#the owens witches

[sapphicqueen]

Bitches don't want money, they want the Practical Magic house

[rellenah]

gillian owens ﾟ☆ ⋆˙⟡ ☽

[sugaryewscythe]

"always throw spilled salt over your left shoulder, keep rosemary by your garden gate, plant lavender for luck, and fall in love whenever you can." ⋆˙⟡ ☽

[sailor-aviator]

Together, Transformed Masterlist

Pairing: Tyler Owens x Witch!Reader

Summary: In turn of the century America, long before the Revolutionary War was even a thought in anyone’s mind, a small village was home to a most beloved and respected healer. When jealousy begets feelings of maliciousness, you are accused of witchcraft. Centuries later, you live your life as a normal, everyday girl, but even you have to admit that strange things tend to happen to you sometimes. It all comes to a head when you meet a strange man who seems to know all about you. (Witch!AU)

Series Content Warning: Semi-dark fic, Witchcraft, Demons, Black Magic, Reincarnation, Immortality, Blood, Sacrifices, Evil Spirits, Historical Inaccuracies, Angst, Fluff, Smut. Individual chapters will have their own warnings.

All posts related to this series will be tagged with "Together Transformed" and "TT."

*Denotes smut.

Masterlist

Series;

Coming Soon...

Drabbles;

Nothing to see here yet...

Headcanons;

Nothing to see here yet...

[melanielocke]

Here are some of my favorite books I read this year, divided into three categories because I'm not good at choosing.

[glittter-skeleton]

For the Spies requests, Agent Mega giving Owen puppy dog eyes?

I had two ideas simultaneously so here

*throws these at you*

[queenbitchavery]

happy october

I love witchy movies and witchy clothes and girls doing fun witchy things

[midnight-margaritas-club]

Dearest Gilly Sometimes I fell like there's a hole inside of me, an emptiness that, at times, seems to burn. I think if you lifted my heart to your ear you cold probably hear the ocean. And the moon tonight, there's a circle around it, a sign of trouble not far behind. I have this dream of being whole, of not going to sleep each night wanting. But still, sometimes, when the wind is warm or the crickets sing, I dream of a love that even time will lie down and be still for. I just want someone to love me. I want to be seen. I don't know, maybe I've had my happiness. I don't want to believe it, but... there is no man, Gilly. Only that moon.

Sally's letter

"There are some things I know for certain: Always throw split salt over your left shoulder, keep Rosemary by your Garden gate, plant lavender for luck, and fall in love whenever you can." Alice Hoffman - Practical Magic

[ace7librarian]

The father

The son

The holy spirit

[elsgray]

girls just want the practical magic house🕯️🧚‍♀️🌑

[len-wither]

HE GAVE US A HAPPY ENDING??? WTH???

where is my promised angsty ending mr.smajor???

HUH?? WHERE IS IT??

also congrats on becoming supreme witch bb, slayyyy

also doesn't him practically abandoning the supreme witch position mean that they now need another supreme witch? again? XD

[kitdiefly]

It’s their season🤎

[deenadraws]

Two Practical Magic pieces for a Halloween treat! I love this movie so much, it’s got such great atmosphere and such a beautiful sibling dynamic between Sally and Gilly.

Happy Halloween!!

[cleabellanov]

Music in the Loki series (3)

Lokius

Yes, it's in the title. We've known that for a long time now, but let me make some connections.

First, Mobius is ultimately part of Loki's glorious purpose, the burden he chose to bear, as the famous lines reflect: "Most purpose is more burden than glory" (Mobius) and "For you. For all of us." (Loki)

I brought them up because in the score Glorious Purpose, from season 1, there is a small similarity that I just couldn't get over. If you listen to Lokius from minute 2:22 then go to Glorious purpose at 0:48, the notes are quite similar, with the difference of the instruments - violins for Lokius and cello/viola for Glorious purpose (as I'm guessing). And the latter only uses 4 notes, when the first ascends to a 5th before coming back to the low one. It's just an observation, but it integrates perfectly: Loki's person having a small spot in the Glorious Purpose score of his life.

As for the structure of this track, it starts very slowly, with vibrato / trembling notes at the beginning because, just like the relationship between the characters, it’s not yet stable, it doesn’t have anything to fall back on *yet*.

