#the most emotionally engaging soundtrack

[antisocialxconstruct]

You already made me play shadowrun, convince me to play elden ring as well 👀

oh HMMMM an interesting challenge :o

In one sense it might be an easier sell to you personally, I know you're more into fantasy than scifi to begin with and Elden Ring is definitely a familiar "swords and dragons and magic" kind of setting, albeit with the gothic and eldritch sensibilities you'd expect from FromSoftware. In my opinion this is a major selling point, it feels distinctly high fantasy without just feeling like, y’know, Skyrim But Harder. (And considering I'M someone who's definitely way more into scifi than fantasy, I feel like it's noteworthy that I was still really compelled by the setting.)

The infamous Soulsborne Difficulty is obviously the big sticking point for most people. I can't confidently compare it to other Fromsoft games, but I can say that as someone who doesn't have a ton of experience with soulslikes and generally doesn't think of them as a genre I'd actively seek out, I DID eventually get extremely comfortable with Elden Ring. It can be challenging if it's not a gameplay style you're familiar with, but especially early on you have a lot of opportunities to experiment and mess up long before mistakes start feeling really costly, so it's a good time to try a lot of things. Look up guides, read the wiki, skim some recommended builds... that way if you realize you picked a starting class that doesn't have optimal stats for the skills and weapons you want to use, you can reroll early (unlike me, suffering with a steep faith handicap despite it being like the second or third most important stat for my build =_=) Also, just approach the game with the knowledge that you WILL die and you WILL have to try things more than once, especially if you're not well versed in the genre. I feel like it's much easier to have fun with this kind of game if you approach the challenging fights as earnest attempts and experiments to build a strategy on, rather than "failures" that just mean you have to Do Better. And of course, if something is just too hard to be fun... you can go somewhere else 🤷 hardcore fans might be horrified by my approach but often I would drop one thing that was too hard and wander off somewhere else, get caught up in some other quest line or dungeon or something, and come back to the first challenge so long later that I would be comically overleveled and just get the satisfaction of steamrolling it.

The equally infamous Oblique Soulsborne Storytelling is probably the OTHER major sticking point, and on that I have to say... it is extremely oblique lmao I think @axperjan got way more out of the lore than I did because they actually stopped to read item descriptions and such, so I guess my advice there would be take the time to read item descriptions if you want to know who the fuck everyone is and what they've been up to. But even with the minimal amount of lore I was actually absorbing, I still felt like I was absorbing the ~vibes~ and a lot of the time, that was enough for me to feel like I understood the kinds of struggles and conflicts I was dealing with and how I was meant to feel about them. I got very invested emotionally in several specific characters, and actively want to play the game again in order to absorb more about others and understand them better. Overall I really enjoy the tone of Elden Ring's narrative: there's an unavoidable sickness and despair to the world you're exploring, but an equally clear and distinct note of hope and optimism, a feeling that everything is on the brink of a dramatic change and an earnest desire for that change to be for the better, even if the cost is high.

The game's soundtrack and art direction are beautiful, and MOST of the combat encounters (especially boss fights) feel elegant and satisfyingly structured, so even if you never engaged with the story or lore even a little bit you would get the pleasure of playing through an expansive and competent work of art. There are definitely some recycled maps and enemies that can feel a bit tedious after the first couple times, and some sequences that feel just a little too mean-spirited to be fair, but maybe that's a bit inevitable and in my experience even the ones that made me rage-quit for a night were never enough to sour my opinion of the game as a whole.

I think Elden Ring is a great soulsborne game for people who WANT to like the soulsborne genre but are intimidated by its reputation. It's not so much "easier" that it feels like a disingenuous introduction, but it allows you to be a little more patient and go at your own pace long enough to understand what the genre is actually asking of you and start engaging with it on its own terms. I'm only two boss fights away from finishing the core game and I'm excited for the dlc, which is further than I've ever gotten and more time than I've ever invested in any other soulsborne/soulslike.

Also you get a cool goat-horse and you can feed him snacks while you're riding around 🐐

[rachthepoet]

Matilda Analysis

A poignant narrative delving into themes of self-liberation, healing from past traumas, and a journey toward healthy love for the sake of oneself and nobody else. It's a testament to the resilience of the human spirit, delivered in an intimate and comforting atmosphere soundtracked by gentle instrumentation. This eloquent reminder to whoever needs to hear that it's never too late to seek the love you deserve and cultivate a life filled with joy and acceptance. Even if one must do so independently and abundantly.

The listener may not know the character of Matilda personally, but they know of her intuitively, anybody who can spare a few minutes to listen is invited in miraculously, as the song's configuration allows. And, what waits inside for those who venture? Harry sitting with his guitar, a concerned friend right as you need someone to be.

Here's a deep dive into Harry Styles' Matilda, from a poet.

Roald Dahl's 'Matilda' + Harry's Take

Roald Dahl (1916-1990) was a British novelist, short-story writer, poet, and screenwriter. He has composed many children's books, and has been bestowed the title of "one of the greatest storytellers for children of the 20th century". His knack was for writing children's books interlaced with rather dark, adult themes — like 'Matilda'.

If you didn't grow up with the book and/or haven't had the chance to read it, here is a summary for a bit more familiarity, which will lead to a more engaged discussion here! But, also, if you're familiar with the 1996 film, as many are, you should be just fine! As mentioned before, much of Dahl's works covered much darker themes. The children's book 'Matilda' speaks clearly of the following: emotional and physical abuse, tyranny, misogyny, scamming, attachment theory, and, the most obvious, child abuse and neglect.

In short, attachment theory believes that every child needs to form a relationship with at least one primary caregiver to develop, healthily, emotionally and socially. In 'Matilda', our main character lacks that primary caregiver until she meets Miss Honey. The impact of Miss Honey's warmth, care, and understanding on Matilda is so grand that trust is built (she reveals her telekinesis power to Miss Honey) and leads to a happy ending, as Matilda's attachment to Miss Honey wins over the weaker attachment of her parents — and Matilda moves in with Miss Honey, finding a loving and caring home/family at last.

Now it's time to circle it back to Harry's Matilda. I believe that Harry has taken on the role of Miss Honey as a complementary to the subject to whom he's disguised as quote-en-quote "Matilda" — a stylistic choice I have no doubt was heavily influenced by Dahl's tale. Not only is Harry a friend giving advice and refuge, but also a welcoming sense of care and a second home, which further ties into the third album's theme as a whole — debates of a house versus a home, and what home means to a person.

In the song Matilda, Harry alludes to similar situations, with direct connections to attachment theory and child abuse/neglect. As the audience solely, we don't know the specifics of the problem, but these are the main issues I grasp from the lyrics alone. Roald Dahl's Matilda, as told in the book, has much intellectual prowess — she's too smart, almost an adult in a child's body, most likely an effect of her circumstances' cause. Yet, set aside the knowledge of her adventurous nature and wits, there's no clear yes or no to answer if Matilda needs comfort. For she never cries, adamantly refusing to do so, and never seems to show weakness. She's too smart for that, after all. The single time she outright exhibits sadness about not feeling the love from her parents is when she's four and confiding in the librarian. I'm going somewhere, by the way, I promise you.

With Harry's Matilda in Matilda, lots of the same traits resurface. An adventurous spirit and a bright mind, but also the tendency to keep sucking it up and not letting one fall to tenderness, because it's been perceived in the brain as a weakness. None of what happened seemed wrong to her until a certain point. This is, apparently, no big deal, or so she says. Harry's Matilda speaks of her experiences like it's nothing at all, but it's everything. She's mighty like her fictional character namesake, so bright and lively that she can light up even the darkest days.

Upon a delicate, sadly playful melody of strings, Harry takes on the role of a friend but also a caregiver to show love to his character of Matilda. The Miss Honey, as alluded to before. In Matilda, Harry makes it a point to show Matilda the love she never received from those who should've given it freely. He expresses that, while none of this is his business, he's been thinking about it in concern. He tells her that she can start a family that will love her, will care for her, and there's nothing to be sorry for. With a wide, bright smile and a sharp mind, Matilda, you can let it go, and you don't have to be sorry for doing so. Let us show you what healthy love feels like.

Lyric Pull Apart

[VERSE 1] You were riding your bike to the sound of "It's No Big Deal" And you're trying to lift off the ground on those old two wheels Nothing 'bout the way you were treated ever seemed especially alarming till now So you tie up your hair and you smile like it's no big deal

You were riding your bike to the sound of "It's No Big Deal" / And you're trying to lift off the ground on those old two wheels: Here a little scene is set, and provides the listener with so much context and information. It's an idyllic childhood moment to picture, riding a bike, but there are cracks already. Cracks in a carefree childhood, cracks in what should've been. The line to the sound of "It's No Big Deal" had people frantically searching for a song to connect, but, from the language used, I never thought of it that way. Rather, it's the soundtrack of dismissiveness, instigated by those Matilda is surrounded with. There isn't a soundtrack of laughter or encouragement, but rather a shrug. It's in the frame of something heard, not something spoken, or, extending, something felt. To the details, the image of the bike is given as those old two wheels — tired, worn, maybe even inadequate. Strong symbolism there.

Then, trying to lift off the ground gives many implications and layered feelings. There's the literal, with a kid trying to play about and do cool tricks, alone on their old bike, maybe dangerous tricks, leaning into the absent parental presence, and maybe seeking attention. There's the symbolic, the imaginative, the evoking of childhood nostalgia and yearning. There's the metaphorical, to fly, rising above where they are stuck, an ache to escape.

Nothing 'bout the way you were treated ever seemed especially alarming till now / So you tie up your hair and you smile like it's no big deal: Those who've experienced trauma may feel or are told that their mistreatment is normal, and/or they shouldn't be the ones to complain because others have it worse. Therefore, they won't speak out because their minds have been conditioned that their issues are nothing to speak of. An internalization. But, as distance and time are gained away from the situation, realization becomes stronger than internalization.

Then, So you tie up your hair and you smile like it's no big deal curates a heartbreaking image of Matilda, self-sufficient and positive because she had to be, tying up her hair with a smile because she never saw the way she was treated as anything but status quo. It's a tragic echoing of the first line of the verse and also parallels Dahl's Matilda with the ribbon in her hair. It relates to the idea of putting on a mask, covering something up by pretending like everything is fine. Matilda, maybe, doesn't want to burden him with her problems and repeats rehearsed mantras in place of it. But, he sees straight through this, and the speaker assures Matilda that she doesn't have to hide, for he's there to listen and care.

And then we get another heartbreaking image, of Matilda as self-sufficient and positive, tying up her hair with a smile because she never saw the way she was treated as anything but normal, and a tragic echo of the first line, where she smiles “like it’s no big deal” - because it’s all she’s heard, the sound of her parents saying it’s no big deal, and she believes them.

