#the thing about this is i'd be really good at if i spent a bit of time learning how to do the writing properly and all

[maxwell-grant]

The Penguin: Episode 1 Breakdown

Thank you Lauren LeFranc, Mike Marino, Colin Farrell and Matt Reeves, we owe you the world for this, good God. It's finally here everyone and I've decided I'm gonna give each episode it's own post/breakdown of thoughts, because hahaha holy shit you guys this is beyond what I even dreamed of, and we're gonna be covering this for a while I think. I've worked out enough madness about this out of my system by talking with friends and I can't seem to be able to work on anything else till I get this done, so let's do it.

Bottom line: This isn't even just a must-watch if you like the Penguin or if you like The Batman, this is something I'd recommend to just about anyone in a heartbeat, something I can point to when people ask "why do you like The Penguin so much" and, instead of the elaborate nerd ramble that usually turns them off, I can just tell them to watch this. A friend of mine (who already loves Batman and digs the Penguin quite a bit) even told me as much, that he's starting to get why I love the character so much, and truly, is there a better feeling than this? Well, there is, and it's watching the show. Let's dig into this first episode:

Right upfront I'm gonna say that this doesn't really seem to be the Sopranos rip-off that people have been calling it before release, although there are definitely Sopranos comparisons to make here. I've spent the past months finally watching The Sopranos in order to get the comparison and definitely want to talk about those comparisons after I finish it (and this show ends). This thing aims to stand on it's own legs as a crime show and it's smashing out of the gate with an extremely promising first episode.

So this just casually opens with the reveal that all along, there was a second rich Gotham the whole time that was completely unaffected by everything we saw in the movie, already throwing a great twist on the events of that movie, and further reinforcing how fucking full of shit The Riddler was. All we saw Batman and the others deal with in the movie was just affecting the poorer parts of the city. All Eddie did was drown rats, and make life worse for the people already in the bottom, while never even getting close to targeting the systemic rot that ruined his life. He retains ideological worshippers in subways obsessed with the corruption of the city without doing anything to actually improve it, and because of him, the streets of Gotham are waterlogged shitholes while the rich Falcone suburbs are doing just fine, peachy even.

I said a while back that, in spite of having about 6 scenes/10 minutes of Penguin runtime, The Batman managed to squeeze impeccably controlled Penguin Trademark Scenes, and this show opens with the last one they didn't get to then: Penguin killing someone for making fun of him. In the movie, he tries doing that with Falcone and is beaten to the punch, so here he gets to actually do it to disastrous consequences.

Fucking adore that the inciting incident of the show is based on the fallout of Oswald killing someone for making fun of him. He pours his heart about the dream he lives his life for, his new boss makes fun of him for being an embarassment to their profession and then he does the most typical Penguin thing by killing him for it and laughing afterwards. And then he realizes how badly he fucked up, and then we get a fucking perfect titledrop with his musical theme, the exact moment we finish The Batman and enter The Penguin.

God it is so fucking cool how the make-up/lighting, the scar across his face, makes it look like he's got a genuine beak from certain angles, how they're able to achieve that effect without giving him a more literal beak for a nose. Everytime they talk about the character, Reeves and Farrell always emphasize how integral the make-up was to them figuring out what to do with Oz, how little they knew what to make of his six scenes until Marino created their monster and suddenly everything fell into place. Mike Marino fully deserves co-credit for the creation of Oz.

Pretty amusing that Victor, as designed to be Penguin's Robin, has exactly the same origin as Jason Todd, a poor street kid trying to steal the hubcaps off the Penguinmobile (I'm sure this bodes very well for his odds at survival), as is the way in which Oz goes on about his recruitment. He press-gangs this kid at gunpoint to help him bury a body arguing with himself and eventually the kid why shouldn't he just kill him to be safe, while trying to impress the kid with his car and air freshener and later that bullshit about "What, you think I hire any schmuck off the street?". From the tile drop onwards, he's doing everything on the fly while also spinning long-term plans set in motion as soon as he's on screen, he's taking this kid in out of sympathy and because he enjoys a power dynamic over someone weaker than him and because he very much needs someone to help him get stuff done. I'm extremely interested in exploring Penguin having a mentorship dynamic and I'm beyond curious as to what happens with Victor from this point onwards, but that poor kid is in for a terrible fucking time.

Found it very funny how much he half-asses the murder threat to Victor. Like it's his first time actually doing it and he's trying to be serious, but not too scary because he's already seeing himself in the poor kid with a stutter and wants the kid to think he's also a cool guy like he wants everyone to think he's a cool guy. I also think having Victor as the POV helps to sell moments like these, because it's still terrifying to him. Even as we follow their stories, these power players of Gotham are still big scary monsters to people caught in the dregs and Victor helps to reinforce that.

I enjoy Oz being friends with sex workers and drag queens off the street as much as I enjoy Oz being depicted as the kind of guy who deludes himself into thinking the prostitute he's with actually likes him, Lauren and Farrell launched into a bit about in on the podcast and I'm curious to see what's going on with him and Eve here.

Lots of perfect funny little character moments across the whole thing. Oz insulted by the idea of taking extra pickles off a poor kid's dirty mouth, but with zero hesitation whatsoever for picking jewelry off his boss' corpse. Dude is governed by principles even as he actively has to break them to survive.

"Technically it's plum." "He is the - or was the - new kingpin", "He's got nurse-like qualities." The show is not overtly trying to get you to find Penguin likeable as much as it wants you to find him engaging - making you think he's likeable is Colin Farrell's job and he's masterful at it, definitely a lot more matured within the character compared to the movie.

If there's anything in particular I'm thankful for regarding Gotham (well okay Gotham led directly to Telltale Penguin which was the basis for this one, so really I do have a lot more to be thankful with Gotham), it's the decision to give him a legit waddle via the broken foot, but the way they incorporate it here with the club foot does so much for him, so much as a modern day reinvention of The Penguin. Adds so much to why he's never been a serious candidate for mob leadership, why he kinda had to spend all his time in the Lounge, why he actually needs someone to help him run affairs, why he has such a gaping ego wound and is so murderously angry at people making fun of him / calling him a goddamn penguin, adds so much validation and so much darkness and nuance to Oswald's overwhelming anger and bitterness over how the world treats him (and so much power should he opt to reclaim it, in turn). It's the kind of thing that frankly feels like it should have always been part of the character, like what all the previous versions were itching closer to or trying to get at. Of course this is a guy gets called a penguin and he hates it badly enough to murder people over it, of course.

This gets to really highlight how differently Oz acts depending on who he's with. Traditionally, one of my favorite things about The Penguin, and one of the things that puts him above the other villains, is that, due to his position, he has to interact with a lot more people than the other Bat-villains. He has to manage a lot more relationships and dynamics, he has to play peacekeeper and puppetmaster. he's the only one in the United Underworld who's regularly interacting with and recruiting other villains to do business with. He's the guy who you pin stuff on like the Gangland Guardians, Team Penguin, doing betting pools with the Rogues taking cover in his Lounge while Joker War is happening, having to rig games to keep good standing with Maxie Zeus and Frenchy Blake in Batman Audio Adventures, and so on. So I greatly enjoy this beat here of him talking about how makes himself smaller before the Falcones, and that moment of him adjusting his outfit and practicing expressions in the mirror before meeting with them. How he contorts himself is present in all of his relationships, and retroactively adds to the way he carries himself in The Batman.

It seems that Oz is functionally regarded as the Paulie Walnuts of the Falcones: useful muscle, loyal for the most part and amusing to keep around, but largely an unstable self-serving dumb asskisser kept where he belongs, a liability if not kept on a short leash. I think the show does a good job of highlighting all the reasons why Oz has never been seriously regarded as a viable option for a boss, even putting aside his disability. He is a fundamentally embarassing person for these serious respectable criminals to be around and of course, the joke is ultimately on them..

Of course, there is only two people in the show who actually know what he's capable of, Francis Cobb and Sofia Falcone, said to be the central relationships defining the show moving forward. Both of them also a defining commonality with Oswald, being people who are looked down on and dehumanized, and characters who are underestimated until it's time to bear their fangs.

Extremely invested in where they're going with Sofia Falcone, Cristine Milioti's been killing it, and will in fact not stop killing it. What a perfect villain for Penguin they've set up with her, someone who has his Kryptonite: she does not underestimate him. Although we know in advance that Oz is going to live and be in the next movie, the question here isn't even so much who's going to win the gang war, and rather how much damage these two freaks will do to the city until Batman gets back. In many ways, Sofia represents the shape of things to come just as much as he does.

She is this embodiment of both the pristine unfathomable wealth and privilege and power that he both detests and strives for, as well as this brutal new breed of madness and violence attacking the streets that he has to survive against and make deals with (and is himself very much a part of, however he denies it). She is Falcone's legacy in every way that matters, both a Kingpin of Gotham whose existence creates the oppressive conditions under which a Batman or a Riddler are created, as well as the Arkham Rogue, the larger-than-life sadist with a tragic origin and a signature torture-murder method and an embarassing name for the papers.

Even the fact that she is The Hangman, and Carmine was defined around his penchant for brutally strangling women - regardless of whether or not she did the crimes that got her in Arkham, she's become this larger-than-life themed expression of a violent obsession in a way that sets her up as every bit the Batman villain that The Penguin is. The two champions of the two Gothams, duking it out in this new world The Batman and The Riddler made, The Penguin vs The Hangman.

I am so glad Lauren LeFranc made the call for binning Alberto in the first five minutes so the rest of the show can focus on Sofia and make a real character out of her in a way nobody's ever really done before, every step of the way so far LeFranc has been perfectly on the ball about where to take these characters and their conflict. And speaking of those,

I feel very confident in saying that this is the first time anyone's ever really had something worth doing with Oswald's mother as a character in her own right and not just a source of anguish for Penguin (Gotham was almost onto something with Gertrude, but not nearly enough). When it comes to Penguin origin stories, my favorite's always been the Pre-Crisis one, where he's poor and bullied but happy with his mom and birds until she dies and the government seizes everything he has, which doesn't necessarily involve her much. But here? Francine Cobb is a real character in what little time we get to know her, and what a character she is. We quickly understand the role she's playing in Oz's life, not just as his mom and person he loves and strives to protect, but the person who's sculpting him into the man he's going to become.

She is vulnerable and she does need meds and she's not quite all there, and Penguin's need to care for her is visible in other actions of his. But then they turn it around by showing how strong and demanding she is, how she is fiercely ambitious and pushing him to be something he would otherwise not be, how much she loves him and sees greatness in him. She knows he's a people pleaser, she knows how to push his buttons, and she wants him to be more, so of course he's going to be more, because he lives to please his mom.

Related to this is this absolute bullseye of a summation of The Penguin, that Lauren LeFranc delivered in the podcast: "Perhaps his greatest fear is that love is transactional. And that yet, everything he does, every decision he makes, is as if that's true. As if "love is transactional" is a truth he abides by". Oswald's conception of power is being loved and revered like Rex Calabrese, and the love he wants most in all the world is the one from his mother. So in turn this, and all extensions of it, drive him to greater and darker lengths.

