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neutrallyobsessed · 3 months ago

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on that note, if you could rewrite season 2/3, what would you have done differently?

Ufff if I told ya!! ...........it'd be kinda underwhelming cause i have nothing written and what i have isnt finished lmao but this is a good opportunity to put My Attempt to Rewrite Clone High Seasons 2/3 on motion or something starting of course with...

Further reading about how I plan to develop the relationships

Season 2:

All of the old clones are too insensitive to new clones' standards, but then the new clones could also be insensitive towards the old clones back. the 1st ep ends with Scudworth/Candide forcing the students to have a sleepover in pairs of two. JoanFK does become canon here too.

Also Topher could mingle and be accepted by the old clones since they don't have negative opinions on the real guy, he'd also go by full name to not be found out as the new clones forgot what Topher Bus stood for. Plus Van Gogh could mingle and be accepted by the new clones, considering the more sensitive and aware they are and as a reference to his popularity in 2020.

The boys sleepovers are perfect as is, the only thing I'd do is establishing the crushes to be developed.

The girls sleepovers could have Cleo and Frida fighting at first but then cluing Cleo in that not only is okay to be gay in current times, but it also makes you more popular. It is important that Cleo is taught about the new waves of social statuses and bullying in modern schools so Kahlopatra makes more sense~~

Meanwhile Joan and Harriet have this weird friendship where they bond over their love of performing arts but still have a lot of friction when it comes to the tastes of this arts...

Joan and Harriet doing a play could be the 3rd ep, it'd be a friendship activity and it kick starts the JFK cheating on Joan with Harriet plot.

Of course, the anxiety episode could come next, Joan worries about her new relationships and how "not-like-her" they feel; JFrriet have that this is wrong yet so right feelings; Abe catches the cheaters and doesn't know how to deal with it; Topher also knows but it's more hidden and a surprise tool that will help us later, his conflict is more about losing his new found popularity if the old clones find out the full history of his clonefather; Frida could go from crushing on Cleo to falling in love while Cleo doesn't know if she does feel something for Frida beyond the arragement.

The homecoming ep is the most re-written (but still keeping it's core plot) of them all. There's a double tiefor both King and Queen, where the winners could share a kiss on stage, a romantic dinner and a week-end at a beach cabin (only the cabin). It's JFK vs Topher and Cleopatra vs Harriet; Joan doesn't want her boyfriend to win and have him spent time with his ex nor her friend who already kissed him (like, the play was "just acting" but here it'd be "more real"); Topher could think Joan supporting him here means that she actually likes him lol; Frida could have trouble in choosing who to support: her fellow new clone and best friend or her "rival" old clone and secret girlfriend. Different challanges could be placed to choose a winner but idk what or who'd win uhhhhh

Y bueno tengo hasta ahi xd. I don't really know how continue, what else to keep/change/remove about the other episodes, the Mr. B story can stay since it doesn't affect the plot, Ep10 could also remain mostly unchanged, but if don't know what goes in between then I can't proceed ¯\_(ツ)_/¯. There should be a something about the old and new clones coming togheter but yeah, no idea...

Which leads us to the bigger thing...

Season 3:

The thing about re writting season 3 is that there are so many ways to go about it. The clear ones, obviously, to either keep S2 as is and re write S3 or to re write S3 based on how I re wrote S2 (which is incomplete). So for the former, I got plenty of ideas which leads to a variety of outcomes:

Everything is the same but in Ep5 it is Topher who finds the contract and blackmails white-levareges Joan into being with him but she'd also be with Confucius. Ideally she'd fall in love with him. And with him I mean Topher of course, he's soooo mcuh better than Confucius uwu

Everything is the same but in Ep4 it is Topher who becomes vice principal. I don't have a plot but I did a screenshot.

Everything is the same but in Ep2 Joan is rejected by Harriet and praised by the Bleacher Creatures and the girlies have a sleepover where Joan becomes closer to them and appreciates more this friend group over her previous one. This leads to an Ep5 where along the Confucius/Harriet/Toussaint triangle, Mary/Abe plot and JFK's identity crisis, the BCs could go in all togheter as a friend group like Gandhi back when and of course, Joan and Topher could get closer. Maybe the Ep4 described above could go in-between this Ep2 and Ep5, it can contribute to the Joanpher agenda x3

Ep6 could have the ski trip where Joan and Abe go but Topher and Mary don't. Much like in the OG episode, Abe could text Mary but now Joan could also talk to Topher on the phone. Because voice :). Joanabe teasing as the ones not in the trip suspect them of something, toxic jelousy arises, maybe Topher and Mary may try to kill each other off-screen cause it's funnier that way, it gives Joanpher and MaryAbe some interesting tension~~

Ideally Joanfucius never happens, like no. Only the fake-dating scenario may happen and he may catch feelings for her but she'd never ever reciprocate, doesn't matter who'll she like if anyone at all, but never ever will Joan like Confucius.

And Harriet does actually, in fact, honest to God, cheat on Confucius. It could be just a kiss or full on sex with Toussaint but it HAS to be real cheating that goes on as long as it needs to be, Harriet two-timing them boys, this happens in all and any re-writes I'd do of S3, that's how it will always be. Toussarriet maybe just be canon by the end~~

The More Goth Joan AU it's a whole different beast that I do not know how to handle beyond that she now looks like this

You also have to consider that if one thing changes, a lot of things can change in the long run and you have to be on the look out for that, I somewhat address that in this extended timeline (<-where the relevant change is that Joan and Topher barely interact with the main plot, if at all, unlike what this post discusses). And well, this line of events is the most actually canon compliant* I can get, this means that the joanpher canon/joanabe endgame happens in the show and I don't exactly enjoy the idea of joanpher breaking up even tho that's the logical conclusion after depicting Topher being more clearly abusive, which I do enjoy, I very much enjoy the idea of Topher being more aggressive/possesive/unhinged in general and Joan getting more concerned/scared at not knowing how deal with the situation or escape safely x333 and like it has to be super dramatic and intense, thus complicated to write y'know? So basically, not knowing how to transition from joanpher to joanabe in this Final Season (3) re write's roadblock.

*this means that Mary is Bloody Mary and not Mary Todd Lincoln. I'm too canon compliant to try and change this but who knows~~

Of course I can avoid the break up/extend the relationship and bring Gandhi back in the Season 4: Cloney Island arc but that's not a re write, that's just- writting :v, and without a base I have nothing to work on and there's nothing but the concept so this is how I end this post, hope you didn't mind reading this whole block of text lmao xv.

#ask #clone high #clone high rewrite #clone high season 2 #clone high season 3 #clone high au #le gusta el texto en exceso

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ecdebt · 4 days ago

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Unlocking Capital Success: Navigating Debt with Placement Agents & Loan Brokers

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ozarkseo · 2 months ago

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Unlock New Business Opportunities with SEO and AI Web Design in Missouri

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rcmvsj · 4 months ago

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WANTED CONNECTIONS !!

death eater-related connections

unlikely friendship in knockturn alley

remus works at a second-hand shop in knockturn alley, where he befriends a regular customer who, over time, reveals himself to be a death eater. although remus maintains a professional stance, the relationship develops into a discreet friendship based on casual conversations in this neutral space. remus doesn't openly question the other's affiliation, but there is always a latent tension as he wonders if their friendship could withstand when their loyalties eventually clash. despite this, the friendship persists, as both feel comfortable and respectful in the shop, though deeper topics are never broached directly.

the prejudiced death eater

a death eater, possibly someone working in the ministry or within more radical circles, harbours a particular hatred for remus due to his lycanthropy. this death eater, influenced by the prejudice against werewolves, views remus as an aberration and a threat to blood purity. although remus tries to avoid conflict, this death eater makes his life difficult, whether in his workplace or even in public, making cruel comments about his condition, calling him a "monster" and something dangerous for the magical society. the animosity grows as they cross paths more frequently, and remus is forced to keep his composure, knowing that any direct confrontation could put him in a vulnerable position.

the reluctant recruiter

this death eater has noticed remus' abilities and believes that having a werewolf on voldemort's side could be valuable. he attempts to manipulate remus into seeing this as an opportunity, subtly suggesting that being a werewolf could be an asset to the dark lord’s cause. although remus feels uncomfortable with the idea, there is a part of him that wonders if the death eater might be right—after all, within the order, werewolves are not given special treatment either. while the death eater doesn't pose an immediate threat, his attempts to persuade remus make him feel uneasy and constantly on alert. // 𝐑𝐄𝐆𝐔𝐋𝐔𝐒 𝐁𝐋𝐀𝐂𝐊

order of the phoenix-related connections

the friendship changed by the secret

they've been friends for years, but only discovered remus' lycanthropy when he officially registered. since then, the relationship has become tense: perhaps there is fear, distrust, or anger about being excluded from this secret. remus, for his part, understands the reaction, but can't help feeling hurt. he wants to repair the friendship, although the distance between them seems harder to close with time.

the trusted mission partner

they've shared numerous missions, faced dangers, and made tough decisions together. the confidentiality and intensity of their work have created a unique bond, based on unshakable trust. this person is not just a battle companion, but someone who truly understands the burden of what they've done and seen. outside of missions, their friendship endures, marked by silent conversations, shared memories, and the certainty that, no matter what happens, they'll always have each other's backs. // 𝐀𝐃𝐄𝐋𝐈𝐍𝐀 𝐑𝐄𝐘𝐄𝐒

the constant tension

their relationship is filled with friction and disagreements, whether because this person believes remus should be more committed to the cause or simply because they can't stand his personality. their constant discussions create a tension that's hard to ignore. however, when it comes to the work, they know how to set their differences aside and act with professionalism. although they can't stand each other much, they trust that the other will do the right thing when it truly matters.

miscellaneous connections

the long-standing crush

remus met this person in his youth, perhaps at hogwarts or during a summer, when he had become more aware of his interest in men. they've always caught his eye, but he's never said anything about it. to this day, he still feels a certain unease when they talk, as if the initial attraction has never quite faded. whether it's reciprocated or not, remus has never confessed, leaving the tension lingering in the air.

the first hookup

it happened at hogwarts, maybe after a party or weeks of subtle glances and touches that just needed a little push. it was his first encounter of this kind, marked by uncertainty and the excitement of the moment. afterward, things may have become awkward or, alternatively, may have happened again casually, without attachments or clear feelings involved.

the accidental revelation

this person accidentally discovered remus' lycanthropy and did not take it well. they confronted him directly and, feeling threatened, gave him an ultimatum: either he registered officially as a werewolf after leaving hogwarts, or they would reveal his condition to everyone. remus had no choice but to act ahead of the circumstances, marking the beginning of his adult life with a label he never asked for. the tension between them remains to this day.

the constant reminder at work

perhaps remus works in an environment where he encounters someone who constantly reminds him of his condition or they could be someone from the ministry, or even from the order whether through passive-aggressive comments or a dismissive attitude. although this person is someone he interacts with professionally, they make him feel like he doesn't completely belong, creating a constant discomfort. it’s a distant and tense relationship, but one remus can't avoid encountering every day in his workplace.

#connections.

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ronaldlbook · 1 year ago

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Unleashing Growth Potential: Business Development Strategies You Need to Know Now

To stay competitive in today's rapidly evolving business landscape, companies must be agile and forward-thinking. Business development is at the core of this adaptability, driving growth and profitability by identifying new markets, forming strategic partnerships, and enhancing customer relationships. This article delves into crucial business development strategies that can help you unlock new opportunities and secure a thriving future.

Understand Your Market Inside Out

Market knowledge is foundational to business development. Companies must continuously analyze their current market position and seek to understand emerging trends and customer behaviors. This will enable them to identify unmet needs and exploit gaps in the market.

Customer Insights: Leverage customer feedback, surveys, and data analytics to understand your target audience's evolving preferences and pain points.

Competitor Analysis: Monitor your competitors' strategies, pricing, and marketing efforts to stay ahead and identify areas where you can differentiate.

Industry Trends: Stay up-to-date with industry reports and forecasts to spot new trends and technologies shaping your sector.

Forge Strategic Partnerships

Strategic partnerships can amplify your company’s reach and capabilities. By joining forces with other businesses, you can access new customer bases, markets, and technologies while reducing costs.

Complementary Businesses: Partner with companies offering complementary products or services to create a comprehensive customer solution.

Cross-Promotional Opportunities: Collaborate on marketing campaigns that benefit both parties, increasing brand visibility and customer acquisition.

Technology Alliances: Form alliances with tech companies to leverage innovative tools to enhance your products and services.

Innovate New Revenue Streams

Relying on a single revenue stream can leave your business vulnerable to market changes. Diversify your income by exploring alternative revenue streams that complement your core business.

Subscription Services: Offer subscription-based services that provide ongoing value to customers while generating predictable revenue.

Freemium Model: Provide a free basic version of your product to attract customers and convert them to paid plans with premium features.

Licensing or Franchising: You can license your product or franchise your business model to other companies or entrepreneurs for a share of their revenue.

Leverage Technology and Data Analytics

Technology and data analytics are transforming how companies approach business development. From customer insights to predictive modeling, the effective use of data can guide strategic decision-making.

