#the mark of zorro 1940

[animals-in-old-films]

Birds in The Mark of Zorro (1940)

[ariel-seagull-wings]

FICTIONAL CHARACTER ASK: DON DIEGO DE LA VEGA (FROM THE MARK OF ZORRO)

Asked by: @aragarna

@thealmightyemprex @goodanswerfoxmonster @themousefromfantasyland @the-blue-fairie

Favorite Thing About Them: How inteligent he is! He learns the situation is against him and his allies because of the extreme cruelty of who is in power and how strong the army is, so to not call attention to himself, he portrays the role of a pompous, futile, lazy and cowardly fool, treatening his respect by his family and friends in the proccess, but helping himself to be in the gracess of the tyrants in command so he can more clearly strike against them as Zorro when they least expect and help the people of California gain courage to resist opression.

Least Favorite Thing About Them: Not a fan of him calling his love interest "child" as complement, (expecially knowing actress Linda Darnell was still a minor when casted to be the romantic leading lady of Tyrone Power's Diego)

Three Things I Have In Common With Them:

*I have a bit of sarcastic sense of humour;

*I think playing the dumb fool is a great strategy of survival;

*I enjoy a good bath;

Three Things I Don't Have In Common With Them:

*I am not born in California;

*I am not rich;

*I can't fence, ride horses and dance;

Favorite Line: "They heated the water from my bath too early. It was positively tepid! By the time more was carried and properly scented... Life can be trying, don't you think"?

brOTP: Friar Felipe.

OTP: Lolita Quintero and Captain Esteban Pasquale.

nOTP: Inês Quintero.

Random Headcanon: His children and grandchildren, independently of gender, will carry on the title of Zorro, so he can get a tranquil aging with his wife Lolita.

Unpopular Opinion: Tyrone Powel should be more popular with Zorro fans because he is probably the actor who best worked the duality of the dandy Diego de la Vega and the brave rogue Zorro.

Song I Associate With Them:

El Sombrero Blanco

Favorite Picture of Them:

[driveintheaterofthemind]

Vintage Poster - il Segmo di Zorro (The Mark Of Zorro) (Italian)

Art by Anselmo Ballester

20th Century Fox (1946)

[starry-bi-sky]

thomas wayne au excerpts - things that could've been part of a grander fic except there's no grander fic

thomas wayne au - an au i made last year where danny is literally just. thomas wayne. his full name was Daniel Thomas Fenton and he started going by Thomas Nightingale after he was disowned. because of course. here is a link to the first post if anyone wants to see a more in depth view of the au (its also the start of me using the ‘danny fenton is not the ghost king’ au lmao

additional info: bruce is the result of a failed cloning attempt from vlad - vlad used a combination of danny's dna and an unnamed girl (Martha's) to make him to try and balance out the ectoplasm use. this resulted in a slightly liminal but otherwise completely human and stable baby boy. Bruce is, by all accounts, Danny's biological son. Danny named him Bruce

Danny was 24 when he died, he took in Bruce when he was 16. He is, so far, a single father in this au. (But if I WERE to add martha she wouldn't be sam or a DP character but rather a separate character on her own.)

Essentially they would go as:

Martha, 19: water does terrifying things to corpses

Danny, 19, half ghost: *heart eyes* really? tell me more they're morticia and gomez your honor

---- Like starlight -----

Bruce's father could light up a room. He was like a sun, his gravitational field could just pull you in, and before you knew it you'd be orbiting around him like one of his many planets.

He's seen it in action before, in the rare moments Thomas Wayne would allow him to accompany him to the socialite events he went to; the fundraisers; the charities. Bruce, as tall as his father's waist, would cling to his leg and watch as people drifted towards him and his star-blinding smile.

It's fitting that his father's favorite thing in the world were stars, he fit right in with them.

As an adult, Bruce has tried copious amount of times to mimic him. To try and capture a fraction of that light, that charm, in his own act - but here's the thing. Thomas Wayne wasn't made of starlight only in front of the cameras, he was made of starlight outside of it as well.

