#the house as a character doesn't work because it simply isn't

[wilsonpussyindulgence]

just read an interview where emerald fennell says saltburn is "gothic" and like..........no, it's not. it simply Is Not That.

you can't have a man fuck a grave and be like "ooh just like wuthering heights! this is gothic" because guillermo del toro and i are both going to fight you

[asmosmainhoe]

Hiii! I hope you're doing well 🫶💍

Can I please ask your headcannons about how would lucifer, mammon, satan, beel, diavolo and barbatos react if MC offers to put chapstick on their lips?

I know it's a strange ask, but imagine this scenario: It's gotten really cold suddenly (in? On? At?) the devildom and MC notices said character has chapped lips and seems very uncomfortable with it. She offers them her (can be gn!reader but I'm using she/her for better explaining) chapstick and they deny, but she insistist in putting on them, and they feel giddy because she's caring so softly for them 😭😭😭

I'm feeling the vibe of soft casual love today. It's okay if you don't answer, but I'd be really happy if you did! Lots of love, stay warm 🩷🩷🩷

MC offers their chapstick

Note: Huh my motivation is partly back

Gender: neutral

Warnings: none

Masterlist

Lucifer

He says that he doesn't need it of course even though he really does and you offering your chapstick makes him notice his dry lips even more

You already left him so he could continue to work in peace, but your words simply don't let him go

His tongue keeps darting out to lick over his lips which makes it only worse and the feeling bothers him more with every second

Only half an hour passes until he looks for you around the house to ask if the offer still stands

Mammon

WHAT?! YOUR CHAPSTICK?! BUT IT WAS ON YOUR LIPS FIRST! SO IT WOULD BE LIKE A KISS MQJSBAJAN

He immediately short circuits and isn't responding for a couple seconds

"If you're really insistin'."

Mammon snatches the chapstick away from you and puts on a thick layer

"I actually thought that I could put it on you, but that works too I guess."

He's devastated

You better be prepared to share it some more in the future, because he will ask for it on a regular basis and don't even think about buying him one. He wants yours

Satan

A light blush is forming on his cheeks and ears upon your offer, but he'd be a fool to decline it. It's the closest he can get to a kiss for now after all especially when you get so close to his face to put it on

He takes an extra moment to rub his lips properly together and is surprised by the pleasant taste. Would a kiss taste like this as well? The thought alone makes him become even more red

"Should I buy you one too?"

"No, but thank you. I don't need it that often."

Wrong! He just wants an excuse to use yours

Beelzebub

Of course he's not one to say no to that! It's so kind of your to offer it in the first place. Not many people are paying as much attention to him as you do

Much to your surprise though Beel leans forward with his eyes closed which makes you think for a second that he's actually about to kiss you

Beel shoots a small smile in your direction as he thanks you. Ugh, so handsome...

You make sure to offer him your chapstick more often in the future

Diavolo

"Oh, I didn't even notice that my lips are so dry!"

"So can I put it on then?"

"Absolutely!"

Much like Beel he has to bend over a little bit so you could reach him better

Being this close to him really makes you realize just how attractive he is. As if having the prince of hell only inches away from your face isn't intimidating enough

But he seems to genuinely enjoy it

Barbatos

No idea how this man manages to take such good care of his appearance while handling so many tasks

So it's kind of a big thing when you notice that his lips are super dry AND HE EVEN APOLOGIZES FOR "BEING SUCH A MESS" LIKE BABE IT'S NOT A BIG DEAL

"Thank you so much for pointing it out. Could you maybe be so kind and put it on for me? I'm afraid my hands are full at the moment."

ANYTHING FOR YOU, LOVE

It's a short moment, but somehow incredibly intimate

[my-jukebox]

The OM brothers with an GN!MC who is clingy and loves to hug them all the time?

Thank you so much for the ask anon!! I hoped I did you justice. Sorry it took so long...

Clingy Reader Imagines

Genre: Imagines, fluff

Characters: (gn! reader), Lucifer, Mammon, Leviathan, Satan, Asmodeus, Beelzebub, and Belphegor.

Lucifer:

Doesn't mind it but he only completely enjoys it privately because he can give you his full attention.

Your hugs comfort him after a long day of paperwork (and dealing with his brothers and their shenanigans).

Not a big fan of PDA, but he can't really say no to you and therefore, allows you to even sit on his lap while he's working so you don't feel unloved......well unless someone walks in.

He may not reciprocate the hugs in the best way possible but he tries his best to show you that he appreciates you.

Mammon:

The clingiest of the lot.

Will most likely lie that he hates the whole concept of you being clingy, but the blush on his face gives everything away.

Completely MELTS when you hug him tightly.

Claims it makes him feel like he's protecting you.

Gets extremely putty in your hands if you add a kiss on his neck when you're hugging him.

Wants you to be as clingy as possible in public so he can show you off to others as "his".

Will reciprocate your hugs with even warmer hugs so you feel as loved as possible.

Leviathan:

Becomes an adorable mess when you hug him, or even show him slight affection.

His face is reminiscent to that of a tomato.

First time you hugged him, he nearly fainted.

He will let you hug him when he's gaming.

Bonus if you're a gamer. Then he'll make you sit in front of him and hugs you from behind.

If you ask him, he will turn into his demon form so his tail can wrap around you when you're both sleeping.

Gives you all the attention in the world whenever you need.

Extremely jealous when you hug others and may summon Lotan if anyone tried anything funny.

Satan:

Blushes when you hug him and smiles faintly.

Head pats <<33

Isn't sure how to reciprocate your affection so he just sit there for a while before deciding to hug you back.

You make up for the lack of clinginess he possesses.

Unlike Lucifer, he appreciates a moderate amount of PDA and doesn't mind hugging you, or simply holding your hand in front of public eye.

Considering he's the Avatar of Wrath, he's very much calm when you hug others, as long as he knows them.

Asmodeus:

Adores everything about you.

"We can be clingy together" vibes.

The couple that everyone looks at and gets jealous, and he loves every second of that power as long as you're comfortable.

Gives you the best hugs, and loves when you hug him.

If he's having a bad day and you hug him, he'll never let go.

He appreciates this side of you because it allows him to as close to you as possible.

Doesn't mind when you hug others. He knows he'll always be #1 for you.

Beelzebub:

Doesn't mind you being clingy but gets worried when you're not because he's always been exposed to that side of you.

Loves the hugs you give him but he makes sure not to hug you back tightly, given that he doesn't know his own strength.

Rather than hugging you back, he just lifts you up with ease and twirls you around.

He allows you to crash his workout sessions if it means spending time together.

He allows you to sit on his back while he does push-ups and stuff.

If you hug others, he knows it's just your nature and doesn't stop you from doing whatever makes you happy.

Belphegor:

He's not the clingiest so he took some time to get used to it.

When he did get used to it, he got addicted to always having you around him.

If you weren't around him, he'd start hunting for you around RAD, the House of Lamentation, and even go to Purgatory Hall until he found you.

When he does find you, he'll talk about how he had to cross "seven seas" just to get to you, and you'd have to hug him for his efforts.

You're the only one who he trusts enough (second to his brothers) to hug him.

Falls asleep to your cuddles and kisses, and the way you play with his hair.

He LOATHES the fact that others get to hug you and will pull you away from them if he can't handle that anymore.

I'll add this to the Masterlist soon. Might create a side character version too.

Do like, comment and/or reblog if you guys enjoyed!!

Masterlist

[425599167]

Fallout: New Vegas is all about rebuilding society in the Mojave, and the three given factions all attempt to do so by recreating the past. The NCR models itself on the now-destroyed United States, with all the problems involved. Caesar created the Legion in the image of Rome because he believed it could best thrive in the wasteland. Mr. House is arguably the most forward-thinking with his focus on technology and eventual interplanetary travel, but he still rebuilt New Vegas from his nostalgic recollections of the city. Building on the past isn't wrong, the problem is these three factions don't appear to be learning from anything that happened.

NCR characters never directly acknowledge that they're following the example of a society that destroyed itself. Caesar criticizes them for this, believing the republic functioned best while under the quasi-monarchy of Aradesh and Tandi. But Caesar ignores how 1) Rome also fell and 2) he's confronting the same problem as a brain tumor is on the verge of killing him. Even if you treat his tumor, he's still mortal. Caesar was given an education, and his knowledge of strategy and history let him build the Legion, which he then made anti-intellectual and revisionist. The society he created cannot replace him, and will fragment when he dies. House is more contemptuous of the pre-war world, but he still brought it back, and specifically assigned the Omertas with the role of ruthless mobsters who will kill anyone in their way. Apparently he thought that was a good idea.

This extends into the DLCs, too. Elijah plans to use the Sierra Madre to wipe the slate clean and restore the Brotherhood of Steel to their position of unrivaled power, with himself back as Elder. Every day, Joshua Graham feels the pain of being burned. The Think Tank scientists are all stuck in loops, stuck in the past, stuck with their flaws centuries after believing they overcame their humanity. For all my grievances with Lonesome Road, it fits the pattern, as Ulysses saw a new society forming, saw it burn, and couldn't move on. If you let Ulysses live, he has similar criticisms of the NCR, Legion, and House. They're all idealized recreations, like the Vera Keyes hologram. Let go, begin again.

Benny may be a weird mix of dangerous and absurd, but he contrasts the other factions well. He jumped at the chance to join House, fought his tribe's previous leader to make it happen, then planned to take down House, too. House dismisses Benny as not understanding complex technologies due to his tribal upbringing, but he built a computer lab attached to his suite and studies technology as best he can. Benny doesn't want to relive the past, he wants to move forward, he wants something better. You can kill him and take his role, or, when facing certain death at Caesar's hands, he'll explain his vision and ask you to see it through.

After replaying everything, though the other endings have understandable support, I think the Independent route fits the story's themes best, the only one where something definitively new is being built. The Courier isn't remaking anything. Part of this is simply open-ended roleplaying, allowing the player to imagine the character's completed goal. If you choose one of the other three, the Courier can work to correct their faction's flaws and counter the destructive nostalgia affecting them. The Independent ending isn't necessarily the "best" for the Mojave, the Courier's morality and a hundred other decisions determine that, but it is the most compelling conclusion to the story.

[autistichalsin]

I have tried to avoid discourse around this ever since November, but since people are once again upset at the ultimatum (which doesn't seem to trigger in game yet, though it has been voiced) I guess I will offer my defense of Halsin.