Customer Relationship Management (CRM): Use a CRM system to track customer interactions, identify high-value leads, and nurture long-term relationships.

Predictive Analytics: Implement predictive analytics to anticipate market trends, customer preferences, and emerging risks.

Automation: Automate repetitive tasks like data entry, lead generation, and email marketing to streamline processes and focus on high-impact activities.

Optimize Your Sales Funnel

An optimized sales funnel ensures you effectively nurture leads through every customer journey stage. Focus on creating seamless transitions between stages to minimize drop-offs and maximize conversions.

Lead Generation: Implement various lead generation tactics, such as content marketing, social media, and webinars, to attract qualified leads.

Lead Nurturing: Use personalized email campaigns and targeted content to build relationships with prospects and guide them toward purchasing.

Conversion Optimization: Continuously analyze and refine your conversion process to remove friction points and improve customer experience.

Prioritize Customer Retention

While acquiring new customers is essential, retaining existing ones is equally important. Loyal customers provide repeat business and are more likely to advocate for your brand.

Customer Loyalty Programs: Create loyalty programs that reward repeat customers with discounts, exclusive offers, or early access to new products.

Customer Feedback: Regularly seek customer feedback and implement improvements based on their suggestions to enhance their experience.

Proactive Support: Offer proactive customer support by addressing issues before they escalate and providing resources to help customers succeed.

Expand into New Markets

Growth often requires exploring new geographical regions or demographics. Market expansion should be approached strategically to minimize risks and maximize returns.

Local Market Research: Conduct comprehensive research on the new market's cultural, economic, and regulatory aspects.

Tailored Marketing: Develop a marketing strategy tailored to the preferences and behaviors of the new target audience.

Localized Partnerships: Partner with local businesses or influencers to build trust and credibility in the new market.

Business development is a multifaceted discipline requiring a mix of market understanding, strategic partnerships, innovation, and customer-centric thinking. By continuously refining these strategies, businesses can navigate uncertainties and seize new opportunities in an ever-changing marketplace. You can adopt these business development strategies to strengthen your market position and accelerate growth.

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aayushpareek69 · 1 year ago

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Corporate DSA Channels: Navigating the Future of Finance with Trust and Technology

The Trust Factor in Financial Interactions:

Local Trust Networks:

Corporate DSA Channels leverage local trust networks through their independent agents. DSAs, deeply embedded in their communities, establish personal relationships, fostering trust and credibility. This localized approach builds a foundation of reliability that extends from the agent to the corporate entity.

Transparent Communication:

Trust is nurtured through transparent communication. Corporate DSA Channel / DSA Channels prioritize clear and honest communication channels between DSAs and clients, ensuring that individuals have a comprehensive understanding of the financial products and services being offered.

Commitment to Client Satisfaction:

The commitment to client satisfaction is a cornerstone of trust-building. Corporate DSA Channels prioritize customer-centric approaches, addressing queries promptly, resolving concerns effectively, and ensuring a positive client experience that reinforces trust.

Technological Integration for Efficiency:

Digital Onboarding Processes:

Corporate DSA Channel / DSA Channels streamline client onboarding through digital processes. From document submission to account setup, the integration of technology reduces friction in the onboarding journey, making it more efficient and user-friendly.

Data Analytics for Personalization:

Technology enables Corporate DSA Channels to harness the power of data analytics. By analyzing client data, these channels can personalize financial offerings, tailoring products and services to meet individual needs and preferences.

Mobile Applications for Accessibility:

The development of mobile applications enhances accessibility. Clients can conveniently access their financial information, initiate transactions, and communicate with DSAs through user-friendly mobile interfaces, fostering a seamless and connected experience.

Striking the Balance: Trust in the Digital Age

Security Measures for Client Data:

Trust and technology coexist harmoniously when robust security measures are in place. Corporate DSA Channels prioritize the protection of client data through encryption, secure servers, and stringent cybersecurity protocols, ensuring the integrity of financial transactions.

Educational Initiatives on Technology Use:

To maintain trust, Corporate DSA Channel / DSA Channels embark on educational initiatives. These programs inform clients about the safe use of technology, cybersecurity best practices, and the benefits of digital tools, empowering them to navigate the digital landscape with confidence.

Challenges and Opportunities:

Balancing Personalization with Privacy:

The challenge lies in balancing the personalization of services with respect for privacy. Corporate DSA Channels address this by implementing privacy-focused policies, ensuring that clients feel empowered and in control of their personal information.

Adapting to Rapid Technological Changes:

The ever-evolving nature of technology presents both challenges and opportunities. Corporate DSA Channel / DSA Channels view this dynamism as an opportunity for continuous improvement, embracing emerging technologies to stay at the forefront of financial innovation.

Conclusion:

Corporate DSA Channel / DSA Channels epitomize the harmonious interplay between trust and technology in the financial realm. By weaving a tapestry of localized trust networks, transparent communication, and technological efficiency, these channels are navigating the future of finance with resilience and adaptability. As technology continues to advance, Corporate DSA Channels stand as beacons of trust, guiding individuals and businesses towards a connected, secure, and personalized financial future.Discover unparalleled options for loans and Credit Card tailored to your preferences with Arena Fincorp. As a leading digital lending platform in the Loan & Finance sector, we provide industry-best choices, allowing you to select loans that match your needs, determine your preferred interest rates, and set terms according to your preferences. Experience extraordinary – our cutting-edge technology ensures swift application processing, enabling customers to receive funds in their accounts in as little as 12 hours, with minimal documentation required .

#arena fincorp #corporate dsa channel #credit card

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uxuinfo · 2 years ago

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The Key to Successful Products: Aligning Your Stakeholders

In the world of product development, success is often defined not just by the quality of the product itself, but by the ability of a team to effectively manage and align the diverse group of individuals known as stakeholders. These stakeholders come from various backgrounds, possess different goals, and often have conflicting interests. Navigating this complex web of relationships can be challenging, but it is essential for creating successful products that meet the needs of both the market and the organization.

In this comprehensive guide, we will explore the importance of aligning product stakeholders, the challenges that arise in the process, and the strategies that can be employed to build bridges and avoid burning them. We will delve into the roles of different stakeholders, the common sources of misalignment, and provide actionable tips for achieving harmony among stakeholders throughout the product development lifecycle. Whether you're a product manager, designer, developer, or any other professional involved in creating products, this guide will equip you with the knowledge and tools needed to navigate the complex world of stakeholder alignment.

Understanding Product Stakeholders

Before we dive into the strategies for aligning stakeholders, let's first understand who these stakeholders are and why they are so crucial to the success of a product.

Who Are Product Stakeholders?

Product stakeholders are individuals or groups of people who have a vested interest in a product's development, launch, and performance. These stakeholders can be internal or external to the organization and typically fall into the following categories:

Internal Stakeholders: These individuals are directly involved in the development and management of the product. Key internal stakeholders include:

Product Managers: Responsible for defining the product vision, strategy, and roadmap.

Designers: Create the user interface and user experience (UI/UX) of the product.

Developers: Write the code and build the product's technical infrastructure.

Quality Assurance (QA) Teams: Ensure the product meets quality standards and is free of defects.

Marketing and Sales Teams: Promote and sell the product to customers.

Executives: Make high-level decisions about resource allocation and strategic direction.

External Stakeholders: These are individuals or groups outside the organization who are impacted by the product. Key external stakeholders include:

Customers: The end-users of the product who provide feedback and generate revenue.

Investors and Shareholders: Expect a return on their investment in the product.

Suppliers and Partners: Collaborate with the organization to provide necessary resources or services.

Regulatory Bodies: Govern the industry and may impose regulations on the product.

Competitors: Influence the market and competitive landscape.

The Importance of Stakeholder Alignment

Effective stakeholder alignment is the linchpin of successful product development. When stakeholders are not aligned, a host of problems can arise:

Scope Creep: Without alignment, stakeholders may introduce new requirements and changes to the project scope, leading to delays and increased costs.

Conflict and Friction: Misalignment can lead to conflicts between teams, causing stress and reducing productivity.

Wasted Resources: When teams work on conflicting objectives, resources are wasted on tasks that don't contribute to the product's success.

Missed Opportunities: Lack of alignment can result in missed market opportunities or failure to address customer needs effectively.

Product Failures: Ultimately, products that do not meet stakeholder expectations are more likely to fail in the market.

Now that we understand the importance of aligning stakeholders, let's explore the challenges that can impede this alignment and strategies to overcome them.

Challenges in Aligning Product Stakeholders

Aligning stakeholders is a complex and ongoing process. Various challenges can hinder the achievement of alignment. Recognizing these challenges is the first step toward overcoming them.

1. Differing Goals and Objectives

One of the most common challenges in aligning product stakeholders is the existence of differing goals and objectives. Each stakeholder group may have its own agenda, which can lead to conflicts and misalignment. For example, the marketing team may prioritize rapid product release to capture market share, while the development team may focus on building a robust and scalable product.

2. Lack of Communication

Effective communication is the foundation of stakeholder alignment. However, communication breakdowns can occur at various levels, from team silos within the organization to insufficient communication with external stakeholders. Poor communication can lead to misunderstandings, missed opportunities, and misaligned expectations.

3. Resistance to Change

Stakeholders may resist changes to the product or its development process due to fear of the unknown, reluctance to abandon existing practices, or concerns about job security. This resistance can hinder innovation and prevent the organization from adapting to evolving market conditions.

4. Inadequate Resources

Resource constraints, such as limited budgets, time, or skilled personnel, can create tensions among stakeholders. For instance, the development team may feel pressured to deliver a high-quality product with insufficient resources, leading to dissatisfaction and reduced alignment.

5. Lack of Empathy

Understanding and empathizing with the perspectives of other stakeholders is essential for alignment. Without empathy, stakeholders may dismiss each other's concerns or fail to appreciate the challenges faced by other teams, making it difficult to find common ground.

Strategies for Aligning Product Stakeholders

Aligning product stakeholders is a dynamic and ongoing process that requires a combination of strategies, tools, and a cultural shift within the organization. Here are some effective strategies to build bridges and foster alignment among stakeholders:

1. Define a Clear Product Vision

A well-defined product vision serves as a North Star that guides all stakeholders. The product manager should articulate the vision in a way that resonates with both internal and external stakeholders. This vision should answer questions such as:

What problem does the product solve?

Who is the target audience?

What are the long-term goals for the product?

A clear and compelling product vision helps stakeholders see the bigger picture and understand their roles in achieving it.

2. Establish a Cross-Functional Team

Cross-functional teams bring together individuals from different disciplines, such as product management, design, development, and marketing, to work collaboratively on the product. These teams encourage diverse perspectives and foster a sense of shared ownership. When team members collaborate closely, they gain a better understanding of each other's challenges and constraints, leading to improved alignment.

3. Implement Agile Methodologies

Agile methodologies, such as Scrum and Kanban, promote flexibility, collaboration, and iterative development. These approaches encourage regular communication among stakeholders and allow for adjustments based on changing requirements. Agile also emphasizes delivering small, incremental updates, which can help manage stakeholders' expectations and reduce the risk of scope creep.

4. Create a Culture of Transparency

Transparency is essential for building trust among stakeholders. Organizations should promote open and honest communication, sharing both successes and challenges. Transparency can help stakeholders understand the reasoning behind decisions and feel more involved in the process.

5. Foster Empathy and Understanding

Encourage stakeholders to walk in each other's shoes. Product managers, for example, can benefit from spending time with developers to understand the technical complexities they face. Likewise, developers can gain insights into user needs by interacting with customer support or user experience teams. Empathy fosters appreciation for the perspectives of others and can lead to more harmonious collaboration.

6. Prioritize Feedback Loops

Feedback loops are essential for continuous improvement. Implement mechanisms for gathering feedback from all stakeholders, including customers, throughout the product development lifecycle. Regularly review and act upon this feedback to demonstrate responsiveness and a commitment to meeting stakeholder needs.

7. Use Visual Tools for Clarity

Visual aids, such as product roadmaps, flowcharts, and user journey maps, can help stakeholders better understand complex concepts and processes. Visual tools can bridge gaps in communication and facilitate discussions about product features, timelines, and priorities.

8. Mediate Conflicts Effectively

Conflicts are inevitable in any collaborative endeavor. When conflicts arise among stakeholders, it's essential to address them promptly and constructively. Use conflict resolution techniques and, if necessary, involve a neutral mediator to help parties find common ground.

9. Align Incentives

Consider aligning incentives to encourage stakeholder cooperation. For instance, tie the compensation of product managers to the product's success in meeting predefined KPIs. When stakeholders share common financial incentives, they are more likely to work together toward a shared goal.

10. Continuously Reevaluate and Adapt

Stakeholder alignment is not a one-time task but an ongoing process. Markets change, and so do the needs and priorities of stakeholders. Regularly review and adapt your strategies for alignment to ensure they remain effective in a dynamic environment.

Real-Life Examples of Stakeholder Alignment

To illustrate the importance of stakeholder alignment and the impact it can have on product success, let's explore a few real-life examples.