(So when older socialites laugh and tell him he's so much like his father, Bruce just thinks they are liars. They've only ever seen the Thomas Wayne his father showed them, Bruce is nothing like his father.)

In the manor, whatever room he stepped into seemed to brighten, and maybe it was just Bruce's own child-memory fuzzing it to raise his father onto a pedestal, but he stands by it. His father was a solar system, his very own galaxy. Bruce was just the lucky planet that was close enough to orbit him.

--------- arrival time ------

Ancients, ancients, what the fuck convinced Danny to ever go to Gotham of all places? Crime Capitol of the world? He's not sure, but he's been wandering around the country for the last few months, swapping between flying late at night as Phantom, and taking the busses and trains when he had the money, and was too exhausted to fly.

And of course, what convinced him to come here with his kid no less, who was just at the cusp of turning a year old? Whose curiosity of the world was growing greater by the day? Who wanted to look around and explore, and was growing tired of being held at all hours of the day by his father.

But he was going to be held, at least for as long as they were in Gotham for. He didn't trust the stuff on the sidewalks, and he didn't trust the people walking on it. Bruce was tiny, and Danny would lose his mind if he lost him in a crowd.

In his arms, Bruce whined and wriggled, pushing at his shoulders in the signature way he did when he wanted to be let down. Danny tightened his hold, and adjusted his place on his hip.

"I know, bumblebee." Danny muttered, resting his chin on Bruce's small head. His hair was still thin, but it was dark and soft, and tickled his throat a little. "But not yet, I need to find somewhere for us to stay first."

He needed to find somewhere for them to stay, permanently. He couldn't keep living like this, and he couldn't let Bruce grow up like this either. Constantly moving, homeless, unsure of when he was going to eat next? It wasn't good for him. But he needed to find a city he liked, and after that? He wasn't sure. Where did he start?

But Bruce doesn't like his answer, he whines at him, louder, and his wriggling increases. He wants down, he wants to move. They were in a new place again, he wanted to explore. He's too little to fully understand what his dad's saying. "Dada." He said, his voice thick with the accent of a child first learning to speak.

"I know," Danny repeats, stressing the word as his eyes flitted about. There was a park nearby -- maybe he and Bruce could stop there for a bit. Bruce could move around, and Danny could figure out his next move.

It was getting dark, he didn't want to be out in Gotham when it was dark. Shuffling, he moved the inside of his jacket to wrap around Bruce better. It was getting cold, too. Last winter with Bruce had been hellish - Bruce's liminality meant that Danny's immunity to the cold hadn't been passed down to him. Danny had spent all winter terrified that Bruce was going to get sick and die. He didn't want to go through that stress again, especially now that Bruce would be moving.

He hoped they could find new living arrangements soon.

---- dniwer eht klolc - clockwork's conversation ---

Laughing quietly as Bruce ran out of the room, Danny turned his attention back to the mirror, his fingers curled around the knot of his tie. They'd been planning this outing for weeks since the movie was first announced, and Danny wasn't going to let anything ruin tonight.

Humming under his breath, his hands fell from his tie and he steps back. They were leaving in half an hour, at best, but experience from the last six years has taught Danny that he wants to be ready before then.

In his reflection, the clock behind him stops ticking, and a wave of nothing washes over him, a subtle shift he's gotten used to that was the sensation of time stopping. Ticking, soft and coming from all four sides of the room, filled his ears.

Danny's smile drops. And behind him, Clockwork swirled into existence like a blackhole reversing its pull. "Don't go out tonight, Thomas." He says, his voice stern.

That wasn't happening.

He reaches up to push back a loose strand of hair out of his face. "Does something happen to Bruce, Clockwork?" He asks, his voice deceptively calm. That would be the only reason he would postpone tonight. If it endangered Bruce, then he would just have to break the news to him that they'd have to go tomorrow.

In the reflection, Clockwork's lips thinned, pressing together tersely. He looked tense, the grip on his staff was tight, tighter than Danny's seen it before in recent years. And it worried him a little.

