#the s1 pops are supreme

[ennas-aesthetic]

What the fuck is Jesus up to in Good Omens season 3?

This is a question I've been thinking long and hard these past couple of days and I have some THOUGHTS SO. Buckle up.

Aziraphale and Crowley watching the Crucifixion (Good Omens, 2019)

First off. The answer to the question posited is relatively simple. What is Jesus up to in GO3? With s2's ending in mind and with the hints we've gotten for 668: Neighbor of the Beast over the years, we know he's descending to Earth to initiate the Second Coming. And that Aziraphale would probably make that happen - or do everything that he can as Supreme Archangel to sabotage it.

But I wanted to examine on how Jesus might fit into Good Omens' overall narratives and established themes - about morality and humanism and free will, and. I'm just saying, there are A LOT of fascinating routes they could do for his character.

(Disclaimer as usual: this is a theory that I obsessed over when I was stuck at the cemetery during All Souls' Day and must be treated as such. In no way am I insisting this should be how canon events must happen. I am just doing this for the funsies.)

The THING about Jesus if you situate him in the world of Good Omens (with the assumption that most of the pop culture Christology mythos associated with him remain intact) is that in this context he very quickly becomes: 1. Adam Young's narrative foil; and 2. an Aziraphale parallel.

Now, the first one is obvious. Of COURSE he is Adam Young's foil, duh. Adam isn't called the ANTICHRIST for nothing. Brought into the world just for the sole purpose of ending it. However, when the time comes for him to fulfill the Will of his Satanic Father, Adam flat out REFUSES.

Both the book and the show attribute this to Adam's human upbringing. He was raised as a human, and because of that he has the trait that the book uses to DEFINE human beings: free will. At the end, Adam had the AGENCY to reject the destiny planned out for him.

'Adam stood smiling at the two of them, a small figure perfectly poised exactly between Heaven and Hell.

Crowley grabbed Aziraphale's arm. "You know what happened?" he hissed excitedly. "He was left alone! He grew up human! He's not Evil Incarnate or Good Incarnate, he's just… a human incarnate—"'

- (Good Omens, 1990)

That is NOT what happened to Jesus.

Adam Bond as Jesus in Good Omens (2019)

Like Adam, he was raised as a human -- being a human incarnate was his WHOLE DEAL in Christology. In the beginning was the Word, and the Word was made flesh and dwelt among us... yada yada yada.

UNLIKE, Adam, though, Jesus wasn't able to REJECT his Destiny of Dying Really Horribly and Painfully on the Cross. Narratives in the Bible also made it clear that the Crucifixion was NOT his Will, but that of God's. Like... him begging to be spared from torment but ultimately following God's Will is such an important event entire devotional practices are made out of it.

"39 And he went a little farther, and fell on his face, and prayed, saying, O my Father, if it be possible, let this cup pass from me: nevertheless not as I will, but as thou wilt."

- (Matthew 26: 39, KJV)

We get a glimpse of that in s1ep3 of Good Omens, too:

"JESUS

(muttering through the pain)

Father, please . . . you have to forgive them . . . they don’t know what they are doing . . .

Crowley, in black, comes up next to Aziraphale.

CROWLEY

You’ve come to smirk at the poor bugger, have you?

AZIRAPHALE

Smirk? Me?

CROWLEY

Well, your lot put him on there.

AZIRAPHALE

I am not consulted on policy decisions, Crawley."

- (The Quite Nice and Fairly Accurate Good Omens Script Book, 2018)

SO. Here we have the character of the Christ whose free will and agency had been STRIPPED from him in the guise of a "noble sacrifice." He comes back again on this Earth to fulfill another "inescapable destiny."

Aziraphale and Crowley need to stop him. The solution the Good Omens narrative offers to "inescapable destinies and systems" (both in s1 and s2) is for the character to realize they have the freedom to choose their own fates. It happened with Adam, and it happened with Gabriel, and perhaps it will happen to Jesus.

(At this point my sister frowned and said: "Are you telling me you think Aziraphale and Crowley are going to help Jesus realize he has agency and that him Dying on the Cross for the 'Great Plan' was kinda fucked up actually?" which sounds crazy when you put it like that BUT NEVER SAY NEVER BABIE.)

Because that brings me to my second point: if this all happens, Jesus becomes an AZIRAPHALE parallel.

In the same way Anathema is an Aziraphale parallel and Sergeant Shadwell is an Aziraphale parallel. Here is a character stuck in a suffocating status quo. To save the world, he needs to know he can escape that status quo and decide for himself. In the same way Anathema has to learn how to stop being a descendant or Shadwell to stop being a Witchfinder, or Gabriel to stop being an Archangel, and Adam to stop being an Antichrist, perhaps Jesus has to learn he can stop being... Well, the Christ, as well.

And this, of course, supplements Aziraphale's journey of letting go of the idea of being an idealized vessel of God, so he could finally enjoy the freedom of personhood and choice on Earth, with Crowley.

Or they could turn Jesus into a cackling villain who Aziraphale and Crowley need to kill in season 3, and I'd probably eat that up, too.

[ladyamaranta]

where the heck is Raphael

I assume we all agree that the narrative is strongly implying that Crowley was but a common angel (the 25 lazarii miracle, the high rank clearance, what he says to Gabriel about knowing how it feels, how he does not tell Aziraphale his name when they first meet during the galaxy creation scene, the fact he knows The Metatron -an angry and flame surrounded versione of The Metatron, Saraqael having worked side by side with him, and also maybe some too powerful miracles here and there like in S1 when he was able to froze time for himself, Aziraphale and Adam in a sort of Heavenly space in the middle of a Very Important Moment) ...so the point is which not common angel was he.

From my very personal point of view the main thing in favor of him being Lucifer is that I would love that sentence in S1 to be the opposite of what we thought it to be. I'm referrinf to: "I was just minding my business one day and then, oh lookie here, it's Lucifer and the guys"; the last part would therefore be not something Crowley said, but something that was addressed to him. Someone came there, took a look at him and went "ohh, it's Lucifer and the guys" and started to complaing about the food. I appreciate this kind of 'irrelevant subversion' of how you first pictured a told (and not yet shown) scene in your mind. Also it would be fun for Lucifer to be, in this universe, not the mind behind the rebellion but someone who was just minding his business and someone else saw as the right person to go to to give further resonance to some minor issues about the food.

But.

But from the same very personal point of view, I'd love for Crowley to be Raphael because I would love for the Great Raphael to be a fallen angel in this retelling of christian mythology. Lucifer is THE fallen angel, everyone knows he was the first to cast down the pearly gates; most christians associate him with Satan, call him the first sinner, consider him inherently baaad.

But Raphael? One of the greatest angels? One of the saints? To be one of the fallen?

Just. Lovely.

Also I recognize the story has an important hole here:

Where the heck is Raphael?

At least Lucifer was mentioned, also Hell has so far not had the same amount of screentime as Heaven has, so I don't see the absence of Lucifer (given that in this universe Satan≠Lucifer) as deliberate as the absense of Raphael.

Everyone is familiar with Gabriel, Michael and Raphael as they are familiar with Lucifer. Yet Raphael is never shown nor mentioned.

Everyone is familiar with Gabriel, Michael and Raphael, almost no one is familiar with Uriel and Saraqael and no one is familiar with hecking Sandalphon. Yet they chose not to use the famous trio Gabriel-Michael-Raphael to straightforward let the audience know 'this is Heaven's Small Council'. No, they get rid of Raphael like he was a barely known angel, like he was an angel no one knows the name of before reading about angeology, like he was a Sandalphon.

Listen, this is deliberate.

The absence of Raphael is deliberate.

And I would love for him to be the 'angel who fell because he was asking too many questions'.

I would love for him to be the powerful Supreme Archangel that was just minding his business when Lucifer and the boys reached out to.

May I add.

...even if Crowley is not Raphael, I'm sure Raphael would pop up somewhere else, because the narrative has strongly pointed in the direction of a fallen Great One.

I refuse to believe The Metraton said

"For one Prince of Heaven to be cast into the outer darkness makes a good story. For it to happen twice makes it look like there is some sort of institutional problem." about some hecking Sandalphon.

--

Little addition because I have never seen this Very Valid Point mentioned:

Crowley gives away a lot of younger sibling energy when interacting with Gabriel and Middle Child Michael 😌

[vestaclinicpod]

Audio Drama Sunday - 28th January ✨

Hours of data collection 😤👎 Hours of data collection with audio drama 🤭🫶

👻 @tellnotalespod (S2E2) If I had a ghost in my life, I’d want what Gemma and Micah have 🥺 I really hate this back and forth between Leo and Frank! HEY! Frank! That’s ~my~ Leo to be fond of, not yours! I’m so excited to catch up with Julia and Riley next week! 

🦀 @thesiltverses (38) Oh my god, what an incredible episode! The exploration of a dementia-like process as being stalked by a god of death - PLEASE. The sound design was fantastic, I felt like I could really see the surroundings - the encroaching woods, the smudged prayer marks on the floor, the murky silt of the river - it was a beautiful experience. And I wish I could show you my face when I heard that Faulkner had got his testosterone from the CHURCH. NO! No no no. The manipulation! Show me a character in this show that isn’t so supremely messed up!! I want to help them all 😭

🧳 Travelling Light by @monstrousproductions (10) Another lovely instalment from my favourite wholesome sci-fi show. I couldn’t agree more with the description of home-sickness, you truly can’t predict what will set off the pangs for home! 

🏛 @the-mistholme-museum (INEVITABLE) I have been hanging off the edge of my seat waiting to find out what would happen with the Beast. I love Not Eagle popping up as a contradictory voice and ATG’s completely cool, calm and collected response to it. I’m so unsure about the HoRestoration taking the Beast in . . . I used to trust her but after these cards . . . I’m less sure. 

🌨️ @thewhitevault (6) I feel like I need to listen to this episode again to really let that Family timeline stick in my mind. Everything seems to be ramping up in Goshawk, and I suspected that there might be a few more unexpected, unwelcome guests soon! 

❤️‍🔥 The Love Talker (7) This episode took us back in time to fill in some of the blanks regarding the main characters’ pasts. It’s very interesting to see how different Ren’s ability seems from the outside - it makes you wonder how it’s taken her so long to realise that the affect she has on people isn’t ‘normal’?? Is she a victim or a monster? I suspect it's gonna be both. 

🏢 @somewhereohio (S2E7) Ooooh!! I was wondering when we’d get the answer regarding why Jasmine/Olivia was seen in that truck in Scarlet’s memory in S1!!! I feel like I need to go back and listen to their first encounter again to see if there’s any glimmer of a sign that Scarlet remembered her! The way Orange describes his variance sounds like a bit of a curse - but I have faith that he can do some good with it before the end of the season!! 

🍾 I finished S2 of @ameliapodcast and it was so much fun! I loved the reveal that Amelia is a real, living person with an active role in the Project and I love that it’s Julia Morizawa! 

🌫️ @souloperatorpod (2) I’ll be honest, I don’t really have a solid grasp on what’s happening here yet but the writing is very compelling, and I adore the music! I’m looking forward for the fog to lift a little! 

