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#the place of dead roads
quotespile · 2 years
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We have observed that most of the trouble in the world has been caused by ten to twenty percent of folks who can't mind their own business, because they have no business of their own to mind, any more than a smallpox virus.
William S. Burroughs, The Place of Dead Roads
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ladyvelkor · 2 months
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The Place of Dead Roads - William S Burroughs
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teledyn · 2 months
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“But just wait until your thinking is basically different from the thinking of a boss or a teacher. You will find out that you aren't supposed to think. Life is an entanglement of lies to hide its basic mechanisms.”
-- William S. Burroughs, The Place of Dead Roads
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nem0c · 2 years
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Kim recruits a band of flamboyant and picturesque outlaws, called the Wild Fruits. There is the Crying Gun, who breaks into tears at the sight of his opponent. “What’s the matter, somebody take your lollipop?” “Oh señor, I am sorry for you.…” And the Priest, who goes into a gunfight giving his adversaries the last rites. And the Blind Gun, who zeroes in with bat squeaks. And the famous Shittin’ Sheriff, turned outlaw. At the sight of his opponent he turns green with fear and sometimes loses control of his bowels. Well, there’s an old adage in show biz: the worse the stage fright, the better the performance.
Kim trains his men to identify themselves with death. He takes some rookie guns out to a dead horse rotting in the sun, eviscerated by vultures. Kim points to the horse, steaming there in the noonday heat. “All right, roll in it.” “WHAT?” “Roll in it like dogs of war. Get the stink of death into your chaps and your boots and your guns and your hair.”
Most of us puked at first, but we got used to it, and vultures followed us around hopefully. We always ride into town with the wind behind us, a wheeling cloud of vultures overhead, beaks snapping. The townspeople gag and retch: “My God, what’s that stink?” ”It’s the stink of death, citizens.”
William S. Burroughs, The Place of Dead Roads
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strixessabre · 2 years
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Most certainly a wild one out there. Also a bit of a mood.
( Strixes’ Sabre )
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lionfloss · 2 years
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by Brendon Burton
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buglaur · 9 months
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sirazaroff · 7 months
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How do you think velvet is handleing everything in vacco right now
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She’s having a great time 🥰
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apricotopera · 5 months
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there’s an interesting trend in kh of worlds and the way they change mirroring characters and the way they change that i really love - destiny islands which tends to be in and out of danger depending on how sora, riku, and kairi are doing, hollow bastion’s revival happening as riku gets away from ansem’s influence and starts slowly doing better, castle oblivion being a blank slate until aqua comes home (which there’s a mechanical reason for, sure, but the land of departure returning alongside the wayfinder trio also has a real thematic resonance), aquas exploration of the castle of dreams in 0.2 mirroring her view of the things that just happened to her, daybreak town not destroyed when its group is scattered but instead becoming the invisible scaffolding that the future is built on…etc etc! there’s a lot of cool examples of this! and the thing i’ve been thinking of all morning is that it makes the vision of scala in kh3 kind of devastatingly sad.
it’s…unclear at best if the scala we visit in kh3 is the real city, or some sort of dream or memory projection from xehanort (being literally inside the generally-not-well-understood kingdom hearts makes it a bit complicated) but it’s so strikingly empty and quiet. again this is partially mechanical - it’s a boss arena - but still. all the little details of life in the environment design, the little market you visit in remind, the chairs and cafes and posters make it feel lived in, but there’s no one there. it’s just xehanort. this final, terrible reflection of his childhood home, preserved perfectly, and he is the solitary person in it. it’s so fucking sad!
