#the subtitles one happened pretty recently

[jaqdawks]

things my dad has accused of being russian malware, a comprehensive and ongoing list

My steam library tab

Java Minecraft

VPNs (all of the ones that don’t already come with your devices)

The subtitles I put on the TV

Hollow Knight

Paint Tool Sai

[theygotlost]

good afternoon here's my big rant on my pet peeves for subtitles in movies and tv

This is a post that I’ve thought about making probably for years now but never got around to. I might add more later if I realize I’ve forgotten any

When it comes down to it, the purpose of subtitles is this: to reflect exactly what the audience can hear, precisely when it can be heard. If you fail to do this, your subtitles are bad and you should feel bad. Although I don’t have concrete examples for most of these off the top of my head, I promise I have experienced them all firsthand at least once.

-> Watch for spelling and typos. Obviously.

-> Syncing issues.

This should go without saying, but the captions should be synced as closely as possible with dialogue and sound effects. Subtitles that are out of sync are worse to me than no subtitles at all. They’re unbearably distracting and I have to turn them off. I’m fortunate enough that I can keep watching without them, so imagine how frustrating this is for someone who needs to keep them on no matter what.

-> Jumping the gun.

This is basically an example of out-of-sync subtitles that are slightly too fast, but it gets its own category because it ruins the viewing experience in its own unique way. In particularly dramatic scenes, actors will often draw out their lines or pause between phrases. Captions sometimes fail to reflect this by displaying the entire sentence all at once, allowing the audience to read what someone is about to say before they actually say it, which deflates all the dramatic tension of the scene.

-> Phantom captions.

This one is less self explanatory, but it’s kind of similar to syncing. Sometimes there will be significant intervals of time between lines of dialogue, especially after a scene ends and a new one begins. The interval may include music, sound effects, or complete silence, but what I’m calling a “phantom” is a caption that stays on the screen after that last line of dialogue is delivered until the next line is spoken. I don’t remember what I was watching, but there was one that was glued to the screen for SEVERAL MINUTES over what was supposed to be an atmospheric break between scenes and it drove me nuts. In my experience this happens more often with older subtitling for DVDs and some old videos and less with modern streaming. 

-> Straight up spoilers.

Sometimes, a character will speak whose true identity has not yet been revealed to the audience. If I’m not supposed to know the character’s name yet, don’t just… tell me right there in the captions whenever they say something. Descriptors like “disembodied voice”, “man”/”woman”, “mysterious figure”, etc. will suffice.

-> Lack of musical descriptors.

It usually helps to describe the genre or emotion of the music that’s playing rather than just writing [music] or 🎵. That being said, if there is a song playing that’s particularly well known in the mainstream, I think it’s useful to actually include the name of the song. This one I do have a concrete example for: in Arrested Development, Gob always blasts The Final Countdown during his acts. But the captions on my DVDs for the show always describe it as [stagy pop]. Like yeah I would say that song is some pretty stagy pop, but I think a lot of the humor comes from knowing that it’s specifically The Final Countdown by Europe because it’s such a perfectly corny selection that Gob would make.

Another musical failure is not transcribing pertinent lyrics. If the song is playing in the background, then that’s understandable and it can be kind of distracting if there’s dialog happening on top of it because the audience isn’t actually meant to be paying close attention to the song. But if the song is front and center, like for a musical number or montage, then the lyrics can be pretty important. Last year when I watched Arcane on Netflix with my family (a recent, high budget production from the biggest streaming platform ever), the show had the nerve to write [man rapping] over a musical sequence. Imagine if all subtitles ever just said [person speaking] for the entire movie.

-> Affectations.

If a character starts using a silly voice or accent, or if the sound of their voice changes in any way, describe that. If the audience can hear the difference, the subtitles should reflect that difference. And they should reflect it informatively and accurately; for example, don’t just say [mock accent], but specify [mock French accent]. 

-> Paraphrasing.

I don’t even know why this is an issue, but it’s alarming how many times the subtitles just… straight up don’t match what the characters are actually saying. It’s like the transcriber was forced to write all the captions from memory, so they kinda sorta say the same thing, but the wording is different and some sentences or phrases are missing. When I brought this up with my mom she theorized that the transcriber was working off the script for the movie because hey, that’s all the dialogue already written down, right? But it completely fails to account for revisions, improvisation, or actors delivering their lines even slightly different than how they were originally written.

And last but certainly not least, one of the biggest offenders in bad subtitling…

-> [Speaks foreign language]

If someone says something in another language, please, for the love of god, do not just write [speaks foreign language]  and call it a day. Specifying the actual language is an improvement, but this descriptor only works if the audience members are truly not meant to know what’s being said (which is sometimes the case). If a character is only saying a single word or phrase in another language, transcribe it. As in, write down the actual words that they said. If you don’t speak that language, find someone who does. You are insane for transcribing a character saying “hola” or “abuela” in an otherwise English sentence as [speaks Spanish] (real examples I saw respectively in Rango and JANE THE VIRGIN. THERE’S SO MUCH SPANISH IN THAT SHOW). 

If the audience is supposed to know what someone is saying in another language, English subtitles will usually be hardcoded. DO NOT, UNDER ANY CIRCUMSTANCES, LET THE CAPTION SAYING [SPEAKS FOREIGN LANGUAGE] COVER THESE UP. This is actively impeding understanding, not helping it. Jesus christ

* Please keep in mind that I’m not deaf or hard of hearing and I don’t have auditory processing disorder; I almost always watch movies and tv with subtitles whenever the option is available because it helps me absorb information better. If I don’t even strictly NEED subtitles and these are issues for me, I can only imagine how much more difficult it is for those who rely on them more heavily. I invite you to add your own perspective!!

[rebeccathenaturalist]

hey there! fellow naturalist (albeit less experienced!) here! in regards to the AI-generated ID guides, do you have any advice for helping the general public learn to recognize them? are there any giveaways other than incorrect information a layperson might not pick up on that we can tell people to watch out for?

Hi, @fischotterkunst! It's a messy topic, to be sure, but here's what I've been seeing of these AI-generated texts, at least on Amazon:

--If you sort your search for "foraging book" or "mushroom hunting" or whatever search string you use by "Newest Arrivals", you'll notice that there is a glut of books that have come out in the past few weeks. Yes, there are always new books, but this is at a higher than normal rate, which suggests AI is behind at least some of them. There ARE occasionally real authors' books that just happened to come out recently, so don't dismiss every single book that is a fresh release. Use the other criteria below.

--They will invariably be self-published or from some publisher with zero online presence. Not a problem by itself; my own chapbooks are self-published on Amazon KDP. But they come out every three months, not every three days, because I am researching, writing, and editing them all myself, rather than churning out content with AI.

--The titles and subtitles are often very long and stuffed with keywords. They are obviously optimized for search engines rather than being descriptive of the book and they have a rather clunky fashion.

--Look for obvious typos and other errors; for example, in the image above we have "WILD MUSHROOM COOKBOOK FOR BEGINNER: The complete guide on mushroom foraging and cooking with delicious recipes to enjoy your favorite". It should be "for beginners", and the subtitle just...ends prematurely. Favorite what? Favorite mushrooms? Favorite cartoon characters? Favorite color? Also, while there are lot of variations on name spellings, "Magaret" instead of "Margaret" stands out as a possible fake in combination with other clues. (All her other books also have this spelling, though.)

--This is a BIG one: Who's the author? Check their bio. In the above image you'll see that "Jason Cones", the author of "The Wild Edible Plants Forager's Handbook: A Beginner's Guide to Safe Foraging, Including How to Identify Edible Plants, Learn About Their Medicinal Properties, and Prepare Them for Cooking", has a very generic picture and bio that has pretty obviously been generated by AI. If you search for him online, the only page for an author named Jason Cones is the Amazon author page--no website, no social media, no interviews, nada. Even a brand new author will at least have something other than their Amazon page, and they'll mention experience, credentials, other biographical info.

--Look at the author's other books. Magaret seems to focus on cookbooks of very specific sorts, but again they've all come out in a very short time. They also tend to often be on really super-specific niche subjects--this, again, is not a red flag in and of itself, but it's a common pattern with AI "authors". Jason Cones, on the other hand, has written over two dozen books not just about foraging but anger management techniques, acupressure, and weed gummies, and all of his titles have come out since last December.

--If all the books have the same cover but slight differences in title, it's also a big red flag. There are reputable publishers of regional foraging guides like Timber Press, but their books are written by multiple authors and have come out over a long stretch of years (plus they're a well-known publisher with a solid track record, online presence, etc.) Also notice the typos in the title and subtitle; everyone says "Mushroom Foraging", not "Mushrooms Foraging", and "Keep Track Your Mushroom Sightings" is missing "of".

--Compare the descriptions of multiples of these new books and you start seeing patterns. If you look at the images above, you'll notice that both Lorna K. Thompson's "Foraging Recipe Cookbook" and Kevin Page's "The Ultimate Foraging Guide for Seniors" have a very similar formulaic description. They start with a brief story about a person in a town or village who discovers some foraging secrets and then transforms his life, and then a list of things you're supposedly going to find in this seemingly miraculous book. This basically reads like "Hey, ChatGPT, tell me a story of a person who improved their life with foraging in two hundred words or less!" Also, the ends got cut off of my screen shot, but they both end with "GET YOUR COPY TODAY!"

I have not purchased any of these books to verify how awful the content is, but what little content I can see in the previews is uniformly formulaic and, again, reads like someone asked an AI to write content on a topic with some specific keywords thrown in. Needless to say, I do NOT recommend any of these books.

Also, I feel really bad for any actual authors who released their books in the past few months. They're likely getting drowned out by this AI junk, though hopefully they're getting enough attention for their work through their publishers, social media, etc. to get some sales. Support your real-life authors, and boycott AI!

Finally, PLEASE reblog this! It's really, really important that people know what to look for, and the more posts we have floating around with this info, the less likely it is someone's going to get poisoned by following what these books have to say.