1. Apple's iPhone Launch

Apple's iPhone launch in 2007 is a classic example of successful stakeholder alignment. The late Steve Jobs, Apple's co-founder and then-CEO, effectively aligned internal teams, including design, engineering, and marketing, around a clear product vision. The iPhone combined cutting-edge technology with an intuitive user interface, satisfying both internal and external stakeholders. This alignment resulted in a groundbreaking product that transformed the mobile industry.

2. Tesla's Electric Vehicles

Tesla's electric vehicles (EVs) have disrupted the automotive industry. CEO Elon Musk's vision of sustainable transportation resonated with both internal and external stakeholders. The company's cross-functional teams, including engineers, designers, and marketers, work collaboratively to advance EV technology. Tesla also built a community of passionate customers and investors who share the vision of a sustainable future. This alignment has propelled Tesla to the forefront of the EV market.

3. Microsoft's Azure Cloud

Microsoft's Azure cloud platform is another example of successful stakeholder alignment. Microsoft invested heavily in building a robust cloud infrastructure, aligning internal teams to compete with market leaders like Amazon Web Services (AWS) and Google Cloud Platform. By addressing the needs of both developers and enterprise customers, Microsoft created a product that satisfied a broad range of stakeholders and rapidly gained market share.

Conclusion

Aligning product stakeholders is the key to successful product development. It requires understanding the diverse perspectives and goals of internal and external stakeholders, fostering effective communication, and implementing strategies to bridge gaps in understanding and objectives. When stakeholders are aligned, they work cohesively toward a shared vision, resulting in products that meet customer needs, achieve market success, and drive organizational growth.

To build bridges (and not burn them) with stakeholders, remember these key takeaways:

Define a Clear Product Vision: Ensure everyone understands the "why" behind the product.

Establish Cross-Functional Teams: Encourage collaboration among diverse teams.

Implement Agile Methodologies: Embrace flexibility and adaptability.

Create a Culture of Transparency: Foster trust through open communication.

Foster Empathy and Understanding: Encourage stakeholders to see from each other's perspectives.

Prioritize Feedback Loops: Continuously gather and act upon feedback.

Use Visual Tools for Clarity: Simplify complex concepts with visuals.

Mediate Conflicts Effectively: Address conflicts constructively.

Align Incentives: Tie incentives to shared goals.

Continuously Reevaluate and Adapt: Stay agile in a dynamic environment.

By following these strategies and remaining committed to stakeholder alignment, you can navigate the complex world of product development with confidence and increase your chances of delivering products that delight customers and drive success for your organization.

#product leaders #product management #stakeholders

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dailyaudiobiblechronological · 3 years ago

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11/6/2022 DAB Chronological Transcription

Mark 13

Today is the 6th day of November. I'm Jill. Welcome to Daily Audio Bible Chronological. It's so great to be back here with you. This is my week taking over. China is going to take a rest and cook some healthy food guaranteed. And it's my joy to be here with you this week. I'm pretty excited to be back with you and to be in this community that I love so much. And not only do I love you all, I love getting to be a part of you, an extension of this community. And I'm honored and humbled that I get to be a partner with my daughter. To read the word of God to us as we weave our way through the entire Bible in just a couple, less than a couple of months. Can hardly believe that, but it's true. This is where we're at. So we're putting another log on the global campfire and we have turned a page in the stories of our lives and also in the word of God. So today we're going to read Mark, chapter 13. And this week we're going to be reading the New English translation, Mark chapter 13.

Prayer:

Father, we thank you for your word today. We thank you for this brand new week. Thank you for your newness, for redemption, for restoration, for renewing, for beginning again. And we look at this week as a brand new chance to start over, to take the old that has gone and make something new, to take the mistakes from last week and write them to take the things that we need to change direction, the act of repentance and move forward in the opposite direction. Change us from the inside out we pray. We thank you for your word. We thank you for this community and we thank you that you are not above speaking to your people. Give us ears to hear, eyes to see, and give us the words to speak that would radiate and permeate this world, this earth. With the love of Jesus, pray this now. In the name of the Father, the Son and the Holy Spirit. Amen.

Announcements:

Looking forward to an incredible week together this week with all of you. And I'm so grateful for this opportunity and grateful that you, every single one of you are here and allowing yourselves to be transformed from the inside out. I'm Jill. We'll turn the page together tomorrow. Until then, love one another.

Community Prayer Line:

Hello DABC family. This is Diana from Florida, and I want to pray for Under Construction. Dear Heavenly Father, I submit under construction into your hands. Oh, Lord, God. She is currently dealing with family strife and as a result has to move to a different home. Unfortunately, her relationship with her mom has been estranged for financial and other reasons that we are unaware of. But that you know. And you know perfectly well where the injustice and unfairness lies. Dear God, I just pray in the name of Jesus that as we make plans, you say that you direct our steps. I pray that you would direct under construction steps. O Lord God and her significant other. Or father. Or her husband father. I pray that you would guide her and his family forward into the next season that you would have for them. Dear God. And I pray that these relationships would soon be repaired. O Lord God. That there would be a mutual understanding. Oh Father God. That in the name of Jesus your presence would cut through and do a mighty work. I also pray, Lord God, that for under construction this would be a blessing in disguise. Because sometimes when we have ties in these kind of financial way that we live with others and our relationships are financially tied, it can cause friction and problems and loosening it may actually be a blessing. So I just pray that that would be the case for them. In Jesus name we pray. Amen.

Hello DABC, this is Aaron from Houston and I'm calling just to kind of chime in. It's been a while but there's some interesting developments have happened in my life, both good and also challenging. Mainly that I've been convicted more and more that my prayer and quiet time has not really been very genuine or very real. Honestly, it's just been falling asleep during listening to the Dead Sea, which I'm still retaining some things but I feel like it's kind of just at the end of the day and I haven't been paying much attention and so I want to do better than that. But among other things, I've also been given a tremendous opportunity at my church. That can change a lot. It's not going to affect my other ministries, which is good, but it's going to give me access to a lot of things that a lot of discipleship, a lot of resources that could potentially seriously help my ministry. It's also tremendously challenging because that means I have to be that much more diligent when it comes to my faith. Walk. So DABC, please pray for me. This is going to be a challenge. Usually God throws me into situations where I don't feel entirely qualified, but I've also seen this coming. It seems like it's going to be a great opportunity and so I'm walking through these doors and God will close them if he wants to, but I get the feeling that they're going to remain open whether I want them to or not. And I do want them to, but you know how it is challenging. So pray for me. Thank you all so much.

My beloved DABC family, this is the Burning Bush that will not be devoured for the glory of our God and King family. Oh my gosh. Today is November 3 and I just heard that song by the Alabaster Box that China played at the end of today's reading and it really blessed my heart. Sunday my pastor- we had a business pastor in my church and preached about, remember Lot's wife. And one of the things she said, it really hit me was what the Bible said about Sodom and Gomorrah as their sin. And the sin that was mentioned was basically not meeting the needs of the orphans and the widows. That was the main sin that they committed and we forget that. So today I really want to pray for another burning bush in my life. I've called and prayed about her before. Her name is Gina. She's a woman of God who has had job level trials in her life and where she is right now battling cancer, about to get evicted out of her home. She has been ill in her body for the longest time and her kids have forsaken her. I know she's listening and forgive me for giving this out. 'm sure nobody knows exactly who you are, but definitely I need all our prayer warriors to pray for her today that God will provide a breakthrough in her life, healing in her body, that God will replenish everything. The locust has eaten a hundredfold. I'm praying for Joe's side's blessings because at the end of his trials, he was blessed abundantly and in praying for God to show us how to be his hands and feet and not be like Sodom and Gomorrah, but to help just our local church to be able to help her. All right, love you guys. Thank you. Bye.

Hi DABC family. This is Dawn from Ohio. It's November 3 and I just got done listening to China read the Word of the Lord to us. And the Holy Spirit spoke to me and told me to call in and pray this simple prayer to the DABC family. So, heavenly Father, I thank you and praise you, Lord Jesus, for who you are. And Lord Jesus, Your word says that you are working all things out for the good of us, for those of us who love you. And so Lord, Your word today that the Holy Spirit said to me was to pray the blood of Jesus, the precious blood of Jesus over every single DABC person over each prayer request has come in all year long today and throughout our reading that you are working things out to glorify yourself. And so Lord, I just pray that you would be glorified and thank you God for the DABC family. DABC family, I love you and I'm so thankful that I found this podcast and that I've been able to read every single day with China and Jill and all of you. I feel so blessed, blessed and thankful in Jesus name, amen.

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mooncaps · 4 years ago

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The parallels between Catra and Glimmer keep sticking in my mind. They don't quite mirror each other exactly, visually or thematically, but there's a lot of overlap. They're similar in so many ways, but the inverse of each other in certain ways as well. Their natures are so alike that if their circumstances had been swapped, they'd probably just become each other.

So, I guess I’m picking up my shovel and digging into this. I wanna examine the ways they’re alike, the key ways they differ, what shapes each of them, and why their intersecting journeys are significant. There’s a lot to unpack and this is gonna be a long post, but if the subject matter sounds interesting to you, then read on.

Their parallels are most evident in Season 4, but are also woven throughout the show. I'm thinking back to 1x07 when Adora explains to Bow and Glimmer what being raised by Shadow Weaver was like and Glimmer, without missing a beat, says: "Okay, sure, Mom stuff." Completely nonchalant, with a casual shrug, as if nothing sounded out of place. All of these characters are impacted by being embattled in a militaristic conflict, of course, but Catra and Glimmer are both getting particular parental experiences from their mother-figures, the only parent in either of their lives. Notably, they don't have the same experience. Angella's a much better mother to Glimmer than Shadow Weaver is to Catra. Shadow Weaver is abusive, manipulative, power-hungry, and especially cruel to Catra above all others. Even when Angella is harsh, she's constructive and supportive.

But both of these children end up with a strong desire to prove themselves on the battlefield. Both want their mothers to be proud of them, to recognize them as worthy. Catra spends the early part of her life suppressing the urge to prove herself, pretending not to care about it while secretly being deeply upset when she finds herself overshadowed by Adora. Glimmer, on the other hand, openly thirsts for opportunities to be a great commander and earn recognition for her accomplishments. They both have somewhat of an inferiority complex as well. Catra comes to decide she doesn't want to be the sidekick. Glimmer is insecure about being the princess who has to recharge.

In 1x08, Glimmer's jealousy toward Bow and Perfuma is essentially a microcosm of a key dimension of Catra's arc for the show. But Glimmer is much quicker to learn the lessons and grow. Due to her experiences, Catra's walls are much harder to break down. I'll swing back around to that point later.

As Season 1 draws to its close, Glimmer and Catra both gain a little more independence, though they do it in very different ways. Catra does what Glimmer wanted to do at the beginning of Season 1. She presents valuable tech and a valuable ally to her commanding officer. Glimmer gets closer to her mother and they both start to understand each other better. Catra defeats her mother-figure in combat. Glimmer and Catra both gain favor in their respective armies and get the much-desired chance to prove themselves in the Battle of Bright Moon.

In 2x02, Glimmer and Bow take Catra hostage and the ways in which these two characters differ are really highlighted. Glimmer is tempted more than once to be as ruthless with Catra as Catra would be with her, but Bow talks her down when push comes to shove. "We're not them." Catra doesn't have a person in her life who talks her down. Not anymore. Catra sees the reliance on friendship among the Rebellion as a weakness. "It's why you're never going to win."

With the environment she grew up in, Catra's understanding of concepts like friendship and love are primarily in relation to power and manipulation. She's quick to seize upon the closeness between Glimmer and Bow as a way to force Glimmer to use up her magic. Catra's own love for Adora is, in the early days, selfish. She doesn't want to share Adora, whether with friends in the Horde or friends in the Rebellion. And it's why she believes that Adora doesn't feel the same way. If Adora wouldn’t take things to the same selfish extremes, then she must not feel what Catra’s feeling. This is what Catra believes because her experiences have given her this very specific, and flawed, understanding of love.

Glimmer's relationship to love is different. She comes from a more supportive environment and even in the rare instance when she does trend toward selfish love, she's more able to accept and understand the flaws of it.

But focusing on 2x02: Glimmer and Catra push each other's buttons. Each of them instinctively knows how to hurt the other one, though Catra is more willing to inflict that hurt. They’re both paying attention and learning each other’s vulnerabilities. The one moment where Glimmer touches a nerve with Catra is: "How did Adora take years of this? She didn't run away from the Horde. She ran away from you." And Catra immediately pushes back: "You think she's not going to leave you behind too, Sparkles?"

It's somewhat telling that Catra sees Glimmer as having taken her place in Adora's life. Again, similar, but not the same. The relationship between Adora and Glimmer is different to the relationship between Adora and Catra, but Catra, with her limited and warped understanding of love, can't tell the difference anymore than she could when Adora first befriended Lonnie. Catra sees Glimmer as having the same place in Adora's life that Catra used to have. And as much as Catra wants, at this point, to tell herself she's over Adora, she's still angry.