At 0:33, the singular instruments from the beginning (I like to see them as Loki and Mobius, but separated) start to be accompanied by a harmonic background. Like the 2 of them working together and starting to know more about each other.

From 0:50, the music starts to build up, going from the singular violins to being played by more instruments - like and actual orchestra. And the tempo goes from a Lento to a Moderato (so it’s faster in the middle of the track, it goes back to the initial speed at the end). The sound from the beginning integrates again at 1:13, but this time with background, harmonizing beautifully with it. (it sounds exactly like falling in love with someone you can’t prove me wrong).

Half-steps are also used: notes that are right next to each other and don’t offer a complete, resolving sound, but a more mysterious and maybe dissonant one; that’s why it’s called a half step. A good example that is easy to hear are the descending notes on the violins from 0:53 to 0:56. And it’s a very good choice for this track: it’s for two character that create great chromaticism after all! (think of the white and black keys on a piano: they create half steps too; I like to think about Mobius as the white keys and Loki as the black ones).

And the end (from 2:22), is similar in structure with the beginning - but it’s a few octaves higher (I think) and almost happier, like the relationship between characters once trust is founded (and love too). The last note is held for a few seconds, showing stability, and slowly fades out, leaving the track with a calm, serene ending.

Now some scenes this score plays:

in season 1, episode 4, as Mobius is interrogating Loki about the other variant (Sylvie), visibly not only doing this as an analyst, but for himself too, out of jelaousy. I think it's significant that they chose to play Lokius in that moment, in synchronicity with a display of Mobius's reprised affection and burst out of jelousy

At the freaking McDonalds scene. In season 2, episode 2, 33 minutes and 19 seconds in. Yes, I'm being specific, because it's just soooo ironiccc that the first meeting Loki and Sylvie have in the season has LOKIUS PLAYING IN THE BACKGROUND - the producers couldn't be more straightforward than this; or perhaps biforward, since it's Loki we're talking about

I'm entirely sure about this, but when Loki timeslips back to Kang at the citadel of time too

One last thing is that, even if i searched for it, I couldn't find a major relative to this track - written in G minor. It could be just a coincidence...but what if it's left like that especially because they are separated, and the major theme will play when they reunite? ( it makes perfect sense in my head, but idk about marvel)

2. Purpose is Glorious

I talked about Ascension in the previous part. And it continues here: the soft, pianissimo notes at the end of Ascension finding their stability in this track's intro. Purpose is Glorious is Ascension's relative key: being written in F major as a contrast to D minor. So there's the first sign that although this throne at the end of time is a heavy burden - its also a purpose. And purpose is glorious.

It repeats the same notes over and over again (A - B flat - C - D I think? ) very slowly: Instruments come in the background, but those notes remain the same - it's like, amongst all those timelines, Loki is still looking over the ones that matter the most. Or it could be his heart beat, still longing, still not wanting to be alone, even as the Multiverse plays out at his fingertips.

Halfway through, those 4 notes get quieter and quieter, giving way to the synthezisers ( and other instruments I can't quite name, sorry), until, at last, the notes don't repeat anymore. The ascend, then, finally, change - at 2:13. This is also the part that plays on screen while, between the intertwined timelines of sparkling greens, we see Loki's face as voices echo to him ("Let time pass"). This part is like the outburst, the bittersweet ending of the tragedy: the world lives, but the hero can't live with it.

And the end of this track also feels like a cliffhanger, like there could be more. The flicker of sound at the very end, barely audible, feels like magic that waits to be discovered. I guess we'll see whether that's true.

Aaand thanks for reading! This is what happens when two interests collide

If you have any additions feel free to share or kindly correct me if I'm wrong with anything.

Kindly, your friendly neighborhood marvel stan and music enthusiast ;)

[convexicalcrow]

the skulk cub hyperfixation is so bad i spent the past three days teaching myself davinci resolve so i could bring this vision to life you're welcome

song: if eternity should fail - iron maiden clips/audio taken from: shubble - new life ep 4 cub - hc9 eps 23, 43, 46, 47, 48, 109, 110 thunder sfx from pixabay

[2not0in0love7]

Seen this angel?