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#the other side of what we see
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Excerpt from the poem "For the Dying," by John O'Donohue
May there be some beautiful surprise
Waiting for you inside death
Something you never knew or felt,
Which with one simple touch
Absolves you of all loneliness and loss,
As you quicken within the embrace
For which your soul was eternally made.
May your heart be speechless
At the sight of the truth
Of all your belief had hoped,
Your heart breathless
In the light and lightness
Where each and every thing
Is at last its true self
Within that serene belonging
That dwells beside us
On the other side
Of what we see.
a link to the whole poem: https://www.poemhunter.com/poem/for-the-dying/
John O'Donohue was an Irish poet, author, priest, and Hegelian philosopher. He was a native Irish speaker, and as an author is best known for popularising Celtic spirituality. He was born in West Region, Ireland, in 1956. He died in 2008, and is buried in Creggagh Cemetery, near Ballyvaughan (in Ireland).
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poorly-drawn-mdzs · 3 months
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At your side [End of Season 2]
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#poorly drawn mdzs#mdzs#wei wuxian#lan wangji#wen ning#jin ling#wen qing#jiang yanli#a-yuan#It may have taken a year but we did it! The end of season 2!!!#(Granted: this season was nearly twice the length of season one.)#It's been a really fantastic season to draw for. So many iconic moments! It was a lot of work but I had a blast B*)#I also enjoyed experimenting more and more with my comic style. I'm growing as a comic artist bit by bit!#There is even a little bit of shadowing in this one for next season. As a treat. All the fun (and not heart breaking) scenes to come!#Comic talk time: Recently saw 12 angry men for first time and I love the coincidence of the themes aligning here.#They both touch upon the horror of judicial systems - in which the most persuasive argument wins and the truth is a nuisance.#All it takes is one person to stand against the crowd and say 'I do not know what is true. And that is reasonable doubt enough.'#When the majority is for condemning someone guilty - that in itself is persuasive enough.#One will set their mind to what the 'truth' is and refuse to see it any other way. That their perspective is the only correct one.#No one is born with a monopoly on the truth.#Everyone has biases and agendas. Some care not for the outcome - only that they can be on the convenient side.#Lan Wangji is putting everything on the line to say 'I'm not going to go with the majority vote.'#And that is a huge deal in a story that is so politically focused as MDZS is. Everything is a careful chess move to these sects -#and to not play the game is basically sacrificing everything you are and your families name. For some it is unthinkable.#And there is no doubt in LWJ's mind. He would stand there and lose everything if it means upholding justice.#More importantly - these two have each other's backs. The bond is unbreakable. This is the most ride or die I have seen two people be.
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HOW DEEP IS YOUR DEVOTION? ; SATORU GOJO
synopsis; you’re his knight, and he’s your prince. if only it were that simple.
word count; 6.6k
contents; satoru gojo/reader, gn!reader, royalty au (..but no effort put into making it historically accurate in any way oops), knight!reader x prince!toru!!, childhood friends, mutual pining, fluffy overall, some hurt/comfort too, vague allusions to abuse (reader is punished by one of the castle maids as a child but it’s only really hinted at), knight!reader is horrendously devoted but prince!gojo is arguably worse, he would burn the world down if u asked nicely <3
a/n; big big BIG thank you to @/teddybeartoji for having the biggest brain in the galaxy and infecting me with this concept <33 if u pay attention while reading you can tell the exact moment i started slowly spiraling into insanity
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you are five years old when you meet the prince.
five years old, a mere child, and too young to be blinded by such brilliance. too young to be where you are; curled up in a dark alley, back against a grimy brick wall, covered in bruises. like a beaten dog — scrawny and afraid. waiting for a strike that never comes.
the boy in front of you is also five years old, but you don’t know that. something in him looks older, somehow, something in the way he carries himself. like he doesn’t have anything to be afraid of. like he’s never even felt fear. he parts his lips and speaks like he has the right to, like he’s comfortable in his own skin, a radiance so blinding you could mistake him for the sun. too much for you to bear.
”does it hurt?”
the words fall on deaf ears. but you flinch, your body reacts, a tremble down your tiny spine. you hear the sound but not the words. too mesmerized, too paralyzed, unable to look away from the blue of his eyes, painted with rich watercolour hues. seeping into the world around you like ink on paper, cobalt and aquamarine and something else, something you’ve never seen before —
a blue so jarring it makes you shiver.
the boy has an innocent face. almost girlish, plump cheeks and long lashes, clean clothes and smooth skin. a little too pretty to be out here, you think, in this part of town — too pure to be anywhere near someone like you. he’s above you, that much you can tell. a pretty, innocent face, untouched by dirt or ache; the face of royalty. an entirely different species.
there’s something keen in his eyes, a contrast to his childlike features. a sharp gaze, something that sees through you, something that won’t look away. something mildly frightening. enough to have you cowering in fear, hugging your knees closer to your chest.
but then he smiles. and it’s sincere. sweet, vibrant, all honey and milk and a world you cannot reach.
a smile so captivating you take his outstretched hand, and let him drag you away to god-knows-where.
(that's how it begins. the dynamic that’ll follow you into your adult lives; satoru takes the lead, and you follow. no matter where he’s going.)
satoru gojo, as you soon come to learn, is the prince of the nation you reside in. the only child of the royal family, born with talent and prestige, fame and fortune, set to become king. a different species, indeed.
but he brings you home with him, to a castle so grand you feel as if your very presence is an insult to the architects who designed it, and convinces his parents to let you stay. it’s surprising, but you don’t protest; following him like a puppy at his trail. and he’s stubborn, insistent, demanding that he get to keep said puppy. 
the king and queen don’t care one way or another. they glance at you with apathy, and tell satoru to do what he wants — but convincing the scary and displeased castle maids takes some work. 
satoru doesn’t waver, though. he holds your hand in his, and demands that you be treated with respect.
and he wins. he always wins.
that’s how you become the prince’s playmate. raised alongside him, allowed to stay close, eat from the same food. he won’t settle for anything less. defending your honour, always, before you even know what honour means. before you care.
time passes slowly. joyously. every day is a new adventure, as you attempt to get used to the miracle that is your new life — sweet and silky, apricot blossoms and fresh peaches, duvet pillows and a bubbly laughter you didn’t know you still had. he coaxes it out of you, with every secret midnight outing, every bout of mischief he drags you both into. 
satoru has nice hands, uncalloused palms, fingers that grasp yours and don’t let go. he takes you outside, to see the stars, to catch fireflies in the dark of night on top of the hill that oversees the castle. to take a dip in the river just below it, gleaming a silver hue under the blue shade of the moon. you worry about getting in trouble, but he reassures you — the prince can do what he wants.
that might be true, but you are no prince. not even close. satoru may safeguard you, but all you’ll ever be in the eyes of the world is a stray he got to keep.
and one time, only one time, you do face the repercussions of your midnight outings. you, and you alone. a bad influence — seething words, buzzing in your ears. an angry castle maid, and a stinging pain in your cheek. blurry tears. 
but that’s an incident no one in the castle dares to speak of.
(you’ll never forget that look in his eyes.)
satoru is an odd boy. he keeps you close, always, clinging to you like he needs you to breathe. you don’t understand why, but you’ve learned not to question him. the castle guards all know you as the prince’s best friend, and some part of you knows that’s all you’ll ever amount to. but you don’t mind.
because you love him. at five years old, six years old, seven and beyond, you love him. satoru gojo, the kindest boy in the stratosphere. 
a boy who keeps finding you, no matter where you are, who tugs you along as naturally as the rise of the sun. who raids kitchen cabinets with you and always makes you laugh, little giggles and chuckles that have him beaming proudly. a boy who cleans your wounds with a serious expression, and tells you that he’ll protect you forever. 
(you tell yourself the same. that you’ll protect him forever and ever, until you run out of air to breathe. a boy so sweet you’d die for him.)
a pledge is made. you make it before you know what a pledge is. pledging to protect him, to become his sword, because even as a child you understand that his life will be difficult. you see it in the dullness that sometimes comes over his eyes, the apathy of his so-called parents, the hours he spends locked up with nothing but a pile of dusty books to keep him company. 
so you decide to become his knight. his, and his alone. 
it’s challenging. but you push through; training with another aspiring knight, miles better than you, black hair tousled by the breeze as he knocks you off your feet for the thirtieth consecutive time. wincing as the girl who sometimes watches your sparring patches you up, soft hands cleaning your wounds so tenderly that you almost choke up.
and eventually, as the apricot blossoms of the castle orchard wilt and bloom over and over in a flurry of pure white, your dream comes true. 
there’s something playful in satoru’s eyes, when he places his blade on the curve of your shoulder. something sweet and fond, and just a little bit ironic — as if you’re still seven years old, and playing house. 
you want to tell him that it isn’t a joke. that you’re serious, about this, that you’d tear your stomach open to keep him safe. but you know he’d just laugh. so you let the words clog up your throat, honey-sweet devotion sticking to the walls of your esophagus. breathing in through your nose, as he speaks. as the words you’ve waited to hear flow from his glossy lips.
when all is said and done, satoru smiles. he calls you his little knight, and you can tell that he’s teasing you. indulging you, as if he’s in on some joke that you aren’t. but you’ll take what you can get.
you call him my prince, expecting him to laugh it off, but his smile begins to fall. and a pang of ache rushes through your soul, instantaneous, guilty, although you don’t understand why.
so you keep calling him satoru. even though it’s more than a little unprofessional, and you become painfully accustomed to receiving a few judgemental looks here and there. a knight and a prince shouldn’t be so very close, they think, and you don’t disagree. but there’s nothing they can do about it, anyhow.
the prince and his knight can do what they want.
not much changes. you’re his knight, but he treats you the same as before. he’s playful, a little goofy, and you indulge him. as always. attached at the hip, bickering and bantering, bouncing off each other effortlessly. and satoru never bothers to hide your history, the soft spot he has for you; it’s in every fleeting glance, soft tilt of his head, teasing call of ah, there’s my favorite knight. 