[CHORUS] You can let it go You can throw a party full of everyone you know And not invite your family 'cause they never showed you love You don't have to be sorry for leavin' and growin' up, mmm

But the chorus is telling Matilda directly: you can let it go. It's so comforting and beautiful. He is reassuring the character of Matilda that she can drop the smile and acknowledge the inevitable pain caused (see verse 2), and then let it go and let herself grow. It's a gentle, validating way of saying that she didn't deserve the pain back then and doesn't deserve to hold onto it now. The speaker suggests that Matilda, and by extension the listener, has the power to create a new life for herself — one filled with people who have genuine care for her and those who provide the love that has been missing. Attachment theory.

You can throw a party full of everyone you know and not invite your family 'cause they never showed you symbolizes a break from the past and the forging of a new path defined by one's autonomy. Her family, the site of all of this complication and guilt and hurt, whom she now acknowledges caused her pain and never showed her the love she deserved. But now she can go out and seek that love. A reminder to Matilda that she can seek happiness elsewhere and build a chosen family based on love and respect.

Then, the ending line, You don't have to be sorry for leavin' and growin' up, is so important. When trying to extract oneself from an abusive environment, the blame will be twisted and put on the victim. They might try and make Matilda a stranger as a repercussion for her spreading her wings and thriving in the absence of their negative influence. And, here, the speaker is reassuring Matilda that you don't have to feel sorry for leaving and growing up. And, the language choice is interesting, for saying growing up akins it automatically to something natural, something that's bound to happen. Something you shouldn't feel guilty over. He says to Matilda that she should never feel apologetic for her growth.

[VERSE 2] Matilda, you talk of the pain like it's all alright But I know that you feel like a piece of you's dead inside You showed me a power that is strong enough to bring sun to the darkest days It's none of my business, but it's just been on my mind

Matilda, you talk of the pain like it's all alright / But I know you feel like a piece of you's dead inside: This is the only time within the song that there's a direct address to Matilda, although there's an underlying assumption that the song is being spoken to her throughout. This direct address serves a purpose though, as I believe it amplifies the words that follow it, you talk of the pain like it's all alright. While verse 1 framed Matilda as a child, this verse (verse 2) frames Matilda as an adult. She is doing the same thing, the same coping mechanisms, that were instilled in her when she was a child — "it's no big deal" and "it's all alright".

Closely followed by but I know that you feel like a piece of you's dead inside is where the speaker, in one of the few lines in the song to reference an "I", acknowledges Matilda's pain for her. He makes it known that he can see the pain that she's in, even as she tries to dismiss it. It also acknowledges a major recognition of the loss of self due to this past trauma and pain.

You showed me a power that is strong enough to bring sun to the darkest days: This line is just so gorgeous. I have such love in my heart for it. And I feel like many overlook the intention with the word choice, which lends to its touching nature. Choosing the words you showed me a power versus you are the sunshine in the darkest days (or something along those lines) changes the meaning, and makes more of a splash. The meaning shifts from you are sunshine, you are goodness, you deserve to be loved — which is not without its own lovely connotation, of course — to being around you, you radiate this energy and you can teach other people how to love.

In companionship to what's been told about Matilda, to imply that she has this power to bring the sun to the darkest days, to teach someone how to find the sun in their darkest days when she has experienced dark days... it's beautiful. And it's so important to notice that detailed difference and reiterates the notion that as sad of a song as Matilda is, it's also incredibly empowering.

It's none of my business, but it's just been on my mind: And then, the speaker takes a step back. It's not about his experience, and he acknowledges that separation, but does not withdraw his care or concern. It's none of my business is a delicate way to respect Matilda's boundaries regarding her past and the choice of what her relationships look like. He doesn't want to tell Matilda what to do and deny her agency, for then he would become just another one of the people who mistreat her. But it's just been on my mind illustrates the care of the speaker once more, a complement to what precedes it and to the song entirely.

"It's a weird one, because with something like this, it's like, 'I want to give you something, I want to support you in some way, but it's not necessarily my place to make it about me because it's not my experience.' Sometimes it's just about listening. I hope that's what I did here. If nothing else, it just says, 'I was listening to you'." — Harry Styles

[CHORUS ADD ON VARIATION 1] You can let it go You can throw a party full of everyone you know And not invite your family 'cause they never showed you love You don't have to be sorry for leavin' and growin' up You can see the world, following the seasons Anywhere you go, you don't need a reason 'Cause they never showed you love You don't have to be sorry for doin' it on your own

This is the first variation on and second iteration of the chorus, and it hits on the same themes as the first iteration. The first new line is You can see the world, following the seasons. Matilda can leave, not just her family but where she's from, and she still doesn't owe her family justification or reasons. The latter comes from the following anywhere you go, you don't need a reason. The sentiment is continued by the line you don't have to be sorry for doin' it on your own which is the repeated parallel to the previous you don't have to be sorry for leavin' and growin' up. It's so good. In one sense, it applies to the lines immediately preceding it — you don't have to be sorry for traveling and seeing the world on your own. Yet, because of the repetition, there's this parallel created that also refers to growing up. Matilda doesn't have to be sorry for growing up on her own. A grand acknowledgment that Matilda raised herself, and that comes with both sorrow and pride. The sorrow that she had to raise herself alone, but the pride that she is who she is as an adult because of herself.

[BRIDGE] You're just in time, make your tea and your toast You framed all your posters and dyed your clothes, ooh You don't have to go You don't have to go home Oh, there's a long way to go I don't believe time will change your mind In other words, I know they won't hurt you anymore As long as you can let them go

This whole ballad is truly a tour de force, but the bridge is the one to knock me off my feet every time. Much like Harry has done for the listeners with 'Harry's House', the speaker invites Matilda into his home. In the song's case, both literally and metaphorically.

You're just in time, make your tea and your toast: Tea and toast is such a cozy and homey image, and indicates this welcoming, specificity in welcoming into routines, like a fresh pot of tea and a nice piece of toast in the middle of the afternoon. There's no push or rush, as indicated with the you're just in time, as it was and will always be based upon Matilda's timeline. It's a sense of found family and a safe place to land after she's previously seen the world, followed the seasons, and all that. Welcome home, welcome to the party, welcome to the place where you can be you without begging for the allowance to do so.

You framed all your posters and dyed your clothes: I think this is a beautiful way to signify that somebody grew, focusing on the smaller details. But, additionally, there's a full circle moment, calling back to childhood — experiencing the small joys she never had the chance to, as her childhood was spent in a survival state. You framed all your posters and made this new house a home with favorite things from your childhood, now with an added sense of sophistication that was missing previously. You dyed your clothes, changing them to better fit a new stage of life. Parts of Matilda's childhood can be brought into adulthood with her, and reinvented to be rid of the negative connotations that may still be attached. You can let it go.

You don't have to go / You don't have to go home: The speaker reintroduces himself in the song to speak and bring more reassurance to Matilda, with nurturing and welcoming at the forefront. You don't have to go away from where we've invited you, Matilda, with your favorite teas and the way you like your toast, you don't have to go away from this place of people who love you for you. You don't have to go home reminds Matilda that she doesn't have to go back to the people and place she cut ties with, and that's okay. the use of the word home has intrigued me for quite a while, but I think it indicates that Matilda is still presently on the journey to let go of her past.

Oh, there's a long way to go / I don't believe time will change your mind / In other words, I know they won't hurt you anymore / As long as you can let them go: These last lines of the bridge importantly acknowledge the journey — not just of life, and not just the growing up and traveling and exploring — of healing. It's a bittersweet moment here, gently saying there's a long way to go. It isn't solved, it isn't over — for nothing ever is packaged up that neatly in reality. I don't believe time will change your mind, to me, is him saying that it won't be as simple as letting time fall between her and what happened. A lot of blood and tears is going to have to be shed to truly get to the point where it's not a constant background ache. Leading into, I know they won't hurt you anymore as long as you can let them go. Matilda, you need to give yourself permission to let this all go, both the situation and the facade you've been putting on. Let yourself feel, then let it go.

[CHORUS ADD ON VARIATION 2] You can let it go You can throw a party full of everyone you know You can start a family who will always show you love You don't have to be sorry for doin' it on your own You can let it go You can throw a party full of everyone you know You can start a family who will always show you love You don't have to be sorry, no

The shift in the final chorus can be undetectable if the listener isn't paying attention. But, once it's caught, it's impossible to miss again. This is a second variation of the chorus, on its third iteration. In the earlier verse of the chorus, the third line was And not invite your family 'cause they never showed you love. But, after Matilda has worked to let them go, it evolves to You can start a family who will always show you love — highlighting the beauty of found family, a family of choice. And with this evolution in the chorus, the meaning of doin' it on your own has changed, because rather than a reference to growing up or leaving and traveling, but starting a family, one who will love you, and Matilda has done it with her own autonomy. It's the next step on the road to healing, and there's always this reassurance that Matilda can do this on her own. He gives the power back to her and puts it in her palms, for she is strong and she is resilient.

Therefore, the whole message, the thesis statement of the song, lies in the final line: you don't have to be sorry. The song of Matilda is a conversation between her and the speaker, and in response to her unspoken guilt. In the various forms and layers, the repeated lyrics and parallels, context stacked on context, the listener — us, the spectators — is enveloped in the depth of Matilda and her journey. But, in that final line, all specificities and complexities are stripped, to simply conclude it all: you don't have to be sorry, let go of the guilt, and you can be happy.

Matilda left me reeling in a puddle of tears on the first listen, and my emotions are instigated with each listen after. Pieces that send me into a wave of emotions set off a green light, they'll always be my favorite. In a way, Harry has become our Ms. Honey in times we've felt like Matilda, gifted us a chosen family with those who bond over his music. Much like this song, beautiful and evocative it is.

A grand indicator of a great writer is the ability to write so deeply about experiences not necessarily connected to them and their own experience. The times where Harry is the 'outside looking in, narrator of other people's experiences' songwriter has always been something I admire, and the songs I find the most intriguing to study. There's a full narrative, and we are brought into the same emotions Matilda was experiencing at the moment, therefore fully enveloping us in the story. I don't know, you just feel it. And I love that you just feel it.

And he takes such care and consideration with this delicate story. He doesn't have to name them specifically or be overbearing with identifying details, but cleverly uses well-known themes of the Dahl children's book to explore feelings and show understanding. It's a warm song full of strength and bursting with love. A seldom promise to always be there and understanding to a friend who's felt alone and misunderstood in a time when they should've been heard. Making sure they know their power and the power of care and nurturing. And Harry, in Harry's House, will always show you love.

dedicated to this anon <3

Thank you for reading, you’re absolutely incredible! If there are any songs you’d like me to make an analysis of, please send your request to my inbox! along with any questions or insights you might have yourself!

