#the final 2 seasons of the show are about characters gaining meta knowledge of the story they're in and going insane because of it

[jupitermelichios]

so you've probably seen the news that riverdale ended with the main 4 in an actual, canonical, poly relationship

and that's amazing for a bunch of reasons, including the fact that the number of canon poly relationships on tv are miniscule and also it brings the number of canonically straight main cast members down to 1. Ethel is legitimately the show's token straight representation. love that for her

but to get the full impact of that news, you really also need to know that in order for the polycule to form:

Jughead's transdimensional angel girlfriend has to destroy multiple other timelines to create a new stable timeline for the polycule to live in. timelines destroyed include the one where jughead is immortal and trapped forever in a bunker underneath riverdale, and one where tony and fangs's magical timetravelling gay baby is fighting an evil wizard for control of a train full of evil ghosts

Jughead's magical transdimensional angel girlfriend then returns to the newly created main timeline, and restores the main cast's memories of all the other timelines, which she does by forcing them to watch the show riverdale. That is not a joke or a metaphor she even goes to the trouble to bring a colour tv back to the 1950s so they can watch in colour, except for Clay and Julian, because they did not exist in any of the previous timelines and they're sad about it and refuse to watch a show they're not in.

(Well, Julian technically did exist in the original timeline, but only as a ghost possessing a haunted doll, which doesn't really count)

(Also for some reason as well as the main cast, she makes dilton doily watch it, despite his only contributions to the show being a) dying as a human sacrifice in the og timeline, b) trying to blow up the planet and then dying because of it in the rivervale timeline, and c) gay kevin telling people he has the biggest dick in the 1950s tlmeline, and honestly, I feel like it would be kinder to just not show him any of that)

(ethel does not get to watch riverdale, because she did the only sensible thing any riverdale character has ever done and fucked off to a normal town to have an actual life, because as well as being the token straight character, she's also the token sane one)

After watching Riverdale, all of the main cast except Jughead and Betty decide it sucks and they hate it, and ask tabby to rewipe their memories and only give them the cute bits and not all the serial killers and shit, because the writers have run out of time for subtle metaphors and they weren't sure the audience had fully grasped that the entirely last season of the show is a weird metacommentary on the criticisms people have of the show riverdale so they're just straight up going to have archie andrews look straight to camera and say that the show should have been more like the comics

also I have no idea how only showing them the happy bits works, because that removes 90% of the entire plot so I assume they just have a bunch of completely out of context sex scenes and meals at the diner and nothing else. possibly also some musical numbers, idk if I'd count those as happy memories personally

Betty and Jug chose to keep their memories of the Gargoyle King and Betty's 2 long-lost secret gay serial killer brothers because they're edgy (and also because the writers are annoyed at all the people who say the show should be more like the comics, so they have the smartest characters say they liked the actually and everyone else is being a wimp about all the serial killers, because again, we have run out of time for subtlety)

Having had his memories restored, Jug's like "oh hi tabitha, my secret transdimensional angel girlfriend, I haven't seen you for months, I've really missed you. I'm so glad you're you're back. i love you so much"

And she responds by telling him that she'd chosen to write herself out of the timeline when she fixed in, and she has to return to the great big diner in the sky (not a joke, heaven is a diner in the riverdale universe and, it is heavily implied, also in our universe, so that's something to look forward to), so she freezes time halfway through kissing him and just nopes out of time and space. which is also how I would handle all break ups if I had angel powers tbh

since jug is now single, and all 4 of them just got multiple timeline's worth of fucking one another mainlined straight into their brains, the main 4 decide to all start dating

(they are probably inspired to do this in part by betty's sister, who in the new timeline is a burlesque performer who's stage name is Polly Amorous)

As far as I can tell from the last episode, they tell gay kevin about this and literally no one else, for reasons known only to themselves

also genuinely can't tell if this was the writers wanting a poly relationship for them, or if they just couldn't be bothered with the internet slap fights that would have followed them picking individual monogomous ships to be endgame

they also, hilariously, refuse to say that archie and jug are dating, I assume due to network restrictions, despite archie being canonically bi at this point, so betty's just like 'well sometimes I go to veronica's and we fuck, and the boys do... something we're not going to talk about'

the final episode of the show is a flash forward where as a now old betty is dying, jughead's ghost shows her memories of their teens, in which it's reveal that she has just straight up forgotten about being in a poly relationship

literally she looks at her teen self and is like "wow, I seem weirdly close to veroica jughead and archie" and Jug's ghost has to be like "because we were dating. how do you not remember that we were dating? what the hell? did I mean nothing to you?!"

also old betty specifically seeks out reggie and is like "hey you know how me and you dated, and you and veronica were together for years in multiple timelines, and you archie keep declaring your undying love for one another and nearly fucking, well we're all dating and we specifically decided not to invite you, sucks to be you" and walks away and I have no idea why she did it. justice for reggie

anyway RIP to the greatest television show ever made, it was so gay and so deranged and so meta, and there really will never be anything quite like it again

[torturedpoetemotions]

Stede Bonnet Deep Dive

(aka repository for all the fucks I refuse to give to all the terrible takes on this hellsite after season 2)

I decided to do a deep dive into Stede's character finally, because I keep seeing the absolute WORST takes about him since season two aired.

I'll preface this by saying I don't agree with the majority of the negative or critical takes I've seen about season 2. I don't think the harsh readings of Stede's character are based in a good faith or often even in a sensible reading of the source material. And I don't have the time or inclination to spend all my time refuting bad Stede takes on tumblr, so this one meta in explanation and defense of my goofy little guy will have to suffice.

This is not a carefully crafted piece of creative writing. This is basic five paragraph essay shit, but with way more paragraphs. Claim, supports, transition, repeat to conclusion. Don't say I didn't warn you!

First off, no, Stede is not the villain of this story.

Yes, that's a take someone actually put into my notifications with their full chest. By no definition of the word is Stede positioned as a villain in this story, and he isn't even a compelling case for an accidental villain. This show has done a wonderful job of setting down clear and specific criteria for what makes a character villainous or not in a fictional world operating on a very different moral and ethical framework from our own. And while you could maybe argue Stede would be a pretty bad guy by real world standards, to be this is a moot point. By that measure every character in the show is a pretty bad guy. It's a nearly useless metric.

Within the show, villains are people with privilege and power who use that power to harm others and refuse to change for the better. Stede begins the story with an immense amount of privilege and power and gives all which is in his power to give up at the end of season 1. He gains a different kind of power in season 2 and by the end of season 2, he's relinquished that as well. He rarely uses his power to hurt people, and never does he intentionally seek to hurt innocent people for no reason. That isn't to say no innocent people GET hurt. But he's never trying to hurt people unless they've hurt or threatened the people he cares about. He in fact uses the power he has to stand up for the people he loves, repeatedly.

From the very beginning, he uses his wealth and power to create a space where he, and by extension everyone on his crew, has the space to be themselves. In 1x05 he uses his class privilege and knowledge to punish the partygoers who denigrated Ed simply for not being "one of them." In 1x08 he uses his power as captain to stand up for Buttons against Jack's callous cruelty and remove him from the ship after Karl is killed.

In 2x03 he uses his relative familiarity with Zheng Yi Sao (second only to Olu in terms of members of his crew who have any such familiarity) to plead mercy for Ed's crew. In 2x05 he uses his position as Captain to convince the crew to give Ed a second chance, while also hearing and working to address and mitigate their concerns as much as possible. In 2x06 he takes the responsibility for rescuing his own crew from Ned Low, negotiates a peaceful resolution with his crew, and punishes only Ned as the admitted and obvious orchestrator of the attack and torture of his crew. In 2x07, he doesn't start picking fights to show how big and bad he is. The only two people he shows any violence toward at all are someone walking toward him with the stated intention to kill him and someone poaching a third of his crew right before his eyes.

These aren't the wanton abuses of power characteristic of a villain. These are the understandable actions of someone who feels a lot of attachment and responsibility for the people around him.

No, Stede is not a cruel person who likes hurting people.

Jesus fucking Christ. Like I get that we all have our favorites, but I swear to god some of y'all think that means that you need to turn every other character into pure evil just to justify your character's existence. This isn't even remotely true.

Stede does NOT like hurting people. He hates hurting people, in fact, often even when they kind of deserve it. He really hates it when they obviously don't deserve it! Nothing he does in all of season one is motivated by a desire to harm other people. Yes, even piracy.

Stede enters the show with a very romanticized view of piracy. The violence isn't the point for him, the point is adventure and wanderlust, and possibly primarily, escape. Escape from the confines of a life he didn't ask for and has never wanted. Escape from a marriage he didn't choose and didn't want to be part of. Escape from the rigid strictures of a social structure that doesn't make room for people like him (whether we're talking about his queerness or his neurodivergence). The point is to create a space where he can be himself, and then extend that to others as well. If I wanted to get real sad, I'd say the point is the hope that by creating such a space, he will finally find people willing to tolerate him, or even be his friends.

He also doesn't leave Mary or his children to hurt them. He leaves them because Mary makes it clear they won't be going with him, and he knows he can't bear to stay. And he's riddled with guilt about it, it's not something he looks back on with pride or with glee.

And let's get real dark for a second and acknowledge: for a man in Stede's time and position, if he was actually a cruel person who enjoyed hurting people and he wanted to hurt his wife and children? There would be very little if anything to stop him from doing exactly that. If he wanted his children and his wife to live in fear of his cruelty, he could do that without consequences. But the one instance where he does something that does make Mary afraid--attacking Doug in 1x10--is something he does on instinct and immediately regrets, apologizes for, and feels awful about. He then goes a step further to continue making amends with both Doug and Mary for the rest of the episode.

And that's another thing: Stede's reaction to finding out he's hurt someone is to be upset by that, and then to try and rectify it immediately. When Lucius calls him out for not asking how he is, Stede immediately re-engages with him and starts looking after his well-being, encouraging him to talk about what's bothering him and not to shut out the people who love him. When Ed tells him how much Stede leaving without a word hurt him, Stede accepts that and tries to correct Ed's assumption that it's because he, Ed, wasn't enough or wasn't cared about. When Ed voices uncertainty and regrets about the pace of their relationship, Stede--though quite obviously hurt by what he thinks Ed is saying--immediately puts his focus on making Ed feel secure again, telling him this relationship can be whatever they want it to be.

Now, Stede gets a lot of flak for his reaction to Ed's fishing job news, but let's be real here: it IS incredibly random. It comes out of nowhere and genuinely makes not a lick of damn sense. And it's a wild thing to drop on someone you've been building a relationship with, a wild thing to have decided in a single afternoon before you've even talked to them about it. I'm not going to take Stede too harshly to task for not reacting perfectly seflessly there. It doesn't erase all the times when he DID react by immediately putting the other person's feelings in focus. And those aren't the actions of someone who enjoys hurting people and revels in cruelty to those around him.

Hell, Stede doesn't even revel in hurting people who've actually done something to warrant it, most of the time. Stede isn't excited or gloating about killing one of his childhood bullies in 1x01. He's horrified by what he's done. He wasn't even trying to kill him! He was going for the "stun move." He's so racked with guilt for it the entire season that he hallucinates the man berating him. He takes clear pleasure in manipulating the French partygoers and turning their own game against them, but he's still primarily motivated by making Ed feel better (and fine, that's his one time out of ten, I guess). He also takes no joy in Chauncy's death, in fact he's horrified and traumatized by it. The Badmintons are two people who tormented him throughout his childhood, but he shows an incredible amount of regret and guilt about both their deaths, especially considering Chauncy's really wasn't his fault in any possible way.

The final scene with Chauncy on its own would counter the idea that Stede likes hurting people! Stede is distraught by the thought that he hurts people, sobbing about it in fact. He doesn't leave Ed to hurt him! He leaves Ed because he thinks that is IS hurting him, and wants to stop.

Even Ned Low in 2x06 is not something Stede savors or revels in. Sure, he enjoys the fame it brings, later on. But he doesn't kill Ned in service of that, and he doesn't revel in killing Ned. He isn't smiling, gloating, or smug when he does it. He's deadly serious, and protective of the people he loves, in a pretty blatant mirror of his confrontation with Jack in 1x08. And even once it's done, he doesn't derive satisfaction from it. He's blatantly and obviously distraught by it, flashing back to one of his most traumatic childhood memories. It's the rest of the crew that cheer when he pushes Ned overboard. Stede is silent except for excusing himself to go to his quarters. When he pulls Ed into the room a few minutes later, there are tears in his eyes and his expression is well...agonized, frankly.

Stede's also quick to forgive even pretty serious transgressions against himself, like Ed plotting to burn his face off in 1x06 or Izzy selling him out to the navy in 1x09 (yes, there was a time gap there, but Stede began acting friendlier toward Izzy and showing concern for him basically as soon as he realized Ed wasn't actually dead). That's not the behavior of someone cruel who enjoys hurting people, either.

Yeah, Stede revels in piracy and doesn't have big compunctions about hurting people who threaten him or hurt the people he loves. I'd say the latter, at least, is true for a lot of people even in real life. And as for the former, well. If we're going to say Stede is cruel for enjoying being a pirate, I think we'd have to throw a lot of other characters into the cruel pile, too. Like almost all of them.

Stede is not lacking in care for the members of his crew.

I've already written an entire meta on this, so I'll just link that here and reiterate that if this were true, at minimum, Jim, Frenchie, Izzy, Fang, and Archie would all be dead.

So he's not a villain, or cruel on purpose, or careless.

So who is Stede Bonnet, actually?

Stede at his worst is somewhat thoughtless and oblivious. We see this throughout both seasons, but it's far more prominent in season one. Stede at his best is generous and gracious and forgiving and kind. Stede when provoked acts to protect himself and those he loves without hesitation or pulling any punches, as already referenced several times in this meta.

Stede is, textually, canonically, a gay man forced into marriage with someone he couldn't love who also couldn't love him. Stede is a survivor of a childhood filled with emotional abuse at the hands of his father and physical abuse at the hands of his peers. He does not know how to reach out to people, both because nobody ever reached out to him and because any attempts at all that he did make were met with the kind of shit we saw from Nigel, Chauncey, and his father.

But Stede wants, so very much and so obviously, to have people to be kind to and generous and loving with. Look at how eagerly and excitedly he opens up to Ed, when he sees Ed meeting him with interest instead of mockery or scorn in 1x04. Look how readily he shares his things with Ed and with the crew throughout season 1. In fact he voluntarily left an economic system where it was acceptable for him to hoard wealth for himself, and entered into a system where it was expected for him to share any and all spoils among his crewmates. He loves to share things with people! He loves to try new things with them and show them new things. He's so eager to have any kind of friend.

Stede also begins learning almost immediately how to reach out to people, once he has an environment where he feels secure doing it. And he loves doing it! He'll even do things he doesn't like to make someone else happy, like take Ed to a party he really, really wants to go to even though Stede knows it will be awful (1x05).

He is quick to take feedback and course correct when someone points out to him that he's been hurtful to them or wronged them, like with Lucius in 2x02. Arguably this would also apply to Izzy egging him on to do the fuckery in 1x06. Izzy appealed to his sense of obligation ("I stuck my neck out for you") and his affection for Ed ("he adores you") and it worked! It worked because Stede cares about other people, about their feelings and their needs and wants, and what they think of him. He cares so, so much.

He has flaws, too, of course. As stated, he can be thoughtless and oblivious. He's new to having friends, and new to love, and he makes a lot of mistakes. But he also corrects those mistakes, once he realizes them or they're pointed out to him. And it rarely takes much urging. If anything, Stede's more stubborn when he knows he's right in a situation, but even when he's technically right, he ultimately prioritize other people's feelings (as with the probably-not-actually-cursed suit in 2x05).

He's a goof. And he loves beautiful things. But he's not the entitled, lazy shit his father accuses him of being. He doesn't have a lot of physical or combat skills, but he can learn those skills simply by doing it enough. We see this in season one with how he gets better at getting on and off the ship over time. He's also great at putting a positive spin or an optimistic face on difficult things. We see this with how he treats the patrons who come into Jackie's in 2x01, and also with how he approaches challenges throughout the season. He's someone who, nine times out of ten, looks on the bright side and tries to problem solve, rather than despairing.

He's much more skilled when it comes to coming up with and executing plans, even on the fly...something we see throughout the show. First with getting into piracy in the first place. Then with his first defeat of Izzy in 1x03. Then there's the quickly thought up and delightfully executed revenge on the French partygoers in 1x05, the quite ridiculous but ultimately successful fuckery in 1x06. The fuckery to fake his death in 1x10!

This characterization carries over into season 2, with Stede's nearly successful execution of a robbery at Jackie's in 2x01. In fact that likely would have gone off without a hitch if it hadn't been for Ricky's nonsense, and ultimately did put Stede and his crew in a much better position than they were before regardless. Then in 2x03, he planned the escape of his and Ed's crews and it went off beautifully!

He came up with the plan to escape Ned Low and his crew in 2x06 literally second to second, improvising on the fly as the situation developed until he and his crew were safe again. He successfully got the drop on the two British soldiers in 2x08, he just couldn't actually fight two well-trained men on his own. And it was his plan, ultimately, that got his crew and ship out of an entirely besieged and surrounded Republic of Pirates.

(That plan did not go off without a hitch, to tragic results. But I don't think that overrides Stede's skills in this area. Many of his plans do not end perfectly, but they end remarkably well given the odds. And given the odds he was presented with, the numbers they were up against? One single casualty is wildly successful (even if I'm wailing and gnashing my teeth about it and will be unless and until David and Co. fix it in season 3).)

And finally--and this is the one single gripe I have with the season, that Stede and Ed both said this and seem to actually believe it--this man is not fucking whim-proned. Ed. Ed is fucking whim-proned. That's a pretty core element of his personality, actually. And it's not always a bad thing, and sometimes it's quite fun. But Stede? No. Stede isn't whim-proned. Stede is motivated. Stede is decisive. Stede is tunnel-visioned, perhaps. But he actually doesn't just change up his entire life on a whim. He makes a decision about what he wants, once he realizes he can actually do that, and then he fucking sticks to it like a mosquito in tree sap.

He decided he wanted to become a pirate, so he took the time, expense, and effort required to commission a ship, have it built, outfit it with supplies, and hire a crew. He realized he was in love with Ed and rowed a dinghy from Barbados to wherever the fuck (if you go with history it was Topsail Island, which is nearly three thousand fucking miles away), rejoined his crew, and set about working in a place he was miserable, trying to slowly save enough scraps of money to buy a ship to get back to his beloved. He wrote Ed letters, it's implied every day while they were at Jackie's. He had his goal, and he didn't stop working toward his goal until it was met and they were back together. And once they were back together, he didn't quit just because Ed didn't "melt back into his arms," and--*gesticulates wildly at all of season 2*.

Where Stede thinks he's whim-prone has less to do with caprice and more to do with trauma responses. Every single time we see him do something impulsive, it's as a response to something traumatic. Braining Nigel with the paperweight? Impulse in response to Nigel triggering memories of his childhood bullying. Running back home? Impulse in response to being dragged out of bed at gunpoint, having every single one of your deepest fears and insecurities thrown at you, and then watching the person throwing them basically prove them true by shooting himself in the face trying to kill you. Pulling Ed into his room? Impulse in response to the trauma of being invaded, tortured, watching Ed and all their friends be tortured, and thinking they were going to die (and yeah killing Ned too).

All of this to say...Stede has layers, y'all. He's got good and bad points. He's got strengths and many, many weaknesses. But he is in no way the one-dimensional mustache-twirling villain or bumbling total incompetent id-driven asshat people are trying to paint him as for whatever ridiculous reason.

[inevitably-johnlocked]

A Little LOKI Theory Post

*SPOILERS FOR LOKI E1-3 BELOW CUT*

I am loathe to admit that I love the new LOKI TV series, mainly because of the Mobius/Loki dynamic, the interesting sci-fi plot, and just... I so far surprisingly like every episode. This was the show I had such low expectations for, because I didn’t really like LOKI – I felt he was the Moriarty of the MCU, overused when they didn’t need him, and making me annoyed by an actor I love.

EXCEPT I’m also a sucker for character-driven, psychoanalysis stories, like all these D+ Marvel shows are, and it’s leaving me super shocked about me liking characters I didn’t before. I’m fully invested in all these characters now.

I think the only reasom I really wanted to see this show for was because it ties directly into the next Dr. Strange movie, so YEAH, I’m in love multiverse and time travel things, so it was inevitable that I would enjoy this show, I think.

AND of course, I’ve theories and speculations because there’s a lot to work with, and I LOVE stories like these, so I decided I would take some time out and stretch out my meta-writing grey cells. And I wanted somewhere to have my theories/ideas written out before they come to fruition, because DAMNIT I have headcanons and hopes and dreams.

So here we go, spoilers below cut. Please note I know nothing about the comics aside from what other theorists and reviewers have mentioned:

The TVA are “the bad guys” but I think it goes deeper than that... Like the whole Timekeeper thing is really sus. I think it’s only one Timekeeper, who is Kang the Conqueror, who maintains the Sacred Timeline to ensure that he stays in power to PREVENT the Multiverse War which I think he knows happened to stop him. I also think Renslayer is behind all of this suspicious thing; I learned that in the comics Renslayer is a love interest for Kang, so like........... SUS.