(you’re no stranger to jealous looks. sometimes a pout on the lips of a pretty girl, a crease between the brows of one of your fellow knights. and sometimes a glare, from his fiancée — a woman he was engaged to before he was old enough to speak.
but you don’t mind. you’ve never cared what anyone but satoru thinks of you.)
satoru never loses his smile, that effortless air of confidence. the charm that makes people want to follow him, a charisma you know well. one you fell victim to at five years of age. he’s still just a prince, far from being a king, but he receives the same respect.
and that keen, sharp glimmer in his eyes never quite goes away; the hardened shell around his heart unbroken. you see it in fleeting glances, during meetings, ones he allows you to attend despite your status. when he speaks to a room of people with more power than you can imagine, his voice unwavering. back straight. elegant, serious, the presence of royalty — enough to receive respect without even trying. 
but he still shoots you a smile, easygoing, when your eyes meet. one only you can see.
as for you, the step into knighthood is a clumsy one. but you take your duties seriously, and adjust properly. a deep devotion runs through your veins, from your beating heart down to the tips of your fingers, where a sword lies clutched. you keep it close, always, ready to serve. to obey. to protect. 
all of it for one person.
all you do is for him. duels in his honour, beasts slain for his peace of mind, and he’s always there to welcome you back. wiping the blood from your cheek, tenderly, smearing his untainted skin with red; all while he looks at you softly, a coo or word of praise waltzing on the tip of his tongue. 
that’s only for when you remain unscathed, though, when the blood on your cheek isn’t your own. when you get hurt, it’s different — something begins to brew inside his eyes, and you can’t tell what it is. but he insists on bandaging you himself, paying no mind to your meek protests.
sometimes, you’re more reckless than usual. your injuries worse. sometimes he looks upset, angry with you, and doesn’t speak. you don’t, either.
a strange look comes over his eyes, every now and then. when you get down on one knee, to kiss his hand, the metal of the ring on his finger — and if you look up, you’ll see it. simmering inside those blue depths, something just as fond as it is sad. troubled, you think.
(something tells you he’d kneel, too, if only you’d let him.)
the bond between you remains intact. even as you begin to shoulder more responsibilities, more duties, even though you don’t have as much freedom as you used to. even though you seem to get less time to spend with each other every single day. but you stay together, even so; just like when you were children, running around and causing trouble, more than you could get away with now. 
despite everything, satoru has grown up into a fine man. and you couldn't be prouder.
“do you think i look good in black? be honest.”
you throw him a glance. curious, somewhat perplexed, eyeing him up and down.
satoru is wearing a white blouse, puffy sleeves and a low neckline, showing off the skin of his bare chest. no black colours to be seen. you think back to that banquet he attended last month, forced into an expensively tailored black coat. a corset around his waist. and then you hum.
“sure you do.”
”suguru said it makes me look like a try-hard,” he scoffs, crossing his arms. tilting his head in your direction. ”do you think he’s jealous?”
”definitely.”
a moment passes. 
satoru narrow his eyes, and gives you a dubious look. clicking his tongue. ”… something tells me you aren’t taking this seriously.”
”i am,” you assure him, a lazy smile at your lips. meeting his gaze, that displeased little pout. still smoothing a brush down the mane of your horse, the smell of hay soothing your muddled senses. ”just tired. you look good in anything. you know that.”
he hums. silent, the sound of a spring breeze filling in the gaps.
it’s late. outside the stables, the world is engulfed by a dark sky, almost too murky to see anything. hazy stars glimmer in the distance, and a sense of fatigue gnaws at your bones. it’s been a long day, and yet you’re here — doing even more work. just a little more.
and satoru’s right there with you. even though he’s just sitting there, on the floor, not lifting a finger to help. not that he has to. insistent on spending some quality time with you, keeping you company. just talking and munching on the food he snuck in, bread and cheese and an expensive bottle of wine, that he leaves completely untouched. he tries to leave some of everything else for you, though. keyword being tries.
a sense of peace simmers in the air. palpable, almost enough to taste, as midnight air streams in from the opened doors, chilly and pleasant on your skin. ruffling the thin fabric of your clothing.
and it’s nice, you think, just to have satoru there — talking about this and that, complaining about all the annoying people he had to meet yesterday, yawning every now and then. nostalgic. like this, it almost feels like you're still kids. back when you spent every single hour of the day by each other’s side.
it’s been a long time since you got the chance to speak like this. satoru’s been busy, and so have you. more so than usual.
”are they running you ragged?” he suddenly asks, and you don’t realize you’ve spent the last minute staring into space. resuming your brushing, with steady hands, but turning your head to meet his gaze.
”need me to…” he makes a slicing motion with his hand, right over his throat. a glint of mischief in his eyes. ”handle it?”
and you scoff. amused, but answering him seriously; unsure if his question is all-together humorous, if it doesn’t carry a hint of something genuine too. ”of course not.”
there’s a weariness in the way you blink. the way you pet the animal in front of you, having finished getting the dirt and blood clots out of her mane. she lays down in her stall, and you smile. turning around to rest your back against the wooden border between you, a respite for your aching bones.
it gets just a little bit tiring, sometimes. fighting, patrolling, helping townsfolk. protecting the castle, making sure everything is in order. killing whatever needs to be killed. cleaning the stained silver of your sword.
but…
”it’s my duty,” you answer, seriously, and it comes out sounding like a vow. because it is. 
you avoid his gaze, but you can feel it, as you pick up the wine bottle by your feet and pop the cork. soft moonlight flits in from the windows, illuminating the green glass. a chartreuse glow that reminds you of fireflies, shimmering in your grasp, and for some reason it soothes your heart.
satoru only hums, far from approving. popping a piece of cheese into his mouth. 
after a brief pause, he continues. ”you don’t have to be so serious all the time, you know.” his voice comes out a little raspy. it’s got a certain tilt to it, one that means he wants you to take him seriously. ”not around me.”
you take a sip of the wine. expensive, blood red. it’s too sweet for your taste, heavy on your tongue.
”… i’m less serious with you than i am with others.”
satoru sits up a little straighter.
”yeah?” he grins, a kind of satisfaction blooming in his eyes. cerulean and sweet. almost smug, you think, like the cat that got the cream. ”that’s good. you really should loosen up, though.”
a glance. fleeting, just to see him — but he isn’t looking at you. he’s looking outside, through the opened window, at the sway of the apricot trees. white petals flitting in, landing by his feet. in his hair.
when his eyes meet yours, they’re smoothed over by that something you can never put your finger on. a blend between longing and fondness. crinkled at the edges.
”you’ve got a pretty smile,” he exhales. ”be a shame not to show it off.”
when you look at him, really look at him, you see it. that fatigue. it slips out when he talks to you, a sincere way of speaking that never quite allows him to hide his emotions. you hear the hint of a yawn, can practically feel the weight on his shoulders. the weight of an entire nation. a weight he was always bound to carry.
(you could never bring yourself to be even remotely alright with it.)
“have you been doing okay?” you ask, and satoru blinks. there’s a soft look in your eyes, as they trail over the contours of his face, his lashes catching the light of the stars. an innocent, pretty face. but he looks tired. frail. like he hasn’t been sleeping properly.
something rotten bubbles up inside your throat.
”they’re running you ragged, too,” you say, hand settling on your hip. where your sword usually is. unconsciously, on instinct — or maybe just to make him laugh. ”need me to step in?”
satoru chuckles. husky, mellow. dripping with soft amusement.
”settle down, little knight.”
a moment passes. silent. his eyes flutter shut, for a second, and a breath slips from his lips. almost a sigh. in the distance, you hear the quiet coo of an owl. 
”of course,” he eventually answers, opening his eyes. and you think he looks a little resigned. but smiling. self-deprecating, you think, although he’d like you to assume otherwise. ”all of it is just preparation, anyhow.” 
a flimsy smile, as he looks into your knowing eyes. ”it’s what i was born for, wasn’t it?”
you purse your lips.
“… i don’t think so.”
another chuckle. a little delighted, this time. 
“yeah,” he cranes his neck, emitting a low groan. “me neither.” something sweet blossoms in his eyes, sweet like the crunch of the apple he bites into, juice dribbling down his chin. ”but it is what it is.”
a beat. you part your lips, trying to find the right words. ”tell me if there's anything i can do,” you settle on. the same words you always choose. ”anything at all.”
satoru smiles. “right.” his voice carries a teasing tilt; almost a purr. ”there’s nothing you wouldn't do for me, hm?” 