[best-underrated-anime]

Best Underrated Anime Group D Round 1: #D4 vs #D5

#D4: Two kids join in hunting monsters and uncovering secrets

While in search of his precious friend, a young boy named Nai falls captive to a beautiful woman, whose looks are matched only by her taste for human flesh. Meanwhile Gareki, a clever thief, is in the midst of robbing her luxurious home. After causing a distraction, Gareki agrees to help Nai escape, but they are discovered upon the woman's return. As she transforms into a ghoulish monster, the boys flee.

On the run, Nai and Gareki are found by “Circus,” a government defense agency that deals with criminal activity too difficult for the police to handle and protects civilians from “varuga”—terrible monsters that devour humans for sustenance. In the hope that it will lead Nai to his missing friend, he and Gareki decide to join Circus. On their perilous journey, they face dangerous varuga and begin to uncover the secrets behind a shadowy organization known as Kafka.

#D5: Three brothers work together to stop an ancient evil

The story follows the Kumo brother, three well-known samurai brothers who send criminals to the secluded prison Gokumonjo in the middle of Lake Biwa. Together with the former Fuma ninja Shirasu Kinjou, the Kumou brothers live a frugal and joyful life, mostly dedicated to studying and training. However, the Kumo brothers soon learn how they are tied to the Orochi’s vessel, a human host possessed by a demon serpent from ancient times, and how they are destined to destroy it once and for all.

Titles, propagandas, trailers, and poll under the cut!

#D4: Karneval

Propaganda:

Karneval has two of the best protagonists I’ve ever seen. Gareki is superior to every other teenage boy protagonist in anime. His character arc, even in this one season that covers just a fraction of the manga, is so well-developed. I like that his arc is an emotionally driven coming-of-age and not a power fantasy.

Along with the main characters, Karneval has fantastic characters across the board. There is not a single supporting character I don't love (even the ones who annoy me). None of the female characters are reduced to love interests and are all unique and interesting, which can be hard to find sometimes in anime.

It is made by a female writer, which is always great to see, and for people who aren't really interested in romance, the anime is extremely friendship and found family driven. The found family aspect is really at the forefront of the series as Circus is not a glorified group and they don't get to have families which makes the bond between members so important.

The tone balance is amazing. In one episode, you can go on an emotional journey from laughing to crying in seconds. The plot is engaging with wild reveals and compelling mysteries to follow. The fantastical world is unique with the contrast of the dark monsters in a bright and colorful world. If you watch it in Japanese, the voice cast is so good and the soundtrack is also really good.

TL;DR it’s an interesting story with amazing characters to whom you will get attached.

Trigger Warnings: Graphic Depictions of Cruelty/Violence/Gore, Misrepresentation of Dissociative Identity Disorder (DID)

#D5: Laughing Under the Clouds (Donten ni Warau)

Propaganda:

I found this series absolutely entrancing when I originally watched it, the portrayal of the characters and themes is really interesting to watch.

It tells a fantastic story about trying to defeat a legendary evil that can corrupt those around it to do its biding, all the while mixing in comedy and really heartfelt moments between family. For a 12 episode series they did a really good job of tying up any loose ends and finishing the plot, some things could have been expanded upon a bit more, but for what it is they producers did a wonderful job.

The series might not be the most groundbreaking anime ever, but it does have some lovely moments and explorations of its characters. I really like the themes of family, and wanting to do anything you can to help the people you love, it’s always nice to see and I think it’s done really well in this anime.

Trigger Warnings: Graphic Depictions of Cruelty/Violence/Gore, Suicide.

If you’re reblogging and adding your own propaganda, please tag me @best-underrated-anime so that I’ll be sure to see it.

[daz4i]

Hi hi my love!! ^^ So you asked for asks right? :3 I realize a lot of the times when I send you these I tend to ask you to rank stuff lol so I guess I'll lean into it? How about top 5 (or 10 if you have enough) anime series or top 5 (or 10) animated movies? :3 It's pretty general but I figure it should give you a lot of room to go over some of your favorites ^^ Sending love and good wishes!!! ❤️

ehehe thank you my love 🥺👉👈🖤🖤🖤🖤🖤

i wanted to do both but then i did the top 5 anime and i got very carried away with my explanations so i kept it as just that. anyway:

1. haikyuu!! probably my favorite show ever tbh. i think hq has a perfect story, like it uses its genre to do everything right, and its impact on the outside world is amazing as well. as for the series itself, it's just beautiful (ignoring that one episode in season 4) and has a very unique style, stellar voice acting, awesome soundtrack, delicious symbolism, and it really gets you hyped for volleyball :P it's very easy to get attached even to the most minor character bc the story is written in a way that lets almost everyone in this HUGE cast (well over a 100 or even 150 named characters, i'm pretty sure) shine, and you're guaranteed to find someone you like. the only downside is you'll probably end up rooting for every team so eventually a team you like will lose a game (likely to another team you like) and that hurts every time fr. and still!!!!! it manages to be so feel-good and optimistic and really gets you pumped and inspired!!!! i think anyone who is even just open to try sports anime should check it out, it's def one of the most accessible I've seen in that genre (in a sense that it doesn't expect you to already be familiar with the sport to understand the story)

2. honestly?? osomatsu-san. probably bc it's very dear to me like emotionally, season 2 was still releasing when i was stuck in the hospital for a few months, and it was like a light i held onto every week (i was also following a few mangas back then but those were harder to follow. due to oso-san's skit nature it was always a good time) and i mean, ichi was my first f/o before i even knew that term existed hehe. it's one of these shows i wouldn't actually recommend to anyone unless i know they're ok with gross or edgy humor but i do think it's really good, i love how meta it is, and i think it uses its premise to deliver maximum entertainment!

(oh my god that was so much gushing abt a silly skit show i am so sorry <- guy who wrote most of the hq gushing after typing this part up. he was not aware)

3. ok so this one's really niche, idk if any of you have even heard of it heh. it's called bungou stray dogs-

ajdkflhlh while i have my gripes with how they adapt the manga, i do still think it's a very good anime as is. it was good enough to get me hooked on the story and characters and want to learn more and follow the story further, yknow? it's beautiful and i love its use of colors for symbolism, it has really great voice acting, and the energy is kept up throughout it enough to remain engaging. it's honestly a show I'd recommend everyone to at least try 🤔!

4. persona 4!!!! from one mediocre adaptation to a GREAT adaptation. i think p4's anime is really really well made - it manages to translate a game this long into a coherent and interesting story, gives its characters time to shine, and maintains a perfect balance between fun and emotions. also it has probably the best dub I've ever heard. naoto's anime voice dni. also i think episode 26 is a true masterpiece i think everyone should watch it

5. ngl. it's a three way tie for me. between shows i only watched once and don't have a lot of attachment to beyond that, but i think they're really good for very different reasons. gekkan shoujo nozaki-kun / great pretender / blue period. i won't go into details on why i love them all bc this post is already long enough. but if you're reading this you should check them out 🫡

also if this post convinces you to check out any show mentioned here you legally have to tell me ok? esp if you end up liking it 🧐🔥🔥

[denimbex1986]

'Andrew Haigh’s emotional fantasy drama projects luminous rays of romance into a swirling dustbowl of self-imposed isolation and trauma.

Withdrawn and wounded, Adam has formed a supernatural bond with his parents who died in a tragic car smash when he was 12. Visiting them regularly frozen in time, he is trapped in a deeply unhealthy coping mechanism for his devastating grief. When he meets the charismatic but troubled Harry he is forced to confront his rose-tinted regression. Through a tapestry of tenderness and trust, Adam must shrug off his supernatural comfort blanket if wants to reclaim his life and sexuality.

Haigh’s paradoxical film manages to be both heartbreakingly personal and invitingly inclusive at the same time. He uses his actual childhood home as a backdrop, yet peppers the drama with needle drops everyone can relate to. He forges a narrative of extraordinarily finite melancholia, yet encompasses universal truths. He draws simplistic intimacy from the clumsy chaos of budding romance while daring the viewer to accept, and interpret, the audacious phantasmagorical premise.

Andrew Scott is mesmerising as the vulnerable Adam, a man who is stuck in a bottleneck of loss and abandonment, obsessed with seeking acceptance and unconditional love at the idealistic altar of his dead parents. For the most part, he drifts on the outskirts of existence in a pragmatic daze of unhappiness. However, there are moments of sheer sadness that crack his stoicism like a sledgehammer. These astonishing glimpses of undiluted anguish are handled by Scott in a way that is only achievable by actors willing to mine their own life experiences down to the juiciest marrow.

The soundtrack is engaging in its familiarity, mirroring Adam’s mindset. It explores both the power of music on young minds in terms of expression and its subsequent dominance through nostalgia. Often acting as subtle signposting for the narrative it also eases tonal transitions with effortless style. Not least Frankie Goes to Hollywood’s iconic ballad The Power of Love, a song that proved a resonating anthem for those losing loved ones to the horror of AIDS in the mid-1980s.

It’s not crazy to suggest this movie could have easily worked as a musical. Indeed, during a touching Christmas tree decoration scene, it becomes just that. This sequence elicited a wave of weepy empathy from me that surprised me in its intensity. Many such scenes could swiftly ambush you too, and I wager that at least one of them will. The fact the two lovers are queer is, of course, relevant. However, it does not exclusively define the film. It is more concerned with the power and pain memories excerpt on all of us, irrespective of sexuality, and the struggle to survive in the trenches of life under fire from fate, loss, and grief. As is always the way with such emotionally honest art, how intensely you identify with All of Us Strangers will determine how much of a cathartic wrecking ball it is for you.

Haig designed his film to be a compassionate and caring cinematic hug. Indeed, it is warm, woozy, and well-meaning. But be warned, it ends up being the kind of embrace that spawns such levels of self-recognition and bittersweet catharsis that tears ducts will surely dampen its shoulders. Beautifully written and impeccably acted, it’s a stunning movie about cutting the masochistic anchors of the past and learning to live in the scary fragility of the moment.

★★★★★'

[rosyfingered-moon]

2022 roundup

Watched less tv this year than probably any other year in my life because I was mostly pregnant and queasy beyond belief, but here’s a roundup of the stuff I did manage to cram. Not only kdramas, though mostly that. (I’m probably forgetting some but these are all that come to mind rn.)

The Red Sleeve: Didn’t actually finish this because of the pain, but it was so well-made. Ambitious cinematography, great storytelling and acting. Lee Se-young really gave us the range; having only seen her poised and regal in The Crowned Clown before, I loved watching her goof off in between the angsty bits. A serve.

Hyena: I normally dislike law dramas, but the leads are so mesmerizing (and so attractive) that you root for them even when they do objectively evil work. Have never seen such palpable yearning between two characters. Jung Geum-ja is the Most.

Into the Ring: Goo Se-ra my beloved! I want more romances like this: haggard social worker and the social justice gremlin whose daily complaints he has to resolve. Enjoyed every second.

Rewatch of Kingdom and Ashin of the North: Just as brilliant as the first time around. Come on Netflix, now that HBO Max is collapsing in on itself, get with that blood and gore and get to work on season 3 already. I want to see Ashin go apeshit!!