He doesn't have that ambition quite down yet, it's his mom that does. She who's pushing him to take over the city and not just be a guy scraping by for survival. He's smart and ambitious and extremely good at slipping out of trouble, but she's pushing him to be the guy who will be taking the city by the horns because that's what he has to be for their sake. Her legacy to her son is nurturing him having that dog in him that will make him the supervillain who picks fights with Vengeance. She is the force that's turning Oswald into The Goddamn Penguin and I can't wait to see how she's developed.

Of course he reprimands Victor in that scene for lacking ambition, who do you think he gets it from?

Really love what they've done with Sal Maroni in here so far. I like adaptations that take these throwaway Batman backstory gangsters and make something out of them, in this case, with Clancy Brown lending his power and voice and reputation as The Grand Boss of Villainy to play the last Respectable Gangster of Gotham, this intimidating principled old tiger who's inversely proportional to how much of a petty and scummy piece of shit Carmine Falcone was. Extremely a guy I'd want to see playing a hand in the creation of Two-Face. Just as crucial is the fact that he is the one who gets the most effortlessly outplayed by Oz here, because this is The Penguin Show: no room for traditional or respectable gangsters anymore, their purpose is to be crapped all over by our wacko birdman.

There's a lot about this that re-contextualizes his behavior in The Batman and the one I'm gonna point out is: even though he can't be sure his plan didn't completely go to shit, he is still keeping his wits and not being terribly scared about being beaten up and tortured and staring down the scariest Falcone with a gun shoved in his throat. But he craps his pants at the sight of the Batmobile. He gets pain, he gets indignity, but he doesn't get Vengeance, what kind of sick freak would come up with the stuff that guy does. A gun in his mouth and Falcone torture is just Tuesday, but a car that wants to eat his soul is some psycho shit he's just not ready to deal with.

It is the delicious tasty fucking irony that Oswald thinks Vengeance is this weird freak who doesn't play or bend to any rules and is here to fuck up everything, just like the madman who flooded the city, and thinks of himself in turn as a justifiable guy standing for the respectable old-fashioned empathetic way of doing things, instead of the exact same thing that Riddler and Batman are. Only Sofia gets what he really is, the same thing as her, and that's why she is the arch-enemy / the biggest thing he's gotta defeat in life for now.

God, how fucking PERFECT it is that he gets caught and tortured because he, after stabbing out a man's eye and causing him to get run over by a schoolbus, stops to wave at the kids in that schoolbus while covered in blood. Just the Rex Calabrese of it all, the self-image, this guy who's both a mean nasty son of a bitch and also a real bleeding heart softie and in ways that ruin his life and allow him to slip and wriggle his way out of shit he has no right to, as demonstrated by the finale.

Thinking about Sofia chastizing Oz saying he thinks she is a toy to play with, while rattling off the ways in which she owns him and everything he has, all the ridiculous little accessories her daddy let him play him, and he in turn is a ridiculous little accessory for the family she is twisting until it breaks. Perfect fucking villain for him. Can't wait to see how badly these two are gonna burn Gotham.

I knew deep in my heart that all I wanted out of a Penguin show, the thing that I simply needed to have in it, was Penguin pulling a heist set-up in advance, and it fucking delivered. He doesn't even complain at Victor for being late, because if anything, getting captured and tortured while the car crashed was even better for him. No, he complains at Victor for not being sufficiently gruesome with the body. See, unlike other cowardly anti-hero reinventions of Bat-villains, the show never wants you to forget that Oz is a weird freak and a disgusting piece of shit, even if he is a very likeable and even aspirational one. Only by the most random stroke of fate it wasn't Victor that he fed to the wolves at that moment, that he sees himself in the kid isn't exactly ensuring that he's gonna make out of this in one piece.

Mr. Vengeance gets Nirvana, and Mr. Boniface gets Dolly Parton, perfect credits.

In conclusion: Out of everything they could have done following the thunderous success of The Batman and it's ensuing influence over the DCU, out of all the offers Reeves must have gotten to helm their new universe after delivering a megahit reinvention of their breadwinner blockbuster character, Matt Reeves went "Nah, I listened to my crew, and what we really want to do is 8 hours of television about the waddling freak who's in my movie for 10 minutes", and he and his crew deserve the world for that. I dreamed as a kid of getting to make a big Penguin story or show, a wild impossible idea that would never actually happen, and now it's here and it's better than anything I'd ever imagined.

I'm fit to burst with joy and riding a high of no longer having to hunt for scraps and washing away decades of put-downs for the character and enjoying a Penguin renaissance like one I never imagined happening. I am extremely not an unbiased reviewer here, this show rules and I've waited for it since I was a kid and it's here, drink it the fuck in cause it's only the beginning.

[spikeisawesome456]

.

[oveliagirlhaditright]

What’re your favorite kh ships?

If I'm being honest... I really only true ship SoKai these days (my forever OTP). Mainly because I feel like that's the only one I can really ever see actually being canon (well, aside from Yozora and Nameless Star, and I also ship them: a lot of that for Versus XIII reasons. My heart won't let go). And, I mean, not that a ship needs to be canon for me to ship them. Not at all. But I'll admit that I've grown out of some of the KH ships a wee bit, as I've found more adult ones in other fandoms to get invested one.

That being said, the KH ships that I do still care about are:

SoKai

RokuShi

Namiku

RokuNami

Terqua (though it seem these days the kids call it Terrqua. Or Terraqua?)

Gulava

Skulmera

Playerlitzia

YozoraNameless Star

Xehaqus

AkuSai

SoRiKai

RiKai

Roxiri (though not in canon. More in fanon. More for crack, kind of, actually. And friendship first and foremost)

I'm warming up to Replinami some these days, because of the tragedy of it all.

I've also started to warm up to Rion a wee bit... that past Shanna thought she'd never see.

SoNami in CoM only.

I could do XionRoxasNaminé. NamiXI, too.

VenAqua slightly, but I'd always choose Terra and Aqua over it (but one thing about the Wayfinder Trio for me, if I'm being truthful, is that I prefer the three of them as friends before any romance with any of them. Part of me even really thinks all three of them are truly just meant to be friends.)

A lot of people ship Ven and Strelitzia for some reason. And I doubt it'll ever happen, tbh. Who knows if they'll ever even really get a chance to meet and be friends. But I do get why they think it'd be cute.

And while I don't know if I truly ship them anymore, a part of me will always have a soft spot for Ventus and Naminé. Because for some reason, I really used to ship this crack pairing, back in the day.

I also don't really know if I ship them... but despite what I said above, I do get the feeling that Nomura might be doing something with Lauriam/Marluxia and Elrena/Larxene.

[nostalgia-tblr]

Re: Hunting for Sport Poll though, I do want to add (separately) that you don't have to feel bad about not knowing the history of every place on Earth, even the famous bits. The world is very large and history is very long and there is no way you'll ever know even a basic outline of everyone's national histories unless you spend all day every day doing nothing else. Think of how much time you spent in school in a history class and it's no longer quite so shocking that you don't know even quite major things from the history of wherever you live.

So, like. Don't beat yourself up over things you didn't know because nobody ever taught them to you. And hey, you know now!

[arytha]

me shaking this author and asking for something coherent PLEASE i've read too many chapters (195 out of 308) to give up on this now but im DYING for something more interesting than your tell but not show writing and asinine timeskips and weird scene jumps

[quatregats]

Am attempting to apply to anthro grad school and why does anthro make me feel dumb :’)

[crimsonblackrose]

I had planned to spend most of the time my family is out of town looking for jobs but instead I’ve spent it packing. I’ve been looking at everything and deciding will I use this this year? No. Into a box it goes so that when I move it’ll be easier. But one of my coworkers responded to this with “Are you sure you’re okay with moving? Like emotionally?”

And I’ve just had to sit here like well damn.

[aw-bean-s]

For anyone else who has been capital O obsessive over Wednesday's prom dress it's Alaia's 2020 fall ready-to-wear collection specifically look 8. If you were wondering.

[adore-gregor]

my perception of grades totally changed since i started uni

[mollyrealized]

How Michael Met Neil

original direct link [MP3]

(Neil, if you see this, please feel free to grab the transcript and store on your site; I had no easy way of contacting you.)

DAVID TENNANT: Tell me about @neil-gaiman then, because he's in that category [previously: “such a profound effect on my life”] as well.

MICHAEL SHEEN: So this is what has brought us together.

DAVID: Yes.

MICHAEL: To the new love story for the 21st century.

DAVID: Exactly.

MICHAEL: So when I went to drama school, there was a guy called Gary Turner in my year. And within the first few weeks, we were doing something, having a drink or whatever. And he said to me, “Do you read comic books?”

And I said, “No.”  I mean, this is … what … '88?  '88, '89.  So it was … now I know that it was a period of time that was a big change, transformation going through comic books.  Rather than it being thought of as just superheroes and Batman and Superman, there was this whole new era of a generation of writers like Grant Morrison.

DAVID: The kids who'd grown up reading comic books were now making comic books

MICHAEL: Yeah, yeah, and starting to address different kinds of subjects through the comic book medium. So it wasn't about just superheroes, it was all kinds of stuff going on – really fascinating stuff. And I was totally unaware of this.

And so this guy Gary said to me, "Do you read them?" And I said, "No."  And he went, "Right, okay, here's The Watchman [sic] by Alan Moore. Here's Swamp Thing. Here's Hellblazer. And here's Sandman.”

And Sandman was Neil Gaiman's big series that put his name on the map. And I read all those, and, just – I was blown away by all of them, but particularly the Sandman stories, because he was drawing on mythology, which was something I was really interested in, and fairy tales, folklore, and philosophy, and Shakespeare, and all kinds of stuff were being mixed up in this story.  And I absolutely loved it.

So I became a big fan of Neil's, and started reading everything by him. And then fairly shortly after that, within six months to a year, Good Omens the book came out, which Neil wrote with Terry Pratchett. And so I got the book – because I was obviously a big fan of Neil's by this point – read it, loved it, then started reading Terry Pratchett’s stuff as well, because I didn't know his stuff before then – and then spent years and years and years just being a huge fan of both of them.

And then eventually when – I'd done films like the Underworld films and doing Twilight films. And I think it was one of the Twilight films, there was a lot of very snooty interviews that happened where people who considered themselves well above talking about things like Twilight were having to interview me … and, weirdly, coming at it from the attitude of 'clearly this is below you as well' … weirdly thinking I'm gonna go, 'Yeah, fucking Twilight.”

And I just used to go, "You know what? Some of the greatest writing of the last 50-100 years has happened in science fiction or fantasy."  Philip K Dick is one of my favorite writers of all time. In fact, the production of Hamlet I did was mainly influenced by Philip K Dick.  Ursula K. Le Guin and Asimov, and all these amazing people. And I talked about Neil as well. And so I went off on a bit of a rant in this interview.

Anyway, the interview came out about six months later, maybe.  Knock on the door, open the door, delivery of a big box. That’s interesting. Open the box, there's a card at the top of the box. I open the card.

It says, From one fan to another, Neil Gaiman.  And inside the box are first editions of Neil's stuff, and all kinds of interesting things by Neil. And he just sent this stuff.

DAVID: You'd never met him?