“— there isn’t.” you smile. “nothing at all.”
he blinks. a little dazed, for a second, and you watch as his ears redden. slight, enough for you to notice, but gone before you can bring it up. a contemplation smooths over his features. and a pleasant breeze flits in, ruffling his hair, apricot petals kissing up his skin. he looks at the apple in his hands.
then he sighs. placing his palms on his knees, and rising to his feet. his arms twitch, muscular beneath the flimsy blouse, and you gulp. although you aren’t sure why.
“alright, then.” his eyes flicker in the dim light, sharp and decisive. he crosses over to you with long strides. “there is something you can do.”
when he’s close enough, satoru reaches out his hand; opening his palm. a silent beckoning. you look at him, not saying a word. his expression is unreadable. 
then you intertwine your fingers with his. unquestioningly, even in the midst of your confusion.
(it reminds you of that day. when he pulled you up to your feet, held your hand in his and refused to let go. leading you to the promise of something better.)
no matter where he goes, you follow.
and satoru grins. it’s sweet, just like back then, a smile so vibrant you wish you could tuck it into your sleeve and keep it there forever. he curls his fingers around yours, gentle, fondness bubbling up inside his eyes. for a second, you think you see the sun.
“come with me.”
at first, you truly aren’t sure where he’s going to take you. hand in hand, you begin to walk, feeling the midnight breeze nip at your skin. beyond the castle walls, away from the hustle and bustle of the nearby town. satoru holds your hand and smiles, tousled tufts of white hair swaying with the wind, leading you to a place you know well. a place where the air tastes like freedom.
it’s the river you used to play by as children.
gleaming a solemn silver under the evanescent moon, framed by bushes of lilacs, blooming indigo and violet and pure white. butterflies flutter about, almost glittering, blue wings settling down on the leaves. the scent of nectar hangs heavy in the air. on top of the hill just above you, you think you can spot tiny little glowing dots; green and yellow, buzzing around. dancing merrily, now that there aren’t any troublemaker children left to trap them.
satoru lets go of your hand, to roll up his sleeves. the hems of his pants. then he’s taking a step forward, dangerously close to the edge of the river, and you can tell what he’s thinking.
“ah — wait —“ you stumble forward, to grab hold of his arm. a worried crease forms between your brows. “that's dangerous, satoru. you could slip and fall.”
he turns to face you, a teasing mirth in his eyes. smirking lightly. “oh? is that so?” he hums, a slight tilt of his head. then he’s stepping closer, so close you feel his warm breath on your skin, but you will yourself not to step back. “wanna know what i think?”
he leans forward, just a little further, warm air brushing against the shell of your ear. flushing beneath it. his voice comes out low, a sleepy lilt, dangerously raspy. hand ghosting over your waist.
”i think you’re too scared to get in.”
you blink.
”… really?” you deadpan, stepping back a tad. satoru looks pleased with himself.
“really,” he purrs. “you were always like that. could barely dip your toes in without shivering.” he reaches out to pinch your cheek, a coo on the tip of his tongue. ”scaredy-cat.”
you raise an unimpressed brow. satoru steps back, inching closer to the river, until a quiet splash tells you that he’s standing in the water. lapping up his bare legs, not enough to even reach his knees — it felt a lot scarier when you were smaller. he’s still holding your hand, very loosely, fingertips ghosting your own. 
“c’mon,” he coaxes. soft, encouraging, a playful glimmer in his eyes. teeth catching the light of the moon. “or is it too much for my brave knight to handle?”
satoru laughs, when that makes you furrow your brows, attempting to hide the flush of your cheeks. a warmth spreads through your chest at the term of endearment, and you bite your lip. melting a little. 
his knight. his favourite knight.
“... fine,” you tangle your fingers in his own. sighing deeply, taking a tentative step forward. “just be careful, okay? i don't want to deal with your whining if you hit your head.”
“ah, but you’d kiss it better, no? if i asked?” he flashes you a honeyed grin, eyes rich with amusement. you hope the darkness of the night is enough to hide the red of your ears.
a grumble buzzes in your throat, locked behind your pursed lips. something in your jaw goes tight.
the man in front of you softens. parting his glossy lips. he says your name; slowly, thoughtfully, as if savouring every syllable. dragging them out, speaking with a lilt that tells you he’s being sincere.
“— loosen up. it’s just you and me.”
so you do.
and it’s odd. how easy it is to get lost in him, the watercolour of his eyes, the brightness of his grin. how pliantly you let him whisk you away. before you know it, you’re playing in the water — because satoru splashed you, laughing at the shock on your face and the shiver of your spine, and you had no choice but to retaliate. 
the sound of his laughter fills the air, sweet and bubbly. deep and giddy. strands of hair stick to his wet skin, droplets running down his neck, but his grin never falters. bright and toothy, boyish. he looks younger than you ever remember him being. like there’s no weight on his shoulders, none at all, only soaked fabric weighing him down. a flimsy, see-through blouse.
you think it’s ridiculous. two grown adults, splashing each other like children. but his melodic giggles are contagious, and before you know it, you’re laughing too — and satoru looks at you like you hung all the stars in the sky. through dewy eyelashes, with cerulean eyes that melt into the pale blue of the moon and the silver of the river. filled with wonder.
a particularly ruthless splash knocks him off balance, and he has the instinct to reach for your arm; stumbling, slipping, dragging you down with him. you land on his chest, cheek against his neck, his pulse against your skin. erratic, joyous. fluttering happily. his chest is heaving, lifting you up and down, a little, rhythmic and comforting. 
a sudden yelp slips past your lips, as you get snapped back into reality, into the realization that you basically just pushed your own prince into a river and used his unfairly soft chest as a cushion. a mumbled string of apologies escapes you, as you attempt to get up, scrambling to find footing.
but satoru wraps his arms around you. tucking you under his chin, keeping you flush against his chest. nice and still. 
and then he sighs. a blissful little breath, fatigue seeping out of him. into the air. 
“stay like this, for a bit,” he rasps. ”it’s okay.”
his heartbeat resounds in your ear. warm and rapid, like claps of thunder, coaxing you into closing your eyes. satoru has always felt so very safe. the water of the river is cold, seeping through the fabric of your clothing and sticking to your skin, but…
(he’s warm.)
silence. and then, a whisper; frail, slipping past his lips, gently slicing the silence in half. softer than you've ever heard him speak.
“i missed this.”
nuzzling into his neck, you breathe him in. he smells like sandalwood and dried roses, buzzing with warmth, heavy arms around your waist. solid. when did he get so big? you used to be taller. 
then again — that was a long time ago, wasn’t it?
“… me too.”
“missed you,” he continues, his jaw on top of your head. it’s a sincere confession; childlike in its innocence. “missed hearing you laugh like that. feels like it’s been so long.” 
you stay silent. unsure of what to say. satoru continues, and you let his husky voice carry you away, the tremor of his chest running through your entire body. soothing like a lullaby. 
”we haven't had much time together, lately. i’ve been worried,” he admits, and something about it strikes you as rather sheepish. a little ashamed. ”it bothers me that i can't be there to watch over you. make sure you're treated with respect, you know.”
a sleepy chuckle. muffled into his shoulder, almost a scoff — slightly exasperated. little droplets cling to his skin, sticking to your lips.
”relax, your majesty,” you tease. ”i promise the other knights aren’t bullying me.” 
satoru pouts. you can hear it, when he speaks. ”i’m serious,” he huffs, squeezing you lightly. ”and it’s not them i’m worried about. suguru’s there.”
another scoff threatens to escape your throat. you want to tell him the only knight that should be suspected of bullying you is suguru himself, but before you can even think to part your lips satoru’s beaten you to it.
”they all treat you so carelessly.” there’s something cold to his voice, an irritation tugging at his teeth. oddly seething. ”like you exist to serve them. like you’re disposable.” 
a moment passes, heavy with a silence so thick you don’t dare break it. when he speaks again, it’s an order. a demand. 
”i want you to tell me if they go too far.”
silence. again. you can do nothing but gnaw at the flesh of your bottom lip. 
(he isn’t wrong. but that’s simply what it means to be a knight — half-human, half-weapon. an unattainable ideal, stuffed inside a suit of armor.
when a weapon breaks under the force of a slash, the only choice is to throw it away. that much you know.)
”it’s fine. i’m not that fragile,” you weakly protest, but it’s not enough. satoru huffs.
”you’re a human being,” he reminds you. strangely stern, for once. chastising. ”you deserve to be treated with respect. knight or not. fragile or not.”
a deep inhale. he breathes in, and the rise of his chest carries you with it. his voice buzzes with something, a slumbering kind of fury. one you haven’t heard in years. 