A lot of the anger at Halsin here boils down to "he's against Minthara, therefore fuck Halsin," ignoring that Halsin has very good reasons to not trust her. (And also purposeful misinterpretation of his comments about HER to be about all Drow).

So first of all: We need to look at what has happened to Halsin in his life before arriving at this point.

Yes, obviously, there is his captivity with a Drow noble house, but I think people are kind of just forgetting what that means here. It isn't "he hates all Drow now because of his trauma", which is an almost insultingly reductive take. Minthara is from House Baenre, the top house of Menzoberranzan for centuries. She is at LEAST 200 years old, and likely older; she witnessed the downfall of House DeVir, and was old enough for her to fully understand it, but "young enough that it left quite an impression on me", likely placing her between 200 and 300 years old. Halsin is 350, and was kidnapped as a young Druid- likely between 100 and 175. There is a very good chance that Minthara was a young adult when he was a captive, and he would have heard about her evil actions long before encountering her in the goblin camp. He would know who she was before the tadpole.

Halsin was a captive for at least a few days if not longer, tortured in his bear form (the goblin lashers are mentioned at least a few times, not to mention rocks being thrown at him, Gut mentioning threatening to cut him open and put maggots in his belly, etc), and had his Grove threatened by Minthara.

Most important, and most easy to miss: this ultimatum is planned for if the Rite of Thorns is carried out, hence the reference to Kagha's foolishness. He has lost his home, his place of worship, and the people he considers his family forever. Watch his reaction after you tell him the Rite has been carried out; his world comes crashing down, he lets out the tiniest "the Rite of Thorns? no", and he is so upset he no longer asks you to take out the leaders. He says he needs to be alone for a while. He is grieving the loss of everything he had, everything that got him through the loss of his original family, and it is directly because of the Cult of the Absolute.

Now, let me go through some rebuttals to arguments in Minthara's favor.

She doesn't mean Halsin any harm at this point.

Rebuttal: Halsin has no way of knowing this. Her actions have already demonstrated otherwise- she has caused him harm. He has no tadpole to see her true intentions, like the other players, and Minthara doesn't make her case particularly well. She simply says she "has no quarrel" with him. Not an apology for his sufferings in the past or the loss of his home. If she doesn't regret the harm she caused him, he has no reason to trust her.

And of course, Minthara DOESN'T feel any remorse, whether or not she raids the Grove; if she does succeed, she'll later say her only regret is not making the choice to do it herself. Because she is evil and that's how evil characters work.

2. Halsin works with Shadowheart/Lae'zel/Astarion/an evil-aligned player; Halsin is willing to sleep with the Seldarine Drow twins; Halsin is forgiving and wants a better world for all, this should clearly include Minthara too.

Rebuttal: by rescuing him and saving the Grove, the former four have shown themselves to be capable of good deeds. He is very consistent that his one redline is DO NOT FUCK WITH HIS GROVE. If you DO NOT FUCK WITH HIS GROVE, he will give you the benefit of the doubt. If you FUCK WITH HIS GROVE, he is done with you; if the player raids the Grove, he will hunt them down and attack them, no matter what the player tries to talk him out of it.

FURTHER, he very much calls the party out on any future evil deeds they do (I.E. Shadowheart slaying the Nightsong if she's on the Shar path), and will leave the party if the player sinks their approval low enough.

The Drow twins are Seldarine, not Lolthsworn, and having a one-night-stand is very different than trusting someone as an ally.

The "wanting a better world for all" thing is of course subject to the paradox of tolerance. In the epilogue, it is very specifically mentioned that their commune is "hidden from those who are not welcome, open to any who need shelter." I.E. those who want to cause harm are not welcome to it, because the "better world for all" can't allow, by design, those who DON'T want a better world for all.

3. Halsin hates her because she's a Drow.

He specifically mentions Lolth-sworn Drow here. "Cruelty comes to Lolth's followers as naturally as breathing. I have seen it- experienced it." Minthara literally only abandoned those ways because she was abandoned by Lolth first- only when it suited her.

She still supports all the same teachings (which is why she openly insults surface elf players the first time they meet, and will tell an elf player who becomes a mindflayer that it was an "improvement"), and she uses slurs against surface elves to boot. Minthara is far more racist against surface elves than Halsin EVER is against Drow.

4. Halsin is condemning Minthara to a fate worse than death (unspoken: out of spite) and this makes him not a good person.

Halsin fully believes Minthara to be a threat to himself and the player. He says in as many words that if it's a choice between Minthara's freedom and the player's, he picks the player. In his eyes, it's a choice between Minthara's freedom and the fate of the world since he knows the player is the only one who can defeat the Absolute. He's in a dilemma similar to the player having to decide whether to let Orpheus die or turn the Emperor into an enemy- it's just that people don't realize because we have meta-knowledge, as players, that Halsin doesn't.

5. That "viper" comment is hypocritical.

He isn't referring to Drow as a whole. He is referring to Minthara herself.

Remember, he knew Kagha before she went bad, and knew she was capable of better (better enough that he made her his second in command). All he would know of Minthara was what she did in the Underdark as a Baenre (including owning slaves, which I'm sure didn't do her any favors), what she nearly did to his Grove, what she allowed to happen to him, and that she's now claiming to have changed when showing zero remorse or actual interest in changing anything. Perhaps it was wrong for him to phrase it it as "cannot" change instead of "will not" change for her, but the sentiment is spot on. Minthara doesn't fundamentally change in any path the player brings her on- what changes is, at best, who she considers it acceptable to subjugate.

6. Halsin has no stakes here, it's wrong for him to demand Minthara go when she has more to lose.

Again, Halsin views Minthara as an existential threat to their plan to save the world. He is lacking in personal stakes by comparison, but remember; he also has lost the only home he knows. That is no small thing.

(From a meta perspective, I do think they should have done something like mention the Shadow Druids/Ketheric Thorm loyalists are still hunting Halsin, just to make it more fair, but this was clearly written with the main goal of enforcing the exclusivity. And honestly, I can't imagine all that many people actually want both in the same party on every playthrough? Mostly I saw people wanting to recruit Minthara on good playthroughs, and wanting to not have to abandon the Shadow Cursed Lands to darkness; many of the people I saw expressing this specifically said they wanted to dismiss Halsin after accomplishing that. This seemed like exactly what those players would have wanted, being able to spare the Grove, free the SCL, and then dismiss Halsin and travel with Minthara.)

7. Halsin owes the player his unquestioning trust after they saved him/his Grove/broke the Shadow Curse. He has no right to question their judgment.

This... really isn't a good way to think? He shows his gratitude by traveling with them to help (when he has no tadpole at all- he's doing this out of pure selflessness to thank the player for helping him), but that doesn't mean he should stop having thoughts on the goings-on. Where is this energy when other characters continuously question your judgment when you have them wait at camp?

8. Halsin is being stupid by allowing her to go be mind controlled by the Absolute.

This is one I will concede. It's not the wisest decision, and I can only guess it's because they didn't want to write Minthara automatically going aggro on the player if they choose Halsin over her. (I, on the other hand, think that would be brilliant, and would be a mark in Halsin's favor for this choice.)

9. This is manipulation of the player.

Halsin wishes the player the best, and leaves without fuss, if they choose Minthara over him; he thanks them for all they've done, and he even says he hopes he's wrong, but cannot stay to find out. He is being sincere; he believes he, and probably the player, will be killed if Minthara stays, which in turn puts the fate of the world in question. He will accept the player's decision if they choose her, but he feels threatened and won't stay himself. This is a boundary, not manipulation, not malice, not anything else.

10. Halsin comes across as uncompromising/unsympathetic; this is OOC for Halsin/ruins his character; he is being selfish; other assorted similar sentiments

I already addressed most of the other arguments with the points above, but I will say, truthfully: I don't find this particularly OOC at all. He has been very clear that his one and only rule is DO NOT FUCK WITH THE GROVE. Minthara fucked with the Grove. He has no reason to trust her. And he has ALSO been incredibly consistent: if you are in a situation where it's someone else or you, you have every right to choose to save yourself. He shows sympathy if Wyll has to let Ravengard die, he doesn't blame the player if they kill EVERY DRUID IN THE GROVE to save the Tieflings, he doesn't even blame the player if they order Orin-as-Lae'zel to kill Yenna, an innocent child he was very attached to. He is devastated at the latter two, clearly, but he blames the Druids for the second for forgetting their principles, and he blames Orin for the latter for making the trap. This is perfectly in line with his Druidic beliefs; you have every right to protect yourself first and foremost.

I get that a lot of people don't like the ultimatum (worth noting is that this has always been part of the series; in the first two games, characters of different alignments would outright refuse to work with each other), but it really doesn't make Halsin look as bad as people say, and I feel like a lot of people are being really callous/dismissive/reductive to what Halsin has been through here.

[flanaganfilm]

Hey Mike! Absolutely love your work, especially Haunting of Hill House and Fall of the House of Usher. I was wondering a couple things:

Any chance we will ever get to see that deleted scene where Carla plays a homeless woman singing to Madeleine? Loved the Easter egg and also can’t get enough of Verna so it would be so cool to see that deleted scene!

Also wanted to know what it was like working with Mary? It was such a joy to see her in House of Usher!! Hoping to see her in future Flanaverse projects!!

Hi there! That material was removed very early in the editing process, long before the scene was completed, so there isn't a finished "scene" to show. Carla and Mary did fine work acting in those moments, but the series as a whole is stronger without it, so a completed version of the scene with that footage simply never existed. It's an odd alchemy when you tell a story this way, and sometimes scenes that seem to work on the page can be acted beautifully, shot exquisitely, and still not be necessary or additive. In this case, it actually worked against the mysteries of the show, it wasn't believable that Madeline wouldn't recognize Verna, and it was clear that this was a mistake. It was my mistake for writing the scene the way I did, and it happens all the time. We could tell immediately that it didn't fit, so we didn't waste much time proving it out. Releasing deleted scenes is a tricky thing. I love bonus features - it's one of the great benefits of physical media - but even if we had a huge special edition box set of Usher, I don't know that we would have included this scene. Sometimes these things just aren't meant for the audience, even as an interesting relic, and this is one of those times. Incidentally, I had the same feeling about some of the material that didn't make it into the Bly Manor edit. We knew the scenes weren't working very early in the process, so they were never refined into any shape that would warrant their release. Fans will hear an actor talk about scenes they worked on, and the fans get all excited, but if they were to see those scenes it wouldn't enhance their love of the characters or the story... in fact, it can work against it. For years, I've had Bly fans reach out lamenting that they can't see some of the Bly material they've read about in cast interviews, but I'm certain that seeing it in its raw, unfinished state wouldn't enhance or deepen their love of the characters or the show. There's really nothing to release. It's just excess material that lands on the floor while you're sculpting, and sticking it back onto the sculpture only makes a noticeable wart. Other times, though, deleted scenes can be incredibly additive. For example, I think the 30 minutes we took out of the theatrical release of Doctor Sleep only enhanced the movie, and made the experience that much more rich - which was why I was so happy to release the Director's Cut with those scenes restored. Those scenes, though, were fully finished, and only removed in the first place because of the movie's run-time. Restoring those elements made the sculpture complete - they were always supposed to be there. But most times, deleted material is just unnecessary material. It can be like having an amazing meal prepared for you, and then being handed a plate of surplus or unused ingredients. Like, the chef needed to peel a lemon before squeezing it over the meal as a wonderful finishing touch. That dash of citrus really made the meal sing. But that doesn't mean you want to eat the peel. And I LOVE working with Mary. I'm sure we'll do it again!