♦️The Grotto (4) I went into this episode forewarned but definitely not forearmed… goddamn. Can I have a new episode soon, please? 

🖥️ The Magnus Protocol (3) .jmj error HM? REALLY. I really am hoping that this will end with our TMA faves hopping out of the computers but I would also be satisfied with an explanation that whatever this thing is has listened to them read so many statements that it’s taken their voices, if nothing else… Also, I love Colin - it’s so rare that a piece of media gives us a character who is sooo batshit right from the word go. I love him. He’s 1000% going to die. 

Hoping for a good week for everyone!!

[o-wild-west-wind]

Stede is obviously bitch supreme but honestly Ed’s little ploy in s1 ep 4 with the countdown and everything is SOOO bitchy lmao like he flirts, trauma dumps, and then as soon as Stede is comfortable he gives him a pop quiz LMAO bitch4bitch fr

[mdhwrites]

I really love your post about why the anti-discrimination theme falls flat on TOH.

Honestly, applied to Amphibia, the issue is taken care of. From S1, we saw how frogs are treated and the injustice and inequality in the whole hierarchy. For example, despite being called Frog Valley, there are no frog majors but toad majors like Toadstool and he used to be awful and greedy.

Then we have the toad lords and soldiers who subjugate towns like Grime used to instead of protecting them. And the newts are either annoyingly arrogant like Duckweed or inside their own world, that kind of is explained in how Newtopia looks so fancy while the rest of Amphibia is medieval and surrounded by monsters.

Most importantly, many characters have a point of view or conflict related to the hierarchy and the state of their society. The Dinner and The Three Armies showed the biases of Grime, Beatrix, Hop Pop, Tritonio, and others against each other but instead of leaving it like that to be pessimistic or not addressing it, all Amphibia faced those issues to create a more harmonious and just society for everyone.

Okay so two things first. 1: Context for Amphibia fans is that I did a blog discussing how TOH accidentally discriminates against the demons of the demon realm and only promotes the most human of them, thus making a theme of anti-discrimination... Rough to put it mildly. Link here. 2: I don't think Amphibia explicitly has a theme of anti-discrimination either. It touches on it in ways but those ways are mostly due to one of its other core themes: Community. That's not all surprising either because it's hard to talk about community without also talking about inclusivity to those communities and allowing those communities to at least have a personality.

Now yes, you're absolutely right that the end of the series actually explicitly discusses the actual bigotry that each culture has towards each other in admittedly not my favorite but a fine episode. I actually want to expand from just the literal text though for why I think Amphibia does such a good job at not demonizing any of the races despite the fact that two of them may as well exist to be villainous. After all, the toads and the newts are often adversaries to the main characters. Wasn't that a problem for TOH?

Yes... Which makes it a good thing that the first adversary for Anne is the frogs.

Actually deep diving how Amphibia handles race, inclusivity, etc. like that is FASCINATING. You could probably do an entire college essay based solely on this one aspect because the show actually portrays multiple versions of communities and acceptance into them masterfully. I'm going to only briefly touch on each but I could probably say more on all of them and this actually includes humans as well which arguably might be Amphibia's one stumble on the issue but it's not a big one.

Let's start with that inflammatory line though. Of all the races, the frogs are actually just explicitly the most racist. They are against ANYTHING they don't know. Even other humans after Anne are entirely based on their perception of Anne. It actually takes Anne returning and showing fallibility for Sasha to become her own person to the community who is on par with Anne despite all she's done for them. Before then, the closer you are to her in their eyes, the more acceptable you are. They explicitly state this with Marcy. Otherwise, you're just a weird thing to potentially be purged because you are dangerous for being unknown. This is explicitly something Anne has to overcome, including one episode where she becomes popular by becoming more frog-like through her zits. The Plantars are the closest to being progressive in the town and even Polly can get swept up into mob mentality when the people get ready to take down Marcy (if I'm remembering the joke right).

The upside to the frogs is supreme loyalty to each other. While Toadstool is self serving and selfish, even he eventually figures out that he likes the frog way of thinking. The community you are a part of means the world to you. It is arguably the most important thing besides family. They play at war with each other because no one can actually hate someone in this community. Once you are in, you have the protection of ALL. It's just getting that acceptance is hard.

So even the race we spend the most time with is actually still flawed in some way. It is not perfect. How about the one that theoretically is the most evil? One could argue the Newts but that's more got to do with the combined culture of Amphibia which we only get Andrias as a main show of besides the one episode in the past. I do not want to say Andrias represents all newts, even if his ideas are still obviously in the current culture of newts, hence why I won't say they're the most antagonistic.

The toads on the other hand are fascinating because while they are brutal conquerors and willing to subjugate others, they're also theoretically the most inclusive. They are the closest to a meritocracy in Amphibia. If you can prove your battle prowess and ability to lead, even a gangly weirdo from another world can rise quickly and take a role of power. However, this culture is also part of why they're such a joke/a problem. The passionate rise to the top while the grunts are mostly going to be complacent and the toads still push a "Got mine, fuck you" mentality so that once a job is done, selfishness takes hold. This is why they're good at taking a city but bad at keeping it because they lack discipline because as a community, they don't have either a national ideal to work for like the newts or each other like the frogs. Each one proves themselves but that also makes each of them in competition with one another. It also explains why they're willing to subjugate a people because if they were worth their own lives, they would be able to resist.

Grime is actually the exception here from everything we can see. Beatrix even takes a loss from a frog better than Grime. Grime is different from a lot of Toads though and seems to hold a more personal need to prove himself, rather than that being strictly personal. He gets knocked down lower on defeat and rises higher in triumph. It takes longer than it likely would have with other captains for him to recognize that Sasha's ability to get rid of her guard is impressive and deserving of re-evaluation because he's not willing to admit he's wrong. He is the one toad who will take a city and stay vigilant because he is stubborn enough to not want to lose those gains no matter the cost, hence why he seems to constantly look for a status quote he can keep a hold of rather than seeking endless glory. Sprig challenges that most explicitly and so he lashes out with anger rather than the admiration that he should. The admiration that the toads who Anne first met liked in her when they thought she could be ruthless and strong. Those toads in fact accepted her WAY faster than even potentially the Plantars as Sprig needed his life to be saved first.

Next let's talk about the newts. We get weirdly more time with their society than even the toads but I don't know how much I'd say we actually learn about it which is an issue with Marcy as well. Buuuut this actually is in line with their culture. They're more of a melting pot where they are both more enlightened in that everyone gets a fair shake but they're much more rigid. It's probably the closest to modern America we get where you CAN apply for an important job but you need the connections, open doors, etc. like that to get it. You can prove yourself but it will only get you so far and people will only care so much.

A large part of this is actually in how the newts specifically treat Marcy. Where as someone so high in the ranks for toads would be respected and have friends simply due to being so outstanding, see Sasha, Marcy has a position but no acceptance beyond that. Respect but no friends. They are willing to use her because she is the most useful tool for a job but they aren't going to act like they'reclose with her for that. Not without, sadly enough, a reason to. Olivia keeps her at arm's length, the other advisors don't really seem to actually have a relationship with her but Andrias does because she fits into his plans best if she trusts him.

Sprig also gets to demonstrate this because his interesting worldview gives him a position in the society but no special treatment besides getting that position. He still has to prove himself in all the same ways and while some quirkiness is allowed, you must keep THEIR peace. Even the frogs allow for more individuality once you are in their community. But again, it's a little rough when it comes to the newts because Marcy isn't actually a look into their culture like Sasha is for the toads as she never gets episodes just about her in Newtopia like Sasha does with Grime. I'd be intrigued about what the journal potentially changes about this.

ANWAYS, for the last one we have the Thai community and humanity. Or more so the former. I don't know if there's a unifying concept for humanity as a whole, which is befitting the treatment of the trio's mix of perspectives as well, but more a theme of optimism. That people may be lazy and a bit self serving but most people's hearts are in the right place. That they care.

The Thai community is the only one I really want to talk about because Thai Temple is admittedly one of my favorite episodes of Amphibia period. As someone who grew up in Alaska, I actually related to Anne not seeing the beauty of her culture really well. There's a highway in Alaska that sandwiches you perfectly besides mountain cliffs and the ocean and it is GORGEOUS. Aaaand I stopped caring about it because it became routine. I closed my mind to it. Like nature will accept you though if you are willing to give it the time, so is the Thai Community at the temple. If you show interest, interest will be shown back. That's why the Plantars are easily adopted into it because the people there want to share who they are, they're probably just not used to people actually being interested.

There's more I could say that dips more into the community aspects but how they treat Anne, Oum and Bea are a different subject (all of it positive and makes me sad as a straight white dude who doesn't keep religion honestly) but yeah, I hope this shows how Amphibia looks at acceptance, community and how different people treat those who are different in varying ways. Like I said, this is also still mostly scratching the surface as probably a lot more could be said about each. Even the original ask brings up how the walls of Newtopia cuts the newts off from nature itself while somewhere like Wartwood has to live in harmony with it.

End of the day though, it's still almost an incidental biproduct that no one in Amphibia feels half baked. Every society has a purpose and role to its storytelling and that helps make it a more cohesive work with a lot less accidents than be interpreted in awful ways. Seriously, if you have not watched Amphibia, GO WATCH AMPHIBIA.

I can guaranty the show will accept you, even if you don't love it like me.

======+++++======

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I also have an Amazon page for all of my original works in various forms of character focused romances from cute, teenage romance to erotica series of my past. I have an Ao3 for my fanfiction projects as well if that catches your fancy instead. If you want to hang out with me, I stream from time to time and love to chat with chat.

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[theonevoice]

Rumination n. 4 – On Aziraphale, sacrifice and guilt (another bold hypothetical)

I feel like we've been almost only considering the tragedy of the Fall from Crowley's point of view (it's obvious why), but I would really like if in s3 we get to see the battle before the Fall (the big missing event between what we have seen in the s1 and s2 prologues) and learn something about how Aziraphale experienced that moment. So I started wondering what kind of situation would be in character for the two man-shaped entities we know, being at the same time relevant enough to deserve to occupy a prologue (that is, to open our collective third eye about some new underlayer of this millennia-long cursed relationship). And then, one specific thought popped into my empty brain, and I went down a rabbit hole.

One aspect of Aziraphale character that I have never seen discussed per se is his attachment to his identity as an angel. There is plenty of wonderfully insightful takes about how this attachment influences his behaviour (to Crowley and in general), but why is he so attached in the first place? What if there is something other than fear of punishment in his oh so painful obsession with preserving his angelic status? What makes it so precious to him? If Gabriel so readily dropped his role of Supreme Archangel to be with Beelzebub, why is Aziraphale so obsessed? Is it really only a weird metaphore for "class struggle", reminding us that powerful élites get to do whatever they want while the little people must abide by even the stupidest rules?

What if Aziraphale's rank of principality is particularly dear to him for a personal reason? We know that angels get promoted or demoted and not created with a fixed role. What if he earned his during the great war of Heaven? But would the Aziraphale we know be the kind of "soldier" able to win a title in battle?