“if anyone gives you trouble — if anyone hurts you… if anyone makes you feel unsafe,” he almost spits the words, like they’re venomous, sacrilegious. ”tell me. i’ll destroy them.”
silence. and then, a chuckle.
that’s all you can manage; that one meek little breath. resisting the urge to cower, at the love that clings to every word he speaks. angered affection. a promise, dangerously genuine, like a growing wildfire. ”i can take care of myself, satoru,” you remind him. hoping it’ll soothe him. ”you know that.”
but his grip around you only tightens. gentle, even still. as if you’re made of glass, a firefly cupped in his palms. he lets the silence linger, for a moment.
and then; 
“i’d do it, you know.”
“… do what?” you ask, though some part of you already knows. 
satoru’s reply is instantaneous. an arrow hitting its target, cold and concise, decisive. frighteningly honest. almost a growl, flattened, a hint of teeth behind his soft lips. ”destroy them. anyone.”
”i’d tear this nation apart if you asked me to.”
(ah. that look in his eyes — one you remember well. strung together with blurred memories, the sting of a palm on your cheek, a castle maid you never saw again.)
you search for the words. biting back a gulp, hesitant. “… i wouldn’t.”
“i know.” satoru yawns, breathing you in, voice shifting back into the softness you’re so used to. your shoulders relax. “but i would. if that’s what you wanted.”
and it’s a little scary, the depths of his devotion. but you’re almost certain you’d do the same for him. maybe you're both a little sick in the head, a little too eager to serve your hearts on a silver platter.
“it bothers me, you know.” satoru breaks you out of your thoughts. gentle, a soft lull of his tongue. ”when you get hurt. when you fight for me.”
“i know,” you murmur. you’ve seen it in his eyes, a worry he’s not as good at hiding as he thinks. ”i want to, though.”
“and i want you to be safe.” a chuckle bubbles up in his throat, just a little bit rueful. “you never listen, do you? so stubborn, i swear. always worrying me.”
you bite down on your lip. he sounds… a little sad.
“… sorry.”
a moment’s pause. then he shakes his head; cradling you close. “it’s fine. i’m here. always,” his palm runs down the small of your back. ”in case anything happens.”
he inhales. ”and when i become king —” a beat. he swallows thickly. ”you’ll never have to worry again. no one will be able to touch you.”
”satoru,” you crack a small smile. amused. raising a single eyebrow. ”i’m not worried. i can protect myself.”
”i know. but i’m saying you don’t have to.”
and then he’s pulling back. just a little bit, just enough to see you. cheek smushed against his chest, comfortable and soft, more unguarded than he’s seen you these past few months. it’s enough to get his heart racing. enough to have him reaching out, fingertips ghosting over your hand, tangling your fingers together. bringing it to his glossy lips. a chaste kiss, brimming with unspoken murmurs of love.
”— i’ll protect you forever,” he vows. ”remember?”
there’s devotion in his eyes. heavy, a vow he’ll never quite be able to voice in full. something that makes the blue of his eyes glow even brighter, cerulean, aquamarine, a blue so jarring it makes your heart beat faster than it should.
you blink. starstruck, caught in a daze, lost within that sea of blue. distracted by his warm breath on your cold skin, the soft whisper voiced against your knuckle. something shy blossoms in your chest, enough to have you averting your gaze. 
“... you really don’t care about the dynamic here, do you?” is all you can reply. a meek scoff, a weak attempt at hiding how flustered you are. “i’m the knight. i’m your protector.”
“oh, i know.” a smile sticks to his lips, playful, the back of his hand caressing your cheek. a coo on his tongue. “my little hero. what would i ever do without you?”
a roll of your eyes. satoru chuckles. in the distance, you hear crickets chirping, a breeze rustling the lilac bushes all around you. he’s still cradling your cheek, smoothing over your wet skin, brushing a drop of water away with his thumb. clinging to your bottom eyelash.
“i don't get it, though.”
you blink. when you meet his eyes, satoru looks a little perplexed. muttering under his breath, absently rubbing circles over your cheekbone. you resist the urge to close your eyes again, biting back a blissful sigh.
”a prince shouldn’t care for his knight…” he repeats, like he’s heard the string of words a million times before. ”the idea of that. i don’t understand it. never have.”
the smile that blossoms on his lips is soft, indescribably so, as if he’s looking at the most precious thing in his life. rich and warm, like wine in your veins, nectar on your tongue, a chest pressed against your own. dripping with fondness.
satoru tilts his head, as if in confusion — but he’s smiling. “what’s so strange about wanting to protect the one dearest to my heart?” 
his hand slips from your skin, a warmth leaving your cheek. only to search for your hand, again, cradling it in his larger palm. placing it right over his chest, against the soaked material of his blouse. ”feel that?”
you do. a rhythmic rise and fall, a soft flutter from the depths of his ribcage. as if it’s itching to break out, out of the cage that binds it, the hardened shell around it. a heart too big for his body.
”it’s you,” satoru whispers. ”all for you.”
a moment passes.
silently, you lean forward; tucking yourself into his neck. into that comforting warmth, wet skin beginning to dry, the steady thrum of his heart right by your ear. you listen. not saying a word, afraid of what might leave the confines of your strangled throat. it feels as if your heart has begun to crawl upwards, sweet honey blocking your airways, and all you can do it feel it pulse. 
all while satoru gazes at you, fondly. placing a big palm on the back of your head.
fireflies dance in the distance. butterflies flutter about. strings of lilacs bloom under the glow of the moon. and satoru’s heartbeat never changes, never falls out of tune, a sound you would recognize even if the sky were to shatter, if the world were to end. the sound that saved you, the boy who dragged you out of hell. into his light. 
satoru gojo is everything. he’s the beat of your heart, the silver of your sword, the reason you believe in goodness. he’s your prince, your favorite person, and you’ll protect him until your very last breath. until the world runs out of oxygen.
a boy so sweet you’d die for him.
(a boy so sweet he wouldn’t want you to.)
a shiver runs down his spine — sudden, a shudder of his bones, and a quiet little sniffle. you feel it, hear it, and don’t attempt to bite back the fond smile that slips into the curve of your lips.
”c’mon,” you beckon, almost a coo, placing your palms on his chest to hoist yourself up. ”let’s go home.”
but satoru shakes his head. and then he traps you again, strong arms around your waist, pressing you against him. you could escape — you’re almost certain you’re stronger — but you don’t quite have the heart to. ”it’s fine,” he huffs. almost a whine. ”stay.”
”you’ll get sick.”
”i never get sick.”
a deep exhale. tumbling from your lips, just a little bit humorous. mostly exasperated. ”that can change,” you mumble, fingertips dancing along his exposed skin. absentmindedly.
a smile. one you can’t see, but you hear it clear as day. he sounds content, like he’s got everything he needs right in front of him. ”some things never change,” he informs you. pleased. ”just look at us.”
and he’s right. so you don’t say anything else. 
but your heartbeat quickens, only for a beat or two, and you’re almost certain he feels it. if he does, he opts not to tease you for once, and you’re grateful. and so the silence lingers. as if time has begun to freeze, into an eternal dusk, a string of silent seconds. broken only by low melodic chirping from faraway fields, his soft breaths in your ear. 
until satoru suddenly chuckles.
“hey,” he hums, shifting a little, the river swaying around you. pulling back to meet your gaze, eyes crinkled and voice raspy. “wanna know a secret?”
you raise your head. a dubious look on your face, one that has him breathing out an amused puff of air, like you’re getting ready to hear a bad joke. “... what is it?”
before the words have fully left your throat, he’s resting his forehead against yours — breath fanning over your lips. a pleasant shiver trails down your spine, at the close proximity, goosebumps spreading across your chilled skin. only exacerbated by the whisper that follows, so quiet you almost don’t know if you heard him correctly. childlike in its sincerity. a sunlaced smile woven in between the vowels.
“i think i was born to meet you.”
(a sentiment so sweet you barely even feel the warmth of his lips meeting yours.)
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chitinleg · 1 year
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got him off-balance!
#my art#ds9#star trek deep space nine#julian bashir#elim garak#garashir#watercolor#image desc in alt text#i normally post on mondays but. today im breaking my pattern! getting a little silly. getting a little wild. garashir jumpscare#“tumblr user chitinleg garak would neot easily let himself be swooped off his feet into a hug like that” yes i know BUT!#look at his expression. look at how his arms r pinned. he didnt let this happen LMAO julian just surprised him. grabby huggy human behavior#if you look really closely you can see the tiniest frown in the world on Garak's face. because he's like “EEP !”#cant see bashirs face at all in this only his body but i think we can all imagine that whatevers going thru his head. he needs this hug bad#ALSO. for anyone wondering what the fucked up shadow is that starts at the juncture of the teal sleeve-cap where its set into the armhole#the jumpsuits have a bit of a fold of extra fabric (called an Action Pleat) there which allows for a little more maneuverability of the bod#AND creates a really sleek and flat back panel#because you can see the fabric twists along the side arent grabbing the flat back fabric theyre grabbing the fabric folded beneath it#often times i think about drawing out a dissection of kiras first uniform and this voy era one for other artists to use. bc god knows#i struggled at first to find full body references#they like to shoot ds9 very close to peoples heads. and the camera is so blurry. they smeared butter on that thing. god bless
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turtleblogatlast · 6 months
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No but like every time I think about Splinter and what he had to go through just to keep the boys alive, my heart hurts for him so badly. Is he perfect? No not at all, but none of them are and by god does he love his sons.