[greycaelum]

Hi! I love how you capture Gojo's character in your series. I was wondering if you could write a scenario where the high and mighty Gojo Satoru felt insecure and undeserving of reader at any point in their relationship through the Kaleidoscope Series? I wanna see Toru be sad and then comforted mehehe. Hope this ask finds you well!

Kaleidoscope Series—Clouds and Mochi Chapters { Lose }

—Gojo Satoru X Wife Reader

𑁍 Synopsis: Y/n left for a few days and Satoru has to handle the kids.

𑁍 Genre: family theme, fluff, angst to comfort

𑁍 CW/TW: (2.8k)— arguments, insecurities, regrets, Satoru doing his job (overboard manner), not proofread

𑁍 Grey ✒️☕: Hi sweetheart thank you for the wonderful ask, I hope I managed to make it well this time

Being married to Gojo Satoru has meant that you will have more work than you anticipated. Contrary to the eyes of the mass that Gojo Satoru's existence is the entire Gojo Clan itself there's so much that runs behind what people see.

In the absence of Gojo Satoru, his wife, The Madame of the Gojo Clan, Gojo Y/n controls everything.

"I have to leave for a business trip in Kyushu 'Toru. Can you handle the kids for three days?"

You asked after tucking Saika into bed.

Satoru shot up from the bed, removed his glasses, and look at you with a confused face.

"What do you mean? You're pregnant Honey. It's not safe for you or our babies to travel long distances." Satoru walked over to you and held your hands to his lips, pressing kisses to your knuckles. "I cannot let you go with your delicate situation Baby."

"I'm okay Satoru, besides I consulted my ob-gyne and she said it's alright." You chuckled at the sudden protectiveness, not that Satoru isn't normally protective of you already.

Satoru ran his hand over his hair. Good grace. He's not letting you outside of this house or even letting you get in that piece of flying metal, that who knows might fall just because life is a bitch.

"No. You're not going anywhere, Honey." Satoru was sentenced with finality. The frown on your brows slowly curled and retrieved your hand from his lips.

His heart fell at your withdrawal as you looked at him and sighed.

"Love, this is my job. Alright? This is my duty as your wife, my duty to the Gojo Clan because I'm the Madame. I won't go if I think I'm unfit to." You tried to be understanding yet firm as you explain this logic to him.

Years of marriage certainly taught you better than to enter an argument head straight. Instead, you calmly laid out your facts.

"No means no. Honey, you can ditch all your work if you want to. You're with our child. To be exact you don't even have to work with your state." Satoru put his hands on his waist, assuming an authoritative stance.

The room dropped several degrees as Y/n raise her brows and narrowed her eyes at the imposing tone of his words.

"I understand you're concerned—"

"Oh, believe me, Honey, I'm beyond concerned I'm fervid." Satoru cut you off with a frown.

"But you're not changing my decision Satoru." The softness of the way you call his name was gone. It was cemented with stubbornness. "I'm pregnant, not invalid."

You could be such an angel at times but that stubbornness of yours... Satoru blew out a sigh.

"I'm not saying you're invalid. I'm looking out for you and our children. What if something happens? The stress of work, or just simply going out there, away from what's supposed safe for you and the children. Can't you send someone else?" Satoru's voice was an octave higher, trying so hard to find the right words without sounding rude.

"Satoru, I know you are concerned, but again, I won't put myself or our child at risk if I'm unsure that I can do this safely. I am pregnant, but that doesn't mean I can forego my duties. That's not how this works. I have my responsibilities, and those responsibilities I'm doing not just for myself, but for this family as well." Your voice constricted, not wanting to shout or even raise your voice at him, marking the end of the discussion as you turn your back to pack your luggage leaving Satoru standing where he was.

The next day, sure enough, the car that will send you to the airport arrived. Kouki and Saika knew something was up with the perfunctory kiss you gave to their father, and Satoru's sad eyes as he loaded your luggage to the bag. The kids watched from the doorstep, a worried look on Saika's face while Kouki had his usual emotionless expression on.

"Call me if anything ever happens no matter how minuscule it is." Satoru pulled you into his arms before you could enter the car. Damn, you feel so soft his heart is being pricked to let you go. He hates disagreeing with you. It throws him off.

"I will be back sooner than you expected, I promise." You nod, cupping his cheeks noticing he's pale. Price of a sleepless night...

Satoru watch the car drive off until it was out of sight. The sinking feeling like his feet is being shackled to the ground slowly started creeping in. An unpleasant feeling swirled inside his gut.

Kouki watched his sister bite her lip. Anxious with the sudden cloudy mood between their parents. She is after all a four years old girl who is learning how to sense her surroundings.

"Mama and Papa just had a fuss, but they're going to be fine." Kouki's blank face soften and pat his little sister's head. "They love each other after all."

What's so special about that trip? Satoru pondered as he do his work, taking in more jobs than he usually does. Using it as a distraction but ultimately ends up pondering over you while he fights off curses.

He remembers your words. Somehow he understands what lies beneath those lines. The cold truth behind it, even if you won't say it out loud.

 This is my duty as your wife, my duty to the Gojo Clan because I'm the Madame.

It's the price of marrying him. The burden of being his wife.

Satoru grits his teeth.

"G-Gojo-san?" Ijichi flinched at the vivid way the poor level 3 curse was exterminated. The force was more than necessary. It was like bringing out a bazooka for a mosquito. Raw and brutal as that.

He thought he was already aware having been married to you for almost 10 years. But he is still so witless.

The hole in his heart couldn't be filled. It's like something inside him was gnawing him alive. Like there's sand inside his gut. Unsettling the cold sweat in his spine. Do you feel this way whenever he heads out to battle every time?

It's a dreadful sensation.

He couldn't imagine this happening to you. Especially since he heads out to battle almost every day.

Because this is his duty, as the strongest, as Gojo Satoru...

"Fuck!"

He never wanted you to face any difficulties that will ever endanger you. That's why he built a home away from the Gojo Estate. He doesn't want you to be subjected in the eyes of his clan. Not the hostility, and not the burden... He never wanted you to carry any of it.

But it seems like every time, he fails.

"Do you regret me?" 

You once asked him, lying on the hospital bed after being attacked by Tachibana's daughter, barely escaping the preemptive danger.

Since then and until now, his answer is the same.

"No, I never. I regret putting you in this kind of situation."

It's his biggest regret. To put you in such peril because he loves you. He loves you so much that he pulled you into his rotten world. He wants to protect you, but then he cannot stop you from doing what you want, what you could to grow. Because deep down the thing he never wishes to see is your eyes filled with hatred looking towards him. 

It would break the cracked heart you pieced together. He could never leash you, nor cage you no matter how much he loves you.

 "There is no curse more twisted than love." He said that to Yuta because he knows it more than anyone... Probably because his love is as twisted as it could be just to have you. 

Ringggg

His phone vibrated and he answers it without saying 'hello'. His mind is too clouded to form the right words without using the usual cheery masks he uses in public. 

"..." The other line doesn't answer as well.

There was only their breathing. A steady one and the other one breathed quietly to listen as closely as possible. They didn't speak for a good moment, simply staying in that silence, listening. Satoru hid his lips in the high neck of his uniform.

"Satoru?" You finally spoke.

"...Mnn?" He swallowed a huge lump in his throat. "You called Honey, did something happen?"

"..." He could see you shaking your head on the other line even if he cannot see you. "I just wanted to hear you, that's all."

He faintly chuckled. "Are you going to sleep?"

"Hmmm." You answered. "The business deal is going smoothly. They'll sponsor the orphaned children's education in exchange for them as working students for the company."

"You're... working so hard." Satoru bit the walls of his mouth. "My wife is so hardworking." Did the praise have to be this bittersweet to his tongue?

"You should reward me when I come home. Lately, I've been craving some orange juice and baklava."

"Mnnn, I will."

Silence ensued over the two of them again... Soon your breathing slowed down. Satoru sensing you're probably asleep, just opened his phone until your call dropped, most probably because of low battery.

You have always loved kids. Probably that is why Kouki and Saika turned out to be such angels despite him being a menace. You're such a good wife and caring mother it puts him to shame always being away. So what right did he even have to stop you from doing your duties when he's the one who's often away to do his own?

Satoru closed the book, and look at his daughter who is fast asleep by his side. She has white hair and blue eyes from him but she looks just like you. He can already see the riot she will make when she grows older.

The door opened with Kouki holding his cinnamoroll plushie.

"Hey Buddy, can't sleep?"

The little guy walks over and climbs into the bed on Satoru's side.

"Are you and Mama upset, Papa?" Kouki settled quietly and held his plushie.

Satoru carefully lifted the blanket to Kouki's chest while making sure Saika doesn't wake up.

"Kind of, but we're gonna be okay. Coz I love Mama so much." Satoru kissed Kouki's forehead, reassuring his son. 

"Mnn, I know. I love Mama too." Kouki nodded and blinked at his Papa. "Papa?"

"Mnn?" Satoru removed the blindfold from his eyes and replaced it with his sunglasses.

"I love you too." Kouki yawned and closed his eyes.

Satoru let out a deep breath and chuckled. Biting his lips as he leaned down to kiss his son one more time.

"I love you most Kikufuku."

The business deals went smoother than you expected, the three-day trip you thought became a two-day trip and before you knew it, you are on board the plane back to Tokyo, leaving your assistant to clean up behind as you did your best to come back early and surprise your family.

