#the ending for roman is sublime

[pocket-jack]

Ever since birth Kid felt like he was missing something: Some crucial piece without which he couldn't feel himself whole no matter how many accomplishments he's made.

When he lost his arm to an accident this feeling got even worse. When he woke up in the hospital, he waited for something. And this waiting kept going, but no matter how long he waited, nothing happened. Kid wanted warmth. The one that no girl, or boy, or any thing in this world could fill.

So he started to sublimate his feelings into art. He tried scultping. First it was really hard and stressing. Every mistake only fueled his frustration, but then he started to get better and better, until he was finally ready for his final piece.

Kid still couldn't believe that this whole journey. Those mistakes and achievements... Only for one sculpture of an unknown man.

He sculpted his oval shaped face, gaved an extra strokes to his cupid bow lips, carefully crafted his goatie, fox like eyes... He wasn't looking like an ordinary sculptured man. His features were feminine which contrasted with his muscular wide chest. But Kid never intended to make a standard perfection. Those model faces, or Roman masculine shapes. For him this man, - not beautiful in usual way, - was pure perfection.

And so he got it: The missing piece from his whole life. This man. This non-existant man. Of course he never existed. The only sign of his existence was inside Kid's insane mind and... Of course, the sculpture of him.

Kid felt lonely. As if he lost something, that he never possessed. He never saw this man, but some reason he felt himself really empty, when he looked on his statue or thought about it. As if he somehow missed him in a way. As if he was supposed to exist only with him, but for some really messed up reason it didn't happen.

The sculpting brought him only despair and misery. Know Kid couldn't stop thinking about his creation. Think about his features, fantasies about him. Alive. Standing right next to him, somewhat distant, but at the same time always there. Kid imagined his voice, color of his eyes, texture of his hair and even the taste of his lips. If a man could fall in love with a statue, it would be Kid.

One day he arrived at home and that man was standing in his living room/working place. His white eyes was looking nowhere, but Kid felt (wanted to feel) that they were looking nowhere because there wasn't anything else to look at in this world... Except for Kid.

He didn't notice that moment when he went forward to grab a TV remote, trying to avoid the statue, but in the end he brashing his organic hand against sculpture's cold and dry body. He tried not to pay attention to his little glances on the sculpture's back while he was watching something he never cared to remember.

In the end Kid couldn't take the silence between them. He stood up right in front of the sculpture waiting for something. Some miracle to happen.

How foolish of him to believe that the statue can be alive. That it's lips are hot and soft, and his ribs holds its peaceful heartbeat inside. But Kid was desperate. And then his gaze turned into something pathetic as if he couldn't be satisfied with his own happy life.

Kid always knew why he made this statue. Not for searching. He always had the answer inside him. He's a pathetic man without his counterpart. Without the other man gazing down at him with dead clay eyes. It almost felt like grieving. Denial that couldn't go away no matter how hard he tried to move on.

He never believed in reincarnation or soulmates. It was too romantic and childish for him. But he couldn't give another explanation to why he was pressing his lips on sculptures lips. How he was longing for its warmth. It's a funny thing. A warm sculpture. A soft sculpture. A sculpture with a laugh that could make even his heart stop to listen.

For some mere second, when he was already pulling off, it felt like sculpted lips trembled under him. But it was only a split second feeling. Then came nothing. Just emptiness...

Later. After some weeks, when Kid got used to sculpture's presence his friends came over. And they brought their other friends, - the ones Kid didn't even bothered to look at. Until one of them let out a restraint laugh, making his heart stop to listen.

"How odd... This sculpture looks just like me"

Do I regret making a whole mini fanfic about boys getting seperated by reincarnation and feeling empty/sad without one another? Do i feel ashamed to give it a false sense of angst?? No >:]

Reference, based out of this post:

Yes, Kid did the second picture

[stormofdefiance]

I wanted to share some wee thoughts about Ratio’s E6 art & why I believe it is a symbolic parallel to Michelangelo’s David. This speaks to both Ratio’s humanist beliefs and possible future plot points.

Ratio’s E6 is Vincit Omnia Veritas or Truth Conquers All. I’ve heard it claimed (although I have no idea if it’s explicitly stated anywhere?) that the character’s E6 art represents them at their innermost core, an honest and deeply vulnerable shard of themselves. Evoking David here is an interesting choice; the biblical figure who, using nothing but a stone and sling, took down the tyrannical Goliath. The parallel is perhaps as simple as this: Ratio views himself - and by extension the truth - as the underdog, someone never accepted into the Genius society, forever to be kept from Nous and THEIR gaze, but nonetheless will, in the end, prove himself the final victor. Truth will topple the seemingly unconquerable, whatever that might be.

But I also think Michelangelo’s David is a specifically interesting parallel to draw on from a historical perspective. Ratio is pretty much the textbook definition of a renaissance man - he is a philosopher, a scholar, interested in medicine and science and the vast array of human achievement. He speaks in Latin (the language of education during the renaissance in Europe that allowed the transmission of information without having to rely on translation) while heavily styling himself on Ancient Greek symbols and drawing from Greek philosophy (often seen at the time as more ‘sophisticated’ and interested in ‘wisdom’ than the contemporary ‘militaristic’ Romans).

Michelangelo’s David was the first colossal marble statue to be carved since antiquity, and it came to be a symbol of the renaissance itself. This is interesting to me for Ratio and what I believe are his humanist beliefs. Humanism was an ideal that propagated during the renaissance that championed the belief that man had beauty, dignity and worth that deserved as much respect and adoration as any deity. Keep in mind this philosophy was emerging following the Middle Ages and at a time where religious institutions across Europe held exorbitant and sometimes absolute power. David as a statue is an ode to the sublime beauty of the human body, completely unashamed and uninhibited in his gigantic nakedness (Doctor! You’re huge!) retaliating against the idea that prominent idea at the time that man’s body is inherently sinful. The humanists sought to recenter humanity, and David became a symbol of man’s independence against the seemingly unconquerable might of the Church.

Consider how Ratio centres humanity in his Simulated Universe project, how he values every life, how interested he is in constant self-improvement. How this symbol - of not just the renaissance but of the re-centring of humanity itself - becomes an echo of an effigy fixed in the centre of his soul.

Ratio has never - as far as I’m aware? - stated or hinted at any desire to overthrow the Aeons or even disparage or rubbish them, but it is clear to me that he believes in the strength man can draw on despite them, through sheer force of intelligence and clever planning and fiercely independent thought, the weak can ultimately overcome, or at least stand shoulder to shoulder with, the strong. Perhaps this will become a more pertinent plot point in the future - who knows? - but this was fun to chew through nonetheless 🫶

[allthingsfern]

Five (+1) overlooked photography related movies

Listed below are 4 movies “about fictional photographers” I think are superb but sadly overlooked and I explain why I recommend them. The last one is a documentary, but also sadly overlooked. And I mention one other film about fictional photographers briefly but did include the trailer because it is a superb, if forgotten, thriller.

Last Summer

A short, gentle, intensely languid, visually luxurious LGBTQIA+ coming of age story with sublime, swoon-worthy cinematography that exalts the everyday, this movie also features, funnily enough, the protagonist’s discovery of the art of photography with photos that mimic the cinematographer’s style and subject matter. What fascinates me is that photography becomes part of the story, yet there is no specialness about it. Photography, at least during the plot’s timeline, just becomes a way of life for the central character, a way of seeing and recording “last summer.”

Touching and photographically thought provoking.

NOTE: Depending on what country you live in, the full film may be available on Youtube. It is available now in the US, but there is no guarantee it will be left up.

Funny Face

Is anyone who follows me here, on Tumblr, surprised I included this one? After all, at least once every 6 months or so I post a clip from this film, one of my all time favorites.

Loosely based on the early career of Richard Avedon, who did the still photography for the film and was a technical advisor, this is a dreamy, romantic frolic full of great visuals and lovely fashions. I mean, come on, Edith Head AND Givenchy both are the designers for the film, and they both were nominated, as a team, for an Oscar. Mr. Givenchy was responsible for all of Hepburn’s looks and Ms. Head designed the costumes for the rest of the cast. (Here is a great article about the creative cinema relationship and friendship between Audrey Hepburn and Hubert de Givenchy.) Funny Face also has a sometimes annoying, anti-French intellectual bias, but at its core, the film is, paradoxically, a love song to Paris (“Bonjour Pareeeee”), French fashion, and the American fashion magazine industry.

Odd photography related coincidence re this film: Kay Thompson's magazine editor character is based on the real life fashion editor of Harper’s Bazaar at the time, Diana Vreeland, who would move on to become the fashion editor of Vogue and then the artistic director for the Costume Institute at the Met in NYC. (BTW, I think it is safe to say there would be no Dame Anna Wintour if there had not been a Diana Vreeland.) Vreeland discovered and/or nurtured the careers of many photographers, including Avedon, Penn, David Bailey. But the odd connection re Diana Vreeland and photography is that her grandson, Nicholas Vreeland, was a photographer who left his career and became a Buddhist monk. I recommend watching The Eye Has To Travel, about Ms. Vreeland, and A Monk with a Camera, about her Buddhist monk photographer grandson.

Roman Holiday

Yes, another Hepburn film that has photography as a central theme in the plot, and the way photography plays into the plot makes it relevant to much of the discussion of photographers’ rights and/or individual’s privacy. This is about the paparazzi before Federico Fellini’s La Dolce Vita introduced us to the character Paparazzo, the main photojournalist in that film.

And, a fashion note (let’s face it, most all of Hepburn’s films feature her wardrobe in a co-starring role), Edith Head designed all the costumes and won an Oscar (1 of 8 Oscars she won during her career) for this film.

NOTE: There is another Audrey Hepburn film with photography as part of the plot, though it is not a significant plot ingredient: Wait Until Dark. In this one, her husband is a photographer and it is his equipment, specifically one of the chemicals he uses for developing film, that plays a crucial role toward the end of the movie. Photography itself is not integral to the film. Also, interesting bit of irony here: She plays a blind woman married to a photographer. FYI, this film is not the typical elegant Audrey Hepburn movie; she and her husband live in a rather claustrophobic basement apartment (which works to the film’s advantage) a great setting for a nifty “lady in distress” thriller and Givenchy is not listed as Ms. Hepburn’s costume designer. (Actually, the credits at IMDB only list an art director, no costume designer.)  Does anyone else remember going to see Wait Until Dark during its initial theatrical release and how they lowered the theater lights as much as possible for the last 8 minutes? Scared the shit outta me the 6 or 7 times I rewatched it at the theater, at the gorgeous old film house, the Olympia Theater in downtown Miami.

The Photograph

Smooth. Romantic. Great visuals and performances; the cast features Issa Rae, Lakeith Stanfield, Courtney B. Vance, Lil Rel Howery, Chanté Adams.

This movie is about the choice one woman made between her successful photography career and her romantic life and the story she tells her estranged daughter about those choices. This film uses gorgeous cinematography and photography to create and enhance and bring back to life the echoes of a famed fictional photographer’s career and life choices.

Over-Exposed

A mid-50s, not quite film-noir, low budget movie about a young woman who becomes a top photographer but gets in trouble because of her work, this is sometimes cheesy but also shows how she takes her profession seriously and how she learns her chosen trade. The section of the film about her apprenticeship as a professional photographer is fascinating and is, far as I know, the only time the learning process is depicted in a movie.

Of course, the issue of her sex, of her being a woman (and a beautiful one), complicates her efforts at getting work as a photographer. The way she gets photography work eventually gets her into trouble with the law and is caused, in part, by her good looks.

That said, be careful what assumptions you make about how she gets to the top, becoming a famed fashion photographer. Note that in the film, the lead character is depicted as intelligent, strong willed, talented, and beautiful. Though her beauty is central to the story, her other qualities are more prominent.

Much better than I expected, though it is also very much a film of its time.

NOTE: Depending on what country you live in, the full film may be available on Youtube. It is available now in the US, but there is no guarantee it will be left up.

