Having learned from past mistakes, the team has also reprised its design system Metro; it recently announced the launch of its successor, Fluent, which it created with the intention of adapting to today’s world, including the introduction of 2-D and 3-D capabilities for AR (augmented reality) and VR (virtual reality) interaction.

99U Contributing Editor Dave Benton recently sat down with Nelson to find out why curiosity is the number one prerequisite for his staff, how the small-team model works within a big company with such a global reach, and why the team’s ultimate goal is bona fide, possibly-quantifiable user love.  

When did you realize design was in your blood?

I always knew I wanted to be a designer. My grandmother got me into calligraphy in middle school, and it got me hooked on the graphic quality of type in communication. This led to the idea of advertising and commercial design, and then I knew I wanted to go to design school. My academic design career in college was extremely rigorous and very traditional. One of my teachers studied under Paul Rand and the other studied under Katherine McCoy.

You started your career as a Flash developer and designer. How has that influenced what you did later?

I stumbled into the Flash thing out of curiosity. In fact, curiosity is probably the one thing that has tied my career together. Insatiable levels of curiosity are key to me and my teams. Stepping into something you don’t know and trying something new – that’s important to me. When I got into Flash, it was a real do-it-yourself time in digital design. Through Flash I built a strong technical understanding that I now use on a daily basis. I learned how to push design with code, and gained the ability to talk to more technical people and bridge the gap between ideas and execution. Look at Charles Eames: He had to sit down with manufacturers to see how far they could bend plywood. Great print designers work the same way. Flash really helped me to fully understand materials and how to flex things as much as possible. I got interested in type and image and motion, but the kinetic quality of Flash is what drew me in. It allowed me to make things come alive and get rich feedback from screens, which were traditionally hard to interact with.

Do you feel that in-house designers are getting their seat at the table, whereas agency designers are still left outside?

When you’re a hired gun, you just have a piece of the journey and don’t have the same skin in the game to fully see a product through. When you build something and stay on track to make sure a product works the way it should, you are earning your seat at the table. Design has typically sat closer to the top of the iceberg, but we are now deep into the bottom, as there is a lot involved in making a successful product at scale: It’s the long game. A designer from an ad agency has their metaphorical muscles built as a sprinter, but here you have to slow down and work out that the impact of what you do today will come several months down the line. You have to be a marathon runner to work on product.

What are the unique issues and opportunities of designing for three-plus billion people?

Tactically, my team struggles with the localization of interfaces. It’s hard enough to describe a great experience in English on one platform. Mix two different platforms and multiply it by hundreds of languages – these are our current struggles. We need to make sure we are designing with a very focused perspective while keeping a universal one at the same time. Most recently I have been working with non–information workers. This forced us to get out of our comfort zone and hang out with people. We spent a lot of time trying to learn about people who don’t stand in front of a computer all day long.

We are talking about the front-line workforce that doesn’t sit in an office; we call them desk-less workers. These are the baristas in a coffee shop, construction workers, health care industry workers. People who are on the go and working from multiple locations and are on their feet all day long. People interacting human to human. So you are building experiences to connect people and bring them closer together while they are working to be happier and healthier and more focused on what they are doing at work.

Finding the balance to go broad enough and serve the needs of lots of people is always a challenge. You have to find the balance of designing for a human versus designing for a system of people. Take the coffee shop barista. You are looking at a system: a group of people working together. We are essentially working on solving for the hive and how people work together collectively. It means you can have a huge level of impact on how you are changing the workforce. This is a sector that has been ignored to date, and much of their work is done on paper, so I also get excited about the potential reduction of waste. We are going to be able to reduce a lot of paperwork globally. One of our pilot customers became an early fan because the scheduling tools we built for her team have taken away 25 percent of the time she spent on creating schedules.

What is the biggest change you have seen at Microsoft in the five years you have worked there? 