So we’re kind of flipping between parallels and inversions, but a key factor starts to become clear at this point. What Catra and Glimmer hate in each other is what they fear in themselves. Glimmer hates that Catra took her as a hostage, but she's also frustrated that she can't be just as cruel when she has Catra as a hostage. She wants to be cruel, and yet she hates herself for wanting it. Catra hates seeing Glimmer step into the role of Adora's sidekick and she mocks the Rebellion for "the power of friendship" because she hates how vulnerable she felt after opening her heart to Adora. She wants a loving relationship, and yet she hates herself for wanting it. Catra and Glimmer see their own perceived flaws, weaknesses, and shortcomings in each other, which is why there's so much friction between them. It's really an interesting concept that develops further as the show goes on.

The next minor point of interest is 2x04. Glimmer sees the primary conflict as being between herself and Catra. It’s not much, just a little look into how Glimmer is thinking about things.

Seasons 2 and 3 are paired together in terms of themes in a way that other seasons aren’t. At the end of Season 2, or midway through the story threads, Catra loses her mother-figure. At the end of Season 3, Glimmer loses her mother. Once again, the circumstances differ. Angella is truly gone, but Shadow Weaver has simply switched sides. Glimmer’s arc going forward is very much driven by Angella’s absence, whereas Catra’s arc is driven by Shadow Weaver’s presence...as an enemy combatant.

And Shadow Weaver doesn’t just join the Rebellion, she starts working her way into Glimmer’s life. Her opening pitch that gets Glimmer to free her plays on a familial connection - the fact that she taught Glimmer’s father. They go to the Fright Zone together and of course they run into Catra, who discovers Shadow Weaver quite literally taking Glimmer by the hand.

All of this sets the stage for Season 4, where the Catra and Glimmer parallels are at their strongest. The two of them become much more similar to each other in this season. Glimmer is now receiving guidance and familial connection from the very person who shaped Catra into the person she is.

Both Catra and Glimmer effectively take control of their respective armies. Glimmer literally becomes queen and, in the very same episode, Catra seats herself on Hordak’s throne. Glimmer is reluctant to take the throne, Catra is eager to. At the end of the episode Catra says to Hordak, “I think you and I are going to do great things together.” This line echoes what Shadow Weaver said to young Micah and baby Adora. And of course Glimmer is also stepping into her mother’s role.

From there, the two of them find themselves on similar paths. In 4x02 they both have the same idea to recover Mara’s ship. In 4x04 Glimmer wants to think like Catra and asks Shadow Weaver to teach her. Glimmer ends up in a fight with Catra and Catra marvels at Glimmer’s tactical decision to use Adora as a decoy. Where Glimmer was previously unwilling to be like Catra, now she’s determined to do anything for victory. And of course the idea to use Adora as a distraction came from Shadow Weaver and Catra’s recognizing this change in Glimmer’s tactics without quite realizing why it should feel familiar.

Some things happen at different times for these two, but there’s so much overlap. Glimmer starts the season dealing with boring meetings and itching to be out in the field, jealous of her friends. For Catra, she starts the season in the field, but as her plans advance she finds herself stuck in the Fright Zone while Hordak does the field work.

Both of them are focused on success, no matter the cost. They both become so stubbornly obsessed with winning the war that it fractures their friendships. They reject all counsel and push away the people who care for them. In spite of being hurt by losing the trust of their friends, they both double down on trying to win, expecting total victory to be the thing that brings them peace of mind, the thing that makes everything worth the cost.

There’s a push and pull between the two of them throughout the season. Neither can succeed in their chosen path without destroying the other. And yet they can’t seem to destroy each other without losing themselves. Metaphorically, destroying each other would mean destroying their own shortcomings, and both of them want those weaknesses and doubts erased, but neither of them can manage to strike the final blow.

Catra gains the upper hand in the war by having Double Trouble work the cracks in Glimmer’s friendships. Glimmer gains the upper hand by having Double Trouble drive a decisive wedge between Catra and Hordak. Double Trouble’s duplicitous allegiances and feigning of friendships are key developments on both sides of the battlefield and their services are weaponized by both Catra and Glimmer to target each other. Double Trouble essentially acts as a messenger, sent from both of these two characters to tear the other one down. Catra and Glimmer personify to each other what they fear in themselves and Double Trouble gives voice to the doubts of both characters, acting on behalf of each of them in turn.

Double Trouble gets to Glimmer by suggesting that Adora is undermining the queen’s authority. They work from an understanding of Glimmer’s genuine desire to be a great queen. However, and this is a key point, when Double Trouble confronts Catra, the tactic is completely flipped. “You try so hard to play the big bad villain, but your heart’s never been in it, has it?” They work from the understanding that Catra’s apparent desire to lead the Horde to victory is not genuine. As opposed to Glimmer, whose heart has always been in it; her heart’s so in it that she becomes blind to the risks of her plans.

Part of Double Trouble’s speech to Catra can apply to Glimmer’s insecurities as well. “They didn’t believe in you, didn’t trust you, didn’t need you, left you. But did you ever stop to think, maybe they’re not the problem? It’s you. You drive them away, Wildcat.” Obviously it applies to Catra, but it also describes what Glimmer has just been through with Bow and Adora. Glimmer and Catra have so many overlapping fears and this messenger sent by Glimmer to throw Catra off balance ends up making this statement that labels Glimmer’s recent mistakes just as accurately as it does Catra’s.

The key difference between the two of them comes down to their hearts being in it. For all the similarities between Catra and Glimmer in Season 4, this climactic moment emphasizes that, for Catra, a lot of it is an affectation, a costume.

Which brings me to an element of the visual storytelling. I recently read an interesting post about the thematic significance of Catra’s mask. I also made my own post about the change to her hair in Season 4. The visual storytelling has many facets in this show. This post is about parallels though, so what I’m focusing on now is the fact that Catra and Glimmer both change their costumes in Season 4. The first scene of 4x01 features the reveal of Glimmer’s new look and the last scene of 4x01 features the reveal of Catra’s.

One of the first things I noticed about Catra’s outfit is that her new black sleeve and shoulder armor are covering the area that was damaged in the portal reality. At a guess, I’d say she wants to guard against feeling whatever that felt like again. Again though, my focus is on parallels. Let’s have a look at their outfits side by side.

Glimmer’s is essentially an evolution. She’s growing more into herself. She now has both shoulders covered. Hard to say if these shoulder pads are decorative or could serve a protective function. They kind of look metallic. Her legs are newly covered; her neck and chest are newly exposed. There are a few changes to Glimmer’s outfit, but not a lot that’s truly new to her.

For Catra, there are a few new elements in her outfit. The single sleeve, the fingerless gloves, and at the shoulders she seems to have upgraded from fabric to something that looks more like it could be armor. Her legs are more covered than they were in her previous outfit, but there are still small exposed gaps. Her feet were never covered before, but now there’s a partial covering. And there’s also what fandom has dubbed the “boob window,” though this show isn’t one that gives focus to things like cleavage. The new elements for Catra bring her outfit a little bit closer to Glimmer’s.

I’ll be interpreting exposed skin as representing vulnerabilities. Of particular interest to me is the fact that they both wear single sleeves now, one white, one black, and they cover opposite arms. Glimmer has no mask on her face; Catra has no cape covering her back. Glimmer’s boots seem especially enforced at the heel and toe. Catra’s heels and toes are exposed. You know how I’ve been saying that they see their own shortcomings in each other? Now Catra is visibly vulnerable where Glimmer is guarded and vice-versa. The particular asymmetry of the sleeves brings to mind ideas of imbalance, both internally and between them.

Catra’s sleeve looks durable; Glimmer’s sleeve looks decorative. Glimmer’s sleeve leaves a gap of skin exposed below the shoulder pad; Catra’s sleeve covers the full length of her arm. On Glimmer’s unsleeved arm, the glove barely covers her hand; Catra’s glove covers a portion of her forearm. Remember 1x08, that point I said I’d come back to? Glimmer’s quicker to learn the lessons. Catra’s walls are harder to break down. Now it’s visually represented in their outfits.

I’ll reference the visuals as I go on, but let’s get back to thematic analysis. As the Season 4 finale draws to a close, Catra and Glimmer end up together and both have been brought low. Double Trouble has just seen through all of Catra’s walls and read her for absolute filth. Glimmer has to reckon with the fact that her own hubris nearly got everyone she’s been fighting for destroyed. Both have come closer to total victory and closer to total defeat than they’ve ever been. Coming off a string of mistakes and pushing away the people who care about them, they end up together.

Glimmer has the chance to attack a willingly defenseless Catra, but spares her. Moments later, Glimmer is threatened by Horde Prime, but Catra’s intervention saves her. It’s a layered action from Catra, certainly not altruistic, but it saves Glimmer nonetheless. I think something in each of them feels hesitant to see this person, in whom they see their own flaws reflected back at them, destroyed.

And now they’re stuck with each other, quite literally cut off from everyone else. They’re each wrestling with the weight of their own failures and shortcomings, so of course they’re both trapped with the metaphorical representation of everything they never wanted to face in themselves.

They’re together, and yet they’re separated. A barrier stands between them. Catra is at liberty to move about the ship, but there’s nowhere to go and no escaping the watchful gaze of Horde Prime. She’s frustrated by this illusory liberty: “If I’m a prisoner, you might as well make it official.” Glimmer, on the other hand, is in a cell and she wants out, even though there’s nowhere to go. For a brief moment, the barrier is taken down when Catra and Glimmer are invited to dine with Horde Prime. One very effective way to bring people together is to give them a common enemy. They’re only physically together when they’re united in defending themselves against him.

Horde Prime understands the similarities between the two of them and breaks through both of their walls at the same time with the same tactic. “You Etherians are all alike. Such strong connections to one another. It’s what makes you weak.” It’s the unguarded vulnerabilities in Glimmer that poke holes in Catra’s plan of “parsing out information like a bargaining chip.” Though Catra and Glimmer have a common enemy now, they’re not yet coordinated and working with each other.

So we return now to the scene from 5x03 at the top of this post. Even the way it’s framed is significant. The scene could presumably have been presented from the other side, but seeing it from this angle allows me to infer some things about what’s being communicated.

They start out facing each other and we see their sleeved arms. Neither is quite ready to trust the other, so their walls are up. When they stand face-to-face with what they fear in themselves, they put their guards up. They’re both more-or-less equally guarded and equally vulnerable, but the guarded side is what the show’s creators are showing the audience, as well as what Catra and Glimmer are showing to each other in this moment.

The scenery around the two of them shows a stark contrast. Glimmer’s cell is brightly lit with simple architecture. Much of the space around Catra is dark and complicated.

As they open up to each other emotionally, they turn back-to-back and we’re shown their unsleeved arms. When they look away from what they fear in themselves, they let their guards down. Both of them lay a hand on their unsleeved arms, almost as if they’re subconsciously worried that they might need their walls at any moment to defend these vulnerabilities.

Their body language relaxes, though only fractionally in Catra’s case. Glimmer is a little more at ease, but Catra won’t let herself be quite as open and unguarded. Her fingers remain on that unsleeved arm, alert and ready to defend at a moment’s notice.

I’ve talked a bit about walls and defensiveness, but the way these two came to construct their walls is also important. Glimmer and Catra have both experienced hardships in their lives. Both of them grew up with only one close friend. They both felt pressure and a desire to prove themselves and they’ve both endured great tragedy in their young lives. Glimmer has developed more of the emotional tools to work through her pain and begin to heal. Catra is only at the beginning of the healing process and her pain comes from a very different source.

Glimmer spent the majority of her young life believing her father had been killed and then she lost her mother as well. Catra was either given up or orphaned and then taken in by an abusive family. Both experiences were surely traumatic. Catra’s walls are tougher for a reason though. A few reasons. The primary reason is that the source of her fear and pain was also her mother-figure.

Being traumatized by someone who should be on your side is different than other sources of trauma. And because Shadow Weaver is her parent, Catra also bonds with her and wants her approval. This is emotionally confusing and compounds Catra’s issues. Wanting love from Shadow Weaver is one of the reasons Catra hates herself for wanting love at all.

Not only is Catra traumatized by her parent, she also lacks any other parental guidance to help her process her trauma. Glimmer, even after losing her father, still had her mother. It’s after losing her mother that Glimmer really starts to lose balance emotionally. Though Catra had Adora, that kind of comfort is not the same as having the calming influence of a supportive parent to help a child cope with their trauma and assure the child that things will be okay. Further to that are the wedges that Shadow Weaver (and later Light Hope) employed to ensure that Catra and Adora would doubt each other. Then finally, Adora left the Horde and whatever comfort Catra had received from her turned poisonous. This was the thing that threw Catra’s sense of safety into chaos and unraveled any semblance of emotional balance. For much of the show, wanting love from Adora is one of the reasons Catra hates herself for wanting love at all.

This is all a roundabout way of explaining why Catra’s walls are so much thicker than Glimmer’s and why everything around her is dark and complicated. Glimmer has her own walls and coping mechanisms, but they’re constructed differently. Catra is largely driven by defensive panic responses. Glimmer is reactive and even reckless at times, especially after losing Angella, but she’s generally more able to slow down and sort through her feelings. Glimmer’s walls are constructed in such a way that they don’t impede her ability to grow and heal. Glimmer’s walls don’t keep as many things away, but her capacity to let the right people in is the trait that serves her best. The contrast between these two characters speaks volumes.