AND I think Multiverse War they talked about in the beginning of the show IS the Multiverse War they’re ABOUT TO HAVE. This is a show about non-linear time, and there’s hints about multiverses in the next Spiderman, and Dr Strange is LITERALLY called “Multiverse of Madness”. Wild Theory: Maybe Doctor Strange IS one of the Time Keepers following the Multiverse War.

Loki initially wants to learn the enchanting that Sylvie does for his own selfish gain, and I think he was lying about breaking the TempPad so he would force her to open up. HOWEVER, I think he had a sudden change of heart after learning about the TVA’s Variant Staff; we already see him sort of fond of both Mobius and remembers Casey’s name, so I feel like that he will end up using this knowledge he gained very differently.

Further on this point, they established in Ep 3 that TVA agents / staff need actual real memories to “manipulate” them. So, I think Loki will use this power he learned from Sylvie (I mean, she explained to him how to do it, and this show is really good at using the “Chekov’s guns” given to us) to bring Mobius to “his side”, and TOGETHER they take down the TVA and make it what it should be. Mobius is very dedicated to the TVA, so I really do forsee that it will be Loki “freeing” Mobius as the catalyst to swaying to siding with Loki until the end. He’s a good man with a big heart for humanity, so I think he will totally side with freeing everyone else.

On that note, I think the reason Mobius is fascinated with the nineties is because he’s a variant jetskiier pulled from the nineties. I suspect in his original timeline he probably had a jetski accident and died, but in the Variant timeline, he survived, and out of pity I think Renslayer “saved” him and recruited him. The TVA wiped his memories after he couldn’t cope with the fact that he was SUPPOSED to die.

ALSO still on Mobius, I think every time he keeps questioning too much, he gets his memory wiped, which would explain why he never remembers leaving the cup stains on Renslayer’s table.

I think there’s more to Miss Minutes than meets the eye. Another theory I had was that she was similar to VIKI in iRobot, essentially running the company to her programmed “laws” after the TimeKeepers passed on. So like there’s no TimeKeepers at all, but there was at one time, and Miss Minutes was left to her own devices.

Another theory similar to this, is the Doctor Who episode, The Long Game, where everyone wants to be promoted to “Floor 500″ because it’s rumoured to be a paradise and is the top floor no one has ever returned from; It turns out it’s run by an alien that feeds on the human or something similar, and the people who went to the top floor ended up frozen husks of who they were. Not saying it’s this exact thing, but more the idea that everyone thinks what’s upstairs is a magical wonderful benevolent corporation looking out for what’s best for everyone, but instead it’s one evil thing doing stuff for their own purpose. Eh.

Another rogue theory: Mobius IS a Loki variant, which is why he’s obsessed with Loki himself, knows Loki better than Loki knows himself, and either knows and omitted it, or DOESN’T know but naturally is intrigued by the Loki Variant and him always finding out the truth is WHY his memory keeps getting wiped, and why everyone is always squeamish about having a Loki around. Mobius mentioned that Loki is the one Variant they have stopped more Lokis than any other Variant....

On that thought: IF Lokis are the most common Variant they capture, I think a LOT of the TVA are Loki Variants, trapped in the forms they were presenting as when they were brought in, and because magic doesn’t work in the TVA, they CAN’T turn off the glamour, had their memories wiped, and in turn could now be Codenamed Casey, or Mobius, or B15........ An abstract theory, but I think it’s interesting.

And another, since I learned that it is in the comics: Mobius is a clone drone. This one saddens me and I really hope he’s not. Because I love Mobius.

I think Sylvie was a Variant who worked for the TVA, but somehow had an awakening and wants to free everyone else... the only thing against this theory is her seeming surprised that her magic stopped working when she arrived at the TVA. If she was an agent, she would know that magic doesn’t work within the TVA.

And I think this series will inevitably – if the rumours of a Season 2 are true – have the Mobius / Loki dynamic solving Time Crimes... a.... Holmes and Watson if you will. :D HAHHA.

So yeah. This list will change obviously for the next 3 weeks, and I had a lot of fun with this so I will probably keep it up.

Some things I hope happen by the end:

A giant “probably not going to happen because this is Disney”: I hope they pay-off the “bisexual” confirmation by the end of this... highkey with Mobius (damn it I ship them okay), but lowkey just even a passing remark about anyone LOL. I really ship Lokius, okay. I need this dynamic in the MCU

PLEASE DON’T KILL CASEY, we love Casey. #FREECASEY

I’ll be really honest here, I will effing GROAN and be a not-happy Steph if they do the ship that I think they’re gonna do: Sylvie x Loki. Which is weird to me that Disney would be okay with self-love, but the OBVIOUS initial dynamic of Loki x Mobius is too much, “look we gave you bisexual Loki, aren’t you happy enough??” Just. I dunno. It’s weird / a pet peeve of mine that a lot of online reviewers are bitching about “woke” Disney the one time they ACTUALLY FINALLY let a title character say they’re queer, but are all “UWU SYLVIE AND LOKI ARE GONNA GET TOGETHER BECAUSE LOKI LOVES HIMSELF UWU”. Even though Loki spent legit more screen time with Mobius, and literally did everything he told Sylvie that he wouldn’t do around people he doesn’t trust around Mobius ALREADY?? It’s like they already forgot about the first two eps. LEGIT the whole dagger=love metaphor LITERALLY happened in the previous two episodes, but alright chiefs. Anyway. Sorry, it’s stupid to be bothered by it. 

We’re gonna get that heart wrench moment that the other two shows had, and I TRULY BELIEVE it’s gonna be between Loki and Mobius when Loki tells / shows Mobius the truth. LOOK I JUST WANT MORE OF THEM OKAY. And I need my heart ripping moment in this show within the next two eps LOL. We got one in WandaVision. We got one in FATWS. GIVE ME ONE IN LOKI. MAKE ME LIKE LOKI.

Anyway, so that’s my rambling. Thanks for taking time out to read all this. I miss theorizing, and this show is perfect for me to do it. I’m not AS good at these shows as I was with Sherlock, but it’s still fun, because it’s new and my brain is full of headcanons and idea things. I’ll write again after Ep 4, I think. <3 Thank you lovelies for letting me do this!

[phoenixfeathersinfall]

The Dax Debacle: Re-Imagining S7 of “Star Trek Deep Space Nine”

*This post came about after a few discussions with Lee @creativilee on how the stories of Jadzia and Ezri could have been adapted to better serve both of those characters and respect the work of both actresses! Thanks to them for all their help, encouragement, and serving as a springboard! Anything in italics is theirs!

For all of us DS9 fans, the finale season can be rather fraught for several reasons, many of the biggest revolving around the transition from Jadzia Dax to Ezri Dax, henceforth called “The Dax Debacle.” Many folks seem to love one and hate the other, which is a huge shame because both characters brought amazing potential and storylines to the table, but the writers really fumbled in some key aspects. This sure-to-be-long-winded meta is an attempt between myself and Lee to fix some of those fumbles and give both characters the storylines they deserved. So, let’s get to it!

First, a little behind-the scenes context.

Why Two Dax-es?

To begin with, it’s important to acknowledge that the Dax Debacle was largely unplanned, and the writing often reflects the ways in which Nicole de Boer was shoehorned in as Terry Ferrell’s replacement, just as the character of Ezri was deliberately put forward as Jadzia’s replacement as the next host of Dax. What happened?

It is widely believed, based on various interviews Terry gave during the show’s run, that the set of DS9 was inhospitable to her, placing her in situations of harassment and abuse. By the time of S7, due to this as well as the sheer grueling schedule of the show, she wanted to be moved from a permanent member of the cast into a reoccurring role like that of Andrew Robinson. When it proved fruitless to negotiate this, Terry decided to leave the show, though she explicitly stated she had not wanted Jadzia’s character to be killed on her departure.

Though the writers went through with the decision to kill Jadzia, they still wanted the character of Dax to remain on the crew, and due to the way Trill physiology was designed, they decided to do this with another host, similar to how Jadzia was initially seen as the continuation of Sisko’s old friend Curzon.

Enter Nicole de Boer as Ezri Dax, a young unjoined Trill who had never intended to be a host at all, and the story of her adjustment to carrying on the Dax legacy.

The Story’s Seed

It’s definitely worth noting that the initial conception of Ezri’s story, the young suddenly-joined Trill joined under trying circumstances who has to re-discover herself has a lot of potential! It could have been extremely poignant and moving, in something of the same vein as Seven of Nine rediscovering herself on “Voyager.” Unfortunately, the choices made regarding how she became the next Dax make it hard to appreciate Ezri on her own merits. Both we as the audience and the other characters are constantly seeing Jadzia in her place. It stymied who she was able to be as a character and how the audience was able to receive her. The way she was written invites constant comparisons, often to Ezri’s detriment in her initial interactions with the crew.

Lee said some things extremely well here: “Ezri as a character was hindered a lot by being made ‘Jadzia's replacement’ instead of ‘the next Dax,’ a Dax in her own right. While Jadzia definitely had Curzon's legacy to live with, it was absolutely not all she was, and she interacted with it as such, but Ezri wasn’t written with the same care. She isn't ‘Ezri Dax’ she's ‘Ezri, the one who replaced Jadzia.’ She was entirely written as a replacement, and it shows.”

Fumbles, Fumbles, Fumbles

Let’s review some things that went sideways in Ezri’s arc, so we can see it for the purposes of our rewrite.

The “I'm the new host of your dead friends symbiont" aspect is very difficult to watch. It’s hard to say if the writers wanted to lean into this aspect deliberately, but even if they did, I don’t think they ended up hitting the emotional notes they wanted to.

Ezri doesn’t seem to get much training from what we can tell, and being joined is a huge change! We learned from Jadzia’s arc that initiates often train for years. It’s wartime, but she still really did get thrown into the deep end!

The audience can’t approach Ezri on her own merits, but quite often, the crew isn’t doing that, either. There’s the caveat that they’re grieving and it’s an odd situation to be in, but! Sisko initially tries to interact with her in the same way he would Jadzia (calling her old man, which upsets her a great deal,) Julian flirts with her with the same intensity he did Jadzia in early seasons, Worf seems to only be seeing his dead wife any time he looks at her.

Ezri is given a role as ship’s counselor when she is in no way emotionally able to handle the psychological difficulties of others when she’s going through so much herself.

Her return to Deep Space 9 (the station) seems to contradict what we know about Trill culture. Joining is meant to give the symbiont as many life experiences as possible, and re-association (to various degrees) is anything from strongly discouraged to forbidden. Ezri goes right back to living Jadzia’s life in some ways, in the same place with the same people. Jadzia wasn’t able to resume her relationship with Lenara Khan, but Ezri finds herself being intimate with Jadzia’s widower.

Our alternatives and fixes for the arcs of Jadzia and Ezri fall into three broad categories, which we’ll break down here:

1. Ezri Not-Dax? (Ezri is still joined unexpectedly, but rather than the Dax symbiont, she is host to another symbiont which needed her.)

2. Where in the World is Jadzia Dax? (If Ezri isn’t a Dax, we have to figure out what to do with the Dax we know!)

3. The Legacy Question (The age-old Trill questions of new hosts, old hosts, and interpersonal relationships.)

Ezri Who? Ezri Not-Dax!

The best solution Lee and I were able to find was the idea that Ezri was joined under similar circumstances to canon, but not to Dax itself.

This is still largely workable for the story we want to tell, because, as Lee explains: “The Dax symbiont isn't key to her character, except to affect her relationships with the crew. Her main personal conflicts are about being joined before she was ready, not about being joined to Dax. She still would have worked without the Dax symbiont.”

For the sake of convenience, let’s call this hypothetical new symbiont Nal. So, Ezri Tigan —> Ezri Nal.

Where in the World is Jadzia Dax?

Theres 3 different paths we could take with Jadzia!

If Terry was made a reoccurring member of the cast, the writers could easily have put Jadzia into the position of being given a transfer assignment. Though Jadzia might initially struggle to accept this because of her loyalty to her friends, “with things picking up in wartime, it's believable that Starfleet would want the people more familiar with what dangers are on the other side of the wormhole to be spread around and maximize the number of ships and stations that are prepared for it. Maybe Jadzia acts as a representative and goes around giving lectures/debriefings on that stuff. This situation puts us in a position to get frequent updates about Jadzia, even if we don't see her again!"

If Terry did not stay on at all, Jadzia as a character could still have died, but the Dax symbiont finds a new host back on Trill, away from the station. Maybe we get updates about this Dax because Ezri trained with them for a bit, or the new Dax reaches out to Sisko from time to time, since he was well-acquainted with two previous Dax-es.

The option I like best for purely self-indulgent reasons would be if Terry stayed on for one more season and was present on the station when Ezri arrived, serving as a mentor to her.

The Legacy Question

Since the “TNG” days, Star Trek likes to experiment with Trill, and what happens in relationships between joined Trill and non-Trill, particularly in the case of a symbiont with a new host. We might assume this was part of the writer’s intent with the Dax Debacle, but it went over much better in the move from Curzon to Jadzia then it did in the move from Jadzia to Ezri.

Other options for exploring “the legacy question:”

“If they wanted to explore the whole ‘new host when the previous host was close to you’ thing, they could have had an episode that went into detail about Sisko meeting Jadzia for the first time after the death of Curzon.” Or, just having Sisko reflect more on the changes and developments in their relationship as time passes. They did this quite well initially when Jadzia first came aboard, but dropped it soon after the first season for the most part and left it to our amazing fic writers to pick it back up.

The character of Curzon is often used as a vehicle for explaining Jadzia’s connection to Klingon culture, but he also gives us access to a wealth of relationships which could be used to explore the legacy question. “Curzon had so many friends, and we see a variety of reactions from them, particularly with his Klingon friends. Some of them immediately fall back into that friendship, some of them struggle to recognize that Jadzia may not be Curzon, but she is still Dax, and has a lot of Curzon in her.” Keeping that thread going would have been intriguing also.

The Life of Ezri Nal

Here’s how some elements of Ezri’s story might look with the “Nal” symbiont.

Ezri is joined rather unprepared when a medical emergency puts the life of a symbiont at risk and the host is unable to be saved. For convenience, let’s call this symbiont Nal.

Ezri was always interested in Starfleet Service, especially in working as a counselor (which she studied on her own rather than gaining the knowledge through the memories of past hosts.) She assigned to the station by the Trill Symbiosis Commission largely because there are people there who will know how to help a newly-joined Trill; namely Sisko, Julian, and Jadzia.

Jadzia+ Ezri

Being the only other Trill on the station that we know about, Jadzia puts herself in a mentor role to Ezri, helping her adjust to her new life and consciousness. Her personality and experiences make her perfect for the job!

As a bonus, we get to see how the mentor and mentee relarionships between joined Trill and initiates work.

We also set up some fun parallels! Take Jadzia, who had to try so hard to be joined, and it was a huge goal in her life (to the point where she applied again to the Symbiosis Comission after being rejected once, which is played as something that basically never happens,) versus Ezri who was perfectly happy to be just herself and ended up taking on this responsibility without being ready and without feeling like she had much choice because of how Trill culture regards symbionts.

From the little we know about Jadzia before she was joined, she was somewhat like Ezri-bookish, shy, anxious-and she initially struggled to adjust to the likes of Curzon. But now, she’s gown so confident in who she is, for the most part, and she’d be the perfect person to guide Ezri and help her find joy in her new life.

But, she also understands having difficulties with aspects of being joined, for example, her conflict in whether she should rejoin with Lenara Khan, or how she struggled in the aftermath of the discovery of the cover-up regarding Joran.

In short, Jadzia helps keep Ezri as mentally and emotionally healthy as she can be.

Julian+Ezri

Being CMO, Julian helps look after Ezri and ensure she’s physically well; after all, it’s what he does best! “Having Julian as the Chief Medical Officer on board would be a big draw for the Trill. He's even performed a symbiont joining and removal procedure. He had to be very familiar with Trill biology, meaning a newly joined host would be relatively safe and well-cared-for on board. And, I’m sure that there's a big chemical change in Trill when the get joined, and adjusting to that would be hard!”

Julian can also sympathize having something done you didn’t want or weren’t ready for, and can help her process those feelings. “ They both have complicated relationships with their parents regarding their parents’ expectations and their own desires and feelings, which would be interesting!”

In some ways, Julian can serve as another mentor to Ezri. It would be an interesting shift to watch Julian, who is often portrayed as the the youngest or most “green” be able to mentor and guide someone else. “This is also a good way to show Julian has grown and matured, without having to have other characters just say it.”

If we still followed their romance route, having Ezri as Ezri Nal rather than Dax could have make the relationship between her and Julian sit a lot better with audiences. With a rewrite, Julian is not chasing the “ghost” of Jadzia; rather he’s meeting Ezri for the person she is, on her own terms. This also prevents a regression of his character back to the way he chased Jadzia in the early seasons, and instead honors the relationship of treasured friendship that Julian and Jadzia built.

Sisko+Ezri

As he is with many of his younger crew, Sisko takes naturally to the role of a mentor and father figure with Ezri, again meeting her for the person she is, on her own terms. He serves as a valuable guide to ship life and helps her get acquainted with station staff and residents.

Like with Jake, Sisko encourages Ezri to find herself by being her own person.

Ezri tries to take up cooking as a hobby with Sisko, but the experiences of past hosts mean her skills vary wildly depending on what they are making.

Other Relationships

Garak helps Ezri figure out how she wants to dress, often integrating different styles from past hosts. (He rather jumps at the chance.) Ezri still has her difficulties helping him as a counselor, but her additional training and the lack of complications from the Dax symbiont make things easier. They also get to know each other through Julian.

In this Ideal Timeline, Ziyal survives and meets Ezri. They relate well to each other, both of them not really knowing where they fit and grappling with someone else’s legacy, but they have each other for support. Ziyal has given her portraits as gifts.

She has a similar dynamic with Jake, who is trying to figure out how to honor his parents while being his own man. Ezri starts writing memoirs of sorts about her past lives on his suggestion.

Surprisingly, she gets on with Nog, too. They’re both doing things unexpected and feeling like they’re going to be the first in something big.

She isn’t especially close to Worf, but he assures her that the sacrifices she made for Nal are ones to be honored, and becomes rather fond of Ezri due to Jadzia’s influence.

Thanks for reading this super-long meta! Please tell Lee and I your thoughts on this rewrite!

[randomfandom815]

Defending the women of LOST/Sexism in LOST

People say they don’t like Kate Austen because she’s “annoying” “can’t choose between Jack and Sawyer” “always wants to join every single mission”. Kate has way bigger things to worry about than sorting out her romantic feelings. Yes, she is developing feelings for both Jack and Sawyer, but she doesn’t have time to figure them out while trying to survive on the island. And the fact that people don’t like her because of the whole “I’m coming with you” thing is a little ridiculous, because they’re hating Kate for wanting to protect her friends and do whatever she can to help. You know who else does that? Jack. But plenty of people love him for those very same reasons. Yeah, a lot of Kate’s character was centered around the love triangle, but that isn’t the character’s fault, it the writers’s.

Then there’s Claire Littleton. People always complain about her “my baby!” thing, but... she only actually says that a few times, AND, if your child was taken from you or you thought your child was going to be hurt, wouldn't you be worried out of your mind? Wouldn’t you want to do anything to help them? People also criticize Claire for her entire Season 6 arc. She was alone, on the island, thinking everyone had abandoned her, with only the MIB for company. She was also tortured by the temple Others, who she thought had taken her child. Claire was a single mother who just wanted to keep her son safe, give her a break. 

Sun-Hwa Kwon is a character who actually doesn’t receive that much hate, but there is still the fact that people don’t like her because she left Ji Yeon to go back to the island for Jin. Here’s the thing: Sun had no way of knowing what was would happen on the island. She had no way of knowing that Jin had time traveled to the past, and she had no way of knowing what would happen with the MIB/Locke. She thought that she would be able to go to the island, bring Jin and the others back, and the two of them would reunite with Ji Yeon. And then in the submarine incident, Sun didn't want Jin to stay. She wanted him to live and take care of Ji Yeon. It was Jin who made the decision to die with her, not Sun.

Shannon Rutherford is a very unlikable character. Even I don’t enjoy her character, or Boone, and that is a view shared by many other people in the fandom. Many people call her selfish, spoiled, and just plain rude. And she was all of those things, but that wasn’t her entire character. Remember, they had all just been through a plane crash, landed on an island with no chance of rescue. Also, friendly reminder that she was only 20 years old. She was scared, and her way of coping with that was to try to do something normal. Let’s not forget, in Pilot, Part 2, she volunteered to go on the mission to fix the transceiver. She was constantly feeling useless, and it didn’t help that other characters, especially Boone, were constantly putting her down and mocking her. When she started to see Walt, she genuinely made an attempt to help him, even though she wasn’t sure if he was even there. Her death was untimely, and I wished we had gotten to see her grow more as a person. Also, her death was used for shock value and to further Sayid’s character development.