MICHAEL: Never met him. He'd read the interview, or someone had let him know about this interview where I'd sung his praises and stood up for him and the people who work within that sort of genre as being like …

And he just got in touch. We met up for the first time when he came to – I was in Los Angeles at the time, and he came to LA.  And he said, "I'll take you for a meal."

I said, “All right.”

He said, "Do you want to go somewhere posh, or somewhere interesting?”

I said, "Let's go somewhere interesting."

He said, "Right, I'm going to take you to this restaurant called The Hump." And it's at Santa Monica Airport. And it's a sushi restaurant.

I was like, “Right, okay.” So I had a Mini at the time. And we get in my Mini and we drive off to Santa Monica Airport. And this restaurant was right on the tarmac, like, you could sit in the restaurant (there's nobody else there when we got there, we got there quite early) and you're watching the planes landing on Santa Monica Airport. It's extraordinary. 

And the chef comes out and Neil says, "Just bring us whatever you want. Chef's choice."

So, I'd never really eaten sushi before. So we sit there; we had this incredible meal where they keep bringing these dishes out and they say, “This is [blah, blah, blah]. Just use a little bit of soy sauce or whatever.”  You know, “This is eel.  This is [blah].”

And then there was this one dish where they brought out and they didn't say what it was. It was like “mystery dish”, we had it ... delicious. Anyway, a few more people started coming into the restaurant as time went on.

And we're sort of getting near the end, and I said, "Neil, I can't eat anymore. I'm gonna have to stop now. This is great, but I can't eat–"

"Right, okay. We'll ask for the bill in a minute."

And then the door opens and some very official people come in. And it was the Feds. And the Feds came in, and we knew they were because they had jackets on that said they were part of the Federal Bureau of Whatever. And about six of them come in. Two of them go … one goes behind the counter, two go into the kitchen, one goes to the back. They've all got like guns on and stuff.

And me and Neil are like, "What on Earth is going on?"

And then eventually one guy goes, "Ladies and gentlemen, if you haven't ordered already, please leave. If you're still eating your meal, please finish up, pay your bill, leave."*

[* - delivered in a perfect American ‘serious law agent’ accent/impression]

And we were like, "Oh my God, are we poisoned? Is there some terrible thing that's happened?"  

We'd finished, so we pay our bill.  And then all the kitchen staff are brought out. And the head chef is there. The guy who's been bringing us this food. And he's in tears. And he says to Neil, "I'm so sorry." He apologizes to Neil.  And we leave. We have no idea what happened.

DAVID: But you're assuming it's the mystery dish.

MICHAEL: Well, we're assuming that we can't be going to – we can't be –  it can't be poisonous. You know what I mean? It can't be that there's terrible, terrible things.

So the next day was the Oscars, which is why Neil was in town. Because Coraline had been nominated for an Oscar. Best documentary that year was won by The Cove, which was by a team of people who had come across dolphins being killed, I think.

Turns out, what was happening at this restaurant was that they were having illegal endangered species flown in to the airport, and then being brought around the back of the restaurant into the kitchen.

We had eaten whale – endangered species whale. That was the mystery dish that they didn't say what it was.

And the team behind The Cove were behind this sting, and they took them down that night whilst we were there.

DAVID: That’s extraordinary.

MICHAEL: And we didn't find this out for months.  So for months, me and Neil were like, "Have you worked anything out yet? Have you heard anything?"

"No, I haven't heard anything."

And then we heard that it was something to do with The Cove, and then we eventually found out that that restaurant, they were all arrested. The restaurant was shut down. And it was because of that. And we'd eaten whale that night.

DAVID: And that was your first meeting with Neil Gaiman.

MICHAEL: That was my first meeting. And also in the drive home that night from that restaurant, he said, and we were in my Mini, he said, "Have you found the secret compartment?"

I said, "What are you talking about?" It's such a Neil Gaiman thing to say.

DAVID: Isn't it?

MICHAEL: The secret compartment? Yeah. Each Mini has got a secret compartment. I said, "I had no idea." It's secret. And he pressed a little button and a thing opened up. And it was a secret compartment in my own car that Neil Gaiman showed me.

DAVID: Was there anything inside it?

MICHAEL: Yeah, there was a little man. And he jumped out and went, "Hello!" No, there was nothing in there. There was afterwards because I started putting...

DAVID: Sure. That's a very Neil Gaiman story. All of that is such a Neil Gaiman story.

MICHAEL: That's how it began. Yeah.

DAVID: And then he came to offer you the part in Good Omens.

MICHAEL: Yeah. Well, we became friends and we would whenever he was in town, we would meet up and yeah, and then eventually he started, he said, "You know, I'm working on an adaptation of Good Omens." And I can remember at one point Terry Gilliam was going to maybe make a film of it. And I remember being there with Neil and Terry when they were talking about it. And...

DAVID: Were you involved at that point?

MICHAEL: No, no, I wasn't involved. I just happened to have met up with Neil that day.

DAVID: Right.

MICHAEL: And then Terry Gilliam came along and they were chatting, that was the day they were talking about that or whatever.

And then eventually he sent me one of the scripts for an early draft of like the first episode of Good Omens. And he said – and we started talking about me being involved in it, doing it – he said, “Would you be interested?” I was like, "Yeah, of course."  I went, "Oh my God." And he said, "Well, I'll send you the scripts when they come," and I would read them, and we'd talk about them a little bit. And so I was involved.

But it was always at that point with the idea, because he'd always said about playing Crowley in it. And so, as time went on, as I was reading the scripts, I was thinking, "I don't think I can play Crowley. I don't think I'm going to be able to do it." And I started to get a bit nervous because I thought, “I don't want to tell Neil that I don't think I can do this.”  But I just felt like I don't think I can play Crowley.

DAVID: Of course you can [play Crowley?].

MICHAEL: Well, I just on a sort of, on a gut level, sometimes you have it on a gut level.

DAVID: Sure, sure.

MICHAEL: I can do this.

DAVID: Yeah.

MICHAEL: Or I can't do this. And I just thought, “You know what, this is not the part for me. The other part is better for me, I think. I think I can do that, I don't think I could do that.”

But I was scared to tell Neil because I thought, "Well, he wants me to play Crowley" – and then it turned out he had been feeling the same way as well.  And he hadn't wanted to mention it to me, but he was like, "I think Michael should really play Aziraphale."

And neither of us would bring it up.  And then eventually we did. And it was one of those things where you go, "Oh, thank God you said that. I feel exactly the same way." And then I think within a fairly short space of time, he said, “I think we've got … David Tennant … for Crowley.” And we both got very excited about that.

And then all these extraordinary people started to join in. And then, and then off we went.

DAVID: That's the other thing about Neil, he collects people, doesn't he? So he'll just go, “Oh, yeah, I've phoned up Frances McDormand, she's up for it.” Yeah. You're, what?

MICHAEL: “I emailed Jon Hamm.”

DAVID: Yeah.

MICHAEL: And yeah, and you realize how beloved he is and how beloved his work is. And I think we would both recognise that Good Omens is one of the most beloved of all of Neil's stuff.

DAVID: Yes.

MICHAEL: And had never been turned into anything.

DAVID: Yeah.

MICHAEL: And so the kind of responsibility of that, I mean, for me, for someone who has been a fan of him and a fan of the book for so long, I can empathize with all the fans out there who are like, “Oh, they better not fuck this up.”

DAVID: Yes.

MICHAEL: “And this had better be good.” And I have that part of me. But then, of course, the other part of me is like, “But I'm the one who might be fucking it up.”

DAVID: Yeah.

MICHAEL: So I feel that responsibility as well.

DAVID: But we have Neil on site.

MICHAEL: Yes. Well, Neil being the showrunner …

DAVID: Yeah. I think it takes the curse off.

MICHAEL: … I think it made a massive difference, didn't it? Yeah. You feel like you're in safe hands.

DAVID: Well, we think. Not that the world has seen it yet.

MICHAEL (grimly): No, I know.

DAVID: But it was a -- it's been a -- it's been a joy to work with you on it. I can't wait for the world to see it.

MICHAEL: Oh my God.  Oh, well, I mean, it's the only, I've done a few things where there are two people, it's a bit of a double act, like Frost-Nixon and The Queen, I suppose, in some ways. But, and I've done it, Amadeus or whatever.

This is the only thing I've done where I really don't think of it as “my character” or “my performance as that character”.  I think of it totally as us.

DAVID: Yeah.

MICHAEL: The two of us.

DAVID: Yes.

MICHAEL: Like they, what I do is defined by what you do.

DAVID: Yeah.

MICHAEL: And that was such a joy to have that experience. And it made it so much easier in a way as well, I found, because you don't feel like you're on your own in it. Like it's totally us together doing this and the two characters totally complement each other. And the experience of doing it was just a real joy.

DAVID: Yeah.  Well, I hope the world is as excited to see it as we are to talk about it, frankly.

MICHAEL: You know, there's, having talked about T.S. Eliot earlier, there's another bit from The Wasteland where there's a line which goes, These fragments I have shored against my ruin.

And this is how I think about life now. There is so much in life, no matter what your circumstances, no matter what, where you've got, what you've done, how much money you got, all that. Life's hard.  I mean, you can, it can take you down at any point.

You have to find this stuff. You have to like find things that will, these fragments that you hold to yourself, they become like a liferaft, and especially as time goes on, I think, as I've got older, I've realized it is a thin line between surviving this life and going under.

And the things that keep you afloat are these fragments, these things that are meaningful to you and what's meaningful to you will be not-meaningful to someone else, you know. But whatever it is that matters to you, it doesn't matter what it was you were into when you were a teenager, a kid, it doesn't matter what it is. Go and find them, and find some way to hold them close to you. 

Make it, go and get it. Because those are the things that keep you afloat. They really are. Like doing that with him or whatever it is, these are the fragments that have shored against my ruin. Absolutely.

DAVID: That's lovely. Michael, thank you so much.

MICHAEL: Thank you.

DAVID: For talking today and for being here.

MICHAEL: Oh, it's a pleasure. Thank you.

[jyoongim]

THE WAY U WRITE THE OLD RED DEMON MAN IS JUST SO NEKEKDKEOWB

Might I just add onto the seemingly continuous alastor requests. I'd love to see Alastor x Reader where reader is in heat and Al finds it pathetic but takes pity on them and helps anyway bc like poor thing can't even get their own instincts in control they're obviously hopeless

warnings: 18+!!!NSFW

You thought when you died you would be rid of hormones.

Periods were a pain while living, but this is was worst.

When you were alive, your periods plagued you with mood swings, random cravings, and pain.

Now that you were dead, you didn’t experience the dreadful red flood and raging mood swings; no. Now all you felt was unbelievably horny and needy.

And you hated it.

You usually carried yourself with confidence and elegance.

You usually liked to help around the hotel and were generally friendly with everyone.

You grimaced as you woke up to feel just how drenched your panties were. I really need to stock up on new underwear you thought as you tossed the ruined panties into the hamper.

You usually spent your heats alone and could hide in a hole until you felt normal again. You usually could control yourself well enough til you had enough free time to ease the tension between your legs.

Or until you found a poor sinner.

Weeeeellll that was hard when you lived in a hotel with a ton of shit to do. You really didn’t want to hear Angel’s jabs as you dragged some unfortunate soul to endear your sex rage.

You sighed, hopefully you could get through the next few days without embarrassing yourself completely.