Jodhaa Akbar: Seven months later and I still get tingly thinking about this romance. Akbar dueling Jodhaa to win her back, and showering her with jasmine petals mid-fight. Hrithik Roshan and Aishwarya Rai both looking so hot it should be illegal. A soundtrack to make the sun rise even in the bleak midwinter. This was my first visit to Mughal India but not my last! (Thank you @rain-hat for the recs, you are a gift to tumblrkind!)

My Liberation Notes: Okay I was so into the first half that I cannot even tell you. It burrowed into the darkest, weariest part of me and lit a match. But I did not care for Mr. Gu’s backstory and the ensuing foray into the criminal underworld, and somewhere around there it lost its heart.

Love Between Fairy and Devil: Jam packed with tropes. A surprisingly touching and very entertaining fantasy for the Hades/Persephone girlies. Great visuals, too!

Alchemy of Souls: Speaking of great visuals! I will admit that I hop skipped my way through much of part 1. The world-building is claustrophobically boring, which is a shame because it is so charmingly costumed. I adore the premise of a villain body-swapping into a nobody. There is some good acting in this and there is also some very bad acting. I am upset with part 2 for filing the fangs off my darling Naksu, but I do admit that the dark fairytale vibe has got me hooked. (Evil mothers sewing golden thread into the bare skin of their daughters! Our hero tormented by the furies of hell! A marriage of convenience to the resident goth! I am eating it up by the spoonful.)

Stranger Things: I feel like I am in the minority here so this is probably on me, but I thought this was the least scary and also least emotionally engaging season. I think the problem horror-wise was Vecna and that they showed him too soon and too often in his campy monster makeup. All the Russia stuff was boring af, and I didn’t like that the kids were separated all season. Eddie was however a most delightful addition to the gang. Rest in power, babygirl.

First Love/Hatsukoi: I hate amnesia plots, and I don’t understand why the characters deal with it the way they do here, or why it is never resolved or even treated as something in need of resolving. However, the leads are delightful together and their chemistry is out of this world. Would happily have watched many, many more episodes of this. (I ragged on the color-coded families to my husband, before we realized we both wore the exact same shade of burgundy. So now I’ve decided that it’s cute and not weird at all.)

Things I didn’t finish, but might pick back up some day:

Business Proposal: Chaebol heirs are such a turn off that I couldn’t even finish it for my girls.

Bloody Heart: I only saw a few episodes of this because it was so difficult to find a good stream anywhere online. Goddamn Mouse gatekeeping Jang Hyuk from me!!

Under The Queen’s Umbrella: Too many princes.

[nedlittle]

thoughts on twilight

this has been fermenting in my inbox because i saw it and immediately got into a spirited debate with my best friend over the correct ranking of the twilight films (my answer is: twilight/breaking dawn pt 2/new moon/breaking dawn pt. 1/eclipse. my best friend was trying to argue that new moon is the worst but the soundtrack fucks so supremely it saves it from the slush pile). anyway. being a twilight girl (gn) from approx. grades 5-8 was the great equalizer. it crossed boundaries. you found your most unlikely comrades in the foxholes of the twilight trenches discussing how breaking dawn would end in between subjects. it was like what i imagine model un is like. there were at least two other people in my class aside from myself who got alice's haircut (which i do think is genuinely quite cute but the thing is we were all pudgy-faced 6th graders so it was not the most flattering of haircuts. whoever is responsible for alice's hair in bdpt1 i will hunt you for sport). i would sit on my kitchen floor rereading those damn books like i was possessed and i think eclipse was my favourite but don't quote me. the only two movies i saw in theatres were the og and new moon and the memory of rolling my eyes whenever jacob took his shirt off is burned into my psyche. i continued to be repressed for more than a decade after that but to be fair i was also 12 and catholic. the first movie is a Good Movie both in that there are some solid technical elements and in that it's so funny i'm sorry. in uni my roommates and i watched all the films back to back for the first time and we were so emotionally strung out by the absolute roller coaster of emotions we experienced over the course of 10 hours that we all genuinely started sobbing our goddamn eyes out during the final battle/vision and then cried again when literally every single character is given their due in the credits bc it's just really sweet :'). then my parents stopped by for a visit like half an hour later and we were like hello. we are all normal. also the composers on those films were absolutely STACKED??? carter burwell twilight/breaking dawn both parts alexandre desplat new moon goddamn HOWARD SHORE for ECLIPSE??? howard why did you score the WORST one??? the soundtracks ripped. they had no reason being as good as they were. the last two were shot by gdt collaborator guillermo navarro and it SHOWS they look FANTASTIC. by the last two everything genuinely was camp. i think engaging with twilight in the year 2022 is a bit different than engaging with...y'know bc smeyer isn't actively on twitter like i think all trans people should be forcibly detransitioned and then burned at the stake you guys wanna see how much i can hate minorities but then there is the whole vampirism makes you white & indigenous people are literally animals i'm gonna make billions off a racist misappropriation of your tribe while you get nothing thing. i mean it's a case of Use Your Brain While Critically Engaging With Media but if you've spend actual money on something twilight-related in the past like. three years. why? pirate that shit. at least donate the same amount to the quiluete higher ground fund sidenote did you know that quiluete is one of only a handful of languages that doesn't have nasal vowels? that's neat. billy burke charlie swan performance of a lifetime. seth and leah clearwater best characters.

i got this ask before the mcr twilight show in washington happened and i just have to restate. "i want to watch you turn into a werewolf" on the drum. coming back for the encore in a team edward shirt (WHERE DID IT COME FROM. I DESPERATELY NEED TO KNOW THE PROVENANCE OF THIS PARTICULAR ITEM OF CLOTHING) simping for rpattz in the batman into your song about being asked to write a song for one of the twilight movies and saying Fuck No into the first paragraph of interview with the vampire read into the vocal distorter into your biggest banger also about vampires into the final song of the night and arguably your saddest which is about dying of cancer. thanks for coming to the show glad you enjoyed the double vampire encore now think about your own mortality.

those are my thoughts on twilight :^)

[kvibestudios]

Unlocking Film Magic: The Power of Music in Cinema

The profound influence of music on the emotionality of films cannot be overstated. From stirring cinematic soundtracks to meticulously composed scores, music serves not only as a backdrop but as a powerful story-enhancer. This is particularly true in places with a rich cinematic heritage such as New Jersey, where local filmmakers are increasingly recognizing the significant role of music in film production.

Emotional Amplification through Music

Music in film is not just an accessory; it's a vital component that intensifies emotions and heightens the narrative impact. An adeptly chosen score can turn a scene from mere visuals into a memorable, emotional experience. Think about the chilling strings in "Psycho" or the stirring melody in "Star Wars." These iconic film scores are exemplary in how they alter our perception and emotional engagement with the scenes.

Within the realm of sound design and film scoring, techniques such as the use of leitmotifs—recurrent themes associated with a particular character, location, or idea—are instrumental. The distinction between diegetic music (originating within the film's world) and non-diegetic music (external to the story's world) further illustrates how filmmakers manipulate audio cues to enhance storytelling. Employing silence or musical pauses at pivotal moments can also dramatically influence the viewer's emotional response.

The interplay of visuals and music is a sophisticated dance that, when executed well, can elicit deep emotional responses from the audience. Case studies from both classic and contemporary cinema reveal that the most poignant moments often arise from a harmonious blend of visual storytelling and musical accompaniment.

Integration Techniques

In the process of blending music with film narrative, careful thought and collaboration are required. From pre-production where filmmakers discuss the film’s emotional arc with composers, to establishing themes and motifs, this step is crucial for resonating melodies. During production, temporary music tracks can guide performances, while in post-production, the score is finely adjusted to fit the final edit, ensuring that each note and cue aligns with the on-screen action and dialogues.

Moreover, balancing the music with sound effects is paramount to ensure neither overshadows the other, maintaining an immersive audio experience for the audience.

New Jersey's Cinematic Vibrance

In New Jersey, a hub for diverse filmmaking talents, local creators are making significant strides in the music-film nexus. Filmmakers from this region are not only crafting compelling narratives but are also adept at utilizing music to amplify their storytelling. The state offers numerous resources for filmmakers to refine their understanding of music integration, encouraging a thriving filmic environment.

As we delve deeper into the symbiotic relationship between music and film, it’s clear that the auditory elements of a movie are as integral as its visuals. For filmmakers and composers alike, understanding and harnessing the power of music can transform simple scenes into unforgettable experiences. Moving forward, an ongoing exploration of this dynamic field will undoubtedly yield more nuanced and emotionally resonant films, particularly as technological advances continue to evolve the landscape of film production and sound design.

To truly captivate an audience, filmmakers are encouraged to collaborate closely with composers from the early stages, consider the emotional weight of their soundtracks, and experiment with various musical styles. Such an approach not only enhances the storytelling but also deepens the viewer’s connection to the film, proving that in cinema, what you hear is just as important as what you see.

/post/unlocking-film-magic-the-power-of-music-in-cinema

[fahadhdugitalzzz]

The Ultimate Guide to Successful Digital Branding

In the dynamic online realm, both emerging entrepreneurs and established businesses must establish a memorable brand presence. This guide, tailored for both emerging entrepreneurs and established businesses, acts as a valuable compass, Skillfully guiding you through the nuanced strategies and essential intricacies necessary to attain success in the continuously changing domain of digital branding. 1) Developing Your Digital Identity For any marketing strategy -digital or not - you need to know who you are marketing to. Generating comprehensive buyer personas is the foundation of the most effective digital marketing tactics. Buyer person represents your ideal customer and can be created by researching, surveying and interviewing providing the foundation for effective and tailored digital marketing strategies. By understanding the nuances of your buyer personas, you not only enhance the effectiveness of your digital marketing initiatives but also foster a deeper connection with your audience, creating a more personalized and engaging brand experience that goes beyond generic marketing efforts 2) The Contribution of Digital Storytelling In the second chapter, we delve into the transformative influence of digital storytelling, highlighting its crucial role in building a strong brand identity online. We explore how crafting compelling narratives, supported by engaging visuals and an emotional connection, can elevate your brand beyond mere products or services. You will learn about effective digital storytelling through real-world case studies, which will enable you to communicate your brand's values authentically and make a lasting impression on your audience in the realm of digital media. 3) Consistency Across Platforms We delve into the critical aspect of maintaining consistency in digital branding across various platforms. Exploring the significance of uniform visuals, messaging, and tone, we unravel how this cohesiveness creates a seamless online identity. Whether on your website, social media channels, or other digital touchpoints, we emphasize the importance of a unified digital branding strategy. By understanding and implementing these insights, you'll cultivate trust, enhance brand recall, and fortify your online presence, ensuring that your audience encounters a consistent and familiar digital branding experience. 4) Emotions in Digital Branding Now, let's talk about how your brand makes people feel. Imagine your brand as a friend – someone real and relatable. In this chapter, we explore the magic of adding emotions to your brand. It's not just about selling stuff; it's about creating connections that stick in people's minds. We'll show you how being genuine and relatable can make your brand more than just a product. It becomes a part of people's stories and memories. So, get ready to discover how adding a touch of heart to your digital brand can make it special and unforgettable for the people you want to connect with! This isn't just about selling a product anymore; it's about becoming a thread woven into the tapestry of their lives. We'll help you create experiences that become treasured memories, turning your brand into the soundtrack to their triumphs and the shoulder they cry on during setbacks.So, join us as we unlock the magic of emotionally charged branding. We'll show you how to ditch the transactional and embrace the transformative, making your brand more than just a digital blip - a cherished friend, whispered in every memory and etched in every smile 5)Engaging Your Audience We unravel the strategies to engage your audience effectively in the realm of digital branding.Imagine your digital branding efforts as a lively conversation, not a one-sided narrative. Here, we explore how to leverage social media platforms to engage your audience

Interactive Conversations on Social Media: Foster engagement through interactive posts, polls, and Q&A sessions on platforms like Instagram, Twitter, and Facebook, creating a vibrant and participatory digital community.