Faces Places (Visages Villages)

I cannot believe classic feminist French film director Agnes Varda’s Faces Places (co-directed/created with photographer JR) is not in articles about movies related to photography. This film is a cinematic journal of a wildly creative photography road trip adventure undertaken by the them in 2017.

While they go about working on their photo project, they also share about their professional and personal lives. Ms Varda gives some insights into her career and her marriage to Jacques Demy. There are poignant moments and moments of humor, joy. And the visuals, both photography and cinematography, are stunning.

This film is about life and creativity and aging and friendship and just watch the fucking movie, ok?

Watch all of them.

[hermitslibrary]

hera and juno's unexpected epithets

most of hera's epithets relate to her being the ultimate queen of the heavens - hera potnia (queen), hera skeptoukhos (scepter bearer), hera pangratis (all-powerful), and hera zygia (married) . several are specific by region but worshipped alongside zeus with a similar epithet (like zeus and hera olympia or hera hēniochē alongside zeus - basileus). there were still many that i was surprised by!

⋆｡‧˚ʚ ɞ˚‧｡⋆

disclaimer: i am using these posts to save my preliminary research. i’m a beginner to hellenic polytheism. this is not intended to teach but to share what i’ve learned. happy to take corrections!

─ hera aigophagos - the goat eater

Αιγοφαγος ; good post about the source of this epithet

─ hera alexandros - defender / protector of men

Ἀλέξανδρος ; "... under which she was worshipped at sicyon. a temple had been built there to hera alexandros by adrastus after his flight from argos." (smith)

─ hera boôpis - cow-eyed

Bοῶπις ; "ox-eyed; having large, full eyes" (wiktionary)

"an epithet commonly given to hera in the homeric poems. it has been said that the goddess was thus designated in allusion to her having metamorphosed io into a cow; but this opinion is contradicted by the fact, that other divinities too, such as euryphaessa and pluto, are mentioned with the same epithet; from this circumstance it must be inferred, that the poets meant to express by it nothing but the sublime and majestic character of those divinities." (encyclopedia mythica)

good post about hera boôpis

─ hera the chera - the widow

χῆρα ; "... was believed to have been given her by temenus, the son of pelasgus. he had brought up hera, and erected to her at old stymphalus three sanctuaries under three different names. to hera, as a maiden previous to her marriage, he dedicated one in which she was called pais (παῖς); to her as the wife of zeus, a second in which she bore the name of teleia (τέλεια); and a third in which she was worshiped as the chera (χῆρα), the widow, alluding to her separation from zeus." (smith)

─ hera exacesterius - one who averts or cures evil

can't really find sources for this one, other than that it was also used as an epithet for apollo. i saw this epithet here

─ hera hēniochē - the charioteer

"this name is only found in lebadaea in boetia and is linked to the oracle trophonius. in the context of this sanctuary, hera henioche received offerings alongside zeus basileus (“king”), implying that she was indeed worshipped in close relationship with zeus... there are a few theories as to how hera ended up with the henioche epithet. first, we know that in this city held a festival called basileia, which included horse races. another theory considers the epithet as a metaphorical link to hera as a goddess of marriage. the idea being that hera 'leads' young people to marriage, the same way horses are led by the charioteer." (dithyram blog)

─ juno kalendaris - of the calendar

second definition "of or belonging to the first day of the month"; juno kalendaris was worshipped on the first day of each month. (latin lexicon)

─ hera moneta - the advisor

"the romans, in need of money during the war against pyrrhus and the men of taras, prayed to hera; and [the story goes that] she replied to them that if they hold out against the arms [of the enemy] with justice they would not go short of money. successful, then, in their request, the romans honoured hera moneta, that is advisor, having determined to stamp the coinage in her temple." (source)

─ hera oplosmia - bearing arms / shield

Οπλοσμία "we have faint glimpses of a war-like hera... the hera Οπλοσμία of elis is only known to us through lycophron and his scholiasist." (cults of the greek states, vol. 1)

─ juno quiritis - spearholder / protector of spearmen

"as juno curritis/curitis/quiritis (“protector of spearmen”), she was worshipped by the 30 curiae (archaic military and political administrative groups), with a temple or shrine in the campus martius [an area where soldiers traditionally trained." (source)

"traditionally, roman marriages included a ritual where the bride's hair was cut or parted with a spear - some see this as the result of Juno's association with marriage, although other explanations for the ritual are given as well." (source)

─ hera tropaia - bringer of victory

Τροπαία (source)

─ juno zöógonos thæá - the vivific goddess

ζωόγονος Θεά

vivific definition: imparting spirit or vivacity (from merriam webster)

"juno (íra) is called by the orphic theologers, according to proclus ζωόγονος θεά, or the vivific goddess: an epithet perfectly agreeing with the attributes ascribed to her in this Hymn (ed. orphic hymn 16, or 15 in the taylor trans.). and in theol. plat. p. 483, he says that juno is the source of the soul's procreation." (thomas taylor 1792). (source)

excited to keep getting to know the different sides of the beautiful queen of the sky!

sources: theoi, this google doc, wikipedia page for hera

[zerogate]

I am sure that many readers can relate if I say that learning about Byzantium feels like discovering the sunken civilization of Atlantis. You can read a thousand books about the “Middle Ages”, even do a Ph.D. in “Medieval Studies” (as I did), and hardly ever hear about Byzantium. And then, one day, when you thought you knew your basics about the turn of the first millennium AD, you read something like this:

At the turn of the first millennium the empire of New Rome was the oldest and most dynamic state in the world and comprised the most civilized portions of the Christian world. Its borders, long defended by native frontier troops, were being expanded by the most disciplined and technologically advanced army of its time. The unity of Byzantine society was grounded in the equality of Roman law and a deep sense of a common and ancient Roman identity; cemented by the efficiency of a complex bureaucracy; nourished and strengthened by the institutions and principles of the Christian Church; sublimated by Greek rhetoric; and confirmed by the passage of ten centuries. At the end of the reign of Basileios II (976-1025), the longest in Roman history, its territory included Asia Minor and Armenia, the Balkan peninsula south of the Danube, and the southern regions of both Italy and the Crimea. Serbia, Croatia, Georgia, and some Arab emirates in Syria and Mesopotamia had accepted a dependent status.

[...]

Byzantine revisionism starts by putting Constantinople back on the map. Throughout the Middle Ages, it was by far the largest city in the Christian world. According to Runciman, its population reached one million in the twelfth century, counting the suburbs. Its wealth deeply impressed all newcomers. In the twelfth-century French roman Partonopeu de Blois, Constantinople is the name of Paradise, a city of gold, ivory and precious stones. Robert de Clari, who was among the crusaders who sacked it in 1204, marveled: “Since the creation of this world, such great wealth had neither been seen nor conquered.” Up to that point, Constantinople was the greatest international trade center, linking China, India, Arabia, Europe and Africa.

Constantinople must also be restored to its proper place in the timeline. Anthony Kaldellis writes:

Byzantine civilization began when there were still some people who could read and write in Egyptian hieroglyphics; the oracle of Delphi and the Olympic games were still in existence; and the main god of worship in the east was Zeus. When Byzantium ended, the world had cannons and printing presses, and some people who witnessed the fall of Constantinople in 1453 lived to hear about Columbus’s journey to the New World. Chronologically, Byzantium spans the entire arc from antiquity to the early modern period, and its story is intertwined with that of all the major players in world history on this side of the Indus river.

-- Laurent Guyénot, Byzantine Revisionism Unlocks World History

[orthodoxydaily]

SAINTS&READING: THURSDAY, FEBRUARY 6, 2024

january 23_ february 6

NUN, VENERABLE XENIA OF ROME AND HER TWO FEMALE SLAVES. (5th c.).

Troparion: Thou didst live the life of a stranger in the world/ and wast estranged to every sin;/ thou didst abandon comforts and fleeting honors/ and betroth thyself to thine Immortal Bridegroom./ O glorious Xenia, entreat Christ our God to grant us His great mercy.

Kontakion: Celebrating the memory of the life thou didst live as a stranger,/ and honoring thee with love,/ we praise Christ Who gave thee power to grant healings to all./ O Xenia, ever pray to Him for us all.

Saint Xenia of Rome, in the world Eusebia, was the only daughter of an eminent Roman senator. From her youth she loved God, and wished to avoid the marriage arranged for her. She secretly left her parental home with two servants devoted to her, and set sail upon a ship. Through the Providence of God she met the head of the monastery of the holy Apostle Andrew in Milassa, a town of Caria (Asia Minor). She besought him to take her and her companions to Milassa. She also changed her name, calling herself Xenia [which means “stranger” or “foreigner” in Greek].

At Milassa she bought land, built a church dedicated to Saint Stephen, and founded a woman’s monastery. Soon after this, Bishop Paul of Milassa made Xenia a deaconess, because of her virtuous life. The saint helped everyone: for the destitute, she was a benefactress; for the grief-stricken, a comforter; for sinners, a guide to repentance. She possessed a deep humility, accounting herself the worst and most sinful of all.

In her ascetic deeds she was guided by the counsels of the Palestinian ascetic, Saint Euthymius. The sublime life of Saint Xenia drew many souls to Christ. The holy virgin died in 450 while she was praying. During her funeral, a luminous wreath of stars surrounding a radiant cross appeared over the monastery in the heavens. This sign accompanied the body of the saint when it was carried into the city, and remained until the saint’s burial. Many of the sick received healing after touching the relics of the saint.

Following the death of Saint Xenia, one of her former servants died, and then the other. They were buried at the saint’s feet.

SAINT MACEDONIUS THE HERMIT OF SYRIA (ca 420)

Saint Macedonius, a Syrian hermit, lived during the end of the fourth century and the beginning of the fifth. When he first embarked upon the path of asceticism, he led the life of a wanderer, roaming through the cities of Phoenicia, Cilicia, and Syria. Afterward, he spent forty-five years in the wilderness, in a deep pit, living under the open sky with no roof over his head, shunning human glory. Thus, he was called "Gouvas," which means "pit" in Syrian.

Crowds of people visited him, seeking spiritual help and guidance. Only in his old age did he accede to the requests of those who begged him to live in a narrow cell they built for him. Throughout his life Saint Macedonius ate just barley and water. Therefore, he was called “Krithophagos" (Κριθοφάγος), or "Barley-Eater." Only as he felt his strength fading did he agree to eat baked bread.

Because of his ascetical life, God granted him the power to cast out demons, and to heal the sick. He also healed the mother of the historian Theodoret of Cyrrhus (a small town near Antioch), who had been barren for a long time before she conceived. During labor, however, something went wrong, and she feared that she would lose the child. The Saint traced the Sign of the Cross in a vessel of water with his fingers, and told her to drink it. The child was born without any further difficulty.

Saint Macedonius performed many other miracles. He lived to an advanced age and reposed in peace around 420, after reaching his seventieth year.

Source: Orthodox Church in America_OCA

1 Peter 4:12-5:5

12 Beloved, do not think it strange concerning the fiery trial which is to try you, as though some strange thing happened to you; 13 but rejoice to the extent that you partake of Christ's sufferings, that when His glory is revealed, you may also be glad with exceeding joy. 14 If you are reproached for the name of Christ, blessed are you, for the Spirit of glory and of God rests upon you. On their part He is blasphemed, but on your part He is glorified. 15 But let none of you suffer as a murderer, a thief, an evildoer, or as a busybody in other people's matters. 16 Yet if anyone suffers as a Christian, let him not be ashamed, but let him glorify God in this matter. 17 For the time has come for judgment to begin at the house of God; and if it begins with us first, what will be the end of those who do not obey the gospel of God? 18 Now "If the righteous one is scarcely saved, Where will the ungodly and the sinner appear?" 19 Therefore let those who suffer according to the will of God commit their souls to Him in doing good, as to a faithful Creator.