So far so good you thought as you went about your day doing whatever activity Charlie had you do with the group.

Every touch and scent didn’t send your cunt into a tingling frenzy; yes you had to change your panties a few times but nothing crazy.

That was until you were around Alastor.

Your body practically buzzed whenever the tall red demon was in your vicinity.

You first chalked it up to that it was because you did found him attractive and simply thought it would go away.

But your cunt begged a differ.

You squirmed a bit on the couch as Alastor took a seat beside you, clenching your thighs to ease the uncomfortable throbbing.

It didn’t help that he smelled amazing.

Alastor smelled like evergreens how y’all ever smelled Christmas pine??? That shit is delicious!!!!

And you didn’t realized you had took a deep inhale of him until he turned to you

”Is everything alright my dear?” He asked, eyebrows raised.

fuck how were you going to tell him you wanted to bury your nose into his neck and just SNIFF? 

“O-oh I’m f-fine…i-its just you smelled nice?” You wanted to facepalm.

He blinked at you before letting out a laugh “OOooh why thank you my dear” that shit eating grin widened, voice dropping a slight octave“I must smell very enticing if you’re sniffing at me” his eyes narrowed slightly.

A shiver ran through your body and you swear you were leaking through onto the couch. You wanted to die of embarrassment.

“I-I just never noticed before that’s all” You said shrugging, trying to ignore the fact that his very voice was affecting you.

Charlie had ended whatever the hell you were doing and you quickly made your way to your room, causing some confusion.

You were usually a social butterfly with the gang. You never not chat away with Angel as he told the wild shit he did on set.

“Has got to be that time of the month” Angel commented as you almost sprinted out the room. Charlie and Vaggie gave confused looks ”what?” He sighed “You know…” nope not a clue.

”She was a human remember? Every so often her pussy basically shreds itself to bits”

Charlie gasped “So she’s hurt? Shouldn’t we do something?” Angel laughed,shaking his head “Nah we can’t help. But she'll be fine. Just give her a few days and she'll be normal again”

Alastor was in the background listening, the smile on his face sharpened, you weren’t hurt or bleeding, but there was definitely something that could be done.

You snarled as your vibrator died and tossed it. You groaned as your clit continued to throb. You had thought four orgasms would have did the trick but nope you still had the irritating itch.

You didn’t own a dildo because it was pointless.

it wasn’t the real thing.

You wanted to cry. This was your first heat while you’ve been at the hotel and you didn’t just want to drag a stranger here.

You had more control than that.

At least that’s what you thought.

You had locked yourself in your room as you tore your room to bits. The walls were shredded, pillows and sheets drenched in slick and your poor toy was in pieces.

Panting, you curled in a corner and tugged at your hair, squeezing your eyes tight as tears began to pool in your eyes.

You hated this.

 You hated how it felt like you didn’t even feel like yourself. 

Hated that you couldn’t even control your own damn bodily function.

Hated how your body desperately wanted to be filled.

You would give anything to make this horrid feat of yours go away.

“I would have never thought to see you in such a state my dear”

You froze at the voice and jerked your head to the source.

Alastor.

He was standing at the entrance of your bedroom, a smirk on his face as he took in the state of your room.

”I must say, it. Is rather entertaining to see your lack of control” he said as he approached your curled form.

He crouched down, feigning a concerned look before a clawed hand seized your hair and wrenched your face til your noses were bumping against each other.

”did you think I couldn’t smell you?” He growled “You smell just like a bitch in heat”

You whimpered as his lips ghosted over yours “I-I’m sorry”

His scent was surrounding you. It was a drug. Assaulting your every nerve with each breath you took.

He smelled so good 

please

”Please” you whispered as your cunt buzzed, tingling from his clos proximity and in hopes he would have mercy on you.

Alastor sucked his teeth at you. What a pitiful thing you were…

With a deep breathe, he stood and walked over to your ruined bed and sat. You watched as he sat his mic down and removed his coat. Yanking at his tie, he unbuttoned his shirt and looked over at you with narrowed eyes “Well? Do you want to continue to ruin your furnishings or do you wish to satisfy that brazen desire of yours?”

He widened his legs and your eyes honed in on how he unbuckled his pants.

Your throat tightened and you found yourself crawling over to him, no regard that you were naked.

Kneeling between his legs, your hands soothed up his thighs as your rubbed your head against his crotch.

Alastor lifted your chin for your eyes to meet his. Your eyes were blown out and you winced as his grip tightened.

”I pity you my dear, reduced to wanton whore, but don’t fret…Ill help you through your heat” a thumb ran over your pouty lip.

Your cunt clenched around nothing at his words.

You damn near drooled as he adjusted himself to pull his cock free from its restraints.

It was big, in both length and girth. It slapped against your face, causing you to hum at the weight of it.

You nuzzled it, nose gliding along his length before softly pressing kissed along it. When you came to his mushroom tip, you didn’t hesitate to suck at it. Alastor sighed as you gave the head of his cock kitten licks.

Head clouded with desire, you slowly bobbed your head along his length, taking him whole as you gagged once you reached the hilt.

You eased him out your throat and with a sickening pop, you admired as his spit-covered cock shined. You opted to jerk him off slowly as you buried your nose in his ball, inhaling his scent.

Alastor’s hand found your hair and guided you away from his cock, bringing you to climb up his body, until your smoldering heat was rubbing against his cock as he pressed kisses to your shoulder and neck. A gasp tore from your throat as he nipped at your jaw.

”On fours my dear”

Clumsily, you scrambled to follow his instruction. You must not have been to his liking because he pressed your head til your cheek was flat to the bed, back in a deep low arch, thighs pressed to your stomach and spreaded wide with your ass and cunt exposed to the air. 

You would have blushed in embarrassment if you weren’t so turned on.

A hand glided down your back, causing you to shiver and then jolt as a harsh slap was planted on your ass, before it soothed over the burning cheek.

Alastor kneaded your ass before sliding his fingers down to your cunt.

Your slit was swollen and your clit, puffy with need. 

You were dripping.

He dipped a finger inside you, testing how wet you were.

Soppy. 

He added a second, your cunt greedily welcomed his fingers with ease, giving into resistance.

He chuckled “What a greedy cunt, sucking in my fingers like a cock”

You whined when he took his fingers out, already missing the feel of something inside you.

Alastor took his cock and rubbed it against your cunt, coating himself in your slick.

”I am going to fuck you to your little sinful heart desires and you are going to be grateful of everything I give you. You are going to take every bit of my cum until it spills from this cunt and then again and again until I have bred you so thoroughly. Do you understand slut?”

You were breathing heavily, trembling in excitement.

With a single, sharp thrust he filled your cunt, earning a soft cry from you.

”Do you understand?”he hissed through clenched teeth.

”Y-Yes A-Alastor”. you whimpered, eyes clenched shut in pleasure.

”Good girl”

He drew back and thrusted into you again

And again

And again

He had set a slow, but rough pace. Thrusting his cock deep into the soft warmth of your cunt with each drag.

Soft moans filled the air as he buried his cock inside you.

It felt so good. 

He reached depths your finger couldn’t quite reach.

And it was amazing.

”A-Ala-stor Aah! Aaah! Hah!” You pushed your hips against his, mewling loudly as he grinned his cock into you.

”Youre pathetic ” He laughed, eyes watching his cock disappeared inside you, giving you a hard thrust at his words.

”Nothing but pathetic slut who can’t control their own body”

His grip on your hips pulled you flushed against him, making you take him til his balls was nestled against your slit.

”You probably would have spreaded your legs for any poor sinner, just wanting to be fucked dumb” Your body rippled as his thrusts got harder.

Your cunt only got wetter.

He noticed as he seemed to sink even deeper into you, as if your cunt loosened to welcome him

”oh? I bet you would have liked that wouldn’t you? So out of sorts with need that you would have just anyone bred this cunt”

He growled at the squelching noises from your cunt, you shook your head in denial.

No. No you wouldn’t haven’t done something like that.

”N-no I-I wouldn’t-” You cried out as his finger ghosted over your swollen clit.

”You would have been happy to bend over and offer your cunt to anyone, as long as you had a cock fill you” Alastor continued before a cruel, deep laugh erupted from him

”But instead you sought me out. I had no intention in satisfying you, but what a gentleman would i had been if I ignored a lady in need?” You felt him lean over, hips never missing a beat as he sunk his teeth into your shoulder.

”Oooh how fortunate you are my dear”

You were suddenly flipped onto your back. Hair sprawled around you like a halo, your chest heaving as he pushed your knees to your chin. 

Your lidded eyes watching as he slide his cock between your pussy lips, bumping your clit. He grabbed your wrists, using them as leverage as he thrusted back into you, the new angle making your throw your head back with a broken cry

”FuuuuuUccckk Ah Ah AH!” His hips dug into the underside of your ass as he pounded your cunt.

Alastor hadn’t lost composure the entire time he fucked you.

He watched as you fell apart, your hips wiggling to accommodate to his harsh administrations.

Your cunt took him so good. A white, creamy ring formed at his base as he scraped against that sponges nerve inside you.

You welcomed him gratefully. Letting him wrench pleasurable sounds from your pretty lips.

Pushing your raised legs apart, he lowered his weight on you as he slammed his lips on yours, swallowing your moans. Your tongues danced as he rocked into your body.

The sounds of him ruining your cunt pushed him to fulfill your primal desire.

You felt that familiar blaze of heat take over your body as Alastor fucked short rapid thrusts into you.

Every brush of his abdomen against your clit had your cunt going haywire.

You were going to cum.

Alastor was going to make you cum.

You moaned at the thought

You were gonna cum on his cock

And he was gonna breed you

Breed your soppy cunt

and you were going to let him

”please….” You whined into his mouth

Fuck the very thought had your body buzzing.

”please what?” he purred

Your head was reeling, foggy with the need to be filled.

A hand wrapped around your throat, squeezing

“What are you begging me for slut? Hmm?” His strokes were hitting harder and deeper.

”You want me to breed your cunt? You want to me to fill you up so good that all you’ll ever think is how my cum belongs inside you? What do the little slut want?”

Yes you wanted all of it.

You wanted him to fuck you so good, you wouldn’t even think of wanting another cock from his.

You wanted him to fill your cunt to the brim and then fuck it back inside.

You wanted him to breed you like the little slut you were.

To breed you til he had his fill.

Your instincts had practically took over, fuck sanity.

”Mhmm! I want it. I want you to Ah! I want you to fill me with your cum! Please please breed me Alastor” You whined, feeling your belly clench as your orgasm hung over you, promising sweet relief.

The hand around your throat, tightened causing you to gasp as he spoke into your ear, voice deep and purring

”Youre gonna make yourself cum on my cock slut”

your hand flew to your clit to flick fast circles on the bud.

Alastor’s thrusts quickened, growls pouring from his lips

”Who’s a filthy little slut?”

”M-Me”

”Whos a pathetic slut that’s gonna take my cum?”

”Me!”

”Fucking slut gonna let be breed her dumb”

A sob tore from you as your orgasm washed over you, he fucked you as you milked him, hips angled to thrusts so deep you’re sure your cunt had molded into the shape of his cock

”hah hah aaah fuuucckk fuck fuck Al-Alastor!”