i think the end of kh3 does a decent job of humanizing xehanort even before we know him in dark road and even while he’s at his most villainous, and i think scala is a big part of that. like that intro cutscene of him just walking slowly through the streets…..gah. peepaw :(
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industrialstate · 7 months
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north york moors 08/2023
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ebbpettier · 1 year
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reasons why you like wayward son, wrong answers only
personally, i just like really long car rides
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deer-with-a-stick · 9 months
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The more time I spend explaining Tolkien lore to my brother the more I realize that Tolkien was just batshit insane
#yes the world is flat and a globe at the same time#and yes if you go off the edge you fall into the void with Satan 1.0 (assuming the Straight Road doesn't just railroad you)#he calls Valinor “The place under some trees where everyone smokes weed” and honestly I wish they would do that instead#bilbo and frodo bring weed to valinor quick#i tried to explain the miriel-finwe situation and he's so confused#“so they died and they were all sad even though they didn't have to stay dead?? but she couldn't come back because he remarried??”#“but then he dies and says 'yo ill stay dead instead' and she's find now??”#does the big God just keep making elf and human souls or do they just. appear#i told him about Gil-Galad Son of Plothole#he is quickly realizing that yes#the valar are a bit incompetent#its fine#elrond's dad is a star his mom is a bird and his great great grandma is an angel#my sister gave up two seconds in despite sparking this by asking me about elf lore#apparently she actually just wants to know about legolas but not legolas' father because of the hobbit movies#let me rant about feanorian politics it'll be interesting i promise#shut up about your elf backflips you wanna hear about nirnaeth arnoediad and the kinslayings#tolkien#lotr#lord of the rings#silmarillion#the silm#is this a shitpost? idk#he's batshit insane but the world is great i love it#we still don't know where hobbits come from#they appeared one day#like potatoes#i had one tidbit of legolas lore and that was#the guy showed up several years late in a homemade boat with a dwarf#incomprehensible screaming
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ehlnofay · 6 months
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It’s not until she hears Sissel’s knees hit the floor that Efri is jolted back into her body.
She blinks, whipping her head around. Sissel is kneeling, bracing a palm on the ancient stone pavement, at the barrier – no, the barrier’s gone, it’s just Sissel on the floor. She lifts her head and meets Efri’s eyes; her hair is wispy and wild, the little plaits meant to keep it neat come loose and tumbling, her eyes wide. The barrier's gone, but still, her pale face is lit up blue.
“Are you okay?” she asks. She doesn’t speak loudly, but it echoes in the great stone chamber.
Nine, Efri doesn’t know.
She blinks again, looks down at her hands, clinging to the metal stick so fiercely that her joints ache. (Her own stick, her nice wooden one, is still on the floor somewhere, where it slipped out of her grasp when she hit the wall.) The lumpy heavy end of it, the clobbering end, is still resting on –
Not on. It’s in the thing’s head, fitted neatly in the opening of its dented helmet, the horns spiralling over the floor. There’s a tooth, perfectly preserved, by Efri’s foot.
One by one, she unwraps her gloved fingers from the handle of the metal stick, letting it drop to the floor with a clang so loud it makes her wince. Kazari is nosing at her side. (When did they let go of it? When did they get so close? She must have missed that. She feels out of the loop. Her heart is juddering like fish on a line, battering like some frightened trapped thing at her ribcage, and her breath is coming fast and heavy.) Absentmindedly bringing up a hand to press over her sore shoulder, she says, “’M fine. Not too – barely touched me.”
Kazari turns and spits on the floor. Efri blinks. She does it again, tongue lolling out of her mouth, face very disgruntled – and oh, Efri gets it. She does not glance down at the thing at her feet; she doesn’t need to, she knows what its arm looks like, chewed almost to pieces even through its banded armour. (If she hadn’t been so busy being scared of it, that sight might have made her a bit scared of Kazari. But not now, when they’re trying to hack and spit the taste of dead man arm out of their mouth.)
Efri unclips her canteen from her belt and holds it out. “Here,” she says. Her voice is rough. Her heart is racing too much to let constructing sentences be easy. “Not much, but –”
Kazari stands still while Efri tips half of the remaining water onto her tongue, and then Efri watches her swilling it around in her mouth, trying to bathe all of her teeth in it, before she spits it again on the floor at the dead thing’s feet.
The water is still clear. That’s something, at least; the dead man was too old to still have blood in him. Or maybe he was embalmed, drained of it hundreds of years ago, thousands.
“Are you okay?” Efri asks Kazari when they’re done, because they were the one doing most of the fighting, who was closest. They tip their head, shift their weight – wince when they put weight on one foot. Their lips peel back from their teeth. Their clothes on that side are singed.
Efri points it out. “Your robe,” she says, which makes it sound much fancier than it is. She’s too tired to think of a better word. She rubs a hand over her face, pushing the hair back over her forehead, says, “I’ll reinforce it for you when we get out.”
Kazari noses at Efri’s shoulder – the shredded fabric of her dress, the fraying edges stained with blood. Efri says, “I know. I’ll have to sew that up too.” Over her shoulder, she calls, “Kazari’s leg’s hurt, I think.”
“There’s blood on you,” Sissel replies. She peels her hand off the floor and leans back on her heels.