And now, one of the most hated characters of LOST, Ana Lucia Cortez. Now, while the characters I mentioned above were shit on and criticized, Ana Lucia was absolutely hated by the fandom. People hated her attitude, her toughness, her dislike of most of the people around her, and the fact that she killed Shannon (who, by the way, was just as disliked by many Ana Lucia haters). You know who else has a similar attitude? Who has that same toughness and dislike of people? Who else killed someone? That would be Sawyer, a fan-favorite, white male character who is beloved by the fandom. Now, for the last point, what I am comparing here is Ana Lucia killing Shannon to Sawyer killing the man he thought was Frank Sawyer in Australia, right before flight 815. Ana Lucia killed Shannon because she was trying to protect the people she was leading (including Sawyer!) from who she thought was the Others, and killing Shannon was an accident. Sawyer killed the man completely on purpose and out of revenge. Oh, and it wasn’t even the right person. Yes, I am aware of the man Ana killed long before flight 815 out of revenge, but if we can take her very small amount of character development, in which she refused to kill Henry Gale, a known Other at that point. Whereas Sawyer was still willing to kill a bunch of people in Season 6, the end of his character arc. And yet, Sawyer is still in most people’s top five characters lists (just to be clear, I do not hate Sawyer at all, and this is not anti Sawyer but pro Ana Lucia). You may argue that people love Sawyer because of his character development, which I do agree with. However, Ana Lucia was never given the chance to have Sawyer-like character development because she was killed off in the same season that she was introduced in. She wasn’t even allowed to be in the church in the flash-sideways, and she didn’t get to “move on.” Ana Lucia deserved way better than the death for shock value that she got.

Next up on the list is Juliet Burke. She, like Sun, also isn’t the target of a lot of hate, but there are still things that need defending. The first thing is, of course, her sudden change of mind when it came to detonating the hydrogen bomb in Season 5. Yes, it was selfish of her to endanger everyone on the island just because of the way Sawyer looked at Kate. But if the plan did actually work, which she thought it would, that meant she would lose everything she had gained over the past few years, including Sawyer. Juliet is incredibly kind and feminine while also being badass at the same time, which is amazing because you don’t usually see those two traits coinciding (usually a badass character isn’t very feminine and a “traditionally feminine” character isn’t a good fighter). As for all of her motives in Season 3, Juliet was trapped on the island for three years. All she wanted to do was leave and go home to her sister. Yes, she manipulated Sun, but right after that, she made things right by helping Jack make a plan to stop the Others. Her death was heroic, and I’m glad she was finally able to be happy in the flash-sideways. (I am declining to mention her whole relationship with Goodwin and all the drama with Ben, although I might dive into that in another post). 

Now, the character Rose Nadler has almost nothing that needs to be defended. She is a constant wise voice of reason who isn’t concerned with the drama of the rest of the survivors. Her relationship with her husband Bernard is very sweet, but she doesn’t let that stop her from doing the smart thing (like stopping his SOS sign idea). Not only that, but Rose has one of the best (and most meta) lines on the show: “If you say live together, die alone to me, Jack, I’m going to punch you in the face.”

Another character who doesn't need much defending is Charlotte Lewis, but not for the same reason as Rose. Charlotte was done dirty by the writers. Of the science team, she is the least fleshed out and explored. She had a single flashback and a little bit of exposition information from Ben, but that’s pretty much it. Every significant thing she did was for the sake of other characters. She had a fake-out death so Ben would reveal that he had a spy on the boat. She was taken to the Barracks so that members of Jack’s group would have a reason to go there. Her going to the Barracks was also an excuse to get Miles and Kate there. And she only died/was dying for shock value, to up the stakes of the time flashes, to provide more questions to the characters and the audience, and to further Daniel’s character development. In the flash-sideways, all she did was go on a date with Sawyer and further his character development. She didn't get to go to the church and move on. Daniel and Miles, the other members of her team, on the other hands were given compelling backstories and centric episodes.

Penelope Widmore is similar to Charlotte in that there isn’t much to defend because she doesn’t do much that affects the plot. Nearly everything she does is about Desmond, and the writers barely even gave her a personality. I’m sure Penny was an actually interesting person, if they had bothered her to give her any storyline that didn't involve her love interest.

Danielle Rousseau is a character that kind of slides in and out of the story as needed. Now, Danielle isn’t the subject of a lot of criticism just because she isn’t very focused on, but from what I have seen, here’s what I have to say: Danielle was alone on the island for sixteen years. And for sixteen years, she had to live with the knowledge that she was forced to kill the man she loved and her team. Not to mention the fact that her daughter, Alex, was taken away from her when she was just a week old. Can you blame Danielle for being paranoid? Her death was not a fair end to the character, and it was only used to kill off Danielle quickly and provide shock value.

Her daughter, Alex Rousseau, is similar to Charlotte and Penny in that she doesn’t need to be defended because everything she does is to affect other characters. In this case, those characters are Ben and Danielle (especially Ben in the later seasons). Danielle’s entire character is centered around the fact that she lost Alex and has been searching for her, and Ben’s motivations after Season 4 are largely motivated by Alex’s death. She herself doesn’t have much of a character arc, and her death was only to provide shock value and further Ben’s character development.

Another character that falls into the category of not having much to defend because every action is for someone else is Libby Smith. Once the tailies and the main survivors joined together, she was almost immediately shoved in a relationship with Hurley. The only things we knew about her backstory were that her husband died, she was a clinical psychologist, she was in the same mental hospital as Hurley, and she gave Desmond a boat. That’s it. She didn’t have a centric episode, and she only appeared in other people’s flashbacks. Her death was only to provide shock value and further Hurley’s character development, as well to show that Michael betrayed the survivors. 

Notice how many of these women died for shock value and/or to further a man’s character development? Notice how many of these women are disliked for traits that other characters are loved for? Notice how many of them barely exist as their own character without a man? I love LOST, I really do, but their treatment of female characters needed a lot of improvement.

[im-the-punk-who]

Hi, I dont know if you read or know anything about Macchiavelli's "Il principe", but I am studying it in school and I cant help but compare it's fundamentals to how Flint leads. I'm just curious about what you think

Eekekekekekekekekekekkek okay so first off Anon, you are absolutely, 100% right to be getting those vibes. If it’s not actually textual it is at the least meta-textual that Flint ascribes to a very Machiavellian type of leadership. His whole ‘never was there a Caesar who couldn't sing the tune’ speech is...licherally a direct reference to Machiavelli's philosophy that leaders cannot retain their leadership without sacrificing some level of ethical behavior in order to manipulate and deceive their subjects into following them.

And, Flint owns at least two books from thinkers who drew directly on Machiavellian thinking in their texts: De Jure Belli Ac Pacis by Hugo Grotus and The Leviathan by Thomas Hobbes are both visible in Flint’s cabin, and both drew heavily on the type of leadership principles established in books like Il Principe. 

(Also, my eternal quest for the book that sits *under* The Leviathan in that scene remains. Y’all I will literally pay someone for this knowledge. My best guess is Plato’s De Republica.)

In fact, the whole system that Flint’s world was operating under at this time was very machiavellian in influence. 

Henry VIII, who converted to Protestantism and who would eventually lead England in the conversion from Catholicism to Protestantism that would then in turn eventually lead the country into the War of Spanish Succession(the war being fought during the London 1705 flashbacks), was a student of Machiavellian thinking. He took the teachings of Il Principe to heart and used them to transform his country. Over the next hundred and fifty years, England would change from an entirely Catholic country to a Protestant one. Of note, Catholic scholars generally disagreed with Machiavelli’s principles on the grounds that it did not support the Divine Right of Kings.

As well, the Enlightenment thinkers that influenced Thomas Hamilton(and Flint himself) were starting to argue more for personal liberty and choice of the governed, both concepts presented in Machiavelli’s writings. (For those following along, this approach was also being used to justify slavery, as what was ‘good for the state is good for the man’ was used as justification for everything from impressment to colonization and slavery. Men were willing to set aside their morals for what they justified as good for the state. Shrug emoji.)

As James says of England when he and Thomas view the hanging in London:

“You think Whitehall wants piracy to flourish in the Bahamas?”

“No I don’t think they want it but I think they’re aware of the cost associated with trying to fight it. And I think that that sound travels.”

Here we see that Flint knows what Thomas doesn’t or does not want to accept: that England is willing to sacrifice some morality and some amount of lives(both of pirate-prisoners and the ships they take) in order to save themselves the financial burden of rooting out the causes of piracy. The justification for piracy was that it is too costly to fight, and that the nation ultimately benefits from a bit of strife as it drives prices up and allows England to place within the sights of its citizenry an identifiable enemy. (Note that Blackbeard also argues the same of Nassau, that prosperity ‘made it soft’.)

Even as he is changed by Thomas’ line of thinking, this lesson will stick with Flint and we’ll see it over and over again as he deals with the men’s hatred of himself by redirecting them towards other avenues(Vane, Hornigold, England, etc.)

And in actuality, this is what sets Thomas very much apart from his political brethren - he was *not* willing to sacrifice his morals in order to achieve a ‘more effective’ victory. Once he realizes that moral deficit shown by England, he creates the pardon plan to argue directly for a more moral and just way of governance. His whole premise for the pardons was to show England that an approach that considered the needs and wants of the governed was ultimately more effective, both in cost and in gaining the genuine good will of the people. And again, this is another likely reason why Thomas was then targeted by Peter Ashe and his father. Railing against the entire system of government was dangerous. Particularly if one was railing against the government in a way that could be seen as support of an opposing system of religion and political rule(remember how I said before that Catholics were generally against the Machiavellian systems?) Put plainly, Thomas’ rejection of Machiavelli’s leadership tactics would have been yet another argument for his treason against the crown.

Interestingly also, Marcus Aurelius - Thomas Hamilton’s homeboy - is said to be one of Machiavelli’s five “good” emperors, of whom Machiavelli wrote,

“[they] had no need of praetorian cohorts, or of countless legions to guard them, but were defended by their own good lives, the good-will of their subjects, and the attachment of the Senate.”

How we tryna be.

And so we see that Flint has - not so much fallen back into England’s line of thinking but perhaps that he never really fell out of it. And that this is actually a rift in his potential ability to conform to Thomas’ line of thinking, assuming we see that line as more morally correct. We do see Flint, gradually, throughout the course of the show, move more away from this Machiavellian line of thinking, especially once he meets Madi and the Maroons.  And to me at least it’s one of the most important character shifts we see - in contrast to the trajectory of John Silver becoming Long John Silver  - throughout the series. Just as Flint is finally starting to really value the lives of those around him, Silver has learned how effective those tactics can be in achieving his goals. As Hands says - ‘I wonder if he knows how much you learned from him.’

And in fact, Silver almost directly quotes Machiavelli at one point when he talks to Flint about their different leadership styles.

“I once thought that to lead men in this world, to be liked was just as good as being feared, and that may very well be true. But to be both liked and feared all at once, is an entirely different state of being in which, I believe, at this moment, I exist alone.” 

Whereas Machiavelli in his chapters addressing cruelty and mercy writes

"Here a question arises: whether it is better to be loved than feared, or the reverse. The answer is, of course, that it would be best to be both loved and feared. But since the two rarely come together, anyone compelled to choose will find greater security in being feared than in being loved." 

This is clearly the approach Flint has taken - he is the most feared captain on the seas. Certainly in the colonial world and on Nassau, too, his name brings a certain amount of fear with it. Because of this he has been safe from rebellion for quite a long time - however he is also not unaware that his power comes from the people. In the very first episode he talks of his plan with Gates to “position people in all the right places so the crew would never turn.” He has, for an unknown amount of time but I would suspect from the very beginning, been manipulating the crew’s opinion of him to keep them happy. Gates himself, and Silver later, are prime examples. 

Both of them; Gates for the first ten years or so and Silver in seasons 2+3 act as a go between - being the ‘liked’ to Flint’s ‘feared’. They convince the crew - the ‘people’ in this case - that Flint’s plans are in their best interest and not truly the act of a tyrant. It is only when Flint forgets - or neglects to respect - that the will of his crew is how he keeps his power, that he really starts to fail. And, later also, that now he has a rival - Silver. 

Now, I do want to point out that personally I don’t think Flint is a needlessly cruel ‘ruler’ in the sense the crew sometimes thinks he is, nor is he trying to be as a king is to english subjects. He has power, of course, and he does manipulate, lie, and kill if necessary to maintain his power in accordance with Machiavelli’s principles, but he does not do so ruthlessly or to a degree that is unnecessarily violent, nor with only his own advancement in mind. His goals genuinely are in service of the people he leads, even if the tactics he uses sometimes put them in danger for it. Moreso, I would argue that Flint is a prince who created his own princedom. He took an existing power structure(the pirate council in Blackbeard, Hornigold etc) and took most of the power for himself, either through luck, violence, or political maneuvering. And then he kept it through skill and tactical advantage.

Silver, in contrast to Flint’s new princedom, is truly a ‘prince of the people’. He comes to power through convincing the other pirates that he has their interests at heart - even when he doesn’t. But Silver soon learns that being a well-loved leader is difficult. It isn’t until Silver kills Dufresne and Billy uses that fear to build a legend that ‘Long John Silver’ the pirate king comes into being. Silver learns, just as Flint knew, that in a world or corruption, often leaders need to make sacrifices of things they would have once deemed important. 

(I think it’s also important to note for Silver that his main goal is actually one Machiavelli writes of as being ‘a will of the people’. Silver’s main wish is not to rule, not really. His biggest motivator is ‘to be free’. To not have to make choices based on the will or subjugations of others. And so, he attempts to make the leadership forced upon him into something that frees him - unfortunately for him, Madi is right when she says that the ‘Crown is always a burden’ and it would be truly impossible for him to find the kind of freedom he wishes for while wearing it. Which, honestly, is part of why he ultimately fails in that regard as leader of the revolution.)

In the later seasons we see Flint go through this change in philosophy after he meets Madi and the Maroons. He begins to actually value the lives of the people he leads. When put to the choice of going through with the raid on the Underhill estate despite the risk it poses to the slaves on other plantations, Flint resists the idea. As he tells Madi - it would have cost them far more to ignore the ‘will’ of those people he hoped to lead - the slaves - than it would gain them to go through with the plan. And later, even though he can’t be blind to Max’s sway with Eleanor and the others, unlike Billy (and oh how the mighty have fallen, Mr. Bones!) he doesn’t even seem to consider keeping her rather than trading her for the lives of his other men. He no longer wants to trade a potential political victory for the suffering of those he leads. So, too, when he attempts to trade the cache for the fort, he is doing so with the goal being to not have to put those under his power in danger if there is another option. It is, at least to me, an incredibly moving character arc and one that is so very understated. 

And honestly, I think it’s what *needed* to happen before he could move on from his rage-hate bender and begin to find the sort of peace that one might argue those ‘good’ rulers had. Machiavelli’s principles tend to get in the way of your ability to connect with other people: when you see them just as pawns in a game, friends and foes lose their intrinsic value of just being important on an emotional level. It is only through learning to truly value his partners that Flint can learn how to be a better and more just leader.

Also, this passage in chapter 15 absolutely KILLS me in regards to both Flint, and Thomas Hamilton:

“Men have imagined republics and principalities that never really existed at all. Yet the way men live is so far removed from the way they ought to live that anyone who abandons what is for what should be pursues his downfall rather than his preservation; for a man who strives after goodness in all his acts is sure to come to ruin, since there are so many men who are not good.”

Like bitch!! We get it!! Too much sanity!!! Shut up!!!!!

Anyway, all this to say that you’re absolutely right in seeing parallels between Flint’s style of leadership and a Machiavellian prince - he is absolutely written as a prince-like leader. As are Silver, Rogers, even the Maroon Queen(and Scott and Madi as extensions of her) can be compared to certain rulers in Machiavelli’s archetypes. Even Thomas, who models himself after one of those ‘good emperors’ engenders a type of political leader Machiavelli writes about.

(Also lastly, i want to very quickly point out this guy, Cesare Borgia:

Who was a prince of ‘fortune’ who lost his princedom to trusting the wrong person. What a beard, amirite? What a face. He’s even got the rings! I’m sure this means nothing.)

So basically yeah, Flint is absolutely a Machiavelli bitch. 

[aaronmaurer]

TV I Liked in 2020

Every year I reflect on the pop culture I enjoyed and put it in some sort of order.

Was there ever a year more unpredictably tailor-made for peak TV than 2020? Lockdowns/quarantines/stay-at-home orders meant a lot more time at home and the occasion to check out new and old favorites. (I recognize that if you’re lucky enough to have kids or roommates or a S.O., your amount of actual downtime may have been wildly different). While the pandemic resulted in production delays and truncated seasons for many shows, the continued streaming-era trends of limited series and 8-13 episode seasons mean that a lot of great and satisfying storytelling still made its way to the screen. As always, I in no way lay any claims to “best-ness” or completeness – this is just a list of the shows that brought me the most joy and escapism in a tough year and therefore might be worth putting on your radar.

10 Favorites

10. The Right Stuff: Season 1 (Disney+)

As a space program enthusiast, even I had to wonder, does the world really need another retelling of NASA’s early days? Especially since Tom Wolfe’s book has already been adapted as the riveting and iconoclastic Philip Kaufman film of the same name? While some may disagree, I find that this Disney+ series does justify its existence by focusing more on the relationships of the astronauts and their personal lives than the technical science (which may be partially attributable to budget limitations?). The series is kind of like Mad Men but with NASA instead of advertising (and real people, of course), so if that sounds intriguing, I encourage you to give it a whirl.

9. Fargo: Season 4 (FX)

As a big fan of Noah Hawley’s Coen Brothers pastiche/crime anthology series, I was somewhat let down by this latest season. Drawing its influence primarily from the likes of gangster drama Miller’s Crossing – one of the Coens’ least comedic/idiosyncratic efforts – this season is more straightforward than its predecessors and includes a lot of characters and plot-threads that never quite cohere. That said, it is still amongst the year’s most ambitious television with another stacked cast, and the (more-or-less) standalone episode “East/West” is enough to make the season worthwhile.

8. The Last Dance (ESPN)

Ostensibly a 10-episode documentary about the 1990s Chicago Bulls’ sixth and final NBA Championship run, The Last Dance actually broadens that scope to survey the entire history of Michael Jordan and coach Phil Jackson’s careers with the team. Cleverly structured with twin narratives that chart that final season as well as an earlier timeframe, each episode also shifts the spotlight to a different person, which provides focus and variety throughout the series. And frankly, it’s also just an incredible ride to relive the Jordan era and bask in his immeasurable talent and charisma – while also getting a snapshot of his outsized ego and vices (though he had sign-off on everything, so it’s not exactly a warts-and-all telling).

7. The Queen’s Gambit (Netflix)

This miniseries adaptation of the Walter Tevis coming-of-age novel about a chess prodigy and her various addictions is compulsively watchable and avoids the bloat of many other streaming series (both in running time and number of episodes). The 1960s production design is stunning and the performances, including Anya Taylor-Joy in the lead role, are convincing and compelling.

6. The Great: Season 1 (hulu)

Much like his screenplay for The Favourite, Tony McNamara’s series about Catherine the Great rewrites history with a thoroughly modern and irreverent sensibility (see also: Sofia Coppola’s Marie Antoinette). Elle Fanning brings a winning charm and strength to the title role and Nicholas Hoult is riotously entertaining as her absurdly clueless and ribald husband, Emperor Peter III. Its 10-episodes occasionally tilt into repetitiveness, but when the ride is this fun, why complain? Huzzah!

  5. Dispatches From Elsewhere (AMC)

A limited (but possibly anthology-to-be?) series from creator/writer/director/actor Jason Segal, Dispatches From Elsewhere is a beautiful and creative affirmation of life and celebration of humanity. The first 9 episodes form a fulfilling and complete arc, while the tenth branches into fourth wall-breaking meta territory, which may be a bridge too far for some (but is certainly ambitious if nothing else). Either way, it’s a movingly realized portrait of honesty, vulnerability and empathy, and I highly recommend visiting whenever it inevitably makes its way to Netflix, or elsewhere…

4. What We Do in the Shadows: Season 2 (FX)

The second season of WWDITS is more self-assured and expansive than the first, extending a premise I loved from its antecedent film – but was skeptical could be sustained – to new and reinvigorated (after)life. Each episode packs plenty of laughs, but for my money, there is no better encapsulation of the series’ potential and Matt Berry’s comic genius than “On The Run,” which guest-stars Mark Hamill and features Laszlo’s alter ego Jackie Daytona, regular human bartender.

3. Ted Lasso: Season 1 (AppleTV+)

Much more than your average fish-out-of-water comedy, Jason Sudeikis’ Ted Lasso is a brilliant tribute to humaneness, decency, emotional intelligence and good coaching – not just on the field. The fact that its backdrop is English Premier League Soccer is just gravy (even if that’s not necessarily represented 100% proficiently). A true surprise and gem of the year.

2. Mrs. America (hulu)

This FX miniseries explores the women’s liberation movement and fight for the Equal Rights Amendment in the 1970s and its opposition by conservative women including Phyllis Schlafly. One of the most ingenious aspects of the series is centering each episode on a different character, which rotates the point of view and helps things from getting same-y. With a slate of directors including Ryan Bowden and Anna Fleck (Half-Nelson, Sugar, Captain Marvel) and an A-List cast including Cate Blanchett, Rose Byrne, Uzo Aduba, Sarah Paulson, Margo Martindale, Tracey Ulman and Elizabeth Banks, its quality is right up there with anything on the big screen. And its message remains (sadly) relevant as ever in our current era.