Season 5 is where Catra and Glimmer begin to learn from each other. They get past the initial reaction of simply being disgusted by seeing what they fear in themselves. They both make some appeals to each other for information and help. The barrier between them comes down again and Catra enters Glimmer’s space.

The audience is shown both sleeved arms. Walls are up. Catra uses both hands and takes Glimmer by the sleeved arm. The cake is in her unsleeved hand; it was an appeal to her vulnerable side. The full appeal from Catra that acknowledges Glimmer’s walls is the one that actually reaches her and gets Catra the information she wanted. It’s an appeal so strong that it can reach Glimmer through her walls, not just some simple ploy to prey on her softer side.

“You can’t tell him.” Glimmer uses both hands and takes Catra by the unsleeved arm. This is an appeal to Catra’s vulnerable side. And it echoes something that has previously frustrated Catra. “It’s always the same with you, Adora. I have to do this. Oh-oh, we have to do that.” This appeal to her softer side isn’t enough.

“Do one good thing in your life.” Glimmer uses both hands and takes Catra by the sleeved arm. The audience is shown both of their unsleeved arms. They’re both vulnerable here. It’s this appeal, which acknowledges Catra’s walls, that reaches her. Catra still reacts in fear, a response pattern that runs deep with her, but the message reaches her through her walls.

After processing some of her emotions, Catra returns, offering Glimmer her unsleeved arm. This is a vulnerable action from Catra.

Glimmer takes Catra’s hand with her sleeved arm.

This is the turning point. They represent each other’s insecurities, each vulnerable where the other defends. Glimmer has the tools to balance out Catra’s vulnerabilities. Glimmer’s sleeved arm meeting Catra’s unsleeved arm is like saying: “I’ve got your back.” If they’re confrontational to each other, or if they ignore each other, they’re both equally defended and equally vulnerable. But if they stand side by side...

...they can compensate for each other’s vulnerabilities. They embrace and understand the insecurities they were afraid of and together they have the tools to present a balanced front that can protect them both. Neither one of them was going to be able to succeed alone, but together they can accomplish more.

Catra knew where the teleporter was and could have escaped on her own, but that would not be success. As Glimmer pointed out, even if Catra runs away it won’t matter when Horde Prime destroys the universe. As Catra pointed out, Adora would still come to rescue Glimmer. It’s their combined knowledge that leads to the solution.

Getting Glimmer out is the key, but Glimmer is unable to do this alone. Catra has the knowledge of the teleporter, Catra has the knowledge as well as the physical combat skills necessary to overpower the clones, and Catra has to be the one to take down the barrier that divides the two of them. Only Catra is in a position to achieve this. In terms of emotional metaphors, Glimmer is ready to let Catra in, but that fact alone isn’t enough. Catra has to be willing as well.

And the plan succeeds. It’s Catra’s most vulnerable action yet and she stands willing to sacrifice herself. Catra sends Glimmer, this metaphorical representation of her own insecurities, to Adora. This action is the very thing that ultimately saves Catra. She’s stuck with Horde Prime and her defenses are all ripped away, but it’s this show of vulnerability that affords Adora and company the opportunity to come in prepared and save this defenseless cat. Glimmer’s willingness to forgive Catra is significant for a lot of reasons, not the least of which is that Catra is the party most responsible for the conditions that led to Angella’s sacrifice, and Glimmer cites Catra sacrificing herself on Horde Prime’s ship as the reason she’s willing to help Adora go back and save Catra.

And once she’s saved, when Catra next gets the liberty to determine her own outfit, as she treads a path of vulnerability and learning to follow her heart...

...the sleeve and fingerless gloves are gone. The costume she put on when she took her seat on Hordak’s throne has fallen away. That’s not who she wants to be anymore. Now she’s ready to start on the path of growing more into herself.

The push and pull contentious relationship between Catra and Glimmer has reached its conclusion, but there are still a few moments of interest. In 5x08, there are several instances where Catra questions what seem to be tactically unsound decisions from the Rebellion and they shrug off the concerns. Near the end of the episode, it’s Glimmer who questions the tactics and Catra who shrugs it off. This shows that they’re both getting more comfortable with each other and also both getting more comfortable with the parts in themselves that make them similar to each other.

In 5x10, when Catra finds herself in trouble, trapped and confronted with rising water, she calls Glimmer, knowing now that Glimmer is someone she can trust when she comes up against the limits of her own vulnerabilities.

In 5x12, Catra goes to Bow and Glimmer, looking for Adora. Glimmer informs Catra that Adora left them behind. Catra says: “Of course she’s gone. That’s what she does, isn’t it?” Glimmer was caught off guard by this, but Catra has recognized this vulnerability in Glimmer since Season 2. “You think she’s not going to leave you behind too, Sparkles.” This time Catra’s not just here criticize; she’s here to help. She warns Bow and Glimmer about Horde Prime’s plans and volunteers herself to take over helping Adora. Glimmer comes up against the limit of her vulnerabilities, but she can tag in Catra to help her now.

In the literal sense, this shows the value of letting other people in. In the metaphorical sense, it shows the value of accepting oneself. Learning from others, finding the common ground, gives us a fuller understanding than we can achieve on our own. No one can do everything alone, but working with people who are skilled where we come up short, guarded where we are vulnerable, and open where we are closed off is what unlocks the potential to accomplish things that would have otherwise been impossible.

I love that message, but I also love the metaphorical message. Glimmer and Catra have repeatedly seen in each other the things they were afraid of in themselves. Hating each other is tantamount to hating themselves and their acceptance of each other is tantamount to accepting themselves, which makes both of them more well-rounded and helps them to move forward.

And those lessons, to me, are among the most significant things about their intersecting journeys. They accept the differences in each other, they recognize the similarities in each other, and they come together to build each other up. It’s at once a journey of learning to accept others and a journey of learning to accept themselves. They learn that greeting their shortcomings with anger is ultimately self-destructive, ignoring these vulnerabilities is perilous, and it’s only through acceptance that they can begin to understand themselves, compensate for their limitations, and better themselves.

They each look into a mirror, see their own insecurities staring back at them, then decide to give that person a hug and say: “I’ve got your back.”

#SPoP #Catra #Glimmer #long post

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zodiactalks · 4 years ago

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Understanding Gemini Woman

Conversations are meant to be exciting things. There is no better woman to enjoy random banter with than the Gemini woman. This energetic, charming individual is bound to entertain you for days. The Gemini woman’s seemingly airy personality is attributable to her sign being an air sign. Want to understand this absolute joy of a woman a bit more? Watch on as we delve deeper into the various aspects that make up a Gemini woman.

In this video, we will talk about personality traits, likes/dislikes, love, relationships, career, money, friendships, fashion, style and a lot more of Gemini Woman.

Personality Traits of Gemini Woman

There exists no amount of words that can fully describe the personality of a Gemini Woman. She is flamboyant, and extra to say the list.

#1. Energetic

A Gemini woman will breathe life into any situation thanks to her insane amounts of energy. She loves the great outdoors and is up for any amount of fun. The best way to describe the amount of energy housed within this zodiac sign is to liken it to that of a two year old.

#2. Flexible

Gemini women are go with the flow kind of individuals. They tend to be comfortable no matter their surroundings. Every zone is a comfort zone. Their flexibility and adaptability to various situations not only make them great people to be around but opens doors to opportunities others would easily shy away from.

#3. Intelligent

Gemini women tend to attract people due to their enjoyable conversations. Their love for books and inquisitive nature allows them to gain knowledge on various subject matters.

#4. Witty

A sense of humour comes naturally to the Gemini woman. Witty comments are second nature. Do not be surprised if your comments are met by a witty retort from this ball of energy. Her intelligent and curious nature gives her context for almost every situation or context she finds herself in.

#5. Adventurous

It really is no surprise that Gemini women are adventurous and outgoing. They are curious about all things life. They will experiment with anything at least one time. The Gemini woman’s bucket list is therefore bound to be full of fun adventures

#6. Indecisive

Making even the simplest of decisions can be a tall order for the Gemini woman. She tends to overthink things leading them to develop unwarranted anxiety about everything. It’s probably not the wisest of choices to rely on her to make decisions that are time sensitive in nature.

#7. Impulsive

The flexibility of a Gemini is a double edged sword as it makes them equally impulsive. The fact that they are comfortable in almost any environment makes them up and leave without giving much thought to their actions. Better have a backup plan if you are reliant on a Gemini woman to come through for you.

Likes & Dislikes of Gemini Woman

The Gemini woman likes to have fun. She is constantly seeking the next thrill. Good company, a good book and a good conversation are amongst her most favourite things to do. Her bubbly personality makes it easy for her to interact with almost everyone. Socializing and making friends is therefore another of her favourite things to do. Traveling in search of one adventure or the other is an enjoyable activity. If you are looking for a travel buddy then the Gemini woman might just be the one for you.

Gemini women, just like their Aquarius sisters, value their freedom. They are creative and like to push boundaries. Trying to restrict their freedom and creativity in any way is bound to cause friction with them. They dislike dull conversations and engagements. Routine is also a major don’t for these women. Their free spirited nature will not allow them to be bogged down by a predetermined life.

Gemini Woman in Love and Relationships

Love is a beautiful thing that transforms even the dullest of persons into glowing individuals. This is no different for the Gemini woman. Her seemingly flighty nature makes settling down for her a rather difficult decision. However, once made, she will devote herself to you. The downside to dating a Gemini woman is that she bore easily. She likes adventure and loves to discover things. She has a full and vibrant social life. Be ready to deal with this the constant invites to social events and her changing pleasures.

Jealousy and possessiveness has no place in a relationship with this air sign. Her independence and intelligence will not allow her to be comfortable in a possessive and controlling relationship. She is quick to distance herself from relationships that seem to dim he light.

Sex with the Gemini woman is bound to be interesting. She is experimental in this department as she is with every other thing in life. If she wants you, there is no way not to know as she will simply make clear as day.

Gemini Woman in Career and Money

The energy, eloquent communication and creativity of a Gemini woman makes her well suited for a career in the creative arts, performing arts, communications and law industries. She loves to shine and as such, she is not afraid of the lime light.

A career in sales and marketing will suit her just fine. She loves talking to and interacting with different people. This together with her excellent communication skills make her a sales and marketing force like no other. Her interactions with and understanding of different types of people gives her the competitive edge when it comes to selling since she knows the right heart strings to tag at.

Her relationship with money is a rather fleeting one. This is not to mean that she doesn’t easily come into money, she does. It is her impulsive spending that makes this a fleeting relationship. While saving is an option that she is well capable of pulling off, the Gemini woman would much rather spend her money in pursuit of happiness. She is also generous and will not hesitate to come to the aid of those that need her.

Gemini Woman in Friendships

Friendships come easy to the Gemini woman. She is intelligent and has a wealth of knowledge about almost every topic. Interacting with people from varying backgrounds is therefore a breeze for her. She is fun and energetic. Hanging out with her is a fun filed and adventurous experience.

A Gemini woman is a social creature and as such she has a wide circle of friends. She plays a crucial role within her friendship circles as she is often the advisor and mediator of the group. She easily understands people and will seek out both sides of the story before passing judgement.

To maintain a lasting friendship with her, you need to be able to keep up with her energy. Just like in a romantic relationship, a friendship with a Gemini woman requires one to stimulate her mentally and engage her intellect. The next time you are looking for someone to bring energy, fun and lots and lots of love into your life, try befriending a Gemini woman.

Fashion & Style of Gemini Woman

A Gemini woman’s fashion sense is as quirky, eclectic and flamboyant as her personality. Being an expressive woman keen on communication, her outfits are an extension of her communication tools. Her choice in fabrics, accessories, colours, bags, and shoes will be her way of expressing her thoughts and feelings.

Trying to pin down her fashion sense to just one style is rather difficult. She dresses in the pieces that work for her mind and body. She is known for being ahead of trends and adapting trends to her own style.

Jewellery is a must have for her. Neck pieces while welcome, are not part of her top priority as far as accessories go. Bangles, bracelets and rings are a different case. It is very rare to spot a Gemini woman without any bling on her hands. This is because her hands are important as she uses them to express herself. So why not make these tools of communication attention grabbing?

#Zodiac Talks #Gemini #Gemini traits #gemini zodiac #gemini facts #gemini woman #gemini girl #gemini female

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tandv · 4 years ago

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So true what you said about ships!!! I remember being pissed off at Grey’s Anatomy because all couples kept breaking up and in an adult show that was just annoying. I want to see some people in their 30s and 40s being together until the end of the show, with all the real life challenges and ups and downs etc. And then Riverdale where characters have the right age to do dumb shit was just SO BORING. I think maybe they were just too absorbed by the mystery plots to develop relationship drama enough. Same with friendships tbh, Veronica & Betty and Jughead & Archie were supposed to be best friends but there was barely time to see that unfolding and growing (especially the girls).