Efri touches her shoulder again. “’S fine,” she says. “Just a scrape. The blood’s drying already.”
It’s really sore, actually – the flesh abraded and tender, an ache sinking deep into the muscle – but it’s normal sore, the kind of sore you really should be after being thrown into a wall. It doesn’t feel sprained or dislocated or anything like that.  Just like it will be bruised a whole rainbow of colours come tomorrow.
Kazari noses at it again. She leans too far forward and falters on her maybe-hurt leg – rights herself, wincing, and rolls her shoulder. It gleams, just for a moment, and she nearly stumbles again. Efri puts out a hand to steady her. (It doesn’t really accomplish anything – Efri’s strong, but she’s not that strong – but it’s the principle of it.) “What was that spell?”
“Pain relief,” Sissel says from behind her. “I think. Doesn’t actually fix anything, but.”
“You’ll be okay ‘til we find someone?” Efri asks, and Kazari nods. She presses a hand against their shoulder and nods back.
They both turn to look at Sissel, then, who’s just kneeling on the floor, sitting on her heels.
“You all right?” Efri asks her.
“All right,” Sissel confirms. She doesn’t look at them. “Didn’t even come near me.”
She’s staring.
Efri crosses the floor to stand with her. (She needs to lean on Kazari – her legs are too wobbly, and she doesn’t want to touch the dead thing’s stick, doesn’t want to look for her own. Kazari limps a little on their sore front leg.) There’s a moment of total, humming silence – all of them still and staring, necks craned back, looking up at the thing.
Whatever it is.
It’s a ball. Big and blue and shimmering, it floats above a wide crystalline dish set into the floor, spinning on an axis. Just spinning and spinning and spinning, endless motion. Its smooth surface is cut through with dark wavering lines, etched with lettering, and it doesn’t quite glow but it doesn’t not glow, either, the light moving across it silkily, like clouds in a blue sky. It looks like something that should be humming – a low pitch in their ears, an eerie shiver dancing over their skin – but it’s silent. Inert, maybe, but for the spinning.
“What is it?” Efri asks. Her voice cracks as she speaks. She looks down at Sissel’s face, staring as though mesmerised, illuminated by the room’s dim lighting – the fires that should not still be burning down here, the luminous not-glow of the ball.
Sissel says, “I don’t know. Something important.”
Hovering above the dish, it spins, and spins, and spins.
“Is it what the ghost was talking about?” Efri asks. She tilts her head and squints at it. It doesn’t – well, it looks strange and unearthly and powerful, but it isn’t doing anything. And it hadn’t been clear what the ghost was talking about, exactly, according to Sissel, just that it was something important – but what else could it be?
Sissel, still watching it, shrugs. “I don’t know,” she says. “I think so.”
Efri watches it with her, brushing a bit more hair out of her face. It’s sticking to her sweaty forehead. She feels a drip of not-dry blood running down her arm under her sleeve.
Kazari is staring at it too – just as confounded as the rest of them. Efri sees the light in their irises shifting as the ball spins.
They’re not learning anything from staring, the ball staying strange and mysterious as ever, so Efri raps her knuckles against her sternum to steady her breathing (it’s slowed a bit – not normal, but closer to it) and climbs up onto the stone rimming of the dish. Kazari, behind her, lows in consternation; Sissel catches her breath, a noise like a creaking door. “Careful,” she says.
“Promise,” Efri replies, and places her feet very, very carefully on the glassy blue flooring. Nothing happens. She doesn’t step on the dark curved lines as she treads toward the ball in the centre, slow and wary as if she were approaching a skittish animal. Nothing happens.
She reaches out, and, with just the tips of her fingers, she grazes the ball’s surface.
Nothing happens.
It’s cool to the touch, and smooth, like polished metal or not-frozen ice or delicate glasswork. It continues to spin gently under her fingers, warming her glove with friction, no smudges left on its clouded face.
 It really feels like there should at least be a tingle running up her arm, a strange and unfamiliar current, a spark. But it’s just Efri, standing with an arm outstretched, pressing her hand to a ball.
“It’s not doing anything,” she reports, and Sissel clambers up onto the dish with her, fitting her palm to its gently hovering underside. Kazari balks, begins pacing agitatedly. Efri frowns. “Why isn’t it doing anything? Shouldn’t it be doing something?”
“It’s important,” Sissel says definitively. There’s ancient dust on her fingers, but none of it seems to transfer. “It’s something really special, I think.”