1. The Good Place: Season 4 (NBC)

It was tempting to omit The Good Place this year or shunt it to a side category since only the final 4 episodes aired in 2020, but that would have been disingenuous. This show is one of my all-time favorites and it ended perfectly. The series finale is a representative mix of absurdist humor and tear-jerking emotion, built on themes of morality, self-improvement, community and humanity. (And this last run of eps also includes a pretty fantastic Timothy Olyphant/Justified quasi-crossover.) Now that the entire series is available to stream on Netflix (or purchase in a nice Blu-ray set), it’s a perfect time to revisit the Good Place, or check it out for the first time if you’ve never had the pleasure.

5 of the Best Things I Caught Up With

Anne With An E (Netflix/CBC)

Another example of classic literature I had no prior knowledge of (see also Little Women and Emma), this Netflix/CBC adaptation of Anne of Green Gables was strongly recommended by several friends so I finally gave it a shot. While this is apparently slightly more grown-up than the source material, it’s not overly grimdark or self-serious but rather humane and heartfelt, expanding the story’s scope to include Black and First Nations peoples in early 1800s Canada, among other identities and themes. It has sadly been canceled, but the three seasons that exist are heart-warming and life-affirming storytelling. Fingers crossed that someday we’ll be gifted with a follow-up movie or two to tie up some of the dangling threads.

Better Call Saul (AMC)

I liked Breaking Bad, but I didn’t have much interest in an extended “Breaking Bad Universe,” as much as I appreciate star Bob Odenkirk’s multitalents. Multiple recommendations and lockdown finally provided me the opportunity to catch up on this prequel series and I’m glad I did. Just as expertly plotted and acted as its predecessor, the series follows Jimmy McGill/Saul Goodman on his own journey to disrepute but really makes it hard not to root for his redemption (even as you know that’s not where this story ends).

Joe Pera Talks With You (Adult Swim)

It’s hard to really describe the deadpan and oddly soothing humor of comedian Joe Pera whose persona, in the series at least, combines something like the earnestness of Mr. Rogers with the calm enthusiasm of Bob Ross. Sharing his knowledge on the likes of how to get the best bite out of your breakfast combo, growing a bean arch and this amazing song “Baba O’Reilly” by the Who – have you heard it?!? – Pera provides arch comfort that remains solidly on the side of sincerity. The surprise special he released during lockdown, “Relaxing Old Footage with Joe Pera,” was a true gift in the middle of a strange and isolated year.

The Mandalorian (Disney+)

One of the few recent Star Wars properties that lives up to its potential, the adventures of Mando and Grogu is a real thrill-ride of a series with outstanding production values (you definitely want to check out the behind-the-scenes documentary series if you haven’t). I personally prefer the first season, appreciating its Western-influenced vibes and somewhat-more-siloed story. The back half of the second season veers a little too much into fan service and video game-y plotting IMHO but still has several excellent episodes on offer, especially the Timothy Olyphant-infused energy of premiere “The Marshall” and stunning cinematography of “The Jedi.” And, you know, Grogu.

The Tick (Amazon Prime)

I’ve been a fan of the Tick since the character’s Fox cartoon and indie comic book days and also loved the short-lived Patrick Warburton series from 2001. I was skeptical about this Amazon Prime reboot, especially upon seeing the pilot episode’s off-putting costumes. Finally gaining access to Prime this year, I decided to catch up and it gets quite good!, especially in Season 2. First, the costumes are upgraded; second, Peter Serafinowicz’s initially shaky characterization improves; and third, it begins to come into its own identity. The only real issue is yet another premature cancellation for the property, meaning Season 2’s tease of interdimensional alien Thrakkorzog will never be fulfilled. 😢

Bonus! 5 More Honorable Mentions:

City So Real (National Geographic)

The Good Lord Bird (Showtime)

How To with John Wilson: Season 1 (HBO)

Kidding: Season 2 (Showtime)

Unbreakable Kimmy Schmidt: Kimmy Vs The Reverend (Netflix)

[cruddyborderlandstheories]

THE SEEIN’ DEAD MOD IS A BAND-AID FIX

gearbox locked zane’s lazy fix behind a paywall

tl;dr: for the love of god, the seein’ dead class mod should be what the seein’ red capstone is and vice versa. also. MORE SYNERGY. also i redesigned all of Zane’s trees and augments for more synergy you’re welcome.

is 1am and i don’t want tomorrow and im angry and thinking about borderlands so this seems like the perfect time to immerse myself in remaking Zane’s skill trees (for the 5th time). mainly because some of zane’s skills are still irking me and i’ve written extensive essays for the bl3 subreddit about the seein’ dead class mod and just playing around with zane’s skills in general, but i don’t think i’ve ever posted here before about it. so here we are. i notice i usually save lore/theories/characterizations for this blog and meta/balancing/gear talk for reddit. not sure why that’s a split for me. 

now i’ve remade zane’s skills a number of times, but honestly this was all before the seein’ dead mod was released. then, instead of fixing his skill trees, i wrote a lot of essays about why that mod was a terrible bad decision on gearbox’s part (you can read one of the shorter arguments in a comment from 5 months ago here). I’m just gonna remake the skill trees now with all his current abilities in mind.this post really should be titled: ALL THE PROBLEMS WITH THEIR BALANCING DECISIONS

so imma just talk for a bit about why i love/hate the seein’ dead class mod. 

Obviously it’s a god tier mod, and you see almost no zane builds without it, and no top tier, can solo m10 true takedown builds without it (unless ur like, the 1% of masochistic players, in which case i salute you). and while that obviously means its a good mod, it also shows the problems with all his other class mods and his skill trees in general.

They all kinda suck. and that wouldn’t be a problem, bc, hey, the seein’ dead mod is ez to get, just pop on over to the casino and kill a few baddies and they’ll  drop like candy. Which is really awesome!

slight problem.

the dlc is locked behind a PAYWALL

now this is a problem because if zane was a top tier character BEFORE the dlc, and everything was hunky dory and people weren’t on their knees begging for gearbox to fix Zane, then him getting a new badass class mod wouldn’t be such a big deal. but the problem was this was gearbox’s solution to giving Zane a buff.

they literally locked a buff for a character behind a pay wall.

I recommend Zane is every single person I try to convince to play bl3, but i always have to add this like, commercial-esque asterisk. you know, terms and conditions or, side effects or whatever. *you probably want to get the seein’ dead mod if you’re looking at end-game play because unless you wanna struggle that’s his only viable play style.

what if they don’t want to buy the dlc?! for real...

There’s also the point that this class mod makes his (arguably) BEST capstone obsolete. so we have distributed denial which literally no one uses because its broken, double barrel which is always traded for seein’ red or more points in other skills, and seein’ red, WHICH WAS MADE USELESS BY THIS CLASS MOD

gsfdhjikdhgdaskjfhgaskdfjh

okay and it wouldn’t even be so bad

IF THEY DIDN’T CHANGE HIS ENTIRE SKILL SET BEFORE RELEASE

like they lowered ALL his kill skills, then they turned Seein’ Red into his capstone instead of Death Follows Close, meaning they nerfed Death Follows Close so it could fit as just a game changer. my poor boy was g u t t e d.

so, imagine this, everyone is reaching the end-game content of bl3. it’s a month or 2 weeks or whatever after the game dropped and people are finally hitting level 50. and moze/fl4k/amara are all killin’ it, and the zane players have to work their ASSES off to do like... 50% of that damage output (now, they did also eventually nerf the crap outta moze and fl4k but the point stands). 

so instead of gearbox going: “oh... shit that pre-release nerf was an awful idea, revert the changes guys” they decided to keep him gutted and then they released what was, in my opinion, a kick in the nuts with the maliwan takedown (aka the antifreeze mod, alongside the spiritual driver) ahahahahahaha. what good times it was. (I say this sarcastically.) 

man i remember people were soooo livid with that class mod release. well, both of them. zane mains were pissed off (for good reason). “yes, let’s make the people who are begging for a straight damage increase jump through MORE hoops (LITERALLY) for a pitiful amount of damage. oh, also, let’s give their 28 skill point build to the strongest character in the game for free and also make it 10x better”. because it was 10x better than violent momentum (driver didn’t have a damage cap) until they fixed both the spiritual driver and the violent momentum skill. it was the worst of times.

i will note here they did, around this time, let zane have stackable kill skills, but it was only 2 stacks and also it was still *incredibly* difficult to achieve stacks because zane just. struggled to kill anything. I still remember when i grinded the shit outta an antifreeze class mod and it took me over 20 minutes to kill Wotan my first time solo on m4. Not the fight UP to wotan. literally. just killing wotan.

then the seein’ dead mod dropped and i had. a fuckin. 15 minute decrease to my time on killing wotan (5 minutes!!!!). now i am not perfect, and i 100% believe i could’ve lowered the time even more. but that... that shows a VERY CLEAR problem.

they never actually fixed zane, they gave him a class mod that’s stupid OP just to make sure he could hang on next to the other Vault Hunters. it’s just a bandaid fix. you remove the class mod, and he’s back to pre-jackpot power levels (which will NOT hold up at m10, let me tell you). 

all his pre-jackpot problems are still here, and that’s why people are not using any other class mod of his. I bet we could have some really fun builds with the conductor mod! but nobody will ever use it because it’s just... not even close to the seein’ dead mod.

So what does the seein’ dead mod do that makes Zane so good?

IT BRINGS HIM BACK TO PRE-RELEASE VALUES

this mod, plus Death Follows Close, brings Zane back to pre-release zane. and i don’t understand how gearbox isn’t putting two and two together and going “Oh.”

it also is a BETTER VERSION of Seein’ Red!!! something players could have had at, like, level 15, but instead had to wait until they hit a capstone! the capstone is completely obsolete at this point. There is nothing seein’ red can give you that seein’ dead doesn’t do but better. Getting that capstone is a w a s t e of skill points.

AND they locked this fix behind a pay wall!!! i cannot say that enough. you don’t wanna get the handsome jackpot dlc?? guess u don’t wanna play zane at endgame then. too bad, so sad.

have i stated that enough? because it still blows my fuckin mind. THEY LOCKED A CHARACTER FIX BEHIND A PAYWALL

djhdgakjhakjdah. imagine playing without any prior knowledge and being like, aw man i love this zane character. can’t wait to get to max mayhem end game like all my favorite youtubers and friends!! then finding out you gotta drop 15 bucks or whatever it is just to actually be able to play at max mayhem level. that is not a skill difference, that is A BALANCING PROBLEM MY DUDES. like. my favorite zer0 build was still viable without the story DLCs. obviously grog > rubi, pimp > lyuda, rapier > law but, it was still fuckin viable.

guh. gufhgufhsdgkfjsdh. it bothers me.

ok so there’s a lot i just went over: my main issue? is that by making Seein’ Red a capstone, they did nothing to make it an actual legit capstone. They definitely nerfed Death Followed Close to make it a gamechanger, but they never gave Seein’ Red a buff to move it from a gamechanger to a capstone. It was the same exact skill. Seein’ Dead is what Seein’ Red SHOULD be and that’s what angers the crap outta me. they locked this obvious fix behind a pay wall (AND a gear slot!!!!!) n ur probably thinking ‘but cruddy this WAS really nice of them to try and fix zane... they could’ve just let him be suuc’ and like, yeah, they could’ve, and it is good they’re TRYING, but also, they’re leaving the people who DON’T buy the DLC high and dry.

keep in mind i DO own the dlc. have the season pass and everything. IM STILL MAD!!!

Zane should be strong no matter what class mod the players want to use. Same with Amara, same with Moze, same with Fl4k. FFS, it is not that hard. CHANGE THEIR SKILLS!!!!!

so im gonna be taking the time to go over all of zane’s skills and shit just to put him more on par with the others (WITHOUT THE SEEIN’ DEAD MOD)

imagine the seein’ dead mod doesn’t exist for this. we’re gonna make a balanced character since apparently THAT’S TOO HARD FOR A TRIPLE-A BALANCING TEAM

first things first, the tree with the most fuckin problems: 

Under Cover

oh god this tree is a fucking train wreck what the hell were they thinking. good god. my eyes. they’re burning.

not actually, but it still kinda sucks.

Action Skill: Barrier is fine. I would not add the ‘picking it up decreases benefits’ when Zane’s whole schtick is running around fast. You get the full bonus no matter what form it’s in. also, you can hold down the action skill activation button to deploy the barrier directly on yourself.

Tier 1: Hearty Stock is a trap. never get this. so dumb. no synergy with his other skills. Adrenaline is okay, but not really great during end game. Ready For Action is similarly okay. Just a very MEH start to this tree. 

Adrenaline: Zane gains increased Action Skill Cooldown Rate. 10% per level, up to 50%. this shouldn’t be tied to his shields being full because if your barrier is down (cooling DOWN)... your shield is taking damage. c’mon now. THINK GEARBOX T H I N K

Hearty Stock: (maxed) Zane and his clone gain 5% magazine regeneration while an action skill is active. This skill stacks. In it’s original state, this skill is such a trap skill. for real.

Ready For Action: i mean, it’s fine. We’ll keep it. +30% shield recharge rate and -29% (why????) recharge delay

Tier 2: ech. Stiff Upper Lip is not that good. Brain freeze is what u really want. Rise to the Occasion is also okay.

Brain Freeze: keep the same.

Stiff Upper Lip: when Zane is damaged with a hit that would break his shield, he gains (max) +20% bonus gun damage on his next shot through the barrier.

Rise to the Occasion: Zane and his clone gain health regeneration. +5% max health/s. Not determined by shield availability.

Tier 3: `screams in confident competence` oh lawd. this skill is good. the accuracy thing is kinda laughable. i tell you, i always thought that zane was originally meant to be the sniper with the Under Cover tree but they decided to swap Zane and Fl4k’s skills. which is why Zane has soooo many accuracy buffs.

Confident Competence: fine the way it is. I would also add, since this IS a game changer, that the Barrier’s damage amp is now 40%.

Tier 4: ew. tier 4. Really Expensive Jacket is literally the only skill you might want to get and EVEN THEN. ugh. Best Served Cold is so pointless. and so is Futility Belt. YOU TAKE MORE DAMAGE WITH IT

Really Expensive Jacket: Elemental Status Effects have reduced duration (-50%). Additionally, Zane is not slowed by Cryo anymore.

Best Served Cold: Remove the cooldown. Buff up the damage at least 200%. Make it an AOE Brain Freeze. That is, the cryo novas stack and if overkill damage is high enough, enemies hit with the novas freeze. Kinda like a discount Frozen Heart.

Futility Belt: HA. Ahahahahaha. Ha. Zane gains resistance to non-elemental and cryo damage (+15%). Futhermore, after killing an enemy, Zane’s barrier gains additional cryo damage (+20%) for 8s.

Tier 5: is oki. My only real complaint is with Nerves of Steel. Like. Seriously.

Refreshment: god tier skill actually. Keep the same.

Best Served Cold: also keep the same. The only change I will make is this: resetting your action skills’ cooldowns counts as action skill start and end.

Nerves of Steel: The longer Zane’s barrier is active, the more stacks of Nerves of Steel he gains (a maximum of 15). For each stack, Zane gains 2% shock damage, 2% cryo efficiency, and 1% damage to frozen enemies. (why shock damage? cryo doesn’t do well against shields.)

Tier 6: *cries in the worst capstone in the entire series* WHO DID THIS. WHY. WHAT’S WRONG WITH YOU???

Distributed Denial: no. just. no. scrap this whole damn thing. IT DOESN’T EVEN WORK!!!! either fix it COMPLETELY or do something else. My recommendation? Whenever Zane throws down his barrier, his shield instantly begins recharging. If Zane’s shield is already full or recharging, enemies with no shields (or freeze immunity) that touch Zane’s Barrier for the next 10s are instantly frozen.

Augments: why the hell do i gotta place my barrier down when my entire fuckin’ character is about RUNNING. ALSO JUST AS A BLANKET STATEMENT: ALL THESE AUGMENTS WORK 100% EVEN IF HIS BARRIER IS PICKED UP. SO DUMB. a fully pointless restriction.

that last sentence immediately fixes Charged Relay and Nanites or Some Shite.

Redistribution: If his shields are full, Zane can sacrifice 50% of his shields to have his next shot deal 100% bonus cryo damage by holding F.

All-Rounder: Fine as is. Only thing I would add: whenever Zane melees an enemy, his shields are drained by 50% and his sliding augment is added to the melee attack.

Deterrence Field: Fine as is. But! I would add: whenever Zane sprints into an enemy, his shields are drained by 50% and slam augment is activated.

THAT WAY we can have both slam/sliding relics actually DO SOMETHING. because my god they’re so useless rn.

alright, moving on.

Hitman

Tier 1: is okay. nobody ever takes cold bore. ever.

Violent Speed: fine as is, but we’re taking it back to pre-release values. Max: 30%. can stack 2x.

Cold Bore: Zane gains (max) 20% bonus cryo damage to all shots fired while moving.

Violent Momentum: fine as is, but taking it back to pre-release values. 30% gun damage at default walk speed. Additionally, Zane can now shoot while sprinting.

Tier 2: my boy zoomer needs more fun.

Cool Hand: fine as it is. I would buff his base reload speed up to 20% and kill skill reload to 20% as well. 17 and 13 are such weird numbers.

Drone Delivery: fine as it is. Additionally, Zoomer’s base shots now take on the element of Zane’s grenade mod.

Salvation: fine as it is. I won’t mess with this bc life steal is messy business (coughs in grog)

Tier 3: hhhynf.fdsg. 

Death Follows Close: Kill Skill Bonus: +30%. Kill Skill Time: +7s. Additionally, enemies targeted by Zoomer take 5% more damage from Zane.

Tier 4: these two skills are actually p dope by themselves. it can stay as it is. I would MAYBE increase the violent violence max buff up to 20% but that’s just me.

Tier 5: ahahahaha. this skill. just remember, we’re pretending Seein’ Dead doesn’t exist, so imagine how this skill looks next to calm cool n collected. so pointless.

Good Misfortune: Killing an enemy with a critical hit adds (max) 10% efficiency to Zane’s kill skills for 8s. This does not stack.

Tier 6: WE’RE GONNA MAKE YOU RELEVANT AGAIN BOO HANG IN THERE

Seein’ Red: Zane has a (4%) chance to activate his kill skills upon dealing gun damage to an enemy. Additionally, enemies targeted by Zoomer now take 15% more damage from Zane.

so why didn’t we make good misfortune the infinite action skill build?? BECAUSE THAT’S WHAT CCnC IS SUPPOSED TO DO!!! why have 2 skills that do the exact same thing AT THE EXACT SAME TIER except ONE IS OBJECTIVELY WORSE!!!!!

what happens to the Seein’ Dead class mod if we’re giving its perk to this capstone? I’m so glad you asked. “Zane activates his kill skills when activating his action skills. Additionally, the kill skills activated this way have 15% more efficiency”. look how much better balanced that is!!!! that’s a class mod!!!!!!!!

Augments: these aren’t THAT bad, but they could be a lot better.

Winter’s Drone: Zoomer gains 20% bonus cryo damage to all shots.

Bad Dose: pump these numbers up. Fire Rate: +7% per affected enemy. Movement Speed: +10% per enemy. everything else is fine.

Boomsday: just make this more beefy. fr. It’d be a good choice if it were stronger.

Static Field: also fine. I would again give it better damage output, but that’s just me.

Almighty Ordnance: remove the build up honestly. Like i get the vibe and it’s really cool, but in combat it just DOESN’T WORK. maybe if Zoomer is targeting an enemy, he will unleash the missiles if they are above 50% health after 30s or something. I honestly think these should have a debuffing factor instead of a damage factor (you know, to not get in the way of boomsday). maybe something around 15%? the 1x per action skill activation thing would be easily subverted with CCnC with the changes we suggested, so it could work. 

Doubled Agent

ahhh, Blane. Blue Zane. Love ya, buddy. One change: he prioritizes pinged targets. That way you can kinda get him to fight specific people. Also, lower the teleportation timer. pls.

Tier 1: actually p good. could be better, but its not bad.

Synchronicity: Zane gains 20% bonus damage per active action skill. While Zane has an action skill active, he gains a stack of Synchronicity. Max Stacks: 10. For each stack of Synchronicity, Zane gains 5% Action Skill Cooldown Rate and 2% Action Skill Damage.

Praemunitus: Zane and his digiclone gain (max) 30% magazine size.

Borrowed Time: For each action skill active, Zane gains 30% action skill duration. The longer Zane’s action skills are active, he and Blane gain a higher Fire Rate and faster Reload Speed, up to 20%. (the idea is you choose between this or synchronicity bc... either permanent action skills build or fast paced action skills build)

Tier 2: Donnybrook is fun. Fractal Frags is fun. Duct tape mod is a GODDAMN DISAPPOINTMENT

Donnybrook: fine as it is. I might buff the max numbers up to 20% gun damage and 3% health regen. But that’s really it.

Fractal Frags: Blane will periodically toss a grenade from Zane’s stockpile at his targeted enemy (cooldown: 20s). Kill Skill: Blane has a 45% chance to throw a free grenade.

Duct Tape Mod: this skill... why... No cooldown. NONE. Zane has a 1% chance to also fire a grenade from his gun. Kill Skill: This is increased to 15% for 8s (stays at 1% for the whole time, but the kill skill will increase by 3% for each tier)

Tier 3: Actually Quick Breather is one of my favorite skills. this can stay.