You saw white as your mouth opened in a silent scream only for him to swallow the whine in your throat.

”That’s it you pathetic slut take it. Take my cum. That’s a good girl. Let me breed this sweet cunt cher” your hips raised as he sunk into you and with a deep groan, he cummed into your spasming cunt, making sure to thrust deep enough he hit your cervix as he painted your walls white.

Whether conscious or by instinct, you gave him a ditzy smile, eyes glazed over as you slowly rubbed your clit, whimpering. Holding eye contact with him, a soft pout graced your lips

“Again”

You truly were a pathetic, needy little thing.

But don’t worry pretty Doe, Alastor’s going to make sure you

satisfied and stuffed to your heart’s content

 It was going to be very interesting for the next 36 hours…

@markster666 @alastorsfawn @senseichaos @alastoralltruist @dasimp777 @imgonnadielaughing-blog @thewinchestah @strawberrypimp666 @tpks @stygianoir @polytheatrix @prosciuttosblog @angelltheninth @peachedtv @yourdoorisunlocked @kiralaufeyson84

[dduane]

I just received a copy of a book I've been very much looking forward to by a favorite author, but the quality of the book itself is... not great. Cheap paper, weak binding, even a weird illustration of the main character on the cover that I'm having trouble believing the author approved. Obviously, I don't want to leave a bad review on Amazon or GoodReads or anywhere, as I'm 100% certain the content is as excellent as her other work. But how can I best let the publisher (Baen) know I'm disappointed without threatening to never buy her books again? Because, well, if this is the only option, I'm gonna keep buying them even in my disappointment.

Well, the first thing I thought when I read this was "Wow, I'm really glad I don't have anything in print from Baen at the moment except a couple of anthologized short stories." :)

As for the rest of it, let's take it point by point.

Adding a cut here, because this will run a bit long. Caution: contains auctorial bitching and moaning, painful illustrations of cases in point, and brief advice on how to complain most effectively. (Also links to paintings of cats.)

Cheap paper: This has been an accurate complaint since well before COVID—and it's often been worse since, with supply chain issues also being involved. That said: one way publishers routinely save money on printing books, especially the bigger ones, is by going for thinner/cheaper paper. I remember one of our UK editors going on at great length and with huge annoyance—during one of those late-night convention-bar bitch sessions—over how the only way they could get some really good books published (because Upstairs insisted on reducing the per-copy production costs) was by reducing the paper quality to the point where you could nearly read through it. Sacrificing decent text size(s) also became part of this. Nobody in editorial was happy about the result: but there wasn't much they could do.

Bad bindings: Similar problem. Sewn bindings used to be a thing in paperbacks... but not any more: not for a good while, now. These days, it's all glue. Even hardcovers are showing up glued rather than sewn. Don't get me started. :/ (This is why I so treasure some of the oldest paperbacks I've acquired, which are actually sewn.)

Crap covers: I've had my share of these—though my share of some really good ones, too. And one of the endless frustrations of traditional publishing is that the writer routinely has little or even no influence over what the cover will look like... let alone how much will be spent on it, or (an often-related issue) how good the execution will be.

There are of course exceptions. If you're working at the, well, @neil-gaiman -esque level or similar in publishing, a lot more attention is going to be paid to your thoughts. You may even be able to get "cover veto" written into your contracts, so that if you disapprove, changes will get made. But without actual contractual stipulations, the writer has zero legal recourse or way to withhold approval. (And I bet even Neil has some horror stories.)

The normal workflow looks like this. After a book's purchased, its editor and the art director discuss what it's about and what the cover should look like. The art director then hires an artist and tells them what to do. After that, the artist executes their vision and gets paid. It is incredibly rare for a writer to have any significant input into this process. And as to whether or not they approve of the final result, well... the publisher mostly just shrugs and goes back to eyeing the bottom line, muttering "Who told them they get a vote?"

Now, I've been seriously lucky to occasionally be an exception in this regard. In particular, my editors at Harcourt (when Jane Yolen and Michael Stearns were editing Harcourt's Magic Carpet YA imprint) would ask me what I thought would be a good idea for the next Young Wizards cover, and I'd think about it a bit and send them back a paragraph or so about some core scene. They'd then talk to their art director, and after that send their notes and mine to Cliff Nielsen (who started doing the covers for the hardcover and mass-market paperback editions of the series in the mid-90s) or to Greg Swearingen (who was the artist on the digest-format editions). And the results, by and large, were pretty good. ...I also think affectionately of the UK artist Mick Posen, who insisted on seeing pictures of our cats before painting the covers for the Hodder editions of The Book of Night with Moon and On Her Majesty's Wizardly Service (the UK title for To Visit The Queen).

But this kind of treatment is a courtesy—not even vaguely suggested in the books' contracts, and very much the exception to the rule. And for every writer who's midlist, there are times when the luck runs out. For example: one time I wrote a book that was an AU-Earth-near-future fantasy police procedural, thematically pretty dark—dealing with issues of abuse of megacorporate power, institutionalized bigotry, and (explicitly) attempted genocide. And the cover, done by an artist who's a good friend and some of whose fabulous art hangs in our house, came out looking like this. It was... let's just say "not ideally representative."

So I was glad, when my local workflow allowed it, to recover the current, revised version of the book with something at least a little more apropos. But the original cover's not the artist's fault. He did what the art director told him... as a cover artist must do to get paid, and (ideally) to get hired again. At present, that's how the system works.

...So. You've got a badly-built and -presented book on your hands. How best to make your feelings known in some way that might make a difference down the line? (As you make it plain that you'll keep buying this author's books this way if you must.)

First of all: when (as part of my psych nursing training) we were taught how to complain most effectively, we were told that the first and most basic rule of the art is this:

Only Complain To Someone Who Can Actually Do Something About Your Problem

So I salute your desire not to waste your time taking the issue to the reviews on Amazon, or the pages of Goodreads... because they can't do anything. The odds that anyone from production at Baen is reading the comments there strike me as... well, not infinitesimally small, not being hit-by-a-meteorite-while-in-the-shopping-center-parking-lot small... but really low.

So: write to corporate.

In your place I would go online and rummage around a bit to find out who's on record as the publisher at Baen. I would then write them a letter on paper. And I would lay out the problem pretty much as you laid it out up at the top.

The tone I think I'd choose would be the more-in-sorrow-than-in-anger approach. I'd say, "I write to comment about your recently published book by [X Writer], whose work I love. I have to say, though, that I don't think the cover on [X Book] is terribly representative of the quality of the prose inside. And also, the construction and production quality of the book itself was a disappointment to me because [here spell out why].

"I'd really like to see [X. Writer's] books succeed with you, and I'd like to buy more of them without wondering whether I was going to be disappointed again. But if this is typical of how they're being produced, I'd also be concerned that the state of these books is setting up a situation in which the author's sales will be damaged, and you would stop publishing them... which would really be a shame. Whereas on the other hand, better production quality could keep previous purchasers coming back and buying, not only more books by this author, but books by others whom you publish."

This phrasing, as you'll have seen, walks a bit wide around the issue of your further purchases, while directing attention toward the bottom line... which will routinely be what the publisher's looking at from day to day. And—being, one has to hope, in possession of the wider picture as regards what's going on with their production costs—maybe they can actually do something about it.

Anyway, nothing ventured, nothing gained, yeah? It's worth a try. All you can do is hope for the best.

And finally: please know that I admire your commitment to the author: whoever she is, she's lucky to have you. It's a terrific thing to have readers who'll willing to spend the time to hunt you down, and who're willing not to judge a book by its cover. :)

[little-hermit-crab56]

I've been writing for a while so I thought I'd share some writing tips I've learned along the way.

1. Never sacrifice the flow for a quirky line.

That bit of dialogue or flowery paragraph you really like but it kinda disrupts the flow? Scrap it. I know it hurts, but you need to. If you really want to keep it, find somewhere else to put it where it actually fits in.

2. Dialogue is a dance.

Dialogue should go at the pace of an actual conversation, back and forth with little breaks and pauses. Add as little dialogue tags as possible while still making it clear who is speaking. You can also describe what is happening during a pause in the conversation rather than saying they paused, unless the pause is important.

3. Show don't tell is a guideline, not a rule.

Show don't tell is a very useful guideline, but if you're ALWAYS showing it can get exhausting to read. Skip the boring bits and just tell us what happened, then we can get to the good stuff.

4. If it's boring to write, it's probably boring to read.

If you can cut out a whole scene with little consequence to the story, you probably should. As I said before, you don't always have to show us, you can always tell us.

5. Everything needs to have a purpose.

I know there are probably lots of interesting or cute scenes where your characters are just fucking around, but if it doesn't develop character, relations, conflict, or plot, why should we care? Definitely still write them if they make you happy, but if you're gonna add it to your final draft, make sure it matters.

6. You don't need to explain everything all at once.

I know it feels tempting to put all the lore, and all the character's intentions, and reasonings into the first few chapters, but please refrain, you can reserve that for your character and worldbuilding sheets. Instead, take the time to let us get to know the characters, and the world, in the same way we'd get to know a real person. Make your exposition as seamless and natural as possible. It will take practice to know when to reveal information and when to let us wonder, but you'll get there.

7. Write in a way that comes naturally.

I know you probably have an author you wanna write just like, but that is unlikely to happen. Embrace your natural writing style and perfect it, rather than trying to be something you're not. Writing is an art, you need to find your own style and polish it as best you can.

8. Try to make us feel connected by cutting out certain words like "felt".

"Chad felt like a glass of water." Can be replaced with, "Chad was thirsty, so he reached for a glass of water." Both sentences tell us Chad wants a glass of water, but one makes us feel more connected to Chad than the other. Though both sentences have their time and place, you want to make your audience feel as close to their protagonist as possible. Make them feel like they're there, rather than just an onlooker.

9. We don't need to know every physical detail of your character.

I know you probably spent ages creating the perfect characters and you want to give us the perfect image of what they look like, but it can get monotonous and boring, why do we care that your character has brown eyes unless the colour has some sort of significance? Try to list off only the most notable features of your character and put focus only on the relevant details. Sometimes you can even not describe them at all and throw in little bits of information about their appearance for the audience to put together. We read to imagine, not to have a perfect image painted for us when we could be getting to the plot.

10. You're allowed to be vague.

Allow your audience to assume things, with some things you can just be lazy and let your audience's imagination do the work for you. Of course, don't do this with important things, but you can save so much time you might've spent researching an irrelevant topic when you can just be vague about it. You don't have to know everything you're writing about, so long as you know the bits that matter.

11. Writing is a skill that takes practice.

Don't be so hard on yourself if your writing is a bit cringe, we've all been there. The important part is that you research how to get better and keep writing those super cringe chapters. One day you'll reread something from a while ago and realize you're actually not as bad as you thought.

12. Leave your work to rest.

I know you wanna start editing right away, but once you've finished, leave it for at least a month. The longer you leave it the better, but that depends on your attention span. A month to six months is good if you're really impatient but want a good result. If you keep writing in that time your skills will continue to improve, then you'll be editing that draft with fresh eyes and fresh skills.

And if you're a fanfic author, I usually leave my chapters for a week before editing and posting.

Hope this helps anyone struggling, I thought this might be especially relevant now with nanowrimo.