[neoflect]

sharing some of my disorganized jojo musical thoughts now that ive had a week to sit on it and ive rewatched it several times over. i intended to wait to publish something like this until a subtitled version was available, but im not seeing any indication that thats happening any time soon so for now youll have to deal with my loose interpretations from my extremely rudimentary and rusty japanese… so take what i have to say about the finer points of characterization with a grain of salt. gratuitous spoilers below obviously, both for the original source material and the changes made in the stage production

my feelings are OVERWHELMINGLY positive. of course there are things i can criticize or that i would have personally done differently but oh man… i have literally not thought about anything besides this fucking show for a week. im 100% confident in saying this is a better adaptation of the source material than the tv anime. sorry to the davidpro staff, i respect their hard work and their love for jojo and their dedication to what is by any metric a pretty difficult property to adapt off of the page, but i dont know if i can ever forgive them for leaving half of the first episode’s storyboard on the cutting room floor in order to fit a standard half-hour tv slot, especially considering that what they cut is some of the really crucial character-building stuff. happily those scenes are not only reproduced in the stage version, some of them are expanded upon!

with the quick disclaimer that i’ve only managed to get my hands on the final 4/14 performance with shotaro arisawa and yoshihisa higashiyama, from what i’ve seen the casting is perfect. i’m sure there’s a rip of the 4/13 performance somewhere (i’ve seen clips) but i haven’t been able to find one… every single performer knocks it out of the fucking park, the cast chemistry is incredible and even the minor characters are loaded with charisma. and mamoru miyano… my god… mamoru miyano i owe you an apology. i was not familiar with your game. of course hes been killing it for decades at this point but i had soured on him a little bit recently because i felt like he was overcast in everything and i just didnt connect with his dnt reinhard at all, so when the casting was initially announced back in august i was underwhelmed, and of course my standards for the dio role in particular were astronomically high… i’ll go more into detail later in the post because i have so so many things to say about dio’s characterization here but mamoru miyano’s performance is like, life-changing. i had impossible expectations and he exceeded them.

sorry if im gushing. i am a hater by nature. its unusual for me to be so thoroughly pleased with something. im not even a musical theater guy. these are strange new feelings for me.

just to balance things out i’ll talk about a couple of the things that didn’t really work for me: first of all, the music is just ok. my initial draft of this post called the music “bad” but three additional viewings later i have warmed up to some of the songs. i don’t know if this is a shortcoming by dove attia as the composer or if it’s just me, as i said i’m not a musical guy and a lot of the genre conventions of musical theatre are not really the things i look for in music that i enjoy, but like… even at their worst they are serviceable. nothing here is sonically unpleasant to me. high points are “resolve of the ripple” (zeppeli’s hamon training song, a jazzy swing number - it’s simply catchy and fun to listen to) and the closer “phantom blood” (a sweeping ballad that reprises the earlier “light and darkness”/”golden spirit” leitmotifs into an epic duet between jonathan and dio as they join hands and walk off into the darkness together… made me cry! i wont lie! on every single one of my numerous viewings this one got me misty eyed!)

wait i forgot this is supposed to be the part where i’m being critical. ok my most loathed song in the musical is “dio’s world”. sorry dio nation. it doesn’t really work for me. i think this might be a case of my standards/expectations being too impossibly high because it’s not even really the worst song in the whole thing. and of course miyano eats it up so it’s not really his fault. i just find it kind of underwhelming… i find the melody a little grating, it’s kind of just a generic rock number, it’s just missing a particular je ne sais quoi…. the essence of dio isn’t there… lyrically though i am obsessed with the premise of dio recruiting his minions by selling himself as a kind of social revolutionary who is upending and inverting the brutal hierarchy of post-industrial victorian society with zombie blood magic. you win some you lose some.

the second sticking point for me is the costumes. they’re perfectly serviceable… adequate… but i mean when it comes to jojo “serviceable” and “adequate” costume design obviously falls well below what’s expected, right? a lot of the outfits have kind of a boxy, almost flat-looking kind of unflattering fit on the actors, which if i wanted to be generous i could attribute to the challenge of bridging the gap between these frail slender musical theater twinks and the two-meter-tall 250lb roided-out beefcakes theyre meant to be embodying. (bearing this discrepancy in mind a lot of the insane martial arts stuff in the second act doesn’t really land with the oomph that it should, but i also understand logistically why this kind of casting is not practical, and all things considered i think shotaro arisawa does a really incredible job of embodying jonathan joestar even though he kind of looks like i could snap him in half over my knee like a twig. he’s very cute. so i’m not mad about it.) of course, again, logistically, i understand that in a stage musical production, where actors only have minutes to complete costume changes, some sacrifices have to be made to the creative vision in the name of practicality. nevertheless this is jojos bizarre adventure!! i want to see some fucking baubles!!!!!!

which is all to say that… after carefully considering it for some weeks… i still have extremely mixed feelings about dio’s grink ass feather bathrobe look. it’s not that i dont think its something he could wear (the concept of dio lounging around in his gothic vampire palace doing re-animator style body horror experiments on the local wildlife in this “officer i have no idea what happened to my husband”-ass nightgown is nothing short of hysterical to me) but then he wears it into combat and i felt a little disappointed… it has the same unflattering fit issue as the other outfits in the show, and it is just such an un-araki-like design… where are the gaudy color combinations? the bizarre geometric patterns? the tease of an exposed boob/thigh/midriff? erina gets a stage-original dress design that i have fewer issues with because the excessive pleats and ruffles have more of an araki-esque sensibility, but every time i look at dio’s robe it feels like there’s something missing.  i’m going to choose to be nice about it because it’s not at all a deal breaker and, again, mamoru miyano devours the look. it’s fine. it’s always fun to have a new dio outfit. if anything, the fact that the blu-rays are being marketed as “2024 cast version” gives me hope for the possibility of a future production with a new vision for the costume design. (although the fact that this was such a difficult production - with stunts and pyrotechnics and moving setpieces - that its entire first week was cancelled indicates to me that the prospects for a future production from a different company are impossibly slim. i guess there’s always hope?)

in terms of the writing and the changes that were made from the original narrative, honestly i don’t really have an issue with anything that was cut. sorry if there are any diehard stans of Poco’s Unnamed Sister out there who are steamed that their favorite minor late phantom blood character got the axe, i kind of understand how you feel because i’ve been malding over david pro cutting the Danny Lore for eleven years, but i think it was the right choice and the story flows so much better. the real juicy meat at the core of phantom blood as a narrative and the thing that brings it head and shoulders above so much of the rest of jjba is the character-driven drama - that deliciously pulpy victorian gothic family tragedy - and the relationship between jonathan and dio. the musical beefs up the character drama and slims down the action-driven second half by trimming out the extraneous battles. the only real downside i see to this is that the absence of tompetty and his prophecy makes zeppeli’s arc and death feel INSANELY abrupt, but tbf that’s not a deal breaker for me. sorry zeppeli. you were born to die.

okay. okay. i think 1500 words into the post is enough fucking around so let’s talk about the real reason why you and i both know we’re here

musical dio is SO fucking sad. he’s positively wretched, you guys. he was born in a wet cardboard box all alone and forced to eat cement when he was six. he cries even more than he does in the source material and even when he’s not crying he frequently delivers his lines as though he is moments away from bursting into tears. back when the musical first opened i was snooping on the reactions on jpn twitter and one commenter said they could see miyano’s tears and snot from the nosebleeds even without opera glasses, a remark i initially assumed was hyperbole but that i now think probably was not. araki’s dio is certainly tortured and a deeply pathetic crybaby beneath all the cruelty and posturing, but changes in the musical and miyano’s embodiment of the character bring this pathos to the fore. he is literally haunted: dario’s ghost lingers, a manifestation of all of dio’s traumas and insecurities that emerges from the recesses of his memory to taunt him with the reminder that he will always be his father’s son, all the way up until the very minute that jonathan breaks down the door to his vampire lair. i am OBSESSED with this - not only for the obvious reason that i delight in dio’s suffering personally but also because kong kuwata is a delight and he fucking kills it every time. also lends itself to a category 10 leitmotif moment at the top of the second act when dio emerges from the charred ruins of the joestar estate singing dario’s theme and calling out to jonathan - if i had to pinpoint this is probably the moment when this musical stuck for me as the Real Deal. they Get It.

the first solo number in the show is dio’s disney princess I Want song (amazingly, simply titled “dio”) where he weeps for his late mother and his wretched lot in life, and then - in a creative decision that made me clap my hands and hoot and holler at my screen in real life - there is a reprise of this number (delivered, naturally, through tears) when dio is almost arrested for murder and decides to become a vampire instead. so there’s this amazing hopeful uplifting inspirational orchestral music accompanying the onstage action of dio ruthlessly slaying jonathan’s dad and then getting pumped full of lead by a bunch of cops. it is brilliant. 10/10 no notes. it’s moments like this that i think really sell the “softening” of dio in the stage version for me, even though i am historically Not A Fan of fanworks that take a similar angle - like, yes, he is sad, but specifically he is narcissistically obsessed with the spectacle of his own suffering, he is boiling over with bitterness and rage for everyone around him who (by his own estimation) could never hope to have suffered as much as he has. this sensitivity and self-pity he wallows in are not expressions of a guilty conscience or a desire to change - they’re entirely the opposite - every cruel and monstrous deed dio commits is always justified to himself because he is simply the saddest little boy who has ever existed. he has been done wrong by the world and so there is no limit to the depravity he may reasonably respond with. i’ve seen several commenters describe this as a drastically different interpretation of the character from araki’s dio (and someone told me on twitter that mamoru miyano himself has also said this, but i cba to go digging for an actual source so take it with a grain of salt?), but i… dont think thats the case! dio’s obsession with his own weakness and his self-perception as the eternal underdog (as compared to jonathan) are certainly more exaggerated in miyano’s performance, but i don’t think this is an angle to the character that’s been manufactured out of whole cloth. the genre conventions of the stage musical force the melodrama up to eleven and dio’s incredibly repressed angst is the most rich vein to mine for that. hair-trigger sadist dio is still here, it’s the same guy, he’s still killing people mercilessly, you’re just getting to see him sing a big ballad about his feelings instead of confining those to an internal monologue.

if anything, the exaggeration of dio’s pathetic/cowardly/crybaby traits combined with his megalomaniacal aspirations and bottomless well of cruelty is just right. it’s perfect. fucking around, finding out, and then trying to weasel his way out of the consequences with crocodile tears just so you don’t see him drawing his knife to cut you clean open… yeah. thats the stuff. thats my one true blorbo. sad to say i will love him for ten thousand years.

i think that might be all i have to say… or at least all i feel like saying here… most likely ill come back and edit this post later. i certainly have some additional thoughts and some more esoteric/controversial takes but they’re not suited for a public blog. real ones will understand. im keeping my eyes peeled for somebody to translate this thing but to be frank i am kind of enjoying this little corner of fandom as it is right now: just the asians and the true hardcore phantom blood phreaks. i have not had this much fun in jojo fandom in almost a fucking decade. as soon as somebody publishes an english version my timelines going to get flooded with all the most deeply annoying “kono dio da” “speedwagon waifu” reddit guys and 15 year olds and my suffering will proceed. unfortunately this is my lot in life and i am doomed to be here forever because dio put a worm in my brain

[thydungeongal]

Okay so as I posted earlier, I picked up Holveja & Hirviöitä, a Finnish retroclone/OSR game at the con last night. I do want to write about it in a bit more depth. This post is probably not going to be useful to any of you unless you can read Finnish, because there's probably no way this game will get translated: it specifically exists because the author saw a demand for an old-school D&D clone written in Finnish, inspired by the existence of Legendoja & Lohikäärmeitä (an unofficial Finnish translation and evolution of D&D 5e).