Quick Breather: Same as is. Additionally, Zane and his clone gain 25% Gun Damage after swapping places for a short time (8s).  I really wanna promote swapping places. It’s really underutilized. they’ve ADDED stuff to this skill already!!! even tho it didn’t work until the next patch. BUT THEY SHOW ITS POSSIBLE TO ADD TO SKILLS!!!

Tier 4: actually a really good tier. a few minor changes. 

Pocket Full of Grenades: Kill Skill: Zane gains (max) 15% grenade regeneration for 8s. If Zane’s grenades are full, any excess grenades are shot from his gun with 25% bonus damage.

Old-U: If Zane falls into FFYL while his digiclone is active, he can press the action skill activation key to destroy his clone and gain a second wind. When he does this, he takes the place of his clone. His clone will also drop a grenade when it is destroyed.

Supersonic Man: Zane gains increased movement speed for each active action skill: (max) 15% each. Additionally, teleportation is considered to be Zane’s maximum speed for its duration and 5s after. 

Tier 5: oh god oh fuck oh god.

Like a Ghost: Oh god why. Zane and his digiclone gain a (max) 15% chance to ignore all damage while teleporting and for 7s after.

Boom. Enhance: actually a pretty swell skill. I would probably add Health Regen +3% per grenade tho. Blane needs help a lot.

Trick of the Light: bring back the shock damage. Zane deals 40% bonus shock damage for 7s after swapping places with his clone.

Tier 6: oh ngl I actually love this capstone lol

Double Barrel: Zane’s digiclone gains a copy of Zane’s current gun when it is deployed (and all the anointments work and he actually fires it like a reasonable person). Zane’s clone now deals damage equal to Zane’s base weapon damage. Upon swapping places, both Zane and his digiclone deal 50% bonus damage for 7s.

Augments: 

Binary System: is okay. Kinda uhhh underwhelming tho. Buff up the damage and also maybe reduce teleportation time.

Schadenfreude: I like this one a lot. Zane’s shield is restored by 100% of the damage his digiclone takes and vice versa.

Dopplebanger: lower the waiting time. I get that u don’t wanna override the teleportation, but it’s really annoying. Buff damage and don’t make it dependent on action skill duration. If this explosion kills an enemy, the clone is reactivated with 50% action skill duration.

Which One’s Real?: I’ve never actually felt this work. Maybe for like 2 seconds? Make it work more like Zer0′s hologram or Timmy’s Jack clones or smth. Maybe give an activation cue? im v lost with this one. Enemies targeting Zane take 30% more damage from the digiclone.

Digital Distribution: 75% of the health damage Zane takes is distributed to his clone instead. The digiclone gains 5% Health Regeneration/s and sends out 3 [level specific damage] shock spikes to enemies that attack it. 

literally all Zane needs is SYNERGY. if they can change a few skills, pump up a few numbers, and ffs fix the seein’ red/dead capstone/mod, they’d be in FUCKIN BUSINESS

but no instead

THEY LOCKED THE BUFF BEHIND A PAYWALL.

WHYYYYYY

[johannas-motivational-insults]

She-Ra season 2 episodes, ranked

All right, I have a lot of feelings about She-Ra season 2 and what was good and not so good. I’ve been doing a lot of shitposting but this is legit analysis/meta, or at least it wants to be.

To be fair, though I’m trying to rank these as objectively as possible, it will be influenced by what I care most about and find most interesting in the series. I stan Catra and the Superpal Trio and think Adora is a loveable mess, and I really can’t stand Swift Wind. So, take this with a grain of salt. Needless to say, SPOILERS AHEAD.

7. 2x03 “Signals”

I would rank this episode higher, except the A plot was so meh. It felt like it should have been a Halloween special, and if it was I’d give it a pass, but I found it so thoroughly disinteresting I all but tuned out. Of course, people who stan the Best Friend Squad might have still loved it, but their dynamic isn’t as interesting for me anymore because we’ve seen so much of it, and this episode didn’t do much to change it other than add Swift Wind in (and he really, really annoys me). The only real thing it did to move the plot forward was introduce the subplot about the mysterious transmissions, and it didn’t do anything characterization wise. Ultimately, it’s a set up episode, and to be fair it might be more interesting in retrospect once we get some payoff and see where that whole thing is going. But I dunno, I kinda doubt it.

It’s mostly a set up episode in the other subplots too, but I enjoyed watching the political machinations in the Horde because there were real, tangible stakes and important power shifts. Catra learning that having power and authority is not all it’s cracked up to be was a crucial bit of character development. That bit of her getting the air sucked out of her lungs was more genuinely scary than the creepy ghost holograms by far. You felt her desperation trying to save face with Hordak and regain her sense of power and safety after that terrifying threat, and watching Shadow Weaver tune in to and play with her insecurities was a good bit of development for and insight into their relationship. It also foreshadows how easily Shadow Weaver is able to manipulate Catra later in the season.

Meanwhile, Entrapta’s excursions and work with Hordak supplied some comic relief (which I think the A plot also tried and failed to do) and also made the Horde plot take an interesting turn. This is the episode where Catra really starts to lose power, and meanwhile Entrapta gains a lot without even meaning to. She just wanted to fix the problem with Hordak’s experiment, dear girl. On that note, I did not expect to enjoy watching Hordak and Entrapta so much, but one thing this show does really well is throw together unexpected combinations of characters and make an amazing dynamic (e.g. the Superpal Trio, Scorpia and Seahawk, Catra and Glimmer and Bow).

The Entrapta subplot was the most interesting of the episode and unfortunately it was relegated to the C plot. This episode would have been way better if they’d put more focus on the Horde side of things and/or given the “Best Friend Quad” something with more substance.

6. 2x01 “The Frozen Forest”

This episode was fine, but it didn’t do much to stand out. It was important, of course, to follow up on the end of season 1, and if they had skipped this episode entirely it would have left a huge gap. But with the two main groups of characters not interacting at all in person, there was little reason to be emotionally invested in the fight scenes. We don’t really care if Horde bots get destroyed. It would have been more interesting to see the Superpal Trio directly fighting the Princess Alliance, but on the other hand it did set up just how big a role Entrapta’s tech knowledge was going to play this season. The stuff with the princess alliance was cute, I always enjoy seeing more of Mermista, and they did some character work (which I can always appreciate) with Glimmer and Frosta. But since we only see the princesses once more this season, it hasn’t had much of a chance to pay off yet.

The highlight of this episode was Adora fighting Catra in the simulation and her ensuing conversation with Light Hope. (“There. There.” and “I also have buttons” were two of my favorite one-liners of the season.) The simulated fight was very cute, and I definitely screamed when Catra grabbed Adora’s hand while delivering her customary “Hey Adora,” right before taking her down. And look, the fact that Catra was flirting so hard with Adora in that simulation means that an AI with very poor social awareness has picked up on their sexual/romantic tension, and that’s hilarious.

The Horde side of things gave us more time with the Superpal Trio, who are always delightful, but not a ton happened over there either. This episode established that Entrapta has fully moved in to the Fright Zone and Catra is comfortably leading the Horde’s advances and has respect from Hordak and the Horde’s soldiers. It also foreshadows how impressed Hordak is going to become with Entrapta’s work (and unimpressed with Catra’s) when her EKS bots steal the show in that meeting. Finally, the episode introduced the shifted dynamic between Catra and Shadow Weaver now that the power position has flipped. That ongoing subplot was possibly the saddest part of the season, and this one scene did a good job of setting that up.

Overall, this was a good and necessary setup episode, but because it had all that exposition and setup to do we didn’t get a ton of good character/relationship moments (Frosta/Glimmer and Catra/Shadow Weaver being the notable exceptions). So yeah, it was fine. But there were definitely stronger episodes, which we will now get into...

5. 2x04 “Roll With It”

This was a very cute episode, a fun one to watch. The reason I ranked it fifth is because there are three very strong episodes this season and 2x07 had higher stakes, being the season (mid-season, lbr) finale. On the Horde side of things, I loved seeing more of Lonnie, Kyle, and Rogelio. Lonnie really shined this episode and I keep waiting for someone to realize how smart and capable she is and promote her. And of course, Scorpia. Darling oblivious Scorpia who just wants to impress her crush. She’s not very smart but she’s earnest af and can pack a punch, and this is the first episode where she really stands out.

The planning session in the rebellion camp was really fun to watch, though I’m sure I missed a ton of jokes because I’ve never played D&D. The chaotic way the princesses all play off each other was more evident here than in 2x01, which made for some great gags. The different approaches they each take and the different aninmation styles used to portray them were a lot of fun. Glimmer’s noir hero fantasies were my favorite, personally. (And apparently she sees Catra as a very sexy villain? I need more on this, please.)

Adora’s monologue about the worst possible secenario revealed all her insecurities, and it was one of the highlights of the season. Her anxiety issues and messiah complex have been touched on before many times, but this is the first time they’ve really come bubbling to the surface this season. It was really nice to see the whole group reassure her that she isn’t in this alone, much like Bow and Glimmer did before the Battle of Bright Moon. And while it’s been hinted at before, this episode really solidified her obsession with Catra. And Scorpia’s too, as I mentioned above.

It’s easy to forget that Catra wasn’t actually in this episode (AJ Michalka was, but her character was not, not for real) because you felt her presence everywhere. The bit with all the princesses’ different renditions of her was hilarious. But you know, it was nice to see the show put together such a strong episode without Catra. Having the emotional focus on Adora again was a nice change of pace.

4. 2x07 “Reunion”

This episode gave us what 2x03 lacked: it made the Best Friend Squad interesting again. That group is most compelling to watch when there’s conflict among them, like in the stretches of 1x01-1x02 and 1x08-1x10. They weren’t in an actual fight this time, but Glimmer and Adora being so thrown by Bow’s secret family life meant that things didn’t feel “as usual.” Glimmer’s insecurity about not meaning that much to Bow resurfaced, and Bow’s “coming out” scene was extremely moving. But thankfully there was comic relief, too. Adora mispronouncing words to try and sound scholarly was a great ongoing gag, and the eventual fight between the Best Friend Squad and the elemental was really fun because it was so chaotic with Bow’s dads being extremely confused.

Okay and look, Bow’s dads. Finally we get to see why Bow is the most well-adjusted person in the group. His parents aren’t perfect, but they did way less to fill their kids with insecurities than Angella or Shadow Weaver. Angella’s not a bad mom but it’s easy to see why Glimmer feels so inadequate. And Shadow Weaver is, well, Shadow Weaver.

This episode was sort of oddly structured for what is essentially a mid-season finale in the sense that the A plot was about relationships more than the overarching plot, but that’s not necessarily bad. And they tied the plot back in at the end with the reveal about the Crimson Waste, setting us up to finally move forward in this transmissions subplot in season 3.

There wasn’t a lot of time for Horde stuff this episode, but Scorpia forcibly loving Catra and turning her into a burrito was one of my favorite scenes of the season (maybe I will do a Top 10 later on). Catra opening up to Scorpia about her problems for the second episode in a row was huge, especially after experiencing a heart-shattering betrayal in the previous episode. Catra’s final scene where she gets exposed as a liar and choked out felt a bit truncated to me... like after they set that up as this terrifying threat in 2x03, they lingered a lot less in the terror of that moment in this episode. So that was kind of disappointing, but it still worked well as half of the cliffhanger (the weaker half, imo, but it was still extremely nerve-wracking).

It was hard to pick between #4 and 5 on this list, but ultimately the amazing cliffhanger was what put this one over the top. Both our protagonists are in danger, at the mercy of our two worst villains, and even though I knew what was coming as soon as I saw Adora sleeping, the shot of Shadow Weaver standing over her bed made me scream. I hate this show for leaving me hanging here, so they did it right.

3. 2x02 “Ties That Bind”

Ranking this one so high may be an unpopular opinion, but I personally loved this episode. I didn’t care much for the B plot except it was good insight into Adora, but the A plot was so delightful it made up for it. Mixing members of the Superpal Trio and Best Friend Squad almost always results in something good... maybe not for the characters, but for the audience. Watching Catra and Glimmer play off each other’s insecurites was great, and it was sweet watching Bow attempting to befriend Catra, just like he did with Adora. The conflict between him and Glimmer about how to treat their hostage felt very in-character, a good callback to the beginning of season 1.

Of course, Catra is a much more annoying hostage than Adora was. Her being a little shit and doing everything she could to get on their nerves was amazing, and I would have gladly watched a full hour episode just of that. The sassiness and manipulation we see from her in this episode balances nicely with the deep emotional stuff she goes through this season in her fight to win approval and prove her worth. It also produced my favorite joke of the season: “How are you such a nightmare?!?”/”Eh, years of practice.” I felt that in my soul as a youngest child. I also loved all the cat mannerisms they incorporated in this episode, it was very cute.

There is a bit of emotional meat to that story, with Catra and Glimmer’s confrontation at the end after Glimmer says Adora ran away from Catra, not the Horde (rude, btw). But the real emotional moment comes when Bow and Glimmer find out Entrapta stayed willingly with the Horde. That was heart-breaking. Heart-shattering, even. Especially because Bow and Glimmer feel such guilt for her being left there in the first place. I wish there had been more follow-up on this major emotional beat, but that’s not a weakness of this episode itself. This was my favorite Entrapta scene of the season, even though there were a lot of other great ones.

Like I said, the B plot was... okay, but not amazing? The bits with Light Hope glitching were funny, if a bit creepy. (But she’s always creepy, so.) Swift Wind annoys the hell out of me when he’s being hyper, but seeing his eventual heart-to-heart with Adora gave him some good depth and development. Plus, this episode does a really good job of illustrating not only how uptight Adora is, but why. There’s that messiah complex again (which I don’t blame her for btw, that’s Shadow Weaver’s fault). I like episodes that focus on Adora emotionally, and separating her from Glimmer and Bow meant her storyline got to be a bit more serious and in-depth. I just wish it hadn’t been opposite Swift Wind... not because it wasn’t effective, but because Adora’s arc was good but I have little desire to rewatch it if it means I have to watch more of him. Sorry, I guess I’m an anti.

2. 2x05 “White Out”

As I’ve said before, this episode is the highlight of season 2. Once again, that has a lot to do with the dynamics that occur whenever we mix members of the Best Friend Squad and Superpal Trio, and this time we got all of them in one place! And they added Seahawk to the mix too, which I didn’t expect to like because he tends to get on my nerves, but pairing him with Scorpia was a move of pure brilliance.

Scorpia and Sea Hawk’s little heart-to-heart about feeling unappreciated and Drunk Adora validating and encouraging them was so so cute and heartwarming. All the Drunk Adora and Scorpia stuff was great, actually. It was funny but also made very textual how much Catradora is an insecurity for Scorpia and how she’s afraid she’ll never be able to live up to that and Catra will never open up to her the same way. And Adora actually seems to genuinely like Scorpia when she’s not focused on the evils of the Horde, so that’s good to know moving forward. And yeah, that pairing also brought us “Girls night in!” and the closet joke, another highlight of the season.

In the other mixed grouping, Catra and Glimmer renewed their rivalry, and that’s always fun to watch. Entrapta continued to be her usual chaotic self, and any time we see her interacting with Bow it tends to be a great scene. The reveal at the end that she had the tech all along but didn’t tell Catra because she liked hanging out in this remote place with her friends was really, really cute.

I would be amiss to not mention the Catradora of it all in this episode, because holy shit this is actually the only time they interact in person all season. That is just wrong, by the way, but I did thoroughly enjoy what we got. It’s very clear they still have an emotional hold over each other despite their attempts to “let go,” between Adora’s overly-focused anger and Catra’s expressions whenever she hears or sees Adora. Adora actually kind of hates Catra right now and I think that caught Catra off guard. Catra’s panic when Evil She-Ra almost killed her was a great moment of vulnerability, how she tried to appeal to the Adora inside. She dropped the act for a moment and genuinely tried to connect with Adora, and maybe it made me tear up a little.

Along those same lines, the one thing that pissed me off about this episode was that we didn’t get to see Catra interacting with Drunk Adora. That would have allowed Adora to interact with Catra in a vulnerable state too, and in general it just would have been amazing. And the trailer kinda suggested we would get to see that, so that made it extra disappointing. Can’t these two just talk about their feelings and actually hear each other and communicate properly, please? Ugh. Still, despite these frustrations, I loved the Catradora content.

But the real highlight of the episode was Scorptra. The scene where Scorpia tried to ask Catra out on a date was amazing and so freaking cute. Of course there’s also the stuff I mentioned where her insecurities about Adora came spilling out. And the look on Catra’s face when Scorpia aborted a mission to save her life and then whisked her away despite her protests... that was a huge moment. She doesn’t think of herself as worth saving, but someone else does. And despite the fact that Scorpia disobeyed direct orders, I think this is where Catra really comes to trust her. It’s certainly where she comes to respect her. And then they shared a blanket! God, this was so cute. I expected to enjoy the Catradora stuff more but a) there wasn’t all that much of it and b) this was so incredibly pure and sweet, watching Scorpia finally make some headway and Catra finally open up to someone again, even if it was only a little bit. I am a multi-shipper now, I can’t help it.

1. 2x06 “Light Spinner”

It was hard choosing between this and White Out for top spot, but I’m a slut for villain backstories. This episode was the less entertaining of the two, and I think I’d have to say White Out is my subjective favorite, but objectively I do think this is the better episode. Why? Character development.

Shadow Weaver was a bit too twirly-moustache of a villain at times in season 1, so seeing how she became what she is now did a lot for her character. Seeing how a desire to do good mixing with a thirst for power can drive someone to make mistakes and turn evil was very interesting, and having Micah be part of the backstory made it all the more compelling.

The ways Shadow Weaver tries to mold people with more intrinsic power than her so she can use that power was a crucial new insight, one we’ve never seen before. It explains why she’s so obessed with Adora, which was never really explained in season 1. And it also suggests that part of Shadow Weaver’s dislike for Catra came from Adora’s connection to and therefore influence over her. Shadow Weaver wanted Adora’s loyalty to be to her above all, even above the Horde, and Adora having a close friend (who’s a rebellious loose cannon, to boot) was a danger to that goal.

This episode is essentially about Shadow Weaver and Catra, both separately and together, and it does a great job of drawing parallels between them even before Shadow Weaver outright tells Catra that they are the same. They both go off on a rant about how no matter what they do, no one listens to or respects them. Shadow Weaver seems to have a bit of a self-loathing streak that she took out on Catra, too... kinda like Glimmer being annoyed by all her worst qualities manifesting in Frosta.

As for Catra, it shocked me that she was so upset about Shadow Weaver being sent away to die. Though she obviously still craved Shadow Weaver’s approval, I didn’t expect her to react so badly to this. Clearly Scorpia didn’t either, and her trying to tease Catra’s reasons out of her was sweet. It was nice to see Catra continuing to open up to Scorpia after that moment with the blanket at the end of White Out, but there’s still a lot she’s holding inside. She still genuinely cares about Shadow Weaver despite how she’s been trying to hurt her for revenge and her own satisfaction... that sound familiar?

And unfortunately, Catra’s connection to Shadow Weaver and her need for maternal love and approval was her downfall. After she mocked the rebellion for their bleeding hearts and how easily manipulated they are, mind you. This is where Catra’s tendency to sympathize with Shadow Weaver (which we saw at least twice in season 1) finally came back to bite her in the ass. It was terribly sad because Catra actually has a big heart and Shadow Weaver knew that and took advantage of it.

It’s hard to say how much Shadow Weaver meant of what she said to Catra when they had their big confrontation. It wasn’t clear whether or not she had seen her badge hidden in the food, whether she was only trying to manipulate Catra or if she was being earnest about any of it. Was the physical affection she gave her genuine, her way of making up for things and saying goodbye, or was she just fucking with Catra? I dunno, but either way this betrayal she pulled was awful, and if she was trying to be nice she would’ve been better off holding Catra at a distance than letting her get her hopes up. For real, Catra’s reaction when she realized Shadow Weaver had used and betrayed her was gut-wrenching, one of the rawest moments we’ve seen from her. I might have cried, a lot. She let herself be vulnerable in a way she rarely does, and for that she got absolutely obliterated emotionally. Again.

So yeah, this wasn’t a particularly fun episode, but it was a very strong episode of television and it did a lot to make Shadow Weaver more fleshed out and interesting. It finally brought one of the show’s most fraught relationships into the spotlight and let it combust in front of us, and as painful as it was to watch, I can’t help rewatching the Catra and Shadow Weaver scenes again and again. I never expected Catra to so openly ask Shadow Weaver why she was never good enough for her and what she did to deserve all the abuse. It was an incredibly rewarding scene to watch with great emotional payoff. And for a stan like me, that made it the best episode of the season.

[nightqueendany]

The Original Final Season 7 - Episode 1: Family, Duty, Honor

This is a combination of events from “show canon” and what I believe would have happened in the “Original Final Season 7.”

Should be noted that King’s Landing is gray and not sunny and the weather gets worse as the season progresses. It does not stay sunny at all...because that’s just fucking stupid.

IN THE RIVERLANDS

The episode opens in the same fashion as the show canon 7x01, Arya Stark as Walder Frey, taking out the rest of the Frey men

After walking out of the hall, Arya heads to the dungeons and frees Edmure Tully. Arya tells him what she’s done, the Riverlands belong to House Tully again. Edmure asks what Arya will do now and she says she’s heading back home, her brother Jon is now KITN. 