The fact that all of them are alive, and grew to thrive despite the circumstances surrounding them is a testament of how much Splinter loves his boys. He raised four babies following the most traumatic time of his life, all alone with nothing but the sewers to house them (to hide them.) I feel like he’s not given the credit he deserves for all he’s done.
And I get that it’s easy to hold up his flaws and faults when it comes to parenting, I myself like looking into them because flawed characters are super interesting and said flaws make them more realistic and engaging, but he tries, and again, so many others would have given up on the boys or failed along the way but Splinter didn’t.
He’s their father, for all his faults he did his damndest to make sure they survived.
#rottmnt#rise of the teenage mutant ninja turtles#rottmnt splinter#rise splinter#he’s not perfect as I’ve said#and he’s got a whole slew of flaws and faults#but he’s a person - we are all flawed#he loves his sons dearly dearly dearly even if he struggles along the way to show that#parenting is not easy! especially as a traumatized mutant who is forced to do it alone#side note but I think this is one of the reasons why it kiiiiiinda ruffles my feathers to see so many people assign parentification to Raph#and in turn make Splinter out to be way worse and way more distant than he is in canon?#like idk I just don’t see what so many others see ig but maybe that’s just me#i guess my thoughts are like- let parents have flaws without villainizing them?#they’re still parents even if they mess up?#we can discuss the repercussions of a parents actions on a child while not casting that parent as an awful person#parents are peopleeee#I could go on but yeahhh#idk it bothers me seeing splinter’s efforts undermined when he’s been through so much#idk if ppl realized this by now but I love me some flawed characters#tho I do think in this fandom the ones whose faults are discussed the most are like#Splinter mostly then Draxum then Leo#of the main cast#and in Splinters case in particular his faults are made to cover his good qualities which makes me sad#because he is SO INTERESTING#they’re all flawed characters and tbh so interesting because their flaws are ALSO their strengths in many aspects
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sevenines · 9 days
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i saw this tweet and found it interesting for two reasons. one is that some people base how good cartoon network would be to toh by how it treated su, and despite the fact that su’s treatment by the network was considered poor at the time, now its thought to be exceptionally good in comparison to modern shows.
two is how exactly su got impacted by a limited budget. a common criticism is how characters like connie, peridot, and lapis are left out of missions. but balancing a lot of characters is not only hard but also costly (extra animation, extra voices—it’s been revealed that the show is limited to a set number of characters per episode otherwise they’re over budget). animation mistakes are not uncommon since retakes cost extra. the entire reason the original show got cut short was due to loss of funding!
#i don’t know if pay rates differ per networks#but a.ivi and s.urrashu have said that they needed to work outside of su in order to make sufficient funds#it only makes me wonder what other ways su suffered from a lower budget#that we as the audience never got to see#in the vein of the too-little characters complaint#another part of that is that low-stakes episodes should’ve been abt the main cast instead of the townies#like last one out of beach city and too short to ride vs restaurant wars and kiki’s pizza delivery service#i definitely see that especially since that isn’t budget related#nor would it seem to be network related (even if cn had an ‘episodic episodes’ quota it could still be abt the gems#(another side note: /would/ cn even have a requirement that the show make episodes that can be watched standalone?#this is a question for the people who were around when su was airing#what episodes often got rerun?#was it the townie eps or the lore eps?#for example i heard that su once did a ‘peridot event’ where they just reran peridot episodes#which had eps that skip around in the show#did they even care about airing the story so that it made sense anyways?#id get it if the low stakes townie episodes were the ones getting rerun))#but i have such a boring view on that which is i think it’s simply because the creators like townie eps#like in interviews r.ebecca s.ugar has said she’s the type to be really invested in background characters#answers in interviews have been crafted in ways to hide what’s really going on though tbf#prime example of this is rebecca and ian saying the wedding being interrupted was meant to follow the common trope#when later in the art book they said that it was bc cn rejected the ep bc it ‘wasn’t interesting enough’#both could simultaneously be true! it’s a psychology thing though where people make up nice-sounding explanations behind what they create#in retrospect because they want it to be thought out in such a nice way they believe in it#the bigger problem is that not matter how many episodes there are of them#it can be hard for ppl to be invested in the townies the same way they are invested in the main cast#i’m sure that a million writers have made surefire advice on how to get an audience to care about characters#but off the top of my head i think it’s because 1. most don’t have strong motivations to get truly invested in#(exception is ronaldo but people find him too annoying to care about him)#okay i had more points and explanations but i hit the tag limit and idk if anyone is actually reading this so bye
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casualavocados · 3 months
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"Who is Ai Di to you?"
Nat Chen as CHEN YI KISEKI: DEAR TO ME (2023)
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ruegarding · 9 months
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nah bc hazel despised the gods she thought her dad was an asshole she thought cursing ppl (children especially) was a dick move she is NOT sweet and submissive the part of her life where she kept her head down and did as she was told is OVER and she sided w the gods bc she had beef w gaea not bc she cared abt the gods
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lovesickeros · 10 months
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☆ even the gods bleed [ pt 4 ]
{☆} characters arlecchino, furina, lyney {☆} notes cult au, imposter au, multi-chapter, gender neutral reader {☆} warnings blood {☆} word count 3.7k {☆} previous [ 1 ] [ 2 ] [ 3 ]
Fontaine was bathed in darkness, not even the moon daring to illuminate where the common man fears to walk. The streets were bleak and empty save for the constant, rhythmic ticking and clanking of machines marching on endlessly, dauntlessly wading where even the bravest dared not to venture. Not even the sharp click of the Gardes boots followed the occasional hisses of steam as they walked the barren streets.
It was haunting, and it'd been like that for days now. It showed little signs of stalling in the slightest, too. Every inch of Fontaine was practically crawling with Gardemeks– like a swarm of rats skittering about.
Arlecchino had secluded herself in the Hotel Bouffes d'ete for days at this point, waiting– biding her time. Her nails clicked against the wood as she tapped at the table in a stilted rhythm, the subtle click of the clock mixing into the clanking outside, weaving in and out of earshot as the patrols slipped by. She reached forward after a moment of thought, reaching for the white king.
She leaned back against the chaise, tilting her head just enough to catch a glimpse of a patrol of Gardemeks as they vanished behind the rows and rows of buildings. It wasn't enough to keep her attention for long, however, her features twisting in disinterest as she glanced back to the chessboard– and the letter neatly resting beside it. The seal was unmistakable and a sobering sight, demanding her attention– the soft hues of blue etched into the shape of a dragon stared back at her in a way that almost unsettled her.
She had already parsed through it's contents hundreds of times, but she was met with only vague, flowing script that only served to irritate her more then anything– it filled the page top to bottom yet managed to say nothing at all. Her hand reached out again, but instead of reaching for the letter she plucked the black rook from the board, setting it down with a soft click.
Arlecchino had all the time in the world to sit back and observe her prey, but all that time would be useless if she lacked the information to act.
And he was quite tight fisted about it, evidentially. None of her inquiries or attempts to decipher any potential codes in the letter left her empty handed. She could not act without even knowing the reason for his summons– it was almost worded like a personal affair rather then one would expect for a foreign diplomat. In truth, she'd expected a scalding report on her operatives, but it lacked any mention of anything of the sort.
She was no stranger to people masking hostility behind pretty words and compliments, not that it was ever unwarranted per se– the Fatui did not create connections through honesty and genuine kindness. They have strong armed more then their fair share of people into cooperation to the point distrust is all the Fatui are met with outside of Snezhnaya. Every word was meant to conceal the deceit, every action meant to conceal the price later paid.
So she had been..skeptical of the letter, to put it lightly. She doubted the Iudex of all people would offer a hand to the Fatui without a price attached– a trap, perhaps, meant to lure in the most powerful piece left on the board. Her eyes narrowed, reaching for a white rook and moving it to the right.
Or he was hiding something. Something that he simply couldn't risk getting out to anyone, not even the Divine themself. A tempting prize, whatever it was.
..A dangerous prize, too.
She'd considered burning the letter and forgetting it all together– the risk was great, and she couldn't risk getting caught up by whoever else the Iudex may have on his side of the board. But she could hardly pass up the challenge and the prize that he fought so hard to keep from prying eyes and ears. Even her agents came back empty handed each time. She lazily picked up a black rook, sliding the white pawn aside.
"Lyney," Arlecchino drawled, crossing one leg over the other and turning her gaze to the door as it slowly creaked open. The pale visage of Lyney stepped through, though his siblings were noticeably absent. The weariness that weighed down on his shoulders was apparent in the slightest furrow of his brows and the subtle creak of leather as he clenched his fists behind his back. "Father." He choked out, the title dragged out by the sharp inhale and shaky exhale.
He looked out of breath, she noted.
The silence that lingered after the small exchange was punctuated only by the click of another chess piece being moved. She sets aside the black rook, letting it sit among the dozen other pieces that had been wiped off the board. She can see the conviction glinting beneath the fog of exhaustion, but if he would utilize it was another matter all together.
He had seemed to make his choice quickly, at the very least.