First of all, the full title of the book isn't just Holveja & Hirviöitä. It's Holveja & Hirviöitä: Pelaajan opas, the subtitle roughly translating to "Player's Guide." The book thus contains just the player-facing rules: character creation, combat, adventuring, spells, advancement, and so on. You won't find rules for monsters or designing adventures in this book. The author, Tuomas J. Salo, has spoken elsewhere about the fact that the game is likely not going to find purchase among anyone but people already invested in the OSR, and those people likely already have more GM's books than they need. I understand that rationale, but honestly I do hope he puts out a separate Game Master's Guide, because even in its current state there is a lot to love about H&H and I would love to see it expanded into a wholly standalone game. Also, I want to support Finnish language gaming. Even though I mostly hang out on the anglophone side of the RPG internet, I also happen to think that my first language is pretty cool and it'd be cool to play RPGs in Finnish with my homies.

H&H isn't a direct retroclone of any particular version of D&D nor is it a Finnish translation of any previously established OSR game. It is more like a best-of of the author's favorite elements of the OSR, picked from multiple different games and blog posts. It is most recognizably based on B/X, but it differs from that one too.

Here are some features of the game:

Four classes, corresponding to Fighter, Magic-User, Cleric, and Thief. No demihumans classes, and in fact no rules for playing demihumans at all.

Characters get a class and level-based attack bonus. Fighters get a full +1 per level, other classes varying slower rates.

No class-based restrictions on weapons and armor, but there are limitations on the use of magic and skills when unencumbered.

To make Fighters (Soturi, warrior) still stand out as the best weapon users, besides their higher attack bonus they also increase all weapon damage dice by one type (a sword that deals 1d8 damage becomes a 1d10 and so on).

Magic-Users (Velho, wizard) are vancian casters, nothing surprising there.

Clerics (Pyhimys, saint) use a spell-casting system based on expending a resource called Suosio (Favor). After casting a spell a player rolls a number of d6 equal to their character's current Favor, and if at least a number of dice equal to the spell's level come up 4+ their Favor stays the same. Otherwise it drops by one. I have no idea how well it works in practice but I like the idea of differentiating between Magic-Users and Clerics mechanically.

Thieves (Taituri, master, expert) are clearly more in line with LotFP's Experts than B/X Thieves. Skills are a 1 of 6 chance by default and unlike other characters they get 4 extra points to divide between "pips" in various skills to increase their chance of success, with more skill points unlocked at each level.

Characters have a single saving throw number (16-level) which is further modified by the highest of two stat modifiers for a total of three different saving throws. If I'm not entirely mistaken, this is also how Sine Nomine's more recent games handle saving throws.

Besides just rules for adventuring and combat there are very specific rules for owning property and investing in business venture to gamble with your character's resources between sessions. These also seem pretty much lifted wholesale from LotFP.

The three alignments are as they always have been, but renamed to work better in Finnish. Specifically, Law isn't Laki which would sound dumb as hell, it's Kohtalo, or Fate. I think Fate vs Chaos is much more evocative, and it also reinforces how alignment in this game is cosmic and not just a shorthand for "is your character good or bad."

All in all there's very little here that I don't like. I mean, except for the fact that unarmored AC is 12 and AC goes up which is just bullshit. Again, there is nothing remarkable about this game in the context of other OSR games, as most of its rules have appeared elsewhere, but the translation of often clumsy gaming terms into Finnish is solid. (I especially love that Hit Points are just called Sisu, a word that would roughly translate into English as "guts, moxie, pep.")

[bookwyrrm]

 The acting and the blocking in episode 7 after Greta and Carson come back to the house is so good. We can feel the tension in the room. Jess, Lupe, and Esti have been back long enough for Lupe to start a game of Dominos with Maybelle, but none of them have changed clothes, so I think we can infer that they returned still pretty recently.

In this scene, Jess is full of nervous energy, pacing behind Lupe’s chair as well as rocking back and forth on the balls of her feet. Given how we’ve seen this character act just last episode in two spaces where she feels really comfortable (the bar and the team house after they win), the fact that Jess is standing all by herself, not touching any of her teammates, really shows how shaken up the atmosphere of the team is after Jo’s transfer. Because when Jess is happy, she’s touchy - she hugs her teammates and grabs or pats their shoulders. In the bar, she’s hanging off of Lupe almost every time they’re on screen. In the scene above, she’s staying close to Lupe, but even though we can almost feel how much Jess wants to reach out for physical comfort, she’s stopping herself and trying to keep busy in other ways, like drinking or pacing.

I think that Jo’s arrest is not only a disruption of Greta and Carson’s bubble (Oz), but also Jess and Lupe’s. As they’ve grown more comfortable and the team has grown closer, some of the walls they have to protect themselves have come down. What happened to Jo is a devastating reminder that it’s not safe for Jess and Lupe to be visibly queer and link themselves together. The blocking in this scene illustrates just how isolated they must feel now.

For example, here’s a screenshot from Episode 6. (I think this is ep 6. Also I’m sorry about the subtitles. I was so focused on getting a good screenshot that I totally did not notice the text until making this post.) Anyway, there’s Jess and Lupe standing together in the corner as they usually do.

Now here’s a scene from Episode 7. This is where I really credit whoever did the blocking for this shot. The other girls are clumped together similarly closely as they were in the locker room one episode earlier... except Lupe and Jess, who are standing abnormally far apart.

Are these the same people from the previous episode?? Yes, BUT the environment of the team has changed now that people are reeling over Jo 1) being queer 2) being arrested 3) being traded. In this screen shot, Lupe and Jess - also the only ones obviously wearing pants - are doing everything they can not to draw attention to their friendship, because the team is no longer a safe space for them to be their authentic selves.

They are standing so far apart, there’s room for a whole other person in between them. That’s why I think this is a brilliant blocking decision, because it not only shows the strain that Jess and Lupe are obviously feeling, but it also calls attention to the fact that Jo is missing from this tableau.

[holmesxwatson]

James Lovegrove’s Sherlock Holmes books

James Lovegrove has written a ton of Sherlock Holmes books over the years (all Victorian era/canon era). I recently came across his latest series on the Hoopla app while I was browsing audiobooks that were available and the cover art totally roped me in. I ended up reading all three books in the newest series, all the Cthulu casebooks and a few in his earliest series. As far as I can tell, his books seem to be split into three different series based on the structure of the subtitles and the different cover art. I enjoyed all the books I read by Lovegrove for different reasons, but as I've already established in my other book rec posts, I mostly only care about the Holmes/Watson dynamic. So listed below are Lovegrove's Sherlock series in chronological order, which also happens to be, in my opinion, the order from least to best Holmes & Watson dynamics •ᴗ•

━━━━━━━━━━━━━━━━━━━

The New Adventures of Sherlock Holmes by Titan Books Series, 2013-2018

I honestly just realized while researching links for this post that Lovegrove's books in this series are part of a bigger series with multiple authors (lol me), so I'm not going to list all the titles here, but they've been published from 2011-2023 and Lovegrove has written six of the 21 books. The other authors in the series are Guy Adams, George Mann, Cavan Scott, Mark A. Latham, Nick Kyme, Philip Purser-Hallard, and Tim Major. I read the first two Lovegrove books in this series last after reading his other SH series and the stories were pretty solid. One of them was a WWI-era story, which is a time period that I love to read about. The only thing I will say is that the Holmes & Watson vibe is a little too I'm-smarter-than-you-do-keep-up for my taste, which is why I took a break after reading the first two. But I wouldn't be against dipping back into this series at some point in the future and also checking out what the other authors have to offer.

Goodreads series page (x)

━━━━━━━━━━━━━━━━━━━

The Cthulu Casebooks, 2016-2023

There are four books in the Cthulu Casebooks series and the framing device is that James Lovegrove himself is a descendant of H.P. Lovecraft, which is how he comes into possession of Watson's secret writings on his and Sherlock's real adventures going up against Cthulu and other eldritch horrors. These books are not just a romp through a mashup of literary worlds, there are very real stakes and things get dark. I really liked these books, I'm not really a Lovecraft fan at all, but I have read some of his works and of course I'm aware of all the elements from his works that have transcended their stories and are really a part of general fantasy/horror fan knowledge. My best friend is a huge Lovecraft fan and we read these together, so they were able to tell me how precise the Lovecraftian elements were -- they were precise -- so Lovecraft fan approved. The framing device was my favorite thing, especially the author's note at the end of book three, which was a very bone-chilling way to end the book (that I was listening to on audio in my dark house at night -- oops).

Sherlock Holmes and the Shadwell Shadows

Sherlock Holmes and the Miskatonic Monstrosities

Sherlock Holmes and the Sussex Sea-Devils

Sherlock Holmes and the Highgate Horrors

Goodreads series page (x)

━━━━━━━━━━━━━━━━━━━

James Lovegrove's Sherlock Holmes, 2019-2021

This was my favorite series out of the Lovegrove set and also the first that I read. I felt like the Holmes & Watson dynamic was especially great -- and for me that means: they felt more like equals, there was just the right amount of bickering, and they cared deeply about each other. While I was reading these I took some short notes to help me remember what was special about each book, here they are below next to the titles. I would say that the covers and titles make the series seem like it might have fantasy elements, but it's more like they are debunking their clients outlandish theories before getting stuck in on the actual case.

Sherlock Holmes & the Christmas Demon (has a Three Garridebs-esque scene; Holmes dresses up as Santa!)

Sherlock Holmes & The Beast of the Stapletons (a continuation of HOUN complete with a short estrangement of Holmes & Watson)

Sherlock Holmes & The Three Winter Terrors (the dedication at the beginning of the book is to Jeremy Brett ❤)

Goodreads pages (x) (x) (x)

Here’s my goodreads shelf with all kinds of Sherlock Holmes books that I’ve read or am hoping to read. Let me know if you have any recs! And check my pinned post for other book recs posts!

[kydoesthings1]

McGillis and the Pied Piper

because February 24th’s Wordle was piper and I am procrastinating on school work

At 16:57 of S2E21 (E46) Gaelio says this to McGillis before charging him.

(Gaelio is speaking through the comms offscreen.)

(Apparently this line was also used in a game. I forgot which one. I don't play Gundam games.)

Gaelio literally says something along the lines of "Are you still going to play the pipe of Hamelin even when the battle is going like this?" Not sure why this is the subtitle. But they mostly mean the same thing so maybe I'm just nitpicking.

To refresh your memory a little, this is when the Revolutionary Fleet is very clearly losing to Arianrhod, and McGillis just made his pep talk and this iconic frame. They are preparing to retreat and regroup when Gaelio shows up to fight McGillis.