You won't say quarrels with Satoru are unusual. It's normal in marriage to have it. You have some quarrels with him, but most of those are solved within that day and the two of you talk about it as civilized as possible. It's a very rare thing for the two of you to shout or snarl at each other. It was only two or three times in the duration of your marriage that the argument reached the point of screaming.

With Satoru's line of work, the two of you decided to always work on the problem as soon as possible so no one walks out the door, angry. The one you had recently is one of those civilized quarrels but deep down you knew Satoru was still against it even the moment he hugged you in the car, he just let you go against his will... Because that's the person he is. He will never hold you back against your will.

That business deal was very important for you, perhaps being a mother makes you really soft and empathetic that you cannot turn your eyes away from those children that have lost their parents. The least you could do for them is make sure that their future will be taken care of.

You opened the door and everyone was already out of the house. The kids are in school and Satoru is at work. The house is spotless...

"Y/n?!" The door burst open and Satoru stood there with his blindfold falling down his neck, his breathing id ragged, probably from the hurry. His strides were quick as he cross the hallway and reach to pull you in his arms.

He smells so good... Like baby soap and powder... You inhaled his scent and returned the hug, it's not so tight because he was afraid to squish the baby bump but it was still warm...

"I was supposed to surprise you, but you surprised me first 'Toru." You chuckled and smiled.

Satoru was silent as you brush the underside of his eyes and stare at him with those eyes of yours that were filled with love. He could never get tired of the way your fingers caress him like he's the most fragile thing in the world. It feels so soft, so precious, so warm.

"Are you hungry? I'll cook." There was something stuck in his throat that was so hard to swallow.

"I'll take a shower first." You move and went upstairs leaving him in the kitchen. He was probably alerted by the guards that you're back that's why he looked as if he ran. When you came down, the sliding door to the backyard garden was open. Satoru was also there and so are your food.

The garden is blooming full of hydrangeas with butterflies fluttering around and the faint scent of the drizzle this morning wafted the air. It's a soft scene with the silence between you and your husband. You silently ate while Satoru simply stared at you, sometimes offering you more food which you accepted, not shying away when you're eating for three persons now.

"You know—"

"I'm sorry—"

You both spoke at the same time making you laugh a little and gestured for him to go first.

Satoru sighed, rubbing the back of his head, and awkwardly smirked.

"You know, I realized I was stupid for asking you not to go... For almost stopping you to do your duties. I didn't realize how unfair I was when I'm often away doing my obligations too. I was just really scared... for you, for our children that I didn't think how one-sided it was on your part for me to stop you from going when you've always been there to support me whenever I go." Satoru looked at you and his eyes finally softened. "I guess, the next time I will just tag along with you wherever you go. I won't stop you, and I'll make sure you're extra, extra safe with me by your side, won't you like that Baby?" His teasing tone was back.

But before he could see your reaction he was enveloped in a hug.

"I'm sorry... I know I can get really stubborn. And that will be the last trip for now." You pulled back and smiled. "So, this one..." You touched his heart and look at his eyes. "...will never worry that you'll lose me or our children."

You know how much he has already lost, and you will never be one of those.

Satoru pulled you onto his lap, making you sit sideways as he tuck his nose against your neck, his hand protectively splayed over your growing bump like a snug protection. You hugged him back, peppering kisses on his temples, whispering assurance as you run your fingers through his hair feeling him slightly whine at the tenderness you are showering him.

"You will never lose me Satoru, not me nor our children. So you have to always come back home because we are waiting for you."

Satoru nodded, nuzzling into your kisses.

Many of his elders said that he needs an obedient and submissive wife. But he knew that while you've always been nice, you still have that stubbornness rooted inside you, and yet... You may never be as obedient as per standard but he knew your understanding made you stand out the most. The heart to love him and to compromise was something you have given home boundlessly. You loved him enough to understand and compromise. He never needed a submissive wife. He needed an understanding spouse. Someone who understands it's hard to be with him and yet still stayed. And that was you, with the stubbornness that made him love you more.

"I won't say that is the last trip you'll take." Satoru grinned making you frown and look at him. "It's going to be autumn soon, and you know what that means?" Satoru already made arrangements for this.

Then it clicked on you. Ah... yes, Kouki and Saika have been looking forward to this every year. The annual vacation to their favorite place.

"How does a babymoon in Switzerland sound?" Satoru kissed your lips and grinned.

—GreyCaelum

PLAGIARISM IS A CRIME

Check out the Masterlist for more

All rights and credits of the Jujutsu Kaisen character(s) mentioned images(s) and songs(s) used, belongs to their respective owner(s)

General/Kaleidoscope Series Taglist: @ice-icebaby @aeanya @gummy-dummy @tender-rosiey @lexiene @nevermoresworld

[gloriaregalisblood]

Warning: unhealthy relationships; the reader is a student of theatrical art; yandere!Leon; affectionate nicknames; mention of forced pregnancy.

synopsis: Like a delicate flower that appeared before him after hell in China, Leon can no longer get you out of his head... The cute waitress who was just chatting with him while he was finishing a bottle of whiskey occupied all his thoughts and drove Ada Wong out of his heart. Even if you never had such an intention.

There seemed to be no end to this hell... When you kill one bastard, another one comes in his place, destroying the lives of millions. Raccoon City, Tall Oaks, Lanshiang and many other small towns and villages are becoming a hotbed of zombies and other bioweapons. Leon pulled Ada's ill-fated compact out of his jacket pocket, tossing it in his hand when his glass was finally empty and the bottle standing next to him glittered silently in the light, suggesting that the whiskey in it would also soon run out. He sighed heavily as he looked into the small mirror in his hand, thinking only about how many times he had used it and whether he had used it at all? The thought of the elusive spy who sometimes visited his house or sent short messages to his phone caused strange feelings. There is not much in his life that he can control.

Spending the nights with Ada is already pointless. 

Leon isn't sure he ever really loved her. She just brought her share of excitement into his hectic life by periodically visiting his apartment or sending him a spontaneous message, and then always disappeared again for a long time. No fucking stability. There is no family that he has dreamed of since childhood. He still keeps her compact, although he's not sure if Ada ever used it at all. They had passion, their share of madness, but really, if you think about it, nothing more. They were simply connected by Raccoon City, and Ada still sometimes uses it for her own purposes, even if she helps him.

It's just a part of his crazy life that he can't escape from. Something has done to his brain, causing him to despair that there is little in this world worthy of salvation. In fact, it's a waste of time. One psychopathic terrorist will replace another.

And then you came. Leon doesn't believe in God, but you were definitely someone's blessing from above. Too innocent for this world, too beautiful and sweet. Your delicate fragrance still envelops his sense of smell, spreading like poison throughout his body. Just a nice girl who briefly brightened up his drunken evening at the bar with a meaningless conversation and accidentally blurted out that working as a waitress is only a temporary phenomenon that helps you pay bills, and in general you hope to make a career in the theater from childhood and sometimes you are even given roles, like next week. And this time you are even very lucky to play the main character who in the end will have to die at the hands of her beloved.

It was a simple performance, but with quite beautiful scenery and outfits. You invited Leon, unsure that he would really come, but he came and ... the whole performance you didn't know that yet, but it was literally a retelling of your later life in modern realities. Because you were too perfect for this world, just like your heroine. Sweet flowers in your hair, a long dress and a sad look at the end when your lover takes you away forever depriving you of light forever settling next to him in the kingdom of darkness. The story is somewhat reminiscent of Hades and Persephone, but only taking into account the fact that those two kind of loved each other and Persephone wanted to return to Hades, unlike your heroine, who was just a bird in a golden cage.

He was older than you. You didn't know anything about Leon except his name and that he had a pretty hard job. But after the performance, someone sent you a luxurious bouquet of flowers directly to your small apartment. Of course, some people celebrated your talent, but they gave you gifts after the performances and no one organized home delivery for you. At least it really bothered you.

However, you never thought it was him. Leon seemed like a good man to rely on, although it seems he had some problems with alcohol, but the more time you spent together, the better he seemed to you. Gifts in the form of cute key chains or spontaneous flowers when the two of you were walking together. Leon was a real gentleman, which is why he quickly aroused your confidence in himself. He looked after you so beautifully, always held your hand tightly, twining your fingers together and always hugged you tightly when he saw you off at the apartment door.

He said you were his little angel to take care of. And that was probably the first red flag you should have seen.

And then your phone accidentally disappeared. You were sure it was in your pocket, but maybe someone pulled it out? You didn't have the money to buy a new one, besides, all your contacts were there, and all you thought about being out of touch for almost 24 hours was why some psycho stole your mobile when it was practically worthless!

"Leon Scott Kennedy is in a hurry to help," with a smile on his face, he handed you your phone, and in desperation you picked it up by pressing the side button, seeing that it was locked. “Yesterday, during a walk, you left him on a park bench. Are you seriously using this antiquity?"

"Yeah, I don't have money for a newer model yet," you answered him, being absolutely sure that Leon wasn't digging into your phone.

"Well, sweetheart is an easily fixable case"

How could you know that hacking your phone is a trivial matter? And that it was Leon who stole it unnoticed? He really didn't have much trouble checking all your correspondence and social networks and connecting your phone to his to know what you were thinking. Although he didn't have much time, he hoped to give you a new one so that you would be even more secure in his understanding. However, so far Leon did not want to scare you off with his excessive attention and overly gifts, which at the beginning of the relationship will still be completely out of place. 

you were his sweet and innocent angel. All Leon wanted was just a person he loved and could care about. His real family, which was taken away from him as a child and which he could not create after the police academy. You were so charmingly worried talking with a friend discussing Lanshiang, you were throwing different links and eyewitness videos to each other, some reports and everything that Leon wanted from you at this very minute so that you would stop doing it. He believed that you should not see this part of the world that could scare you because while he was still not close enough to you that his shoulder could become your support.

Then you finally left this topic. Leon carefully monitored your correspondence thanks to the connected tracking program, watched what you want and then, as if guessing, offered you exactly what you wanted so much, making himself in your eyes a handsome prince who always knows what his sweet princess wants.

"So chocolate cake, princess?"  You beamed with joy when Leon brought you a box from your favorite pastry shop. You thought he was such a wonderful man. Such people are usually shown in beautiful melodramas and while you were talking about getting ready for a new performance playing Francesca, he lazily poked the cake with a fork looking around your apartment, which could not be called an apartment. A cardboard box - he found a suitable definition for this. Too dysfunctional area, too bad apartment in which there are frequent interruptions with light and you are too defenseless.