When I first came in, the design team was ahead of its time. The team of inspiring designers here at Microsoft was one of the drivers of why I came here. We have worked through three phases of design as a company.  Phase one was “design as a service,” and it predated me. It focused on icon development and interfaces. Phase two was “design as a discipline.” This is the place where we started building studios and stronger thought leadership in the groups. Phase three is now. We’ve realized engineering and planning can’t do this alone, and so design is now at the center of the product teams. This has been a big shift!

Design used to sit in this ivory tower and yell at everyone to make things better, but now we are in this new state where we situate ourselves at the core of the product teams. We are all after the same end goal, and we are closing the gaps between concept and code. The second big change Microsoft learned from Windows 8 was to become more agile and more precise around how to execute. We’ve learned to push things out even if they aren’t perfect. Perfect is a good striving point, but it’s impossible to get to. Sometimes you have to just put it out there and get feedback so you can iterate. Embracing change is one of the core tenets of our culture. We promote the growth mind-set and try new things without being afraid to fail.

With the expansion of design and the growing recognition of its importance at Microsoft, how has that affected the company’s product and culture? 

A common focus for designers is the human condition. It’s about humans and experiences and finding ways to make things better. It’s about people. At Microsoft, our focus has been to make a difference in people’s lives. Our approach is different now as we start seeing successes from the inside out. We are starting to elevate discussions by looking at how we can get the computer to be more human-literate rather than making people more computer-literate. We are at the forefront of artificial intelligence, and the amount of data we are able to gather is really opening up a lot of opportunities to have products less in your face, and to have interactions that have no interface.

There is a global design trend focused on functionality and clarity. How has Microsoft recognized and adapted to this?

We think about systems in a couple of different ways. Metro was our first step into building a design language, but early on we saw the disconnect in the seams between our products. Each product group had its own aesthetic and process, but many of our products cross over. We really wanted to connect and build a more fluid system that could interact across the board. We also wanted to increase our efficiency – this was the drive behind Metro.

We quickly learned that Metro was hard to do, and that it required a graphic designer to make a Metro design feel right. We saw the need for increased flexibility and began planning Fluent, which started in Windows. Additionally, we had a need for a 2-D and a 3-D version of Windows. Are there ways that design patterns can affect the how data is presented? How do we interrupt people at the right times? These are some of the things we are looking at with Fluent.

We moved translating from 2-D to 3-D but we’re also looking at how these things fit in across time. We also have the rise of 0-D. There are new technologies, and we are pushing the boundaries of what they can do. Voice is now commonplace with features like Siri and Alexa. We have engineering systems that can recognize human voices, and bots are getting more intelligent. More conversational UI is becoming a reality at the consumer level. We are excited to see how voice-activated computing gets into this. We need to build more intelligent human systems that can adapt to you and become smart. Take scheduling a meeting with someone: It’s tedious and requires a lot of time and effort and human management. These are things that our systems should be able to do for us to some degree. Computers have caught up in a way that allows us to reimagine productivity.

How hard is it to manage one universal design language across Microsoft’s hundreds of product teams and rollout cycles? 

I think it’s impossible. Metro had all these guidelines and examples and lots of instructions, but it was easy to break and hard to police. I feel we’ve now embraced the fluidity and have more guidelines than laws. When you look at third-party developers, you see it clearly. Everybody has the same grid system in all the work we do. And we have one centralized icon group and put all our icons into a single font, which stops people from creating new icons for everything; it gets updated every two to three weeks. It’s a continual process that involves continual communication.

Users now expect consistent experiences across devices and in the cloud. How does this affect how you approach product development?

The cloud is our foundational starting point; knowing that devices are connected at all times is a given in all our planning and all our work. We also tend to look at the substrate – our central intelligence system. It’s a document graph. The cloud enables connectivity, but we have a level of intelligence and network connection that we follow through with. When we get to product planning and building, we all start with a core infrastructure built specifically for us that feels like Microsoft. But we also exist in worlds that aren’t Windows, and have products that have to live and breathe in IOS and Android, which are two very different platforms. How do we maintain our systems, and how do we fit into these platforms? We want to be really good guests at a party!

