#the eyes are so blue

[sunny-sainz]

they should have a staring competition

[indra-sexygirl]

Because perfect…

[phantom-shell]

Mizu, in every single episode, without fail:

[ash-and-starlight]

humble contribution

[aye-of-newt]

[stromblessed]

Mizu, femininity, and fallen sparrows

In my last post about Mizu and Akemi, I feel like I came across as overly critical of Mizu given that Mizu is a woman who - in her own words - has to live as a man in order to go down the path of revenge.

If she is ever discovered to be female by the wrong person, she will not only be unable to complete her quest, but there's a good chance that she'll be arrested or killed.

So it makes complete sense for Mizu to distance herself as much as possible from any behavior that she feels like would make someone question her sex.

I felt so indignant toward Mizu on my first couple watchthroughs for this moment. Why couldn't Mizu bribe the woman and her child's way into the city too? If Mizu is presenting as a man, couldn't she claim to be the woman's escort?

However, this moment makes things pretty clear. Mizu knows all too well the plight of women in her society. She knows it so well that she cannot risk ever finding herself back in their position again. She helps in what little way she can - without drawing attention to herself.

Mizu is not a hero and she is not one to make of herself a martyr - she will not set herself on fire to keep others warm. There's room to argue that Mizu shouldn't prioritize her quest over people's lives, but given the collateral damage Mizu can live with in almost every episode of season 1, Mizu is simply not operating under that kind of morality at this point. ("You don't know what I've done to reach you," Mizu tells Fowler.)

And while I still feel like Mizu has an obvious and established blind spot when it comes to Akemi because of their differences in station, such that Mizu's judgment of Akemi and actions in episode 5 are the result of prejudice rather than the result of Mizu's caution, I also want to establish that Mizu is just as caged as Akemi is, despite her technically having more freedom while living as a man.

Mizu can hide her mixed race identity some of the time, and she can hide her sex almost all of the time, but being able to operate outside of her society's strict rules for women does not mean she cannot see their plight.

It does not mean she doesn't hurt for them.

Back to Mizu and collateral damage, remember that sparrow?

While Mizu is breaking into Boss Hamata's manse, she gets startled by a bird and kills it on reflex. She then cradles it in her hands - much more tenderly than we've seen Mizu treat almost anything up to this point in the season:

She then puts it in its nest, with its unhatched eggs. Almost like she's trying to make the death look natural. Or like an accident.

You see where I'm going with this.

When Mizu kills Kinuyo, Mizu lingers in the moment, holding the body tenderly:

And btw a lot of stuff about this show hit me hard, but this remains the biggest gut punch of them all for me, Mizu holding that poor girl's body close, GOD

When Mizu arranges the "scene of the crime," Kinuyo's body is delicate, birdlike. And Mizu is so shaken afterward that she gets sloppy. She's horrified at this kill to the point that she can't bring herself to take another innocent life - the boy who rats her out.

MIZU'S ONE MOMENT OF SOFTNESS AND MERCY, COMING ON THE HEELS OF HER NEEDING TO KILL A GIRL TO SPARE HER THE WORST FATE THAT THIS RIGID SOCIETY HAS TO OFFER WOMEN, AND TO SPARE A BROTHEL FULL OF INNOCENT WOMEN WHO ARE THE CASTOFFS OF SOCIETY, NEARLY RESULTS IN ALL OF THEIR DEATHS

No wonder Mizu is as stoic and cold as she is.

And no wonder Mizu has no patience for Akemi whatsoever right before the terrible reveal and the fight breaks out:

Speaking of Akemi - guess who else is compared to a bird!

The plumage is more colorful, a bit flashier. But a bird is a bird.

And, uh

Yeah.

I like to think that Mizu killing the sparrow is not only foreshadowing for what she must do to Kinuyo, but is also a representation of the choice she makes on Akemi's behalf. She decides to cage the bird because she believes the bird is "better off." Better off caged than... dead.

But because Mizu doesn't know Akemi or her situation, she of course doesn't realize that the bird is fated to die if it is caged and sent back home.

Mizu is clearly not happy, or pleased, or satisfied by allowing Akemi to be dragged back to her father:

But softness and mercy haven't gotten Mizu anywhere good, recently.

There is so much tragedy layered into Mizu's character, and it includes the things she has to witness and the choices she makes - or believes she has to make - involving women, when she herself can skirt around a lot of what her society throws at women. Although, I do believe that it comes at the cost of a part of Mizu's soul.