User-Generated Content (UGC): Encourage your audience to contribute to your brand's story by sharing their experiences, photos, and testimonials on social media, turning them into co-creators of your digital narrative.

Live Streaming and Webinars: Utilize live streaming features on platforms such as YouTube or LinkedIn to host real-time events, webinars, or product launches, enabling direct interaction and engagement with your audience.

Social Media Contests and Challenges: Organize fun and creative contests or challenges that prompt your audience to actively participate, share their entries, and engage with your brand in a playful manner.

Responding and Acknowledging: Actively respond to comments, messages, and mentions on social media platforms, showing your audience that their input is valued, and creating a sense of connection and community around your digital brand. Integrating these digital branding tactics into your social media approach not only amplifies engagement but also nurtures a community spirit, converting passive followers into active contributors to your brand narrative. 6) Interactive Branding Techniques We turn our attention to the dynamic realm of interactive branding, aiming to make your digital brand not just something people look at but a captivating experience they actively engage with. Imagine transforming your brand into a game, where your audience is not a passive observer but an enthusiastic participant. We explore the effectiveness of interactive content—imaginative tools like quizzes, polls, and other engaging features that invite your audience to be a part of the experience. Interactive elements are not just attention-grabbers; they create a lively, two-way conversation between your brand and your audience. We delve into the strategies for making your brand an active participant in the daily lives of your audience. It's about turning your digital presence into an exciting journey where your audience doesn't just see your brand; they actively shape and enjoy it. So, get ready to embark on an exploration of how interactive branding can turn your digital brand into an immersive adventure, ensuring that your audience not only sees but actively participates and connects with what you have to offer! 7) Transparency Builds Trust This pivotal chapter delves into the foundational principle of transparency in digital branding, a key factor in establishing and nurturing trust with your audience. Imagine your brand as a transparent window through which your audience can see who you are, what you believe in, and how you operate. We embark on a journey through the significance of openness and honesty in digital branding, where being forthright about your values, practices, and information becomes a potent tool for building an authentic and trustworthy connection with your audience. We dissect the elements that contribute to this transparency, exploring how openly sharing information and showcasing the inner workings of your brand foster a sense of reliability. It's more than just presenting products or services; it's about creating a narrative of openness that resonates with your audience on a deeper level.By the conclusion, you will grasp the art of building trust through transparency, recognizing its transformative impact on how your audience perceives and engages with your digital brand. Join us as we unravel the intricate layers of transparency, ensuring that your brand not only gets seen but also believed in by the people you seek to connect with.

[lokeshbhandarireview]

Unveiling the Gems: 30 Most Underrated Indian Movies You Need to Watch

Introduction: Indian cinema has a rich and diverse history, producing a multitude of films that cater to various tastes and sensibilities. While some movies achieve blockbuster status and gain widespread acclaim, others often slip under the radar despite their exceptional storytelling, performances, and unique perspectives. In this article, we'll shine a spotlight on the 30 most underrated Indian movies that deserve more recognition and appreciation.

1.           Ship of Theseus (2012): Directed by Anand Gandhi, this thought-provoking film explores philosophical themes through three distinct storylines, raising questions about identity, morality, and the interconnectedness of life

.

2.           Aankhon Dekhi (2013): Rajat Kapoor's film follows the journey of a man who decides to believe only what he sees with his own eyes, leading to humorous and poignant situations that challenge conventional wisdom.

3.           Masaan (2015): Neeraj Ghaywan's debut film delves into the lives of characters navigating love, loss, and societal expectations in the culturally rich city of Varanasi, offering a poignant and emotionally resonant narrative.

4.           Court (2014): Chaitanya Tamhane's National Award-winning film explores the Indian legal system through the trial of a folk singer accused of abetting a sewer worker's suicide. The film critically examines societal structures and justice.

5.        Titli (2014): Kanu Behl's directorial debut tells the gritty tale of a young man's struggle to break free from his dysfunctional family's criminal activities, providing a raw and unfiltered look at life on the fringes of society.

6.           Talvar (2015): Based on the Noida double murder case, Meghna Gulzar's film presents multiple perspectives on the investigation, highlighting the complexities and flaws within the Indian criminal justice system.

7. The Lunchbox (2013): Ritesh Batra's heartwarming tale revolves around a mistaken lunchbox delivery that sparks an unusual friendship between a lonely office worker and a neglected housewife, beautifully capturing the essence of Mumbai.

8. Killa (2014): Avinash Arun's Marathi film delicately explores the challenges faced by a young boy when he relocates to a new town, portraying the universal themes of friendship and self-discovery.

9. Ankhon Mein Tum Ho (1997): Despite being a commercial failure upon release, this romantic thriller directed by Ashim Samanta has gained a cult following for its engaging storyline and memorable soundtrack.

Read More

[daneletourneau]

Favorite Albums 2023

1. Caterina Barbieri - "Myuthafoo"

The most cosmically expansive, psychedelically active, emotionally resonant electronic music I've ever engaged with. I listened to Myuthafoo more than I think I've listened to any album (ever), and it somehow only grew in stature, and expanded in meaning, the more it repeated and resonated in my skull. Not merely looping sequences of notes on a modular synthesizer, this is fully realized electronic composition using a strict set of tools and parameters, unleashing the infinite and cosmic through creative limitations and slow, defined modulations over time.

This album was made in Berlin and it fully feels of that world to me, sitting close to my heart and soundtracking memories of my very favorite places in the city. It is both brutalist and beautiful, harsh cement and soft/green, in-your-face and soaked with reverb and space and expanse.

"Pinnacles of You", from Myuthafoo's sister album "Ecstatic Computation", was the first electronic composition that made me cry - with no words and a single, slowly modulating repeating sequence. It made me realize how much power and meaning there was in this form, this genre. Myuthafoo cements that experience for me, and captures something so precious and meaningful that I scarcely have words for it. What a record.

2. Arlo Parks - "My Soft Machine"

Arlo's second record grew on me, and grew on me, and I set it down for a while, and it just continued to grow in the back of my head until I had to pick it up again... Etc. Now it's my second favorite record of the year. I LOVED her first album, Collapsed in Sunbeams, with some of the classic sounds of British alt / soul / pop brought to the table by producers like Paul Epworth. But it doesn't feel as unique, fresh, exciting, and as Arlo, as My Soft Machine.

Highlights for me are "Pegasus" with Phoebe Bridgers, a soft, glowing composition with the most gentle and lovely production - the swirl and melancholy of "Purple Phase" - the groove and brilliantly textured vocals on "Weightless" and "I'm Sorry" - and the vivid imagery and space on "Room (red wings)".

I don't think this record got enough love this year from any major publications, so this is me saying: Get with this record and Arlo's work in general, she is brilliant and underappreciated, and is making some absolutely phenomenal music.

3. Carly Rae Jepsen - "The Loveliest Time"

Many people have told me to get into Carly Rae, and I tried a lot of records and B side records and loved some songs very deeply. But no full record of hers ever hit as different as The Loveliest Time, which is B SIDES?!?!???! from The Loneliest Time, despite being almost all A side material (by any standard). She is such a prolific pop writer and her mastery is on full display here. "Psychedelic Switch" is so addictive and happy and fun. "After Last Night" and "Shadow", produced with Rostam, are darker and more experimental, and just exceptional (both melodically and in the rhythms and synths and guitar sounds and yummy textural bits... UGH)... "Kollage" is bursting with classic 70's pop sounds.

No matter where you are in the tracklisting, all of it sounds so good, and the writing is so strong, it just feels impossible that she isn't more recognized or revered in the industry. Shame. Carly is our Canadian QUEEN. And this record is some of her finest work IMO.

4. Mikaela Davis - "And Southern Star"

This record was such a surprise. I saw a review which mentioned "harp" and "singer songwriter" and my Joanna Newsom-craving brain immediately added it without a second thought. The first minute of "Cinderella" was exactly what I wanted, and then it exploded into something else - a rollicking, country-rock record! Fronted by harp! And I loved it! And it went on repeat from there. The writing is great, and so classic and timeless that some of the songs feel like covers - "Home in the Country", "Don't Stop Now" for example. In other places we get more of the Newsom-esque, folk-indie-feels - "The Pearl", "Cinderella". It all delivers in droves, and I am keeping an eye firmly on whatever she has for us next. An artist to watch and a lovely, lovely record.

5. Half Moon Run - "Salt"

One of the best Canadian bands performing right now, Half Moon Run consistently make great records. But there are some that would say they never reached the heights of their debut, Dark Eyes, since it rocked the landscape of Canadian indie music in 2012. Well. Check out Salt. It's just as good as the debut and contains some of their finest work, including "Heartbeats" (HOW is this not a cover of a classic 70s track?!?? How do they pull this off so perfectly??), "Everyone's Moving Out East" (gorgeous, heartbreaking indie pop), "Gigafire" (with a ridiculous lead vocal from Devon Portielje), and "9beat" (featuring the groovy, alt-time-sig stuff they do so well).

6. Vagabon - "Sorry I Haven't Called"

I found this record because I saw that Rostam had worked on it... Well. Vagabon blew me away here, and this was probably the most rapid entry into my top 20. "Autobahn" broke me down and reduced me to nothing with just an organ and a vocal. The vibe and bounce of "It's a Crisis" felt perfect. The sped-up beat and atmosphere of "Do Your Worst", and the Clairo-ish drums and synths on "Nothing to Lose", all delivered something intangible that I just love in this sort of indie-pop production. Unexpected and fantastic, and highly recommended.