"Our contacts and operatives within the Fortress of Meropide have gone silent– all we have is their final confirmed missive.." His voice is confident, but it is rigid as the words spill from his lips. He takes a sharp step forward, unfolding his arms from behind his back and opening his hands– the small, water stained and messily folded note catches her eye, plucking it from his palms with a half hearted interest. "They believe the Duke left the Fortress of Meropide..and that he may be coming to the Court of Fontaine."
Her eyes narrow dangerously, nearly crumpling the thin paper in her hands– yet just as quickly, she collects herself.
But she cannot get rid of the bitter taste on her tongue, lingering as she sets down the note and slides it to the side, her lips pursed into a thin line.
So the Iudex had shown one of his pieces..she tightly grasps a black rook, tipping over the white rook, letting it roll against the board.
If the Duke was involved, things were much more complicated then she expected– he would be a problem, she was certain. She couldn't blame the lamb for fearing the wolf, either. Whether her agents had been killed or captured by the man mattered little. He had his ways, and he was a force that could instill fear in even them.
Which meant the possibility that her operation was already compromised was far too real.
What had the Iudex so concerned he had gone through the trouble of bringing in the Duke and herself? The Fatui was one thing, but to specifically request one of it's Harbingers..
The Prophecy? The thought had her clenching her fist, but..no. If it were to rear it's head now, the Iudex could simply not afford to waste time on his contacts deciphering his nonsensical script– If the prophecy were to be the issue, there time would be limited to mere minutes in the worst of cases. Which meant it was worth biding his time in order to ensure absolute secrecy.
So if not the prophecy, then what?
Her next moves were..limited. She was already walking on eggshells considering her position and the reputations of the Fatui– especially with a Harbinger in the midst. If they caught wind of her operations, they'd weed out her operatives and be on guards for any snakes that lingered in their garden.
She reached for the chessboard again, picking up one of the white rooks from the board with a scowl. The sharp click as she sets down the white rook and sets aside the black pawn draws a shaky inhale from Lyney as she moves another black pawn, the dull click of the pieces drowning out the distant clinking of machines.
..A draw, perhaps.
The pieces were all falling into place– the players of this game were slowly being revealed. Whether she could secure her victory..she was unsure.
She wasn't even sure who her opponent was. Only that the Iudex himself was but another piece in their game.
Arlecchino reached for the board again, yet this time she hesitated. Perhaps she could still swipe the win from beneath them, if she played her cards right.
She would simply have to capture the king– or, if need be, let it end on a draw. Either way, she would not concede. She could not afford to concede. Down to the last piece, she would drag out this match until she was in a position to force their hand into the outcome she desired.
She stood slowly, picking up the king piece and observing it for only the briefest of moments before she set it down on the table, taking measured steps around the table and across the room. She was hunting a much more dangerous quarry today– it would be no simple runaway traitor this time.
"Do you remember the directive?" She inquired coldly, her hand lingering on the door for that long, tense moment. "..Yes, Father." Lyney faltered, taking a hesitant step back and bowing at the waist. "Then do not stray."
All that was left was the silence and click of the door shutting behind her as she disappeared down the hall, her boots clicking harshly against the floorboards. The rest of the agents knew better then to linger in her path as she stepped down into the lobby, adjusting the cuffs of her sleeves. She barely even acknowledged the Fatui agent standing at the ready by the heavyset doors, their gloves hands held out with her cloak held loosely in their palms. She quickly snagged it from them, tugging it over her board shoulders and clasping it around her throat.
With a quick tug, she brought the hood up over her head to conceal her sharp features, lifting her hand and placing a neatly folded note within their waiting hands. She had only one chance to make the right moves and secure her victory– no matter the cost.
Each piece had it's purpose.
Oft, that purpose was a bloody and horrible end– but for the grand goal of the Fatui built on the backs of the dead, it was an honor.
She didn't bother speaking a word as she dismissed them with a wave of her hand, pushing open the heavyset doors and stepping out into the barren, damp streets. The rhythmic clink and whir of Gardemeks was still distant– she needed to move. Her boots clicked and splashed in the rain soaked stone of the streets as she slithered between the buildings, ducking through the openings in the patrols.
It was almost too easy.
She tilted her head back, taking in the towering Palais Mermonia with a scowl, her hands clenched into fists. The final moves were being played– the king was within her reach, yet she felt no more confident then when she began.
The air carried a sense of unease, thick and heavy, filling her lungs until she felt her breath still in her chest– listening to the empty, bleak night that seemed so..quiet.
She'd done her fair share of research, had more then her fair share of her agents try to peer into the Iudex's office or the Archon's supposedly hidden chambers, but every attempt was a failure. She had to give them credit, they were quite elusive when they wished to be. Though now she only thought about it bitterly– this was all a risky gamble, in the end, and only time would tell if it paid off.
With minimal effort, she'd managed to pull herself to the flat, tiled roof, eyeing the massive tower peaking out of the center cautiously. At least here the wandering patrols down below weren't likely to notice her..she could hear them passing by the spot she'd been in only a few minutes ago, just beneath her. She pulled the hood further over her face, peering through the sheer darkness of the night for any oddities, but it was almost impossible to see in the dark.
Her boots clicked softly against the tiles as she approached the tower jutting out from the Palais, her hand gliding along the smooth stone, pressing against odd indents or crevices. If it was for the Archon's chambers, she doubted they made it very difficult– she'd only met the woman once, but she doubted the Iudex make it all that complex just from a brief glance. And it surprised her little when one of the stones sunk into the wall, gears whirring as the walls split open to reveal a stairwell straight into an inky black hall. Only the barest hint of light peaked under the door at the bottom, but it's occupants must have heard her, considering it went out not a moment later.
She cautiously stepped down into the small crevice, her breath visible in the bitter cold air– her shoulders tensed at the subtle sound of muffled footsteps behind the door, her vision flaring with a molten heat between her shoulder blades as she reached for the worn handle of the door. The heat of her vision was enough to just barely heat the metal, her vision flaring like a quickly building inferno.
Arlecchino was prepared for a fight, if it came down to it.
The door creaked as she pressed against it, shoving it open with a grunt of effort and surveying the room with narrowed eyes and a biting remark on the tip of her tongue– the lavish opulence was expected, she supposed, but the lack of the towering figure of the Iudex was not.
Yet before she could get a word in or even take in her surroundings properly, the light flickered back on and she had to squeeze her eyes shut with a hiss at the sudden brightness. She could hear the door being shoved closed behind her, the hurried footsteps retreating just as quickly as her eyes adjusted to the light.
..This was a joke, wasn't it? It had to be.
She'd expected the Iudex, perhaps even the Duke if she'd been unlucky, not the Hydro Archon. She had half the mind to test her worth as an Archon then and there, her temper flaring like an uncontrollable blaze, barely kept at bay. It took all her self control to force herself to smile politely at the woman rather then snarl.
"Miss Furina," She sneered beneath her hood, x shaped pupils locked onto the startled, trembling Archon with thinly veiled contempt. "What a..pleasant surprise. You'll have to forgive my manners, I assumed I was meeting with the Iudex." She observed her body language carefully– the way her eyes darted about like a frightened rabbit seeking escape, the slightest tremble of her lips..
Arlecchino opened her mouth to offer another scathing remark, but her jaw audibly clicked shut as her entire body seemed to lock up. Even her vision went cold against her back, a chilling feeling creeping up her spine as someone, or something, crept up behind her. Their footsteps were almost silent, the slight rustling of their clothes the only thing she could hear over her heart pounding against her ribcage.
Arlecchino had always prided herself on being on the other end of that sensation– she was the monster, and her target was the prey frozen like a deer between the hunters crosshair.
It was a chilling feeling to have the dynamic shifted on it's head.
She couldn't even swallow, her jaw clenched so hard she could hear it creak as she tried to reason with her quickly splintering mind– a futile effort, her joints locking up almost painfully. Black spots were quickly swallowing her vision from the lack of air in her lungs, the sound of shuffling behind her barely audible over the ringing in her ears.
For a moment – a moment too long to have only lasted the seconds that it did, yet so quick it gave her whiplash – she thought she would hit the floor dead before she could even glimpse her assailant.
And then it was gone. She came crashing back into reality with a startled inhale, her lungs burning and her knees nearly buckling under her. The instinct to lash out and kill whoever had done it was intense, yet she couldn't bring herself to move even a finger– it would be so easy to twist around and ignite them with searing flames, but her feet were rooted in place.
She almost didn't notice the surprisingly gentle hands unclasping her cloak, tugging it off her shoulders, if not for the sheer intensity of the presence still lingering behind her. Her mind was still fractured, struggling to right itself after the ordeal, and it had her seething.
"..Are you certain you held back enough?" Furina croaked, the normally soft lilt raspy and almost hoarse. "Not– not that I doubt your capability, most Divine!"
Arlecchino felt her nails dig harshly into her palms, heat swelling beneath her skin– Divine? Had she lost her mind? The Divine was..
The Divine was upon their throne where they belonged. She'd seen them!
"Hm. Well, maybe? Sorry, I didn't think it'd affect you too." Their voice was sickeningly soft as they stepped around her like she wasn't even there, focusing their attention on the Archon who seemed more then delighted about it. "What gave you that impression, most Divine? Aha, I..was completely unaffected, as you can see! Perfectly fine."