Efri shifts restlessly. She shifts her grip and tries to grab onto the dark ridged curves ringing its surface, but they slip easily away from her grasp as though her touch was no barrier at all. “But what does it do?”
Sissel shrugs.
Behind them, Kazari lows.
Efri drops her hand and grabs Sissel’s wrist. “C’mon,” she says, and when Sissel frowns at her, “We’re not going to learn anything about it this way. We have to look for clues!”
Kazari makes a more impatient noise. (Efri thinks she found a clue.)
Sissel gives the ball one last searching look and lets Efri tug her away, off the weird blue dish and down to where Kazari stands on the stone floor, at the head of the table where the dead man sat. Efri sniffs loudly and tries not to think about it too much. The table is smooth polished stone, worn a little away with time; Efri trails a gloved finger over the edge and directs her attention to where Kazari points with their chin.
There’s something carved into the surface, the edges blunted and shapes softened by however many years it must have been since it was put there. Efri squints, trying to make it out. She has to stand right up on her tiptoes to get the right angle to see much of it in full.
“That’s not letters,” she says eventually, frowning. She’s pretty sure she knows her alphabet well enough by now to know that. “Is it magic?”
Sissel shakes her head. “I don’t know what it is. It’s not like magical writing I’ve ever seen.”
Efri looks at Kazari, who also shakes her head. “Maybe it’s a different sort of lettering,” she theorises. It must have been written a long time ago, if it’s from back when the city had people. Onmund’s been reading all about it for ages, and he’s told her a bit – Saarthal was the city of Atmorans, populated by proto-Nordic people. All complicated history stuff. But they weren’t quite the same as Nords today, he said, so it stands to reason they had different writing, too. They’re supposed to be uncovering and cataloguing artifacts (at the thought, Efri glances back at the hovering ball and swallows an inane bubble of laughter) so she suggests, “Maybe you can copy it and we can show it to someone. I’m sure there’ll be someone at the College what knows what it is.”
Sissel, also standing on her toes, nods dutifully. “What will you do?”
The chamber they’re in is cavernous, and about empty but for the ball in the dish, the altar and chair, the body on the ground. “I’ll check him,” she says, and points. “See if he has anything on him that’s special.”
Sissel follows her finger and grimaces.
She digs out her note-paper and her stick of char, and Efri assumes it’s clues time, but when she turns she feels a hand grip her elbow. She looks back over her tattered shoulder at Sissel’s face, her furrowed brow.
“Promise you’re really okay?” she says, voice anxious and solemn.
“Promise,” Efri says, twisting her arm to touch her friend’s hand. Sissel presses her lips together and lets go of her arm.
Kazari trails after Efri to look at the dead man.
First thing is the metal stick. It’s magic someway, Efri knows – he waved it and threw her into a wall, flung spells with it – but she’s not sure how. Doesn’t know enough about enchantments. Didn’t need to, to use it; when Kazari clamped down on his arm she just ripped it from his grasp and –
She doesn’t quite exactly remember, actually, except for the bitter tang of adrenaline in her mouth and nose, the horrible grunting and scuffling sounds, the heft of the stick in her hands. Impact, over and over and over, against something that had a little more give each time.
Efri scrubs a hand over her mouth and grips the handle of the stick. It takes effort to wrest it out of the thing’s face, caught as it is by the edges of the helmet, and when it’s finally yanked free it’s – actually not as bad as she might have expected. There’s no blood, and the corpse was so desiccated it already didn’t even really look like a person anymore, so it registers less as someone with horrible violence done to it and more as a really gross art piece. It’s not nice. She doesn’t like the twisted, gaping mouth, teeth embedded wrong-ways in its tissue and scattered like coins over the floor. And one of the eyes, which had glowed unearthly blue, is now a dull, rotten black, squished like a plum in its socket.
It's worse the more she looks. She sniffs and turns away.
“This is magic, right?” she asks Kazari, testing the weight of it in her hands, the cool surface of the metal, and they nod. “A good artifact?” she adds, and they nod again, emphatically. Efri sets the stick aside and kneels.
It wasn’t wearing any clothes, really – or if it was, they rotted away. She touches the rusted armour gingerly, tries to avoid brushing her gloves against the shrivelled skin at all. Whoever it was had expensive taste, it seems – there’s jewellery in a shockingly well-preserved beard, pendants around the neck, armbands. Efri asks Kazari if each thing is enchanted. No to the armbands, no to the beard-ring, and then, pressed against the wizened chest where the flesh contours to the ribs, she finds some kind of necklace, sharp-edged and thrumming. Kazari nods to that, and, face scrunched up like an old fruit, Efri reaches around the ancient neck to slip it off.