Clockwork is silent for a few seconds, hesitant, before he finally speaks. "No, Bruce will be fine." He says, and uncharacteristic of him, he shuffles, "But--"

Ah, good then. Danny's smile returns briefly across his face. Then it could be something Danny can handle. "But nothing then, Clockwork." He says, interrupting the Ancient firmly. He leans back slightly to look over himself again in the mirror, before going to undo his tie. He's changed his mind about it.

"Boo has been looking forward to our movie all week, I'm not crushing his hopes by changing my mind last minute." In just a few seconds the tie was off his neck and tossed onto bed behind him. And Danny was reaching over the dresser beside him to grab a pearl necklace, he normally didn't wear it, it belonged to Mrs. Wayne and he inherited it after she and Mr. Wayne passed away last year. It wouldn't hurt to wear it for a special occasion like this.

Clockwork's lips tightened, and his shoulders tensed up. "Thomas," He says lowly, "Please."

...Clockwork never said please. Danny's never heard him say please in the last ten years he's known him. This... must have been pretty serious -- but, his core tugged at him. He couldn't cancel without finding the reason why. Bruce was so important to him, Danny couldn't break his heart with this without learning why. He wouldn't allow it, and neither would his core.

He hooks the necklace around his neck and turns to face Clockwork, frowning deeply. "Does something happen tonight?" If he knew the reason -- he just needed to know the reason.

Clockwork stares at him, and something that Danny can't catch appears across his face. "...I cannot tell you." He says after a long moment, his voice quiet.

That... is not the answer Danny wants. He won't cancel.

He frowns. "If something happens tonight..." He says slowly -- Clockwork said that Bruce is unharmed. That must mean Danny was able to handle it. He allows himself to smile reassuringly, and he steps forward to clap a hand on Clockwork's shoulder. "Then I will handle it, alright? I promise."

He gets no response back. Clockwork's expression unreadable as he nods silently - Danny's anxiety curls in his gut. He's being so unlike himself. But he shakes Clockwork's shoulder gently and steps around him, leaving the room.

After a minute, he feels time return to normal.

[tyronepowerblog]

Tyrone Power on the set of The Mark of Zorro (1940)

[wintercorrybriea]

The Mark of Zorro (1940) dir. Rouben Mamoulian

Costume design. Travis Banton

[atomic-chronoscaph]

Tyrone Power - The Mark of Zorro (1940)

[browsethestacks]

Vintage Poster - Zorros Mãrke (The Mark Of Zorro) (Swedish)

Art by Gosta Aberg

20th Century Fox (1940)

[jackbeauregards]

Basil Rathbone in The Mark Of Zorro (1940)

[animals-in-old-films]

The many animals in The Mark of Zorro (1940)

[ariel-seagull-wings]

GOOD VIBES CHALLENGE: THE MARK OF ZORRO (1940)

@thealmightyemprex @goodanswerfoxmonster @angelixgutz @the-blue-fairie @themousefromfantasyland @princesssarisa @amalthea9

So, my introduction to the figure of Zorro was the 1998 film The Mask of Zorro staring Antonio Banderas. Later i watched a comedy version of the character in the brazilian telenovela Bang Bang (2005) where he was a side character who had a hair saloon, and some chapters of the colombian telenovela Zorro: La Espada y la Rosa, based on a novel of the same name by chilean writer Isabel Allende. In 2016, i checked the 80s comedy parody Zorro: the Gay Blade.

And now, for the first, I checked out this 1940s film encarnation, wich is the first sound film portrayal of Zorro.

This movie opens with our hero, rich spanish-californian heir Don Diego de la Vega, arriving from his military studies in Spain to return to California, where he discovers his father, Don Alejandro, has suffered a political couo that forced him to renounce the govern of California to the greedy Luis Quintero and the violent military captain Esteban Pasquale.