The common foundation is the thing that connects the dots. Each product then gets its own living layer that is specific to that product and allows it to shine specific to its audience. You start with the device and you go from there. Context is one of the principles we think about, and building systems that are contextually aware. The data and experience may be different, but everything comes down to that end touchpoint.  

You work on a small team unit at Microsoft. How does the size of a team affect product? 

We’ve grown the team from scratch over the last two years. Today we have an approximately 50-person centralized product team. It’s a mix of product, design, research, engineering, and marketing. About 15 of our people are working on design research. We had one or two researchers and one designer two years ago. What’s unique to us is that we are based in Silicon Valley, which is not Microsoft. Hotmail is really the only thing that was run autonomously here. Everything else here has been more of a technical center of excellence rather than product.

We have a program we’ve been running for a while called Compass, which was the catalyst that built our team. It might be one of the first design-driven products Microsoft has ever built. It’s a consumer advisory board, and we meet with our large-scale enterprise customers on a periodic basis and show them some of the work we are doing.

Two years ago we ended up finding an accidental insight through some of these customers, as they have a larger audience base than the typical IT business. We saw that the audiences we hadn’t talked to were actually larger than the audiences we had talked to. This led to a huge business insight and allowed us to prototype a few things out with a light tech team, and this in turn led to a pilot. They wanted to drive the way they were running their processes internally, so we promised a two-month-turnaround pilot, which involved us onboarding a small engineering team to get there. Luckily our campus doesn’t focus on a lot of other things, so it allowed us to get a team together to work on this tight timeline. We were scrappy and sent some engineers on-site directly to get the networks set up – essentially a “white glove” delivery of a really rough project. The engineers saw firsthand the range of emotions that real people had while working with their product. They saw the setup, the trepidation of trying to get in, the pain points, and the joy. The engineers were very energized by the experience. This became the central turning point for our culture today. Now every single person in the team has gone on-site and spent time with our early customers. This had never happened before at Microsoft. The change in perspective for engineers and other personnel has been huge. It has now become a regular part of our process to send people out into the field to spend time with customers and work through things with them, and it has put people at the forefront of our processes.

How has working in the field affected how you work on projects? 

We are now at the point of trying to find ways to measure user love. Utility is at the core of what we look at, and we had real people to talk to this time. Usability is the next component, and seeing people with different experiences use the product was useful. There’s no way to measure how much someone loves your product, so we are trying to measure the foundational leverage we have across our products. By having a small team, we were able to interact better with real people, but it also affected the way our teams interacted internally in a positive way. We are also running a program I’ve been calling the “Love Project,” where we are scientifically trying to find ways to quantify what user and customer love is, and how it drives usage and productivity. It’s exciting putting some science behind it.    

[nofomoartworld]

Hyperallergic: Existential Musings from Nashville’s New Hybrid Museum Hotel

Katja Loher, “Butterfly Rainbowmaker” (2016), acrylic, projector, media player and speaker (all photos by the author for Hyperallergic)

NASHVILLE — The 21c Museum Hotel chain represents a new model for art in the public sphere. The flagship location opened in Louisville, Kentucky, just 11 years ago and has since expanded to six operating locations in Southern-Midwestern population centers like Cincinnati, Ohio; Durham, North Carolina; and Lexington, Kentucky, with the newest addition slated to open in Nashville, Tennessee, by mid-May. With the developing location comes a fresh opportunity for 21c to introduce a new community to its unique approach to contemporary art.

“We’re a hybrid, but still, what is it?” said Chief Curator and Museum Director Alice Gray Stites, who took a break from installing the inaugural exhibition in Nashville, Truth or Dare: A Reality Show, to speak with Hyperallergic. “It’s very hard to understand until you come here. So we want to use the inaugural exhibitions to express something that’s really seminal to the character of the whole organization and what it wants to do.”