Edmure, honoring the previous pledge he made to House Stark, asks Arya to send his pledge to Jon; the Riverlands will remain under Stark rule, under the King in the North

On her journey North, Arya runs into the Brotherhood Without Banners and the Hound. She’s still pissed at them for what they did to Gendry. As reparation, the Brotherhood decide to accompany Arya to Winterfell to see her safely home

IN THE FAR NORTH

The Winter Winds are rising, the Night King and his massive army of the undead march south...

AT THE WALL

Bran Stark makes it safely south of the Wall with the help of Meera and the Black Brothers. 

As Bran’s there, preparing to leave for Winterfell, we notice several of the Black Brothers are in incredibly bad health - either due to illness, lack of supplies, the cold, or some combination.

In looking for medicine/supplies, Lord Commander Edd Tollett comes across some of Sam’s old things, a cloak with a few remaining shards of dragonglass in it AND The Horn of Winter (though Edd doesn’t know what it is)

IN KING’S LANDING

Cersei Lannister - in losing all her allies and discovering news of the Frey massacre, Jon/Sansa ruling the North, and Dany/Tyrion coming to Westeros - becomes more obsessed with the Younger More Beautiful Queen prophecy. 

Because Sansa would be Jon’s heir if he dies and therefore QITN, Cersei isn’t certain if the YMBQ is Sansa or Dany, yet is convinced it’s one of them. This is when Cersei tells Qyburn to send word to Jon to come south to bend the knee to her

Cersei tells Jaime of the YMBQ prophecy and he worries for her mental state - having just lost Tommen, their last child...

...Until Qyburn reveals Cersei is pregnant. Cersei is then convinced this means the prophecy was indeed wrong, as she will now have more children than the prophecy foretold of

But, Jaime still worries about her as her actions and emotions are all over the place

IN OLDTOWN

Samwell Tarly finds out about the dragonglass on Dragonstone and writes to Jon

Sam also has his argument with Archmaester Ebros about the Army of the Dead, after which he steals the books from the Restricted Section of the library

IN WINTERFELL

Jon Snow receives Cersei’s raven scroll about “suffering the fate of all traitors”

Jon also receives word from Sam about the dragonglass on Dragonstone. 

Petry Baelish informs Jon and Sansa that he’s heard rumor Daenerys Targaryen is on her way to Westeros with Tyrion Lannister and Lord Varys at her side, along with the allegiance of several key regions of Westeros - Dorne, The Reach, The Iron Islands - he says she will likely land on Dragonstone

Before Jon and Sansa can process this information or weigh its pros and cons, they’re informed of someone at the gate:

Bran has arrived. Jon and Sansa are beside themselves with joy, (Bran is not robo Bran, he’s normal Bran), Jon tells Bran “You’ve finally made it back home…” CUT TO:

ON DRAGONSTONE 

Daenerys Targaryen arrives in Westeros, she’s finally made it back home as well

The title of the episode comes from Arya’s rescuing Edmure and getting revenge for her mother’s death by killing all the Freys. We’ve had many episodes named after house words, but never House Tully so this finally honors them. It’s also the theme of the episode. 

Episode 1 Inside the Episode: Family, Duty, Honor

1a) The Cold Open - Arya kills all the Freys:

Yes, I know the original Cold Open of 7x01 show canon was the White Walkers, but I’m assuming D&D would have made the same executive decision in post to swap that scene with this one because it’s so badass. So there you go.

1b) Arya heading home immediately:

Back in 6x10 Arya tells Jaqen that she’s Arya Stark of Winterfell and she’s going home. So why did she head to the Riverlands first to kill the Freys, just to want to go back south to kill Cersei? 

Such bullshit. Arya wanted to go home. And if she thought the Boltons still had Winterfell, she’d want to kill them too. She’s a faceless assassin. They killed her mother and brother. She’d want them dead as much as Walder Frey. She snuck into the Twins, a place she’s never been, to kill them all. Winterfell, her home, would be a piece of cake to take from the Boltons. And geographically, it makes sense for her to continue heading North after the Twins anyway. Otherwise why not kill Cersei in King’s Landing first, then head North to the Riverlands, then finally home to Winterfell, where she told Jaqen she was going? Cersei might have always been on Arya’s list, but in 6x10, Arya wanted to go back to Winterfell. That should have remained her plan. D&D retconned this to delay Arya’s return to Winterfell in S7 for their idiotic Starkbowl plot. Which we all know was pointless filler because they had split the seasons and added three extra episodes.

And side note: Of course Arya would meet up with the Brotherhood. We know they’re in the Riverlands (based on them staying at that house with the father and daughter Sandor had previously screwed over). They had to meet up. It’s stupid that they didn’t in canon.

1c) Edmure pledging to Jon:

This one is a no-brainer. Of course the Riverlands would side with the North in the war against Cersei (which hasn’t happened yet, but with Jon being declared KITN, it’s only a matter of time). This move makes Jon the King of ALL the Northernmost Kingdoms and puts him in a really really powerful position - and an appealing position for any single ladies out there looking to secure an alliance *cough*Dany*cough*.

2) Sam’s raven:

Jon should have gotten word from Sam about the dragonglass in 7x01. Anyone who regularly reads my metas should remember, I have mentioned several times that the timing of Jon’s receipt of Sam’s raven is off. Sam sends Jon the raven in 7x01. Tyrion sends Jon a raven in 7x02. But Jon receives Tyrion’s raven first so, nope. Huge tip-off of a retcon. Jon should have gotten Sam’s raven first.

3) Baelish being the one to tell the Starks about Daenerys going to Dragonstone:

This another no-brainer and we already had hints of this in 7x07 show canon. Baelish has been keeping tabs on Dany, he just doesn’t ever get to really show this. “I’ve heard the dragon queen is quite beautiful.” Just as Qyburn had info on Drogon being injured in the fighting pits of Meereen, Baelish should have information on Daenerys, her advisors, and her movements. Why would he know she’s beautiful, but not know anything else about her when this is his primary function in the series?

Baelish, like Sam, Varys, and Bran, is an “information guy”. His job is to know things and inform the other characters, mostly to his own benefit. So Baelish having knowledge of Dany heading for Dragonstone, as Cersei had this knowledge in 7x01, just makes sense. And this way, when Tyrion sends the raven to Dragonstone next episode, it will be something Jon has been anticipating, because of course the first thing Dany will want to do when reaching Westeros, is gain more allies and allying with the North makes the most sense. 

4) Cersei’s onset of madness:

We know this was where the plot was supposed to go, what with the miscarriage from 7x07 and everything. Cersei has already mentioned the YMBQ prophecy to Jaime before, telling him about how she knew their children would all die and that he couldn’t have stopped Myrcella’s death. 

With Tommen’s death still fresh in mind, it would make sense this prophecy would come up again. Season 7 Cersei really doesn’t need much of a push into madness and her obsessing over this prophecy, especially with Dany on her way to Westeros, is a natural progression for her character. At the end of S6, D&D promised us that a Cersei without her children would be “very dangerous” and it was never delivered to us. A prophecy-obsessed Cersei would definitely deliver. 

5) And finally, Castle Black:

We were so fucked out of seeing more of the Night’s Watch in the last two seasons in show canon. Edd finding the Horn of Winter in Sam’s old room will be incredibly important and be a final, long awaited pay-off for the scene from Season 2 in which Sam first discovered the dragonglass at the Fist of the First Men, when the horn was first shown to the audience. 

Aaaaaand that’s it for Episode 1! I know it’s short and for the most part looks very similar to show canon, so I will post Episode 2 as well today, though you guys will have to wait until next week for Episode 3.

Original Final Season 7: Preface Post

Season 7 Episode 1: Family, Duty, Honor (current episode)

Season 7 Episode 2: Greywater Watch

Season 7 Episode 3: The Last of the Dragons

Season 7 Episode 4: Dragonglass

Season 7 Episode 5: The Storm

Season 7 Episode 6: Summerhall 

Season 7 Episode 7: A City Fit For A King

Season 7 Episode 8: Protectors of the Realm

Season 7 Episode 9: The Battle For The Dawn

Season 7 Episode 10: ?

[violethowler]

The Keystone Army and the Cult of Personality: A Meta on the Galra Empire

While viewers and even a few characters in-universe point to the fight with Lotor in Season 6 as the cause of the empire’s collapse and the near destruction of the Coalition in Season 7. But looking back at the previous seasons, it’s not that clear cut. Leaving aside the variables in the Season 6 battle itself, there’s a lot of issues that point to the Galra Empire being structurally unstable and only really holding together this long because Zarkon was in charge. Although the show relies on show-don’t-tell a little too much, the details are usually still there even when the narrative and the script don’t call attention to them. It was never remarked upon, but Season 1 gave us everything we needed to know about the infrastructure of the Galra Empire:

The Galra Empire invades, conquers, and colonizes planets.

They mine a planet to extract its Quintessence.

The raw Quintessence is taken to secret bases like the one seen in Collection and Extraction

Druids use a bastardized version of Altean alchemy taught to them by Haggar to process the raw Quintessence into fuel.

What made the Komar so revolutionary to the empire (and horrifying to everyone else), was that it circumvented the entire process and allowed the Druids to harvest the Quintessence of a planet all at once and refine it on site rather than drain the planet over the course of years and shuttle the results to hidden fueling stations across the empire’s territory for refinement.

You’ll notice that while the empire can do the first three on their own regardless of who’s in charge, the last step of the process, along with the Komar itself, cannot be replicated without Haggar and her Druids, or else an Altean alchemist who knows how to refine Quintessence from its raw form into the fuel used by the empire. And given that Lotor and Allura don’t mention finding anything when they search her lab in “Bloodlines”, it’s unlikely that Haggar would just leave her notes on the refinement process lying around Central Command when she abandoned the place. So, while Allura did get all kinds of alchemic knowledge from Oriande, how to process Quintessence into imperial fuel does not appear to be part of that package.

Lotor had grand ideas of solving the empire’s energy problems (the waste of resources on crushing rebellions, the inefficiency of gutting every planet in sight and moving on, etc.), but aside from “gain access to the rift”, he didn’t appear to have any specifics planned long-term. He talked about harvesting Quintessence from the Rift, but he made no mention of how he was going to do it so that the empire’s infrastructure wouldn’t collapse when he eliminated Haggar and the Druids. That’s another way in which he parallels Keith: they both have big goals (stopping Lotor, in Keith’s case, though that goes away while Lotor is allied with Voltron) that they attempt to pursue with single-minded determination to the exclusion of all else.

But even if the events of Season 6 hadn’t happened the way they did and Lotor had remained on the throne, the result would have been the same. With the Druids gone, the empire’s infrastructure crumbles. Lotor hasn’t set up a new system of harvesting and distributing Quintessence, so the Galra now have large quantities of raw Quintessence and no one with the skills to refine it into fuel, and the empire’s fuel supply has now been cut off. Lotor can get Quintessence from the Rift, but without a way to harvest it in large quantities, he can only get as much from the Rift as the two Sincline ships he has can hold. And even if he and Voltron were still on good terms, neither Allura’s wormholes nor the empire’s shipping routes can supply Rift Quintessence to fleets and territories loyal to Lotor fast enough to meet the urgent demand.

Meaning that the fleet commanders and territorial warlords still waiting in line for their shipments of Rift Quintessence start arguing about who deserves to get their supply first, who needs more Quintessence then the other, etc. Commanders start raiding and fighting each other over whatever Druid-processed Quintessence is left. The situation snowballs, and we get the same scenario in Seasons 7 & 8, the only real difference being that Voltron and Lotor are still around and spread way too thin as they scramble to put out all the fires while the empire collapses in on itself, and the Coalition is too busy fending off reprisals from vengeful warlords to assist. By the time Lotor and Voltron figure out a solution, the empire would be a shattered remnant of what it used to be.

We’ve seen throughout the show that even if Lotor had lit the flame of the Kral Zera without the interference of Keith and the Blade, there would still have been sizable factions of the empire that would rebel in protest at a “half-breed” on the throne. An energy crisis driven by the absence of the Druids just made the existing infighting worse by adding a desperate fight for resources on top of arrogant power grabs.

And it’s really Zarkon’s death that kickstarts the whole chain of events. It’s a sharp contrast in how the Galra reacted to the death of their leader 10,000 years ago compared to now: Even aside from the grief of their destroyed planet, the first time Zarkon died his people mourned him. He and Honerva were given respectful funerals (we presume), and his body was returned to his people for whatever burial customs the Galra had. The second time he died, no one really cared.

Within less than a day of his permanent demise, his underlings were scrambling and jockeying to take the throne for themselves. The only person to really treat his death with anything approaching “hey, our sovereign just died, could we maybe have a day of mourning before we start arguing over who’s next in line for the throne?” was the Archivist. We don’t even get to see what happened to his body, but given what Season 8 showed happens to the souls of people Haggar drains of Quintessence, it’s clear that even his own wife had no qualms about defiling his corpse.

And as I’ve noted in another meta about Honerva’s arc throughout the series, the more she remembers of her past, the less of a threat the empire becomes. Because it’s worth noticing that the entire chain of events that leads to her husband’s death starts when she summons Lotor to take command while Zarkon is comatose, something that Zarkon explicitly did not approve of. In other words, the entire chain of events started because Haggar started acting independently of Zarkon. It was only when Haggar started pursuing her own agenda that we began to see rival factions emerging within the empire itself. When husband and wife are operating on the same page, working in tandem as a single unit, the empire is a monolithic force. But when they start working independently of each other and pursuing separate agendas, the empire begins to fracture.

I see a lot of Season 7 and 8 meta arguing that the situation with the collapse of the empire and the Coalition is entirely the Paladins’ fault for what happened with Lotor. But looking at the infrastructure and culture of the empire itself, the state of the empire in Seasons 7 and 8 was inevitable from the moment Zarkon bites the dust for good. From the moment Zarkon breathes his last, the clock started ticking on the empire’s demise, and the Paladins’ fight with Lotor in Season 6 only shaved a few months off the countdown at most.

In a way, it reminds me of Operation Cinder from the new Star Wars Expanded Universe. To summarize: Palpatine had put contingencies in place to ensure that in the event of his death, his empire would die with him. In Palpatine’s words: “If an Empire cannot protect its Emperor then that Empire must be deemed a failure. It collapses not only because its central figure is gone, but because it must not be allowed to remain!” While Zarkon didn’t have the foresight for such vengeful contingencies, the result is the same: the empire didn’t just collapse because the emperor was gone, but because the infrastructure of the modern Galra empire was not designed to survive without its ruling couple at the helm.

When Haggar declared that “the empire has fallen” after the Kral Zera, it was not merely for dramatic effect. The Galra Empire is structurally and politically incapable of functioning in the long term without her husband’s iron will to keep power hungry commanders in line or her research and alchemy to maintain its infrastructure, and she knows it. But with Zarkon dead, maintaining the empire is no longer a priority for her. And so, she lets it wither and rot as she spies on her son, the Druids only maintaining the infrastructure because she has not yet ordered them to stop.

TL;DR: The Galra Empire’s entire infrastructure and cohesion is dependent on Zarkon and Haggar operating in tandem. It’s collapse in Season 7 is not a direct result of Lotor’s removal from power, as characters in-universe assume, but the result of a chain of dominoes triggered by the final battle of Season 2. In other words, the Paladins dealt the fatal blow to the Galra Empire when they defeated Zarkon at the end of the second season, and we’ve been watching it slowly bleed to death ever since.

[incarnateirony]

Standom Perspective: The GA’s viewing experience.

So, it’s no secret that stan twitter has a hard time discerning where their perspective ends in relation to a broad wash of the general audience. It is one thing to point out that the majority of the audience aren’t single character stans, the majority of the audience are not meta authors/readers, and the majority of the audience aren’t “woke,” but it’s another thing to really carve out what that means before people start yelling about “reasons the show will fail/is failing,” which generally miss the mark already like the recent claims of failing ratings. [1] [2] - and that’s just the recent ones. We’re not gonna touch on how long people have erroneously been citing ratings-death every year, though ironically source 1 touches on the same issue I’ve been talking about in my #ratings tag.

But the real point is - how does the GA react when not actually sculpted by occupants of stan twitter?

I’ve almost accidentally run an observational experiment without realizing it, with the recent streams of SPN by Sonalii Castillo, the actress from The Outpost that I’ve gotten to watch SPN. Make no mistake: Sonalii and I are friends, but I have gone out of my way to not sculpt her vision as much as humanly possible. In fact, it’s to the point I answer “it’s complicated,” or a few episode citations to rewatch when she asks me things that have a very Destiel-esque answer to them, like the “living life in reverse” or Amara finding Dean via Cas when Amara couldn’t find him herself. Answering these from my perspective would automatically paint a Destiel lens, so instead I’ll just direct source a related quote from an episode and/or tell her to watch it and draw her own interpretation. 

She’s also point-blank asked me about the nature of Dean and Cas, what point it ends at audience and what point it begins in the show while she’s catching up and hearing about it passingly through people’s fleeting squii tweets. Even that, I’ve tried to leave simply at “it’s complicated, just enjoy it as you see it.” as best I can.

That said, I’ve been doing backflips to avoid heavily impacting her experience, but still catch questions, so I’d like to address some of this beneath a cut to really scale what a GA experience is like for someone coming in with no real extended knowledge of the series or production, and someone who watches on what we WOULD call a “casual viewership” level - and why ratings screeching, yelling about continuity failures causing nonexistent ratings-death, or whatever else simply does NOT match what happens in the GA.

Okay, first of. Sonalii Castillo is a bean. I adore her. And not in that hero-worship actress way, but on that “we hold long discussions every day and I know who she is as a person and what she aspires to be” way. So let it be said if any of my wording about her paints a knee-jerk bad reaction in someone’s head, to ask for clarification before going off on the woke-brigade or stan-mob effect on or about her, as I may be clarifying badly and I do not necessarily speak for her, as much as attempt to illustrate a general perspective about her that I may need to refine.

First: about the person, about who she is, what her viewpoint is, and her general standing in the GA. So first,

About the viewer.

She’s an (until-now indie) actress, writer, producer, but has never had an enduring role and never really watches shows THIS LONG. Most of her personal writing and producing is in the area of 20 minute shorts where everything is a quick pile drive of as much as you can accomplish in as little time possible. She knew next to nothing about Supernatural when I dragged her in, as ten years ago she applied for a certain female role we would all know and recognize, but got declined because she -- frankly -- didn’t meet the racial profiling needed. There was an ax to grind and I had to lighten that from her and she eventually caved as on a friendly level she heard me constantly talking about Supernatural with other people, and curiosity got the better of her. 

Speaking OF racial profiling, she struggles in the industry. She’s technically afro-latina, but does not identify with the afro-side, to the dismay of some african-american fans of hers. She was raised in the dominican republic -- which is also why I cite cultural impact since they’re a little less progressive over there about LGBT than even in the US (no discrimination protections, far lower/latent same-sex marriage support rate, but same-sex marriage was legalized when the DR was bound under the American Convention on Human Rights), so I actually greatly treasure what is, for her, culturally an accepting mind she’s still willing to grow with. She released an interview recently where she cited that once she got to America, the black teens didn’t know what to do with her because she was too latina, but the latina people thought she was too black, but she was raised in latinx culture, so TLDR, she identifies latinx even if not all latinx people accepted her as such in the US, especially after a brief time in France adding other stuff to her journey. She actually commented that, from her perspective, the racial divide actually seems worse in America; that it could be wrong, but nobody in France or the DR looked at her skin color, and now she’s running into stonewalls of it everywhere. Too latina to be black or white but too black to be latina and too anything to be anything that fits anyone else’s mold they want for her.

Now - Sonalii Castillo is super-duper straight. She is accepting of queer people, she knows about me and Shea and engages us regularly about our relationship, that it “isn’t for her,” but she will never EVER judge anyone for who they love or are attracted to. But she is still enough -- perhaps culturally due to where she was raised, then moved to over time -- in the straight-bin she feels like being straight is “under-rated” in our modern society. She is on the defensive-straighty spectrum, but again, culturally, I understand why and I more choose to let watching me and Shea deal with life become a passive form of education rather than trying to aggressively indoctrinate her because frankly, that will go a hell of a lot further and she has a good soul and I’ve seen her start to gain awareness of things. 

That being said, she is ALL UP on wanting to monkey climb all three of our boys and a lot of her fangirling centers around their visual imagery as much as anything else, although she’s definitely not an emotional brick and is able to empathize with clearly illustrated trauma and pain. She is not a single character stan. She loves all three, for different reasons, and often talks about their strength as a unit and how they compliment each other when reviewing events; she feels for all of them, and sometimes feels bad for not even realizing she should have been feeling for some of them in certain ways that had slipped her mind.

And, realistically, this is still representative of a large wash of our audience with a racial bend to it (since America IS primarily white, for better or worse -- mostly worse.)