You literally became the light of his soul in a short time. Among hundreds of thousands of people, he may have been looking for you all his life. When Leon puts down his fork, he just looks at you with such a penetrating look that you feel uncomfortable and you freeze in an almost deathly stupor when his hands gently take your face closer to him, tasting what your lips taste like.

And you really are too beautiful for him. His favorite little angel. Leon kisses your nose, cheeks, eyes, forehead and all he wants from you is a long kiss in return.

While your brain is bathed in hormones of happiness, reacting to Leon's gentle touches and his sweet kisses, he has long thrown a noose around your neck, starting to tighten it.

Leon doesn't like to manipulate you, but he thinks that sometimes it's necessary. He chains you to him. Makes you emotionally dependent on yourself so that you can't feel safe without him. He needs you to always be in his line of sight because that's the only way he can take care of someone he truly loves.

And of course he will be the one who will comfort you when your friends all abruptly block you by ceasing to communicate for no reason or explanation. You will cry on his chest while he strokes your hair, kissing your temple, saying that such a beautiful girl should not shed tears because of such shitty people.

"Look at it this way, Sweetheart. The garbage took itself out." However, you were hurt by misunderstanding what happened between your company. You didn't see Leon smiling because you were so absorbed in your negative emotions, but he so comforted you by laying you under him and whispering in your ear that no one is worthy of you except him.

It was your first night. Very gentle and long filled with loud moans and multiple kisses with praise when Leon crashed into you tightly squeezing in his arms whispering that from now on you are only his. He grabbed you by the face, forcing you to look at him, digging a demanding kiss into your lips.  

"You are mine" from his lips it sounded too intimidating that the passionate obsession immediately subsided. "Now only mine"

Cry or scream, but Leon was the one who completely trapped you in his trap. There are marks from his hands on your body and later analyzing his behavior you will be able to be horrified by what kind of monster is sitting in his soul, although it no longer matters when he presses you to him because this beast needed you alone and no one else. You should have run away from him earlier, but now there was no way out. He didn't beat you, didn't humiliate you... No, Leon will never hurt you. He loves you too much for that, but that doesn't mean he didn't break you in another way.

In his understanding, you are like Paolo and Francesca, whom you were supposed to play, but you literally got into the skin of the last heroine that you played on stage. He persuaded you to move in with him, persuaded you to quit your low-paying job and just do what you love, he will take care of everything else. And the puzzle slowly began to take shape when you found his government agent documents. This explained some paranoia and his frequent business trips. Of course he said that he worked for the government, but it was a bit vague and even finding documents in his office where he forbade you to enter it didn't give you many answers. In the end, you didn't dare to get into his laptop in search of additional information. Especially since he had a complicated password. In fact, you put everything back in place, hoping that Leon wouldn't notice that you were going through his stuff.

When he got home, he didn't really seem to notice. All the news was trumpeting about another terrorist attack with the use of biological weapons, and while you were watching TV, it suddenly went out, leaving you completely at a loss thinking that something might have happened to the light, but the touch of familiar lips to the back of your head made you understand that it was Leon who pressed the button remote control.

Throwing his gym bag on the floor, Leon frowned at you, as if he was angry about something, and his prolonged silence, along with a slightly angry expression, began to frighten.

"You won't watch this shit" was all he said as he walked into the bathroom where the water was very noisy. You didn’t risk turning on the TV again, instead just deciding to rummage through your phone for information and when Leon got out of the shower he first looked at his phone and then again with the same cold-blooded look already at you when you set him a plate of warm dinner. "I think I told you not to watch this shit"

You stared in fright, not understanding how he knew about it. But a guess still flashed through your mind... Was Leon somehow able to track your cell phone?

"What do you mean?" your frightened voice did not touch him. Leon just took your phone for no reason.

"Angel, I don't like repeating myself. Just listen to me and we'll both be happy and don't you dare deceive me!"

He calmed down only an hour later, putting you on his knees, thinking about something when he untangled your long hair.

While you fought the urge to ask about his work, Leon's hands stroked your thighs, pushing you towards intimacy. You have long ceased to seem that your relationship was normal. His pathological mania for controlling your life made him an unbearable partner, and it wasn't the same Leon you met. However, somehow you ended up on the floor underneath him again as he greedily fucked his lovely angel leaving bruises on your soft skin whispering that you were taking him so well. Usually Leon uses condoms, but this time everything turned out so spontaneously and quickly that you didn’t even have time to object as his cock was already inside you. By and large, evening sex after his arrival left mixed feelings. You still didn't understand what was happening to Leon, but you gasped with pleasure when he made you come.

"my angel..." his lips found yours, digging so greedily you almost felt pain. "So pretty, sweet and only mine. You're such a silly girl, but I'll take care of you."

You tried to tell him to be careful, as he started to approach his finale then Leon just held you so tight, grabbing your neck and thigh, cumming inside you that you could feel him filling you up.

"That's how my girl" he ran his finger along your bottom lip. "Take it all. No more theatre. You are now only here with me. You don't have to be any actress. God, I have to protect you from all this fucking shit. You will only carry my child and make me happy".

You didn't want children. Not so early, but Leon didn't even ask you. You burst into tears almost immediately, but he only whispered that he would make you such a good and beautiful mommy, that you would finally give him the family he always dreamed of and how he can no longer wait to cuddle up to your big belly. Leon didn't ask your wish again. You tried to push him away from you, to leave him after this act, saying that you were tired of his control. That he does not have the right to manage your life and that you have your own dreams and goals, and they definitely do not include motherhood now when you guys, have been dating for a little over a year. But he just roughly threw you on the couch so that you hurt your back before you even realized what happened. He did it so easily, like you weighed nothing.

"Ungrateful girl!" you cringed into a ball at his sharp voice but Leon grabbed your shoulders painfully pulling you to him "You don't even fucking understand what world you live in! I fucking care about you and all you have to do is be a good girl and listen to me! I'm a lot of I beg you?!"

"Stop that!" you begged trying to break free from his grip despite the hot tears streaming down your cheeks "I don't want this relationship anymore!"

Leon turned you around roughly and pressed his chest against your back as you thrashed frantically, trying to break free of his grasp.

"Really? And what kind of relationship do you not want? Am I hitting or humiliating you? You just don't see the horrors I face at work almost every day. Do you really think I'll let you go?"

You went limp in his arms. Because you actually had nowhere to go. No friends, no job, especially since you've already moved out of that apartment and Leon has infiltrated every corner of your life, making it his own. Still sobbing, you eventually calmed down a little and Leon again, as if nothing had happened, took your sluggish body in his arms, taking it to the bathroom, where he carefully washed away all traces of a short quarrel and passion from you.

Like a weak-willed doll in man's hands. Leon carried you to the bedroom and started changing into his own clothes. the usual spacious shirt and he put him to bed with his hand on your belly.

"So that I don't hear anything like that from you again," he whispered insinuatingly into your ear, wiping the tears from your cheeks. "I provide for you perfectly, you don't need anything. Just do as I tell you to do well?" a light kiss on the temple made you flinch.

And from that moment on, you really begin to analyze his actions from the day you met.

If you had run away, he would have found you right away. Not that Leon kept you locked up at home, but you could only go out for a walk with him. Movies, shopping for food or clothes ... he should always be there and you in his field of vision. In fact, he didn't even let go of your hand.

A dying bird in a golden cage. Good definition for you. You immediately remembered that role of yours and was surprised how cruel fate can be. Leon was your warden and when you managed to convince him to tell about his work, but it scared you even more because the evil fate literally hung a "no way out" sign around your neck.

You are like his favorite songbird that he sometimes releases to fly in his field of vision, but if you fly too far, he will just catch you and break your neck. Not literally. Because how can he harm the woman who is carrying his child?

hopelessness when they saw two strips on a pregnancy test. Leon was happy for you, although you knew that by buying a house in which the Kennedy family would live, you would really be incarcerated. Because the more Leon encounters bioweapons in his work, the more his personality becomes distorted.

Now there really is no way out.

[stupidfuckingwindow]

One NSFW hc for (almost) every character // Part one

Notes: This was my attempt at a solution for writer's block. Let's hope it worked. Also I will NOT be writing a headcanon for Jerry later on because he was a real guy and that feels.. Weird.

Word count: 789

Richard Haywood

Absolute whore at every turn or time. Oh, you're away and in class, not paying attention to your phone? Well, look at that. There's an unsolicited dick pic from Richard's contact. That, or you and whoever you're showing something to is getting an eyeful of sexts that are meant to piss you off. That, or you're going to hear all about when he snuck off to go fuck either Justin or some random girl, all to get you jealous. When pissed off during an argument, Richard probably will grab you by the throat or shoulders and lick your face out of some strange, gay little impulse. What a weirdo.

Henry Letham

A lot of painplay with Henry is expected. He'll often cry during sex and needs both a cigarette and a minute to himself. By the time you come back to check on him with a warm rag and towel, he's quiet and there's another burn to his skin. It isn't that Henry hates the touch or attention- He's just overwhelmed at sudden want and tends to overthink things. Henry often backs himself into a corner on accident, and a bit of reassurance is all that's needed to help him, even if it seems like he's not listening or doesn't respond. Henry tends to remember every little thing about you and what you do, keeping it in mind for if he ever needs that information again. Severe thigh kink. Likes fucking your thighs, painting them, and touching them. Looks yummy in thigh highs as well.

Officer K

Considering that he's a robot, there's so much potential here. His dick vibrates, for one, and his cum is just neon colored lube. It takes a little while for him to get hard, and a fuck ton of stimulation is going to be needed. K also prefers sleepy sex, being able to hold you and have his cock warmed while the two of you just quietly unwind in one another's presence. He also enjoys long, hot showers with you for the same reason of getting to relax and being able to feel you close to him. You'll often cockwarm him while he works, especially when you're both not feeling particularly up to actually fucking. Sex with K is rare, and when it does ever happen, he takes his time.

Colt Seavers

Thick, tall, and heavy. Hoooh boy, Colt is big. He's muscular in his arms and thighs, with a belly and hip dips. Colt has a lot of hair, as well, and you best believe it's long and messy. He's so warm. Colt also has to eat a lot to maintain his energy, and his metabolism is high. He's the one who introduced food play into the bedroom, liking how it combined many of his interests. Colt loves it when you ride him. He knows he barely fits, and foreplay is always needed before anything happens between the two of you. Sex usually ends in him getting overly excited and a little rough. Colt falls asleep pretty quickly afterwards, and needs a little help staying awake long enough for Aftercare.