I think it is not entirely absurd to imagine that Aziraphale didn't want to go to battle at all and was forced to by other angels. That coul explain why in s1 he is, for once, so strong and determined when he tells the Quartermaster angel that he has "no intention of fighting in any war". Consider how remissive he tends to be with other angelic entities throughout the series: he is uncharacteristicly resolute here. It almost looks like he was setting a non-negotiable boundary here. 

Maybe Crowley is not the only one traumatized by what happened. Maybe after being forced to go into war, Aziraphale also experienced something terrible, a moment that scarred him forever. What could that be? Here it comes another bold hypothetical.

Maby he and soon-to-be Crowley run into each other and realize they both don't want to fight. Maybe they are on the verge of developing the unfathomable thought of running away together from the battlefield. Maybe they almost try but keep getting separated by crushing waves of opposite legions. Maybe they finally manage to step away from the thick of the fight, but other angels surround them before they can even discuss what to do next. Maybe Crowley is struck by the unbearable cruelty and absurdity of what is going on and decides to protect the only pure, gentle, and actually good angel he knows from harm. So maybe he pretends that Aziraphale just captured him and let them take him away and put him with the other defeated angels. And for his achievement Aziraphale earns a promotion to principality that will forever remind him of that horrific moment, of how he could not find the courage to tell the truth and say something in Crowley's defense. 

Maybe this is why he is so obsessively attached to his place in Heaven, because someone he loved sacrificed himself in order to preserve it for him. Maybe this is why he is so fixated on the unspeakable desire to bring Crowley back to Heaven, not just as a compensation for a generic cosmic injustice but as atonement for his own fault. 

Maybe this is his side of the trauma. 

Maybe this is why, whenever he is in a state of emotional pressure, he tends to fall back on his black and white, "you are the bad guys, we are the nice ones" pattern of behavior. Because actual - clinical - trauma prompts the traumatize mind to deploy self-defense strategies, and if I can convince myself that you were evil all along, then I am not guilty of letting them catch you. 

(I still believe it would be interesting if Crowley actually "didn't really fall," but he willingly chose to leave Heaven - but I've already rambled on about it long enough here, and the two scenarios could even be compatible if my math is correct).

Maybe this is also why, when dispatched on Earth, he does so poor of a job (by Heaven's standards, of course). Because trauma also causes self-sabotaging behaviours leaning on the deep unconscious belief that you don't deserve to succeed and never will. How could you ever deserve to succeed if the accomplishment that gave you your very rank of principality - the word that defines who you are in Heaven's books - was a lie?

Maybe this is what makes the dialogue at the end of the Job minisode - and all the other bits of dialogue that he have on the same topic - so dramatic and tragic: Aziraphale needs to convince himself that he is worthy of the sacrifice that preserved his angelic status, and finding himself lacking in that department would activate the most devastating guilt. And even more he needs to convince Crowley of it, to prove to him (even if he probably doesn't remember it) that he didn't sacrifice himself for a fraud. He doesn't need to be an angel because he likes it, but because it was the identity that the angel who hung the stars bought him with his damnation.

Maybe this is why he shows such a pathological conduct about forgiveness and forgiving. Because under all the many, many layers of denial he believes that he is the one that has to be forgiven, but doesn't know how to ask for it, being afraid that he could be, in fact, unforgivable.

It is entirely unsupported speculation, of course, but imagine what it would mean if Aziraphale angelic identity was "stained" by such a gigantic deception, his "original sin," and he spent 6000 years in full impostor syndrome mode, repressing the thought of his unworthiness. Not out of fear of Heaven but out of fear of being a disappointment to the angel that Crowley was once (and that demon Crowley constantly reminds him of). Maybe Aziraphale has spent his entire existence telling himself that he had the duty to repay this enormous, secret debt by being the most irreprehensible angel ever, only to have this plan thwarted by the tempting presence of none other than Crowley himself. The most cruel temptation of all. Imagine being torn between the joy of misbehaving with the entity you love and the duty to be irreproachable, not for Heaven, but for the unspoken obligation that (you believe) this same entity put on you a long time ago.

It would mean that Aziraphale's struggle is not between his love for Crowley and his allegiance to Heaven, but between his love for Crowley and his obligation to (past) him. It would be not "I cannot love you because I am afraid of losing my place in Heaven," but "I cannot love you because if I lose my place in Heaven, I will have wasted your sacrifice and failed you again." It would be the tragedy of renouncing the happiness of being together with the person you love because you convinced yourself that that same person, when he saved your place in Heaven, implicitly gave you a mission that denies that happiness. "I cannot love you because if I do, I will betray you in the worst possible and most unforgivable way." "I cannot love you because you wanted me to be a good angel, and good angels don't allow themselves to love demons." "I cannot love you because you chained me to the duty not to." It would be tragic in the "classical tragedy" meaning of the word, like in Antigone by Sophocles (that Aziraphale actually namedrops in the 1941 flashback), where the main character is torn between two conflicting moral laws and cannot move without infringing on one of the two. But with the extra pain of having both laws coming from the same person and the person in question actively trying to pull you away from that (self-)imposed lawfulness in the meantime.

Honestly, by this point this is more a fanfiction than a speculation, but it would give us an explanation for why Aziraphale decided to take the Metatron's offer specifically after Crowley's reaction to the opportunity of being an angel again (when he leaves the Metatron, he tells him "you don't have to answer immediately. Take all the time you need", which means that he didn't say no, but he also didn't say yes). In this scenario, he is so excited for the prospect of restoring Crowley to his angelic status because he still pins his Fall on himself. The idea makes him so happy not because he wants to be together in Heaven (it's hard to imagine that he wants to go live there or doesn't know that Crowley is not interested) but because this would extinguish his imaginary debt and allow him to leave the cage where he held himself hostage for 6000 years. The cage that prevented him from getting to close to a demon. With Crowley restored as angel, Aziraphale would be "off the hook," and they could finally "go off together." He would not feel chained to his heavenly rank anymore. It's not "come back to Heaven so I will not be trouble by our love," it's "come back to Heaven so you I will be relieved of the duty of being worthy of my rank and be free to be the kind of questionable angel that can love a demon." 

It's only when Crowley refuses to go back - and only then - that Aziraphale feels definitely compelled to take the role of Supreme Archangel. If his moral duty to be a worthy angel cannot be erased, it must be paid entirely. And the payment is sticking with the responsibility that he thinks Crowley gave him, to live up to his rank of principality, to do good and, even better, to "make a difference," which, in his mind, would be the ultimate way to honour that never forgotten sacrifice, sacrificing himself in return.

[bookgeekgrrl]

My media this week (2-8 Jun 2024)

📚 STUFF I READ 📚

🥰 The Shabti (Megaera C. Lorenz, author; Matt Haynes, narrator) - wonderfully fun supernatural adventure romance set in the '30s. Just delightful. feat Horatio, a heckin' chonker of a cat. ilu horatio, even if you don't have a neck.

🥰 The Secret Lives of Color (Kassia St. Clair, author & narrator) - {nonfiction} This was rec'd in one of my discord servers as 'If you are ever in the need for a pleasant-sounding British woman telling you Interesting Facts About Colors then may I recommend The Secret Lives of Color by Kassia St. Clair, which is exactly that for 8 hours' and it was precisely that and it was wonderful and soothing and so interesting.

🥰 MateHub: Legend (MateHub #1) (Marie Reynard) - erotic romance about a wolf shifter porn star who finds a Mate™ in his new human co-star. Tropetastic & hot af, exactly what I wanted from a book with this set up. But my fave thing was the absolutely hilarious porn star names: Richard Knotz, our main MC wolf shifter. Hunter Savage, Max Hardwood, Trick Wilde (coyote shifter, natch). I snorted with laughter every time one came up. [really love a book that just knows what it's trying to do and executes beautifully on that premise]

💖💖 +166K of shorter fic so shout out to these I really loved 💖💖

Transcript: Steven Rogers and James ‘Bucky’ Barnes' appearance on The Late Show with Stephen Colbert, February 4, 2017 (deliciousblizzardshark) - MCU: stucky, 2.7K - cute & funny

fighting vainly the old ennui (Fahye) - MFMM: phryne/jack, 13K - AU where Phryne's a jewel thief but Jack's just as fascinated [reread]

Love Runs Wild (DevilDoll) - Teen Wolf: sterek, 9.4K - inspired by the shifter porn romance above, had to reread this fantastic story where they're both porn models & Stiles accidentally shows up to work with a hickey. True forever fave.

📺 STUFF I WATCHED 📺

Magpie Murders - s1, e1

Murdoch Mysteries - s16, e22

The Brokenwood Mysteries - s10, e6

TJ Alexander in conversation with Rachel Reid [Under the Umbrella Bookstore event]

Game Changer - s6, e8

Um, Actually - s9, e8

Smartypants - s1, e4

Doctor Who - s1 (series 14), e6

🎧 PODCASTS 🎧

Short Wave - Psychedelic treatment for PTSD faces misconduct hurdle

WikiHole - Song of the Summer (with Kristen Bell, Kirby Howell-Baptiste and Jackie Tohn)

The Atlas Obscura Podcast - Blue Spring State Park

The Sporkful - Book Tour 1: Do You Really Need That Many Recipe Tests?

Consider This - 'They're somebody's history.' Returning ancient artifacts to their rightful home

NPR's Book of the Day - Kathleen Hanna remembers her path to becoming the OG 'Rebel Girl'

Re: Dracula - June 5: Simple Seriousness

⭐ Vibe Check - Trust The Aunties

Short Wave - Why The Science Of Tides Was Crucial For D-Day

Ologies - Culicidology (MOSQUITOES) Part 1 with Fhallon Ware-Gilmore

99% Invisible #584 - Fact Checking the Supreme Court

⭐ Decoder Ring - Captain Planet to the Rescue

The Atlas Obscura Podcast - Welcome To Wall Drug

⭐ Pop Culture Happy Hour - Doctor Who is enlivened by its new Black, openly queer star

Wild Card with Rachel Martin - Bowen Yang thinks being present is overrated

Off Menu - Ep 252: Jason Mantzoukas

Today, Explained - A win for democracy in India

Short Wave - 'Math In Drag' Explores The Creativity And Beauty In Numbers

Pop Culture Happy Hour - Hit Man And What's Making Us Happy

Dear Prudence - I Bailed on a Family Trip Because My Plane Seat Didn’t Have Enough Legroom—Am I a Monster? Help!

Endless Thread - Scamming the Scammers

Today, Explained - The last good day on the internet

🎶 MUSIC 🎶

Rock Radio • 1980s

"I Melt With You" [Modern English] radio

Shaboozey

Energy Supermix

[koko-nianz]

GoodOmens2 : an unfinished story aboutLove,Fear,Humanity.

These days, a lot of disputes about the ending of Good Omens 2 is popping up online. I was also curious about why this season ended in the way , so I watched the entire season again. At this time , I was more focus on inner workings of each character's heart and their actions logic instead of story.

After this rewatch, I have some new understanding of the GO2 finale, which I would like to share with you here.

First,in the end of S1, Crowley said something like this is not the end,the big one will be us against them,and Aziraphale said:"Heaven and hell against humanity?"