After all, I'm gonna be haunted for the rest of this show by Mizu's very first prayer in episode 1:

"LET" her die. Because as Ringo points out, she doesn't "know how" to die.

Kind of like another bird in this show:

[atinymexicanbird]

in which shadow cared !! (again)

[bucatinibucatini]

i believe barry keoghan (5’8”) was cast alongside jacob elordi and archie madekwe (both 6’5”) in saltburn so the movie could have as many cinematic close up shots as possible of oliver’s baby blue eyes gazing up at men striking an intimidating pose. just always looking up. sluttily

[mithrun-house-of-kerensil]

last thing you see before he fucking GETS YOU

[lieu-rey]

first meeting

[redsray]

Batfam AU where Jason never dies, so Tim doesn't join the family the standard way. Instead, he continues pouring most of his time and energy into his photography, eventually becoming known as a popular photographer for events and all that. So now, picture this: Tim gets hired to be a photographer for a Wayne gala. Obviously, he's ecstatic, because he can take pictures of Batman, Robin and Nightwing and be in their presence for a whole night. Since Tim is so naturally talented in stealth and taking pictures unnoticed, the second one of the fam realises this they're like: this kid is good. Tim manages to go unnoticed by all 3 of them (all bat-trained, one literally batman) multiple times during the night, and even when he is noticed, he disappears before they can manage to get a good look at him; to the sheer amazement of Dick and Jason.

Jason, (very discreetly putting snacks in his suit pocket): i know you're under the table, kid.

Tim: don't mind me, Mr. Todd-Wayne, sir, just taking a few pictures

Jason: right... Jason's fine, and what pictures were you taking from under the table?!

Tim, showing him perfectly good shots of him: these.

Jason: how did you get that. it looks like you took it from the rafters

Tim, nodding: I did.

Jason, glancing at the ceiling: ...what?

Tim, gone:

Jason: no fucking way.

Dick, hearing a very, very faint camera shutter from behind him:

Dick, turning around and finding no one there: what the actual...

Dick, getting the feeling of being watched and whirling around to find Tim staring at him from across the room: ... huh.

Jason, pulling Dick aside: you see that kid too, right?!

Dick, nodding: the camera kid, yeah?

Jason: who is that.

Dick: he's one of the hired photographers, apparently. one of the best in his field, despite his age.

Jason: he's good. like, really good. snuck up on me 4 times already, the little bastard.

Dick: you too? i swear he's constantly watching. it's creepy how well he can sneak past both of us.

Jason:

Dick:

Jason: you don't think...

Dick: no. B would've told us.

Jason:

Dick:

Dick: did he get another kid and not tell us somehow

Bruce: what do you mean another kid?

Jason: you heard us. did you adopt another kid and not tell us?!

Bruce: no?? how would I even?? ... what's this about?

Dick: one of the photographers has managed to sneak up on both me and Jay multiple times already

Bruce: what.

Jason: he also can't be more than like. 15 or 16. so forgive us for assuming you took another one in.

Bruce: do you know his name?

Dick:

Jason:

Bruce: really?

Dick: in our defence, he's very hard to catch. i wouldn't be surprised if he's snuck up on you, too.

[camera shutter noise]

All of them, whipping their heads toward the sound only to find nothing but air:

Tim, smiling from the other side of the room:

Jason: do you see what we mean?!

Cue an entire night of shenanigans where it's just Dick, Jason and Bruce trying to catch Tim and learn about him. Upon finding out who he is and where he lives, Dick immediately asks to keep him as an honorary member of the family. Jason is hesitant at first but at some point Tim calls Bruce Batman instead of Mr. Wayne on accident and Jason laughs so hard he's basically won over. Bruce can do nothing but watch as Tim proceeds to come over almost every night for sleepovers and is coddled by both of his sons. And he can't deny, the kid's investigation and stealth skills are top tier. By the time Dick and Jason both start referring to Tim as 'their younger brother' Bruce has just accepted his fate.

[loveaankilaq]

Fantasy books stop having arctic kingdoms of all blond hair blue eyed white people.

[indra-sexygirl]

Because sexy…

[mutualcombat]

fucks sake tav you're not helping

[puppyeared]

learned something about myself lately

[zaccrimart]

art trade with @caelusart