Furina let out a small squeak when they pinched her cheek, but the almost affectionate smile that tugged at their lips revealed the lack of malice behind the action.
"You're a bad liar, Furina. You might want to sit down..please?" They didn't take her protests for an answer, gently pushing her to sit on the bed before abruptly turning to face Arlecchino once more, a forced smile on their lips. "Oh, good, you're..uh, not dead. That's good. I thought I fried your brain. Sorry?"
..Had she hit her head on the way here? The Divine should still be on their throne, yet she couldn't shake the weight of their stare– it felt tangible. She felt like she was standing face to face with the stars– galaxies and constellations bearing down upon her.
She grit her teeth and clenched her hands until she felt the sting of her nails against her palms, grounding herself in the pain through the sheer overwhelming nature of their existence.
"You.." She croaks, reaching out with a shaky hand and grabbing them by the collar of their shirt, lifting them up until their feet left the floor– she pays no mind to the startled protests of the Archon. Arlecchino would crush her like a bug before she even got the chance to intervene and they both knew it. "You shouldn't exist– you aren't them, and yet you..you're the imposter, aren't you?" Her grip tightens yet they face her without an ounce of fear, meeting her unyielding glare with a pondering look.
Arlecchino wanted to make them bleed just to see if she could, the urge to sink her teeth into skin welling up in her chest to the point she visibly snarled, her mask of politeness long . "You're the imposter." Her expression falls for a moment before she schools it into one of apathy, setting them back down and holding them there for a moment, finally releasing them after a tense moment. "Or you were supposed to be."
Hers brows furrow– she wants to demand answers, to throttle them for damning them to being nothing more then dolls for the supposed Divine to break at their whim, but none of the words come to her.
"..Why now? The current Divine has been in power for years, yet you descend now?" Her shoulders tensed, lips pursed into a thin line– it's impossible to ignore the truth that lay before her. The Divine is a fraud and this..imposter is the true Divine. How many years had they been in power, now? How many years were they waiting? Why did they wait? Was the suffering of Teyvat not enough? Was the blood that painted the steps of their stolen throne not enough?
She'd personally been on the wrong end of the Divine's wrath– she wonders..had they watched? Had they seen the cruel hand of their imposter and turned their back on Teyvat?
"I.." They hesitated. It made her seethe, her hands clenching into fists at her sides– her vision flickered, flames swelling within it's casing just to be smothered by the presence of the Divine. But once that spark had been lit, she refused to let it go out. "I didn't know."
The answer does not satisfy her. There is an itch beneath her skin that she cannot scratch, a fire that burns in her chest so hot it scorches even herself.
"And what about now? Are you content to cower like prey in the safety of the Palais Mermonia?" She snapped, taking a step forward, her brows furrowed and her glare intense– she can see the slightest bit of worry in their eyes. She revels in it. "Will you let them use your acolytes like pawns? How many more need to be broken on the steps to your throne before you act?"
Again, her vision flares and dims– it refuses to be used against the Divine that created it.
"Have you no answer?"
The room is silent. They do not speak and neither does she.
Even the world itself seems to quiet in the face of her accusations, fury boiling to the surface so hot it incinerated all it touched.
"I will kill them myself."
Their words are quiet, but they are not soft– there is a vindictive, searing anger that explodes out like dying stars within their eyes. The sight of constellations replaced by a void that would not be . The smell of ichor grows stronger– to the point she feels almost lightheaded.
"..I am aware that I have failed in preventing this, but I had no choice in the matter. Still," They muse, their voice like the tolling of bells. A solemn melody that stills the swelling fury burning in her chest, if only for a moment. "I will rectify it– I will tear down their throne of lies and let not even the earth tarnish itself by burying their corpse among it's soil."
They pause for a moment, holding out their hand– scarred and bandaged by the weapons of the devout, yet still they take upon the burden of dirtying their hands to save those who did not save them.
"Do you trust me, Arlecchino?"
Did she?
"Will you help me?"
She exhales heavily, meeting the starry iris' of the Divine with a scowl still tugging at her lips. Arlecchino trusted no one but herself.
"..Yes."
#sagau#genshin sagau#self aware genshin#genshin impact sagau#self aware genshin impact#fic tag#imposter au#genshin cult au#genshin impact cult au#arlecchino#lyney#furina#you do NOT wanna know what i got put thru writing this fic#trying 2 find out where arle was in the few times we DO see her and going down a rabbit hole of fuck fontaine and its layout actually!#I spent like 3 hours looking it up and checking in game it gives me a migraine thinking abt it. ew#anyway trying to write a really smart character is surprisingly difficult when ur as dumb as rocks#also used an actual chess match for this and gave myself an even worse migraine trying 2 make sure i didnt repeat moves or smth#furina doesnt get a spotlight yet just imagine her sitting in the corner trembling like a wet kitten you found on the side of the road#arlecchino goes thru a crisis more at 11#shes a tired single dad shes isnt getting paid enough for this okay#hands u a fic over half the length of the other THREE PARTS#ehe :]#is arle actually on ur side??? is she gonna double cross u???? who knows!!!!!#shes unpredictable she might stab u for funsies#anyway im gonna go nap in a ditch now this took SO LONGGGGG OH MY G-D#also just think acolytes who arent buddy buddy w reader and even resent them is so tasty#bc how r they supposed 2 know reader was a human vibing 5 minutes before their got eebied 2 teyvat..#reader gotta roll up their sleeves and get 2 WORK sometimes murder IS okay#they gotta fix some shit around here and that means committing several crimes all at once. sometimes more#a group can be g-d (just got here) their dragon (neuvi) their cat (archon) their dog (wrio) and their wolf (arle)
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bigskydreaming · 2 months
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Imagine looking at a character whose entire premise is that in every stage of his life, he's made every version of himself into someone that inspires people to such a degree that EVERY SINGLE VERSION OF HIM has people wanting to literally follow in his footsteps in some way or another.....
And coming to the conclusion that like.....the most important things about him are the sum of all his trappings. His entirely homemade developed from scratch could not exist if not for what he already was and brought with him BEFORE crafting this newest version of himself trappings, with his greatest trait throughout all of it being his adaptability; his ability and willingness to roll with the punches and not try to simply weather any opposition or changes to his life but instead reshape himself as needed to better fit INTO whatever new shape his life and the world around him takes. All while managing to carry the most innate, fundamental and necessary aspects of himself from one version to the next. Thus every single version of himself is different but simultaneously every single version of himself is also undeniably the same person.
The strength of this character, to me, will always be that he can be so many versions of himself, he can become so many things, all without ever actually losing or discarding any of the aspects of himself he considers most essential, the things he's not willing to lose or give up just to keep going. Finding that road not taken by most, usually because most never even think to look for it as an option. But one that he's always able to find because the one trick he's mastered in his tumultuous life is threading that needle of not just digging in his heels in an unproductive way but rather being selective about when and where he makes a stand and decides "this is not a thing I'm willing to compromise about" but here are places and ways I can and will change and evolve and adapt in order to make it possible for me to hold onto these parts and keep them as they are.
And that's why its always so mind-boggling to me that so many writers can't seem to think of anything else to do with Dick Grayson other than invent some new reason for him to just....not be that person, or to like just take the character whose most basic fundamental trait he's NOT about to compromise on is willingly giving up his spot in the driver's seat of his own life.....and make him just a passenger in his own life and stories.
Dick Grayson at age nine....at age nineteen...at age twenty nine....the one core thread running through all versions of him is the only way he's standing back and letting you call the shots for him or putting him on the sidelines in some way is over his dead body.
HOW he goes about that, what that looks like, who he becomes and what aspects of himself he plays up at some times and what traits he lets fall by the wayside at other times when they offer less in service to his primary goal here....that changes constantly. He changes constantly.
But those changes are almost always (or at least they used to be/should be IN MY OPINION) made with the intention of keeping certain things about him or his life as consistent as possible.
That's the duality of Dick Grayson that I'm here for. The inherent contradiction of him that COULD allow for endless conflict and breaking new narrative ground in all sorts of ways if mined properly:
His eternal willingness to compromise....but only ever in pursuit of doubling down on the ways he's not willing to compromise.
Forever walking that tightrope in ways that only a kid born and raised in a circus could ever hope to.