Gaelio referencing the Pied Piper of Hamelin (Hameln, same thing) is of course connected to McGillis's and thus his love of myth/folk tales. Because of McGillis's influence, Gaelio also has a strong liking for stories. He names himself and Gundam Vidar/Kimaris Vidar after Vidar, the Norse god of revenge and silence, son of Odin and slayer of Fenrir (Fenris, same thing but IBO uses Fenrir) the monster wolf son of Loki during Ragnarok. The same side story 'Eve of Vidar' also tells us he used to hit on girls using Norse mythology fun facts, including Yamazin Toka when he was a test pilot for the Schwalbe Graze.

Although these are relatively common knowledge for us, the viewers, they are probably niche facts however many years in the future the Post Disaster timeline is (in UC0079 Hitler and WW2 is considered "middle ages" despite being historically quite recent for us). This is one thing Gaelio and McGillis have in common and it is because of McGillis.

(Also this is kind of a weak diss? Like if you're gonna insult McGillis why compare him to something so cool. "Snake on the moon" - now that's an insult. But I digress.)

But what is the Pied Piper exactly? The Pied Piper, or the Ratcatcher (der Rattenfänger) is a legend of the town Hamelin in Lower Saxony of Germany. There are dozens of variations of this tale, but I'll only be talking about the most popular versions that relate to the events of IBO.

In 1284, Hamelin had a rat problem. Basically there were a whole bunch of rats, and they made life suck for the townspeople, as large numbers of rats tend to do. According to Robert Browning's poem, the people were mad at the mayor for not being able to solve the problem, and were about to kick him out. Then a man wearing a coat of many bright colors (Browning's version says yellow and red, both in McGillis's palette at some point) and holding a pipe showed up. The Piper promised to get rid of all the rats in exchange for 1000 guilders. He then played his pipe and all the rats came out and followed him into the river Weser and drowned.

The townspeople did not follow through on their end, however, and came up with all sorts of excuses to not give him the promised 1000 guilders. This angered the Piper, and he played his pipe again, and this time all 130 of the town's children came out and followed him away dancing and they never returned, nor were they ever seen again. Versions disagree on what happened to the children. In the Grimm Brothers and Browning's versions they went to Transylvania. Others say they went to a land like paradise in a cave. Others say they drowned in the river like the rats.

So how does this relate to McGillis and IBO? Well actually it's pretty obvious - Gaelio is simply saying McGillis is luring Isurugi, the Revolutionary Fleet and Tekkadan to their doom with false promises.

However, the point of this post is to point out some interesting details of this parallel. The Piper lured the children of Hamelin away as an act of revenge on the adults of the town because they didn't pay him what was rightfully his for his service. McGillis's coup can be framed as revenge on the corrupt system of the world Gjallarhorn maintains, and those who personally victimized him.

Interestingly, some accounts describe the Piper as "a miracle of God" and that he was sent to test the townspeople, and punish them when they didn't keep their word. Others call him the devil in disguise, who intended to trick the people and take their children. This is like how McGillis can be seen as a charismatic leader aiming to change the world for the better, or a ruthless, cold-blooded, lying, backstabbing, power-hungry traitor who will stop at nothing.

Additionally, Bael, the demon king, is a fallen angel who was cast out with Lucifer for rebelling against God, and Gundam Bael's gunpla box describes it as "a demon with the appearance of an angel" (this could also apply to McGillis himself).

In many versions of the story, some children are left behind. Which ones exactly vary, but Browning's focuses on a boy with a broken leg who couldn't keep up with the other children, so he was able to tell the villagers where he saw them go. The boy said they went into a portal on the side of the mountain, and on the other side was a paradise where everything was beautiful and peaceful. The boy was very sad he couldn't join his friends there because now he was all alone and couldn't return to that land.

Sounds kind of familiar, doesn't it?

In the epilogue, Gaelio is in a wheelchair and his bandaged neck suggests that his Alaya-Vijnana implants had been removed fairly recently. Supplemental info reveals that McGillis injured his spine during their fight at Edmonton, and Gaelio was only able to be up and about in S2 thanks to his AVS.

If the land the Piper and the children went to is Heaven, then this could be read as Gaelio being the only one not to follow McGillis into death, and being the sole survivor of his friends (for the sake of this argument Julieta doesn't count because Gaelio wasn't fighting for or against her).

An important difference is the boy longed to follow the Piper, while Gaelio rejected McGillis because he schemed to kill him and his friends.

The Piper's other name, the Ratcatcher? Tekkadan are space rats?

Also McGillis's true name Montag, presumably his surname before Iznario's adoption, is German for Monday, hinting at his heritage, and the Piper is a German story (obviously).

The Pied Piper is a legend that originated in the Middle Ages, and Gjallarhorn's leadership, ideology and overall aesthetic is reminiscent of that.

There is a version of the story that the Piper will return in 300 years. Which he did not do, but 300 years? McGillis, the self-proclaimed successor to Agnika Kaieru after 300 years?

I can't be bothered to write a separate piece on Gaelio's legs so I should also mention that Vidar, the Norse god defeats Fenrir by stepping on his lower jaw with his shoe made from all the collected pieces of leather people cut from their own shoes, and grabbing his upper jaw and ripping him apart at the mouth.

Vidar's special shoes are like how Gaelio says he’s carrying all the wishes of Carta and Ein, and the AVS Type-E also serves as his literal feet. (Also he wears very striking white thigh-high boots that are very hot. What they're not is part of the Gjallarhorn uniform, just to make this connection, in addition to exacting revenge in style.)

In many carvings, Vidar is shown stabbing Fenrir through the heart also, and Gaelio/Kimaris Vidar defeats McGillis by pinning him against the Arianrhod flagship and stabbing him/Bael through the torso.

Proposed origins of the Pied Piper

Now obviously there was no piper guy dressed in goofy clothes that stole all the children of a town with magic music. There are several theories about what the legend is based on. This has nothing to do with IBO anymore and I just thought it was fun so feel free to stop reading if you don't agree.

Plague: According to this theory, all the children died because of illness and the place they went to is a mass grave. The Piper's many-colored clothing represents the sores and discoloration of skin of those who contracted the illness, and he is the personification of the plague/death. Rats are carriers of fleas, which spread the plague. 1284 is a bit too early for the Bubonic Plague (Black Death) though, so it may have been something else.

Emigration: The emigration theory suggests that much of the people of Hamelin moved to eastern Europe in search of better opportunities as only the eldest son had inheritance and the others could only be serfs. In this theory, "children of Hamelin" are not actual children, and it's just a figure of speech to say they were of a certain place. This correlates with some versions where the Piper and the children he took were sighted in Transylvania.

Human trafficking/the Children's Crusades: In these two theories the Piper is the recruiter/trafficker and the story was made up by the town to please their officials.

Dancing mania: There have been records of dancing mania in about the same time period in the surrounding region, and children were among the affected. Dancing mania can sometimes result in death due to exhaustion. It was originally attributed to a curse by a saint (St. John or St. Vitus) and you had to pray to them to lift the curse. Modern explanations for dancing mania are neurological disorders or collective mental disorders.

Pagan ritual: supposedly the pipe music and dancing children are part of this ritual that took place in the mountains, and the children died from a landslide or similar accident.

"You're reading way too much into Gaelio's one line" no actually I am reading exactly the right amount into it and everyone else isn't reading into it enough

[gamergirl-niffler]

Dating game that surprised me... A lot!

Recently I started to play a mobile game called "Love & deep space" and I need to admit it - This game really surprised me.

When my ex-friend showed me this game, all I saw was: dating, pretty 3D, Korean looking men. I told her it's pretty and didn't think much of it because it wasn't out yet.

Few days ago while trying to get up from bed in the morning I suddenly remembered about this game and I decided to check if it's out. It was, so I downloaded it and started playing.

At the very beginning, the game was just a pretty looking game. I need to say that wasn't ready for the kinda limited but nice character creator (no possibility to change chair color & length - only available in photo booth option) and a voice modification option.

Main character looks pretty!

I just played through the story and my jaw honestly dropped when my game suddenly flipped to the side for a fighting section of the game

I was not ready, BUT I quite enjoyed it. Fighting reminds me about Genshin on mobile, dodge, tap, tap, tap, be careful of your health, etc.

Fighting parts aren't THAT hard, but at the same time you need to upgrade your cards and add things to them to make them stronger. Pretty basic stuff.

There are lots of fight related activities that give really nice rewards and drop materials needed to making your team stronger.

NOW THE BEST PART! - THE MEN!

Game has three love interests

Xavier - The sleepy boy

Zayne - The doctor

Rafayel - The artist

Each of them have his place in the story, and each is so much more than he looks like at the very beginning.

I honestly love Rafayel, maybe because he is an artist... he is also a little annoying, but it's also kinda sweet. I have the most memories with him and the highest lvl.

Furthermore, I love how going through the main story isn't the only way to interact with them. The game provides lots of options to spend time with them and learn new stuff about them.

You can go hunt for plushies in a claw machine or play a game that is like tic-tac-toe but with cats and cards, or you can take a photo with them. One of my many favourite things, I mean LOOK:

(in order, I mentioned them before)

I love it because in this mode you can actually REALLY change your MC's look, which is wonderful! You can change your hair length, color, change make up, outfit and add accessories. Also, you pick poses and background. You also can do pics of your MC, just him or couple pics or mix of everything!

Of course, the main story isn't the only thing, there are also plenty of 'side mini stories' that are unlocked by getting specific memories.

THE LAST THING, I TRULY FALL IN LOVE WITH!

I am a sucker for ASMRs, especially the ones with my favorite characters. I can spend HOURS listening to those.

This game has something similar! You unlock specific audios by obtaining the right memories.

There are two versions - the first version is more of a story thing so you can listen, but it has "subtitles" that describe what MC says and what is happening. You don't have to, but yeah, it's a bit hard to imagine what's exactly happening sometimes.

But the other version... ooooh the other version. It's made to be JUST listen to! No subtitles or anything, just... listen and enjoy what you hear

In summary:

I really fall in love with this game. It's so much more than I expected it to be. It offers a lot of rewards and makes it easy to obtain decent cards without throwing your real money away. Sure, it's gacha game, but it's not as annoying as it could be. Sure, you still can spend money for it if you want extra features, but if you look for a game that isn't just about spending your money, it's a good pick.

Animations look nice, cards are pretty, voice acting is good, story is ok I'd say.

As for me, it's a good game! I am recommending it! A lot!

[yuseirra]

A full commentary on what Oshi no Ko intends to show/the direction where it's heading/Major character motives.

This was an analysis I wrote on August 13th, back when chapter 157 was released (and the most recent chapter will be 159; wow the work has been on such a long hiatus:

I read it over again today, and I think I did a pretty good job piecing things together. Some of the things I predicted immediately came to light in the chapter that followed. I'd like to share it, before the new chapter gets released today :)

There is a lot of analysis? Commentary of how I feel about Ai. She's definitely become my fav and I hope everything she wished for will come true in the end, she IS indeed the brightest star in the sky after all!