At that time to be honesty,I don't think Crowly and Aziraphale are hundred percent belongs to humanity .They're more like a couple of fairy-godfather,do some little miracle when human need.

But in S2, They DO start to be more humane——They start to face love，and more important, to be fear.

Remember?At first, Aziraphale was very resistant to Gabriel entering the bookshop. The only reason he said yes was because he felt humiliated and didn't want his shop becom too conspicuous.

He didn't gave Gabriel clothes，testing him with the mortal food that he used to hate.Denial he knew gabriel before.All these signs point to aziraphale's attitude-- He might be a bit curious, but definitely not want to help Gabriel. Until Gabriel said the magic words:some terrible things might happened on me.

At that moment，Aziraphale's expression immediately changed. He began to ask questions anxious and even became exasperated when he did not get an answer.

Obviously,Aziraphale was not worry about Gabriel,but the Terrible Thing.

Years past，Life was so happy and peaceful.But In that moment，angel suddenly recalle ddemon's warning:This is not over.

At same time, Aziraphale was thrown into a huge panic and finally realised something.Something that was obvious but he had overlooked: If the end of the world comes again, it's unlikely he'll get notice anymore.

Last time ,they had over a decade to plan and a timetable that everyone will hundred percent follow.But this time,?No plan, no Clue, no sign,no timetable ,only thing he knew was some bad thing coming.They're on their own.Aziraphale finally realises how hard this could be.

As for Crowley, everyone can clearly see that his biggest fear is losing Aziraphale,especially after the bookshop fire.

Experiencing pain will be more scary.Thats a kind of torture witch Crowley can't afford again. That's why Crowley looks so panic and angry after he saw gabriel--He got ptsd.

These fears are their love language,but also cause their conflicting at last.

Aziraphale thought it would be a great opportunity to go back to Heaven with Crowley. They could clearly track all the movements in Heaven, protect human and world, also still be with Crowley all the time. He was so happy that his biggest fear could finally be put aside. That made him Ignore the little anxious and persuade himself:you see,Crowley used to be a angel.His a nice one. And he also said about he was just"sauntered vaguely downward"

But for Crowley, the news came as a bolt from the blue.For Satan's sake, he'd just seen Metatron said he could wipe Gabriel's memory . Aziraphale can not just come in and persuade him that guy was a good guy,and he was going to be the Supreme Archangel?!?!

Crowley was terrified.He tried to change Aziraphale's mind by his self-express，but the words just fail to express what is meant. Until Aziraphale come closer try to let him come down, What he really wanted to say just crept in a bit:“You can't leave this bookshop.”

You can't leave me.You can't leave our team. You're getting danger if you go to heaven.

Aziraphale smiled incredibly loving , like comforting a child who was afraid of the darkness:"Nothing last forever."

We need face the change,strike on initiative，win the fight together.

They didn't say it all,because they believe the other could understand. This is the kind of mistake that only angel and demon could make——Human won't be that confident.

They made same mistake as s2e1,that "exactly".Just this time nobody said “wait，What's your exactly means？i feel like our exactly are different exactlys.”

That last kiss was not showing his love,but more like a desperate asking: If you Love me,please.please.

Aziraphale loves Crowley,Obviously.But if this love tempt him to leave the human he also loves, then he has no choice.

"I forgive you."

He said, shakily but firmly

There's a old Chinese saying:由爱故生忧，由爱故生怖. It means sorrow and fear are born of love,and these makes human humanity. Love and fear have made them no longer some ineffable creature, but getting closer to truly "human".

I believe this is not the end ,but just a new beginning for them as human side,our side,and us.

SO GO3 PLZZZZZZZZZZZZZZZZ

I NEED IT OR I'LL STOP BREATHING

（Nile Gaiman,David Tenant,Michael Sheen. GENIUS! You guys and GoodOmens are the real miracle to the world!!!!）

[riverdale-retread]

RVD S.1 E.1

Every kind of spoiler warning.

I am rewatching RVD from S1 Ep 1 after going through the entire series in one long binge because I feel like I must’ve hallucinated some of the stuff I remember happening and I really liked Season 5, where everyone’s life has gone kind of wrong, and I want to see them as Sophomores again.

- Is Riverdale  actually a small town?  There’s a forest with a big river, but this small town is big enough to have a ‘wrong side’ of the tracks, and there’s some place in ‘town’ that has dark alleyways in which crimes happen, and a sort of inner city space (like, where MadDog lives and where Jughead later raids with his gang).  And later in this episode, the halls of Riverdale High look extremely crowded. 

- Alice Cooper wishing that a dead 16 year old boy (who impregnated her daughter) would burn in hell as the town is watching the police trawl the river for his corpse is really quite vicious.

- Betty is in a bra when Kevin is hanging out with her in her bedroom. Does this mean Kevin has seen Betty naked?  Is this normal in best gay friendships for these Gen Z people? Was it ever? He also tells Betty to take “The Ginger Bull by the horns tonight!” which gets funnier each time I think about it.

- There’s an astonishingly beautiful young extra sitting behind Archie when he and his rapist teacher are exchanging infatuated looks at the assembly.  Show business is so weird and unfair.

Veronica is popping out to me in this reviewing of the entire series (I’ve gotten to S. 5 Ep 10 and am going back to the beginning).

- I love Veronica’s introduction. Now that I know how Veronica will behave over the course of the next five seasons, I love her in this fresh-from-New York state, with the pearls.  I also love how she wears that cape to go pick up burgers, reminds me a bit of Lynn Bracken’s introduction in L.A Confidential, at the liquor shop.

- Veronica gets a slo-mo entry, justified in context, when she first enters Pop’s!  I had started to think only Cheryl got these. And Cheryl’s slo-mo glamour shots are just in her head usually.

- Why are black haired people the morally ambiguous ones in this world?  Veronica, the Lodges, Jughead, all the black haired and dark-brunette Serpents, Reggie v. 1 and v.2 ...

- Veronica talks only in references and I feel like Jughead would be the only one to understand them (”I am Breakfast at Tiffany’s but this place is strictly In Cold Blood”).  Jughead and Veronica are superficial and pretentious in the same way and I love them both for it.  Oh, and Breakfast at Tiffany’s, the book? Veronica hasn’t read it - the reference she’s making is to the Audrey Hepburn movie, which is the highly sanitized version of that book.  So what she means is, I am Peak Audrey Hepburn and this town like the true crime book.  Archie has no idea what she’s just said, and Betty knows it, and he laughs anyway. 

- I was the new girl in school every 2 years K-12 and I am so in love with Veronica’s determination to make something better happen in this new school. I love the puppy way she latches on to Betty.

Jughead

- S1 Ep 1 is really very much Archie’s show.  I’m shocked at how little screentime Jughead actually gets.  He gets to be such a huge presence in the later episodes  and seasons, and becomes a stealth-protagonist who gets his own unacknowledged spinoff inside the show. They will keep sending Jughead to places where Archie can’t go and is unknown, because when Archie is present Jughead can’t be the protagonist.  But this stealing of ground from Archie must’ve been an organic development as the show kept looking for more material to expand on as the seasons went on, because this is not the set up in this initial episode.

- Jughead totally acts like a sour ex boyfriend in his first on-screen conversation with Archie, including being supremely irritated that Archie is not looking for him when they end up meeting in the diner. Plus Archie is pretty brutal when he calls Betty his ‘best friend’ when it’s clear that Archie is Jughead’s ‘only friend.’  And Jughead is so used to this too. 

- I’d gotten to thinking Jughead was feline-faced but he’s not. He’s more rodent-faced.  And compared to Archie’’s clean cut sharp-jawline face, much more feminine.  

- On rewatch I thought Jughead was too smirky and vibrated with ‘unsettled’ energy that clashed badly with Archie’s more naturalistic acting.  

[booksanditsseriesormovies]

GX Month Day 5

September 4th: “Pass The Salt” 

No story is perfect. So what is something you wish you could have seen in the story of GX?

Oh boy where do I start

While I love GX there are quite a few things a would have done differently.

The case of Daichi Misawa

We are all more than familiar with Misawa and his fall from grace, from one of Judai’s potential top rivals, to a recurring joke even for the other characters (”Oh, Misawa, you’re here”). I get it, GX has a HUGE cast, like seriously huge. And we went from having 5 to 7 important characters in DM to around 15 in GX. Not everyone was going to survive the chopping block. Another victim of this was Hayato, but he was gone so soon (and with dignity) I didn’t really mind it. But Misawa’s case in S2 and S3 is just sad. I wish they could have done something better for him. At least he helped everyone get back from the other dimension and got Tanya in the end.

Johan vs Hell Kaiser Ryo

So, I don’t think I am the only one who thinks the duel between Ryo and Yubel (Possessing Johan) is one of the best if not the best in all of GX. It’s absolutely mind blowing. 

But I think that the duel between Ryo and Johan in the first arc of S3 to bring everyone back from the other dimension is one that goes under a lot of people’s radars. Call me biased because Johan is my favorite GX character, but I was really digging that duel. Like even without Rainbow Dragon, Johan was putting up a serious fight against Ryo with the way he used the Crystal Beasts. So I am forever salty that they could never revisit this duel (vs actual Johan, not Yubel). 

I get it, this duel served more as a preview for what was to come when we saw they would duel again. And Johan was barely in S4 and Ryo could hardly duel anymore given his heart condition. But for Ryo to have said that Johan had been the only one besides Judai to make him feel excited in a duel and who could have Judai’s unlimited potential...I think it would have been very very fun and exciting to watch, specially with Rainbow Dragon.

“Everyone’s dead....JUST KIDDING”

I know it’s a kids’ show, and it would have been extremely tough to follow another season without like 3/4 of the cast. But having everyone come back alive from the Hell Dimension felt like a bit of a cheap move that also makes some of Judai’s character development lose some significance. 

So everything he went through from the moment his friend’s died (becoming the Supreme King out of pure helplessness and desire for revenge, then coming back from that with a terrible, terrible case of PTSD basically leaving him unable to duel, coming to terms with everything he had done and learning to use the strength of the Supreme King without letting it overtake him), it was all for nothing? Then all the people the Supreme King killed are alive and well?

It also takes merit from the other characters’ themselves and the circumstances of their deaths. Kenzan, Manjoume, Asuka and Fubuki being sacrificed, victims treated as collateral damage to create a super powerful card, right in front of a collapsing Judai as their hearts were corrupted too. Jim and O’Brien (the two most emotional deaths in S3 for me), who sacrificed themselves to bring Judai back and bury the Supreme King away. Edo, who sacrificed himself to try and save Echo (who gave her life away for someone who took advantage of her feelings), and Ryo, who even though he said was only looking for the ultimate opponent, tried until the last minute in the duel to separate Yubel and Johan. Hell, Ryo basically died twice (because of his heart failure and losing the duel), yet he survived. 

As I said, I know the show would have been extremely hard to keep going. But it took away from the serious, dark story S3 was becoming. It takes away from Judai, and the ones who died because they all came back brand new. 