Noah Calhoun

Smells like pine, tree sap, and sawdust. Expect long, slow, and sleepy sex on the couch with a blanket thrown over the two of you. He usually does this with you late at night or in the afternoon, when neither of you have responsibilities. He likes moving your hips while you bury your face in his neck. That, or fucking you to sleep until he's too tired to keep going. Constantly touching you, whether that be your hips or tracing patterns into your skin or simply holding you. Noah likes feeling strong, and often carries you around the house for fun all while making excuses. The floor’s too cold for your feet, you'll freeze to death! even though it's hot as hell outside. Also makes excuses to take care of you at all times. You're getting his god awful ‘random things found in the fridge’ soup when sick whether you like it or not.

Julian Thompson

Number one bondage fan right here. Julian likes the restraint put upon either you, or himself. He feels safe when you tie him up, and revels in the rare control he can get when you're tied up instead. It's a common joke that Julian sits in the corner and stays quiet, but the cuck chair was made for him. You're usually tying him to the chair while he watches you touch yourself, or touching him while he's restrained. Julian also isn't opposed to you leaving him with just a vibrator for hours at a time, as well as having a cock cage outside of the bedroom. He feels secure whenever he's restrained.

[lesbian-kyoru]

skip and loafer chapter 55 thoughts

this chapter was so poignant but one aspect that stood out to me was all it told us about mika & mukai's dynamic so far!

mukai followed along on a whim & subsequently ended up witnessing a lot of vulnerability on mika's end, someone who he still doesn't have a good grasp on yet—after seeing her worst + being surprised by her capacity for kindness, his perception of her is continually being challenged & muddled. we've seen already how mukai is a very logical, cut & dry person in his thinking, so imo mika's Layers are both confusing & intriguing to him.

at the same time i thought it was interesting how mukai realizes that mika ALSO doesn't have a clear perception of him—though their scenes always feel very Intentional, they actually have not interacted a ton within the context of the friend group, esp given their rocky start.

so from there, we get this juxtaposition within mika & mukai's relationship where they are v unsure of each other and yet there's an odd sense of trust there. it's definitely not an ACTIVE trust, but something more peripheral; mika doesn't mind mukai being there while she talks to nao because, in her mind, mukai already knows abt this insecurity so she isn't revealing anything new to him. after opening up to nao, she apologizes to mukai for getting him caught up in her venting; despite this, it really struck me how this felt like such growth for her to simply move on rather than carrying the feeling around shamefully. it's like a weight lifts off mika's shoulders & it's cathartic for this to happen in front of mukai, who was the accidental catalyst for her confession to shima. mukai, in contrast, seems more unsure than ever.

he's puzzled to realize that mika's confession to shima wasn't fueled by a desire for reciprocation but rather the courage it took her to express her feelings openly, instead of always attempting to hide behind a facade & never experience the vulnerability in risking rejection. we know that mukai's experience of romantic confessions is almost entirely filtered through shima, since he's never been confessed to himself—and it's interesting how mika's confession to shima directly flies in the face of how negatively shima feels about being confessed to.

for shima, girls confessing to him has always been a sign of what's expected of him, people wanting something specific FROM him rather than liking him as a person—now that mukai knows how drained that makes shima feel, it's interesting that he learns mika's reasons for confessing & how they're entirely different, motivated by a desire to be brave rather than expecting something of the other person. nevertheless, this leaves mukai with a lot of conflicting thoughts in his head about how a confession should make you feel. again, he's very logical, so the ambiguity is confusing to him! (and all of us honestly)

but then, back at the house, we see mika through mukai's point of view—she shoots him a look!—at which point he decides that he couldn't think of being confessed to as "not that great." i'm just gonna let that sit there :)

so with that!! i loooooved all this chapter gave us to work with in the development of these characters, esp mika & mukai's dynamic!!!! with a character like mukai who spends so much time as an observer, it's so fun to see him start to actually reflect on his own point of view within the story, like he feels himself going from being the background character in everyone's lives to really developing his own outlook—and it's all thanks to girl of all time mika egashira who inspires EVERYONE to think nine million thoughts trying to understand her.

[cononeillbreastingboobily]

Stede and Ed really suck this season. Looking back, lots of their scenes were extremely cinematic and/or quotable: the dream sequence at the start, the mermaid scene, the thing about breathing the same air, the kiss under the moonlight, them banging with fireworks going off outside, Ed reading Stede's letter, the kiss and love confession during the fight with the English, and finally them standing together in the dilapidated house that is supposedly going to become their inn.

It felt heavily like style over substance. Meanwhile they spent the entire season flip flopping between being together, breaking up, taking things slow, taking things fast. It led to a severe case of arrested development for both of them, because at the end of the season neither of them really changed, they never talked through their issues which could help progress their relationship in a meaningful way.

I mean hell, Stede is worse this season than he was before. In the past he was self-centred and a bit of a dick, sure, but at the end of the day he did seem to care about his crew. And there he is, being the one to suggest that Ed go back to the ship and the crew, one half of which he marooned, and the other he spent weeks or months traumatizing. And on the same day that the very crew unanimously decided to kick Ed off the ship. Like??

Ed, similarly, seemed so... Confused is probably the best word to describe him this season. And I don't even mean the character himself, but the way he was written. We have established looong ago that he doesn't want to be a pirate anymore, yet after he abandons his leathers, he immediately retrieves them within like one day. And sure, he did it to protect Stede. But then he kinda... Did a complete 180° and suddenly wants to actually go back to piracy? Then he's supposed to rejoin the crew of the Revenge only to then stay on land with Stede with the intention to run an inn?

He seems all over the place, and not in a way that feels interesting or entertaining anymore. I mean hell, the first three episodes of the season were amazing, and he was definitely one of the highlights of them. He was incredibly intense in everything he did, hurting, heartbreaking, wanting to go down and willing to take the entire world with him. Those three episodes were probably my favourite bit of television that I've ever seen.

But then... Stede showed up.

And in the end Ed got reduced to this hollow character that doesn't seem to know what he wants at all, and it feels like it's going to bite him in the ass very soon, and hard. He didn't do any of the heavy lifting of development he could've or should've gone through. Izzy did. And then he bled out in Ed's arms.

What worries me is that DJenkins said in interviews before that ideally the show is supposed to end after three seasons, and (if we get season 3 at all, that is) if that is the case, if Ed and Stede are supposed to get a happy ending together that is meant to feel earned and gratifying, they won't have nearly enough time for it. I mean, they hardly talk about the things that matter, that are important to talk about if you want to have a serious relationship with another person. And sure, they might both feel this intense pull towards one another, but that isn't nearly enough to make it work between them. For one, love sometimes simply isn't enough. And I hope that they realize it in time.

[writingquestionsanswered]

https://www.tumblr.com/writingquestionsanswered/730814386289131520/defining-terminology-via-pov?source=share

I saw this post and it inspired me to ask a similar question I was dealing with. Is it weird for the narrator to explain time skips or off screen events? They always feel so unnatural when I write them. Ive seen it done, but I can't judge the best way to do it.

Narrator Explaining Time Skips and Off-Screen Events

Nope, it's not weird, no matter who your narrator is. Your narrator is there to tell the story to your reader. If there is no way to show something through action or explain it through dialogue, the only other alternative is to have the narrator explain it.

With time skips, that's almost always going to be the narrator's job rather than something shown via action or told via dialogue, simply because action isn't often the best way to show time passing (though it can certainly work in some cases), and dialogue doesn't usually come right at the beginning of a scene (though it can sometimes.) The point being, although you certainly can show time passing with action or explain it through dialogue, a lot of the time it's just explained in exposition, aka narration. I talk about that in these posts: Guide: How to Skip Time in Your Story, Subtle Scene Transitions, and Skipping Broad Gaps in Time without Timestamp.

With off-screen events, you really have your pick between exposition, action (yes... action... I'll get to that in a second), and dialogue. It just depends on what works best for the scene/story. So, for example, let's say a secondary character had to run an errand for the protagonist, and what they find out from that errand is important, but showing the actual errand playing out isn't important. So, it happens off-screen. You can have the narrator explain it:

While Todd and Amy started pulling down the interior walls, Anna went to city hall to find out next steps for permitting. After waiting all afternoon to speak with someone and being told to come back the following day, she returned to the house feeling defeated but bearing mochas from their favorite coffee shop.

Alternatively, you could use dialogue to show this off-screen moment:

"How did it go?" Todd said, dropping his sledgehammer when he turned and found a defeated-looking Anna, who at least came bearing coffee.

"Not great," she said, handing him and Amy a mocha from their favorite coffee shop. "I was at city hall all day waiting to talk to someone in permitting, and after I finally got to speak with someone, they told me to come back tomorrow."

Amy frowned. "Yikes."

If the off-screen event happened before the story begins, or happened off-screen but was particularly important or memorable for the character who experienced it, you could also potentially use deep memory recall, a flashback, or a dream to show it happening. This wouldn't really be a great choice for Amy's long wait at the permitting office, but for the sake of the example, if it was worthy, it might look something like this.

Amy woke with a start, drenched in sweat, her nightmare addled brain telling her she was still inside the permitting office. The nightmare had been so real, she could still smell the stale coffee that permeated the small room--could still hear the quiet sizzle of the mildly flickering fluorescent lighting. She'd been suck waiting to speak with someone all afternoon, and they'd told her to come back tomorrow. Now she felt like she'd been through the ordeal twice in one day. She wasn't sure she could stomach going back again in the morning. She would have to make Todd go in her place.

I hope that helps! :)

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I’ve been writing seriously for over 30 years and love to share what I’ve learned. Have a writing question? My inbox is always open!

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[wen-kexing-apologist]

Moonlight Chicken is For the Queers

Ok I started my rewatch of episode 8 and figured out what I want to talk about for this series' finale: intentions and resolutions. This post will be about intention, and how I truly feel that Moonlight Chicken is a gift for queer people. Why? Well, there are many reasons, but for the purposes of this post, I will simply present the following title card.

Moonlight Chicken, Chapter 8: The Self-made House and Home

(if you are expecting this post to be anything other than a jumbled mess of my personal experiences with no clear through-lines or relevant transitions between sentences, thoughts, etc. then turn back now)

Whatever we want to say boy loves started as, fetish or otherwise, queer people are still able to see themselves or get comfort and representation. But coming from watching literally 25 boy loves in the last four months, this show feels different from most (not all) of them, to me, because of how strongly this show centers around built community, rather than romance, as it's central theme.