I disclaimer this all to really give you a view of what a GA member may look like. Not all GA will be writer-producers, but oddly, her style of writing-producing actually has ramifications that make her miss very large swathes of seasons-long story arcing until she comes scrapping up like “Wait... so, wait. Okay, did that mean-” which... well, the GA will do too. She is often taken aback remembering certain traumas or dangling plot ends WEREN’T handled or WERE still out there, because she’s not out there to meta these episodes. She’s out there to experience the ride. The shock and horror on her when the Michael flashbacks started kicking up in season 13′s finale are extremely telling, dividing the line between the meta community and the GA.

To her actual viewing response, let me say a few things. These have actually been live streamed to the public. She comes scrapping to the audience watching her looking for answers often. If they’re outright spoilers, nobody answers. If they’re basic questions like why X effect did Z thing, people will explain. But by and large, it’s mostly reactionary effects.

Sonalii Castillo is a brilliant woman. She isn’t dumb. But she watches the show as it comes. She doesn’t sit here psycho-analyzing every motion for purity, she doesn’t break apart every potential plot hole or retcon. In fact, she hasn’t mentioned, noticed, or asked -- be it to me personally or the folks on the livestream -- about a single damn one. In fact, she has more questions about consistent canon elements confusing her than what the stan/meta community has declared as plotholes, sometimes accurately and sometimes not.

And that part is my biggest point to really make.

She didn’t flinch about Cas not seeing the demons; she didn’t even ask. She didn’t dig into any of the S6-7 plot holes or anything in Taxi Driver or ANY of that. Because your average viewer? DOESN’T NOTICE, MUCH LESS GIVE A SHIT.

I know that’s hard for stan twitter to wrap their skulls around, but it’s a simple fact. THEY DON’T GIVE A SHIT. That’s why it hasn’t hurt ratings before, that’s why (beyond it very obviously NOT tallying as mid-episode tune-out) it’s not the cause for any decline this year, and it never-ever will be. In the stuff I linked above to adjacent conversations, there’s any number of reasonable explanations, including: the decline is NOT as dramatic as people act like, it’s negligible and can have other explanations including Wayward axing, bad promotion, or a bad finale.

Speaking of the bad S13 finale, her hot take on it? She considered the finale epic still. To the side she told me, yes, the wires were terrible, and you could see that it was awful, but it was forgivable. Maybe that *is* her indie side showing and being more understanding, I’m willing to even argue that point, but odds are, not THAT many people are going to perma-grudge the show over the wires as much go “what the fuck?” and see if they fixed it later. A few might. That’s the great thing about a GA. It’s diverse. 

Some arbitrary potential plothole isn’t going to ruin the show for the GA. Hell, bad wires isn’t going to ruin it for most of the GA. Anything you consider a character oversight for your personal favorite is not going to ruin it for the GA. Your character stanning point may even resonate with portions of the GA that do think like you do, but it is not enough to actually cause a widespread pandemic among the GA just because Cas was tied to a chair, or didn’t see demons, or Michael Dean isn’t Dean enough for you, or a camera blurred on Sam’s face in a few scenes. 

Most won’t even fucking notice, much less care. Because the storytelling and cinematography and everything else is doing what it’s supposed to -- largely engaging the audience, and the audience is just as likely to have confusion “wait, what?” on actual canon-solid events that they have to doublecheck and negotiate backwards with information from six years ago as they are any brief “wtf?” momentary questionable plot events. And if they can negotiate those events with histories-old canon-solid events they can negotiate it with adjacent, subtextual, or even reasonable headcanoned reasons that they don’t even bring into question -- because why would they? They don’t have stan twitter in their fucking ear.

On a secondary point: Destiel

So here’s the fun thing about Sonalii and Destiel. Sonalii, on her own, while I bibbity bobbity bounce and dodge answering questions like that, has pretty much fulfilled what I’ve said about the GA. Or at least the straight GA. She sees things, she questions it, but she’s not entirely “sold” on it; she’s made comments that if it happened that’d be neat, she still squiis over “Awww, Cas loves Dean,” but she’s not out here 100% sold on DeanCas or shipping it or reading into it. Welcome to your aggressively straight female GA take on DeanCas. They see it, they occasionally coo about it, but they’re not sold on it as a standing product and are willing to consider other explanations or just not take it to heart until it happens, but they wouldn’t go fucking postal if/when it happens and wouldn’t be surprised, either.

This, of course, is different than if we were addressing viewership from queer-lensed viewers with a different origin than her, which accounts for 1/3 of the modern US population in our target demo (and 1-in-2 for our upcoming younger demo tilting into the bracket) [3], not counting highly receptive allies but people who tick onto the Kinsey scale in some degree. 

So here we have a GA that doesn’t ask about plotholes, reads it through their respective interpretational lenses, glosses the surface quality as their minds parse it, and fill in the gaps with headcanons they don’t even realize are headcanons and just absorb as truths until something challenges it in active-canon to make them go “what?” - because the GA isn’t out here refining the exact border of canon, subtext, or headcanon. They are naturally negotiating the story as it unfolds, without interference. Now, if the queer-receptive-but-very-straight-lensed woman is going “awwwwww Cas and Dean” but “I’m still not sold,” but also “I mean, I see it though,” when people ask her or is even out here actively asking questions like what is going on with it, what do you think that means for our increasingly queer identifying audience as well?

Well, Jan, it means exactly what I’ve been saying it means. Don’t believe me? Check all the queerfolk that pour into twitter and tumblr after binge watching 12-13 seasons that are like “Wait, this is something people argue about? I thought this was just a thing???” and are utterly confused that it’s even in debate.

This of course says nothing for the aggressively-straight-lensed GA that are not receptive to LGBT or queer content. But the fact that we also see active outcry about “pandering” does tell us that they see it; they register it; they just simply want to dismiss it. It’s worth minding that 33% of the US is still opposed to same-sex marriage. Some are more passive in their homophobia than “FUCK THE QUEERS,” but it’s still a phobic tilt in society. Some of the same people opposed to it still endorse that they swear they love queer people, and you know -- I have a gay friend or whatever -- and may even try to be “progressively okay with” queer content so where exactly that 33% shifts down to is hard to say. It’s worth mentioning that every census in fandom has had a minimum 72% approval rate for Destiel, with something like 11%~ hard-against and the remaining being in neutral “Eh, no specific feelings on it.” 28% is not exactly far from the mark of 33% and to estimate 1-in-9-or-10 people in the US being giant cantankerous wankers about queer people still isn’t exactly way off the mark either, with like 6-or-7 in 10 being increasingly accepting and others floating in the middle, unsure how to feel, what to think, or what to do. Sonalii would be in that remaining central bracket, but tilts towards the supportive spectrum (I suppose #7 in the 6-or-7) and unshockingly, is in the “I see it/it’s cute/I’m just not sold/maybe it’s just a super weird bromance until it happens/it’s just not for me/so I’ll wait and see if it happens”) Given, those aren’t my hardest, most cross-checked numbers, but it’s basic observation skills.

That is a far cry from there being a majority of antis in the GA. But rather, like I’ve said, a heavy dose of support. The wide majority of queer identifying people in the fandometric supported Destiel. [4] Now, as queer is not a borg and we are not mandated to all like the same things, unsurprisingly, not all queer people liked Destiel. And that’s fine. Again, because we’re not a borg. But it was a remarkable minority. And someone is free to not like it, but flagging around an “i’m queer and don’t like it” card also doesn’t make you an auto-winner in a Destiel shut-down-argument when the vast majority of LGBT fans do. You’re entitled to your opinion. It just isn’t the only opinion, it is not more important than the next person’s opinion, and while “appeal to numbers” is itself a logical fallacy, if this were taken to a basic vote, yes, the LGBT community would come out with support for Destiel. And, by most censuses, the straight community would come out riding a VERY narrow line between support, or “I wouldn’t have a problem with it/I kinda see it/it’s just not 100% yet/meh” with only a minority screaming about how awful it is. 

Let’s really double back to the census.

According to the census, the loudest screamers actually weren’t our antis. The loudest screamers were:

Male, Straight [5]

Conservative [6]

40+, especially 60+ [7]

Not all were all-of-the-above on the list, some only ticked a few of the boxes, but some also filled all the metaphorical boxes by basic vector overlap.

Also let me lay to rest the whole “it was all Cas fans that showed up to the survey so that’s why it was high Destiel” myth by dropping this. [8]

Let’s all be amazed that straight old conservative [read as: 89% white] guys don’t like the Destiel content. It came down to about 31% of straight-identifying men. Or, roughly, a cap of 10.3% of our demographic by general US demographics and known SPN male/female ratio outside of fandom centers. And possibly as low as 7.75% or LESS within target demo. Also unsurprising to us, straight-identifying women are more receptive to the content in regards to queer male content, because, IDK, just a shot in the dark here -- they don’t feel threatened by it to their own identity or some concept of “moral standard”; let’s not pretend we don’t 100% know conservative white dudes are totes okay with lesbians but gay men, that’s where they draw the line, because logic.

The rest are numbers that, unsurprisingly, tilt in female conservative, with a tiny overlap from bro-onlies that are the antis we know and love-to-hate.

Yes, the census has declared it isn’t 100% scientific. That’s just an outright responsible thing to declare. But it ran IP-checked individuality testing, it circulated across numerous platforms, and it resonates with every other online demo report we have today on modern trends, from hashtags to google search frequency, to even the imdb data an anti tried to break out on me only to admit it matched my point and not theirs, and yet they doubled down saying that didn’t prove anything either. Also cuz logic. 

This census, partnered with other matching trends, external polls, and basic industry awareness, is as close as we will get to a scientific breakdown of our demographic, especially since they went to exorbitant lengths to break down everything from age, gender, politics, favorite character and whatever else to view them by percentile response we can scale into the surrounding US population or general show demographic by their independently displayed percentiles. Because 500 hard conservatives, not even minding libertarians or moderates in their own pool? Is a pretty damn big test group on its own. And you can view their percentile findings independently. And shock-and-awe, when scaled into all of our other information, it still adds up to everything we see.

And that’s another thing to keep in mind in the red/blue demo divide. Not all red is the same. Not all blue is the same. Not all reds are raging homophobes, some are voting red on fiscal opinion (though this administration is thinning that line), some are phobic-coded but not outright hateful or vindictive about it as much as they are learning. Libertarian tends to count as red in a basic census that only gives you one or the other. It’s a form of conservatism. Moderates tend to still identify more red than blue, or at least did a few years ago, this last presidency seems to be shifting that into moderates identifying blue. But go figure, our last red vs blue census for SPN that was a reliable polling source and not some poll on a rando website that ran for a few days with some basic bitch “What’s your favorite TV show” questions ... was a few years ago.

This really isn’t hard. 

TLDR takeaways:

GA doesn’t give a shit about your declared plotholes

GA doesn’t give a shit about your character stanning

GA by and large recognizes Destiel in some capacity, with conservative old dudes hating it, a bundle of neutrals passively spotting/sighting/supporting it, and a whole lot of queers and allies yelling that they love it

You literally just have to watch people watch the show without intervening and filling their head with your horse shit to witness this

Also she completely independently raged when she realized Wayward Sisters was a spinoff that got axed and is like, WHY THE HELL WHAT WHY WOULDNT THEY IT WAS AMAZING WTF WHYYYYY so that’s a thing.

And that’s the tea.

[toaarcan]

RvB 15-17 Condensed

The working title for this was “RvB 15-17 but not crap”.

Now, this might seem a little presumptuous to include Season 17 in this, which, at time of writing, has yet to be released, buuuut I’m basically mashing S15 and S16 into a single block which would make S17 actually the sixteenth season in this version. So the rewrite is that Season 17 happens a year earlier.

Now, I have my problems with RvB 15-16.

I don’t want to start off on such a negative tone, but I feel like I need to establish that before we go ahead.

While Season 15 was at worst, a mediocre RvB Season with tonal problems and inconsistent characterisation for our leads, Season 16 is all of those problems made worse. Like, it’s not Season 9 bad, but it’s still bad, and while I’ve mostly covered those issues in past posts, I haven’t really covered how much the setup for the climax is just plain stupid.

Like the setup for the finale, and thus Season 17, is as follows:

Atlus: Don’t do the thing.

Wash: Don’t do the thing.

Huggins: Don’t do the thing.

Carolina: ... Alright guys let’s do the thing.

[Time breaks because they did the thing]

It’s a little more complex than that, but not by much.

Now, I ummed and ahhhed over how to make this work for a while, but ultimately, I came to the conclusion that this is how I would do it.

For starters, 90% of Season 16’s plot is getting dumped. If not all of it. Legitimately all I’m keeping is the ending. Sorry, it’s not exactly a big loss.

Second off, I’m not heavily altering Season 15. While there’s definitely a good Season 5-13 tier plot that could be told with a fake BGC, this isn’t it, and attempting to alter that leads into a completely different set of stories. So Season 15 is mostly unchanged, just assume Temple is actually a competent villain and the plot isn’t driven entirely by the BGC being dumber than usual for a week.

So the timeline is now Season 15 -> Paradox -> Season 17.

We’re also scrubbing Wash’s injury from Season 15. It’s going to be an unnecessary complication for the lead-in to the next season anyway. If we’re going straight for the time paradox, then having Wash be injured is kinda pointless. Given that Season 16 ended on a warped Blood Gulch way before Wash ever showed up, there’s nothing to gain by having him out of action. He’s already imperilled enough by time being fucked.

“But wait,” I hear you say. “If Wash and Locus are with the heroes when they take on the Blues and Reds, surely they catch up to Temple quickly enough that the time machine doesn’t get turned on!”

Ah, but that’s the beauty of it. Whether the time machine is turned on or not is not the focus of the paradox here. And because that’s not a vital plot point, we’re free to have the characters just Travel At The Speed Of Plot, and arrive precisely in time for the actual climax.

You see, rather than changing history around Wash’s injury and thus fucking the timeline up, the key to the paradox is Church. Specifically, what happens when Church is removed from their history because someone pulled him into the present before the events of Blood Gulch really happened.

In the actual show, when Church appears in the portal, Tucker tells Caboose to pull him through, and Caboose refuses, instead bidding farewell to an extremely confused Alpha and allowing the portal to close. It’s a big moment for Caboose’s character, and it’s one of the parts of Season 15 which is pretty well-executed.

Obviously, I’m not going to overturn that and have him not have the growth. So, how does Church end up being pulled through?

“Tucker did it!”

Now, I’m not a big fan of Joe’s Tucker. In fact, that’s an understatement. I hate the way Joe writes Tucker, and I’d rather not fall into that same trap, so I’m going to explain in detail why Tucker would make this mistake.

 1) Tucker just had Epsilon die on him. Inside his head. And at the same time, the other remaining pieces of Epsilon all faded away too. And Tucker didn’t even notice it was happening, by the time he realised what was going in, the fragments were gone and he was left in a very empty and very non-functioning suit of power armour. Given how heavy this armour is, with it non-functioning, Tucker was probably unable to move until his friends removed most of the suit, so he was trapped in a coffin that was emptier than it should’ve been.

2) Struggling to cope with his grief, Tucker does something frankly stupid and activates the Temple of Procreation.

3) A while later, Tucker is starting to recover from his friend’s death, when Dylan shows up and he finds out in short order that A) Someone is committing terrorist acts while disguised as him and his friends, B) The planet he sacrificed so much, and Church gave his life for, is being blamed and might be invaded, and C) Church might be alive. This effectively halts Tucker’s recovery.

4) The consequences of his fuckup with the Temple of Procreation come back to haunt him, and suddenly, something Tucker has always been proud of- that he’s a great father to Junior- is called into question because he’s now an absentee dad to a fuckton of Chorus babies, which deals a blow to the poor man’s ego.

5) Shortly after that, the fiasco where Temple manages to manipulate him happens, and it makes things even worse for him. He should’ve seen through it after Felix, but he didn’t. And now, Wash and Carolina are hurt because of him, and the message from Church was a fake.

6) Finally, after all of this, he’s face to face with Church, and he has the chance to save him, and while maybe he could follow Caboose’s example… there’s one key problem. This isn’t Epsilon, it’s Alpha.

Y’see, there’s a big difference between those two. As has been pointed out before, Epsilon was always kind of a total prick to Tucker. A lot of this can be chalked up to Epsilon’s knowledge of the BGC coming entirely from Caboose, who purposefully left Tucker out of his recounts of their many adventures.

But this isn’t Epsilon. It’s Alpha. Tucker’s best friend, Alpha. Alpha, who went off and died without Tucker being there. Without Tucker ever getting a chance to see him once again. They got separated and one year later, Alpha died, in denial about a fact that Tucker had figured out long ago. Maybe Tucker could’ve helped save Alpha if he’d been there. Maybe Alpha wouldn’t have had to leave the safety of Wash’s suit and end up vulnerable to the emp if someone else had been there to hold the Meta’s attention.

 Tucker decides to save his friend. He’s at the end of his rope and after all the crap he’s been through on this journey, which he set out on because he wanted to save Church, he’s going to damn well save Church.

Additionally, by tying Tucker into the portal scene properly, there’s now a proper narrative throughline from the characters receiving Church’s message to the portal. Caboose has been covered, but Tucker hasn’t.

 Time paradox.

Despite his best intentions and hopefully understandable motives, Tucker has just pulled Alpha-Church out of their history before it even got started. And given how much of Seasons 1-13 was motivated by Church in some form or another… well, they’ve just unmade themselves.

The final twist is that time isn’t rewound to Season 1. We don’t need to see that. Season 1 retreads aren’t needed. If they want to remake Season 1, they should just bite the bullet and do a full remaster of the early Seasons to clean up the audio, rather than forcing new Seasons of the show to ape it.

Instead, we see a Blood Gulch wherein the same amount of time has passed since S1E01, but with none of the elements that Church brought in having happened.

Tex never goes to Blood Gulch. She spends her time hiding from Freelancer and desperately trying to find her other half, whom she was ripped away from and now will never be able to reunite with.

Tucker loses his friend, and is left with Caboose, who already doesn’t like him.

Caboose, for his part, doesn’t get brain damaged by Omega, but he still has his air shut off and Church still convinces him to drink Scorpion fuel, so he’s not doing much better.

Kai probably gets deployed to Blood Gulch faster, since Blue team is undermanned. She’s stuck in an empty box canyon with the rest of them.

York lives on, not getting recruited by Tex, until the Meta comes for him. The Meta takes Delta and leaves York to die alone.

Wyoming is not sent after Tucker, and doesn’t get the chance to formulate the plan with Omega.

Junior is never born.

Because Wyoming’s plan doesn’t happen, Wash is left to try and combat the Meta without the aid of the Reds and Blues. He fails.

The Meta remains free to hunt down and murder its former comrades. Like Tex, it ends up searching endlessly for the Alpha, which it will not find.

Without the Project’s downfall, and without Epsilon’s activation, Carolina remains in hiding.

The Director remains in hiding, endlessly repeating his attempts to perfect his remake of Allison. He never finds the answer.

Chorus is destroyed by perpetual civil war, all according to Hargrove’s design.

And as the galaxy darkens, people who would’ve been friends die or are left alone to rot, and the Project that put them there tears itself apart until only Tex, the Meta, Carolina, and the Director remain, scattered to the winds and pursuing impossible tasks, Blood Gulch remains. Its purpose is lost without Alpha, and the Project is gone, but with no new orders, VIC perpetuates the “war” between Red and Blue teams, and so it goes on. Static. Unchanging.

Cue the ending, and the setup for the next season. A Blood Gulch without Church.

[whataboutmeh]

Superwholock Theories

Supernatural- 3 Theories    

 JOHN WINCHESTER WAS POSSESSED BY MICHAEL

1.    This fan theory posits that because John said “yes” to the Archangel Michael when he was younger, Michael continued possessing him later in life. Fans believe that this would explain the disparity between John’s treatment of Sam and Dean, as opposed to the vastly different relationship he shared with his other son, Adam. Perhaps John was actually preparing the boys for their futures as vessels for Michael and Lucifer.

Although this probably isn’t the case, that doesn’t mean this theory is without merit. The series has already previously established that an angel could possess a human without their knowledge, so it’s not out of the question. If John were a puppet for Michael, it would certainly lead to an identity crisis for the Winchester brothers. How could they trust anything or anyone after a revelation like that?

 THE VIEWER IS GOD

2.    Despite fans’ love for the prophet who turned out to be God, not everyone is sold on Chuck Shurley as the one true Almighty. One anonymous fan actually suggests that God is not any character that we have or will ever meet on Supernatural for one simple reason: God is the viewer.

At some point, archangels wrested the power from God, leaving him or her helpless to stop them. However, God remains omniscient, and so continues to see and hear every aspect of the story, although there is no way to impact anything that happens. This fan also points out that this would mean that the closest the Winchester brothers ever came to truly tracking down God was in season 6 episode “The French Mistake”, in which Sam and Dean travel to a fourth wall-breaking alternate universe.

 GABRIEL IS ALIVE

    3. This theory is one that has not only been fueled by fans, but by Richard Speight Jr. as well. Lucifer killed Gabriel in Season 5… or did he? Gabriel was not only ridiculously powerful, but also incredibly clever. He did appear in season 9 episode, “Meta Fiction”, although he was then revealed to be nothing but a ruse performed by Metatron.

According to Speight Jr., “One theory is that obviously Metatron is controlling the whole thing and that I’m really just a projection…but that makes you wonder why he doesn’t just appear.” The jury may be out on whether or not Gabriel will return, but the actor who played him is reasonably sure that the archangel is alive and well. Perhaps there is hope for Sabriel fans after all.