7. Braids - "Euphoric Recall"

A Canadian band out of Montreal, Braids have been making records for a while, apparently...?!! I'm clearly out of the loop, because something tickled the back of my mind when I saw this new record was getting some attention - I had heard this band name somewhere before. Turns out I had bought their debut album, on CD, waaaaay back in 2011, because they kind of sounded like Animal Collective (which I was obsessed with at the time). I somehow paid no attention to them after that, and forgot they existed until Euphoric Recall came out and took me by surprise this year.

Turns out Braids have been slowly honing their craft since 2011, and now sound much more like their own selves then they do anyone else at this point. Experimentation remains a key part of their sound, and there is no shortage of great ideas here. "Evolution" has a sly, detailed groove which builds JUST enough but not too much, and the loveliest lyric and vocal from singer Raphaelle Standell-Preston - who also mashes together ridiculous headlines and bad rhymes and vocal swoops and whoops to make the fantastic "Supernova", which swells and subsides and expands and contracts, its organic qualities highlighting a band at the peak of their synergy.

Highlights? The whole album is highlights: "Left/Right" skitters like Radiohead at their finest, "Millenia" builds and soars, and "Retriever" into outro "Euphoric Recall" slowly teases a release which eventually delivers allll the synthy goods. And now if you excuse me, I'm going to get into all the records I missed between this one and their debut. This band is fantastic.

8. ANOHNI and the Johnsons - "My Back Was A Bridge For You To Cross"

ANOHNI uses the canvas of classic 60s soul and R&B to deliver heartbreaking messages of loss and hope. Her voice has captivated me since I first heard her duets with Björk on 2007's Volta, and she is in glorious form here, trembling and rising and commanding and yearning. "It's My Fault" is a personal favorite, not just from this album but from her entire discography. Lots has been said about this record and it deserves all of the attention it has received, and more. Brilliant.

9. Mitski - "The Land Is Inhospitable And So Are We"

My favorite Mitski record, and a fantastic tone-piece with a consistent vibe and set of instrumentation throughout. Her writing is as sharp as ever, and the alt-country-cowboy feel never felt more fitting to the songs. When I first heard the "Heaven / Star" single come up on shuffle while on a long roadtrip in the US, I knew this would be one hell of a record. It is.

10. Paramore - "This Is Why"

Last year I finally fell in love with Paramore. I was beyond late to the game, and was probably the most annoying person to be around - pestering all my friends to listen to Brand New Eyes like it wasn't already emblazoned in their consciousness. Whatever. I was primed to soak up a new Paramore release as it was happening in real time this year, and I loved every second of it, from the pre release singles to the music videos. This record returns the band to some of their heavier, emo roots, and tracks like "You First" and "Thick Skull" really satisfy. Elsewhere, the retro production feel works well, and nearly everything hits - maybe with the exception of "The News". But the real winner is "Liar", easily in my top 3 Paramore songs of all time, and one of the most gorgeous things I heard anyone sing all year.

11. Colter Wall - "Little Songs"

My father in law and my good friend Josh Field both told me to check this guy out, and I had a lot of fun with this record. I knew nothing about Colter, assuming him to be some veteran country guy with a big discography and many years of whiskey-soaked performances to hone his deep resonant growl. Well silly me, he's in his 20s of course, and looks NOTHING like you would assume from his singing voice. Incredible. And what a writer: Original takes like "For a Long While" sit seamlessly alongside a cover like "The Coyote & The Cowboy", from Canadian country veteran and legend Ian Tyson. I'm glad I'm in a place to finally appreciate this genre, and I thought this was one hell of a country rekkid.

12. Feist - "Multitudes"

She's more than earned her status as a revered Canadian indie icon, but I had only really connected with a full Feist record once before, on 2011's Metals. Until now: Multitudes is incredible. It starts with a decoy track - "In Lightning" is all big production and rhythms and layers - but most of the record thereafter is quite hushed in comparison. And it's undeniably classic Feist, from "Love Who We Are Meant To" to "Song for Sad Friends". When the production occasionally explodes into full bloom again, the contrast is spectacular: "I Took All My Rings Off", "Of Womankind" and "Become the Earth" form an untouchable run of songs in the back half of the record.

13. Dudu Tassa, Jonny Greenwood - "Jarak Qaribak"

I added this record for obvious reasons (.... in the Radiohead-verse), but was more than surprised by how much I was taken in by this range of love songs from across the Middle East. Maybe the way in for me was the concept: I loved the idea that Dudu and Jonny expressed in interviews, of trying to create music like they were Kraftwerk in the 70s, in an alternate universe where they happened to be hanging out in Cairo, and were deeply influenced by the sounds and songs from the area. And everything from the drum machines to the squelchy bass lines is just delicious. Highlight? All of the aforementioned elements synergizing with the vocal rhythms on the marvellous "Taq ou-Dub".

14. boygenius - "The Rest"

THE BOYS give us another 4 songs after their much-praised debut earlier this year - and what a year to be alive, at the same time as these three brilliant friends and songwriters. I got to see the live show and it immediately was one of my favorite concert experiences ever. And it is the reason the record isn't in my top 20 - don't be angry - those songs were just better live, for me personally. And they ripped. "Satanist" grew fangs, "$20" exploded into the Vancouver dusk, "Revolution 0" felt so resonant and piercing. I couldn't go back to the studio recordings after that, in the best way.

But the softer, more live-feeling material (that they hadn't performed at that show) on the rest sat just right, and I was floored by Julien's "Black Hole" and "powers", two of my favorite things she's ever written. Don't paint me as a hater, I promise you, a universe where boygenius are making any music is the one I want to be in. I rarely have live versions of songs become more precious to me than the studio recordings, so when it happens, I take it as a sign that I am encountering a truly once-in-a-lifetime band.

15. Chappell Roan - "The Rise and Fall of a Midwest Princess"

My dad and my partner both urged me to listen to Chappell, and it took me way too long to finally give this record the attention it deserves. I'm glad I did - what a stunning set of songs, ranging from high camp / Gaga-style pomp ("Femininomenon", "Super Graphic Ultra Modern Girl") to cinematic, compelling balladry ("California", "Kaleidoscope") to pure pop fun ("Pink Pony Club", "Naked in Manhattan"). With not a dull moment or weak link in sight, these are 14 fully realized songs from someone truly poised to become a phenomenon.

16. Blake Mills - "Jelly Road"

Hot take: Blake's solo records are as good as his productions for others, honestly. And he's a great producer... Last year's wildly experimental Perfume Genius record was in my top 5, and this year's Feist record also features his contributions. It's hard to say if Jelly Road is his best solo work, but it is certainly the one I have connected with most deeply. "Unsingable" features an understated but simply lovely melody - "A Fez" tells its story with grace and intimacy, in both words and production. And "Skeleton is Walking" is the best guitar solo of the year, hands down.

17. Sofia Kourtesis - "Madres"

I've loved Sofia's work since I discovered her fantastic EP Fresia Magdalena a few years back (and played "By Your Side" endlessly that summer!), and have been eagerly awaiting a full length release from her since. Madres was more than worth the years of anticipation. This is dance music with such vibrance and soul, bursting with color and hope, even amidst some difficult circumstances that inspired its creation. The statement at the heart of "How Music Makes You Feel Better" could feel trite in other hands - here, in the context of Sofia's story, it feels like a revelation. The opening four tracks are perhaps some of my favorite dance music ever created, stuffed with varied voices, textures, dissonances, tensions, and flavors. It brings me a deep and lasting joy to engage with this music, and it has changed my perception of what I thought was possible in this genre.

18. Nothing, Full of Hell - "When No Birds Sang"

A late addition to the list, this was my legendary (and also prone to list-making) friend Josh Field's recommendation. I had just started getting into Nothing's discography last year, and had never heard anything from Full of Hell. But this collabo EP delivers everything I love from heavy: Crushing, crashing riffs ("Rose Tinted World", "Spend the Grace") contrasted against expansive beauty ("Wild Blue", "Like Stars in the Firmament"). It was only released earlier this month, and will certainly be getting a lot more plays in the early months of 2024.

19. billy woods, Kenny Segal - "Maps"

billy woods is brilliant, with a better vocabulary than any rapper I've heard in the last decade. Whether or not this could still be called "underground hip hop", given the rapid rise in popularity of his body of work in the past few years, doesn't really matter - none of the creativity and innovation that defined woods' earlier albums I've loved is lost here, and every beat is packed with ideas and bursting with ... I dunno, SAUCE... I don't have the vocabulary to elaborate on this brilliant vocabulary (both musically and lyrically), clearly. In any case, "FaceTime", "Soundcheck", "Year Zero" and "Rapper Weed" are my favs here.

20. Sufjan Stevens - "Javelin"

I struggled with this last place. Any of my honorable mentions could have sat here, and I tried writing about each of them, but nothing felt right. Ultimately Javelin is a tough record for me. It is so clearly an incredible, deeply impactful piece of work from one of my favorite artists, ever. But it hits so hard. I was levelled - no, destroyed - emotionally, reading Sufjan's dedication to his late partner, and then listening to "Goodbye Evergreen". "Will Anybody Ever Love Me" took on new resonance in this light, as did "So You Are Tired", as did "Shit Talk". There was no escaping how heavy this material is, much like 2015's Carrie & Lowell. But in 2015 I hadn't yet experienced the lows that I have in the years since, and yet my experience of that record still destroyed me. Thus I knew, when Javelin arrived, (and being in the place I was emotionally), that I had to limit how much I engaged with it.

So, here's where I will leave this: I know this is a great record. I know it has both devastating emotional resonance and an equally fierce hopefulness burning at its heart. And I think one day I'll be able to give it all the attention it deserves. But until then, I think this is an appropriate place to leave Javelin. And my heart, mind and spirit all lie with Sufjan. I hope he never has to tour this material, and that circumstances get much better for him, and that he can be happy and just make average ambient music for the rest of his career if he wants. I send my love.

Honorable Mentions:

- Ice Spice - "Like...?"

- Hozier - "Unreal Unearth"

- 100 gecs - "10,000 gecs"

[pigsailstudios]

You are special!!! (And our game is too)

Just you reading this post right now makes you special. Why? Because not a lot of people do that right now. So you can brag about reading one of the most niche blogs on the whole of tumblr!!

You wanna know what makes our game special as well? We did some soul-searching (worked on our game design concept) and found out what makes our game so unique:

Our game combines innovative storytelling with mesmerizing graphics and an emotionally charged atmosphere.

The ability for the player to seamlessly switch between contrasting worlds adds an interesting layer to the gameplay. Players can explore a playful and vibrant realm in the clouds, only to plunge into a deep and haunting underworld, offering a strong contrast that keeps the players engaged and emotionally invested.

Lovable characters contribute to the immersive narrative. Players form deep connections with these characters, enhancing the emotional impact of the story. Whether interacting with quirky cloud inhabitants or facing the challenges of the underworld, players will forge meaningful relationships that drive the narrative forward.

The art style is not only aesthetically pleasing but serves as a storytelling tool, enhancing the overall experience. The carefully crafted environments and character designs contribute to the game's unique identity, making it a visual ocean for players.