And yeah while any standard friend group in BL could be considered community in the abstract, the idea that they are a community is never quite presented. It's Team taking food from Pharm and all three of the gang teasing each other, it's Kuea and Diao spending most of their time talking about their relationships, it's Porsche forgetting Pete exists because he's so caught up in Kinn. More often than not we are building towards and hoping for declarations of love between two characters. And do not get me wrong, that is all well and good, and always what I'm rooting for in those shows. And we get something akin to that in Moonlight Chicken too, which is when you finally have Li Ming and Jim calling Heart and Wen (respectively) their boyfriends.

But the "I love you" we get in Moonlight Chicken? That isn't between the couples, it's between Li Ming and Jim.

Because the thing that makes Moonlight Chicken different from other BLs is the emphasis it puts on queer elders raising queer youth. It's about queer youth learning from queer elders and queer elders learning from queer youth. It's about how home and birth families don't always fit quite right, and how you build families and homes despite. And it's applicable to many people, children in abusive homes, disabled people, etc. too. Which is why P'Aof adds strained parental relationships and deafness in to this piece. But because this is fundamentally a BL show, I'm viewing this more through a queer lens.

So naturally, this also means I am informing my analysis of this show through my feelings as the only (known/out/visible) queer person on either side of my family. When I was little, a decade or more before I realized I was queer, I asked my mother one night if I was adopted. I'm not, and I know that, but why did I ask? Because I never really felt like I fit. Not the way I was supposed to fit, not the way family was supposed to fit together. My house never felt like a home.

And it's why I love this exchange between Wen and Jim at the end of episode 2

"I want home," "Don't you already have one?" "I don't." "A person like me doesn't fit to be anyone's home,"

And technically we know this isn't true. Wen does have a home, he has a condo, he has a place to sleep. But emotionally is where the problem lies. Wen is living with his ex, the apartment is cold, he has work colleagues and a friend that he and his ex both know and that's it. And as he tells Jim in episode 7, all his friends are straight. And then he meets Jim, and there is a spark, and maybe it's possible for home to grow there.

Literally, physically, I have a home. I have a family. But the more I embrace my queerness, the more I understand and am comfortable with myself, the more isolating and cold that house and family feel. I'm such a different person now than I was, and there are homophobes and transphobes on both sides of my family, and that makes it hard for me to feel like I am loved. Even when logically I know I am. But it's hard, when your mother says she accepts you and has yet to use my pronouns properly despite me being out to her for over a year and having three separate conversations about it. When your uncle spends twenty minutes or more complaining about trans people, when your cousins don't think trans people should exist. That's my family...technically. That's my home...technically. But it hasn't felt like that in years. So I understand what Wen means here, Wen's definition of home is not a place it is a feeling.

And Jim? We know Jim is already everyone's home. He is home for Li Ming, he is the closest thing to a parent that Leng has in his life, he makes sure the community not only has food, but has as much as food as they could possibly eat. He is first and foremost a community caretaker. But he is so wrapped up in his grief about Beam, his self-hatred, his stubbornness, his exhaustion that he is not able to believe that about himself. Home is a place and not a feeling for Jim, because he can't allow it to be.

The key to Wen and Jim's relationship is finding and building that home.

Home, Family, Community. These are incredibly important themes to Moonlight Chicken and those themes are incredibly important aspects of being queer.

I don't know how Thailand is re: homophobia and transphobia, if kids risk the same chance of getting kicked out of their homes for being queer, etc. But that is a very real possibility for many queer people in the States. But I'm thinking of homelessness in queer youth, how 28% of queer youth have reported experiencing homelessness in their lives. I'm thinking of ballroom and ball culture and how participants in the Ballroom scene were parts of Houses with mothers and fathers at the head of them who acted as mentors to their queer children. When I think about queerness and what it means, I think about ballroom. I think about connection, I think about community.

But that community is often forged from necessity borne out of isolation. What do I mean by isolation? I mean the isolation that Li Ming feels in school, around his school friends. I mean the faces Li Ming makes when his friends are talking about girls:

I mean the physical barriers the show places between Li Ming and his school friends.

It is the isolation that comes with queerness, with poverty, with everything about Li Ming. Beyond the fact Wen is a little younger than Jim and thus better able to understand and see Li Ming's desires to be seen as an adult. I think it is this state of listlessness in Li Ming is also something Wen recognizes. I think at this point Li Ming is so desperate to get away, to go to America, to be listened to and respected by Jim.

Jim who is too caught up in constant stress to see the home he has built for himself, Li Ming who is too caught up in wanting to be understood to appreciate that he has a home to run from. Wen who is working as a go between for Li Ming and Jim because he wants them to be his home. Heart who has been trapped at home and found his freedom because Li Ming understands the frustration of misunderstanding, and the importance of community.

I'm thinking about how so much of the final episodes are dedicated to showing community, showing family, showing the audience that home lies in the collective.

We see it in how many people rush to help Mrs. Hong:

We see it in the people who help you carry your grief:

We see it in how deeply and broadly the pain is felt when community pillars are lost:

We see it in the end of and era:

We see it in the olive branches:

And in new beginnings:

Very few people in these shots are connected through blood, but they are a family. And when I look at these shots the only thing I can think about is how I felt the night I threw a party for all my trans friends. All I can think about when I see these shots of everyone sitting and eating together is how many times I would look over to my friends and see them beaming. How many times someone came up to me to excitedly say this is the first time they felt like they could fully be themselves. How everyone kept asking to do an event like this again. How everyone kept asking to be added to a group chat at the end of the night so they could keep in contact.

And I remember how it felt for me to realize that I had built a community for myself in a place that I have really been struggling to feel was home. Because I had spent so much time in school and work, barley able to scrape together enough money to cover expenses, exhausted and stressed and unable to see what I had sitting right in front of me.

And I think about other queer people I have met, who light up when they see someone else who is gay, who talk about how lonely they feel because they only have one other queer friend. How immediately the need to invite them out, to introduce them to people, to make sure they have community strikes.

I think about how I worked at a summer camp out of state, and got to try out my pronouns, and figure out who I was, and then a few months later, I had to return home. Where I wasn't out yet, where I was going to get misgendered, and how quickly I came out to all of my close friends about my gender identity to try to mitigate how much my mental health tanked when I had to be someone my parents thought I still was. How at the same camp, the queer kids flocked to all the queer staff, how desperate they were to bond. How much lighter they got to be when they were away from their parents and allowed to be themselves around people who also understood not only them as people with the identities they held, but also their struggles existing in a household that didn't see who they were.

I think about how, in the States at least, "are you family?" is/was used as code for "are you gay?"

It's why it is so important to me that Moonlight Chicken ends with the line: "I just built a home. I don't want to move anywhere."

Because Wen has finally built his home. Because he has found his family, his queer community, his home. And yeah, we get the romance, yeah we get Li Ming and Heart holding hands, and Jim and Wen making out, but the emphasis of the final episode is moving forward, being brave, allowing yourself to love, and allowing yourself to stop, look around, and realize that you've made a home for yourself that is built of the people you love who love you in return.

Community building is a huge part of life for literally everyone, but it vital to the survival of marginalized communities. And when I think about my own relationship to queerness, one of the most sacred and important aspects of being queer is building the family you need.

[ofallthingsnasty]

If your inbox is open could I please request a yandere sae where he traps his Darling by getting them pregnant and also this is around the time where he kidnaps them and they get Stockholm Syndrome if you're uncomfortable with this feel free to ignore my request

hey hey!! sure it's pretty much always open 🤗 thank you for giving my brain something to chew on - this really tickled me bc he isn't necessarily the first character i think of when i think yandere bllk! a cold one, for sure 🥶

tags: yandere, sae is 20+, emotional abuse, baby trapping (no pronouns used for reader but they can get pregnant), noncon mention, smidge of unreliable narrator word count: 0.6k

Sae is one thing: selfish. He knows you're here against your will and he simply doesn't care. He gets what he wants. You won't ever know why exactly he picked you out of all the possible people to obsess over because he won't ever treat you like one would a spouse. He's blunt, he's brash, he's an asshole - even to you. He doesn't keep you small on purpose, Sae is just like that. Unlike some others, he doesn't criticize you to snuff out your self-esteem, he truly thinks what he says. You'll learn how to play by his rules and admittedly - he is fair, at least as far as he is concerned. Neither cruel nor sadistic, he simply expects you to conform and be perfect for him. Deviate from his vision for you and he'll let you know- but as long as you are good for him you won't hear a single word.

He actually strikes me as one of the few from Blue Lock who would choose to kidnap you - it's easier and keeps you by his side. He's pragmatic like that. And because Sae doesn't need your love - he simply takes what he wants - he doesn't care for all that lovey-dovey shit, either. Watch him simply lock you away even though you have never talked to each other. He's convinced you're perfect for him and that's enough. He really wastes no time. In his opinion, your predicament isn't all too bad, even beneficial. Isn't this what so many people strive for? Marry rich, be pampered for the rest of your days, no more worries, no more hurt? Really, you should be over the moon to be the spouse of a famous soccer player. He'll tell you as much; that you should be grateful for the roof over your head, that you'll never have to work another day in your life because of him, that you'll have everything you'll ever want - and that being kept like this is the trade-off, that he expect payment from time to time. All your fighting, your scratching, your crying - it doesn't matter to him. It's annoying, sure, but it won't stop him at all. (Although even Sae has his limits. If you keep screaming at him how you don't care for the designer clothes, the expensive furniture and his stupid house, he isn't above showing you what you're taking for granted right now. Some nice, quaint nights in the basement with little food and water and no clothes should set your head straight. Not cruel. Just pragmatic.)

And because he takes such good care of you, he deserves something else in return, doesn't he? A baby is perfect. It's easy to realize that dream - he's expecting sex from you regularly, anyway and never really bothers with birth control. In the beginning, he humored you a little by using condoms (to soften the blow, so to speak) but by now he simply doesn't care anymore. The thought of you pregnant with his child excites him more than he'd like to admit. It isn't necessarily about keeping or trapping you - he just wants to start a little family with you. (And maybe, just maybe, he is actually a tiny bit in love with you, not just obsessed.) He won't tell you of his decision, he simply fucks you more often. But you're smart enough to catch on, with time - too bad you don't stand a chance against a pro athlete when he bends you over for the tenth time this week and tracks your periods, waiting for your fertile window. You can only grit your teeth and take it, terrified of the day he actually knocks you up.