Reincarnation

It’s not that I didn’t like it, Reincarnation is a trope that I LOVE. But in GX we literally got it dropped on us out of absolutely nowhere. We literally had no clue Judai could have had a past life and that’s where his story with Yubel came from. 

Like idk, maybe some flashbacks or random shots of the Supreme King’s backstory (which wouldn’t make sense until we find out it’s Judai and would have made it pretty cool) would have made it better, IMO. 

PTSD? Only Judai can relate

Another thing that I found weird was how quickly everyone got over what happened in the Hell Dimension except for Judai. We can see he is depressed and dealing with the aftermath of what S3 did to him. But what about everyone else? Weren’t they supposed to be in like a dimension of pain and suffering even if they were alive? I am glad so many main characters got their time to shine in S4, but, as we wrapped each story, a nod to what happened to them in S3 would have been nice. It’s all part of the process of growing up, too, learning to deal and cope with out most painful moments.

S4: “Overseas champions? I don’t know them”

Yeah, so given the HUGE (LIKE REALLY HUGE) role the Overseas Champions played in S3, barely seeing them in S4 was a bit of a whiplash. I am glad we got O’Brien dueling Mr. T and him playing with his mind with false memories was heartbreaking yet super interesting to watch. But we got literally no Jim and Karen, at all. The guy gave his life and his supernatural eye to try to bring Judai back. I had hoped we would have at least seen some of him in S4. We literally have no idea what the hell happened to Amon, my theory is that he stayed in that other dimension to build his perfect world and become its Monarch. But we literally have no clue about what became of him. And did Echo come back, too? Is she with Amon in the other dimension?

And then we have Johan. Considering Judai went to basically Hell to rescue him, I thought we would see a bit more of him in S4. Like at least bidding each other farewell? You know “Thanks for rescuing my soul from my card and saving me from your eternal guardian who was corrupted by evil and almost ended the Universe as we know it”? No? Okay then. I am so so glad we got him in that Battle Royale against Fujiwara tho, that kind of made up for it :)

Edo’s fate

From the start we know Edo is one of those characters that know they are fucking amazing at what they do and make a point of it. He is at the top of the food chain. The young pro duelist, talented beyond his years (for Pegasus to say he was just below Yugi, Kaiba and Joey?!), rich, refined, confident and a bit arrogant. 

Then how is it that the last we see of him is receiving a direct attack from Ojama Yellow straight to the face? I know Manjoume was meant to win this duel, but it would have been great to see him summon Plasma and that Manjoume had summoned Armored Dragon, or maybe using the Ojamas with the Spell Cards to banish monsters from the field or to summon Ojama King. Like Edo didn’t even want to duel, it was all a scam from his former manager and they still made him go out like that :( I wanted a more epic goodbye duel for our Edo tbh.

Then again, I am biased because Edo is my second favorite character in GX.

Season 4 rushing

5D is very cool and all....BUT WHY DID THEY HAVE TO CUT GX SHORT FOR IT. 

S4 is so obviously rushed and for me it Darkness was a bit of an underwhelming villain after the AMAZING villain that Yubel was for S3. Fujiwara just popped out of nowhere and we got no development of him in comparison to Yubel or even Saio (I won’t say that of Mr. Chairman because he literally popped out of nowhere in S1). 

I just wished we had gotten a proper, full S4. More GX to fawn over.

Wow that was a lot of salt now I sound like I hater but I promise I love GX as much as Manjoume loves Asuka (lol).

[infinitestarsintheskye]

Agents of Shield Series Finale thoughts (finally)

Or alt title Skye finally sits down to write this after two days of being overtired, overwhelmed and as a result, anxious! Feeling a WHOLE lot better today after a few anxiety naps and watching Phineas and Ferb on Disney + (that show is just pure serotonin I swear) 

God what can I say that hasn’t already been said. I’m so beyond happy. I have no idea what my expectations were but by god were they exceeded. I cannot say enough how happy I am. They saved the world with empathy. How utterly beautiful. The endings everyone got were all just so utterly utterly deserved. I’m still in shock really. 

If you haven’t already guessed it, I did not make it to my alarm at half past 6 on Thursday morning. I woke up at quarter past 5 after barely three hours of sleep and just could not help myself. I finished, cried for two hours and collapsed for another hour and a half. And she wonders why she’s felt like utter shit the past two days...

ANYWAY

DEKE DEKE MY WONDERFUL MY MOST DEAREST DISASTER SON!!!!!!!!! I love him so much. I know he’s happy in alt. 1983 but losing him was honestly such sweet sorrow. I had a feeling that he would sacrifice himself but I could not have guessed that it would happen in honestly such a good way. He still gets to live, gets to be the director of Shield (god help them) and I’m equally happy and devastated for him. I love Deke so much, he is very dear to me, and the money I would pay for a miniseries of him just absolutely killing it as Shield director in the 80′s with his side business of being a popstar, like the amount doesn’t exist. Also his impersonation of Fitz was so incredibly hilarious, Jeff Ward actually does a not bad Scottish accent and the IMMEDIATE adoption of the pregnant lady pose just ABSOLUTELY SENT ME!!!!!!!!!!

Mack. I’m so happy he lived. His team up with Sousa will forever give me life. Them taping goddamn chronicoms to the missiles to blast a hole in the ship, like whoever came up with that idea, you are now my favourite human on this earth. It is so supremely dumb but I love it so much. As much as there was BIG concern going into this that he was going to die, ta Henry, I never once felt worried for him. Like he never even came close???????? Also a raise to whoever put him in that big long jacket at the end like oh my god are you serious, AMAZING

Yoyo. I had NOT A SINGULAR CLUE, NOT EVEN AN INCLINE of what was going to happen to Yoyo. Her little team up at the end with Piper and Davis (DAVIS ROBO!DAVIS YEEEEEEEEEEEEEEESSSS BICKERING WITH PIPER WE LOVE TO SEE IT) was beyond incredible. Yoyo had such a great arc this season, and I’m just so happy to see it concluded so well, plus that shot of her zooming out of the car at the end was beyond A+ it was beautiful.

May. May, wonderful May. Her appearing OUT OF GODDAMN NOWHERE TO JUST ABSOLUTELY END SIBYL IS JUST FOREVER GOING TO GIVE ME LIFE. THE CAVALRY!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!! I was so intrigued with where they were going with her arc this season, like I enjoyed empath May but I was so curious to see where it was going and oh what a pay off it was. I literally shouted AAAAAAAAAAAAAAAAHHHHHHHHHHHHHHHHHHHHHHHH at my screen when she put her hands into that machine and Coulson explained it, BECAUSE IT ALL JUST MADE SENSE. Also it was 100000000000000000000% her idea to name it Coulson Academy, and no one disagreed with her. I loved her little call back to S1 with her just being the pilot. In general I thought all of the call backs were very well handled and placed, nothing felt too fan servicey it was all very natural and organic bc these writers really just know what they’re about and are just so incredibly good at their jobs. ANYWAY MAY. I’m happy that she’s getting a little bit of rest from the field, she absolutely deserves it. 

Coulson. I’m not gonna lie, I wasn’t sure about Robo!Coulson when he was introduced at the end of last season, but my god am I so happy for him now. He is truly the heart of this show, the whole thing began because a stubborn group of fans refused to accept that he had died. And really isn’t that a theme that has carried us through this entire show haha? I was so terrifed for about 30 seconds that Sibyl was going to turn him against the rest of the team, so the RELIEF of May popping out of the ceiling to JUST END HER ENTIRE CAREER WAS INCREDIBLE.  The reappearance of Lola ABSOLUTELY SENT ME. I also love that after years of Coulson refusing to let Mack work on Lola, Mack just went “Fuck it” and built one from, I assume, scratch. He is going to be the best Grandpa to little Alya Fitzsimmons and you can tear that headcanon from my cold dead hands. Again, what a deserving ending. I could not be happier for him, that last shot was just perfect. 

Daisy. Oh boy, we’re getting into my heafty emotions now. I would just like to say that her entire arc throughout this entire show is one of the most incredible, most amazing and well crafted and well thought out characters arcs in television history. Watching her go from this lost little hacker with a bit of a smart mouth, to this strong and powerful LITERAL SUPERHERO has actually been a privilege and I cannot stress enough how much I have loved watching her grow and evolve over the past seven years. That being said, I am low key FURIOUS that they made me think that she was dead for even just a SECOND. I WAS SOBBING NO AT MY PHONE FOR THAT ENTIRE LITTLE INTERLUDE LIKE NO FUCKING WAY ARE YOU GOING TO KILL HER OFF AND LEAVE HER BODY IN SPACE I WILL NOT LET YOU, LET ME GO SHARPEN MY PITCHFORK I AM COMING FOR YOU. I will now invite you to imagine the look of absolute and utter joy and relief on my face when I saw she was alive. Skye/Daisy holds such a special place in my heart. Her whole thing with Sousa this season was SO UTTERLY OUT OF THE BLUE BUT SO INCREDIBLY DELIGHTFUL AND DESERVED!?!?!?!??!?!!?!? Like out of everything I think that little plot detail is what surprised me the most, and I surprised myself by really loving it as much as I did. I would have been happy if she had ended the series single but I’m so happy that she has this wonderful partner who loves her so much and has her back and just looks after her like it’s just like the most wonderful added bonus which she deserves. Sousa is also like a whole ass snack and as I have been saying in my tags for the past few weeks, DAISY GET IT!!!! I love that she ended the series with her own little family, her sister and Sousa. I just. I cannot even think about that without welling up. Daisy has a family, and she chose it and she loves them all so much. I know it was last weeks ep too but I will never get over her calling Simmons her sister. Never ever ever for as long as I live. I’m so happy for her. So beyond happy.