(I am happy that Nancy Drew (not sure if you watch it) switched its main couple through season 1. I was bracing myself for more show-long commitment but apparently we can still be surprised.)

I just think in the case of Riverdale they really could have spent more time switching ships earlier on so that having long lasting relationships even later in high school if not in adulthood would have been more effective?

Look at Gossip Girl they didn’t stay with the same partners the whole time and yet they ended up with their most popular pairing. And love or hate their “endgames” at least we knew that they dated other people and they ultimately chose the partner they felt the most connected to in the long run.

A pairing like Choni where Cheryl assumably never dated anyone else as an adult is just really boring to me. I wanted her to have lived a life outside of Toni and not been cooped up inside her adult years and then when the reconcile it’ll be as new and improved versions of themselves because we know hey they have been with other people and experienced life outside of this one pairing and they still found their way back. That would be far more satisfying as a tv viewer to me idk.

And the Varchie/Bughead/Choni situation where even when they did break them up, they either got back together within a few episodes or in Veronica and Archie’s case; their new partners were never intended to be treated like they mattered to them and were easily ended when it was convenient. Which was so frustrating.

There was no reason to end Veronica and Reggie just because Archie came back. And they were like “oh they weren’t even dating it was just hooking up”

The show didn’t tell us that until Archie was back and suddenly she was like oh yeah I love Archie actually Soz.

And I think Toni and Jughead could have actually dated properly in season 2, established them as friends and then dated and then broke up later on. It would have given their storyline’s a better longevity and established Toni as a character before being Cheryl’s girlfriend. And made sure Toni had real connections outside of being her love interest. It could have really given a good insight into the serpents to have them both be a focus (this only works if Toni was treated important in that storyline and not just substituting Cheryl for Jughead obviously)

Barchie should have happened in high school and not as a cheating storyline. It should have happened as an in between relationship of bughead and varchie’s break ups. Either while Veronica was with Reggie or Jughead and Toni. Or whoever else.

Then as adults they could have gone back to them or focused on bughead or varchie or whatever other new love interests and combinations.

I think the reason why so many people got sick of the main ships was because there was never a change. It was always catering to the shippers of those ships.

And yes I agree to an extent that those ships are important and a crucial part of the show. And I’ve enjoyed them for the most part even with criticisms along the way.

But I also think that if they’d broken up and not for the sake of it, for a reason that actually added to the plot, and given different ships more opportunities to further the plot by creating fresh and new dynamics. Then the friction in the fandom right now wouldn’t be so jarring.

I also think the reason why it hurts the shippers of the main three pairings is because the show got too used to just having them together for so long that it became the norm. Everyone who ships them got so used to their pairing being together that now going cold turkey and not even having a friendship between them is something that hurts because it’s never happened.

The show sucks at writing friendships and like you said, they could have put in so much more effort into using those friendships and dynamics to make the storyline’s better but they really got into a rut and stopped knowing how to write relationships outside of the ones they already are too lazy to focus on outside of the case driven episodes.

And as for greys I agree! I mean especially with characters like Lexie and Mark who could have been fine without all the break ups. And they’re right now trying to make Meredith get into another triangle? Like why? She’s a middle aged woman with kids she doesn’t need a love triangle. Just pick one and work on it. There is no reason to be giving middle aged characters the same nonsense that 20 year olds go through. Like if your only solution to adding drama to relationships are cheating and triangles then you need some new writers lol

(I don’t watch Nancy Drew but I’m glad they’re shaking it up early on aha)

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littlemisssquiggles · 5 years ago

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So we get a RWBY version of Thor (and possibly reformation of JNPR) vs Loki fight in the Volume 7 finale? Nice!

…Umm…maybe?If you’re referring to Neo versus Noraspecifically in that sense then perhaps? I dunno.

Thissquiggle meister is still waiting oncertain things that were alluded both during and prior to this season. I’mstill waiting on this super-duper bad thing that Neo will do to upset the FNDMand I’m still waiting for the payoff of all the Ren and Nora bits from thisseason. Somehow my theory still remains that the horrible thing Neo will do will be to mortally wound Nora.Somehow I’m still banking on the idea of Neo disguising herself as Nora to foilRen but by the time Ren figures this out, Neo had already made the move to killhim only for Nora to come out of nowhere and shield Ren.

Orworse…Neo disguises herself as Renmaking Nora believe it’s her beloved boyfriend only for Neo to stab Nora right throughthe heart from behind as the real Ren looks on in horror. Perhaps this way, it can lead into thePLOT finally revealing what they’ve been teasing all season with Ren and hissemblance. Unless that’ll have nothing to do with the Neo fight and will bereserved for a later volume in the Atlas Trilogy (like V8 or V9).

Don’tget me wrong. I don’t want Nora to be killed off nor do I want her to be hurtat all. However I do think it’ll be pretty messed up if Neo does something likethat---using the face of the boy Nora loves to deliver a killing blow to herright before Ren’s very eyes. That would be very tragic, especially given thebit of development that Renora had for this season. Again, not expecting Norato be killed off---especially since Jaune will be right there to heal her.

Unless…the wicked thing Neo does is pull a Helafrom Thor: Ragnarok and slashes Nora across her face, causing herto lose an eye like her Marvel counterpart.

Doubtthis will actually happen in the canon. Nonetheless, I’ve heard so many “Nora will die” theories and “Ruby will lose an eye” theories that Ihave yet to hear any depicting the possibility of Nora surviving for manyseasons to come but at the expense of losing one of her eyes. Possibly even goingthrough a slight personality changeas a result of this event---becoming more sombre as a result of the trauma oflosing her eye leading to more friction (and growth) in her relationship withRen while simultaneously serving for more development on Nora’s part since weare expected to learn her story at some point.

Rememberhow Nora made a big point about Ren talking to her about his real feelings---imagine the reverse scenario where Norabecomes depressed following her lossagainst Neopolitan (and the loss of her eye) mirroring Yang at the end of V3where she becomes reclusive and even refuses the company and solace of Ren whotries to get Nora to open up to him only this time she just spitefully lashesback at him for never opening up to her about what he was going through for V7.

Thistype of scenario can even present the chance for Yang and Nora to bond. I remember reading somewhere that allegedly Yang still suffers from herPTSD of losing her arm to Adam in spite of his death (and in spite of the shownever truly highlighting that at all).

It’dbe curious if Nora is to go through this traumatizing ordeal, losing a part ofherself (potentially leading to her awakening repressed memories of her pastbefore she met Ren in Kunoyuri; sparked by this sudden new trauma) only to haveYang of all people---someone who survived her own fair share of traumas and hadto learn to basically reboot her lifewhile learning to cope with a physical disability---to be there as an aid toNora.

Ironicallyenough, Yang and Nora are pretty much the bigsister figures or den motherswithin their respective teams. Outside of Ruby and Jaune and the time Rubyspent travelling with JNR back during the Mistral Arc, very rare do we see thismixing of the two teams.

Mostof time, it’s mainly just Ruby seen socializing with JNR outside of her ownteam and I think part of that was owed to her time spent with them after theFall of Beacon. Although, V7 did give us our first look of Weiss hanging out withJaune (and Oscar) for the first time since…well…ever. But it works here givenJaune and Weiss’ history from the previous seasons.

Thisleaves Yang and Blake and Ren and Nora---ironically the two “close pairs” within their respectiveteams. I know Ren and Nora have been confirmed to be a couple but…I still wishto use the term ‘couple’ loosely in regards to the Bees since nothing reallyhas been confirmed yet, in spite of all the nods to it this season. Oddlyenough, I’ve seen folks parallel Bumblebeeto our Flower Power duo.

Wehave yet to really see Yang and Blake interact with Ren and Nora outside oftheir respective teams. Hence why I like this hunch of mine of Nora and Yangdeveloping a close friendship after Yang chips in to help Nora with her traumaas described in my headcanon.

Itcreates a window of opportunity for friendship dynamics that haven’t beenexplored before between these four characters beyond the fact that they are the“ships” within their teams, y’know what I mean?

Surewe got Ren and Nora discussing Blake and Yang’s relationship in V7CH6, as awkwardly as it was executed but…therecould be more substance to that.I know Renora and Bumblebee are the “pairs” of JNPR 2.0 and RWBYrespectively; however their characterizations are more than just the fact thatthey are the supposed couples withintheir circle of friends; y’know what I mean?

Ifsomething game changing were tohappen to Nora for this season---something that could potentially alter her andcharacter moving forward while simultaneously affecting her relationship withher friends/teammates and her relationship with her boyfriend Ren---I’m justsaying that it could be cool if it additionally paves the road for a friendshipto spark between her and Yang, of all people.

IfNora does suffer some trauma, it’d be interesting to see her and Yang bond foronce over a topic like that. Not to mention that it would be nice to see Blakeand Ren interact for the first time and bond over being the close companions tothe traumatized individual and having to deal with how to approach saidindividual when they feel like they don’t know how it.

IfNora is suffering and Ren becomes frustrated since he feels like he doesn’tknow how to communicate his feelings and concerns to her, it’d be interestingto see Blake be the one to approach him with advice on that using herexperience with Yang after returning from Menagerie.

I’mjust saying it could be an interesting take. But then again, I’m just spouting jibberjab over here. This wasn’t even the point of your message anon-chan XD Either way, I’m just saying, certainideas---particularly ones surrounding Nora---could potentially be cool since itcan open doors for her to grow more as a character while in turn strengtheningher relationship with the people around her---particular her boys (Jaune andOscar) and her boyfriend---Ren. Just saying. Doubt it will actually happen but…aye,it could’ve been a cool idea.

~LittleMissSquiggles (2020)

#squiggles answers: rwby #nora valkyrie #lie ren #yang xiao long #blake belladonna #oscar pine #jaune arc #rwby theories #rwby volume 7 theories #rwby volume 7 spoilers #Anon-ninja #squiggles answers

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comicteaparty · 5 years ago

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January 11th-January 17th, 2020 Creator Babble Archive

The archive for the Creator Babble chat that occurred from January 11th, 2020 to January 17th, 2020. The chat focused on the following question:

What’s an unplanned idea you had through your story part way through that forced you to change things? How did everything go?

eli [a winged tale]

After my beta feedback there were some characters that needed further fleshing out with stakes and relationships. Therefore I had to change some backstories to make certain interactions impactful. Thankfully im at the start so nothing i had to go back and fix. I did think of some alternative openings should the comic goes to print but that can be future me’s worries

snuffysam

simultaneously very little and a huge amount, lol. in terms of big story beats, they've pretty much all stayed the same since i first started planning the comic. the twists have been set up and paid off and the like. but there's a bunch of things i've improv'd at the last minute. one notable example that was pretty well-received - in book 2 chapter 4, taci has a fear of puns (basically only shown in facial expressions and a single comment from mizuki towards the end of the fight). this was added because... otherwise the fight at the end of that chapter is just a bunch of walking around in near-identical dark tunnels. the way the fight ends is fun, but the fight itself isn't really anything. with taci having a reason to be afraid of coruby, the fight has more stakes & entertainment value, and it makes coruby feel much more interesting as a character. another huge example is the love triangle in book 1 - in that in the script, it was non-existent. mizuki being into girls was originally only gonna be introduced in book 2 (guess where), and the relationship between cahe and pejiba was going to advance with no real competition (besides bullets). it was gonna be mentioned in like book 3 that she had a thing for pejiba, but nothing in book 1 itself. (similarly to the pun thing, you may notice that mizuki being into pejiba isn't referenced at all in the dialogue besides pejiba saying "i know what mizuki thinks of me" which is kinda vague. i... don't like changing scripts last-minute lol.)

Mei

Not gonna lie, everything I do is entirely unplanned. I focus a lot on improvised comedy and what feels right 'at the moment', and considering I write scripts way in advance, sometimes it leads to jokes falling flat when I read them again a few months later. Which is all fine, honestly, it's part of the process. The main unplanned idea for My Husband is a Cultist was turning it from a 12 page one-shot into a fully fledged webcomic, now with 3 chapters and more to come. It was very 'on a whim', and from that very first chapter I came up with more silly ideas. And the more I talked to friends, the more ideas I had for chapters. So the biggest change personally was going from a pure slice-of-life comedy and spending time actually building the world around it so that there was structure to the chaos. I'm still working on it all. I now have an underlying plot that I'm hoping to explore, and I have the arcs planned out way in advance. So it's wild that I went from 'random ideas spewed on a document' to 'I now have a plot and several arcs to cover'. That being said, I still come up with a lot of things on the fly, so I'm changing things constantly as I go and hoping that there aren't too many inconsistencies!