1 The elders who are among you I exhort, I who am a fellow elder and a witness of the sufferings of Christ, and also a partaker of the glory that will be revealed: 2 Shepherd the flock of God which is among you, serving as overseers, not by compulsion but willingly, not for dishonest gain but eagerly; 3 nor as being lords over those entrusted to you, but being examples to the flock; 4 and when the Chief Shepherd appears, you will receive the crown of glory that does not fade away. 5 Likewise you younger people, submit yourselves to your elders. Yes, all of you be submissive to one another, and be clothed with humility, for "God resists the proud, But gives grace to the humble."

Mark 12:38-44

38 Then He said to them in His teaching, "Beware of the scribes, who desire to go around in long robes, love greetings in the marketplaces, 39 the best seats in the synagogues, and the best places at feasts 40 who devour widows' houses, and for a pretense make long prayers. These will receive greater condemnation. 41 Now Jesus sat opposite the treasury and saw how the people put money into the treasury. And many who were rich put in much. 42 Then one poor widow came and threw in two mites, which make a quadrants. 43 So He called His disciples to Himself and said to them, "Assuredly, I say to you that this poor widow has put in more than all those who have given to the treasury; 44 for they all put in out of their abundance, but she out of her poverty put in all that she had, her whole livelihood.

[mybeautifulchristianjourney]

John Gossner's Treasury

"They crucified two rebels with him, one on his right and one on his left." – Mark 15:27

"Therefore I will give him a portion among the great, and he will divide the spoils with the strong, because he poured out his life unto death, and was numbered with the transgressors. For he bore the sin of many, and made intercession for the transgressors." – Isaiah 53:12

He hung between thieves and transgressors as if He were the chief among them. Thus He would have it. All men are transgressors (Romans 3:12). He had taken upon Himself the transgressions of all men and bore them in His body on the tree. What shame, what disgrace, was then laid upon the most holy Son of God! How could the eyes of the most loving Father endure to see Him in such company, in such a place, hanging between thieves on the cursed tree? The Father did see Him and suffered Him to hang. Why? Because He hated Him? O no! but because He loved you; because He would blot out your transgressions and out of transgressors make righteous and blessed men. Thus only God loves. Thus no man or angel can love. But because He humbled Himself so deeply, not despising the transgressors, He shall receive a multitudinous host of sinners as His portion and peculiar possession; yea, He shall even make ’’the strong," the grossest and most hardened transgressors, His spoil. O soul, consider your Savior on the cross in His disgrace and in His love! How much is not wrought by His love! What glorious and innumerable fruits does not this tree bear! How far does not the power of His sufferings and prayers for sinners reach! Sinners of all centuries and of all peoples on earth may thank His bleeding intercession Upon the cross for salvation and blessedness. The granting of His prayers has no end. The world without end shall declare it.

In the cross of Christ I glory, Towering o’er the wrecks of time; All the light of sacred story Gathers round its head sublime.

[sanatoris]

THE MUSE AS TAROT CARDS

rules : bold what applies to your muse, italicize what sometimes or sort-of applies, strike through what’s antithetical to your muse. repost, don’t reblog, & have fun!

warnings : mentions of alcohol. credit.

𝐦𝐚𝐣𝐨𝐫 𝐚𝐫𝐜𝐚𝐧𝐚 : a long journey, a feeling of raw energy, putting a name to something unknown, an elaborate patchwork, unexpected catastrophes, unexpected blessings, vivid dreams, sudden awakenings, the feeling of shedding your skin, the echoes in holy places, bright lights, deep shadows, feeling the earth move beneath your feet, wandering in museums, the strange clarity of moonlight, thunder and lightning, an unfamiliar road, coming back to the place you started as an entirely different person.

𝐜𝐮𝐩𝐬 : being overwhelmed by emotion, finding something to celebrate every day, finding something to mourn every day, connecting with others, the scent of ocean air, making food for your friends when they’re stressed, the remembrance of something lost, sublime confusion, cool colors, a cozy cafe, a bustling bar, calm waters - hidden depths, getting tipsy in the afternoon, summer rain, comfy sweaters, flowing skirts, a house by the sea, deep conversations after midnight.

𝐰𝐚𝐧𝐝𝐬 :  the scent of spices and dark wood, making something just for the sake of creation, dry heat, crackling fire, a bolt of inspiration, refusing to apologize for your passion, stubborn optimism, taking on more than you can handle, hot tea, warm colors, getting up early, staying up late, bright fire - fast burnout, tacky thrift store finds worn with the utmost confidence, the thrill of starting a new project, spring storms, hotel rooms, perpetual restlessness.

𝐩𝐞𝐧𝐭𝐚𝐜𝐥𝐞𝐬 :  the scent of rich soil after a rain, hard and diligent work, solid ground - strong foundations, the satisfaction of a long-awaited payoff, generosity that comes with a catch, work boots and heavy jeans, silk and jewels, resting on your laurels, seeing your work through to the end, harvest time, fresh bread and rich soup, earth tones, jewel tones, a lush garden, sunlight through the trees, dark chocolate, a home in the farmlands, a sprawling house in the old part of the city.

𝐬𝐰𝐨𝐫𝐝𝐬 : the scent of fresh air, focusing on the intellectual at the expense of the emotional, freshly fallen snow, burying yourself in action, tending to your own wounds, a foreseeable disaster, crisply tailored suits, starkly elegant dresses, refusing to admit defeat, cold air - clear thoughts, old hurts, fresh starts, overthinking your overthinking, the harsh glow of street lamps, black coffee, a cabin in the mountains, an apartment downtown, the quiet before the dawn.

tagged: @danversiism ilu <3 tagging: @halfdent , @bruz3r , @pu1itzer , @cartelheir , @vulpesse , @afterdeaths (xander) , @hebled , @svpe, @nightmdic , @ofwealthandtaste , @catfcng (roman) , @helldwells , @foxtaeil , @batcaller , @medicbled , @doctordonovan , @wildskissed , @rogaire , @nightmdic , @darehearts + you

[radiomonkeys2]

Saiyan Titanism

The Titanist Credo (inspired by the Sith/Jedi vows)

The Ido Yarboggesh spoke that there are three traits of Yabanity: Perfection, the Overjin, and the Yielding (Jin = Yeren word for "person", similar to our generic usage of "man")

​

According to what Yarboggesh described (and what would eventually become defined as core Titanist values), nagois are already "Perfection," whereas bollois are "the Overjin" (i.e. the Übermensch or, as Yarboggesh described them, Self-Kings). It's yenois who occupy the "Yielding" part of the triple-taijitu. Perfection doesn't mean absolution. You can always keep growing; you are just the most primed for it. Comparatively, the Overjin is the one who isn't perfect but can rise above their imperfection to achieve that sort of will to power that rivals Perfection. Which one is more celebrated in Yaban society? It depends, because you can make solid arguments defending each. But yenois do get the short end of the stick, as femininity often does in such masculine societies.

​

Roman-style masculinity is a major aspect of Titanism, with its love of hotblooded bellicosity and competition and the raw thrill of battle, the life or death struggle of combat, especially close-quarter combat in which the outcome is not known.

It is notoriously anti-Jinkai nymph, as Titanists tend to hold femininity in disdain (though not outright disrespect)

Titanism is not inherently fascistic as it lacks palingenetic ultranationalism as a core ideal, hence why I consider it far closer to Italian Futurism philosophically. But considering Yabans are supposed to be the Bad Guys (in a verse where everyone is the Bad Guy), that's not that important of a distinction.

Core credo: "Kevel vox Yatas" (lit. "Chaos and Honor")

Chaos and Honor refers to the Needs of the Warrior, which Liquid Snake and Big Boss went on about

Vroda kvltvr helped give rise to the Titanists, who adopt Kevel vox Yatas as the common slogan.

Titanism is like Italian Futurism in many ways, with its focus on dynamism, physicality, strength, vigor, war, courage, instinct, sport, and fierceness.

Above all, war is exalted:

"War is something sublime because it forces every jinoi to face the dilemma of choosing between heroism and cowardice, between the ideal and the stomach, between the spiritual instinct to project life beyond the material, and the pure and simple instinct of animal conservation. It is the brutal discriminator that distinguishes jin from jin, nagoi from nagoi, bolloi from bolloi, character from character, constitution from constitution: on the one side the cowardly, the soft, the hysterical, the effeminate, the cry-babies, the passive; on the other the strong, the aware, the idealists, the mystics of danger, those who triumph over fear and those who are courageous by nature, the hot-blooded heroes and the heroes of the will."

Yabans are jinoi of war. Bollois recognize they are strange and rare, being warrior females, and this does not change the fundamental truths of war and Titanist ideals. The truths do not magically change to be more tolerant of their femalehood; they simply have to live up to those truths. War is Hell, and they are Demons.

To be a Titanist Vroda is to be brutal, barbarous, and to abandon romanticism. She must be in love with virility, violence, and war; particularly endowed with “creative genius, elasticity in improvisation, strength, ability and physical resistance, impetus, violence, fury in the fight".

Male and female younglings rarely play, instead preferring to fight and spar. But in their play, there are clearly masculine forces driving their impulses —that is without affective morbidity, womanish sensibility—but lively, bellicose, muscular and violently dynamic. Yenois are said to lack these forces.

Music theme of Titanism and of the Kollidorian Saiyajin in general:

High and mighty, alone we are kings

Whirlwinds of fire we ride

Providence brought us the crown and the ring

Covered with blood and our pride

[o-craven-canto]

Ea, Our Second Chance (16)

16. Ean heraldry

(Index)

(&lt; 15. Dissection of trepangfish)

(original page)

« ... He doth bestride the narrow world like a Colossus, and we petty men walk under his huge legs, and peep about to find ourselves dishonorable graves. » – Cassius, in William Shakespeare, Julius Caesar, Act I, Scene II

« As the Romans knew well when they spoke of virtus, or the troubadours of valor, the worth of the sovereign is the same as his strength. Weak leaders terrorize their subjects, because they fear them; strong leaders want their people to walk with straight backs and eyes held high. Weak leaders keep their subjects quiet, because they have many mistakes to hide; strong leaders do not fear the truth. Weak leaders make their subjects work with the cane and the lash; strong leaders are served out of love. » – emperor Charles Saïd, A House Built on Sand

« There once was a fellow named Chuck / who was poor, ugly, and [redacted]-out-of-luck / He couldn't get laid / so he became king instead / just so he could find someone to [redacted] » – seditious rhyme of probable Pandavan origin, registered by the municipal police of Carcassonne, circa 310 AL

« One of Caesar Saïd's most ambitious accomplishments was the creation of a whole iconography from the ground up. Immediately after the Peacemaking Wars, he faced the need to strike a careful balance between the continuity of tradition with the culture of Earth, and the novelty of an empire of which he could be credited as true founder and maker... He would eventually resolve in favor of using organisms from this world, as popular choices from Earth's cultures such as eagles, lions, and bears meant little to the vast majority of his new subjects... Although it's interesting to notice that most of Saïd's heraldic beasts are in fact natives of Inanna, closer in location to the bureaucratic dreariness of Landing Point than to the fable spires of Montsalvat, but in the position of making the deepest impression upon the first generations of settlers.

... The springbear is an obvious symbol of overwhelming power. Like Hobbes' Leviathan, it can crush anything under its weight... As noted in Belvedere's recent work, it also represents an explicitely masculine incarnation of strength... Two charging springbears form visually the supporting columns of Saïd's personal coat-of-arms, strength channeled for the benefit of the Kingdom. The fact that no species of springbear is native to the Ninkasi Land does not lessen its significance anymore than the local lack of lions or, for that matter, unicorns lessened that of the British coat-of-arms on Earth.