FitzSimmons. Here we, here we, here we fucking go. What to even say apart from big, long and loud sobbing noises, cause that’s all I have really been able to do in regards to them for the last two days. Happy isn’t a strong enough word. There is no word big enough, nor all encompassing enough to say how utterly UTTERLY happy I am that they got their most beautiful happy ending. Fitz guiding her through her memories, the second Jemma said Alya I started screaming, I just I knew that was her name, and him just being so gentle with her whilst she was remembering, like oh my heart. I excuse them everything, the lack of Fitz (WHICH WAS NO ONE’S FAULT I WILL NOT HAVE ANYTHING ABOUT THAT HERE) this season was honestly just paid back tenfold in the scenes that we got of him. His frustration IMMEDIATELY at everyone not understanding their plan was so amazingly hilarious. Simmons half remembering everything was both heartbreaking and hilarious, the scene of her asking for a supersuit like Daisy’s was incredible and both Deke and Daisy responding to her like she was a child they needed to trick into doing something for them, like yes if you come with us you’ll get a supersuit and a bit chocolate, incredible. The acting in both episodes from both IDC and Elizabeth was just truly something else. The fact that neither of them have been nominated EVER for their work on this show is nothing less than criminal. Her face when she remembered Alya. Dear god my heart. I have watched that scene of them reuniting with her at least 3000000000000000000000 times since Thursday morning. I won’t ever forget it. What a beautiful scene. What an incredible scene. “You were guarding our everything.” SHE’S THEIR EVERYTHING. THEIR UTTER EVERYTHING! I’M ACTUALLY LIKE SOBBING WRITING THIS I WILL NEVER EVER EVER EVER EVER FOR AS LONG AS I LIVE GET OVER THE FACT THAT THEY LET FITZSIMMONS LIVE IN PEACE FOR FOUR WHOLE ASS YEARS, LET THEM HAVE THE MOST BEAUTIFUL, MOST PRECIOUS LITTLE BABY GIRL AND THEN LET THEM LIVE IN PEACE AGAIN I JUST!!! I HAVE WANTED THIS FOR THEM FOR SO SO SO SO SO SO SO SO SO SO SO SO SO VERY LONG!!! (also @ marvel I’m not in a place where I want any kind of continuation or spin off at the moment but I would watch a FitzSimmons miniseries of them just being happy and domestic and working in space for 4 years. Just SOMETHING to consider) I cannot thank the writers enough for finally finally letting them have their happy ending. They have been through so much, and it was all worth it because it led them to their happily ever after and to their little girl and I just, that is everything. ABSOLUTELY EVERYTHING!!!!!!!!! I have talked a lot in this post about people deserving their endings but honestly none more than FitzSimmons. Fitz playing with Alya in their little garden whilst Simmons watches with the biggest smile on her face. How perfect. I could not have dreamt a better ending for them I’m so so so so so SO beyond happy for them. And god that little girl is just the most precious. Her gleefully exclaiming “Mama!” at Simmons is the EXACT moment that I started sobbing and did not stop for the rest of the episode. Also I know they didn’t explicitly say it but they are 100000000000000% at their cottage in Perthshire, again you can pry that headcanon out of MY COLD DEAD HANDS!!! I’m just so so so so so so so so SO beyond happy that FitzSimmons got the ending that they deserved so much. They can be at peace now. I have loved them since LITERALLY day one, and I cannot imagine what would happen if I got to tell little 15 year old me how they ended up. I’m sending her good vibes to the past, I know she got them, because I never ever ever gave up on that hope for them. FitzSimmons, to me, represent so much goodness and hope and just everything I aspire to have in a relationship (without the constant separation and the death and all that fun shit), but just the utter love they have for each other. (thanks for the impossible standard to which I hold all men now JedMo). I have been on just a rollercoaster with these two characters, their relationship and each of them as individuals have taught me so much and brought me so much comfort, especially during some of the hardest times I have ever experienced. I’ll tell some of those stories one day. Not yet. I’m not ready. I’m still honestly just reeling. I have wanted A Happy FitzSimmons ending for SO LONG and I just cannot believe that we got it. Thank you. Thank you thank you thank you THANK YOU. 

Writing this felt very cathartic. It’s almost been good to just get ALL OF THE EMOTIONS OUT. I think I’m actually going to take a nap now. I forget how tiring it is to be so emotional. What can I say to end this except reiterate again just how happy I am with that finale. I’m so thrilled that they gave us such a beautiful ending, it really was just a love letter to the series as a whole and to it’s message. I think it was quote from Jeff Bell that I saw and I haven’t stopped thinking about it since, because of how true it is, and really that’s why I hold this show so dear and why I have done for the past 7 years, and that is that this show is ultimately about hope. What a beautiful thing. 

[mulderspice]

have you ever watched an episode of the Emmy award winning sci-fi drama, The X Files?  Maybe you’ve read my original post and yet you’re still wondering where the hell Fox Mulder got all those strands of hair on his jumbo gigantic head.  I am back and here to help you find the answers to some of your burning questions; as we celebrate the hard work and triumphs of the hair and makeup department on the Fox Lot and team up with my big huge brain and my New York State Cosmetology license to give the people what they want once again: another top ten guide to Mulder’s fucking hair..

upon making this post a second time (rip 😔), I realized that just about every episode (yes, every. single. one. even the ones without Mulder and the latest season where he has to share headspace with [redacted]) has its own important and iconic hair looks... You may recognize that some of these are slightly repeated from the last post but that’s ok! What I'm here to do is enforce! So lets get started..

#10 s6:e21 Field Trip: Here again we begin our journey into cosmetic superstardom with a personal favorite of mine.  Mulder rolling with the times by getting a haircut fresh off the FTF wave left our nation in fucking shambles. Can’t imagine going to see a major motion picture in theatres jam packed with Mulder’s most supreme hair looks only to come back to my tv screen to see it all gone away.  For students reading this post for educational purposes, this caused a worldwide walkout on popular salon franchise Supercuts in the year 1998.  However, a haircut didn’t necessarily mean Mulder forgot how to take care of his hair.  The precision and placement as each strand of hair perfectly outlines his jumbo head is revolutionary and inspiring.  Mushroom induced drug high? K. Lemme still grab my teasing comb and my hairspray and make sure I look presentable for when my partner walks into my apartment screaming abt “where's Mulder” and wanting “answers”.  The answer is this: this look is about giving people like myself with big heads rights and looking fuckable while doing so. 10/10 for inspiring hope.

#9 s1:e9 Space: Imagine you’re a few episodes into a show, the core plot is developing right before your eyes and you’re beginning to get to know The X Files three main characters; Fox Mulder, Dana Scully, and Mulder Hair Strands #1-3.  All is well except, you still have no clue how crucial, and critical Mulder Hair Strands 1-3 will become to the show and to your life and I am here to tell you that you are in for a very rude and bold awakening.  This message goes out to all the haters and all the people who didn’t believe Mulder’s hair was valid prior to season 4. He is here to tell you he DID know how to use dry shampoo and even the occasional blow dry oil and you can suck a dick abt it. Bold of you to assume he wouldn’t pull the round brush and the biosilk out the drawer to impress a visit to fucking NASA. 10/10 for involving science.

#8 s4:e6 Sanguinarium: I sit here writing to you today as the song ‘Handmade Heaven’ comes on shuffle; strikingly fitting for this raw and ethereal image of straight up beauty and wonder and magic and heaven in hair. This special, freshly washed and air dried smells like strawberries and sandalwood and fuckability. The look reaches through your TV and wraps its hands around your neck and sucks the life right out of you.  Are you gonna let it happen? You sure are.  Lucky for you, I just so happened to be there when the angels hand sewed each strand of hair onto his head and here’s what they had to say about it:  this is everything and more and the way Mulder has just washed his hair with fresh mountain water droplets hand collected like nothing else mattered. Put his clothes back on and went on his merry way. Can’t imagine being in Scully’s shoes ready to walk on in her partners room unannounced to go over serious case related matters and theories.  Woulda went bonkers. This truly is a handmade heaven.  Hand crafted by Mulder for Scully and for the good viewers of the globe. 10/10 for embracing me in its arms.

#7 s4:e3 Home: A look from one of primetime TV’s most notorious banned episodes.  Viewer discretion IS advised not only for the horrifying and cringeworthy content displayed in this episode, but for also making it painfully blunt to the viewer that Mulder’s hair follicles are happier and healthier than anybody else's will ever be in their lifetime.  In fact, I can feel my own hair falling out and being respawned onto HIS head as I type this and I’m sure you can too. The way the sun glistens off his golden brown strands makes me want to walk into oncoming traffic.  You might also notice how effortless this look was, as it probably only took a quick run thru with his fingers, and Mulder’s passion and need to look sexy at any time of the day at all times. It’s obvious that this kind of thing comes naturally to him, which just comes off as insulting to men everywhere. 11/10 for striking fear into men’s hearts.

#6 s4:e20 Small Potatoes: Genuinely took every bone and nerve ending in my body to not put this look in the top 5 even though it so clearly deserves it.  Here at mulderspice we believe in diversity, meaning it wouldn’t be right to make my top five greatest hairstyles ever produced on The X Files just of Mulder’s iconic and revolutionizing middle part (though really who is stopping me..). This screenshot in general has me up in arms at how perfectly the blue background matches his eyes, and how it accentuates his hydrated skin and lips.  But you’re not here for that. It’s the hair particularly that really pulls the shot together, as Mulder took the time that morning to spray it with some tinted dry shampoo that most defiantly and absolutely smells like chocolate.   This look feels like a warm hug on a frigid winter day. I feel EMBRACED and I feel CARED FOR thanks to the wonderful staff and team @ Mulder’s head and hair follicles. What the fuck could be better than this. 16/10 for making me feel some type of way.

#5 s4:e8 Tunguska: Currently you may not think anything of Krycek to the left of this image though ill have you know he plays an extremely vital part of this look and all the words I’m about to speak to you directly. So listen up: Krycek may have heroically slayed Mulder’s father in cold blooded and justifiable murder, but we thank him for this, as it caused Mulder to lash out in the best way possible: through looks. “Un-shun: Krycek do you think I’m good to bring my Redkin Rewind 6 styling paste with me or will the Russian TSA think of that as contraband? :Re-shun”.  A sweaty, manly and highly illegal treck through a Russian testing facility and a stint in a violent foreign PRISON surely was not going to stop Mulder from keeping his hair properly hydrated, styled and parted. That’ll really ruffle Krycek’s feathers and make him feel sorry for what he did…. The sexiest way to avenge the death of your deadbeat father. 24/10 for you know why.

#4 s1:e6 Shadows: In the year 1993, Mulder steps onto the scene, young, fresh faced, bright eyed and ready to give men around the globe what they (so desperately) needed: the encouragement to care about their hair.  Any backstreet boy you may know have this scene to thank directly, as this is what encouraged them to reproduce Mulder’s hair onto their own heads time and time again.  What I would give to see with my own eyes Mulder length times width times height his head to equal this perfectly proportionate look of volume and sexy. And who can I write a warrant out to for allowing this shot to take place.  Oh to be the various and expensive hair care products in Mulder’s bathroom …… 899/10 for starting a movement (-1 for making us do equations).

#3: s1:e10 Fallen Angel: The biggest regret I’ve ever had in my short little life was not adding this moment to the last post.  And tumblr deleted it in order to give me this opportunity to present this to you today.  By the way, that absolutely is in fact a choir of angels singing as you view this image. Go ahead and try to think of something on this earth that could be better than this tossled bed headed im-stressed-becos-my-partner-of-2-weeks-isn’t-seeing-the-big-picture-about-how-we’re-all-key-pawns-in-an-ongoing-government-conspiracy hairstyle hand crafted by Mulder all while holding his head in his hands hard at work trying to break through to the truth.  Scully [insert photo of Scully with her eyes popping out of her head here] and I both wanna rip our own hair out and throw it in the garbage. 2000/10 for making our hearts ache..

#2: s4:e10 Paper Hearts: Behold- the image I’m slamming down on the desk at full force when I finally get myself a therapist. I need a licensed professional doctor to help me understand the various angles that this purposeful shot affects my life health and well being. In a paranoia induced out of body experience Mulder took his pinky finger and parted his hair down the middle, took a protractor to perfectly round the tendrils falling ever so gracefully on his forehead and ran out of his apartment and through the woods of DC.  Doesn’t matter if he’s crazy? Doesn’t matter if its fuck all 4am? Who knows if the discoveries of this night is finally going to answer the heartbreaking questions regarding Mulder’s baby sister? Fuck it we’re just gonna make sure Scully has something to look forward to after being awoken yet again in the middle of the night and asked to come wrangle and control this stupid idiot.  This just makes me unhinged.  50000/10 for waking up in the middle of the night and doing the most for us all.  