The following has been translated in bulk with the help of chatgpt.. It's my savior these days.. It's SO convenient wow, I've been putting it to good use!!

The title and subtitle are quite grand, but I feel that if I start writing, a lot will come out, so I wrote down the title and wanted to give it a go. Everything from here on is a very personal impression.

The manga is almost coming to an end, right? Since it’s being called the final chapter. The latest chapter is either 157 or 158, right? It's 157... I’ve checked up to the point where Aqua and Ruby are spending peaceful days together. Isn’t this episode like the calm before the storm? As I watched it, I thought, "Ah, this peace is bound to be broken." Even though nothing happened, the atmosphere is so quiet that it feels more ominous than peaceful.

At this point, I thought it might be good to think about what exactly this manga wants to convey and what the central narrative is. It seemed like a fitting time.

I first learned about this manga last year when the first season of the anime aired. The impression I got was that the creators had planned the ending from the start, as it seemed to have a clear trajectory. This manga might be more suitable for readers who prefer to follow it in volumes rather than chapter by chapter. When viewed individually, some parts might make you wonder, "What is this?" but when you see them in volumes, there seems to be a flow. So, when I was reading the manga in volumes, I thought, "Oh, the structure of this manga is well-organized and solid." That was around the time when about 10 volumes had been released, and I confidently bought all the volumes to keep as a collection.

Then, when I looked at the portions being serialized afterward, I started to get a little confused and thought, "Hmm, what are they planning to do with this?" But after watching the movie arc, I thought, "Oh, this is pretty good," and I realized that I wasn’t wrong in my initial judgment, so I returned to the manga, lol.

This manga’s structure seems quite complex. Each character has their own goals, and while Aqua seems to be the main hero who strongly drives the narrative, the focus isn’t solely on Aqua; it feels somewhat dispersed. In the end, if we consider what this story wants to convey, it feels like a composition that might be somewhat confusing.

In my opinion, the overarching framework is about various stories that unfold within the entertainment industry. It’s about the impact this industry can have on various people, both the light and the darkness (not delving too deeply, just enough to get a taste and see it from an entertainment perspective, plus throwing out questions about very serious topics). But then, is it saying that the entertainment industry is full of darkness and that we should escape from it? Not really.

As I described in the first post I wrote about this manga, it seems like the main theme is the depiction of various character types trying to survive in the entertainment industry.

Being a celebrity is a job that requires one to present oneself to far more people than an average person would, and even if we assume an entirely ideal situation where only goodwill comes your way, you can’t help but constantly be conscious of the image you need to show to those watching you. It seems like a very strong persona is necessary to endure that.

The loneliness that comes from being in the crowd, the internal dilemma of wanting to be understood and truthful as a complete individual, even though you can't fully expose yourself to the public, and yet, because of the appeal of the spotlight and wanting to show something, you step forward, deciding to live there and survive there.

Whether the work perfectly expresses those aspects might differ depending on the person, but at least it seems to have made us think about those points.

So, what are the motives driving each character?

Aqua wants to avenge the person that's hurt Ai, the one precious to him, in some way.

Ruby wants to surpass Ai as an idol, following in her footsteps.

Kana wants to be Aqua’s favorite.

Akane seems to assist Aqua, and in her case, she felt like she provided many shortcuts throughout the entire story. She played a role in significantly shortening the story’s length... Honestly, it might have been better if Aqua had done the things Akane achieved himself, lol. But from the author's perspective, she’s a reliable helper who aids in condensing the narrative. She also served as a good helper to Ruby as well. What I personally feel.a bit disappointed about the character Akane is that while she supports others a lot, that seems to be her entire narrative. She succeeded as an actress, and her personal goal or story seems to have ended around the dating program arc or the tokyo blade Arc, so apart from helping the twins, it's disappointing that her individual direction and desires are less visible. However, as long as she’s not entangled with the main characters, Akane is thriving and living a smooth life. She only becomes endangered when she gets involved with them; so, to give her more story, she may need to get more entangled.

Among the other main characters, Ai is a fresh character in that she wants to properly give love to others (although she also had the desire to be loved, it was more about “giving” than “receiving,” which I found refreshing).

As for Ai's boyfriend, it seems like he has something he wants to do, but it hasn’t been clearly revealed yet, so it’s in the realm of speculation. Setting that aside, what he wants to do now is something for Ai(in his point of view).

Nino has been highlighted a bit more, and while this character seems important, it’s still not clear what their exact goal is. The clear desire that has emerged is that they can't forgive even their daughter if she surpasses Ai.

Aqua, the character who drove the plot the most (with many things revolving around him), had the motive of “avenging Ai's death,” so that was a significant focal point. Much of the story’s development seemed to revolve around that.

However, I didn’t think Aqua would go for revenge in a violent form, because it would be something that would make the character unhappy and wouldn’t fit his personality. I didn’t think this “revenge” would be the typical, satisfying sort of retribution where justice is served.

Moreover, the “revenge” Aqua seeks ultimately requires Ai’s boyfriend (the twins’ biological father) to genuinely love Ai for it to work. If he didn’t love her, it wouldn’t be effective.

When looking at the hints about the relationship between Ai and her boyfriend, I often thought they must have had a good relationship at one point. I kept wondering if this person really bears full responsibility for Ai’s death. The idea of someone they once had a good relationship with turning into a stalker who kills them... even in a manga, it’s something I really don’t want to think about. I really hate it. But if the manga were to handle such a storyline, then it is what it is, regardless of my preferences. What the boyfriend character went through in his past is quite horrible and complicated, and my intuition, based on the bits and pieces I’ve seen, is that at least when they were together, Ai and he were two young people who relied on and supported each other. And that turned out to be correct. I liked how the character was portrayed in the movie arc, and there wasn’t any chance of it being depicted very differently. The idea of pushing this character, a psychopathic serial killer, off a cliff or punishing him harshly just didn’t seem to align with the established setup. Even though you might think he twisted into that kind of person because of some bad experiences, it didn’t seem like that was the direction this manga was taking. I wouldn’t have liked it if the character had been designed to be twisted that way because of bad experiences. It feels more consistent to see the character behave as they did in the past, which makes me believe it’s a well-written character. I had the sense that the story wouldn’t take the approach of having one character be absolutely evil and then punishing that character to neatly resolve everything. That doesn’t seem like a good story to me either. I don’t think the issues tied to the themes this manga deals with can be resolved in that way. The more I think about it, the more I feel like the content related to Kamiki is actually quite solid. I don’t want that character to be a bad guy. And it seems like he’s not?

The psychological depictions of the characters in this manga are very complex and well done. Because of this, I’m still not sure what to make of Nino. I think it’s fine to consider Ryosuke as an absolute evil since there’s nothing redeeming about him. Kamiki is out if he intended to scare Ai. But I feel like it was Nino who tried to scare her... When I consider the circumstances, it’s not impossible for Kamiki to have done it, but it feels too out of sync with his behavior. It’s very confusing.

I’m not sure how they’ll wrap up this “revenge,” but I think they might bring it to a social level regarding the responsibility for what happened to Ai? That’s why Aqua chose the medium of a “movie,” something that is “shown to the public”? Ai gave love to everyone, but it wasn’t properly received, right? So, there’s a desire to convey that correctly. And seeking understanding and respect for Ai as a personal individual? In that sense, I feel like Aqua’s revenge isn’t over yet. It feels incomplete as it stands. I think it’s not finished yet. Ah, regarding Kamiki, I think he’s been properly “avenged,” as he would be truly tormented by watching the video Ai left behind. However, I'm still unsure if this character truly deserves to be on the receiving end of such revenge... I plan to criticize properly once more of his actions are revealed. Every time I think about it, based on the reactions, it seems like he genuinely loved Ai, which is really evident. It makes me wonder if the author wrote it this way for a reason. Examining these details is truly fascinating about this manga.

So, I started thinking about what the core theme that ties this entire story together might be, and what the author really wants to convey through this story. I think we need to start with Ai's story. I believe Ai is extremely important to this narrative.

When I look at how this work portrays Ai, my impression is that she was written as a character with incredibly realistic psychological depth. She wasn't just a sensational character who was simply a very pretty girl who suddenly gets murdered to create shock value. In my view, Ai is one of the top three most well-written characters in this manga. She's a key person in this story, and I believe this character is the central figure that completely penetrates the entire narrative, even though she exits the story quite early, her influence is very strong.

I wish I could express my feelings properly... Ai feels like someone who could really exist... I talk about this a lot, right? To write a character like this, I think the author must have a lot of affection for her. Although I wouldn't dare say that I fully understand other people's feelings or possess a lot of information, I do think that Ai is a character who very well expresses the psychology of a young child with a difficult family background—a runaway teenager. But even with that experience, she didn't get trapped in it, and instead, as an individual, she made various choices and lived earnestly... and that's why I like her. Because that's how real people live. Strong, extraordinary, and yet ordinary—ordinary in a way that makes you realize how truly precious and extraordinary the ordinary can be.

But the story starts with Ai dying in such a horrific way, right? This makes me think about what the story is ultimately trying to say. However, this doesn't mean that Ai's life was a failure. Ai really lived her life to the fullest. In the end, she was probably happy, which makes her story even more heartbreaking... She was such a good person. If we're talking about her nature, Ai was definitely a "good person."

What I took away from this... is that it gave me an opportunity to once again reflect on the fact that even those who are considered shining stars are still just people. Personally, it also made me more interested in the subject of child abuse. I find myself drawn to related news articles... The early Akane episode, for instance, made me reflect once again on the issue of online harassment. No matter how this manga ends, I feel like it has had quite a positive impact on me, so I'm grateful for that. Perhaps what one takes away from this work depends entirely on how they interpret it... There are certainly some valuable psychological insights in this work. I'm definitely envious of the talent of the creators.

If you look at it broadly, I think the core message of this manga is something along these lines. Aqua's revenge and Ruby's dream will somehow be realized in their own ways, and I also think Kana's goal will be achieved in some manner (but then wouldn't that mean Kana can't end up with Aqua?;; It feels like this manga is trying to say that the feelings one has for a favorite person and the love one has for a romantic partner are different things. Judging by Hikaru's words, it seems like the story is saying that love without illusions about the other person is actually the more genuine kind of love... But more than that, I think the point to focus on when watching this work is something along these lines, based on how the story is unfolding. Even celebrities are just people... Ultimately, that's it.

I understand that some people might find this annoying at certain points. You might think, "I've never done anything like that. I've never contributed to those problems, and I've never treated celebrities poorly. Doesn't the saying 'those who wear the crown must bear its weight' apply here? If they wanted to be a celebrity, shouldn't they be prepared to handle some negative reactions?"—these are thoughts that might cross your mind.

I've also never been a fan of any celebrity myself... lol. I don't think I've ever done anything particularly wrong regarding the scandals or various issues that happen to celebrities.