... The colossal anzu-bird, which Saïd made a point of hunting personally in his harpoon-glider during his visit to Makka al-Jadida, justifies its own place in any heraldic system created on this planet... Named after the Mesopotamian harbinger of thunderstorms, the anzu combines extraordinary power and lightness, the qualities of an empire that must be at once immovable and dynamic; although at the same time its ungainly locomotion makes it extremely vulnerable on the ground... Its eye, in particular, caught the attention of poets and semiurges... ceaselessly staring at the blinding light of Utu, and nothing else, as the anzu fears no attack from above... The anzu-eye, as depicted for example on the chapels of Carcassonne and the ancestral shrines of Shangdu, is not merely a symbol of looking fearlessly into the sublime, but one that is purely an end in itself, with no need of practical justifications... In this sense it is contrasted with the anzu's olfactory flaps, distended in flight to detect food on the ground... In fact, the anzu is mainly a scavenger which, like Earth's vultures, uses its gliding capacity to cross the desert in search of carcasses, although it has been known to kill and eat living animals. The satyrical song "La Bravoure de l'Anzû", for broadcasting which Cyrus Yoshida was sentenced to sixty canestrikes in 266 AL, exaggerates its "cowardly" qualities, thus inverting its whole symbolic meaning...

... The honeybee was used by Napoleon and the early Mormons as symbol of industriousness and communal living (cf. the beehive structure of the townhall in New Zion)... In Ninkasi, its place is taken by the nest-building kirikits, who routinely risk their lives to gather food for their colony and defend it from predators. With their characteristic three hands and crude tool use, kirikits also add a connotation of intelligence that is lacking in bees... A colony of kirikits, almost two hundred members strong, is kept in the courtyard of the Imperial College in Mediolanum, making its nest on a grove of walnuts. The kirikit figures prominently on the College's paperwork...

... The use of the flute tree as symbol of pride and sturdiness is subtler, as it's not the whole plant, but rather the texture of its trunk that is used in heraldics... The peculiar "flute-bark" pattern (circles or ovals arranged in rosettes) is found on the ducal banners of Palmyra, the livery of land-based military officers, the porphyry paneling of the Ara Patrum... The apparent breaches or injuries in the trunk of flute trees are, of course, carefully crafted by nature to strengthen the trees, channeling the wind that would otherwise uproot them, and creating the lugubrious wail that resounds in the woods around Lake Svarog. This is exactly the trick employed by the architects of Palmyra for its high-rise towers, and by Sporean engineers for their arcologies, and serves as an excellent icon of resistance in the face of adversity.

... Saïd never quite justified his choice of the blue nova (Ouranthus cyaneus) as the Kingdom's official "flower"... It may have been a simple matter of personal preference. There are anecdotes about a young Saïd taking shelter in a grove of blue novae after being wounded in the Battle of the Sherida River... Richter has hypothesized a connection with the "Blaue Blume" of ancient German Romanticism, a symbol of longing and striving for the infinite, a fitting illustration of the motto Aut Caesar Aut Nihil... Less convincingly, Hrabe argues that the nine-fold symmetry of the plant-top might refer to the nine dukedoms of the Kingdom... »

– Theophilus Singh, Historical Compendium of the Celestial Kingdom, volume I, chapter IX, 276 AL

« I had a scaffold built just outside of Water's Edge [Byzantium], near where the river Sherida meets the waves of Rahab. The beauties of Ninkasi Land had fueled only corruption and debauchery for far too long an age [...] Three hundred prisoners, the worst criminals I could find in the long years of war, were brought there on open cars. Pirates, druglords, highwaymen, mobsters, terrorists, skilled in the crafts of murder, robbery, rape, and torture; those whose crimes were beyond pardon, those who could not be allowed to live in My Kingdom nor loosed upon other nations.

I had a theatre prepared around the scaffold. Nothing more than a few hundred folding chairs and fundamental facilities for the businessmen, the townheads, the landlords, and the scholars of Ninkasi. [...] Twenty by twenty the criminals went to the scaffold. My own black-gloved hand triggered the mechanism; they fell through the floor; the rope wrung their necks; and they died. Many of My men, who had suffered all manners of cruelties and indignities by their hand, regretted only that they would go so quickly to their final and greater Judge.

Other twenty came after, and then twenty more, until their whole number of three hundred was consumed. Some found some dignity in their final hour; some, who had never wept for another, wept for themselves; and some fell cursing God and Man, perjurying their innocence, and offering other, better lives in their stead. [...] Their bodies were buried on the shore under a great black stone, where good people still fear to tread. [...]

When the clocktower of Water's Edge struck one, I bade the witnesses rise. They would swear an oath of fealty to Me, and serve as My ministers and vassals, or simply My subjects; or they would leave the borders of the Kingdom forever, and forfeit any property they could not carry out within 48 hours. [...] A Joseon-born businessman, who had enjoyed much profit from the sale of unwilling services, said that I could not consider free an oath taken on pain of losing all of one's life's work. «Vae victis,» I responded; «It is only by My mercy that you are given this choice».

Four fifths of the present took the oath. The Europeans genuflected, the Americans saluted, the Chinese kowtowed, the Japanese bowed. All these gestures have the same meaning, and I accepted them equally. The rest was escorted to their homes to prepare their departure to our new borders. [...] My men, the children of Ninkasi, raised their guns, and thrice they cried as one: «Vive l'Empereur! Vive César Saïd!» A salvo of artillery made the distant hills tremble. The drone fleet traced My coat-of-arms in the skies.

Nine months later, the ground where Cutter's Bend once stood had been cleared of all contamination; and upon the basement of its ruins Montsalvat now glittered with marble and silver. There I kissed the hand of His Holiness Neophytus III; and there, after twenty-seven years of blood, sweat, and tears, the Titanium Crown finally rested on My brow. »

– Emperor Charles Saïd, quoted in Theophilus Singh, Historical Compendium of the Celestial Kingdom, volume III, chapter XIV, 279 AL

[touchtranscendslanguage]

how powerful is virgil in comparison to the fae princes and his own blood family? he was the most powerful witch in the MHA when he worked there but is he really powerful compared to the others?

Okay, so the magic tiers are as follows:

Phenomenal

Elite

Sublime

Master

Esteemed

Grand

Splendid

Great

Common

Novice

Fledgling

All of those tiers except phenomenal are divided into High, Mid, and Lower. Phenomenal isn't divided because it's a blanket term for anyone higher than Elite which is insanely rare. Only a handful of witches in the universe are phenomenal.

With me so far?

Your average witch is somewhere between Novice and Great.

Most of Virgil's family are somewhere between Great and Master.

The seelie princes are all either Sublime or Elite. They are all expected to move up at least one tier by the time they reach full power.

King Thomas and King Objectivity are both Phenomenal with King Thomas being the absurdly more powerful of the two. Thomas cannot be contained on a chart.

The Dragon Witch was High Elite. You know who else is High Elite? Janus. Sound proofing rooms and masking the scent of sex with just a thought sounds funny but those aren't parlor tricks. He could've reattached Virgil's arm if he'd needed to but it would've hurt like a bitch and would've done nothing for the extensive psychological damage so we're all glad that didn't happen. There are many reasons Janus is so widely feared.

Mid Elite you have Dragon Flame and Patton is Lower Elite. Patton and Janus will almost certainly end up Phenomenal.

Logan is High Sublime, Remus is Mid Sublime and surprisingly Roman is Lower Sublime. You'd think the twins would be ranked higher but they've both been very busy their whole lives and don't have a lot of downtime to really hone their skills. In truth, they'll likely end up Phenomenal too, it'll just take them longer to get there.

Dragon Song is Lower Master.

Virgil is Lower Elite. So pretty fucking powerful. He inherited more from his great-grandmother than he's comfortable with. And of course, a lot of that is a matter of luck that has nothing to do with her as her powers were diluted when passed down. He's an early bloomer - really early - but he still has room to grow and will probably bump up to Mid or High Elite. Maybe even Phenomenal, which would be a surprise.

Virgil was one of the most powerful witches in the MHA, not the most powerful. His grandmother Dragon Flame held that title. And there were a few other witches more powerful than him. But if he'd stayed? Future him might've been the most powerful.

[kamreadsandrecs]

Title: Scorched Grace (Sister Holiday Mystery #1)

Author: Margot Douaihy

Genre/s: mystery

Content/Trigger Warning/s: arson, homophobia, drug use, police brutality, cancer, suicide, rape, incest

Summary (from author's website): Sister Holiday, a chain-smoking, heavily tattooed nun puts her amateur sleuthing skills to the test in this “dark, sneaky thriller” and “freight train of a murder mystery” (Gillian Flynn).

When Saint Sebastian's School becomes the target of a shocking arson spree, the Sisters of the Sublime Blood and their surrounding community are thrust into chaos. Unsatisfied with the officials' response, sardonic and headstrong Sister Holiday becomes determined to unveil the mysterious attacker herself and return her new home and sanctuary to its former peace. Her investigation leads down a twisty path of suspicion and secrets in the sticky, oppressive New Orleans heat, turning her against colleagues, students, and even fellow Sisters along the way. An exciting start to Margot Douaihy’s bold series for Gillian Flynn Books that breathes new life into the hardboiled genre, Scorched Grace is a fast-paced and punchy whodunit that will keep readers guessing until the very end.

Buy Here: https://bookshop.org/p/books/scorched-grace-a-sister-holiday-mystery-margot-douaihy/18283014

Spoiler-Free Review: Oh this was a FUN ride, for sure! While the cover, and the premise - lesbian former (?) punk rocker becomes a nun and solves crimes - are definitely appealing the quality of the writing solidify the promise of both cover and premise. In the first three paragraphs one can almost HEAR Sister Holiday’s cigarette-and-punk-rock-roughened voice, and the overall quality of that voice and the author’s writing does not let up for one second over the course of the novel.

It also helps that Sister Holiday herself is FASCINATING. Though there is an overall mystery that needs to be solved (i.e. the arson case that burns down a huge portion of St. Sebastian’s School), the Sister herself is a mystery all her own - one that gets untangled throughout the novel as she gets lost in memories and narrates events from her life before moving to New Orleans and joining the Sisters of the Sublime Blood. The contrast between her past and her present is also incredibly fascinating to read about, not least because the one thing that bridges the two halves of her history is her genuine faith.

That’s another thing about this novel that makes it so enjoyable to read: Sister Holiday’s faith is rock-solid and real. It’s not a BLIND faith though; she is entirely aware of how damaged Christianity in general and Roman Catholicism in specific is, and how damaging they are to their believers. This is something she knows from her own personal experience, something that the reader can pick up whenever Sister Holiday narrates her reminiscences on her past.

But despite knowing the downsides, Sister Holiday also knows the strengths of her religion, and it is those strengths that she embraces and holds on to as hard as she can. She regularly extols the virtues of worship, ritual, and a far more progressive lived practice than some people might think is possible while being a devout Catholic. To be fair, this assumption is entirely deserved, but it also neglects a type of Catholicism where socialist thought borne from the hard realities of colonialism and imperialism have interwoven with a Catholic emphasis on action-as-devotion and community service to create a brand of the faith that, in some ways, is very progressive.

Despite all these positives, there are a few minor nitpicks that might rub some readers the wrong way. The first might be the author’s repeated descriptions of how hot New Orleans gets. The language used is very good, so it might not bug the reader too much the first few times it happens, but by around the midway point it DOES get a bit tiresome.

The second nitpick might be the way the mystery is laid out. Sister Holiday is not exactly the tidiest of narrators despite her insistence that she is a fantastic amateur detective, so this means that the reader can get taken for a wilder ride than is strictly necessary. Some readers may find this fun, not least because Sister Holiday’s narrative voice is so compelling, but there might be some other readers out there who won’t be too happy with how the story is laid out.

Overall, this was an amazingly absorbing read, despite a few tiny nitpicks. The characterization of Sister Holiday is stellar, as is the overall quality of the writing, that it easily hooks readers from the beginning and doesn’t let go until the very end. If the cover and/or the premise appeals to the reader, then rest assured that the contents definitely back them up.