      Doctor Who- 3 theories

WEEPING ANGELS ARE DEAD TIME LORD

    1. No monster in New Who has gained quite as much popularity as the Weeping Angels – after initially being introduced in the Tennant-era episode Blink, the villains have been referenced multiple times by both the Doctor and other characters throughout the show.

One such reference, in The End of Time Part Two, has Time Lords covering their faces ‘like the Weeping Angels of Old’. This has led to fan speculation that Weeping Angels might be the ghosts of fallen Time Lords, whose constant exposure to the Time Vortex has left them capable of displacing people through time and feeding on the resultant lost potential.

Considering that Weeping Angels are incorporeal until the moment they’re seen, and that they’re considered one of the oldest races in the universe, this theory does hold up to a certain extent. It certainly would explain why Weeping Angels patrol graveyards and crypts so commonly in the show.

 SEASON SEVEN PART ONE HAPPENS IN REVERSE

       2. No fan of modern Doctor Who will forget the heartbreaking end to Amy and Rory’s time as companions to the Doctor – sentenced to death by a Weeping Angel, the pair are given the opportunity to grow old together in New York, but are unable to ever see the Doctor again. Some question why the Doctor couldn’t simply pick them up in another part of their timeline – and others wonder if that’s exactly what he does.

In A Town Called Mercy, two episodes before Rory and Amy’s departure, an offhand reference is made to Rory leaving his phone charger in King Henry the VIII’s bedroom. In the next episode, audiences see this very scene play out, suggesting that the episodes A Town Called Mercy and The Power of Three are out of order.

Some fans have taken this to suggest that the Doctor’s appearances throughout the Ponds’ final adventures are in reverse order – having lost Amy and Rory to the Weeping Angels, the Doctor is travelling backwards through their timestream to visit them at different times. This culminates with the Doctor saving their marriage from divorce before finally saying goodbye to them and moving on to live in Victorian London.

 THE DALEKS ARE INCAPABLE OF KILLING THE DOCTOR

       3. In any given episode of Doctor Who, it’s taken for granted that the Doctor will spout a lot of expositional dialogue, and that the villain of the week will allow him to do so unchallenged. Such is frequently the case with the Daleks, the Doctor’s greatest enemies, who, while regularly in a position to end the Doctor’s life, instead choose to let him ramble for a while before he makes his escape.

 While many might see this as simply a convention of the show’s formula, others have begun speculating that there might be a reason for the Daleks’ inaction and repeated failure to kill the Doctor. Way back during the Tom Baker era of Doctor Who, the Fourth Doctor found himself in a position to destroy the Daleks – one which he rejected, ultimately leading to their initial creation in the first place. Some fans believe that because of this paradox, the Daleks are actually unable to kill the Doctor – they can’t do so for risk of eliminating themselves from the timeline as a result.

 This theory gained more traction as a result of the most recent Season Nine of the modern Doctor Who, in which the Doctor saved the life of the child who would grow up to be Davros, creator of the Daleks. Thus the Daleks are forever desperate to kill the Doctor, but ultimately unable to do so without risking the life of their creator.

 Sherlock- 3 Theories

The whole series is just Mycroft keeping Sherlock sane, and John is an actor

               1.This theory is quite a convoluted one, so strap yourselves in. What if all this time, everything was just a fake-out that Sherlock's enormously powerful big brother is making up? All these crimes and villains are just there so he has something to do, and to keep him off the drugs.Whenever Sherlock's bored, he turns to drugs. But Mycroft is fully aware of this, so he sets up elaborate crimes for Sherlock to solve. And maybe to help him, he hired an actor named John Watson.

Yes, we know what you're thinking. Utter baloney. But when Sherlock first meets John, he lists of a load of facts about him, and John is astounded. But we see no actual evidence to support Sherlock's claims, aside from a brief flashback of John's time in the army. And even that is a dream sequence in which you don't actually see John himself. Is he just preparing for his next role?

We never actually meet John's supposed lesbian sister that he mentions at their first meeting, and when John does doctor-y things, he doesn't look very convincing (like checking Sherlock's pulse in his wrist rather than his neck, and falling asleep while working at a clinic).

When John first meets Mycroft at an abandoned warehouse, he offers Sherlock's new friend money to spy on him, which John turns down. Why wouldn't John recognise his new employer? Mycroft could have done it anonymously. And maybe he just wants to see how John can handle such a threatening situation.

All this would explain all the odd moments that Sherlock manages to triumph in, in particular that odd scene where he manages to easily rescue Irene Adler from a group of terrorists. But what about Moriarty? Simple, he actually was an actor called Richard Brook after all.How did Moriarty get all the money to carry out his dastardly schemes? Mycroft, of course. Sherlock's big bro needed to come up with a supervillain with seriously dangerous crimes to go along with him. This also explains how Moriarty knows so much about Sherlock.

In 'The Reichenbach Fall', Moriarty suddenly claims to be an actor named Richard, and was hired to make detective seem like he was solving crimes. While we all assume this to be a horrible and clever lie, what if it was the truth? He actually wanted to get rid of this weird acting gig. And the next time he's on screen, he's gone mad, is forced to carry on the charade, and shoots himself.

 Sherlock and John are secretly dating and will CANNON!     

         2. there's some real logic behind it (sort of).

Followers of the 'JohnLock' conspiracy reckon that creators Steven Moffat and Mark Gatiss will eventually turn Sherlock and John's bromance into a full blown romance by the end of the series.

And it's not silly 50 Shades-style fan fiction, but there's been a massively in-depth analysis of scenes and scripts that apparently alludes to a secret relationship.

According to the theory, some fans reckon that the duo's story features plenty of narrative and filming techniques that frame them as a proper couple, not just good friends.

One example is a reference to the ending of Casablanca in 'His Last Vow', and how there are secret hearts littered in their scenes:

Plus, John doesn't correct Irene Adler when she mentions how the two of them are attracted to Sherlock, even though they're usually interested in the opposite sex.

 Sherlock used to be an MI6 agent

               3.We know little about Sherlock and Mycroft's spiky relationship, but there's one theory that could help explain it a little better. Sherlock once worked for him as a secret agent.

It's easy to guess that Mycroft is the head of the British secret service, so perhaps he once hired his baby brother as one of his top agents.

There have been clues pointing towards a third Holmes brother, so maybe he was also an agent but had a rather nasty death on the job.

This terrible event could have sent Sherlock a bit doolally, forcing him to quit the gig and eventually become a private detective, causing a bit of a rift between the two remaining siblings.

This would explain just how Sherlock also has quite the skills when it comes to kicking ass and infiltrating a terrorist gang and all that.

[honeygrey]

A Twisted Hero’s Journey (SW meta)

I’m not the best when it comes to writing metas, but i was watching something on netflix and this popped into my head

“All hero’s journeys begin with the hero at rest in their home culture.

So one particular stage is the call to adventure. An outsider figure comes and calls them to adventure—says, “Come on, Luke. You’ve got to go do something now and help this girl.”

He embarks on a journey into the unknown, a run that’s usually much more crowded with the supernatural.

The hero is tested in these strange surroundings, and has to pass various trials in order to continue. Within that realm he meets various mentors and also various companion figures, who become sort of an entourage that he travels around with.

Typically he then has a near death experience-type adventure, where he plunges down into some kind of abyss.

But the hero survives this moment and achieves perhaps new knowledge or a treasure as a reward, and then he flees, pursued by the enemy.

From which he arises transformed, capable of fulfilling the quest on which he started out.

There’s one final test, and that is often a moment of life or death. The hero has to use all the knowledge he’s gained up until this far to come through that and succeed.

The end result, is a new world, a new status quo that comes into being.” (Myths and Monsters, season 1: episode 1)

Why the first 2 movies placed such importance on the burning temple scene, is because it’s the true beginning. This trilogy is the third Skywalker trilogy—father, son, grandson…but this time it has two heroes. Rey the traditional hero, and Ben follows the same path...except with a twist. 

With Rey’s journey—each step if easily adapted. She leaves her life on Jakku to bring BB8 back to the Resistance, and meets Han and Chewie along the way like Luke did in the original trilogy. Around the same time, she discovers her connection to the force, and runs into Kylo Ren. After escaping her cell, she find Han and the others in time to watch her first mentor die (think Obi-wan dying in front of Luke in ep iv). She battles an injured Kylo Ren and survives, fleeing the first order with Finn and Chewie. In TLJ she finds her new mentor, Luke, after finally accepting her force abilities and Anakin’s lightsaber. From here, she travels to Kylo Ren, deciding that Luke was wrong about Ben Solo ever being “light.” By trusting him, Kylo Ren/Ben and Rey defeat Snoke like Vader with Palpatine, and bring about a new world…maybe not one she understands or wants, but none the less, “a new order.”

As a side note: I don’t consider Luke Rey’s second master, because she never really learns anything from him, beside “reach out and feel the force.” She never internalizes anything else he says regarding jedi, believing the light side is the only way to use the force--despite acting just as emotionally as kylo ren at points (i.e. attacking luke with her staff from behind)

Ben Solo’s story is much darker. It starts with him fully indoctrinated in the Jedi lifestyle—his uncle and mother, who he probably spent more time with than Han, where legends and leaders. They decided to train him, which would lead to Snoke discovering and calling out to Ben. The destruction of the temple lead Ben to joining Snoke (who would want to have a sit-down conversation with parents who abandoned and lied to you, as well as someone who just tried to murder you in your sleep?). With the fo, he has to learn how to use the dark side, and live up to snoke’s expectations and quests (like killing other jedis and force church people). Personally, I believe the Knights of Ren are something that existed before Ben turning into Kylo Ren, and he quickly rose through their ranks as someone who was highly skilled and force sensitive—this gives him his own crew of storm troopers to command as he carries out snokes missions (finding Lor San Tekka to find Luke). Unlike Rey who overcomes Kylo Ren in battle, he is met with failure (yoda: “the greatest teacher, failure is”), and Snoke makes sure he knows after he flees starkiller with Hux and Phasma. This loss makes him act bolder, more reckless (tfa he begs snoke to be given a chance to prove himself; tlj he stands up to snoke…twice!), and also presents the whole force-bond thing. He begins to connect with Rey, and discovers someone who is willing to listen to him (his treasure, like Rey and the lightsaber). Because of this connection, he finds the conviction to kill snoke by becoming sneakier, smarter (more sith like, but with more noble/grey intentions).

In my previous post, I made a few predictions about episode ix…but I’m going to alter them a little bit with the realization that this next movie, but run through the cycle a second expedited time.

· There’s a time lapse, to establish renperor’s new order (head canon: ben solo is really good with children, but terrible with other adults); rey is used to life among the resistance, and deepening her tie with the force, but doesn’t open a jedi academy (they’re in the middle of a bloody war!)

· Hux tells him, they learned about something the resistance plans on attacking, mentioning Rey (“the girl who killed Snoke”) to manipulate Kylo Ren in going himself (because he has to pretend he wants revenge on the person who killed the former leader, and also because [whether rey reciprocates or not] he has reylo feels).

· The resistance hears about their movements and is confused, so they travel to the planet, too, including rey in the millennium falcon.

· There, Hux stages a coup, ordering the stormtroopers to murder Kylo Ren to make it look like the Resistance did it, but he’s able to defend himself, and flees with his life, but injured. He might meet up with the Knights of Ren here, or Luke’s other ex-jedis.

· Eventually he comes in contact with Rey again. She’s disappointed in him, but not enough to let him die. Also Chewie and him need a better reunion and hash it out.  

· He never becomes light, but learns to accept both sides—he also becomes her mentor in utilizing the dark side.

· At the end of the movie, they show up together and aid the Resistance/New Republic, in bringing down the First Order. Him leading the attack (sith=offense, jedi=defense). Although it feels repetitive, I would love it if it showed the resistance trying to attack him, not knowing where his loyalties lie.

Ultimately, Ben shouldn’t die—it sends a bad message, “the only way to redeem yourself is to sacrifice your life and die. Become a martyr.” Instead, like Karl Doenitz (the guy who became president of germany after hitler died), be punished for his complicit crimes, but not sentenced to death, and living out the rest of his life in relative obscurity following his release. This would be a change from Han and Luke receiving medals to Ben Solo willingly accepting his sentence. It would also be a bittersweet moment for leia (I don’t want them to kill her off, but write her character into an off-screen role—they had multiple opportunities to kill her in tlj and doing it off-screen would be an injustice to the character and carrie fisher) and rey, who believe in ben again, just to be separated. 

[kingofthewilderwest]

There are two main ways fandom analysts can connect the dots in a story: 1). by studying only in-universe events as though they are the only real things, or 2). by looking at a meta perspective beyond the shows/movies/etc. themselves and considering writer intent/commentary/etc. I think that a good combination of 1 and 2 gives us valid analytical reasons for talking about Johann’s role from Riders of Berk to present times.

From a meta perspective (the #2 technique I mentioned), no, Johann definitely would not have been conceived of being an antagonist in Riders of Berk and Defenders of Berk. The writers of the show at that time likely would have had no idea that the DreamWorks Dragons television show would extend beyond those two seasons. Those two seasons were designated as the only two seasons of How to Train Your Dragon shows at the time. So since Johann is nothing but a jabbering trader in those two seasons, we can see by that chunk in itself he was not designated an antagonistic role at that time. ROB and DOB didn’t intend to have foreshadowing.

But! From an in-universe (#1 technique) perspective, it is 110% valid to connect the dots from Race to the Edge back to Riders of Berk. Our new knowledge of Johann can be used to better understand who he was in Riders of Berk and Defenders of Berk times. In fact, the best way to analyze from a strictly in-universe perspective is to gather all facts from across officially published materials... and give the most reasonable and consistent explanation for how those points all come together. The most reasonable and consistent explanation is the one that takes in all data and fits all the data together as neatly as possible. So, the most reasonable and consistent explanation about Johann is that we can study and understand he had motives in the earlier years, being as RTTE S5 reveals Johann has been infiltrating Berk for years. This means that he would have had covert motives during episodes like “Dragon Flower.” It’s entirely legitimate to analyze Johann like this. It’s what is the best way to connect all the points of all published materials.

That said, I do believe that we can meta discuss Johann’s villainy at an earlier stage of RTTE production than last-minute-shove-together-before-S5-airs. The reason for this is that the writers started writing the last five episodes of Race to the Edge Season 6 in August 2016. This was very shortly after Season 3 aired (June 24, 2016). Timeline-wise this means that the writers would have been writing Season 5 before Season 3 aired. It might have even been around the time that we first saw Season 2 that they first started drafting episodes about Johann being an antagonist - and drafts usually come after brainstorming, besides! All this pushes Johann’s antagonistic character development earlier and earlier and earlier.

Now, the writers would have not just written the scripts and then tossed them to be produced and not looked at them again. Throughout the production phase of a show, there is going to be editing, revising, voice acting recording, potential scene deletions and reworkings (consider T. J. Miller’s ad-libs), and basically a whole lot of work before we even get to the animation stage. This means that the writers would have been able to simultaneously touch and influence the content of early seasons at the same time they start their script drafts of later seasons. This means that Johann would easily have been planned and written as a villain before one of you lovely folks detected a personality shift in Johann in Season 4. At the very least, given the dates above, Johann would have been planned to be a villain by Season 3 production times.

Now the twitter post mentioning the RTTE S5 plot twist was written a lot later in 2017, basically a year after Douglas Sloan announced they were drafting the final five episodes of the entire RTTE show. The twitter post isn’t because they suddenly decided to do a turnabout for Johann in 2017. That’s not how producing animation happens. It’s because Sloan would have been neck-deep in the final production stages for Season 5 and preparing for it to be released on Netflix. With S5 on his mind, the plot twist of Johann being a villain would be something he’d revel at anew. Reflecting upon the earlier decisions they made, he and Art Brown would then muse about “What were we thinking?” It’s not some sort of, “What were we thinking? We just threw this together! We weren’t thinking at all because we shoved it in out of the blue!” Instead, it’s more likely a, “Hey, we’re looking back and what we’ve done, and WHOA! This is a plot twist we’ve been working on a while and I’m reflecting on it because it’s a big twist and I’m finally seeing it in action!”

There’s also overall show plot pacing to consider. RTTE was originally said to be four seasons, but the writers always said RTTE would try to lead into HTTYD 2 times. This means I bet they always wanted to implement Dagur, Viggo, and Krogan as villains. Krogan, after all, is the character that leads into Drago. We only barely got to Krogan by S4. Sure, they had probably originally made RTTE more compact before the season extension, but it’s to note they didn’t even introduce Viggo until the very end of S2. They didn’t mention Viggo or Ryker at all in S1, back when it was most likely they would not have known about the six seasons. The slow-ish pacing from the start of the first season... despite the fact they would have wanted to get to both Viggo and Krogan... suggests that the writers knew PRETTY early during early seasons that they would have six seasons - and thus they would have known early-on they would need to prepare for the length of that.

It means they probably would have had Dagur, Ryker, Viggo, and Krogan as definites very “early on” - perhaps with the potential for Johann to be added. So they would have been planning for six season-like plot arcs from way way way early. Even if the writers didn’t plan Johann to be an antagonist when they first started RTTE, it’s possible Johann was a “maybe” concept that was suggested earlier during brainstorming, and then left open until they had written more solid lines and saw they had the episode length to insert the idea in.

There’s nothing out of the blue about these calendar dates; the timeline of tweets proves they didn’t pull this out of their butts without forewarning, work, and preparation. I’m not saying RTTE is the best about long-story arcs - that’s where it’s weakest, usually, to be honest - but I’m also not saying this was unprepared. It looks like it was prepared. And I bet that if we go back to RTTE from earlier seasons and really study Johann, it’ll be consistent with the revelations we learn about him at the end of this season.

So then, how do we explain some things like Johann being nervous around Viggo and the dragon riders in Season 4? It’s to note that Johann is nervous around Viggo and the others when they’re searching his ship... when Hiccup and company are nearby. Johann certainly has to act nervous around Viggo in front of Hiccup and the other riders - it’s part of his pretense! There is no part in Last Auction Heroes where Johann is alone with Viggo or Ryker (it’s also to note we don’t know when he joined up with them... could be more recent than S4); at all times, Johann is near enough to the dragon riders that he must be in his charade. The only time Johann is alone with the dragon hunters, he’s shown to be skittish - not because he’s with the dragon hunters, but because some of them are fighting and he doesn’t want to get caught in the skirmish.

I think it’s not too hard to conceive why Johann’s helped the dragon riders. In Riders of Berk and Defenders of Berk times, Johann would have wanted to be near Berk to learn more about dragons. The Hairy Hooligans guarded their secrets from many tribes like the Outcasts and Berserkers, so Johann gaining the Hairy Hooligans’ trust was vital for him to key in on useful information. Furthermore, he would not have had a conflict between 1). a quest for the Dragon Eye or other information, versus 2). helping the Hairy Hooligans. Hiccup and his friends were not in any location to interfere with Johann in this search for dragon information. So, for him, talking and being friendly with the Hairy Hooligans was a very logical and useful thing for him to do - beneficial and the best way to get the information he needs!

By Race to the Edge times, it’s still in Johann’s best interest to help Hiccup rather than stick obviously, solidly with Viggo. There are several possibilities to consider for why he continued helping the riders:

Johann could be stabilizing his alliance with Hiccup and the others to retain trustworthiness. By helping them “against Viggo/Ryker/etc,” Johann makes himself incredibly inconspicuous to them. This has huge long-term advantages considering that Berk is the most sophisticated society when it comes to human-dragon relations.

It could have been the easiest way to access Dragon Eye information. Hiccup and his friends are very good at unlocking information about the Dragon Eye and learning new information about dragons beyond what the Dragon Eye states. Yes, Viggo seems to have a better knowledge of the Dragon Eye... but consider: how many people would Viggo share incredibly important information to? Hiccup and his friends could have been more likely to tell Johann information about dragons than Viggo would have been likely to share that same information to Johann. Thus, Johann would want to help Hiccup and company because he would gain more information that way. 

Johann might not have been allied with Viggo at the start. Again, we don’t know when Johann started actually allying completely with Viggo. It’s possible Johann was working by himself (or working for other people not associated with Viggo) in the early seasons - in which case he would certainly prefer the dragon riders he was friends with to have the Dragon Eye over a trader he was not friends with. Johann wouldn’t randomly help Viggo if they weren’t yet allied!

For that matter, if Johann allied with Krogan first, it makes sense why he wasn’t working with Viggo. Krogan and Viggo weren’t on the same page at first, and frankly they still have a lot to work out.

It could have been necessary to keep himself undercover. Once Johann reveals himself, he reveals himself, and loses all possibilities of connecting with Berk and using them as sources. While that might mean working against Viggo and other potential/actual allies... it would also mean that Johann, in the long run, is still in the better grounds. It would be more prudent to keep himself undercover and lose one short-term battle than to reveal himself and lose the long-term “war.” 

So, through a combination of using RTTE current data to make a new interpretation of ROB/DOB, and through looking at timeline dates, I don’t think this plot point was as late game or out-of-the-blue as you suggest! Of course I’m not Douglas Sloan or Art Brown or anyone actually in production, so I can’t say for sure - but here is where I’d place my bets!

Thanks so much for engaging with me on this fun topic.