An original and emotionally resonant soundtrack complements the gameplay, creating a multisensory experience. The music adapts to the changing moods of the game, enhancing the atmosphere and immersing players in the unfolding story. The soundtrack becomes an important part of the overall emotional journey.

For publishers, our game represents a low-risk investment with the potential for high rewards. The visually stunning graphics, coupled with a compelling soundtrack and a unique dual-world and mood-switching mechanic, offer a fresh and innovative gaming experience. This, combined with a strong storytelling foundation, positions our game as a market standout with broad appeal.

Pig Sail Studios, over. :)

[ggworldnews]

🗡️⚔️ Final Fantasy VII: A Timeless Epic Adventure 🌍🎮

Final Fantasy VII, developed by Square Enix, is a legendary role-playing game that has left an indelible mark on the gaming industry. Released in 1997, it quickly became a cultural phenomenon, captivating players with its immersive world, compelling story, memorable characters, and innovative gameplay mechanics. Let's delve into the world of Final Fantasy VII and explore what makes it a timeless epic adventure. 🌌 Immersive World of Gaia: Final Fantasy VII takes place in the fictional world of Gaia, a beautifully crafted and diverse realm filled with sprawling cities, mystical landscapes, and awe-inspiring environments. From the towering city of Midgar to the lush forests of the Gold Saucer, each location is richly detailed, creating a sense of immersion and wonder as players explore the vastness of the game's world. 🚀 Engrossing Storyline: At the heart of Final Fantasy VII lies a captivating and emotionally charged narrative. Players assume the role of Cloud Strife, a former soldier turned mercenary, as he joins the eco-terrorist group AVALANCHE to combat the sinister Shinra Electric Power Company. The story delves into themes of identity, loss, friendship, and the consequences of unchecked power, offering a thought-provoking and deeply engaging experience that resonates with players long after the game is over. 🎭 Memorable Characters: Final Fantasy VII boasts a diverse cast of memorable characters, each with their own unique personalities, motivations, and backstories. From the enigmatic and brooding Cloud to the optimistic and energetic Aerith, players form deep connections with these characters as they navigate their personal journeys and face the challenges that lie ahead. The character development and interactions contribute to the game's emotional depth and create a lasting impact on players. ⚔️ Innovative Gameplay Mechanics: Final Fantasy VII introduced several groundbreaking gameplay mechanics that set a new standard for the RPG genre. The game combines turn-based combat with the innovative "Active Time Battle" system, adding a strategic element to battles. Players can customize their characters' abilities through the Materia system, allowing for a wide range of playstyles and strategic choices. The game also features engaging mini-games, side quests, and exploration, providing a well-rounded and immersive gameplay experience. 🎶 Memorable Soundtrack: The music of Final Fantasy VII, composed by Nobuo Uematsu, is considered one of the greatest video game soundtracks of all time. The sweeping orchestral melodies, haunting themes, and iconic tracks like "Aerith's Theme" and "One-Winged Angel" enhance the game's emotional impact and create a truly unforgettable auditory experience. 🌟 Cultural Impact and Legacy: Final Fantasy VII's impact on the gaming industry and popular culture cannot be overstated. It brought the Final Fantasy franchise to new heights of popularity, introducing the series to a wider audience and solidifying its status as a gaming powerhouse. The game's success paved the way for future installments, spin-offs, and adaptations, including the highly anticipated remake that was released in recent years, showcasing the enduring legacy of Final Fantasy VII. 🗡️⚔️ Embark on a Timeless Journey: Final Fantasy VII stands as a testament to the power of storytelling, immersive world-building, and innovative gameplay. Its engrossing narrative, memorable characters, and groundbreaking mechanics have secured its place as one of the most beloved and influential games of all time. Whether you're a longtime fan or new to the world of Final Fantasy, embarking on this timeless journey is an experience that should not be missed.

[denimbex1986]

'Andrew Haigh’s emotional fantasy drama projects luminous rays of romance into a swirling dustbowl of self-imposed isolation and trauma.

Withdrawn and wounded, Adam has formed a supernatural bond with his parents who died in a tragic car smash when he was 12. Visiting them regularly frozen in time, he is trapped in a deeply unhealthy coping mechanism for his devastating grief. When he meets the charismatic but troubled Harry he is forced to confront his rose-tinted regression. Through a tapestry of tenderness and trust, Adam must shrug off his supernatural comfort blanket if wants to reclaim his life and sexuality.

Haigh’s paradoxical film manages to be both heartbreakingly personal and invitingly inclusive at the same time. He uses his actual childhood home as a backdrop, yet peppers the drama with needle drops everyone can relate to. He forges a narrative of extraordinarily finite melancholia, yet encompasses universal truths. He draws simplistic intimacy from the clumsy chaos of budding romance while daring the viewer to accept, and interpret, the audacious phantasmagorical premise.

Andrew Scott is mesmerising as the vulnerable Adam, a man who is stuck in a bottleneck of loss and abandonment, obsessed with seeking acceptance and unconditional love at the idealistic altar of his dead parents. For the most part, he drifts on the outskirts of existence in a pragmatic daze of unhappiness. However, there are moments of sheer sadness that crack his stoicism like a sledgehammer. These astonishing glimpses of undiluted anguish are handled by Scott in a way that is only achievable by actors willing to mine their own life experiences down to the juiciest marrow.

The soundtrack is engaging in its familiarity, mirroring Adam’s mindset. It explores both the power of music on young minds in terms of expression and its subsequent dominance through nostalgia. Often acting as subtle signposting for the narrative it also eases tonal transitions with effortless style. Not least Frankie Goes to Hollywood’s iconic ballad The Power of Love, a song that proved a resonating anthem for those losing loved ones to the horror of AIDS in the mid-1980s.

It’s not crazy to suggest this movie could have easily worked as a musical. Indeed, during a touching Christmas tree decoration scene, it becomes just that. This sequence elicited a wave of weepy empathy from me that surprised me in its intensity. Many such scenes could swiftly ambush you too, and I wager that at least one of them will. The fact the two lovers are queer is, of course, relevant. However, it does not exclusively define the film. It is more concerned with the power and pain memories excerpt on all of us, irrespective of sexuality, and the struggle to survive in the trenches of life under fire from fate, loss, and grief. As is always the way with such emotionally honest art, how intensely you identify with All of Us Strangers will determine how much of a cathartic wrecking ball it is for you.

Haig designed his film to be a compassionate and caring cinematic hug. Indeed, it is warm, woozy, and well-meaning. But be warned, it ends up being the kind of embrace that spawns such levels of self-recognition and bittersweet catharsis that tears ducts will surely dampen its shoulders. Beautifully written and impeccably acted, it’s a stunning movie about cutting the masochistic anchors of the past and learning to live in the scary fragility of the moment.

★★★★★'

[togih16128]

Visit Gina Fontana Photography and Videography at www.ginafontana.com

What's the Secret to Capturing Authentic Emotion in Commercial Videos?

In the dynamic world of commercial videos, authenticity is key. Viewers connect more deeply with content that stirs their emotions, and that's precisely what makes a commercial video successful. But, capturing authentic emotion in these videos is no easy feat. It requires a delicate blend of creativity, technical skill, and a deep understanding of human psychology.

At Gina Fontana Photography and Videography, we've honed the art of evoking genuine emotions in our commercial videos. With years of experience and a passion for storytelling, we've discovered the secrets that can make your commercial video truly resonate with your audience.

Tell a Compelling Story: The first step in capturing authentic emotion is to craft a compelling narrative. Every commercial video should have a clear and engaging storyline. The plot should be relatable and emotionally charged. By focusing on relatable scenarios, you can draw your audience into the story, making it easier for them to connect with the content on an emotional level.

Work with Skilled Talent: The people in your video play a pivotal role in conveying authentic emotion. Choose talent who can express emotions naturally and convincingly. At Gina Fontana, we work with experienced actors and models who can bring your story to life with genuine expressions.

Focus on Cinematic Techniques: Employing cinematic techniques can make a world of difference. Techniques like depth of field, slow-motion, and creative camera angles can amplify the emotional impact of a scene. A well-composed shot can convey a multitude of emotions without the need for excessive dialogue.

Use Music Wisely: Music has the power to evoke emotions, and it should be chosen with care. The right soundtrack can enhance the emotional resonance of your video. A well-matched musical score can evoke feelings that complement the content and narrative.

Capture Real Moments: Authenticity often comes from capturing real, unscripted moments. While planning is essential, leaving room for genuine, unplanned interactions can result in some of the most emotional and memorable scenes in your commercial video.

Post-Production Magic: The final step is post-production, where color grading, sound design, and editing can enhance the emotional impact. A skilled post-production team can fine-tune your video to create the desired emotional response.

In conclusion, capturing authentic emotion in commercial videos is an art that requires a combination of creativity, technical expertise, and an understanding of human nature. It's about telling a compelling story, using skilled talent, employing cinematic techniques, selecting the right music, capturing real moments, and enhancing the video during post-production.

If you're looking to create commercial videos that truly connect with your audience on an emotional level, consider working with the experts at Gina Fontana Photography and Videography. We specialize in producing visually stunning content that evokes genuine emotions, ensuring your message resonates with your target audience.

Visit www.ginafontana.com today to explore our portfolio and discuss how we can help you bring authenticity to your commercial videos.

[notapk]

Best 22 Survival Games on Android

Survival games have surged in popularity, captivating players with their immersive and challenging experiences. These games transport individuals to harsh environments where survival is paramount. By engaging with open-world settings, players are required to scavenge resources and construct essential tools, weapons, and shelter.

Strategy and decision-making components further enhance the gameplay as players must manage limited resources wisely. Offering distinct mechanics and settings, the best 20 survival games on Android provide hours of entertainment while allowing players to test their virtual survival skills.

Minecraft

Minecraft, a popular survival game on Android, offers players the opportunity to explore and build in a procedurally generated world while managing resources and surviving against hostile creatures. The game provides an innovative experience through its unique combination of open-world exploration and creative building mechanics. Players can gather materials from the environment such as wood, stone, and minerals to craft tools, weapons, and structures. They must also navigate through various terrains, including forests, mountains, caves, and oceans. Minecraft allows for endless possibilities as players can construct elaborate buildings, mine for valuable resources, farm crops and animals for sustenance, and even engage in combat with monsters that emerge at nightfall. With its vast scope for creativity and survival challenges, Minecraft remains a top choice among Android users seeking an immersive gaming experience.