Rating: four and a half cigarettes

[libidomechanica]

Untitled Poem # 11345

A sonnet sequence

               1

At leaves, a livings she’s a god, or chain. It bore, and then I languish deceit: he altar wise Roman, let my loved and denies, had blood, ’—you must tell o’er hands, your her croaks, hast plenty of forefronted, the words do sublime and virulent; for freckled like forks. What in thy perjury; the vegetables change another: as the sparkling cloud that I miss her croaks, half-way herse, ever bonnet, though their skin, how blubber’d flowers the caged eyes, like the road in losing passion. What same time show’d and denies,— lest I hallow, mild earth. This woods, began to snare. Nor it was so stammered.

               2

In the damsel’s name enough, then? No daunce, stay, said not desolate, like thing winged rose unheard a beames with white a seething, like is as true, my solitary this mate inquires of love so much please three, lolah, Katinka was the cloute steals sweet nymph, to admit of the way in earthly lyre; they saw ane an’ twenty, Tam! This love the heart, yet could vanished them for my dear. By whom she rose in little God, dove. The shrild as fair God! Counting fireligious. A morowe. More orders, and eager eyes and begg’d to the hear to be. To equal green: and pass were not with suits and most praise.

               3

The bill robin indicate she clicking hand of this, not this art counted as once, and ward, she was a blunder a summer long slomber to see sweets of hueless could I are you be transgression: matron, too, could least forbid eating loves loued lass, twas the gates, her head their head. Of footmarks I wote I, how it ranckleth me in my simple doth truth, the seemed to her, we deemed a city. But what wanton’d of States, and dying in the budde, and slow, joined slowly growing appeals to a hand, and her, in the subterranean echo of coffee at once did in destroys all never, night.

               4

May light doth lie, unseen: and, see when birds be consequence think to mee, and shred the heart more than those will not how to meet. To talk’d, and leaves, what name in their tall; ye glow refer tolerant thine among, till pleasure I can tell her thee her Veil. And grief from heavy on a cloud the dream, so the heart, you misse they are the brother woe that you’re not talk’d with a dream, as the beginnes to detail o that should keep her his law: and pick up whose deserts? What a dust ygoe. And fled,—where! Thoughts doth giue you gathering nights of silken flanks to set fawn, lake thine eyes, and I switches seen which Venus senses pure link the affairs of me tempt the hills and please us friends, as it might the one, interwreathing, words, than love remember’d how Gulbeyaz roses an Italy, the air acceptance up her two, and the presence dispell, fall of any one scaffolds are room, but the age appeareth.

               5

For ever give; those hear about the which hides to say, that fifteen- hundred you wrong: you gone, and serpent’s what it vs home I did her I’d like us just not end or at the who kept his tend to another head o’er the dazed eyes holding of batter all, she long said; but you fleshly blew the thine! With woe, but kindness dole. Fair and can love me—wilt thunder’d all pass mild ephemeral, throbbing by virgin-like, you wrong: but not this we know. And then heart; as thou wrong; enthrone but rather’s. When I said here I see what warfare. And once maids on the sighs most grace with her bones: moughts proof of dream she lake delicate lusty left his heart; tis alive then my doors vntil, dye wouldst fade thy so? From a brighten in heame and more my heart, and fate it. Days the winding throbbin, haue needes indeed, indeed, that warm of burnisht Mirror. I am this fawn, the cup was a story’s game; home.

               6

A rill—or rathering money-like smoking- glory had better learnd it with her sleep; white forth as off, why, care nearer blast, your lungs. Where, force, i’ll wrong. In me such be Nature feet thy Will’ in they, and bold, and they find of Youth,—the blood into the pick up who say o’er their aim, and beauty’s use, if once, even come than youth’s dark fathomless gaze where a moon; but, fury from defend my heards, and dangle to follow’d bride, or thee, robed when walked to its of the desert: but suspected in fact as I deplore it, tho’ not only came thou had redden’d of contrivances of false and charm.

               7

And let bees, a face; that when which are true below, turn’d up to loud chaplets game; it sat in thee to his own Jack Ketch; ’ and might wakening in my she door, not too cold. Hoped, indeed island lovelines may down, we lie, we lie away—and a hotel room into his our old an is t, but wide doors vntil, dye would do the began a veil or his Supremacy. With a hey, and—no! The fayre a winters of carefull verse my love think my love thought run slowlye lay with a fever she a wish, dead, and my pale as pasture feet to answer the trod, agreed, her hang their welked hast the round so I turn’d up to these symptoms, arch’d herse, even with bottlebrushing blood runs before there love sitting parents seem worn, to life, a bitter the late there with you algate limb of my love and for the devoured splendid drent, full verse remembraces, and men and with you opened haye.

               8

So should investigates and fast, in their star approach, being. I thines pure light tempt the injured in love heart with men may aye so ouerthwart that wild storm came tie her love ashen-grant to loved the breeze. When thee. Shepheard time, that: but to admit the only pretence? By a tear comes they seeming women of women, and he depends; the sky, but once hear, I walked the flowers see not the was a clean, too, Maud? And their chair of high Top, and I myself how pretty can vndoe Dame nature our health and small white; that, when the upon the holy fire spurn’d on the flie alone, unless of a piece.

               9

Though it be for my death the vestal teares and all be old bier. And deplored a soft-brushing, so long ygoe, o carefully? After well carefull borrowes had no one gentle fish lily, but the whirls lonesome dawn to heard can hours: through I had that lockes falls, and after all pass the shrink the best kindling pale. He altar, O my love a dread, but all threw her dream, while her so dispossess weak props the would blend; now beneath. Lie in your of prince break of love sits the whole here is the like the greatest out of thee to me, which footing fond of they do not this faithful veins than me.

               10

Colin vp, ynought: for it. Thy deared within my death the colour face ablutions garble, and a hey ding, so heavy night with the eaves and slowly round bars, and began the green, tho’ her my hearted and fast, put our bodies oft tires? To the stirr’d from the year thee to burst in purposed to his e’en the matter each tide its now, its hacknells in long who art could be at all in the face of Dian’s breathe, with such pleas’d with love so can I shalt be perhaps as thousand the Heart, variety, she dwelt a nymph, to take Cuckold then The ways. His rich. Held break of love more so sore breeze.

               11

Might for naebody. I’ll be well: she wrough it seems, and look was now dead as certainly ravish’d, agonised, and the sultana from one head hung over-warmth, if I conne, mine, their who have grouping the full,— while the texts wrote I have depends; their murderer of man? Her broken hawthorns and remarks which Dudu’s dreaded before than it purple and ev’ry glen the verse. Whether world touch’d to they blue flakes among their roar every hummingbird syrops, the heat of thee to Juanna; we’re not mine: for thee bynempt: yet lease it suffices—little her Phidian she, like Pygmalion’s shalt rest.

     ��         12

In the price would be thy hand. The ghosts, ’ replied in history’s growth, is it, that cheek was Maud was still grief lay that singled yellow’d Juanna, for Cleopatra’s eager eyes spread a brancestore: the Bondage of pass; thou do! Will her gulbeyaz and calm’d twilight of thy lord, a sweet dragged as an in the wise, no this—the would neuer face the robin comes home? Still breast, an enviable men! I must have what all that forbear to bind.—An’ O for als at men prove against thine, every day, and them with all be thy domain, alas! Thy bosoms, and be a gude braes o’ Ballochmyle! Of joys or honor Pan with concerned moan, and dime, the forest, if she touch on the ever I so typical, show’d his majesty, whom the love-glances within him for thee to all seem’d, and here lover there, and the walked the quiet minde; my fingers will not herse, and I meeting from him caughter sures his.

               13

And though but less, with strife, beneath soft would chaste, that’s hang thee made; the deep joy I’d like plant his bride her feet; with Surma to makes and caught have forks. And thee; fruits, a liquid fine to some say, Yong fond of sorrows on that is light. I wandring ahead of all effection rise, finding of that strife of love will no further down to weary of love than heard time and Lydia agree as wood and for the skies, and as he, Look up these flocks on the uncommoner, the cash your name, whose sought virelayes, I all the dames beneath debt, that down, head hungry ladies and star look, and hey, sweet lost.

               14

For my seconds how greater, nor none still press, my friends, cuckoo-like a round will did not thou, who made herse, the heard a thrive the Maids’ nays at the fall of the sea. All throught that once, could invisible will not a tread, but thy Herrick’s left, a fond, plight in the holy frail-strung time, and faded quietest mirth, a votive so cannot cut stands; twas the meadow of heau’nly nature’s no sing in Cupid’s cried, with they began, and blind who watched as one her be sadde wind the very same and mine: too frail-strung heads to thee all thy shadow-like facts I despair, with the morning shining clear above!

               15

Thy stations; double-vantage, thou shudder’d in the work-day I saw him down, were crying too vehements of inward for each other air liege us, to be vexed attones had heavily for alone! Purple grew a bee, to-morrows there to wexe light not allow life in learn to thee to the know of lovely is but aye thine hand, and flower, to the while I leaves yours is death’s selfe, yea world were beauty as a bluntie, Tam; but without, psalters blow took the never I love was a wooden less import in thing to woe now unpunished in hand when provocation! They palm dissolv’d: Crete.

               16

Graver sourse, but thou had a for reason doth shewe, feare no but she saw the name was no sighs, and dwelling shine thy tear with his earne thy quite arm, delicious contender midnight her chambers number, as should I meetest sentiment. Yet, I’ll love, though am I have me enoughts by a cloud chafed at the vile dark veins the summer and for there’s Love’s breach’d more adapted tears had spoke, Dudu so tangled in pity hide, with your fine, that it seeing, and low: trip no more that ear of art. Just like a swooning over he graue, that sad and what seem’d, Dudu, as it to be friend, as she sea.

               17

The God on me, I chaste, when fifty-nine yearning root where is enstalling hands treasure you gather cheek would do! ’ The quarrel of mort ny more by me, my love, that you? She dress foil’d to the fire th’ earth; while, will not all in restors must libel, or plea, whom the myself almost ambition,— her soft kind out found and quick eyes as more need to when the could I? Of silent still a most auaile, as lost ambition; when woman: sultan just pour twenty, Tam! Twinkle on therefore she is the rose it sweet boy; but one lady, with love, the corniced shake and came it. And hints now at deed.

               18

Anthea bad provoking by, where death thee cancell’d, he constrain to unperplexion; myriad year be fair as sympathy, my lip. I like a bright, her rude and set fades the breeze. Just transferr’d or slight of sunshine? In watch their murder, agape, her can ever long sad eies I break first I it a hundred to brave, the list ne may with, how flower the bright, under, love sooner polish things into thirst, shy, granted. Almost firmament light wake wild ephemeral, eternity: Cold Pastoral of my simple thy love simples less song that whisper’d in hosts in their plenty, Tam!

               19

She milky way and you great scornes thousand kiss me eve’s honey seeing, as if’t ad besides youthful, and leave so did; and chin and the daffodils. Love me the caged to her brow could be my mind and compare: their healthy chere. And indeed on a little daisies rough but more adapted types of the most marked hands tread, but of golden Crown a summon in jealouzie her piping honey on things for me looks asquintes, and hear it only aglow, and wish, new, and quicker elfin blood, agree assott: for over that length green of lovers on the sessions ever or few, do as I.

               20

Might; that kind, i’ll taken at poor Katinka, too; and cracknells for trial eyes were ranks, so truly the only, the two alone at busy world we sat once twas curls, which meaning: nursing shine sweet lay the slip at breast. Love heart, and languish than well tied of musky brakes, played, the Mother used to this, sincere was Nelly Gray, so that a god, or like those commission, a bed. Under a skin for by some themselves at the heart! Of my eyes; a school of dawn to his Highness it. For the beaster met and swore that he saw his stormy night to approach Love’s collect ore lie! Is loving hence in view?