I recently realized how much knowledge I've been accumulating over the years, I definitely have more but this is all I can think of for now.

I'm no writing guru, but if anyone has anything they're struggling with, I can do my best to help you out, so dont hesitate to ask questions.

[wilwheaton]

hello mr wil wheaton when you were my age (like exactly i think) you were filming stand by me

I turned 13 during production, so if you're about to become a teenager, I hope you'll let me offer some thoughts that I wish an adult had shared with me, then?

I know this is a wall of text, and giving someone this much of your attention is a HUGE ask. Maybe bookmark this for another time, if you're not into hearing an old man talk.

I wrote this a few days before I turned 50. Thank you in advance for listening, and I wish you a life filled with joy, unconditional love, kindness, and adventure.

Hey everyone! An old man is talking!

In seven days, I will be 50 years-old. This is ... weird. I do not feel the way I expected I would feel when I was approaching 50, nor do any of my friends. The only time I feel like I'm middle-aged is when my body does some bullshit that takes me down for hours because I had the nerve to stand up quickly. And I really hate it when I have to use the flashlight on my phone to see a menu. I mean, at that point, I may as well be dropping my pants for free and singing the Old Gray Mare.

Anyway. This has been on my mind for a little bit, so I had something to say when someone used my tumblr ask me thingy earlier this week:

Q: I hope I'm as cool as you when I'm 49. I'd like to think I'm taking the right steps towards that version of myself. A: So I'm not sure I'm cool, but I do know that I don't suck, and that it's a choice I make every day. I desperately wish someone in my family had told me, or shown me by example, that getting older doesn't mean getting stupid and boring and stuffy and extremely uncool. I wish I'd known that, because I spent all of my life until I was in my 40s feeling like there was this day coming very soon when I would have to stop listening to punk, stop playing video games, put on a suit, and start yelling at kids for no good reason. I didn't know that you don't have to suddenly stop being who you are and become something or someone you hate, just because of a certain age. I know that's super obvious, but to young me, it was not. My dad was an asshole, my mom never showed up for me. Directors and people on set had been treating me like a thing for my entire life. I got yelled at for no reason from adults who knew better almost every day. Most of my elementary school teachers were authoritarian, evangelical assholes. All of these different adults, consistently, shut me down and made me feel like I didn't matter, the things I liked were stupid, and my opinions were invalid because of reasons I didn't understand because I was a dumb kid. So I presumed that when you got to be a certain age, that's what happened. I didn't want to be that, at all, and I was sincerely afraid of the day it would happen. But as I got older, I discovered that all that stuff I hated about adults doesn't automatically happen. Those adults I just mentioned all made a choice to be an asshole. I just didn't know it. I was in my early 20s when I did a movie with a cinematographer who was, I think, 45 at the time. He was the coolest, kindest, most artistic dude I'd ever known. He mentored me and we had epic fun making great art together. I remember telling him, "I'm not afraid of being in my 40s like I used to be. I didn't know you could still be cool." It's sad, that I grew up in such a toxic environment, and didn't know any of these things. So, 9 days before I turn 50, here are a couple things I have figured out: You know who sucks when they hit 49 and 50? People who sucked when they were 20 and never grew up. You know who is an asshole at 49 and 50? Yep. Someone who was an asshole as a kid and never experienced consequences for being an asshole. Hitting middle age has been awesome for me. Other than the aging of my body and its reluctance / refusal to do what I want it to do, I love everything about it. I wish I hadn't spent so much of my life being afraid that, when I hit 50, it was all over. Because honestly it's kind of just starting. The coolest stuff in my life to date has all happened in the last ten years, and I'm so grateful that it coincided with me figuring out a lot of shit so I could enjoy it.

The best part of getting older, by several thousand light years, is the part where we figure out how to stop putting up with other people's bullshit, and we contract our social circle until it's only populated with a VERY few people who deserve us. And I am incredibly grateful for these occasional opportunities to be a 49 year-old dad who can say all the things that would have been reassuring for 19 year-old me to hear (he wouldn't have understood, but 29 year-old me would have remembered, and he would have understood. I think.) I sincerely hope someone hears it and finds it helpful. Anyway, you're gonna be fine. Just remember that being cool, kind, honest, honorable, reliable, listening and showing up … they are all choices. If you want to be cool when you're 49, make the choice and set the example for someone to follow you. Treat kids the way you wanted to be treated when you were young. Listen to them when they offer you the privilege, because that means they trust you, and you have credibility with them. Be a mentor. Be supportive. Show up. Make a choice to be the person you need in the world, and never stop being that person. Start today, and when you're nearing 50 like I am, hopefully you'll remember who you needed right now, so you can be that person to someone else in the future. You're already asking the right questions and taking the first steps. I believe in you. You've got this.

Okay, if you've come this far, perhaps you'll follow me a little bit more, and read a thing I wrote about talking to students just a tiny bit older than you, which contains my core values.

Be honest. I’m a very old man, relative to y’all, and I’ve learned that the only currency that really matters in this world is the truth.

Be honorable. This dovetails with number one. You attract to yourself what you put into the world. Dishonorable people will take everything from you and leave you with nothing. Do your best to be a person they aren’t attracted to.

Work hard. I don’t mean, like, at your crappy minimum wage job you hate. I mean do the hard work that makes relationships work, that gets you ahead in your education, that gets you closer to your goals. Everything worth doing is hard. Everything worth doing requires hard work. Sooner or later, you’re going to run into something in your life that’s really hard, and you’ll want to give up, but it’s something you care so much about, you’ll do whatever you can to achieve it. It’s going to be hard, but it’s going to be less hard for someone who has practiced doing the hard things all along, than it is for someone who doesn’t know how to do the hard work because they’ve always chosen the easy path.

Always do your best. Even if you don’t get the result you wanted, doing your best — which will vary from day to day, moment to moment — is all you can ever do. We tell athletes to leave it all on the field. Whatever your version of that is, do it.

This is the most important one. This is the one I hope you’ll all hear and embrace. This is the one I hope you’ll share with your peers: Always be kind.”

When I read number 5, I looked up at them. I was so happy to see a classroom filled with teenagers who were all listening intently, even the ones I thought had tuned me out. “Here’s the thing about being Kind, versus being Nice,” I said. “I have interacted with lots of nice people who are incredibly unkind. Why is that? How do you choose to be nice but not kind?”

I pointed to my head. “This is where nice comes from,” I said. Then, I put my hand over my heart. “This is where kind comes from.” I put my hands out, like, “get it?”

There was this collective gasp of realization that I did not expect, at all. One kid said “Oh damn!” I saw a few kids look at each other like the trick had just been explained to them. They heard me. They really, really heard me. And it was amazing.

Okay, that's all. If you're still here, thank you for giving me so much of your time and attention. I hope you'll come back in a few years, and let me know how you're doing.

[jamespotterismydaddy]

The Manor

modern!aegon x neice!reader

A/N: this is based off a short little blurb i did the other day. just thought i'd make it into smth more

WARNINGS: SMUT!!, DUBCON!, incest, exhibitionism perhaps, pervy aegon

WORD COUNT: 1,468 words

There’s nothing you hate more than family gatherings. It’s a pity really because you know you would enjoy them if it wasn’t for one thing… your uncle. Aegon torments you endlessly. It started small when you were younger, tugging on your braids like a schoolboy. Now, it’s the way his touches linger. He gets more and more reckless with each graze… each grope. Your brothers could see, his mother could see if only they looked close enough.

It’s your grandfather’s birthday today, a summertime celebration that you resent because it means a whole weekend spent at the manor and Aegon loves nothing more than a tantalizing, off-limits girl in a sundress.

“You wouldn’t deny your favourite uncle a hug, would you?” He says with a smirk as you walk up the steps. Your step-grandmother is oblivious as she beckons you over.

“Family greets each other with hugs!” She encourages, pulling you into her soft embrace before pushing you into his.

Filthy arms snake around your waist and you hate how your body leans into his. You hate how good it feels when his hand slips up your dress to give your ass a sneaky squeeze, fingertips just barely grazing your clothed pussy. You try not to gasp as you push him away, glaring at him for his perversion.