Leandro Erlich, “La Vitrina Cloud Collection (Venice)” (2011), wood, glass, acrylic

Stites has worked with 21c since its inception, first as an independent curator and eventually as the leader of a dedicated museum team when the flagship branched into multiple locations, developing the collection of some 2,500 art objects with co-founders and contemporary art enthusiasts Laura Lee Brown and Steve Wilson.

Pedro Reyes (Mexican, 1972), “Lady Liberty (as Trojan horse)” (2016), Ed. 1/3 + 1AP wood, on display in the sub-level gallery

“One of the goals has always been to expand the audience for contemporary art and to erase what have been the traditional boundaries, whether those are physical boundaries or the imaginary boundaries of the velvet rope or the grand processional,” said Stites, “not to mention the ticket or membership price that also keeps people out. So we can collapse those boundaries by making space that’s publically accessible twenty-four hours a day, seven days a week, by educating our entire staff to share their knowledge and passion about art with the public, by continually presenting exhibitions.”

After a stay at the 21c’s Cincinnati location during the 2016 FotoFocus Biennial, I was familiar with some of the practices of the museum hotel, including their iconic penguin mascots, whose location-specific color scheme is matched to the custom cotton candy that’s served with the check at their onsite restaurants. At risk of damaging my credibility as a person who values principles over material comforts, I admit that I do like a fancy hotel getaway now and then, and, like everyone else, I do what I can to live my best life on Instagram.

Vibha Galhotra ((Chandigarh, Punjab) Indian, 1978–) “Earth 1978” (2015), nickel-coated ghungroos, fabric, polyurethane coat, on display in the corridor outside the museum-side entrance to Gray & Dudley

Beth Cavener Stichter, “The Sanguine” (2010), stoneware, one in a series based on the four humors, among numerous works by Stichter on display within the restaurant, Gray & Dudley

What unexpectedly emerged, however, was a legitimate existential crisis about the nature of the relationship between museum and hotel. Because, as of my visit, the 21c Museum Hotel in Nashville was not completely finished. There were many things a hotel requires already in place: walls, a restaurant, furnishings, an elevator, and a small village of contractors, service professionals, maintenance staff, and art handlers working as hard as possible to hit the line on opening day. But there were also many things not quite in place yet, like a functioning lobby, television service, in-room amenities, and more than one working elevator. Dozens of pieces in the inaugural exhibition had been installed upon my arrival, some two weeks before the official opening; many still were not. This presents something of a conundrum in terms of my ability to accurately reflect the aesthetics or intentions of the finished exhibition: I find myself unable to offer more than evaluation or appreciation for those individual works that I was able to see. However, as a person with a healthy curiosity about the workings of the world — not to mention one to whom it is typically a high priority to present a finished product — it was fascinating to see the work that goes into an environment that is usually presented as a seamless experience, and to get to know some of the people behind the process.

Artist Sebastiaan Bremer, in the process of installing a custom guest suite, within which visitors will be able to listen to records and make live recordings of their own. Bremer has an ongoing relationship with 21c, with other works included in their collection.

The museum side of 21c is supported by the hotel and restaurant revenue, and as such, Stites has created a scrappy and efficient team. Based in Louisville, the overarching museum management includes Director of Museum Operations Eli Meiners and Registrar Deanna Taylor, as well as site-based museum managers for each of the locations — in Nashville, this is Brian Downey, who left his position as Director of Exhibitions & Associate Curator at Cheekwood Botanical Gardens and Museum of Art to throw in with 21c. The art team is a convivial, fraternal bunch, with all hands on deck to help prepare for the new location rollout.

“Nashville has great museums, great contemporary art galleries,” said Downey, taking a brief aside from installation to speak with Hyperallergic. “But I think it’s very exciting that Nashville now has a museum that’s devoted strictly to contemporary art.” As operations get underway here, it will be among Downey’s responsibilities to schedule site-specific programming that is responsive to the needs and interests of the location, such as the popular film screening series at 21c Lexington, the brainchild of Museum Manager Alex Brooks.