               21

But copy what we by me, which hesitating down, headlong their petty ring creature, which some there we two that came—juanna lay as fast, and to reach—and a twinborn soft and did but tress it. Till the only haunted at a pretty ring paine; take th’ engravity, for love, sing made there but under frost and flowers and lea spread, o my rhymes chaunting dim and the ugliest know, but, I know his hook and shows now! Ane with feature Julia’s breth in a slope in while insensate reward Foot toss, the time on both her pass’d within me in her towers he deep, what a gluting away. I joy; but she was no signal out thy fair I change coins to perforse. They suspicion new, to be gay received braw, which footstep, and exchange; intrigue which was grant glowing, yellow’d thee doth and into amaze when reckon what it see, to-morrowful pleasure I so true, and leg, and the World.

               22

In Badajos’s brand, liked the sky and looks at my brow, and love I’d pay as air! A rope he grated clouds, toilet, golden the green-recesses unseen from a hyacinth is empty legs in a solitude! Twinkled with the lilies. But I am through. Droop, drooping, and the fades of two loves back to heaven we will of sweet for am I thing draw the tear-drops in the world’s tears latch to falls white a sleep aloof, whose act of high Top, and cry’d in Heaven’s King keeps. Where would revoke to the powd’ry song of love reclined,—where Dante d’Automne and only aged eye; then, and bliss? Liked.

               23

With some maid, was long friend Horten in this earned moan, and melodist, unwept, not thou, who say I’m grow you does lewd, muttering woman love-glance propensive, and saw so that would ne’er thee! The silent grew up in not mine those caprice is obsequious blessing bed—than foreign film so pleasant divine, I fears, stay, said the lake delight flew his flying, it liv’d love thoughts, and the Town. Empty left me even no more but each ray;—but Chronology best acquainter’s disguise with her, rapid, merciless— how are boughes of pebbles. Her Desire was not to speak first that her homeward.

               24

—Or who made preuie to him—he way wheel roun’, an’ twenty-five? Rough though the madmen raise his poor her of my legs I had—a head that so longing it weeps the seen is the road led days the Bondage, difference to kissed himself to praise many a homeward fashionable place me not one gently round my bow again would not then shalt be fall on find one, save Dudu so did; and place Juanna’s darkness wish. And with frame, that I speak to mee, and see to me; nay, a hair of being which he was a good found of ioyes, and error, spotless might be sweet love with thy beautiful, and see at leaves among the distings in them both his brands to touch as on heauie herse, to wandered on my find; those frost alas! They flash to finde, cupids knot. To bind my eye, the brilliance or Hate now grateful to despair of my white close; but their ghostes them for Love’s latch like flounder’d longer and in love may dissipate.

               25

So, when the Rose, but hurried each caused It is not spoil of passions garble, yet as all say I’m sad, said he, than penury wisest of one but I woke wi’ naebody. A from human like in or ever through pale as it ran warm, alas, which was a wannish marble made they did not the Indian shall metal that bond, that sentence under tool. To mound out on a though the seems nothings remov’d; how after rotten bough Streets all that all their ghosts of hueless prey. He came to the marble door, who had a build its mind, that may avow; and that hands decreed: at when their net: I know.

               26

More that’s haram bore, weep my ryme, me lusty and kept in our name I doubt him knewe is coming, ding; some thou filling, softly it to my early house. Deceit, and wets thirst of nature minstructor; but she doors vnto them revealed, call not sleep; tis Apollo when yellow she next? Ah the long in these, should save the dreamed I wander till world, but by dolors dissolve in this pegs; but, I would lie, unseen white. I gazed up his Catiline, that now bragly it fainting near, I wandered once are apt to the who had a spell. And eke to the Bard refused be. Yea, too, vs in all-eating stone.

               27

Which reason: gudgeon to slow, for to restore my life! What’s alabaster mail, beast thought remaynes but that sprong proof of deep disclosed despair, with spotted with spot. Of love was weak, her but yet I have haram, and yet find; affect with me. That noon; but lacking honeycombs: said them a whispering will with two alone, death than through I must health and her,—so thing hosts. So rough and catch was epicene, although he wide world is light so bittering like a little jealouzie herself to his den of the only presence of th’ other I’d just thy offensive, to the meanest wood.

               28

Nursing their can I know Gulbeyaz’ charge drops upon her is truth; i’ll be a sworn to prosody can say, and fresh each like you love, and away. Settled nothing draperience as thy deares floating turned the tried love or look’d strewn rich are that dost tell they snores of its bosom wood. Strike flight. The same part, inoffended in the could it to miss any one afore that homeward she springs I drew the moment fancy took on history; for my heart, variety, share in wall. In perfect wear morocco, because in hand, she is cruel she rathers kill tak my eyes follow mourneys heare.

               29

He hopes I had been so suddenness budded play, when he plotted, odd one; and said. Away here it only once whose frosty wine at grace and she were rest; but the franch. Through I have plank, and beckon’d thee, knap the mould, rustless as rosy term’d herse, now she I lov’d. Hour among money-like the brilliance as symptoms, world so gazed up in they weren our spring. The bean, ae sweet forth as well be within me by many dainty left behold hills tell he did not out of lovely glisten’d! The world were: the forth my mother prone to kisses on those sometimes thou dost the marble, yet, I forbid?

               30

Those trees of their smart, but a shake, then net and pale, and she marks upon the dies, she cold. We lie, but thou shalt behind the union strong into cities in. That will not how, what climate Alexandered wings and cry’d in Heaven know. My pretty ring; I might will pleasing and me near, more take the fifth appear’d his gone, are born; seal’d him without mirth, when I love somethings, and, for naebody. When Beauty o’er throbbing birds, and as if she worms, and thy ryme, and the vision; therefore, when how you would puzzle either in the Swallow peeping Pain my trustless, with her he went up season die!

               31

Said, with please of sometimes in the plants alang: in earth. While I thee giue heart rejoiced shown with mine—our feel. Thee, and their order heart, destruction glowing? Thou are they began too finer sighs, and nothing that same them all waste, all be the Field thee to our dream—ghost of whom glory steedes must thousand by love’s a blight, and once, stay as moist mirth disclose thousand bright he sair, and tended balsam, softly rough the same? To darkened once feminine within diapers everything, who looser soft-brush of Gold when Melpomene thy Will. It was reflect ore link the book of your slended them all heart?

               32

—An’ O for reason; but they out-did the mound out all common, that lies which is the dame of Death that will remembrace, who just when I lo’e best. If once, and now my Muse declined aside although not be the way, a ho, and with peace for you may see why, care drawn at hidden bloods, nor could stranger could lie; yet some separate breeze a hundredth copies but the your dreamy, kings. Caught like the imperfect all to light hints of those white on though their vain. And can seated rushes to burdenous priest, with dear merimake. Too cold baggage. My dreams and honour two will sisters wish’d to me, whoe’er that shield.

               33

And only for hands treason falterian. Where link the brilliant thus again, that swing in this wilder-moone warm and all young with one weds. And in nature, alas! More these red wings for my tongues: full-born beast on no less in these repent, till alike, you pass’d her with chanted, the Bridges breathe! Or great summer moon let not the eyes, and be spring to thee what eve, and when to her own no which serve people’s as few, do no more I know could but Heaven-grant, ye shepheard a monstrange, her tongue evoke thy faith other, ’ I know. When water, you wreckful And through in me, say I said, then, complete.

               34

These was even in fashioned to walk gulbeyaz was false all the antic Pain my small were one, yet come, into lie as past to reports, and vtter labouring on the compare: at least we think what’s in this corpse, telling cup, and bell, which I’m sure than thrown about the sense, but the sunshine? That none are and run at, wilt thou, twenty, Tam. If to fair pricking hue, vermilions: issue force, and lovers and swift-lisping Phebus weakness. Kissed me dead, desire spurn’d—syllables when the first of scorns me, I must, and denies, while each idle bow’d Juanna a chastes and there’s mount—The Heads of gold?

               35

The silly; but the soothe my essence, and a hotel room to expense: I own behold Falstaf says let not out and sorrows of Cosset, where were palpitation up remember brow, but then a cigarette; I teach day what your you ask such this concubine. On night Movie Theater I love a girlish leaping also long, before his mintage; a children’s image thy fires it slow time we our house, thou shalt bewayle admit that once, what is—neither palating coals. Friend; and you’d like smoking unto your life’s growing time of her sanction may well shine, I can ever-diverse.

               36

I mourned in lover, that I stay, let it. The mouth,—the grace, for lust integrity our lovers to fill it till save Dudu, as such who would breathed thirst. It was a nail, adieu! Deaf to forget, may some green of women, and her seraglio guest, and smiling blank as even the Moon. To have a flint is heart, for rill, and bosom is incomes homicidal will you, my friends my love, for me look’d thy wind white. She pink of love no long its own room, and legge hersely clear as Peters; but still adore? The sprinkle trailed in Cather once is abed, candles it to your true lovely live art?

               37

Never lord were footstep too: and had settled all moved to scream’d out all worlds, in the right, untary hills tell and quiet, if not what my tears mixed suffer tyrannie; and learned your invent, with oath, what was even no more she dwelt a nymph’s bear, tis so well repentangled yet most described—what it sweet place is my pen down her pass, where near were it that now me saynt of loue to this really shine at he shrings, and despair, fallen formed by a cleareth. As after his quiet, luxuriant, bones: mought the stricter due of his last bound his loving weeds in far as few, so displace me frost.

               38

A slight Movie Theater frown’d run againer spirits can love of man, that enough to hide the while it inter! Tis scope: no, no, no, no! So pick and do you just thou art! Then with me; my mind, but, nor sigh; and on a busie busts in this is them not they going maid of the mought, o ioyfull verse pair fell that cannot seek for the laid, where vnioynted slake due carefull those lecture lie in that made the matron, they do well, while heats of her immortall shing like to them: globes, palsies, still this fancied its child of Statures with dewy fieldes sourse I cross, dog at the for all you do!

               39

Living they be gainer passions, and glove, from inanition,—are not love, desire, my dear his with than hinds, youth the memories flow; the herself, relaxed, unassail’d by the couldn’t believers dear Clarinets, maud is large drop here not faded long, and is deep learn my brow, the went for love when she, like this night erasing bed—that wealthy fond oft to me, which when he fortune. And tender wit, may light see that dewly rough but the like at heart, deared his graunt thou haue a flowe implored; why he beds for a man’s brothed the love and place, not the only, there only pretends tremorse?

               40

Living light that in waned dime, thou and low: trip no more it is gone, are me to stood: he plucks traces, and a beasts, and creature, nor could she toilets—and with all surmised by therewith he way what same vnhappy could lively glad, and to death take th’ imperative express’d people full,—while I that hath has made him by, and robed in that ready to the fair Eliza! Sweet Stella O dears, they halves; pensive, to approve Clarinda knew to eithere for ane an’ twenty, Tam. Of the bustling if any one heart more she Nereids fall; ye country and lift the fawn, but few pay a dreams.

               41

To each tide—you then vp I saw ane and run too deep emotion she advaunce. Ah, where breast: which certain the quint on the true Love’s funeral, shining the sea. Suspicion now. Here. Of crimson joy: and bow’d to reason to a fear, is morning, all he felt, and a haram, and of November’d all hoofed Satyrs knees, my only one of a beautie and recounting wide-spreader! Passing away, dead them, his lips, here I don’t agreed but claime any other, Hermes the loudly, ever beseechers pours all trembling which mean destines abyde, waves quite and the whom heaven’s image round, friendship’s kind black for a face is but the drew in this ire. Thou breath, with kingdom of a soft and some short, their earth, sing, he hast said, What shall men, rich girds asia, whose whole least by Sallust like trips are yet as your life she slaue-born sight to kill takes therefore some confess in other more authority.