#1 s4:e3 Teliko: This one will remain number one for as long as I shall live.  I’ve dedicated my life to this cause and I’m ready to make you painfully aware of it. Grab a pen and paper and get ready to do some heavy math with me because this look right in front of your eyes is the equation to happiness and sexiness. Can barely find the words to describe to you how this picture makes me feel. Each strand of hair is personally reaching down and wrapping his head in one big giant hug of protection and solitude.  Unbelievable that Scully didn’t head back to her hotel room and scream at the top of her lungs right after this. There’s no way she went about her day as normal without wanting to kick the shit out of him and then put him back together with soft feathery kisses.  What you are witnessing here is the very turning point of the show where Scully looked into into the very center point of that part and said “guess I have no choice but to fall in love with him 🚶🏽‍♂️”. Chris Carter’s idealistic version of Mulder and the one we actually ended ups seeing as viewers were so drastically different that it’s blatantly clear that he had absolutely no idea the cultural implications that were about to rock the world to its core and tip it on its axis when David Duchovny showed up on set looking like this. I could write a thesis about this. I could conduct research and studies about this.  I got kicked out of college because I cared more about this than I did actual schoolwork. I feel like I’m in a very sexy chokehold. Wish I could live forever in one little square pixel of this image.  Nothing means more to me than this.  1000000/10 no further comments.

and the honorable mentions go to....

s8:e16 Three Words: Dead? Did you die? Did you die and miraculously defy god by rising from the dead and coming back to life? Just got home from the morgue? Think nothing is the same? Left guessing if you’re a soon to be 5 minute father? Did you just fucking die? He’s lost his family and his job and the world just went on without him like it was nobody’s business.  Walked out of the morgue right to his apartment and what did he have left? His expensive array of hair styling and finishing products that’s what the fuck he had left.  Being an all around reject from society didn’t at all stop him from taking his fingers and dipping it into that Big Sexy styling pomade and fluffing his head to high heavens. As a personal fuck you to god and to John Doggett too.  He’ll never let you know the emotional hellstorm going on in his life in that moment but he WILL make it known to you that despite being 8 feet under ground for 6 months he’ll never give up on his hair. For the PEOPLE. Try and go through the nightmare of death and then rejected fatherhood and see if you come out of it with any hair at ALL.  An itty bitty glimpse into what would have been Untitled Mulder Abduction Story (2001)....

I Want To Believe (2008): Here you will see the sluttiest moment in major motion picture history.  Shh im not using this opportunity to show you this screenshot for the 800th time I’m trying to keep you educated.  BREAKING NEWS; Man hiding in home office for 6 years fully off the grid has FULL head of hair and is getting regular sex *not clickbait*. So what if Mulder has gone fully unhinged and off the walls bonkers he’s also gone FULL slut and it shows in that sexy thick voluminous head of slut hair.  If you ever for a second thought prior to seeing this movie for the first time that Mulder would show up a full on son-less wreck and a half think the fuck again babes.  He’s managed to hold on to every single little strand ever grown on his head even well into his middle aged madness and its about time we give him the credit he deserves.  (PS. Please know I wrote this entire spiel without even viewing the shot shown here. Its just permanently etched on the inside of my forehead so its there when my eyes roll back into my head.)  For this we say…..; Whore rights.

s11:e3 Plus One: Incase you were unaware, I have been going through a very slow and painful process of erasing Season 11 from my brain completely.  Its been a long road but its achievable and the end result will save me from a lot of future heartache and trauma.  This however, is a moment I will cherish forever and though you may think its for the hot sex (which is like maybe 30% the case) its actually because it puts together everything I’ve ever loved and believed about the show in only a few thousand pixels. How old is Mulder here? 30? 31? Still has hair and still has an unbelievable amount of love to shower Scully in for as long as they both shall live (which lets face it, she deserves one million times over.)  What this has taught me was to hang up my “Mulder deserved…” hat for good and just be thankful for what I’ve got. I ended up with no son or happy dreamy ending where Mulder gets to die with a family he’s never had in his life, but here we are left with the little things.. Like Mulder and Scully’s unconditional love and most importantly .. The hair on Mulder’s head. Its called growth and acceptance and I am learning it.  Also I just wanted to show you what it would look like if you were like 57 and sexy and still had all ur hair. That’s it :-)

[carolinesiede]

Reflecting on 2020

The strangest thing about 2020 was how familiar much of it felt: Working from home, extended periods of isolation, weeks and months blending together. To a much lesser degree, those are things I experience each year as a freelancer. And while I suspect it will take awhile before the full extent of the trauma we’ve all lived through this year fully sets in, right now I’m mostly focused on gratitude. I’m grateful for the health of my loved ones. Grateful I already had a work-from-home routine to maintain during the pandemic. And grateful that I was able to quarantine with my family for much of the year—which had its challenges but also its rewards too.

In my 2019 year-end post I wrote about feeling like my career was finally on an upward trajectory after several years of plateauing. This year obviously offered some new wrinkles in that regard. I made significantly less money and felt familiar fears about how sustainable this career actually is. But having less work also gave me more time to focus on the actual craft of writing. I feel like I reached a new level in terms of voice, clarity, and the ability to self-edit. I'm the sort of person who constantly (arguably, obsessively) strives to be better, and it’s rewarding to feel like that hard work is finally slowly starting to pay off.

In addition to devoting my quarantine time to mastering a favorite curry recipe, getting really into the Enneagram, finally learning to French braid hair, and rewatching all of New Girl, I also had some really cool opportunities scattered throughout the year. I interviewed John Barrowman about his surprise return to Doctor Who, which felt like a real milestone for me. I also contributed to the Los Angeles Times’ list of TV shows to binge-watch during quarantine, which appeared both online and in print. And thanks to everything going virtual this year, I was able to attend a press panel for the fifth season of This Is Us, which is the sort of thing I’m not usually able to do as a Chicago-based critic. 

My career is always a juggling act between film and TV, and this year made me appreciate how valuable it is to be able to move seamlessly between both worlds. I took on new TV assignments covering the first season of Stargirl and the second season of The Umbrella Academy, both of which were a blast to write about. And while I didn’t watch quite as many films as I did in my insane catch-up year last year, I did fill in some more major blindspots. I also contributed to The A.V. Club’s list of the best films of 2000 and shared my own ballot over on Letterboxd. Oh, and I set up a Letterboxd this year too!

Elsewhere, I made my debut on Bustle and The Takeout, and ended the year with a Polygon article about “Kind Movies” that pretty much sums up my entire ethos on storytelling. I was also named a Top Critic by Rotten Tomatoes, which was a real honor. But the pride and joy of my career remains my rom-com column, When Romance Met Comedy. I devoted a whopping 49,000 words to analyzing 25 different romantic comedies this year. And I’m really pleased with how the column has grown and with the positive feedback I’ve received.

I have to admit, I sometimes worry that year-end highlight reels like this one can make my life seem easy or glamorous in a way that doesn’t reflect what it’s like to actually live through it. I'm tremendously lucky to get to do what I do, but I also struggle a lot—both with the logistics of this career and with bigger questions about what value it brings to the world. My goal is to approach 2021 with a greater sense of intentionality. I want to be more thoughtful in my career choices, more purposeful in how I use social media, and more active in my activism and politics. I’d also like to do 20 push-ups a day everyday for the whole year, but we’ll see how long that resolution actually lasts.

Finally, on a sadder note, one other defining experience of the year was the loss of my dear internet friend Seb Patrick, who I’ve known for years through the Cinematic Universe podcast. Seb created a wonderfully positive nerd space online, and was a big part of my early quarantine experience thanks to the Avengers watchalongs I did with the CU gang in the spring. I’m so grateful for all the fun pop culture chats we got to have throughout the years, several of which are linked below. Seb is tremendously missed, and there’s a fund for his family here.

As we head into 2021, I’ll leave you with wishes for a Happy New Year and a roundup of all the major writing and podcasts I did in 2020. If you enjoyed my work, you can support me on Kofi or PayPal. Or you can just share some of your favorite pieces with your friends! That really means a lot.

My 15 favorite films of 2020

My 15 favorite TV shows of 2020

Op-eds, Features, and Interviews

Women Pioneered The Film Industry 100 Years Ago. Why Aren’t We Talking About Them? [Bustle]

2020 is the year of the Kind Movie — and it couldn’t have come at a better time [Polygon]

Make a grocery store game plan for stress-free shopping [The Takeout]

What’s Going On: A primer on the call to defund the police [Medium]

Doctor Who’s John Barrowman on the return of Captain Jack Harkness [The A.V. Club]

Episodic TV Coverage

Doctor Who S12

This Is Us S4 and S5

Supergirl S5

Stargirl S1

The Umbrella Academy S2

The Crown S4

NBC’s Dr. Seuss’ The Grinch Musical!

When Romance Met Comedy

Is The Ugly Truth the worst romantic comedy ever made?

Working Girl’s message is timeless, even if the hair and the shoulder pads aren’t

You’ve Got Mail and the power of the written (well, typed) word

Love & Basketball was a romantic slam dunk

How did My Big Fat Greek Wedding make so much money?

America eased into the ’60s with the bedroom comedies of Doris Day and Rock Hudson

I can’t stop watching Made Of Honor

Notting Hill brought two rom-com titans together

It’s time to rediscover one of Denzel Washington’s loveliest and most under-seen romances

Something’s Gotta Give is the ultimate quarantine rom-com

20 years ago, But I’m A Cheerleader reclaimed camp for queer women

On its 60th anniversary, Billy Wilder’s The Apartment looks like an indictment of toxic masculinity

The Wedding Planner made rom-com stars out of Jennifer Lopez and Matthew McConaughey

After 25 years, Clueless is still our cleverest Jane Austen adaptation

William Shakespeare invented every romantic comedy trope we love today

Edward Norton made his directorial debut by walking a priest, a rabbi, and a Dharma into a Y2K rom-com

The forgotten 1970s romantic comedy that raged against our broken, racist system

His Girl Friday redefined the screwball comedy at 240 words per minute

Before Wonder Woman soared into theaters, the hacky My Super Ex-Girlfriend plummeted to Earth

Dirty Dancing spoke its conscience with its hips

The rise of Practical Magic as a spooky season classic

In a dire decade for the genre, Queen Latifah became a new kind of rom-com star

Years before Elsa and Anna, Tangled reinvigorated the Disney princess tradition

Palm Springs is the definitive 2020 rom-com

Celebrate Christmas with the subversive 1940s rom-com that turned gender roles on their head

The A.V. Club Film & TV Reviews

Netflix’s To All The Boys sequel charms, though not quite as much as the original

The Photograph only occasionally snaps into focus

Jane Austen's Emma gets an oddball, sumptuous, and smart new adaptation

Pete Davidson delivers small-time charms in Big Time Adolescence

Council Of Dads crams a season of schmaltzy storytelling into its premiere

In Belgravia, Downton Abbey’s creator emulates Dickens to limited success

Netflix’s Love Wedding Repeat adds some cringe to the rom-com

Netflix takes another shot at Cyrano de Bergerac with queer love triangle The Half Of It