LadyLazuli (Phantomarine)

One of the most important story elements of Phantomarine (http://www.phantomarine.com/) came up early in the second chapter, when I was asking myself some more questions about the world - and came upon a crucial opportunity. Luckily I didn’t have to change too much to make it work, and while it didn’t really change the plot, it upped the emotional stakes 100-fold. Which is just what I wanted. In this world, I have a big naval force, of which my heroine is (was?) the future leader - but with relative peace and cooperation between the different island nations, who the heck does the navy fight? Pirates? Eh, maybe. But vanilla pirates have been done to death, and while they can be awesome, I wanted to do something different. I wanted to tie them into the world’s supernatural element - while strongly avoiding the Pirates of the Caribbean cursed-buccaneer aesthetic. I decided to tie them to a particular blight that affects some of the characters - so as to up their stakes and better convey why they’re societal outcasts. And finally, I wanted to give them a freaking awesome name, something both nautical and supernatural. Thus, for those reading - the Fata Morgana. What didn’t even exist at the beginning of the second chapter is now an absolutely crucial story element, and I’m so happy they came into the picture. They’ve changed everything for the better. This is one reason why I resigned myself to revealing the world in bits and pieces - I’m revealing it to myself as I go along, too. It helps to be slow sometimes

eli [a winged tale]

The Fata Morgana introduction in the story was A W E S O M E! I’m so glad you have them in the story and looking forward to that amped up stakes!

Cap’n Lee (Flowerlark Studios)

I think the biggest example would be the last-minute inclusion of Jonathan as a main character in my comic Dark Wings: Eryl (https://www.flowerlarkstudios.com/dark-wings-2/). I had originally planned for him to be a temporary character that we said goodbye to at the end of Chapter 5. But the more I thought about it, the more I realised the main travelling party needed another character to balance things out. I was really struggling with planning future scenes because the pool of characters felt too small. I also realised that I had developed Jonathan’s character quite a lot for him to be dropped so early. So halfway through drawing chapter 5, I rewrote the second half and he’s now a major part of the cast.

Cap’n Lee (Flowerlark Studios)

A second example is Anor in my other comic, Children of Shadow: Ashes (https://www.flowerlarkstudios.com/cos/). He was originally written as a far less sympathetic character. In fact, he was going to be a borderline antagonist who only became sympathetic close to the end. But my characters often do things I don’t expect, and as I was planning the story, he and one of the other main characters, Rava, started falling for each other. I honestly loved this, and so I reworked the entire story to make Anor part of the main cast and much more sympathetic. He’s still a tsundere, and at the point where the story is now, still in constant friction with Rava, but I feel he’s now a much stronger character and is contributing a great deal more to the story than when he was a vaguely ominous frenemy in the original draft.

varethane

ooooo I am intrigued by this factoid about Anor

re: unplanned story elements, in Chirault..... [spoilers obviously] Ridriel and Trillia being sisters was something that hit me out of the blue about halfway through the story, and I immediately reworked a lot of things to make it happen http://chirault.sevensmith.net/(edited)

FeatherNotes(Krispy)

In ghost Junk... We actually avoided a major character death and had revised it literally a chapter before it happened!! We had everything written out right the the very end, but were seeing the readers reactions and reflected on the importance/and if it was absolutely necessary! So with that said, we saved the character, and kept the necessary impact and growth that it was to bring, and honestly- I'm so happy we did it

Cap’n Lee (Flowerlark Studios)

@varethane Yeah, Anor’s character has evolved a LOT since the first draft.

Phu

With Blackblood, we actually created the 2nd and 3rd chapters and then thought we wanted a chapter ahead of those as sort of a prologue to give some world building and lore elements haha. Worked out well i think! https://www.webtoons.com/en/challenge/blackblood/list?title_no=300252(edited)

Erin Ptah (BICP 🎄 Leif & Thorn)

This is kind of the opposite, since I did the "include a new thing in the story" part first, and that's what forced me to come up with a previously-unplanned idea to explain it... In Leif & Thorn, I had a character drop a reference to "that country doesn't allow interspecies marriages" before there's any canon reference to nonhuman species that human characters might want to marry. ...and even I didn't know what that species was going to be. Had some vague idea about revealing that mermaids existed, but in my head I never managed to integrate them with the rest of the plot or the worldbuilding real well. A few months later, I finally remember that I like drawing Tiny People (not like hobbit-size, think Borrowers-size), and realize this is the perfect setting to have a Tiny People Species! Now I get to come up with plot-based excuses to draw them wherever/however I want. Plus it opens up a whole new mine of jokes: https://leifandthorn.com/comic/somethings-cooking-26-29/

Can't for the life of me remember where I got this quote from, but there's an author who, when readers would ask for details about future developments in her books, would only give answers with the disclaimer "I reserve the right to have a better idea." Words to live by.

Cap’n Lee (Flowerlark Studios)

Damn, I love that quote.

DanitheCarutor

Admittedly there isn't a whole lot I've changed, maybe a couple small things here and there, but major stuff has been the same since I started. During the very beginning of the planning phase Daniel wasn't even going to be in the story and Julian was going to be homeless, but I wasn't quite satisfied with it. The story would have been too short, contrived and the resolution didn't feel satisfying. After some brainstorming and reflection on my feelings on certain experiences I've had, I added Daniel and 'The Guide to a Healthy Relationship' as it is kinda fell into place. It's weird thinking about how important Daniel is in spite of how new a character he is. Usually it takes me a little time to build one up before throwing them into a story, they gotta age like a fine wine first, but he popped out all ready to use like one week hooch.

Not sure if it counts, but I've also made changes to future parts of my comic. Like recently, even though I know what the ending is, I put a more final image in my head on what the final frame will look like. Also I changed an event that will happen at some point revolving around Apollo and his friends. Originally something skeevy was going to happen with Brandon and Apollo involving video uploads, and a homemade contract that was signed with Apollo was drunk. I thought it was too... I dunno, stupid? impractical? So I changed it to Julian was going to (unwillingly) attend a party at Brandon's (Apollo's friend) apartment, then some big, jealousy induced fight happens where Julian gets kicked out and Apollo feels bad. I didn't like that either, felt too reaching, so I'm going with another event that is a little out there but does happen in real life and something I have done some good research on.

Gonna be as vague as possible because it's spoilers.

keii4ii

Surprising myself is pretty much every step of my writing process. For good or bad.

I do plan things in advance, but find that sometimes things aren't what they seemed from 15 chapters ago.

I think what it is is this particular comic is such a visual story. I could plan out my previous comic with far greater accuracy. That comic was more dialog-driven; you could convert it into an audio drama with minimal changes, and it would still make sense. Whereas my current comic, you can't turn it into an audio drama without very VERY extensive changes (not even sure if possible... Many silent scenes). So I need to actually draw the pages to feel it out. And I can't draw out of order. Brain just won't that way.(edited)

carcarchu

totally agree with you @keii4ii sometimes u have to actually draw it out to get a feel for it. when i write out all the dialogue for my chapters i feel like it always ends up coming out so stiff, thats why i prefer to let it flow naturally and if something happens that i didnt account for just roll with it and adjust the story accordingly

Cap’n Lee (Flowerlark Studios)

I'm kind of weird about always needing to know exactly how many pages a chapter is going to have, so I script right down to the panel. It can create flow problems on occasion, so I wish sometimes I could plan my pages more visually, but my brain just doesn't work that way. >< It's a good thing my stories mostly rely on dialogue because they're pretty much novels in comic form.(edited)

Cronaj

When planning a scene at the end of Chapter 3 of Whispers of the Past (https://www.webtoons.com/en/challenge/whispers-of-the-past/list?title_no=191366), I was having a hard time writing the dialogue. I had the images of my lead characters, Agatha and Izrekiel, talking by the docks in the moonlight, and I knew generally what they talked about, but I couldn't script it. And then, one day while walking to work, my characters straight up had the conversation in my head! And as the dialogue unraveled, the characters (mostly Izrekiel) did something completely unplanned (which I won't reveal because spoilers). This unplanned change has completely upped the drama and sexual tension for the entirety of the future story. The second event of this is in Chapter 2, where Izrekiel is helping out on Kelan's farm. Initially, there was going to be some dialogue that mostly served as world-building, but when actually writing the scene, it occurred to me that they would likely not talk too much, too absorbed by the work of harvest. And then, I suddenly visualized/heard Kelan and the other farmhands SINGING. I don't know why it popped in my head that way, but they began singing a working song. Now, I am not a musician, but I used to sing in choir and do musicals and such, and like half my family members are musicians, so I have a bit of a musical background. Anyway, all this to say that the characters started singing, and in response, Izrekiel (who has amnesia) has a flashback to some repressed memory of men marching and singing the same song, with altered lyrics. This can get extra spoilery, so I won't delve too deep into what his memory means, but.... The lyrics go as such: Oh earth, oh rain, Oh sun in the sky, You grant me with your fruit In this land. And they are directly mirrored in the flashback with: Oh strength, oh grace, I'll raise my sword, With victory in mind In this land.(edited)

Deo101

For me, I totally changed the ending! I was going to make it a tragedy, and then at some point I realized I didnt NEED to... that a story can be happy and good. So, I rewrote a ton of stuff, and actually ended up adding in some new characters! I'd say It's gone very well ^^ I'm much happier with everything now (for one, I can think about the ending without crying!!) I've changed a lot of other little things as i've gone along too. too many things to count, really.

Tuyetnhi

Initially I was writing the story timeline to 5 days but it spanned to something about a year. Which means I had a chance to develop it further than trying to rush plot points. Used to be like 3 chapters originally but now its like ....I guess 20 chapters? I don't remember the full count but lmao I'm ready to endure.(edited)

varethane

most of the biggest changes to Chirault were decided on during the first 3 years of me making it..... I completely threw out the first plan I had made, lol. There was no specific trigger for this, except maybe for 'I don't like this, actually'

keii4ii

Oh! I remembered something specific. My tiger character used to have a 'generic lean-ripped' build. Kinda like the rabbit from Juuni Taisen. Then I posted a random beach day picture, and someone (who wasn't used to seeing characters with visible leg muscles... A lot of comics they read have characters who suffer from Skipped All The Leg Days syndrome) pointed out how insanely muscular his legs were. I ran with it. Today his legs are 2x bigger than they were in that beach day pic, and it's all muscle. Also while this character stays very lean throughout the story, I as the author guarantee you that if he were to put on fat, his thighs will be the first to expand, and the most. 8)

Tuyetnhi

omg

Cronaj

@keii4ii I'm so glad for this change. Lu's legs are majestic

Capitania do Azar

Interesting replies here

In o Sarilho https://www.sarilho.net/en/, I have avoided one major character death in the first part of the story because I grow super fond of them and also because it wasn't really going to build up to anything... Which felt really unfair. So now I had to come up with narrative lines for them and I'm quite enjoying that. Furthermore, I was halfway through chapter 3 when I figured out Eurico's looks but especially his role in the story. It involved drawing a lot of trucks (and there will be more trucks in the future) but I'm really excited for him as a character

Desnik

As I was writing my comic I was trying really hard to keep the POV limited to one character, but that character doesn't have enough perspective to set up the plot very well at the beginning. This meant hopping POVs to some other characters and now I'm gently trying to squash a lot of these subplots before they go completely out of control...

#ctparchive #comics #webcomics #indie comics #comic chat #comic discussion #comic tea party #ctp #creator interview #comic creator interview #creator babble

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carnegiemuseumnaturalhistory · 6 years ago

Text

Natural History and a Unified Museum Definition

By Eric Dorfman

Much is being said within the museum industry about the definition of museums. ICOM is considering the current definition and whether it needs to be rethought. I think a review is worthwhile, regardless of whether changes are ultimately made. Robust thinking about museums (or any field, in fact), whether related to practice or theory, should be based on the intrinsic nature of the field. Defining museums is a critical step along that journey.

For natural history institutions, whose main business is to study and interpret the diversity of life, the relationship between museums and the state of the Earth must by necessity play an important role in constructing a definition. At the very least, an exploration of this relationship provides a context for natural history museum collections and, at best, it has the power to incite people to explore their identity and connection to one another through the prism of nature.

To some degree, natural history museums can be defined by what they do. At Carnegie Museum of Natural History, we have defined our work through three distinct but interrelated lenses:

The Tree of Life: The study of evolutionary relationships among taxonomic groups,

The Web of Life: The collection-based and in situ study of ecological systems,

The Future of Life: The study of the trajectory of species, populations and ecosystems, especially in the context of anthropogenic disturbances, as well as actions to ameliorate those effects.

The collections and other infrastructure provided by our museum support this work and the story-telling that arises from them.

While the study of evolution and ecosystem relationships is the traditional work of natural history museums, the future of life bears further consideration. By most measures, conditions on the planet we bequeath to our descendants are highly uncertain. Even discounting the seemingly inescapable reality of a future effected anthropogenic climate change, many factors inhibit our predictive ability. Will we run out of power or meat? Will plastic and mercury pollution render produce from the oceans inedible? Will at least some of the planet run out of water in the face of increasing desertification?

These are “wicked problems” (Churchman 1967; Levin et al. 2012) – issues that have so many facets we cannot know the answers, but for which at least some of the alternative outcomes are negative. The interrelationships between these issues create bewildering complexity.

These effects have been recently amalgamated into the concept of the “Anthropocene”, a proposed geological era that reflects human impacts so pervasive as to influence the geological record. These effects will be detectable millions of years from now, by whoever might be looking, as an unprecedented band of plastics, fly ash, radionuclides, metals, pesticides, reactive nitrogen, and consequences of increasing greenhouse gas concentrations (Waters et al. 2016), as well as highly modified fossil composition, featuring an overwhelming preponderance chicken bones.