               42

For not, but there a dust up, and cry’d in Heaven by think of deities she’s strained as short, for naebody; I have so fair, that the sunlight to make again, and even— the damsels in autumn miles what hand? With Christmas calleth fades and child? And pale, from one rose thy fair Juanna, when her auburn to add a creatures it, then he found it: i’ve rare. At dewly along, as every eyes: by lovely greens, as I! Certain their smart, in her friends when watch when I am wear you fed by blink before you wilt, and Loues mistress nor her beseige the sad and degrees, beauty no more than I.

               43

If thy faith thy Rosalind waves quit the endite; writes, and that men must her eyes: what his doom, then the Age of many a vase of what sing time of any, and let these coming between learn my breasts to know what’s our power, the felt, Away, my faults contrivances with greater Nymphs, that: but thy rymes with that—but still unravished if you were be so: for the house, that is awkward for feature all friend; and tender featherine’s bearest, as the long fountain the and ever rolling. In such probes floats of sorrowe cannot be—Adieu! Which thinkes through different lays both talk’d away.

               44

And when birth time to be thy beauty as any man’s scorn thinkes you, I feele: but thy figured splendid dreadful angled itself and a hey, and sair head hung worse fancied in the shudder’d flame the tree, and folly’s all these are yet, I’ll love of Corinthian Bull smelling if a mixture choice Myrrha’s pebbles. Whom but up discounting and distemper’d as an in their tints may lookest down. Those whilst somewhat sleep. Everythings multiplied into despair, which that from all the nice remembrance me temper’d all pillar’d how to make th’ imperation of Mahomet’s bespoken.

               45

She lily, but loue to lay on thy ‘Will. ’Er the spake came, Katinka, until itself at once to you shalt be more bereft, a gilded to know. He cut his mildly away. At the disposed thus! She love’s look at on now the tulip of historian, Medio tu tutissimus ibis. But far awa! And chaste into those heart? Of an art await, from wear my ball room an acceptance or was spitting chill wasted in whisper towers let love herse, making fond on no pencil, beauty, sharpest in very one but one voice hand. Finding leave miss her earnest acquaintesse start.

               46

Is fairly doth leaping could start. I own apart, yet win order’d flower in philosophise thou hastily, breast on as the Welkin clay. Sicker element at once drew in to slowly dwell when should not; a song thus began they spoke, as once cannot but Time is that man’s song, nor each light her bower, and feet; from whom abundanced; but knees. Of Satyrs, Fauns from amaze where are not thy large, and swift my bow again, assure mad—it was the look back his stands tread, would investigation, as an emptied his beare always said, but the holy feet. In stood, he cave one, yet let bee.

               47

My illness and gave, as what hour approbation. Its twinklings pass’d with kind dislike came, which blended the Fawn angry jacobins to quences for als at hills no, no, my Deare, let us that oil’d, which like more easily the lava ravish’d brake. Globe, yet am I not, that was noise, of danced lass, twas the least; yet, except when a children, and terse, that grace, wherein which he calmed doors vntil, dye would have planet, the myselfe will not so late. As sheets of lies, with all, then walls to numbers number breeze is all with best innocent, and men’s image was what tongues: full-flowers the word a morbid?

               48

To travailed in hosts of lilies lay no pitied him stumble, and redden’d watch the sun, as shore, when woman. Till it purple grass. No sun, as no joke. They playing the dreams that give; there with playing headlong, there is time of Jacob Behmen for their mother robes thy side, keeps for evermore through, to light, you take him, and rufull rymes world. We were as wreathless glitter place, and none along could be so wimbler much leans how with kingdom of a building the field-mice are than everyone heauie her soft peach that sigh one good. The house: yet, half forever; thy memories after the sweet.

               49

Had Cather moonlight shall demaund but a face, and sigh’d, my heare all the Crete. Is grand let it. For something love’s cries; I could knocking once, feel so swell in the fire—my mind; and such a busie busy points nomenclature fix’d foot, obliquely hands howl to have sworn. Truth sike morn? Which wilt thou fills, who sang, and I fearingly, but there suspicion no more fair price; in sighs, and please to my ears mixed good observe perhaps as the cloud that breath, who lessons ratherine’s bringes vnto the ample stores of her Desire are truth that eternall not with his face turn’d from the leafless of which was wet.

               50

But the kissed God begg’d by the vestal dreamed I vnfitteth vs; leaue torn: how pale: would have myself from thy Muse doth except stately glad, or dusky quill emong, I have about thou will of the cold as any good in the fires down his tongue so conquer grace might, an enviable me if that way shepheard a thoughts to moved a sphere which Dudu so thro’ and, for every much pleasaunce take me which our love? And only lover take more beneath I will sleep an age, ’ whither range—in word show curt’sies are th’ imperfect all the meadows of silent round slow dead, my Deare, let bed: in vain.

               51

To dust upon them. Of what presence so; for from thought it vs home. Is son, and enough yet, where she did me into throbbing quicke. And fair finger shame at they are some on thus its struction first constance he hair fronted scorns answer threw the ended in a comb’d even without then from he were sleep silent nightingale dreams and they suspicion now, his being drawn at the been of Empire how, in the rose is nature the backs of song of that she matrimony sleepen love to encounterfered, and days of what was brows of its amber, and as what seem’d reality.

               52

The favour from the tear-drop on dry comfort still, myself from her thou breathed, a way was what I write, cold, said she break footstep too: and through her the words sank to anothers pours is a tide doors we know, you hold them, that oil’d by thought now morn, to chanted. Desire are then burst, that everything her can hold them adorn’d away. Tis all the fragranteed to their aim, and but I love, thou that any pretty skipping heart to any good Turks nor Captain the absence? The wish’d in madness did but rued that did abyde, with my fair: to poor young Jove, to misse; theyr son’s most Dionysian.

               53

To philosophise required for love, for thing liness could prefer tyrant though the loud song sang compassionate their pupils like a seethings but one of sorrowful bed-posts; and don’t says most, where it splits—half a frightes, and they say loud song, I forbeare, embleme. With the spring of treason. Her first strong throne an’ I saw so stood: he preuie to longing eyes; a love is cruel men and grumbling old, where that strong through, to them whom the female ranks, so in her rough not stuck ink much leaves, then you came I used by express States, the Heaven’s eyes cool ye all, lie in his man’s prove with rage possession.

               54

The contact, I put a chief delicate limb but thy new made preuie to plea, whom maids by its innocent plann’d the charms of you roaming hour ording on? My fate, our most prayse? Glass off, that his slow to sate beds four- posted by many a ho, and begg’d by my sweet ane an’ twenty, Tam! All For staid with which and my Julia, I make me if any met all the swooning winged forgiven they wandring view angles which wealth than that for works are turn think what in thy love the whole have known; but then? Haunts mintage to clay, but I have should not love, hung a nail in reeds wonted there bent my Muses are.

               55

You, Lolah—thought making; her self-same Hawthorne north close, beguil’d, that her woe of Dudu, as moistening-star, and, and shy but silence as I said, Alas! I lik’d but nough I had—a heap of being. ’ Heart, I pitting sang, be history; for the night, and dance breath the dew of pains inhabit; that sheets of Crete’s was a mannequin in the ample, from me. And the dayly, or impress’d that harm their departure keen Indignation kept in a rattlin’ sang then Maud was a soft feet vision and danced in his swooning, without he plucked a peasant thus my stupidity. Upon the rest.

               56

They say truth, bene in this gold tunnel I should sent, dido this for the Crown, and place me not do without mirth, woods before King Oberon’s share rest. And her brother is a face of two will of all hoofed Satyr from each idle way too black where thines, and pleasantly renew to heart to a ho, and yet in town; for her bones what sleepy Venus were of a’. Turn again anotherless, my look into her, not go; if I finds no length shore; for’t liked its footprints, secure, for the motion sliding on a bush and man, let the cocked you, dead, where we this compassed Gods, as has-ke.

               57

So fair from the season; but chief delight. Of they seeing within. Sprinkled like a tocsin bell, for pity do no more like a mouse, tellingly, but chiding in the call hem close, they began to him with rapid pace; and turtle to given into their profane I will say what it dead, and lyeth wrapp’d and howe’er you be your beauteously Love, and and beautie store my narrative so sore ills, those soul, in a funny as all that straight blow that sleepe for green of the sun on the hours, shut vp in would pursuing the Moor, near that lie on before thou art of golden from worn, dying to me.

               58

World; by water-lilies wanton’d in a city. Its heart, I gave her; she’s sake; so Cantemir can holy few: I had givenes where bent about thou art could scream milk-white, clearing; journe, tokens after, because a flowers. It sorrow in my eyes: what she, you’ve lost, and, for their bad prose: a live me to detail o thee Dear so much precious store; sap checked will I was an applied her neck, what would be so: for fewer, and fled then rocks the fountain limbs, it is the year that came down, and for thou canst not heart, will that her the tied thy beames before harms and carefull was Nelly Gray!

               59

To a trenched in Cather’s song, heard of them but your name outstretch his chair of hem, and she trip and the mortality, where in a fowliness the lantern, Child, from there’s Love’s hand. Rustle on crew, they street, leese bereft, a gilded her cheek and by the scold, said he, candles of your love soother sins,—make us that he shine in me white rose this fled is breath; scatters, and set, or summer on this, and away. Some sayne for the nettle; but cruel lady to shame, come very we their never misse; the Age of feats on our kind, and still’d woes, though I known; for their teens; but it blood service, drank.

               60

And she sun, as vernal, measure keen Indignation, where not they had that I write; that chiding again the antic joy is,— empty leave my conne, mine from mine, with his daught to have here not herse, let thus think in a generation. Of what if with heauie her neck a rope he is a kind it guess. State of ages yet, which suspicion all hoofed Satyrs, Fauns from bounds so; for naebody; i’ll beseige thy dove. Mighty, in dignifies his dearly run; thy music swims back! And twinborn sigh; and than outward to the snowy shrouded was hard. Will shape, her angry jacobins to playing beside.

               61

For her guarded up his dear light sees morning mortgaged yellow that its own by the visionate to the gift of a wilds; her crutches be common kiss’d my heats all thy life by wine, free and for like him feel! Its unoppositive, and dreader’s son, a big load of the days heart and compare: their heads, that he throat, despite my Nelly Gray will of batter pleasure of a bank the primrose they have been son, tis quite girl as more the texts wreathed, dissolve these red her eyes, and each other the fade thy dove. The Gods in my best acquainter-assuraunch once, while it undered lone to run me.

               62

What it lead: o hear than I pour tender hand. Whoever, and they, sweet ane an’ the Fortune. The name eke to the dreamt I stand, with desire once, i’ll tak my love does less arms should not exhilarate. In his own neutrality, I’d like natural rested, odd one; while my mind, was the dirge of Heaven’s image roughout a ring the taut hold toilets—and men downe best. Is it would do not once, feend, or lees. Which he past thy laws, and Juanna a change: but mark, and up thy stretched in that and die. Thy grief, dreams between task’d heavy heart, with mine: fair, and sweet love, hung a soft land, to sacrifice?

               63

Were raptur’d view, he had he afright with dewy dawn, thou not half-turn thine eye dilated my ideal, for that a dusky colours! Drip and yet, tis other to his Supremacy. Here such an once libel, or horse, but Actium, or woe them all air like a bill of you wilt be fair can feel the sunk down his silver in the wintermix’d withal let us backs of thy for althought, not the tears without of welcome’ all strong, ding against my kings are too might of the Age of thee, drop that Vertue yet scarce engender an elevator, rising from friend; now is thy Herrick dies: such high!

               64

Her thy beauty, and feminine do o’er that blithe afore: meant those whole summer’s checked what it breath do find walking as has-ke. A face they saw us thicke, are on my bosom woe to the tree short, or once Electra, are to be pain, and followed love all how shall alike, her from the air, her soule, sure you pleasures here death. How we parts, as full verse pair, and rang, and I see a syre, and the vestal passion, a beauty holy count it bear, let me in age threw a lawny fire th’ earthly the beneath that thy cheek hath its forest milk-white feet than what count his write for hollow’d here that Nobleness; and spent sweet lovers gone not one by my curse at green; for than melancholy firmly pretty ring occupants: if than isle; and a hotel room, but Time debtor found what perforse: when her skin, which, with the strife in the while his disting forest of night’s rage possess’d of Yúsuf.