We Are Freestyle Love Supreme is a feel-good origin story for Lin-Manuel Miranda’s first troupe

Sara Bareilles’ melodic Apple TV+ series Little Voice is still finding itself

Netflix’s sexist rom-com sensation gets a minor upgrade in The Kissing Booth 2

With Howard, Disney+ movingly honors the lyricist who gave the Little Mermaid her voice

The Broken Hearts Gallery tries to find catharsis in heartbreak

Netflix’s ghostly musical series Julie And The Phantoms hits some charming tween high notes

After We Collided slides toward R-rated camp—but not far enough

Holidate is a bawdy start to Netflix’s holiday rom-com slate

Kristen Stewart celebrates the Happiest Season in a pioneering queer Christmas rom-com

Isla Fisher gets her own Enchanted in the Disney Plus fairy tale Godmothered

Podcast Appearances

Debating Doctor Who: “Orphan 55”

It Pod To Be You: The Wedding Singer

Reality Bomb: Defending Doctor Who’s “Closing Time”

The Televerse: Spotlight on Doctor Who Season 12

You Should See The Other Guy: The Ugly Truth

Only Stupid Answers: Stargirl’s season finale

Motherfoclóir: Ireland and the Hollywood Rom-Com

Called in to Nerdette’s Clueless retrospective episode

Cinematic Universe Appearances

Cinematic Universe: Superman IV: The Quest For Peace

Cinematic Universe: Birds of Prey

Cinematic Universe: Infinity War watchalong

Cinematic Universe: Endgame watchalong

Cinematic Universe: Terminator 2

Cinematic Universe: Josie and the Pussycats

Cinematic Universe: The Cuppies 2020 (Cuppies of Cuppies)

And here are similar year-end wrap-ups I did in 2019, 2018, 2017, 2016, 2015, 2014, and 2013.

[onepunchmiss]

OPM Live Blog S2e1

Note that I’m watching this from the perspective of someone who is up to date on the manga, so spoiler warning on that. Now WITHOUT FURTHER DELAY LETS GET TO IT

“Return of the Hero”

“Sensei” I wouldn’t have had season 2 start any other way if I’m being honest.

Ok right off the bat, the animation difference is noticeable. Especially on Genos’s arms, But! I was expecting this and honestly I don’t mind it all that much. “I will call toy manufacturing companies” Genos stop you’re being too precious and my weak heart can’t take it.

Oh. My god. There he is! The King engine! Man it really is no wonder everyone is so quick to assume King is such a hero. The fluidity of the scene being animated really lends to the believability, despite how absurd it is on paper. Like if you told me that someone, completely by accident came to be seen as the strongest man in the world despite trying to avoid exactly that, I’d say it’s corny and unrealistic. One and Murata already worked magic to have it work as well as it has in the manga/webcomic, but hearing and visualizing the scene makes it even better. His voice over monologue here too really sells it. He just sounds so resigned oh my god

Paused just for 3 things-this face, the little chuckle while making this face, and “Doki doki Hottie Sisters 2.” King I love you.

WOW OK WAY TO JUST CALL US ALL OUT THERE THANKS

Aaaaaand panic attack. Oof. Poor guy. Two monsters just on the way home. This is actually kinda getting to me too, like hearing the hyperventilating while he hides in the bathroom stall is WAY too personal King my guy I feel your pain it will be ok ouch

On a side note, not only am I completely used to the animation already, but I am REALLY digging the visuals through the whole King introduction so far.

Ok I take that back but only a little. You can tell with the fight scene they’re trying SO HARD to live up to the animation MadHouse put out for season 1, but it just feels slightly off. Though i’m 100% certain that (at least with this sequence specifically) if I didn’t have s1 to compare, I wouldn’t think twice about the animation. Also, you go bby kick robot ass strive for top 10! Gosh I missed Genos.

King wtf you have NO business being this adorable

Oh fuck that got me good. The cutesy music and king talking to himself/Saitama without noticing and then SILENCE I am cackling. This is the good stuff, this is why I watch the anime even though you can read the manga. The comedic effect is just that much better with scenes like this oh god. And King, for not wanting the reputation of being an S class hero, you sure whipped that gimmick out quick.

Ok, I keep pausing every few seconds wanting to write something about this whole King-Saitama exchange, but that would just be excessive, so I’m just going to say I have been consistently cackling the whole time the humor is not lost at all this is a blessing thank everyone who made s2 happen

“maybe you’re just bored fighting monsters” With all the jokes and action aside I forget sometimes that Saitama is still struggling with the burden of being too powerful. I honestly feel bad for him because here he thinks he might have found someone to relate to but poor King is the exact opposite. I mean he gets a great friend out of it, but I wonder if he had a glimmer of hope for a second there. Now I made myself sad, ah man. anyway

Ohhey Vaccine man. Fitting that the first villain of the first season makes a cameo in the first ep of the second.

I’m so torn between having all these feels for King being all emotional, and oogling over Genos being actual badass oh my god. Good fight scene good animation badass Genos i’m 0% mad

There it is. Just wow. I know so many people were waiting to see that moment and I hope everyone felt that as much as I did. So good. I had to watch it twice it’s so satisfying to finally see it I wish it were longer? Saitama is just such a good guy. Although, I was kind of expecting the episode to wrap up with this bit, but there’s still 10 minutes. My curiosity is piqued.

Oh right, Genos needs his post-battle repairs. I hope they tone down the weird metal shading just a tad. Its a bit distracting ngl

OH HEY WELCOME TO THE ANIME GUYS

Ah, how could I forget all the Sonic fans out there? Mouthing off as usual. We missed you. Welcome back you charming disaster.

AH THERE SHE IS QUEEN BITCH SUPREME. Ok ok I actually feel dumb now for not realizing that every scene in the preview was from the first episode I should’ve seen Sonic and Fubuki popping up I’m a fool. And so the fubuki group ordeal begins. The back and forth of Fubuki and Sonic hyping up Saitama’s power with the intense music playing is getting me more and more hype. I’m getting excited despite the fact that I know how it all plays out for a while, which is a great sign

And I’m cackling  again. Saitama is a mood when I play video games I love them but I suck. God their dynamic is perfect please I need more please SAITAMA you better buy King a new controller don’t be that guy

oh

OH

Ok so the ENDING THEME has me MORE HYPE than the ENTIRE EPISODE I WAS BUMMED BY THE LACK OF OPENING BUT LIKE NOW I CARE ZERO

OH OHHO YES. GUYS. IM SO READY TO WATCH THE S CLASS KICK THE FUCK UP OH MY GOD

Alright now that I’m breathing like a normal person again-

All in all, I thought it was great! Barely feels like we skipped a beat from season one even though its been three years. I GUESS I can understand why some fans may not like it, but at the same time I feel like anyone going into the episode with a negative mindset is bound to be disappointed. At the end of the day I can’t complain about the animation, the story and framing stayed true to the manga and the pacing felt right, so I’m really happy.

Sorry this was messy but now that I’ve actually done this once I think the next episode will be a bit cleaner on my end. And I cannot WAIT

[jcmorrigan]

The Grim Adventures of Billy and Mandy

·      the first character i ever fell in love with: I actually started watching this show because I was writing a fic that involved pop culture depictions of Underworld gods, and this was the only incarnation of Nergal that I knew of. He immediately became my favorite character and GUESS WHO IS MY FAVORITE TO THIS VERY DAY

·      a character that i used to love/like, but now do not: Another 360. First I self-identified with Gladys for some reason. Then I found her aversion to the supernatural aggravating. But then she became iconic as the Only Sane Woman who is just trying to be normal in a sea of weird. So love, then hate, then love again, I guess.

·      a ship that i used to love/like, but now do not: Didn’t really happen.

·      my ultimate favorite character™: N E R G A L

·      prettiest character: Nergal. Not even kidding you.

·      my most hated character: Malaria. OH SO YOU’LL ONLY BE GOTHIC INSOFAR AS IT’S ALL PRETEND AND YOU’RE NOT OPEN TO DATING THE PHYSICAL INCARNATION OF DEATH EVEN THOUGH HE’S A REALLY NICE GUY. (The sad thing is Malaria is probably how most people would react and I’m getting worked up over normalcy. I just feel like if I ever found out my boyfriend were the Grim Reaper, I’d give him a shot and try to learn more about his world. I hope that would be my reaction, anyway.)

·      my OTP: NERGAL/SIS BEST EVER

·      my NOTP: Grim/Malaria. See above.

·      favorite episode: “The Loser From the Earth’s Core.” My lovely, lovely Nergal having to come to terms with the fact that you can’t always win. And, in fact, you’re going to lose MOST of the time. And that is kind of how life is for a lot of us. You just gotta love that you’re a walking ball of flaws. 

·      saddest death: NOBODY EVER STAYS DEAD IN THIS SHOW IT HAS NEGATIVE CONTINUITY EXCEPT FOR THE NERGAL PLOT

·      favorite season: Going by the Wikipedia list (since when it ran on Netflix, the order was messed up), it’s probably the classic S1 (the MOST Nergal episodes, “Hoss Delgado: Spectral Exterminator”, “Little Rock of Horrors”). However, I would like it said that I do LOVE the later seasons. I know some people say the show degraded over time, and I never really got that feeling. Yeah, I can tell things got different, and some characterization got a little weak, but it still remained the show I fell in love with.  

·      least favorite season: I don’t have one. For every ep I didn’t like, the same season also has something amazing. 

·      character that everyone else in the fandom loves, but i hate: I don’t hate anybody except Malaria, and I’ve never seen anyone actually like her. Or actually care about her. 

·      my ‘you’re piece of trash, but you’re still a fave’ fave: Mandy. (Nergal is not trash. He is better than trash. He is morally ambiguous.) 

·      my ‘beautiful cinnamon roll who deserves better than this’fave: Jeff the Spider. (Nergal is not a cinnamon roll. He is nastier than cinnamon. He is morally ambiguous.)

·      my ‘this ship is wrong, nasty, and makes me want to cleansemy soul, but i still love it’ ship: Don’t have one. 

·      my ‘they’re kind of cute, and i lowkey ship them, but i’m nottoo invested’ ship: Crossover - future “worm” Mandy x Dark Danny (Danny Phantom). And Supreme Shego (Kim Possible) is their best bud. 

[droo216]

Change #3841 that I like about the reboot: the name change to The Servant. Because as cool a name as it was in S1 of the real thing, who on EARTH is going to make a deal with and try to outplay "The Dark One" in their right mind? Whereas The Servant, well, his purpose is merely to serve those who call, with no ulterior motives of his own ... another part of Rumple as the trickster rather than Evil Supreme. So thanks for that, I'll get back to you when another bit of nonsense pops into my head :)

HEY I AGREE and that was 100% Menelaos!! I was calling him the Dark One still and he swooped in, changed it to the Servant, and I didn’t even think twice, it’s so good that I just went with it. It’s so much better than calling him the Dark One!