Don't Starve

Don't Starve is a popular survival game that challenges players to navigate through an unforgiving and dark wilderness while managing their character's hunger, sanity, and health. The game offers a unique gameplay experience with its innovative survival mechanics and crafting system. Here are three reasons why Don't Starve stands out among the best survival games on Android: - Deep Crafting System: Don't Starve allows players to gather resources from the environment and use them to craft various tools, structures, and items necessary for survival. The extensive crafting options provide players with a sense of autonomy and creativity. - Challenging Survival Mechanics: Players must constantly balance their character's hunger, sanity, and health in order to survive in the harsh wilderness. This adds depth and complexity to the gameplay, making every decision crucial for long-term survival. - Dark Atmosphere: With its eerie art style and haunting soundtrack, Don't Starve creates a captivating atmosphere that immerses players in its dark world. The combination of challenging gameplay mechanics and atmospheric design makes Don't Starve one of the best choices for Android users seeking innovative survival games.

This War of Mine

This War of Mine presents players with a challenging and emotionally impactful survival experience set in a war-torn city. It is considered one of the top android games in the genre of survival games due to its unique approach and innovative gameplay mechanics. Unlike most open-world survival games, This War of Mine focuses on the civilian perspective during times of conflict rather than military action. Players must navigate through limited resources, make difficult choices, and face moral dilemmas in order to survive. The game's immersive atmosphere and realistic portrayal of hunger, sickness, and danger create an intense gaming experience. Furthermore, This War of Mine stands out from other zombie survival games or PvP survival games by emphasizing the psychological tolls and ethical challenges faced by individuals caught in war zones.

Mini Metro

Mini Metro is a strategy game that challenges players to design and manage an efficient subway system in a growing city. With its minimalist design and intuitive gameplay, Mini Metro offers players the opportunity to explore the complexities of urban transportation planning. The game provides an engaging experience as players strive to optimize their subway network, balancing passenger demand with limited resources. To convey a deeper meaning for the audience, here are three key aspects of Mini Metro: - Strategic Decision-Making: Players must make thoughtful choices about where to lay tracks, which stations to connect, and how to allocate limited resources efficiently. - Dynamic City Growth: As the city expands, new stations appear randomly on the map, presenting challenges and opportunities for players to adapt their network accordingly. - Time Pressure: With each passing week, passenger demand increases and stations become overcrowded, adding urgency and requiring players to constantly reassess their strategies. Overall, Mini Metro offers an innovative approach to strategy gaming by combining simplicity with depth in its simulation of urban transportation systems.

Last Day on Earth: Survival

Last Day on Earth: Survival is a post-apocalyptic survival game set in an open-world environment. Players must navigate dangerous landscapes, scavenge for resources, build shelters, and defend against hostile creatures and other players. The game offers a unique combination of exploration, crafting, and combat mechanics that keep players engaged in their quest for survival. With its immersive graphics and realistic gameplay mechanics, Last Day on Earth: Survival provides an innovative gaming experience for those seeking to challenge their survival skills in a post-apocalyptic setting. Players are encouraged to strategize and adapt to the ever-changing environments as they strive to stay alive amidst the chaos and uncertainty of the world around them. This game appeals to individuals who desire both innovation and immersion in their gaming experiences.

Dead Effect 2

Dead Effect 2 is a sci-fi first-person shooter game that takes place in a futuristic setting, where players must fight against hordes of zombies and other hostile creatures using various weapons and abilities. The game features stunning graphics and immersive gameplay that keeps players engaged throughout their survival journey. 1) Intense Action: Dead Effect 2 offers fast-paced and adrenaline-pumping action, with intense gunfights and thrilling combat scenarios. Players will find themselves constantly on the edge as they navigate through dark corridors and face off against relentless enemies. 2) Deep Customization: The game allows players to customize their characters with a wide range of weapons, armor, and special abilities. This level of customization adds depth to the gameplay experience, allowing players to tailor their playstyle to suit their preferences. 3) Engaging Storyline: Dead Effect 2 presents an intriguing storyline filled with mystery and suspense. As players progress through the game, they uncover secrets about the origins of the zombie outbreak and unravel the truth behind the events unfolding in this dystopian future. Overall, Dead Effect 2 offers an innovative take on survival gaming, delivering a thrilling experience for those seeking action-packed gameplay in a futuristic setting.

ARK: Survival Evolved

ARK: Survival Evolved is an open-world survival game set in a prehistoric landscape. Players must navigate and survive among dinosaurs and other prehistoric creatures. The game offers a unique experience that combines elements of action, adventure, and crafting. Players start with nothing and must gather resources to build shelter, craft tools, and weapons to defend against hostile creatures. The game features a dynamic ecosystem where players can hunt or tame dinosaurs to aid them in their survival efforts. The vast open world provides opportunities for exploration and discovery, as well as the challenge of surviving harsh environments and competing with other players. With its innovative gameplay mechanics and immersive prehistoric setting, ARK: Survival Evolved offers an engaging experience for those seeking a fresh take on the survival genre.

PUBG Mobile

PUBG Mobile is a popular multiplayer online battle royale game that has gained significant attention and recognition for its competitive gameplay and immersive experience. It offers players the opportunity to engage in intense combat scenarios on a large map, where they must scavenge for weapons, vehicles, and supplies while strategically outmaneuvering opponents. The game's realistic graphics and sound effects contribute to its overall immersive nature. Additionally, PUBG Mobile incorporates innovative features such as customizable controls, voice chat communication, and various gameplay modes to enhance the player's experience. The game's success can be attributed to its ability to cater to a wide audience, including casual gamers looking for quick matches or more serious players seeking competitive challenges. Overall, PUBG Mobile delivers an innovative and captivating gaming experience that continues to attract players worldwide. 1) Competitive Gameplay: PUBG Mobile offers intense combat scenarios that require strategic thinking and quick reflexes. 2) Immersive Experience: Realistic graphics and sound effects contribute to an engaging gameplay environment. 3) Innovative Features: Customizable controls, voice chat communication, and various gameplay modes enhance the player's experience.

Grim Soul: Dark Fantasy Survival

Grim Soul: Dark Fantasy Survival is an open-world survival game that takes place in a dark and unforgiving fantasy realm. In this game, players are tasked with gathering resources, crafting tools and weapons, building shelter, and defending themselves against hostile creatures and other players to survive. The game's immersive environment creates a sense of danger and uncertainty as players must navigate through treacherous landscapes filled with lurking enemies. One of the key features of Grim Soul is its emphasis on resource management. Players must carefully gather resources such as wood, stone, and iron to construct their shelter and craft necessary items. Additionally, they must hunt for food to sustain themselves amidst the harsh conditions of the fantasy realm. The game also offers various challenges that further test the player's survival skills. From battling hordes of undead creatures to exploring dangerous dungeons, Grim Soul presents a range of obstacles for players to overcome. Overall, Grim Soul: Dark Fantasy Survival provides an innovative and immersive gameplay experience for those seeking a challenging survival adventure in a dark fantasy setting.

Durango: Wild Lands

Durango: Wild Lands is an open-world survival game that transports players to a prehistoric world where they must gather resources, build settlements, and tame dinosaurs in order to survive. The game offers an immersive experience with its realistic graphics and vast environments that provide a sense of exploration and adventure. Players are challenged to navigate the dangerous wilderness, facing threats from both natural elements and hostile creatures. Through resource gathering and settlement building, they can establish a safe haven for themselves and their fellow survivors. Additionally, taming dinosaurs adds another layer of gameplay mechanics, allowing players to utilize these powerful creatures for various purposes such as hunting or transportation. Overall, Durango: Wild Lands offers an innovative take on the survival genre by combining prehistoric settings with unique gameplay mechanics. 1) Realistic graphics enhance the immersive experience. 2) Vast environments provide ample opportunities for exploration. 3) Taming dinosaurs adds depth to gameplay strategy.

Last Shelter: Survival

Last Shelter: Survival is a mobile game that offers a post-apocalyptic setting where players must build and defend their own shelter against the threat of zombies. The game immerses players in a world devastated by an unknown catastrophe, where resources are scarce and survival is paramount. Players are tasked with constructing their shelter from the ground up, gathering resources, and managing their population to ensure their survival. The game features innovative gameplay mechanics such as alliance systems, where players can form alliances with other survivors to improve their chances of survival. Additionally, Last Shelter: Survival allows for strategic decision-making, as players must balance resource management with defense planning to withstand zombie attacks. With its immersive post-apocalyptic world and innovative gameplay features, Last Shelter: Survival offers an engaging experience for those seeking innovation in mobile gaming.

Radiation City

Radiation City is a mobile game set in a post-apocalyptic world where players navigate through a city contaminated with radiation, facing various challenges and dangers along the way. The game offers an immersive experience of survival in a desolate environment, providing players with an opportunity to test their skills and strategize their actions. - Atmospheric Setting: Radiation City creates a realistic atmosphere by portraying the aftermath of a nuclear disaster in great detail. The graphics and sound effects contribute to the overall ambiance, enhancing the player's immersion in the game world. - Exploration and Resource Management: Players must explore the city to scavenge for supplies, weapons, and equipment necessary for survival. Managing resources efficiently becomes crucial as they face limited inventory space and constant threats from hostile creatures and other survivors. - Engaging Gameplay Mechanics: Radiation City incorporates various gameplay mechanics such as combat, crafting, base building, and quests that keep players engaged throughout their journey. The open-world nature of the game allows for freedom of choice and encourages exploration. Overall, Radiation City provides an innovative survival experience on mobile devices by offering challenging gameplay mechanics within an atmospheric post-apocalyptic setting.

Survival on Raft: Ocean Nomad

Survival on Raft: Ocean Nomad is a mobile game that challenges players to navigate an oceanic environment and strategically manage resources while surviving on a raft. The game offers an innovative and immersive experience, where players must scavenge for supplies, build structures, and fend off threats such as sharks. With its realistic graphics and physics-based mechanics, Survival on Raft provides a sense of realism that captivates the audience. To further engage players, the game incorporates a variety of features and gameplay elements. This includes crafting tools and equipment, exploring islands for valuable resources, fishing to sustain food supplies, and constructing upgrades for the raft. Additionally, players can encounter other survivors who may provide assistance or pose potential dangers. In summary, Survival on Raft: Ocean Nomad is an exciting survival game that combines strategic resource management with thrilling gameplay mechanics set in an oceanic environment. Its innovative features and immersive experience make it a captivating choice for mobile gamers seeking an adventure on the high seas. ProsConsRealistic graphicsLimited map sizeEngaging gameplay mechanicsRepetitive tasksVariety of activitiesLack of story progressionChallenging survival elementsLimited customization optionsRegular updates with new contentIn-app purchases Note: The table above showcases some pros and cons of Survival on Raft: Ocean Nomad.

Fallout Shelter

Fallout Shelter is a popular survival game that takes place in a post-apocalyptic world. The game was developed by Bethesda Game Studios and released in 2015 for Android devices. In Fallout Shelter, players are tasked with managing their own underground vault, where they must ensure the survival and happiness of their dwellers. The game offers a unique blend of resource management, strategic decision-making, and exploration. Players must assign dwellers to various tasks such as gathering resources, defending against threats, and exploring the wasteland. One of the key features of Fallout Shelter is its focus on customization. Read the full article