“So good to see you, little niece.” He gives you a wolfish grin before letting you walk away, if only so he can watch you go.

~~~

You get into your bikini after unpacking, wanting to soak in that hot summer sun before it sets. You venture outside to the pool just to see that you’re the only one there as Daeron and Helaena are down by the beach and your dumbass brothers are probably napping after the long car ride. As for Aemond, who knows what he’s up to. You walk over to a sunchair and lay your towel on it as he sneaks up behind you. You feel the ties of your bikini top undo with one swift motion.

You whip around. “Aegon, you bastard!” You grab the sides of your top to keep yourself covered but that only gives him the chance to tug down your bottoms.

“Ohh someone’s keeping herself well groomed for me.” He muses as you pull them back up and shove him away.

“Keep your hands away from me, perv!”

“If you want my hands off then why did you shave your pussy bare for me?” He smirks, stalking closer to you as you back away.

“Who said it’s for you?” You snark back.

That comment pisses him off a bit and he grabs your arm to pull you back to him. “Yeah? Like you’re fucking someone.” He pushes his hand down the front of your bottoms. “Not when you’re this wet for me.”

“I hate you.” You squirm out of his hold but he still sends you off with a harsh smack on the ass as you storm away.

“Sure you do, sweetheart!”

You make your way to your room, locking your door and changing out of your bathing suit and into a short sundress so you aren’t lounging in swimwear.

Gods, maybe he’s right about you doing things for him. If you were so disgusted by his advances then you would probably want to drown yourself in clothing, rather than dress yourself in such a tiny garment. And more than anything, you wait around for him, eventually falling into a mid-day slumber.

You’re awoken by the feeling of gentle fingertips gliding up and down your navel before fluttering across your collarbones. When your eyes finally open, taking their time because of how groggy you feel, you’re greeted by the sight of him with a hand down his boxers as he strokes his cock, looking as divine as a fucking god. This is when you notice that the bust of your milkmaid dress has been untied to reveal your pert breasts. You say nothing as you flinch away like a spooked mare, only glaring at Aegon with ire in your eyes.

“You were so peaceful when you were sleeping and now you had to go ahead and ruin it.” He gazes at you with such lustful hunger.

“You like to prey on sleeping girls?”

“I like to prey on you.”

“I’ll scream.”

“Nobody’s home… and I like it when you put up a little fight.”

He gives you a little smirk before lunging at you. You slip off the bed but you’re not on the side of the room with the door so there’s nowhere to run. He backs you into a corner but just watches for a moment, wanting to make you antsy. His lack of action makes you take your chance and you try to bolt past him but he just grabs you around the waist. You swing around him slightly but his hold is firm. Both of his hands snake around your struggling body from behind, his left holding your upper torso all the way up to cup your right breast and his right sliding up your skirt.

“You’re fucking sick. I’m your niece.” You spit out at him.

“You’re just as sick as I am.”

You struggle in his grasp but that doesn’t stop him from getting a firm hold on your panties. He tugs on them and you whimper at the slight pain-pleasure as he uses the fabric to rub against your clit.

“Aegon, stop.” You whine breathlessly as he manoeuvres the garment around to start pleasuring you.

“Give in.” He kisses at your neck. “I know you want to. You’re not saving face for anyone but yourself.” He whispers into your ear. 

“Fuck you.” You murmur but it just feels so good.

“You will, whether you’d like to or not. Just give in.”

You know you shouldn’t. You know it’s wrong but you tilt your head back to rest on his shoulder giving him better access to your neck.

“Good girl.”

He starts nipping and sucking at your soft skin even harder now as he unzips your dress. You’re only in your panties now as he shoves you back onto your bed, his lips immediately moving to kiss your supple breasts.

“Such nice tits, baby. Maybe i’ll have a turn fucking them after I split open that tight cunt.” He chuckles as your slight shudder and then rips off your panties so he can bury his face in your pussy.

You can hardly think of how to react as he devours you with such fervour. Aegon has been waiting forever for this moment; he couldn’t keep his eyes off you since you flowered and he eagerly wants to taste you. He wants you to fall apart on his tongue, and then his cock.

And so you do. Your high washes over you like you’ve never felt before. That sick feeling that has created a pit in your stomach only makes it hit even harder.

“Mmm, Aegon.” You whine, fingers tangled in his ivory locks. It’s the sweetest sound he’s ever heard.

He’s over you, pumping his length already before you’ve even had a chance to recover.

“Use a condom.” You pout, legs spread wide for him.

“Little brats don’t tell their uncles what to do.”

Your eyes widen and you can’t even move to stop him before he’s speared himself inside of you. His mouth is pressed to yours and he swallows all your protests before they can leave your lips. He kisses you with the same fervour that he ate you with as he fucks into you roughly.

“Don’t look at me like that.” He says after breaking the kiss, wanted a good look at your face as he ruins you.

“It’s too much.” You complain.

“Don’t be such a whiner.” He rolls his eyes and lifts your legs to push you into a mating press. If it was too much before, then it’s surely too much now as he somehow hits even deeper.

“Ah ah…” You let out little whimpers at the feeling of being filled so completely.

“God’s, never felt a pussy this tight. Knew you were saving yourself for me, baby.” He says cockily.

You can’t even form a retort, not with how cock-drunk you are from him pistioning his dick in and out of you. All you can think of is how close you are.

“I-I’m gonna cum.”

“Already? Didn’t realize you were such a little slut after only one little taste.”

He talks a lot of talk but once he feels your walls clenching around him, he’s done for. He only manages to get a few more hard thrusts in, fucking you through your high, before he finishes inside you.

Once you come down from your peak, you realize what he’s done.

“Seven Hells, Aegon. Did you just cum inside me?”

taglist(comment to be added): General: @urmomsgirlfriend1 @girlwith-thepearlearring @darylandbethfanforever9 @lovellies @juhdoche @papichulo120627 @watercolorskyy @ophelialaufey @aerangi @ravenclawprincess33

[coffeeshades]

credits to the gif maker!

LOVE IS COMPLICATED - PART I

summary: the trials and tribulations of falling in love or two idiots who are obliviously in love.

pairing: pedro pascal x actress/singer!reader.

word count: 4.4k

warnings: angst..? cussing, age gap, smut, mentions of drugs and alcohol. no use of y/n, if i missed something please let me know!

a/n: enjoy and please let me know if you'd like a part two! i'm already writing it lol but i'd like to know anyways <3

masterlist with next parts!

You’d always been good friends, taking to each other without much of a second thought after Oscar had introduced you two just in passing a few years ago—eight years ago, to be exact—at some party at his house.

New York, New York

September 4th, 2015

You were outside in the backyard, dressed far more casually than the occasion called for. It was a chilly night, and the music was blasting from inside the house.

You were tired from all the traveling, touring, and filming. You loved your job and were extremely grateful that things were working in your favor, but boy, did it leave you drained. You hadn't spent time with Oscar, or really any of your friends, in quite some time, so you thought a night out wouldn't hurt after working too much.

So there you were, enjoying the chill night air, when a familiar voice reached your ears.

“There you are!" Oscar said cheerfully, "I've been looking for you for like 20 minutes; I thought you left!" he continued, in a very dramatic manner, you must add.

You couldn't help but smile at his theatrics as you welcomed him with a hug. "Oh, I could never leave a party of yours without saying goodbye. You know I'm better than that." you speak softly, suddenly noticing another person behind him.

"I wanted to introduce you to my friend, Pedro,” he says this as he turns to face Pedro. "He's a fan," Oscar says in a singsong manner.

Pedro is standing there with his cheeks flushed and a smile forming on his lips. Although part of you wanted to be cocky about it and torture him a little, you bit your tongue, not wanting to make this worse for him.

Of course you knew who Pedro was. And not because he was in two of the most famous TV shows at the moment; it was because Oscar and Sarah wouldn't shut up about him. In every conversation you had over the phone with either of them, Pedro's name always found a way to come up. It seemed that no matter how hard they tried, they could not hide their enthusiasm for him.

So to say you were interested in meeting him was an understatement. You wanted to see what all the fuss was about.

Before you could properly introduce yourself, Oscar's name was called from inside the house. "Alright, I'll leave you two to it." he says, "Please be nice to each other!" he yells as he walks back inside. You shake your head in amusement.

"You are more beautiful in person," Pedro says in his very captivating, deep voice, catching you by surprise.

Now you are the one with the flushed cheeks.

“I thought you were shorter," you say back, daringly. Although it was an honest comment, it was also a way to deflect attention from the fact that he just called you beautiful.

Pedro laughs loudly, as if you had just told him the funniest joke ever.

"I am not trying to be mean or rude; I really thought you were like 5'3." you continued, putting your hands inside the pockets of your jacket.

"So you know who I am?" he asks, a smirk forming on his lips.

"Yeah, I like to enjoy good television in my free time." you tell him, focusing on his face.

He was more beautiful in person, too. To your relief, he was dressed similarly to you. He was wearing a crisp white shirt, tucked into dark jeans that fit him in all the right places. His hair was a bit tousled, and his mustache looked like it had been recently groomed. He must be filming Narcos, you thought. You also noticed his kind brown eyes. He had a warmth and friendliness about him that was immediately apparent.

"Also, our friends don't seem to know how to shut up about you. You are quite the talk of the town lately."

Your words made him smile. He doesn’t say anything but narrows his eyes, and you can practically hear his thoughts clamoring around in his head. "Alright, back to me being short, " you rolled your eyes as he continued with his speech, "Contrary to popular belief, I'm actually 5'11." He takes a seat on one of the small couches that have been set up in the backyard, prompting you to follow suit and take a seat as well.

"Like I said, I didn't mean it in a bad wa—" he cuts you off before you finish your sentence. "Ah, don't worry about it. Plus, if you still think that's short, I'll make up for my height with my other great qualities."

You let out a small laugh, relieved that he didn't take offense to your remark. Again. You look at him and reply, "Oh, I can't wait to see these other great qualities."

The transition from acquaintances to close enough to hang out alone without friends was just as easy, and you quickly became an unlikely pair of sorts.

You did everything you could together. From having movie marathons whenever you both happened to be in the same city to visiting different coffee shops and ordering the same thing every time—you anything that involved caramel and him four shots of black coffee over ice—it felt as if you had known each other your whole lives.

You were inseparable, and it felt effortless, like a piece of a puzzle that had been missing for so long finally fitting just right.

Given that you were in a serious, long-term relationship when you met, the tabloids didn't dig too much. All of the articles referred to you as friends, which saved you from having awkward conversations or even thinking too deeply about the whole thing.

There was also the age thing. Pedro was older than you, so everyone just assumed you'd never go there. Your boyfriend at the time never questioned your friendship with Pedro, either.

However, you now wish he had. It would've implied he was concerned, which you now know he wasn't. He was busy with other things. You don't exactly remember when things started to fall apart between the two of you. But you do remember how it felt when you found out he was cheating. It felt like a gut punch. The fact that the whole world also knew it didn't make it any better, either. You felt completely betrayed and exposed, not just by your boyfriend but by the whole world that seemed to be privy to your pain.

As any rational person would, you succumbed to work. If you were working, you wouldn't really have time to deal with all the viscerally painful emotions that have flooded your body ever since everything went to shit. You kept filming, and you kept making music. Endless hours spent at the piano provided you with incomparable peace and tranquility. Who knew a life-altering breakup was what you needed to write the best music of your career? At least something good had to come out of this disaster.

Of course your friends and family helped you navigate this process as well. However, one person stands out above the rest: Pedro.

It's like he made it his life mission to put you back together. He'd call just to check up on you, tell you random stuff about his day just to keep your mind off things, ask what book you were currently invested in, or simply say he missed you because months had passed and you couldn't see each other because of work.

"What time is it over there?" he asks, his voice was hoarse, as if he had just woken up.

"1:30 AM," you reply, glancing at your phone, "we're still shooting some stuff."

He groans into the phone, "I fucking hate it when filming drags on for too long."

"Yeah, tell me about it." you say this as you were stretching your back. You had been filming since the afternoon; it was currently past midnight, and production was still going. To say you were exhausted was an understatement. "Alright, I'll text you later. My break's sadly over."

"Yeah, sure. Good luck, princesa."

In other circumstances, you two happened to be in the same place at the same time. The parties were the best part of awards season. The entire purpose of the parties was to campaign for whatever projects were gaining traction, but for you, it meant spending time with friends you hadn't seen in a long time and having fun.

That explains why, four cosmos down, you were dancing and laughing in the middle of the dance floor with some of your friends. Or maybe it was five cosmos down. Truth be told, you stopped counting after the second one. You weren't the type to get wasted, but your goal for the night was to have fun, and alcohol definitely helped with that.

You start to get a little tired from all the dancing, so you head to the nearest couch. Sitting next to Sarah, she opens her arms to embrace you. "My little dirty dancer!" she says loudly, making everyone around you laugh. "Oh shut up, can't a girl have some harmless fun?" you say, a smirk on your face. You glance around the room at the grinning faces and shrug.