#see also: my grinding teeth when people disparage his circus origins#like the only thing its good for is colorful backstory and explaining his acrobatics#THERES. SO. MUCH. THERE.#theres so much EVERYWHERE in every aspect of his backstory and his preexisting comics and yet over and over we get#....what if we just ignored all that and did what the fuck ever as though this character has nothing integral to him or fundamental to say#to be fair my gripes with Taylor are not exactly interchangeable with my gripes with the previous runs#but I lump him in as an extension of them because while evocative of different SIDES of my ennui with these takes on Dick.....#the thing about Taylor's stuff to me (or the parts I read at least) is that its generic as hell while only retaining superficial elements#of Dick's character and stories in order to point to them and say see these are definitely about Dick Grayson. like....only in very surface#level ways. underneath that theyre basically generic superhero adventures that could easily be retooled to be about a pretty sizable number#of other characters. tbh with the whole alfred inheritance thing it honestly felt from the get go#that Taylor was more interested in writing a kinder gentler Batman like a Bruce from one of the animated shows like#The Brave and the Bold who gets along better with everyone else. even the way the Brave and the Bold largely exists to use Batman's#popularity as a star vehicle to platform his co-superhero for the episode lends itself to Taylor's approach in his NW run#with the central figure - only nominally DG imo - basically existing as a platform allowing for the drafting of any other character he want#to write in any given arc or story in a similar way to how Bruce is utilized in Brave and the Bold#anyway. idk idk. my issues with Taylor are not the same as the others exactly but also they are and also I just plain dont like the guy#so I complain about him at any given opportunity even when its not technically as accurate or relevant as it possibly could be#I Am Flawed. its fine though dont worry about it. its called being nuanced
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emdotcom · 3 months
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Yeah, so while I was on my "I'm going to read into Vanny/Vanessa as much as possible" journey, I noticed an odd quirk in her animations in how she moves. At first, I thought it reminded me of a ballerina, 'cause she's kinda tip-toeing, & she has this way of keeping her head & chest in one place as she moves, but I looked again & realized --
That's not ballet! She's doing a tight-rope act. Like, look at this one:
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This is like standing up on the wooden boards before you do the actual tight-rope walking, & the ring leader is hyping you up as you do some fun movement for the crowds. &, then, these:
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These are all instances where she walks with one foot directly in front of the other. In that third, she's doing the "woaaah" wiggly-ass balance movements & everything, as if she's swaying up at the top of the tent, even though she's down on solid ground.
Idk, I feel like the way her feet are placed isn't accurate (pretty sure they should be pointed left & right, not both forwards...) doesn't make this 100% correct, but I like it. It also connects back with her first SB teaser, wherein she's up in the rafters.
#em.txt#security breach#fnaf sb#vanny#vannessa#okay but you can read more into this. tightrope acts are almost always associated with circus performances#& we know afton enjoyed himself a circus themeing -- made the whole circus baby peanut gallery & he was also a massive clown#see he's like molding her into one of his performers where he is the ring leader calling the shots#& she is the tightrope walker that the crowd watches with baited breath to see if she falls or makes it across#tightrope walking has also been associated with walking a line between two different worlds or extremes#so on one end she wants to obey afton & comply in killing & on the other she wants to hold onto her life as it was#& she's in the middle trying to not step too far to either side or else she's gonna fall & there is no safety net for her#there's also like. in ruin the vanni mask obscures reality. the vr world is completely different.#if vanny's mask has that tech in it then she's constantly stuck in vr. to her it may actually not look like#stable ground. it may look like she's miles up in the air about to fall. because that's what the glitch needs her to see#because if she saw that wherever she next planted her food foot was safe stable ground she might not be so anxious to keep on#moving down this path#wait hold on is this all an optical illusion & I'm seeing it wrong is it the angle#IT'S TOO LATE THE POST IS MADE HIT POST#did i just pull a matpat misread a minor detail & extrapolate unintended overly detailed info#that is inherently untrue bc the detail it's based on isn't there/is incorrect?#see this is why the game theory channel should have gone to me i can do this matpat bullhonkus no prob bob!
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beggars-opera · 4 months
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I still find it really, really horrifying funny how many people think that they are going to magic a universally beloved third-party presidential candidate out of thin air and that their revolution is going to sway both the democratic and undecided voters to change their political alliances and vote for this nonexistent mystery person in in *checks watch* the next five months, thus overriding the republican base who has nearly 100% rallied around their one guy for the past decade and show no signs of wavering and, by the way, is also 100% behind funding genocide and various other crimes against humanity along with undoing every single decent thing the other guy has done. But sure. Vive la revolution
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poorly-drawn-mdzs · 29 days
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Lan Wangji goes to Lotus Pier (No relation to the AU of the same name)
[First] Prev <–-> Next
#poorly drawn mdzs#better drawn mdzs#mdzs#lan wangji#wei wuxian#Another split type comic because I decided to be ambitious.#This flashback is currently beating my ass. There are so many timeskips within the flashback! My flow and pacing are wheezing!#I loved how this scene starts with the crowd's point of view. The observations and gossip add a lot.#And it helps reposition us to what the external perspective is on these two. Namely that 'they don't get along.'#Tensions are known! Even here in Nouveau Lotus Pier.#Ah...Lan Wangji never got a chance to see the Lotus Pier of Wei Wuxian's childhood and adolescence...did he?#It's not the same. He's not the same. Call them by the same name and people will know what you mean...#...but the first version - the one with the fond memories - is gone for good.#It's sort of interesting isn't it? How names can hold so much power and still be hollow?#We often get stuck over past versions of things. Be it ourselves or other people or places.#Change is scary but the truth is nothing ever stays the same. It's always moving. You're always moving.#It's okay to mourn the past. Maybe it's people you lost or the person you hoped to be. Let yourself feel the grief.#And then? Then you grow around that pain and keep on going. If you feel like you can't - remember you don't have to do it alone.#A side note: Listening to the tossing flowers extra is so essential for this scene. It's cute and gives us more of [redacted]#What's [redacted]? You'll see in the next comic!
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@orangerosebush's post here, with my comment and @fowlblue's tags today got me thinking.
Artemis Senior has been teaching his son matters of business from a young age. Not only was Artemis, at 11 years old, discussing stocks with his father, but Fowl Senior had been imparting his wisdom onto his son for years by that point, discussing the ever-increasing value of gold with him before tucking him into bed. Even outside of pure monetary value, Sr. had tried to go legitimate with his business dealings, leading Artemis to have a few legal ventures of his own.
We also see very early on in the books that Artemis has been regularly using Butler as a resource for his plots: bouncing ideas off him was apparently a fairly common tactic when he was scheming.
Both Artemis Senior and Butler are interested in (or at least, not opposed to) educating Artemis on the ways of their lifestyle(s). It would be Artemis Senior who would have taught his son the value of banks and safety deposit boxes and hidden safes but it was Butler who was actively working with Artemis to rob those safety deposit boxes.
In the same vein of breaking-and-entering, TLC also gives us the fun little moment where Butler hands Artemis his own lockpicks, to get into the workings of the bomb.
With one line we learn that Artemis knows how to pick locks, but does not have his own set of lockpicks. Butler, on the other hand, has both the tools and knowledge how to use them. Partnered with a brief mention in TTP of some the specific trades of those previously employed by Artemis Senior (including such things as crime lords, insider traders, and cat burglars), we can extrapolate that Artemis Senior would generally hire someone to pick a lock for him, rather than do so himself.
It's pretty logical to conclude then that Artemis learned big-picture management from his father, and day-to-day skillsets from his bodyguard.
Essentially, Artemis Senior taught Artemis how to run a criminal empire. Butler taught Artemis how to be a criminal.
#artemis fowl#artemis senior#domovoi butler#and this doesn't even get into the aliases butler has!#he clearly has a lot of his own but then Artemis ALSO gets some#'what's our cover' 'i thought Stephan Baskir and his uncle Constantin'#Artemis Sr put his own damn name on the boat he was using to get cola to russia#you know damn well *he* didn't encourage Arty to hide his identity#(i'm not getting into the needs of artemis to hide his identity due to being a child and wanting respect afforded an adult in these tags#that's a rant for a different time)#there's such a prevalent theme of a Fowl saying 'i want X' and their Butler saying 'i know a guy'#(like 80% of the time the Butler would be The Guy but there's that other 20% where having extra contacts would be helpful)#we see it when Artemis asks Butler to make certain arrangements for capturing Holly and then again getting the mirrored contacts#we see Butler arranging car rentals or drivers and apparently needing to do so quite frequently#yet in TTP Sr just says he'll casually take a limousine where he needs to go#it's probably such a huge part of the Fowl-Butler dynamic to have someone who can actually perform all the necessary minutiae of daily crim#or at least know how to or know someone who knows how to#aaaaand now i'm thinking of how the Butlers are essentially disposable#sure death is a thing but how many Butlers were imprisoned for the sake of saving their Fowl the same fate#if someone's gotta take the fall for a crime it might as well be the person who'd take a bullet for the other#once you've already agreed to be on the wrong side of the law and accepted that you may give up your life (physically) for someone#what's taking it a step further and agreeing to give up your life (metaphorically) by languishing in jail for 10-80 yrs
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petit-papillion · 10 months
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Charles adding his non-Ferrari-employees emotional support system to the list on his helmet. 🥹😭🥰
Abu Dhabi Grand Prix Media Day | 23 November 2023
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transmascutena · 2 months
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people talk about miki's shirtless touga fantasy from episode 5 somewhat often, but i didn't realize that it's pretty much directly paralleled in episode 36, except with touga thinking about akio and utena, rather than miki thinking about touga and anthy (and kozue by extension). and the parallel makes a lot of sense since the two situations are similar in many ways. miki and touga are both being convinced to duel to possess someone (thinking they are actually protecting them) to make sure they (utena and anthy repsectively) won't "belong" to someone else. and like he does in many other ways during the first arc, touga is playing at akio's role in that scene, only to realize he's a victim of it too towards the end of the show.
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