But still, no one deserves to go through something like that... no matter who they are. Celebrities, because of the nature of their profession, often enter the industry at a very young age.

If I had to step in front of the public at that age, would I be able to handle it so well...? Just as everyone in their own life has their own burdens to bear, celebrities too have their own challenges, and it made me realize how difficult it must be to deal with public scrutiny...

In Ai's case, she had children at a young age, and there must be a lot of things people could say about that. When I first discovered this manga, I encountered that scene in a clip, where she says she will give birth without making it public, and it made me think a lot. But even in that scene, I didn't feel like Ai was a thoughtless character. If someone is going through such an experience, they must be the one who thinks the most about it. When I heard her say that the twins would make for a jolly and happy family because she didn't have one, I immediately thought that this character must have gone through something and found it difficult to judge her actions right away. Am I overthinking? lol. It felt like there was a lot going on in her mind beyond what she was saying. It’s easy to say, "I wouldn’t do that," but everyone has different experiences, different lives, and different personalities. Of course, there are things that are undeniably wrong, things that shouldn’t happen.

From what I felt, Ai has a layer of underlying psychology beneath the surface. She always has a smiling face, and I often draw her that way in fan art, but there’s likely a lot hidden beneath. I feel a bit sorry when drawing or creating fan works about her because I can’t touch on that depth—I can't depict it well because there's not much revealed. She might have been smiling and acting beautifully even in front of her own children. This nature might be a good expression of the traits of the entertainment industry. That’s probably why they call her a true idol. But there must be times when she wants to be honest, too, right? She might feel lonely and isolated. These are the kinds of thoughts I have when thinking about her character.

I’m writing all of this without much organization... Another thing, I sometimes feel that the story has metafictional or divine elements that could potentially tie the work together.

For instance, the introduction of the Tsukuyomi character, the starry eyes, the statement at the beginning that this story is fiction, the crow leading Ruby, the starry visuals scattered throughout.

I think using the "star" motif was a smart choice, because stars are literally "stars" in the sense of celebrities, and they might actually be stars or influenced by stars in some way. We also make wishes on stars, right? I can imagine that these elements might have been integrated into the story to bring a fantasy-like aspect to it. The lyrics of the songs strongly convey this atmosphere as well. So, I think these elements might be what ties the whole work together. The lyrics constantly talk about the stage, and the overarching stage for the story might be related to stars or gods. The more I examine it, the more things seem to appear.

But this isn’t something that’s very obvious. The foreshadowing is mostly in the dialogue, and there hasn’t been much that’s directly visible... If this is something important, I wish they would make it a bit more obvious. There’s a comment about how Ruby’s success feels as if she’s being helped by the gods, and there's also talk about Aqua’s soul being fractured and breaking. I think it’s worth paying attention to these elements, but I haven’t seen many people discussing this aspect. Of course, I don’t really read other people’s interpretations! When I get into a work, I dive deep and try not to let anything come between me and the story, so I tend not to read other people’s opinions while I’m fully immersed. And it’s a field that’s really hard to predict. It’s so far-fetched. But if they've been dropping hints like this, I feel like something should come out of it by now. It’s built up too much to just be a MacGuffin.

I like stories that feel like fairy tales, so I wouldn’t mind if the story takes that turn, depending on how it’s done... I don’t know if it will happen, but if it doesn’t, why are the lyrics like that? I’d like to see something that explains this before the story ends.

The starry eyes are important. There’s a kind of will in those "stars." There’s a "god" in this manga too. But will it be explained before the story ends...?

If they want to address it, I’m sure they’ll do it well! And if they don’t... Well, it’s all up to the creators.

Am I understanding this story correctly? Suddenly, I started to wonder, so I wrote down whatever came to mind.

If you can accurately grasp the individual characters' goals and the core theme that the work aims to convey, then following the story shouldn't be too difficult. It's always helpful to have a good understanding of those aspects, no matter what story you're watching. As for the motivations and objectives of the characters mentioned above, I believe they will all be achieved in one way or another (except for Nino's, since Ruby will surpass Ai... Now that I think about it, since their goals are opposites, there will likely be a clash between them).

LOL, but when it comes to plot development... Even though I've managed to predict the characters' psychology, I haven't been very successful in predicting the events themselves.

So, we'll just have to wait and see!

[jkftkth]

If you think about it, we saw in real time the contrast of what's professionally manufactured vs personally experienced. A filmed trip for a streaming service masquerading as "just hanging out". It's even being heavily promoted as "unplanned and spontaneous". But then we see a glimpse of what actually chosen spontaneous, unplanned trip is (and why it happened).

And then we have this weird publicity stereotype (again). I saw the translation discussion and even if it's slightly less weird it's no more dimensional, nuanced or personal. It's just the latest in pushing JK as this strong, alpha man, but to the person to whom he is closest and really knows him, he "so pretty". (Mind you, apparently right before they jump out of a plane together).

I'm not saying that JK and JM don't have a close bond and that some of that won't be shown in this show. Of course they do and it will -- that's why they make good content. It's just interesting to this sort of parallel universe moment.

you’re right, when you’re given an opportunity like last week to compare side by side, there really is no denying which is actually fanservice. (nothing wrong with that word; an entire show primarily planned and dedicated for the entertainment of fans is exactly that).

and as more promo rolls out, it’ll only be a re-confirmation of this. and when the merch drops…LOL.

from what i’ve seen since the show was first hinted, i feel like members really wanted to give as much as they physically could for fans before they enlisted. so from that standing point, i have no conflicted feelings of any sort. (except for wanting jk to have done more album promo but that’s another conversation lol).

jkk isn’t my favorite pair for entertainment, but jk is one of my biases and i miss him terribly so i had been looking forward to the show.

i’ve never paid attention or at least noticed the power of the company’s input/methods when it comes to promoting jkk as a unit until recently. sure their subtitles have always been…misleading…but that’s not the case for only jkk. the recent article however…i feel put off by those characteristics being pushed and highlighted.

[factorialsotherfandoms]

OPD spoilers up to the end of episode 7, because episode 7 was fun but brain insisted on a couple of thoughts before I can move on (or, apparently, work on thing I was supposed to upload today). Injury warnings, spoiler warnings, and talk about potential death, and also er I've had these characters for one episode running on auto-translated-auto-subtitles. You will pry them from my cold-dead hands, but it's not exactly the best way to study things like speech patterns, especially when my Portuguese is... I can now catch the gist of things and follow the rpg mechanics mostly, but very very far from me being able to use any words? I just kinda can sort of follow via context and stuff I /recognise/ but don't /remember/. Enough rambling, have two guys in a car.

"Where to now?" Johnny asks, as they drive away. "You're the one with the maps."

A groan.

Johnny glances up, checks his partner in the rear-view mirror. Some of his muscles still shift in ways Johnny is pretty sure aren't entirely voluntary, and Rubens holds his entire body like it is in pain. Still, he gives half of a shrug, and keeps looking out of the window.

Johnny is also sore, yes, especially from having been immobilised - but he's /not/ the one whose breathing sounds kind of janky, and hissed when the seatbelt touched his ribs.

"That bad?" He adjusts his question to, glancing up from the road every few seconds.

"Just head home," Rubens answers the first question instead of the second. "We can pick in the morning."

"What morning? It's already gone seven," Johnny takes the turning towards their flat regardless. A pause and then. "You sure you're good just to go home?"

Yes, they need to continue the investigation, but even Johnny can see that Rubens can barely stand; no matter what help they wanted to give those two other agents, it wasn't going to happen.

"What-" Rubens is cut off, hissing, as they go over a bump.

"Yeah, you know what, driver's rules - we're going to the hospital."

Rubens' lack of reply, not even a grimace, is pretty damning. It is also a little worrying, especially with the flinches and extremely deliberate breathing.

It is not that Johnny is paranoid, it's that he knows what that attack did to Johnny himself, and he's gained a decent feel for Rubens' tolerance over the last few months.

He takes the turn towards the hospital, and already starts constructing a lie. Rubens can probably pass for an electrician, and Johnny could have just been helping, and maybe someone turned the mains back on before they were finished? That's got to happen all of the time, right?

"Do you think we'll see them again?" Johnny asks, searching for a conversation topic. He's got to keep driving, but he is more than starting to get worried. "No clue what's up with the boy, but they seemed decent. Good to know the Order's always got people."

Rubens' laugh isn't very happy, "no."

"I thought you were an optimist?"

"Your job," Rubens shifts, seemingly trying to alleviate some discomfort, and only making it worse. "I'd like to, but… you saw them. Injured, electrocuted, and going to where their team went dark? They won't survive. We might not."

It's true, but that doesn't mean he has to say it. There's been a lot of deaths, recently, if what Sam has been telling them is true. Johnny isn't sure, but can't see any reason for Sam to lie about that; Johnny and Rubens have been undercover for months, but have managed to keep themselves above water so far.

A lot of people haven't, though. A great many people haven't.

"You left them your knife," Rubens follows up with.

"Shut up and sort through that notebook instead."

"No." At least he's perked up a little, actually sounding a bit more awake, thinking and shifting a little and worrying his lip before he speaks again. "Maybe they'll surprise me and you'll get it back? Can't read the notebook. The bag is in the boot."

Neither of them comment on how, usually, Rubens would still just lean over and grab it.

"Maps, then?"

He makes a left turn, and they find themselves nearly there.

"They're maps," Rubens replies. "We need the notes to work on a target... Gameshow, orphanage, orphanage, gameshow, Menefreda, puzzles, Energy... I can't see the link; do you think there's any crossover in the cases? Should we ask Samuel for their notes? Something's missing here."

"Can't be sure," Johnny has to focus on this bit of road, busier than the further out streets. "We can ask, though."

"And the girl? Erin? She said the woman's voice was-" Rubens cuts off with a gasp.

Immediately Johnny looks up, checking over his shoulder. Rubens' back is arched and he struggles for air; he shoves on his hazard lights and pulls over before unplugging his seatbelt, and inelegently scrambling across.

By the time he has done so, Rubens' body has relaxed. He has leant back, breathing heavily and clutching at his chest. Johnny places a hand on his back, rubbing a thumb into the twisted muscles there.

"Rubens?" Johnny asks, voice lower. "You good?"

The shudder looks just as involuntary, but a little more normal; Rubens leans slowly forwards, resting only one elbow on his knee, and folding his chin onto it.

One moment, two.

Rubens starts gesturing a reply, only to cut himself off with a wince.

"An answer, please," Johnny keeps his voice low, doing his best to be reassuring.

"I'm good," he answers, blinking fast as he shifts to looking at his hands. "I'm... Good, yes, good. Just, fuck, the speed bump."

Johnny had barely even noticed it; Rubens has got to be much more injured than he looks to react that badly to just a speed bump.

"I'll be more careful," he promises, though he isn't quite sure how. "Good to keep going? We're another ten minutes out, looking at this traffic."