"It's karaoke time!" Jen, your friend and hostess for the evening, announced cheerfully, "Who wants to go first?"

"Oh, fuck me," Pedro groans, dragging his hand down his face. "I hate karaoke. I hate it. I don't want to sing karaoke, and I don’t want to listen to people sing karaoke."

He's sitting across from you with a beer in his hand and looking a little more drunk than you were. You chuckle as you watch him slump against the back of the chair during his karaoke rant.

This was no secret; after the first few weeks, when you began to hang out more frequently, he made sure to let you know this very important piece of information. That's why you took pleasure in doing it solely to irritate him.

"I will go first." You say this while looking him in the eyes. He rolls his eyes and sighs, knowing that you understand exactly why he's been so adamant about it.

"Why do you like to torture me, kid?"

"I can't help it; you're fun to mess with, Pedrito."

Even though he hated karaoke, you knew you were the only person he enjoyed listening to. You could tell by the way his eyes lit up whenever you hit the right note, the way he'd shake his head and chuckle when you made a mistake, and the smile that crept onto his face when you'd finished the song. Despite this, he would never admit to enjoying it.

You were busy listening to some of your friends talk about how you didn't completely butcher your rendition of "Total Eclipse of the Heart" when hands landed on your waist from behind and you felt a hot breath on your neck. "That was terrible, mi amor."

Spinning around to face him as he straightens up, you spot his beautiful brown eyes. "When will you admit how much you enjoy my karaoke performances?" you try to pretend you're mad, but you can't help the corners of your mouth turning up in a smirk.

Pedro chuckles, his body vibrating against yours. He leans down, his lips barely brushing yours, his breath ghosting across your skin. "Never," he says, almost in a whisper.

Your body is buzzing from the proximity. No, it's the alcohol. Without a doubt, the alcohol. You're unbothered by the proximity. The same way you're unbothered by the way he's smiling down at you.

"You're insufferable," you say, keeping the conversation moving so you don't have time to spiral.

He brings his beer to his lips, smirking as he sips. "If by insufferable you mean utterly charming, then you are right."

Just like he made it his mission to put you back together after your life fell apart, sometimes it was your turn to put him back together, too. No matter how hard he tried to bottle up his feelings, you were always the one who could get through to him, able to make him smile or make him think with just a few simple words.

Pedro was no longer a mystery to you. He's a contradiction in motion. He withdraws into the distance that comes with fame, but he also wants to connect. Despite having a tendency to be open, he tends to hold a lot of himself back. He cares so much and yet he's also uncomfortable caring so much.

You were both in London for different reasons but were staying in the same hotel. One night, you decide to stop by his room before leaving for an event. You knock three times before he opens the door.

"Have you been crying?" you ask him, immediately concerned.

He is initially hesitant to respond, but eventually caves. "Well, yeah."

"What happened?"

"It's kind of pathetic, really."

"Then let's be pathetic together. Tell me." you respond as you push your way into the room.

"Prince died," he says, his voice hoarse from the crying.

"Pedro..." you say quietly, not really knowing what to say.

"I know, I know. It's stupid."

"Of course not." you quickly reply, "There's no shame in crying, I know how much you love him." you take a deep breath and approach him, offering him your hand. "C'mere, let's sit down."

You started lowering yourself to the floor, and he followed. "You don't have to do this...you look like you've probably got somewhere else to be."

"I've got nowhere else to be."

The two of you just sat there, not saying a word. You held him while he cried, his head on your shoulder as you ran your hand through his hair. If you could go and bring Prince back from the dead just so he wouldn't hurt like this, you would do it in a heartbeat. But you knew that was impossible, so all you could do was sit there and comfort him.

"You two should date."

"Are you out of your fucking mind, Sarah?"

"What!" she laughs. "You're basically dating already."

Since you hadn't seen each other in a while, Sarah had extended an invitation for you to have breakfast at her house. She had questioned you about your love life after discussing a number of other topics, and when you replied that you were still single, she made that absolutely ridiculous remark.

"What does that even mean?"

"It means," she says, almost giggling, "that you two are doing the things that couples do, like going on dates and spending time together."

"We don't go on dates," you quickly reply, "and I don't like him like that."

She rolls her eyes, unconvinced, and asks, "Why?"

"Because..." you trail off, "Because he's Pedro... and I am me."  Even though you were aware that what you were saying made no sense, you refrained from going into detail.

"You really don't see it, do you?"

"There's nothing to see, Sarah."

It was difficult to pinpoint the exact moment you first realized that occasionally, completely unprompted, your thoughts would turn to Pedro.

This was similar to how you two became friends without ever consciously choosing to do so. The mere thought of his loud, booming laugh and the way he beams at you when you crack a joke would make the corner of your mouth twitch into a small smile. Eventually, you understood that those thoughts of Pedro and the slight thrill they gave you were very different from friendship.

Yet you decided not to go there. You both enjoyed your friendship, and he never said or did anything to make you believe he felt otherwise. Or that was just a bunch of bullshit you came up with to not deal with it anyway.

You were friends, close friends, and you didn't want to jeopardize the best friendship you'd ever had by listening to that little voice in your head that occasionally whispered, "What if...?"

It wasn't until one night that everything changed. You're still unsure if it was for better or worse.

You were changing into far more comfortable clothes than you'd been wearing all day. It was finally Friday, something you were very grateful for since work had been nothing but tedious lately. You had the weekend off; it seemed like an eternity since you had been free for a couple of days.

As you slipped on your favorite and very worn-out t-shirt, your phone rang. "Ugh, what now?" you whined. You were suddenly regretting your words as you picked up the phone; his throaty voice filled your ears, and you felt instantly better. It was almost embarrassing.

"I heard you had a shitty week," he says, "I am coming over."

"How'd you know that?"

"The more important question here is why have you been in New York for days and didn't tell me? I'm actually hurt, love."  

"I know, I'm sorry, it's just been a little rough."

The guilt immediately washes over you. You knew that you should have called or even sent him a quick text, but your mind was only focused on getting through the week. It was like you were on autopilot.

"I will be there in 20 minutes." he replies, hanging up.

Without anything better to do, you decide to wash some dishes that have been sitting in the sink since last night while you wait for Pedro to arrive. You quickly finish that and then decide to pass the remaining time by reading a book you started a couple of weeks ago. You flip through the book's pages, trying to recall where you left off because the earmarked corner you'd marked seemed to have disappeared.

Before you can find the page, your cellphone screen lights up again, catching your attention out of the corner of your eye, and though it feels silly and childish, you can feel the way your heart leaps and your chest tightens just a fraction when you read the notification and see Pedro's name. "I'm here."

You rush to the door, flinging it open with a gust of energy, and you find him standing there, one hand in the pocket of his jacket and the other holding a bag, a crooked smile on his lips. "I brought wine and takeout from that place you love down on 54th." It had been months since you'd last seen him, and it was like no time had passed at all. He steps inside, closing the door behind him, and you take the bag, allowing your eyes to meet his with a smile. Fuck.

As you set everything on the kitchen counter, you both decide to eat right away. The warm, inviting scent of the food spread throughout the kitchen, and it was as if all your worries and tiredness had disappeared. The conversation flowed perfectly as you both devoured the delicious food, and you were grateful for the moment of peace.

After finishing your meal, he helps you collect everything and clean up the kitchen.

"You’ll get wrinkles if you keep working that hard, mama," he tells you as he throws something in the trash can, and you can hear the smile in his voice.

"Don't call me that," you giggle, a little tipsy from the wine. "It makes me feel—" you stop yourself before you finish the sentence. Fuck.

"It makes you feel what?" he asks, raising his eyebrows.

Well, it makes you feel embarrassed, as if you have let your guard down and revealed too much of your innermost thoughts. And it gives you butterflies. But you don't tell him that. "Nothing," you say, "it's just funny."

You knew you didn't have it in you to keep your thoughts, body, and face under control, especially when he was leaning against the kitchen counter, arms folded, looking like he just stepped out of a movie. You were feeling exposed and vulnerable, as if your thoughts were written all over your face, so you did what you do best: you changed the subject.

"Remember that one time we got high on edibles to go see The Incredibles 2?" you blurt, hoping he would forget what just came out of your mouth. He looked at you for a moment, as if he were considering your question, before bursting out in laughter.

"How could I forget?" he says. "It's one of our finest moments."

"Would you like to repeat the occasion?"

"Don't threaten me with a good time, baby."

You go to one of the kitchen drawers and pull out the box of cookies. "I can't believe you're offering me drugs." Pedro says in a dramatic tone.

"Oh shut up, do I need to remind you whose idea it was last time?" you roll your eyes, grabbing two cookies and throwing one at him.

"Should we honor last time and watch a movie?" he says as he takes a bite of the cookie.

To be entirely honest, you should have known that things were about to go off the rails the very moment the man at the other end of the couch, in that impossibly confident and seductive voice, asked you to come closer. "You're miles away from me, princesa."

If you had been wise, you would have politely declined. If you had any sense of self-preservation when it came to Pedro, you would have declined his offer and avoided thinking about him fucking you into this very couch. But you weren't wise, which is why your legs are thrown over his lap and his fingers are drawing circles in your thighs. Pedro’s gaze feels like a caress, and his voice is thick, "You look like you're thinking too hard."

"What?" you ask, dumbfounded.

"I said you looked like you were thinking too hard." he replies, "What's running through that pretty head of yours?"

Your teeth are tugging at your bottom lip in a way that Pedro seems to find distracting because he nearly slips up and breaks the carefully maintained eye contact, his gaze darting down just a fraction of an inch. You don't know where the courage came from, but you lean in on your elbows, lifting yourself from the laying position you were in, closing the gap even further until it's impossibly small.

You can tell you know what you've been doing when you pause with only a breath of space between your mouth and his, worrying at your lip with the intention of getting him to break first, like you’re challenging him to decide where this goes next. "What do you think I'm thinking about?" you finally reply, your gaze not wavering for a second. Pedro's hesitation is just a second before his mouth parts, leaning in just enough to touch your forehead and close his eyes.

"I think you're thinking about all the wrong things we could be doing right now instead of watching this boring movie."

"I think you're correct."

His lips curl into a smile, pulling away only slightly to look you in the eye, his voice barely above a whisper, "Can I kiss you?"  

And that's when it happens. You lean in, your lips slamming into his so quickly that your thumb gets caught in the middle. He nips at it, biting down a little harder than he wanted to, but you don't mind and simply move it out of the way, sliding it away from his mouth and resting it across his cheekbone. You straddle his lap, and as his hands find their way to your waist and his lips move ever so hungrily against yours, you feel a fire inside.

Everything is happening so fast, and the room is spinning around you. You're not sure if you're feeling this way because of the drugs or because of Pedro. You can feel the pressure of his hands against your skin and a warmth radiating through you; all you know is that you don't want it to end. As you begin to grind against his hard on, he moves his hands to your ass and grips it tightly.

"You like that, hm?" he rasps, between kisses. You moan in agreement, and one of his free hands travels up your body to the nape of your neck and squeezes it tightly. You gasp at the sensation and move your body to match his movements, pushing yourself closer against him.

It's rough and messy. You're both desperate, as if you've been waiting your entire lives to do this. Pedro's hands covered your entire body, and his mouth kissed your neck and mouth roughly, as if trying to make up for the years of anticipation.

"Fuck, P," you moan; he wasn't giving you even a second to breathe.

"Tell me what you need, princesa."

"I need you to touch me."

"Your wish is my command."

Pedro moved quickly, his fingers caressing and teasing your body as he worshipped you with each touch until he finally reached your shorts.

He slides his hand down your panties and groans. "I haven't even touched you properly, and you're already wet, baby." His fingers pressed down softly as he moved around your clit, rubbing and massaging it until you felt yourself close to the edge. He manages to get his free hand under your shirt, and he massages your breasts, pinching your nipples softly as you moan in pleasure.

"Are you gonna come for me, princesa, hm?"

"Y-yeah..." you gasp, not even ashamed of how quickly your orgasm was approaching, "I can't... hold it..."

He took that as a sign to go faster and harder, and as he continued to draw circles on your clit, a wave of pleasure swept through your body, culminating in a moan that signaled your impending climax.

"Fuck!" you screamed as you came suddenly, body trembling and hips bucking once more. Pedro let out a groan at the sight and sounds you were making. You're both gasping for air, one of his hands on one side of your face, your foreheads touching.

And that's when it happens. Instant regret.

Oh my god.

Oh no.

Oh fuck.

What have you done?

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