She tucks it into a belt pocket with the tripwire necklace they found at the weird wall.
“Done,” Sissel says. She folds her paper and slips it into her own pouch. Her footfalls on the echo-y stone floor as she approaches the body for the first time are almost silent. “Did you find anything?”
“Necklace,” Efri replies, watching Sissel’s face pinch at the sight of him. “And – stick.” She scoops up the metal stick and holds it out. “He did spells with it.”
Sissel looks at it warily. “Is he a draugr?” she asks, glancing back down at his mashed-up face.
“I mean,” Efri says, “he’s got to be, right?” She’s certainly never seen a draugr before, but what else could it be?
(Calling it a draugr makes her shiver, the set of her shoulders quaking. She’ll stick to dead man.)
Sissel shudders. She reaches out to grip the handle of the stick, and Efri’s not sure if she’s taking it or just trying to keep herself upright. “I can’t believe that happened,” she says. Her voice sounds, suddenly, fragile. “I can’t believe we’re alive.”
“Me neither,” Efri says. She presses the tip of the stick into the ground so Sissel can lean on it, stands a little unsteadily.
Kazari, with a hushed murmur, telegraphs something. Efri recognises the head incline of understanding – she’s familiar with that word, that idea – and, after a moment, the flickering ear of doubt.
“They’ll have to believe us,” she says with conviction, because she means it. “We’ll show them. They’ll see for themselves.”
Kazari presses their nose to her head.
Efri clasps her hands together. “We’ll go tell someone now,” she declares – though it’s easier said than done; they were lost in the ruins ages before they even found the crumbling wall, the halls, this horrible wonderful chamber. But they’ll get un-lost eventually. They’ll get out eventually. Surely. They have practice enough with walking. “But first – help me find my stick.”
#little girl has a kill count now!! more at 11#for context: I altered stuff leading up to the discovery of the eye#efri and sissel went off to play in the undiscovered halls of this ancient archeological dig site#on the grounds that efri has a great sense of navigation and they'll find their way back to the group no problem.#(efri has a great sense of navigation in the wilderness.)#(introduce her to a series of roads and buildings and she is lost in the sauce.)#their friends split up to look for them after they've been missing from a while (wandering around with great interest and no sense of place#(incredibly lost)#kazari happens upon them right as they've found a necklace at the end of a dead-end passageway that - when dutifully grabbed#for archeological research purposes - ended up triggering the wall to crumble or disappear or otherwise remove itself from the equation#and efri wasn't going to just. LEAVE that opening there.#come ONN kazari that's weird!! we can't just leave it!! what if it closes up and we never ever find it again and there's incredible secrets#that the college never finds! what if we never know what's through there!#we HAVE to know what's through there!#so on they go.#and so ensue the horrors#they pass a lot of dead bodies before the main all but those ones are all immobile#also sissel is the only one to receive the psijic projection warning. which she explains to the others as a ghost telling her secrets#which efri accepts bc this seems like the kind of place that would for sure have ghosts#and kazari goes sure that tracks this place is fucking creepy can we leave now (<- is also curious but HAS to put on a show of reluctance#because clearly no-one else is going to)#(permanent babysitter of kids with the worst self-preservation instincts imaginable)#(she is so strong. living every childcare worker's nightmare)#ANYWAY#:D#normal type stuff#posting because it matches the artwork I'm also posting! look at that thing!!!#fay writes#oc tag#efri
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spacedlexi · 1 year
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sooo glad we live in the universe where twdgs4 was rewritten to be about saving the school instead of the original lis2-esque on the road each-episode-is-a-new-location plot. really dodged a bullet there
dont know if it was due to the cuts and collapsing work environment (no budget for all the assets needed) or what but the school plot is just like the perfect setting for her to end her story. and we really almost got a plot about her.... just trying to make it back to her original house? oof