How does this ‘Age of Humanity’ structure our visitors’ perceptions and help them phrase questions about their environment? How will it influence our research? Most germane here, how does lack of certainty about the future of the planet influence the museum definition as it pertains to natural history institutions?

A Natural History Perspective

Fifteen of the world’s top natural history museums collectively contain, at rough estimate, almost 570 million specimens[1]. This represents the largest category of collection across the museum industry. Collections underpin the field. Any discussion of a unified perspective of natural history museums must therefore take into account the fact that collections form the basis of much of that is undertaken by natural history museums. This focus on collections, often from deep time, intertwines physical and temporal considerations:

Natural history museums and their collections are often thought of in terms of the past, which is not surprising. We are probably the only scientific research facility that can claim the ability to time travel, albeit in a patchy and far from perfect way. Our business is intimately connected with the past, both recent and deep time, and much of what humans know about the natural world a hundred, a hundred thousand, or a hundred million years ago arises directly or indirectly from the specimens held in our collections. When your child states with certainty that Tyrannosaurus rex lived in the Cretaceous they are, knowingly or unknowingly, drawing on the results of research done using museum collections. Norris, 2017, p. 13.

Norris (ibid.) follows this with a comment: “There is, however, a considerable difference between studying the past and belonging in the past.” Natural history institutions also focus strongly on the present and future and use information about the past uncover, contextualize and predict changes in the world around us.

Natural history museums, sitting at the crux between nature and its artistic representations have an important place in facilitating exploration of personal identity. Inasmuch as enhancing self-perception can have a positive influence on behavior, (see Falk, 2009), natural history museums’ capacity to contribute to society increases as their activities in this sphere become more purposeful. Those visitors who care about wildlife, and there are many, want natural history museums to deepen and expand their understanding. Museums like to feel that they occupy a place of credibility in the hearts and minds of the public that other channels of information, for all their worth, do not (but see Museums Association, 2013). Whether we truly are more credible than other types of institutions or not, our self-perception provides a significant opportunity to strive for best practice.

Albert Bierstadt: Rocky Mountain Landscape

The grounding of natural history museum practice in the study of physical specimens means that these institutions have at least a goal of objectivity, however influenced by curatorial subjectivity the framing of questions can sometimes be (see Dorfman, 2016). The articulation of evidential knowledge, concern over changing political environments, even in quality of governments themselves, is not new, nor restricted to the museum field.

How are museums responding to the melange of environmental, sociopolitical and technological changes that that are beginning to set the context in which they operate? Customer focus and using people’s own languages, both culturally and linguistically, to communicate touches every aspect of activities at natural history museums, including exhibitions, marketing, strategic planning, science, cleaning regimes and providing sufficient seating. Conflating individuals’ perspectives into stereotyped offers based on age, gender, race, socioeconomic background, sexual orientation undermines the relevance on which natural history museums pride themselves. Every institution has the opportunity to provide leadership in the sense that Covey (2005) wrote “…leadership is communicating to people their worth and potential so clearly that they come to see it in themselves.”

For natural history museums, the unique signature of our industry is formed by using collection-based and in situ research to elucidate evolutionary and ecosystem relationships, as well as the intersection of these processes with humanity and its impacts, and then facing these stories outwards to the public. For all the many facets of the work of natural history museums, this is the most important and the aligned with our mission.

The Definition Through the Eyes of Natural History

The current definition of a museum as provided by ICOM is as follows:

A museum is a non-profit, permanent institution in the service of society and its development, open to the public, which acquires, conserves, researches, communicates and exhibits the tangible and intangible heritage of humanity and its environment for the purposes of education, study and enjoyment. (ICOM Statutes art.3 para.1)

At first blush, much of the definition of the definition as it stands is generic enough to include natural history museums. One question, however, that comes to mind is how well the term “humanity and its environment” fits the practice and perspective of our industry. For one thing, any organism that existed before the evolutionary rise of Homo sapiens (~2mya) could, by this definition, be considered irrelevant to the work of museums. While this is patently not the case, a careful review of the definition should take this wording into consideration.

This semantic argument notwithstanding, the implicit question embodied in the words “its” poses a deeper consideration, namely the ideological friction between the notion of ecosystem valuation versus that of the intrinsic worth of nature. Both these perspectives have their strong adherents.

Formal cost-benefit analyses and the generation of market value were first developed in 1997 by Robert Costanza, Distinguished University Professor of sustainability at Portland State University, Oregon, building on earlier discussions of economic benefits of the environmental (e.g. Rolston, 1988). Constanza and his colleagues calculated that such services were worth US$33 trillion annually, or US$44 trillion in 2019 currency (Constanza, 1997). The rationale for undertaking this exercise is that ecological system services and the natural capital stocks that produce them are critical to the functioning of the Earth’s life-support system for humans. They contribute to humanity’s welfare, both directly and indirectly, and therefore represent part of the total economic value of the planet.

Since then, the field of environmental economics has proliferated and non-market valuation has become a broadly accepted and widely practiced means of measuring the economic value of the environment and natural resources. A variety of methods, including opportunity cost, travel-cost, hedonic price and contingent valuation have been applied in highly nuanced and complex models (e.g. Weber, 2015). In most, but not all cases, environmental goods and services are geared solely toward protecting inter-generational human welfare. For instance, considering mangrove ecosystems, benefits might be characterized by direct ecological yield in the form of fish or timber, contrasting with indirect value, such as filtration services and storm protection. There is also a line of reasoning that suggests that sentimental or “existence” value: simply knowing something exists provides a distinct, discernible benefit (Krutilla 1967).

An opposing viewpoint lies in the philosophy that nature has intrinsic worth and that the environment should be protected based on its own merits without reference to real or potential benefits for humanity (McCauley, 2006). This viewpoint is strongly based in environmental philosophy and ethics (see, for instance Callicott’s 1992 criticism of Rollston, 1988).

Young humpback chub (Gila cypha) swimming in Shinumo Creek, inside Grand Canyon National Park soon after release. They are part of a reintroduction program of this federally protected species with the goal to establish a second population, after they became extinct everywhere except a small part of Little Colorado River. Photo: Melissa Trammell, NPS

For instance, in discussing conservation efforts of the humpback chub (Gila cypha) a large minnow with no value to humans, native to the Colorado River, Smith (2010) suggests that all currently existing (biological) species have their own intrinsic goods, framed in terms of their ability to flourish. Based on this ethical stance alone, it could be argued that even a species like the humpback chub, that competes successfully with economically important introduced species (such as rainbow trout Oncorhynchus mykiss), should be preserved.

The work of natural history museums is firmly rooted in this second philosophy. For one thing, much of the research we do is based on advancing knowledge for its own sake or, like the example of the humpback chub, taking conservation action out of professional ethics and a moral sense that it is the right thing to do. Additionally, natural history institutions, like other types, use the museum medium of engagement to instill empathy with the subject. In the introduction to her book Fostering Empathy Through Museums, Elif Gokcigdem highlights this necessity:

…Having visibly altered our planet’s outermost layers, scientists are debating whether our footprint is worthy of naming an entire geological epoch on Earth’s billions-of-years-old timescale after ourselves: Anthropocene, the Age of Humans… A steady proliferation of new and ever more powerful technological tools seems unable to correct these ills. One must wonder why they have not succeeded. I believe it is because the tools that are at our disposal are most beneficial when filtered through a worldview that values the collective well-being of the “Whole” – our unified humanity and the planet, inclusive of all living beings as well as of its life-supporting natural resources. Such a unifying worldview cannot be attained and sustained without empathy, our inherent ability to perceive and share the feelings of another. (Gokcigdem, 2016. xix)

Connecting people both intellectually and emotionally to the world’s major stories sits firmly within the scope of work of museums. The opportunity to bring people outside themselves to engage more deeply with the world is an element of the definition of that should be incorporated across all its nuanced facets. If the definition of museums chases, these considerations should sit beside many others as influencors of the conversation.

Eric Dorfman is the Daniel G. and Carole L. Kamin Director of Carnegie Museum of Natural History. Museum employees are encouraged to blog about their unique experiences and knowledge gained from working at the museum.

Footnote

[1] Information taken from the websites of the following museums: Smithsonian Museum of Natural History: 137 million; Natural History Museum (UK): 80 million; Jardin des Plantes: ‎68 million; Los Angeles County Museum of Natural History: 35 million; American Museum of Natural History: 32 million; Naturhistorisches Museum: 30 million; Field Museum: 30 million; Museum für Naturkunde: 30 million; California Academy of Sciences: 26 million; Carnegie Museum of Natural History 22 million; Australian Museum: 21 million Harvard University Natural History Museum 21 million; ; Natural History Museum of Geneva 15 million; Yale Peabody Museum: 13 million; Museo Nacional de Ciencias Naturales: 6 million. No attempt to verify these figures has been made.

References

Callicott, J. B. 1992. Rolston on intrinsic value: A deconstruction. 1992. Environmental Ethics Vol. 14. Number 2. 129-143.

Churchman, C. W. 1967. Wicked problems. Management Science, Vol. 14, No. 4, pp. B141-142.

Costanza, R., d’Arge, R., de Groot, R., Farber, S., Grasso, M., Hannon, B., Limburg, K., Naeem, S., O’Neill, R. V., Paruelo, J., Raskin, R. G., Sutton, P., van den Belt, M. 1997. ‘The value of the world’s ecosystem services and natural capital,’ Nature, Vol. 387, pp. 253–260.

Covey, S. R. 2005. The Eighth Habit: From Effectiveness to Greatness. New York, NY: Free Press.

Dorfman, E.J. 2016. Who owns history? Diverse perspectives on curating an Ancient Egyptian Kestrel. Taipei: Proceedings of the International Biennial Conference of Museum Studies Commemorating the 80th Birthday of Professor Pao-teh Han 30th and 31th October 2014.

Dutton, D. 2009. The Art Instinct: Beauty, Pleasure and Human Evolution. New York, NY: Bloomsbury Press.

Falk, J. H. 2009. Identity and the Museum Visitor Experience. New York: Routledge.

Gockigdem, E. 2016. Fostering Empathy Through Museums. Lanham, MD: Rowman and Littlefield.

Krutilla, J. 1967. Conservation Reconsidered. The American Economic Review, Vol. 57, Issue 4, pp. 777-786.

Latour, B. 2015. Telling friends from foes in the time of the Anthropocene. In: The Anthropocene and the Global Environmental Crisis: Rethinking Modernity in a New Epoch. Edited by Hamilton, C., Bonneiul, C. and Germenne, F. London and New York: Routlege.

Levin, K., Cashore, N., Bernstein, S., and Auld, G. 2012. Overcoming the tragedy of super wicked problems: Constraining our future selves to ameliorate global climate change. Policy Sciences, Vol. 45, No. 2, pp. 123-152.

Louv, R. 2011. The Nature Principle: Reconnecting with Life in a Virtual Age. Chapel Hill, NC: Algonquin Books.

McCauley, D. J. 2006. Selling out on nature. Nature 443(7107), p. 27.

Museums Association. 2013. Public perceptions of – and attitudes to – the purposes of museums in society: a report prepared by BritainThinks for Museums Association. Museums Association, London. http://www.museumsassociation.org/download?id=954916 accessed January 13, 2019.

Norris, C. A. 2017. ‘The Future of Natural History Collections,’ in The Future of Natural History Museums. Edited by Eric Dorfman. New York, NY: Routledge, pp. 13-28.

Oxford Dictionaries. 2019. Word of the Year 2018 is… Available at: https://en.oxforddictionaries.com/word-of-the-year/word-of-the-year-2018, Accessed January 13, 2019.

Rolston, H. Environmental Ethics: Duties to and Values in the Natural World. 1988. Philadelphia, PA: Temple University Press.

Smith, I. A. 2010. The Role of Humility and Intrinsic Goods in Preserving Endangered Species: Why Preserve the Humpback Chub? Environmental Ethics. Vol. 32, No. 2, pp. 165-182.

Waters, C., N. Zalasiewicz, J., Summerhayes, C., Barnosky, A.D., Poirier, C., Gałuszka, A., Cearreta, A., Edgeworth, M., Ellis, E.C., Ellis, M., Jeandel, C., Leinfelder, R., McNeill, J.R., Richter, D., Steffen, W., Syvitski, J., Vidas, D., Wagreich, M., Williams, M., Zhisheng, A., Grinevald, J., Odada, E., Oreskes, and Wolfe, N. 2016, The Antrhopocene is functionally and stratigraphically distinct from the Holocene. Science, Vol. 351. No. 6296, p. 137.

Weber, W. L. 2015. Production, Growth and the Environment. Boca Raton, FL: Taylor & Francis Group.

Weil, S. 2002. Making Museums Matter. Washington D.C.: Smithsonian Books.

White, M. 2000. Leonardo: The First Scientist. London: Little Brown.

#Carnegie Museum of Natural History #Museums #Natural History Museum #Natural History #Anthropocene #Defining Museums #ICOM #Philosophy #Ethics

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