"All good."

It is not quite believable, given everything going on, but Johnny chooses to let it pass. He knows shit all about these things, only that his partner is suffering. He's also suffering, but he's Johnny - he can take it.

Rubens... Not so much. Not really his skill-set; Johnny doesn't jump in the way of fists because he enjoys getting punched, after all.

Choosing to climb back over instead of getting out, Johnny only slightly catches his ankle on the gear-stick. Still, he gets back to the driver's seat safely, turns off the hazard lights, and pulls back into the road.

"Any thoughts so far?" he asks instead.

Johnny can put pressure on a gunshot wound just fine, but electricity is weird. Magic electricity? Even weirder. He does, however, know that so long as everyone is managing coherent conversation he /probably/ can just drive to the hospital instead of faffing with an ambulance.

(Don't they have their own doctor now? Johnny isn't quite sure, but he does know that contacting the Order, outside of secure and prearranged chats with Samuel, is likely to break their cover.)

Rubens shifts his face from side to side, mouthing words to himself and gesturing his hand around in a much more typically Rubens fashion. After a little while he shrugs - only with one shoulder and that's something to make the doctor check - and answers, "hopefully the paperwork is more useful to us; I don't think the Director was actually anyone important. Show, Director, he only does this one bit most likely? And only had, what, five staff members?"

"Barely a crew," Johnny replies. "I don't like the thing with Erin's grandmother - she's definitely not any of the corpses. None were old enough. So why was her voice there?"

"The man too," Rubens replies. "You shouldn't have told them we were Order agents; the cameras were running. Whoever runs it might have heard."

"Shit," Johnny can immediately see the problem but, to be fair, in the moment that had been far from his highest priority. Getting the grenade out already blew more of his cover than either of them liked - he should have just stolen the gun and tried shooting the glass. "We can adapt, but..."

"Danger," Rubens replies. "We'll need to be more careful, right?"

"Right," and, fuck, Johnny has been here before. "We might need to be subtler to get in."

"Games," Rubens replies.

"Hm?"

"He likes games. If we-" another speedbump, and Rubens gasps again, entire body twisting at the pain, but he settles himself quickly, moving on. "Fuck. But, if we do get in... it might be to play with us specifically. If the recording got through. Champion's match. New difficulty."

"Maybe the information we have will be enough?"

The look Rubens gives him is absolutely scathing.

"Yeah, okay, they weren't important enough to have anything actually good. I can wish, though; don't really want to be watching over my shoulder forever."

"It could work in our favour," Rubens settles on. "We need to get into deeper areas anyway. Toying, playing - if we interested whatever's in charge, perhaps it will bring us deeper to try again."

"They're deathtraps."

"But somebody always has to win. It's a bad game, otherwise."

Two people could have won the game they were playing, if they stuck to the rules, or perhaps there would have been more to it. Johnny doesn't expect them to be that generous again, though.

Ah, well, they'll work it out.

They always do.

---

It is not that much further to the hospital, and 7:30am is a blissfully quiet time. Most people from the night before have already left, but it's too early for most sorts of accidents.

Parking is easy, but getting out is more difficult. Well, no, Johnny can get out fine - stiff and weirdly cramping, but fine. It's Rubens he worries about, Rubens who scoots rather than steps out of the car, and still almost immediately collapses to the floor.

The concern - the /worry/ - is back nearly instantly.

"Ow, fuck, shit," Rubens mutters, in between the curse words as he uses the side of the car to leverage himself up.

Yeah, no, that is not going to stand. Johnny comes back over, taking the one of Rubens' arms that he isn't holding strangely, and pulling it over his shoulders. His own arm he wraps around his partner's back, protecting him from any potential falls.

When he squeezes his fingers, Rubens hisses; Johnny shifts them further down with an apology on his tongue.

"It's fine."

It's not fine.

The angle is awkward, so Johnny much crouch a bit as he helps Rubens to the emergency room. Even with the help and the rest he still keeps staggering and stumbling, his legs barely able to hold his weight.

The reception desk is even worse. By the time they get there, Johnny is supporting all of Rubens' admittedly meager weight.

"Hey," he says, reminding himself she may be the gatekeeper but if he isn't polite then they are both in trouble. "Sorry, we were doing some repair work, and some asshole turned the mains back on while we were working. I'm just kinda sore, but my buddy's having trouble breathing."

Always mention the breathing. They hate it when you cannot breathe properly.

Her eyes flicker momentarily wider, looking at the now disturbingly grey Rubens.

"Names, please?"

"I'm Johnny Tabasco, this is Rubens Naluti."

Rubens seems to try to smile and wave, only to grimace and flinch instead.

A few more questions follow - dates of birth, occupations, next of kin, particularly concerning symptoms... Rubens says unusually quiet, getting slowly heavier against Johnny's side.

Eventually, the questioning comes to an end.

"Please go sit down, and fill in these forms," two clipboards are handed to Johnny. Right. Insurance paperwork and medical history - at least he knows enough of Rubens' to fill it in, after so long doing this work together. "Someone will likely be with Mr Naluti shortly, though you yourself will likely have to wait longer. We're not overly busy, but there are still a few incidents already."

"Thank you," and oh, Christ, he's just glad to be able to get Rubens off his feet.

They end up on the plastic chairs, Rubens flinching at it.

"You alright?" Johnny asks him.

There are a good number of fast blinks before Rubens nods, "let's not repeat this, though."

"Sure thing."

Rubens' hand (and only one hand, the other stays at his side) shakes badly as he starts filling in his form - the simple bits like address he leaves just in case, and starts with his medical insurance details. Allergies, pre-existing conditions... Rubens is doubling back to fill in his basic details when a doctor appears.

"Mr Naluti?"

"Here," he raises his clearly good hand.

"If you would come with me, please?" she asks.

He glances to her, to the gap between them, and then to Johnny. Johnny goes to get up to help, and she says "wait here, please, triage for adult patients is done alone."

And, sure, but didn't they get the notes?

Rubens looks at Johnny, only slowly nodding after they have made eye contact. Johnny is not entirely sure what it means, but he prepares himself for trouble anyway.

And then Rubens /tries/ to stand.

This time when he falls, he catches his weight on his bad arm. Johnny just about manages to stop his head or chest crashing into the floor, snapping at the doctor with a "didn't you /read/ he can't walk right now?!" as he helps him back onto the chair.

It leaves Rubens even more off-colour, and shaking, and Johnny not a great deal impressed with what is going on.

"I'll be right back," the doctor vanishes back the way she came.

"Will you be okay alone?" Johnny asks.

"Eh," Rubens manages a small laugh - his breathing is not settling this time, remaining too fast and too shallow. "I'll manage."

"Of course you will."

Johnny wishes there was an easier way to solve this specific bullshit at least.

Quickly, Johnny finished Rubens papers, and lets him sign them. They are ready when a different doctor appears - this one accompanied by some lower ranked staff member pushing a wheelchair.

"Mr Naluti, I'll be taking over from my colleague," the new doctor says. "We need to speak to you alone - privacy and protocol, you understand - but he can help you transfer if that is better for you?"

It is better for Johnny, at least.

"It's up to you," he still manages to say, standing and offering his arms, just like getting out of the car.

Rubens nods, and takes them, struggling the few short steps from the chair to the wheelchair. Johnny helps him get... not comfortable, but less uncomfortable, before placing Rubens' clipboard on his lap.

"See you shortly," Johnny promises.

"Yeah," Rubens replies between tight breaths. "See you soon."

---

Johnny does not see Rubens shortly, not even close thereto. They did bring the evidence with them, split between their bags - it's been stolen from their car before, and that was it's own form of nightmare - but he cannot exactly work on it here. Neither can he work on it without Rubens, who...

"Mr Tabasco," one of the nurses had told him. "Your friend - Mr Naluti? He asked us to tell you... He needs to be admitted due to internal damage? Primarily to his lung. There is surgery involved, though the tear is small and so it is a relatively simple procedure. It is not common with electrical injuries, especially with mains supplies, but it can happen. The doctor wished to work on it immediately, and he consented. There were some other internal injuries too - all consistent with severe muscle spasming or electrical burns. You'll be able to see him once the doctors have finished, but he'll be here a few nights most likely; until the chest tube comes out, at least, perhaps longer depending on his ribs. Given the nature of his injuries, and that you were injured together, the doctor wishes to see you immediately."

And Johnny liked none of that, not at all. He complied with the doctors simply to get through everything, and given an injection to force his muscles to stop cramping. He hates how it helps him feel less like shit, and concedes to their desire for at least 24 hours of wires and monitoring only once he realises it will place him and Rubens on the same ward.

The ward is louder, and busier, and Johnny hasn't slept since this time yesterday, if nobody counts getting knocked out and kidnapped. Still, he cannot rest yet, not until he knows Rubens is fine. There are, at least, some non-work related books in his bag; he'll text Sam with an update once he's sure what's going on, and until then at least try to relax.

Thankfully, he does not get more than two chapters in before Rubens is brought through. Something he said must have stuck with the doctors, as he is given the next bed along. Propped to half-sitting, with some wires and tubes and thick bandaging around one shoulder, but awake and unhappy about it. Johnny waits for the medical staff to finish adjusting him to take a better look; Rubens' eyes trail after them somewhat nervously, and hospital blue does not suit him but he is looking a distinctly better colour.

"You alright?" he asks, drawing attention from the room to himself.

Rubens visibly relaxes when his eyes catch on him, bored and reading. He gestures to himself with his unbandaged arm, clearly moving carefully so as not to disturb anything.

"You?" he returns with.

"Painkillers help," Johnny offers, and receives a firm nod of agreement. "I'm sore, but fine. Might have torn something, but swelling needs to go down to check. The burns are too deep, but my nerves are a bit sensitive and they want to be absolutely sure the ones around my heart are fine before they let me leave."

"Heart?" Rubens asks, his attention focusing in for a second, before someone dropping a tray of medicines with a loud 'fuck!' draws a flinch and his attention.

"Doctor said if there was going to be a problem there probably would be by now, but he wanted it monitoring just in case," Johnny does his best to reassure. "You... look a bit more alive?"

"Not alive enough to read."

Johnny laughs, "I wasn't going to ask you for that already. Did they say how long you're here for...?"

Rubens shakes his head a little, "no 'heavy exercise' for at least 4 weeks. Maybe more. Depends on my ribs."

"I'll let Sam know. We can sort through the paperwork and update reports in the meantime."

"Ugh," he flops harder into the pillows, seemingly trying to lay down - something the nurses made impossible for the both of them - but gestures consent. "Tell him 'just hack the hospital records'."

"Alright. Get some sleep, or I do have our bags? I think your wallet is in there if you want to buy access to the TVs. Not sure what else you packed."

There is just the problem of getting Rubens' bag to him.

Rubens seems to choose sleep, though, or at least closing his eyes to think about something - it's been a long night, and Johnny will probably follow once he's reported in.