#my biggest problem with lis2 is that being on the road made a lot of your choices essentially meaningless#like wheres the threat of consequence when you know youll be gone by the next episode anyway?#the kids were originally gonna kick them out permanently.......Nightmare Scenario#the plot of her trying to get back 'home' is so silly honestly like its Just nostalgia/fan bait. convince me otherwise you cant#it makes no sense....she lived right outside a major city... that place is Not safe anymore#it wasnt even safe when she left it 8 years ago girl why would you go back#her finding a place to MAKE a new home and having to fight for it? with a community of her peers who love and respect her? so much better#shes a community leader now :) of a bunch of kids living secretly in the woods just trying to make a safe home for themselves#in a hostile world that wants them dead#love that for her#shes been managing adults since she was 11 and even before that tried to be a voice of reason. at 8 years old. community leader makes sense#s4 is just so narratively sound to me for clems character that i cant believe there was ever any other direction they wanted to go in#every time im thinking about how good s4 is i remember what it almost was......... and i am so grateful we got what we did#not only do we live in the universe where s4 is about the school but we Also live in the universe where s4 was un-cancelled :) yay#shit makes me so happy man. i remember clem is living happily at ericsons and my day is Immediately improved#these little fictional bitches in my head giving me free serotonin on command#it speaks#twdg
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nem0c · 2 years
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Kim procured some sacred mushrooms from his Indian lover, which he brewed in a clay pot and crooned over it and spit in it and just before sunset we all take the potion and Kim’s spirit guide leads us to a room we had never seen before huge house anyhoo and we find trunks full of female clothes so we dress up and camp around Kim calls himself the Green Nun, and Tom does the Pious Señora, and Boy is the blushing Señorita. The Green Nun rummages around and finds a brace of double-barreled twenty-gauge shotgun pistols perfectly balanced with rubber grips and her loads it with number-four shot.
And a belt with holsters, the guns slide out smooth as silk, the whole equipage hide under his nun cape. Boy, who has been vulture shooting with Tío Mate, opts for the 44 Smith and Wesson, and Tom has a weird Webley semiautomatic revolver, with a shield over the cylinder to protect his hand from sparks and a hand grip that folds down from the barrel...
“Brujería…” (Witchcraft …) “Y maricones....”
Twelve of those lousy macho shits died in the shoot-out. We lost one boy—a sad quiet kid named Joe had got himself up as a whore in a purple dress slit down the sides. Had his gun in a shoulder holster and it caught in his strap-on tits. Hit five times.
William S. Burroughs, The Place of Dead Roads
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akkivee · 1 month
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For the next BAT audio drama I kinda hope they put Kuukou through the horrors, I love Kuukou and all but I want to know what the absolute fuck is his problem. I really hope we get to finally find out what happened to Mama Harai. What I think happened to Mama Harai is something involving the ocean, I always found it ironic that Kuukou dislikes the ocean considering where he lives so I thought maybe that has to do with Mama Harai not being around.
all i want is for kuukou to have fun and live life but yeah, we have reached the point where it’ll be straight bizarre if we don’t get his backstory lol. kuukou enjoying nature to the point he takes solace in it but dislikes the ocean is soooo telling
and so i hope it’s mama harai too lol!!!!! whether the drama is she gave kuukou a reason to hate the ocean, or is the reason he hates smoking and alcohol, or is the reason he naturally turns to self sacrifice, or all of the above!!!!! i would like to know lol!!!!!
#vee got an ask#i saw a post that mentioned hypmic likes to make their very obvious soulmates the same age#with rosasa and dohifu being quite literally in your face lol and you look at them with their similar goals and experiences#and turn to ichiro and kuukou who are also the same age and have been called soulmates in the stage and it makes you wonder lol#we just found out mama yamada is still alive and is likely going to be a source of conflict in some capacity for ichiro down the road#with rosasa dual dealing with rei shit and dohifu dual dealing with honobono#it makes me wonder if ichikuu will be dual dealing with mommy drama lol#idk whether to assume she’s alive and left kuukou or she’s dead#and that’s mostly bc nemu is also 19 and her mother died by su*cide after protecting her kids#which is something i’ve been wondering about kuukou’s self sacrifice as a skewed version of su*cide this is a whole thought process lmao#but ichiro being shaken by sacrifice likely bc of his mom and kuukou very willing to stake his life on the line may also stem from his mom#and that tells me she’s probably not alive#which would make sense since the most pivotal people in bat’s lives are also not alive lol 😭😭😭#like big fear for me is that she couldn’t stand temple life and drowned herself in the ocean#and kuukou with his uncanny ability to be in the right place watched it happen unable to save her and almost died himself trying#i have questions lol!!!!!! it’d be nice if i finally got SOME answers!!!!!!!!!!!
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