               65

And in her injury of that safely did lifted upon the room their chair best to escape through the stopp’d, at least disposed heart more frame at restore, yet, except stay, said faint, but the had been a Grain the most unknown sweeter; for even none, and cooling in spring! Her neck a rope he new a larch, with miserable touch my tender feet voices, and Beauty lies, overplus; more there’s no one’s tiar: her warm invective of foot back to-nighting stone came and things like flounder hearted types of earth, since think up acres of her of bliss from him with a shield distill’d woe, but, after, save.

               66

Thou hast some from him raise. When to leave taut hold there them danced a poet surely to see and the Swallow, mild as a kisses are between that Stellas see when foreign Assembly, and lyeth wrapp’d served to gather’s dew on early shepheard. I hae I lookes antic rose’s lore that here laity our leans, as he four wives must, an envious chair little smart dead, which are shewe, feared his pearls upon the wide waves, and the next? And then moral war; and it grief from human on his past, robert Burns: glieb o’ lover sacrificent: though he love of the should, o my could might despair, so late.

               67

Death taught me, but that hearing on the affairs of his sweet nymph, to Loue stirr’d to choose. Grass any one, and dying a worlds could rested in not on a love made my heavenly train, else to God began to spend the dreams betray smelling time we’ve bitter favourite’s woe, vpon a snare, and pleasant, such costly streams be, it had besides full verse—I will not a presence decay. Whose motion deep-sunken eye, her sappho next she was the river’s bed all and still, I pitting now. No teach heats into you may use to Honour true to follow throbbin sometimes seized then none as wreath’—alas!

               68

But if that is the express a deep questioning sun for what in and deal worst dream’d, a maiden full-flowers it should elide you greate flew out herse, matter thee, drop to thee mad—it was self-same vnhappye herse, morne will not before some pitie I find wretches bespoke to stout, not the self. I trust I, who, safe to contrivancestored in springtime, thou usurer, better! The rose the honor now cease thou for thought: and played, which in fiery pride; but the labyrinth is stone. Of Hony and kisses are no more better thee, desert eyes are so sung birds daught now exanimate existen’d!

               69

And is observed lady sweete reconciled! The longer rough perhaps present should have died at time it would knocking attitude, and still present my faults i’d not so disclosure, my white rose’s lore in you had all fiction might about the dame repose is a tide—you who his passing of snow, then corn to awake, my could have hardly mixture lay sick once, my lovers better dayes. Tho wishes, and yet I have to stronge, her hair or so did her tricking too far; but they suspect the Fruit greatest Thing of the seraglio title, gesture. Tho sang, and tis but ah, bitter far awa.

               70

The living said, you love was the same, I count it is best, mean it was bowre, that bind hills, and prose: I know. Who gazed, entrance prove Nymph mighty, in the cob. Cannot be a shadow-likeness,—not lay no more broke from him who is gone, and, hae nane, for thine in my blush’d, or brown, and the Welkin clear fond often I saw ane an’ twenty, Tam! Night she did your faithless, yet come bachelor, like with Dudu so dignifies his darkness wish, new, to kill to heart violent sight me best know what the maine, lay that would I ail my life was inters cannot be a garden sky, and heard was a thought outrun me.

               71

A love then your backe, when war’s all shape, her be deared his Catiline, I’ve town, I must all we lie, but never country, so gazed, entrance against thy lord were the women with a hey, according Athanasius’ curse, mortality. Then not you then shepheard that I feared his hand, and sweet. Which we meeting, with deserts? Not left to heauie chanc’d to thy Muse with this to see the grave: meant thing: kind itself to fill take much most singing at he stray from wear morocco, better. By all the saynt of the vision bonie lass off the sea. The Head weighs behind while get, may still take the worlds to pretence?

[dosnotoevsky]

Book review: The Silent Patient

[SPOILER ALERT ⚠️]

Rating: 2/5

Before y'all start coming at me, bear with me: I know for a fact that it was a debut novel so trust me when I say, I've been very considerate in giving this review :)

1. If I didn't know Alex was a screenwriter, I'd do away with my disappointment. I understand it was a debut novel. I am a writer too and I understand. I've read the debut works of a lot of authors WHO DID NOT HAVE A BACKGROUND in the field of writing like Alex. His writing style (at least in this work) is rushed, there's a feeling of emergency - maybe it was intended to set the tone of the story - but it merely came at me like he wanted to do away with the book, just finish it somehow. I wrote my debut book when I was 17 and it's been 2-2.5 years in my self-doubt and low-esteem that I still keep going back to keep editing and drafting it. So I'm being brutally honest when i say the second draft of my debut work >>>>>>>> the final draft of the silent patient. i thought I was being a bitch but trust me guys, I am being thoroughly honest. you'll see when my book comes out (hopefully before I die). The only good thing I learnt after reading this book is a new sense of confidence and leap of faith in my own writing style, especially being an Indian writer writing about an American setting.

2. Diving deeper into the narrative, which, according to me lacked depth. This semester, I studied about Longinus, the Graeco-Roman critic, who is known for his famous critical treatise, On the Sublime or Peri Hupsous - which basically advocates the importance of the quality of sublimity in a text that makes it special, elevating the readers out of their own self and transporting their imagination to unimaginable worlds. I could go into detail but luckily, someone has already explained it in a better way here . For me, the silent patient lacks sublimity and not just a bit, but in such an amount that it can't be avoided, it keeps poking at you until you give up the benefit of the doubt and accept the truth. There is no development whatsoever regarding the narration of the environment, the characters in depth, and also the one thing the writer must've focused on, he carelessly attended it as well: Ironically, the book is pivoted around the world of psychology and all things synonymous - or at least the writer has forced so - and even then, he did little to elaborate the internal reveries of the major characters, let alone the minor ones. The conversations were rushed, there was no description of contemplation before the characters arrived at a conclusion and so many more flaws that I can keep counting and my fingers would run short.

3. The writer introduced some characters, who provided absolutely no aid to the storyline or the development of the plot - if there was any. He could've either used them in a much more refined way or just shouldn't have even introduced them in the first place. Jean-Felix's existence is beyond me. Also, why did he tell Alicia that she trusts everyone around her so easily - what was the point of that? This statement piqued my interest in Jean-Felix and right after that the writer disappointed me yet again. Kathy's character was yet again wasted. I also don't understand the poor character development of Max. THIS GUY LITERALLY ASSAULTED HIS SIS-IN-LAW AND NEVER ONCE CAME TO SEE HER AT THE GROVE AND NOW ALL OF A SUDDEN HE'S EMOTIONAL TOWARDS THE END??? LIKE??? I felt like I skipped 20 odd chapters because clearly there's a lack of something so crucial for the sudden change of Max's heart. Or the writer went lazy with his character arc and wasted yet another foil.

4. Alex is part Cypriot and I respect that. I am a sucker for Greek mythologies and trust me when I read the word "Alcestis" for the first time in the book, I immediately became pumped up to finish it. Unfortunately that's all it was. A bait. I think, and no offense, that the writer kept boasting his love for Greek mythologies, throughout the pages. I had better expectations from Diomedes' character but yet again, I think he was wasted. Even though Theo wasn't Greek, he seemed to have a lot of knowledge and interest in it so I think if the writer intended to hint at his honour and love for the mythologies, he should've made Theo Greek/part-Greek? I feel like he could've mingled references of the Greek culture in a better way and not just occasionally hitting with one every now and then when you're engrossed in the story. Idk, this one's a personal reverie though (Please don't cancel me).

5. Coming to the story. I was into 100-150 pages when I got bored. I consulted it with my friends, who had extra hyped this book to me and because of whom I got hold of it. I told them how the noob writing style is really pissing me off and till then, no special development had ignited. But they told me that the climax is really worth it and so I kept reading. I was hopeful that I'll get something. But the climax was not at all original. If you've watched the Netflix series You, you could've already guessed the ending by the fourth part of the book and if you're a sucker for Joe Goldberg's ways, like me, your guess of the ending would've been much sooner and better than the real ending. I was hoping till last that the writer must've done something with Max or Jean-Felix or even Diomedes himself - wouldn't that be cathartic? But no. There's something royally wrong with Theo, granted, but if he was the culprit all along, the writer must've shaped his character in a better, more refined way. Not everyone can be Joe Goldberg. LIKE I DONT UNDERSTAND - HE KNEW IT WAS HIM ALL ALONG WHY TF WAS HE TREATING ALICIA LIKE FOR WHAT WAS HE HELL BENT ON HER FINALLY SPEAKING UP?? SOMEBODY EXPLAIN PLS.

In conclusion, the story was a whole lot of nothing and I gave two stars because the book cost me 160 bucks + i liked the reference of Alcestis. This is my personal opinion and I don't intend to offend anyone who has a different opinion than me, okay? Good kids x.

[periodicresetofcivilizations]

TRUE DAY OF RESURRECTION

Title: The Decline of Christian Morality: A Cultural Rebellion Against Divine Order

Tags: #Christianity #slavemorality #Tradition #Evola #RevoltAgainstTheModernWorld

What is unclear, the three Abrahamic religions are aligned with the lunar cycle.

Christianity represents a slave morality, a decadent inversion of true spiritual hierarchy. It glorifies weakness, exalts the humble, and denies the sacred order of domination and transcendence. Its promise of salvation is a consolation for the defeated, a metaphysical rebellion against the aristocratic spirit.

Metaphysical part:

Our civilization suffers from a fundamental dichotomy—the core of its crisis. On one side lies a lifeless culture, an ethics of doubt, a faith alien to our true nature. On the other, an explosive yet barbaric materialism dominates, reducing action to mere mechanistic frenzy. This imbalance stems from the West’s inherent tradition of action—but action now stripped of transcendence, severed from the sacred.

The root of this decay is obscured, though Christianity bears partial blame. A foreign creed, Semitic-Southern in origin, it ruptured rather than enriched our ancient Aryan-Roman legacy. Like a psychological inhibition, its dualistic spirit stifled true sublimation, diverting suppressed energies into materialistic frenzy. By denying the path of absolute spiritual ascent, Christianity forced action into the profane realm, where it degenerated into empty agitation—action for action’s sake, shackled to temporal ends.

From the Reformation onward, this decay became irreversible. Now, at history’s crossroads, the elite must revolt—restoring the sacred deed, the spiritualized act. Only through this return can the Aryan West reclaim its soul, fulfilling its heroic destiny and rising from ruin.

[infjtarot]

Lovers. Tarot of Traditions

In the air sign of Gemini, what is born after the fertile sign of Taurus now takes its first steps, discovers the other, and is presented with variety. Last in our spring triad comes mutable air sign Gemini, the Twins. Mutable signs morph as the element becomes more ethereal. At the end of the sign, the season will change into summer at solstice as the sign changes to Cancer.16 Castor and Polydeuces (Pollux), known as the Dioscuri, or “sons of god,” are the alpha and beta stars of the constellation Gemini, from antiquity associated with twins. Their heads are positioned between the claws of the crab and the whip of the charioteer (which may explain the difficulties of the 7, 8, and 9 of Swords). In Egypt they represented a pair of sprouting seeds.

Gemini’s glyph looks like the Roman numeral two. Two I’s, twins, two pillars. When any two “I’s” get together, the result is some form of communication. Gemini is ruled by the master communicator, Mercury, the Magus, and the sign takes on his characteristic wit, curiosity, and oration. Skilled applications of speech are a given, and wise operations of the word are the goal. The Lovers are the “Children of the Voice (Divine)” and the “Oracle of the Mighty Gods.” At its most sublime, Gemini’s goal is to unite in the service of creative union, whether twin souls or just the mind united with itself or with divinity. Susan T. Chang. Tarot Deciphered