And as always, he doesn't get why you're making such a fuss; you only have to be good for him. He'll take care of you and your child, you'll see.

[that-ari-blogger]

A New Face (Separate Tides)

During its second season, The Owl House had hit its stride and wasn't slowing down. This is my favourite season, and that isn't an unpopular sentiment.

Separate Tides is the opening episode of this season, so it needs to recap the previous goings on and themes in a cohesive way for new viewers, and take the series in a different direction that stays loyal to those themes and plotlines. I think this episode does that well.

But this isn't a summary blog, this is a blog where I find something needlessly specific and gush about the implications of that something.

So... The Golden Guard is so ****ing cool.

Let me explain.

SPOILERS AHEAD (The Owl House, The Harry Potter Series)

I've mentioned in the past that The Owl House uses archetypal storytelling to a truly masterful degree. It takes tropes and meets them on a superficial level, then twists them in a way that adds depth and makes the series unique.

For example, the series is directly drawing inspiration from the works of Robert Galbraith, with Willow being the bullied kid with a passion for herbology, and Amity being the school bully who definitely has a crush on the main character. Both take the archetype and shake it up a bit, as is the way with parody, but the baseline is there.

This leans into the themes of being your own person rather nicely, as it makes the deviations from the archetype more important.

I took great pains to point out that Luz is the only character who doesn't fit the mould at all. She has no analogue and is her own person completely. She has nothing to restrict her.

However, leaves the analogue for the actual protagonist of Galbraith's books. Obviously, not every character from the series is parodied, but the chosen one main character seems like a weird one to miss out on.

I would argue that Mr Potter does have an analogue, Hunter Whittebane (Or Hunter Noceda or Hunter Demonne or even Hunter Clawthorn. Whichever name you prefer, its the same guy).

He is a child soldier, raised by his uncle and manipulated into giving his life away for the cause by an old wizard. He bears a scar on his face, and is technically half witch, half human.

Although we don't actually see any of that in Separate Tides. Instead, we are introduced to the Golden Guard, a character who is suave and cool and confident.

The first time we actually see this character is in the final scene of the previous season.

"Worry not, Kiki. We'll be keeping an eye on the inhabitants of the Owl House."

The Golden Guard is a goon, an elite goon, but a goon none the less. He is simply a character whom Belos turns to in order to get the job done.

But, I find the use of vernacular here interesting. Belos doesn't refer to the Golden Guard with any name, or even as a separate entity from himself. Not "he will be watching them" or "this is the Golden Guard, I trust him to get the job done". This character is referred to as "we". He and Belos are connected. This character is simply Belos' eye.

Then, in Separate Tides, it is established that, when Lilith fell from grace, she was replaced by the Golden Guard.

"He always got special treatment because he was the genius teen prodigy. But he's really just a brat."

So, this is a child, but a gifted child. Lilith is dismissive here, but not of the Golden Guard's skill, just his personality. This is someone for whom things come naturally, allegedly, and who has never had to work for his abilities. Allegedly.

"Unfortunately, you won't have the chance."

The Golden Guard's first line is just cool. He is calm and collected. He is in control. And he has just easily captured one of the protagonists.

I also love the little fact that he has spent the entirety of this voyage in a dimly lit room, eating crackers. The room has nothing to do in it except books. So, he was definitely just sitting there, reading, and had to improvise when King burst into the room. He's a bookworm with an ability to think on the spot.

I'm saying this guy would definitely play Pathfinder or D&D if he was given a chance.

Anyway, the Golden Guard's actual introduction comes fourteen minutes into the episode, and it immediately sets this guy up as a threat. He's martially competent, magically adept, and fully in his element. This is a character who revels in control, just like the Emperor.

And that link to Belos is interesting. Because forgive me for asking, why would an Emperor's elite goon be a child? As in, there has to be a connection to Belos beyond what meets the eye for the Golden Guard to be anywhere near where he is.

We don't get told that here, but we do see that this character's skillset is kinda similar to Belos', in theory. He's commanding, and he gets people to do what he wants. But in practice, this isn't Belos at all. This is someone trying very hard to be like Belos, but coming at it from a different angle.

I do, however, think that the Golden Guard's greatest strength as a goon is revealed subtly in this scene.

"The Emperor ordered me to slay one. I'm just following orders."

We've seen through Lilith in the previous season that Belos covets blind loyalty, and that is what the Golden Guard offers him. He doesn't know or care why the Emperor does what he does, he just follows orders.

Essentially, the Golden Guard is a traditional Disney villain at this point. He is fun, bisexual, charismatic, and a physical threat. The Golden Guard we get introduced to is enjoyable to watch, and it sounds like Zeno Robinson is having a blast voicing him.

However, there is one element of the Golden Guard that we get introduced to in this episode that might fly under the radar. The Owl House is no stranger to masks, and people putting on a show to get the job done, but when we are first shown the Golden Guard in this episode, he is taking it off.

The intro sequence of this season features three characters who are under Belos' command. Lilith, The Golden Guard, and Kikimora. It then unmasks them, with Lilith becoming apologetic, and Kikimora becoming more aggressive. But the Golden Guard sits between them, removing his own mask to reveal... a single purple eye.

The eye is the window to the soul, of course. But there is something to the manner in which this is happening. Kikimora has been angered to the point of lashing out, and Lilith has been brought low with remorse. The Golden Guard, however, is lowering his own mask and staring directly at you with an air of "I'm doing this of my own accord. I see you, you see me, your move."

I wonder if agency is going to be a theme with this character.

Final Thoughts

I love Hunter so much it is obscene, and there is a ton of ambiguity about him right from the bat. What is his stake in this? Who actually is he? And why does he have a purple eye?

As for the rest of this episode, Luz's guilt is starting to be expressed. In my opinion that is for the first time, but I have heard it said that this isn't a new character trait for her.

And Lilith... *sighs* There is a sentiment online as to the expedience of Lilith's redemption arc. Some people like it, others think she should have been "punished" more, and I would like to take a third rout.

I don't believe in punitive justice for fictional characters, and I certainly don't believe in telling writers how they should write. I do, however, think that it could have been slightly more interesting if the consequences of cursing Eda were explored more psychologically.

In any case, however, the series we got is the series we got, and I think it is perfectly fine, if not better, as it is. I don't see a point in getting angry online over what could have been.

Next week, I am looking as Escaping Expulsion and boy, do I have thoughts about Odalia Blight. So, stick around if that interests you.

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[misrepresentedmorallygrey]

PROPAGANDA

Dimitri Alexendre Blaiddyd

PLEASE NOTE: THE MOD OF THIS TOURNAMENT HATES THIS PROPAGANDA! THEY BELIEVE THAT IT'S ACTIVELY LYING ABOUT THE CHARACTER AND COMING FROM A PLACE OF HATE FOR SAID CHARACTER INSTEAD OF THE FANDOM CULTURE SURROUNDING HIM. You have been warned

Why is this man so woobified. The literal whole point of him is that he's meant to be a bait and switch for the typical perfect fire emblem lord hero. He's a sadistic killer without a hint of mercy for a huge part of the story, he works with the dictator church without considering whether or not there's something wrong with it, and his route ends in him being just as much of an imperialist as the others (taking over the whole continent and being crowned its ruler), just by a different name. He's SO interesting and SO conflicted and yet it feels like 99% of the fandom can't look past "uwu emo sad boy :((( so damaged :((((" and completely disregards that he's just as brutal as the other main characters from any other route's perspective, that's the whole point of the game!

Yuno Kashiki

Yuno Kashiki is an 18 year old rental girlfriend and sexworker in Japan. She was incarcerated in Milgram for murder at the start of the series in 2020. Since then she has been repeatedly dehumanized by the fandom. Having her agency and statements on her own life overwhelmingly ignored in order to give her a sob story she has consistently rebuked at every turn. Stating from the beginning even if she had to beg for forgiveness like her life depended on it she would. However, it's simply been handed to her as the audience continually goes she was too young and stupid to actually be held accountable for her actions. The same audience that later tries to vote a 12 year old child abuse victim guilty because she has to learn her lesson and she knew what she was doing. Yes the fandom interprets the eighteen year old who chose to work in the profession they did simply because they wanted to something they have no qualms admitting as having less agency than the twelve year old. They treat her like a stupid baby who's only error was not knowing how a condom worked as a sexworker. They say her only crime is an abortion despite her overtly getting upset at other individuals alluded to be clients throughout her songs. Having the literal lyrics of her second song go, ""Poor naive little girl"? So off the mark, what's it to you? It's absurd. Like really who do you think you are? Don't weigh me meassure me against your morality. Just shut it, will you? You know it all." And "Carrssing me with your "good girl". Who needs your self-righteous pardon?" They're so committed to the abortion equating to the murder she's in here for idea that fans got mad at the writer for even writing it that way when at least several other very not fetuses are alluded to throughout her songs and at points literally shown. Her first song even highlighting her clients belongings throughout it with inverted coloring. But instead of thinking she may have just killed a client who was bothering her they've convinced themselves that she's just a silly little outlier who's not meant to be here because abortion isn't murder her body her choice which fair if it wasn't for the fact the only people putting it on the table to compare to murder is the audience themselves. Despite everyone else in here very literally killing actual people with lives, professions, etc as they frame her case as a feminism issue and say if you vote her guilty you just hate women or are anti-abortion. In response to the framing of her situation as she can hear the audiences thoughts on her she's only gotten more depressed and closed off as tge series has progressed blatantly stating to hurry all this up so she can go home. Because it doesn't matter what she says about her situation the audience and the guard by proxy will just end up creating whatever story they want about her so it doesn't matter she's over it. Which in all honesty fucking fair- Wouldn't anyone be after getting treated like that for going on four years.

She's far more morally grey than folks want to admit. She's not evil, not by a long shot, but she's not exactly innocent either. She's innocent of her (perceived) crime in her media, but in terms of her attitude and outlook on life, I feel people downplay her incredibly grey actions. She uses / used compensated dating as a way to feel "warm" without forming emotional attachments. She hasn't killed anyone, nor has she manipulated anyone into killing for her, but that's why she's a good representative of a more everyday morally grey person. Her actions aren't outlandish or extreme, and if anything she can fade into the background with relative ease, yet I still firmly believe she's morally grey. tldr; Yuno has far more depth than the (general) fandom sees her as having. She gets misrepresented and her voice as a character is often unheard.