Peter Sarkisian (1965–), “Puddle 9” (2002), video projection and mixed media, DVD on projector, on display in the second floor corridor.

Still from Mulas (2014), by Miquel Angel Rios, one-channel video with stereo sound, runtime 6:25, on display in the first-floor video lounge.

“All the 21cs have community partners and do programming, whether it’s poetry or film screenings, hosting events that would be a good tie-in with what we do here,” said Downey. “We’re always looking for more opportunities like that, and to bring that programming to Nashville.”

“I find 21c’s greatest gift is that of accessibility,” said Meiners, in a follow-up email interview. Meiners has worked for 21c for five years, having come to the position from the Cincinnati Art Museum. “As citizens of a smaller city like Cincinnati, we would never have a chance to gain access to works like those in the shows we put together. Our model gives us the flexibility to bring the zeitgeist to smaller cities. And we don’t keep bankers’ hours, so you can literally come and see the exhibitions when it is convenient for you.”

Carlos Garaicoa ((Havana) Cuban, 1967–), “El Mapa del Viajero II” (2005), detail view, 680 metal pushpins and 100 pieces of paper

Oliver Laric (Austrian, 1981–), “Versions” (2010), polyurethane

Indeed, the greatest question that arose was, when it comes to the 21c Museum Hotel, where does the art end and the hotel begin? As 21c has defined itself as a museum hotel, does that make the hotel experience nearly as important as the art itself? These are the kind of existential musings that arise in the mind of an arts writer when she does not have cable television in her hotel room — let alone the 21c art channel, which greets visitors as the default channel setting, and which I confess I was very much looking forward to watching. The experience of getting to watch video art in bed is an unparalleled luxury.

Brian Dettmer ((Chicago, IL) American, 1976–), “Funk & Wag” (2016), detail view, hardcover books, acrylic varnish

Daniele Papuli ((Maglie) Italian, 1971–), “Centrica” (2016), detail view, hand-cut paper

Certainly the art does not stop in the corridor or the lobby, which is outfitted with commissioned artworks and selections from the 21c collection. Nor in the elevator, which, I’m told, will eventually run video art segments, nor in the upper-floor corridors, which will showcase the work of Nashville artists, nor even in the rooms themselves, which feature photographs from annual trips made by Laura Lee Brown (who paints and takes photographs, in addition to being one of the co-founding partners). So it became complicated for me to try to decide how much of a museum hotel should be part of an art review. But in a way, this is the essence of the 21c mission: to dissolve the distinction between art places and life places.

The author takes herself on, with Trong Gia Nguyen’s interactive work “Win Win (Flamingo’s Dream)” (2015), acrylic paint, vinyl, wood, and mirror

Jane Hammond ((Bridgeport, CT) American, 1950–) “All Souls (Bielawa)” (2006), detail view, gouache, acrylic paint, organza, mica, and metal leaf on assorted handmade papers with graphite, colored pencil, archival digital prints, and horsehair

“It’s a humanist perspective on contemporary art,” said Stites of 21c’s collection. “It’s about the human experience, both lived and dreamed in the twenty-first century — so, very much contemporary, but very much about what people are experiencing. The founders were driven to collect art and to create 21c largely because they’re very curious people, and I think curiosity is an important quality for everyone to have, but particularly today, with our dearth of empathy for others. When you’re curious about others, you’re much more likely to think about walking in their shoes.”

21c Nashville is taking its first steps into the scene, and like all first steps, things are a little wobbly. But if the other 21c locations are a telling precedent, it will soon hit its stride.

Truth or Dare: A Reality Show at the 21c Museum Hotel, Nashville is slated to open on May 9.

Editor’s note: The 21c Museum Hotel in Nashville paid for the author’s accommodations and travel expenses.

The post Existential Musings from Nashville’s New Hybrid Museum Hotel appeared first on Hyperallergic.

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