To help his father and the people who are opressed by Quintero and Pasquale, while wanting to avoid calling attention to himself, Diego pretends to be a vain and cowardly bon vivant who does not cares for politics that wants to be in the good graces of the new govern, while in the shadows he assumes the identity of the heroic masked revolutionary Zorro, who takes back for the people the riches that Quintero and Pasquale have taken away.

In paralel to this, we follow the romance between Diego and Lolita, the young niece of Luis Quintero, wich causes the jealousy of Dona Ines, who, despite being married to Quintero, wishes to have Diego for her lover.

This is a classic simple story of a good hero who fights to triumph against evil doers, with a dosis of idealized romance.

The touch of complexity is in Tyrone Power's performance as Diego de la Vega, the arrogant dandy who aparently doesn't want to get involved in the political struggles of California and so has a hard time to be respectsd by his father, his friend Friar Felipe and, Lolita, at first, and the brave Zorrob, who strikes terror in the soldiers and is admired by the people as a simbol of hope to better the lifes of the peasants of California.

While the character himself is very complex, the plot itself is acessible and easy to follow and enjoym

The love triangle between Lolita, Diego and Dona Ines brings an interesting touch of fairy tale, with Dona Ines and Lolita having a dinamic reminiscent of the conflict of Disney's Snow White and the Seven Dwarfs for the title of most beautifull lady in the land.

We also are graced with a touch of humour, in both the early interactions between Diego and Lolita, Luis Quintero and his cowardice, and the priest Friar Felipe, who, while a religious man, is not above getting into physical fights if it means helping the people and resisting opression (a highlight being when he is beating soldiers and asking forgiveness to God each time).

This movie is a needed breath of escapism and fantasy, reminding us of why is important to believe in the existence of good in the world, and I highly recomend it.

[blackswaneuroparedux]

Il faut aller à l'escrime comme on va à la danse; il faut aller à l'escrime comme on va à  la guerre.**

- Émile Mérignac, Histoire de l’escrime (2 tomes), Imprimeries Réunies (1883)

**One must go to fence as one would go to dance; one must go to fence as though one were going to war.

Tyrone Power and Basil Rathbone in The Mark of Zorro (1940)

[driveintheaterofthemind]

Vintage Poster - The Mark Of Zorro (French)

Art by Joseph Koutachy

20th Century Fox (1946)

[omgkalyppso]

OC's in Threes

Rules: Post three pictures or images you feel relate to a character. They can be face claims, famous artworks, photos, or anything you think fits the Vibe™.

I was tagged by @razrogue (: Thank you! I'll tag @boghermit, @bosspigeon, @umbralstars, @lucius-the-sinful, @evilponds, @luinen-bluewater, @bladesandstars, @tadpole-apocalypse, @jackalopedread, @ghostwise, @retconomics, @recurringwriter and YOU.

Faedolyn - fe3h

First image source: Merili Magin on Pexels

Second image is The New Bracelet - Henryk Siemiradzki

Third image source: KILART (choe, heonhwa) on Artstation

Avery - fe3h

First image source: x

Second image source: Bound Leather Zine, ph. Steven Harwick.

Third image is from the film The Mark of Zorro (1940)

Borgakh - various

First image source: xingxing zhou on Artstation

Second image seems to have been reposted on several tattoo sites.

Third image is on pintrest under "Nott" as in the critical role character but whether the photo is cropped from someone's cosplay or taken from elsewhere I dunno.

Aoibhinn - d&d, bg3

Étoile - bg3

First image source: Deepak Maurya on Pexels

Second image is from The Lost Boys (1987)

Third image source: Eric He on Artstation

Determination - d&d, bg3

First image is reposted all over the internet. The closest possible credit seems to be Katie makeup, but that too might be a reposted lie?

Second image source: Sanha Kim on Artstation

Third image source: Lonwa A on Artstation

Eugénie - fe3h

First image source: An Ottoman gem-set parcel-gilt miniature Dagger with the tughra of HIH Princess 'Adile Sultan (1825-1898)

Third image is The Duel (1884) by Emile Antoine Bayard

[tyronepowerblog]

Tyrone Power in The Mark of Zorro (1940)