Just a short text message; Sam can work out a more secure connection if he wants information immediately, otherwise he can wait until at least Johnny can head home and ring. Scanning he can also do, but accessing the digital documents will have wait for Rubens. Not that the Order is ever running to time anyway.

'Hey Sam' he types, keeping things on their personal phones as civilian sounding as possible. 'So first off, don't panic, nobody's dead or dying, but Rubens and I are in hospital. He said to tell you to just hack the hospital records, so now I've said it. Not really in the mood to explain

.., but the short is some asshole got us electrocuted...'

[caramelpenguin]

A Very Brief Analysis of Music in S1 EP 3 - Wilmon

I want it to be very clear that the analysis here is not my own! I think it's an amazingly clever interpretation and want to share it with people. Music is evidently a really important theme in YR and I can't wait to see how it's explored in season 3! If you're interested in reading more things like this, there will be a link to the person who thought of it. Credit to them <3

Also, as it is not my own analysis, I won't be explaining all of it- just a very small part.

The piano scene at the beginning of episode 3 of season 1:

This is a little bit of the dialogue (the english subtitles) that occurs between the two boys:

Wilhelm: But you're playing the soprano line. Shouldn't you be playing the melody? You're a tenor, right? Simon: Yeah.

Let's remember that Wille grew up as royalty, with particular beliefs instilled into him from a young age. He hasn't had a huge amount of time to independently explore himself. He kissed Simon recently and, pretty soon, he's going to tell Simon they should forget it even happened - I do love that Wille's sexuality crisis isn't hugely drawn out, but that's a different topic.

This is what I find really really cool: the 'soprano' part is generally the female part, while the 'tenor' part is generally the male's part.

So - Wille and Simon kissed. It's a shock to the beliefs that Wille grew up with and he's confused on what to do, on how to continue on. When he sees Simon in the music room, he basically says ' but you're playing the girl's part. Shouldn't you be playing the dude's part?' = (But you're playing the soprano line) it seems as if Wille is telling Simon to stop playing the girl's part (i.e. kissing him) and (You're a tenor, right?) could be Wille telling Simon that he should be playing the boy's part (i.e. Simon should be his friend, because Wille, as we all know, is 'not like that' and is confused on what to do).

Music is used in a clever way to show Wille's understandable struggle with love here, and I admire it's subtlety.

Personally, I adore this interpretation. You are allowed to disagree ofc, as analysis is very much down to interpretation, but I really don't want to see any hate.

This is a link to TVM's article on music in YR. If you decide to read their in-depth articles, please do not send any hate or harassment their way.

[piece-of-the-pie-if]

.. so since our family is, uh, solidified.. can we have some more facts about them??? pretty please 👉🏻👈🏻

just for you i'll give the cats their own section!

The Family──

MC's younger brother is currently going through a (3 year and ongoing) mythology phase, he's actually read The Odyssey at least twice despite his age.

Upon acquiring a roomba, MC's brother hastily named it O─disc─eus, King Of The Apartment, in honour of Odysseus.

MC's father likes calling the roomba Vlad The Inhaler (for vlad the impaler) just to tease MC's brother.

MC's uncle joins in by calling the roomba Count Vacula (for count dracula)

MC's mother wishes they'd all just call the roomba a roomba...

MC's uncle recently obtained a boyfriend by the name of Robin Hu. They met online and it's still very early days but MC's family are rooting for them!

MC's mother and father have been married for almost 25 years!

MC's grandmother is divorced three times and a widow on the fourth husband, though she's not drowning in sadness about any of them.

MC's grandmother lives on a honey farm!

and now... The Cats!──

The family's cat is an orange tabby called Charles. He's a year older than MC. MC's mother was gifted him as a birthday present by a family friend, meaning he's a very old cat.

Charles is a quintessential Orange Cat, there a so many videos of him doing something utterly stupid and just continuing like nothing happened!

He's been sleeping a lot more than usual, coming down to the café to laze in the sun and be fussed over by customers. (it's beginning to worry the family)

He has his own 'sun bed' dubbed The Throne (because he's a king... named after Charles II because he was a party cat)

The black cat isn't technically the families, considering she just showed up (and kept showing up) one day. She was taken to the vet and missing posters were placed everywhere but after a couple months of nothing she was... assimilated in to the family.

Her name is Princess, curtesy of a customer's 9 year old daughter, and it has been her name for around two years. (she has a patch of white fur on the crown of her head that apparently 'looks like a tiara' (we'll know who this young girl is eventually, double kudos to anyone who guesses right beforehand!))

Princess is very playful and likes interacting with literally everything.

She's a 'pushes everything off the counter' kind of cat and has been given the subtitle 'Destroyer Of Mugs' by MC's mother after she sent her 20th mug to its doom!

[princesstarfire1234]

I saw your RMA Post but before i ask, first i love your artstyle its so beautiful and each time i see it, it makes my day :] and second what are your thoughts of S2 part 1 and 2? And if you can rewrite it what will it be?

Aha hello!! I didn't think that RMA post would actually catch any eyes but I'm it did!!

First off, thank you so much! It's the best feeling ever knowing my art can make people happy just like that :]]

As for your question, I recently just rewatched a good chunk of S2 Part 2 but some of the details around the later bits are still fuzzy (rewatching em is quite hard for me as the english dubs aren't exactly that easy to find out there unfortunately)

I will say though, rewatching it really opened my eyes to just how much of a downgrade Part2 is compared to S1 and even just S2 Part1 itself, not just in story but in like the voice acting and animation. The voice direction is a bit off, characters sound flat, and the animation just feels... weirder, if that makes sense. It's not the worst thing in the world though, it's just an unfortunate thing I happen to notice. They also changed some of the VAs I think (liek Rema's) which was a strange decision but alright ig... There's also the reusing of so many games instead of new ones but oh well... Despite all my problems with it though, I like the inclusion of the new characters (Manus and all the other Leos Valiants). The Leos are all such silly guys :]] I do wish the DV7s got more screentime and played a bigger role though, the first episode for part2 really fooled me into thinking they would lmaoo

S2 Part1 still holds up, certainly not as good as S1 but still, it's got charm! I love the setting actually, Old City is such a bright and colorful place with like all these abstract and messed up winding pathways, it's so weird and funkyy, I dig it a lot!

So pretty!! God... just like how funky the cities look with all of them being like giant floating islands, it will always be cool af to me

Ik most of my followers don't care about runningman much but in the off chance some non-rma fan sees this, look at Tree City (pic below), I love it so much

Although... sometimes it really does feel like Season 2 is where the studio decided to lean more into it being a children's show. It's a lot less "dark" compared to S1 which is a tad disappointing. Like just compare Akong's battle (where the dude literally uses a bunch of the old guys to power up his thingy 😭) compared to CG's big mech fight. Still, I liked it! I like the neat guardians (the lil pullulu spirits who guard the gate, Vivace and Ensemble twins my beloved <3).

ALSO ALSO THE IRON BEAST, I can always appreciate a big robot guy aha

That's all I really got for the ramble aha, I'd say more stuff about S2 and maybe my views on it will change overtime but as of now, I haven't even really gotten around to properly finishing it yet. I remember watching it waaayyy back but it was all in korean with zero subtitles 😭 luckily, I am in a server with people sharing english versions so I'll probably watch those when I get more free time!

I really just miss talking about this show really and I feel like I've largely outgrown the fandom in old spaces where I used to talk in (like Facebook groups and Amino lmfaoo), so it's absolutely awesome to find RMA fans over here on tumblr!

[freeuselandonorris]

F1 Ask Game

thank you @bright-and-burning and @goingxmissing for the tags!!

Who is your favorite driver?: i go back and forth between lando and oscar! i think lando has my heart the most though, honestly, goblin child that he is.

Do you have other favorite drivers?: i love lewis, i love charles, i still have a soft spot for max and daniel although definitely not to the extent i used to... but honestly i'm kind of fond of most of the grid and its peripheral characters (including the previous generation of ex-drivers like nico (i used to be OBSESSED with nico when he was driving for merc!), jenson et al) and the up-and-comers like liam, ollie, kimi. i just like drivers!

Who is your least favorite driver?: there's nobody i really hate, but i'm less keen on perez and hulkenberg. fernando annoyed me for a while when he was just waltzing into random other series, nabbing the best car and winning everything and then fucking off again when he was trying to catch the triple crown, but i find him pretty funny these days.

Do you pull for drivers or do you like teams as well?: i think @goingxmissing made a very good point that liking a driver generally means you end up liking the people around them too, but i'm generally a driver not a team person. i'm papayapilled currently because my two favourite drivers are with them, but i wouldn't particularly follow mclaren regardless of who drives for them (i'm also less than impresed with some of the choices they've made recently, but let's not get into that.)

If you like teams, what team do you pull for?: mclaren obviously, and i am very fond of mercedes although that's a deeply frustrating endeavour at the moment. but yeah, none of the teams are particularly meaningful to me.

How long have you been into F1?: well, i guess technically we're talking about 25 years lmao. i started watching when i was a kid because my mum loved mika hakkinen, so i have fond childhood memories of watching the hakkinen v schumacher years and being fascinated by it. but in terms of watching it by my own volition, this is the 11th straight year i've been watching. mental.

What got you into F1?: see above for the original inspiration! but i came back to it in 2013 because i started working as a subtitler for live tv and one of the channels we covered happened to be sky F1 (so yeah i basically got paid to watch F1. it was great.) a few months of covering the 2013 season - the fabled "multi-21" season of seb and mark nearly killing each other - and i was hooked.

Do you enjoy Fanfic/RPF?: oh yes lmao.

How do you view new fans?: having survived the wilderness years where nobody gave a fuck about F1 and many of the fans were middle aged "well actually..." men, it fills me with joy to see so many younger and more diverse fans coming to the sport. sometimes i see takes that make it pretty clear there's a lack of understanding of the history or previous context of the sport, but so what? we all started somewhere.

If you could take over as team principal for any team, who would it be and why?: oh my god, i don't think i'd want to, it looks stressful as fuck lmao. i'd quite like to be a strategist though, if only i had any capacity for it. maybe for merc. i'd like to work under toto (ahem).

Are your friends and family into F1 as well?: yes! my mum, obviously. a lot of my non-F1 friends (i.e. friends i didn't meet through motorsports fandom) are also into it to varying degrees, and i'm lucky enough to have forced quite a big group of people on here into being my actual real life friends now too. i'm very lucky.

Are you open to talking to other fans/making friends?: yes!! i am not always brilliant at responding to DMs in a timely fashion (i get very easily overwhelmed when i have lots of unread messages lmao) but i love the anons in my inbox and it still makes me so happy when people send me messages saying something (...usually piss related lmao) reminded them of me 🥹

i feel like everyone has maybe been tagged already...? if not comment and i will tag u!