#the trio are in love and I am here for it all!

[littlemisstfc]

Transformers One: Is It Good Or Nah?

Hello, hola、こんにちは。So…it’s been 84 years since I’ve last written on this side of the Hundred Acre Woods. For that, I do deeply apologize for my absence aksksksjsjsj. Anyways…so the Transformers franchise, in terms of the movies, has a very shaky history.

We all know the Transformers movies; it’s pretty known by now that the movies are just a rollercoaster of quality. For every Bumblebee, there will always be a Revenge of The Fallen. When it comes to me specifically, I have a very complicated relationship with this aspect of the franchise for a better part of my life. The original G1 movie is okay. The first movie is alright, ROTF is Satan’s spawn, DOTM is good, AOE is a chaotic mess that I both hate and love, and the less said about TLK, the better. Then, a miracle happened in the form of Bumblebee (2018) and it sets the path of redemption for these movies. It continues with Rise of The Beasts and while it’s an 8/10 movie for me, it’s still a great movie that continues the momentum. Now, it brings us to today.

I wanna bring this up before talking about Transformers One because you will not believe me when I say that this movie is EVEN BETTER THAN LITERALLY EVERYTHING ELSE IN THE FILM SERIES. YES, IT OUTDID EVEN THE GREATEST TRANSFORMERS MOVIES BY A FREAKING LANDSLIDE. JUST…how did we even get a movie like this? The fact that it exists is truly the most mind boggling, yet pleasant surprise so far in the series to date. Words cannot describe the experience I have gone through at this moment. Just…what did we do to get something this incredible and this damn good. Amazing is an understatement; Transformers One is easily the best Transformers movie to date.

The way it gives us genuinely some of the best moments in Transformers history is an indicator of the majesty they wanted to make. Sure, no movie is truly perfect. However, for this one, the amount of things to discuss and think about is something that rivals even the most complex media such as Earthspark and Animated. So what am I doing here standing around for? Let's talk about a movie about two bros chilling in an Energon mine, five feet apart cause they’re not gay! :D

For this review…I’m going to give this movie’s pacing the respect it deserves (due to how crucial it is to the story) by highlighting the most important details I want to talk about in order. After we get the nitpicks and other good stuff out of the way, I’m so excited to unleash all the inner brainworks in my head at the moment. So let’s goooooo.

3, 2, 1, Pingu.

(Also, I will be going into spoilers, so Sparknotes version: it’s a rare 10/10. ✨)

The Good, The Bad, and The Badassitron

Let’s go get the nitpicks out of the way. I say nitpicks because they thankfully don’t drag down the movie for me. First things first: I wish that the main trio of Decepticons (Doritoscream, Soundwave, and Shockwave’s boobs) play a much bigger role here. I felt like how we got from Starscream in charge to now all of sudden loyal to Megatron after having the crap beaten out of him is where the movie could benefit from a few minutes more to the runtime. To me, their loyalty to Megatron by the end is something that needs to be earned. However, like I said, it didn’t bring the movie down for me because they’re not the focus here, The focus is on Megatron’s relationship with Optimus. We’ll get there when we get there. Bee’s fine for what he is, but I feel like he can be cut out of the movie and replaced with someone else. The story would be as it is, like he really doesn’t have much of a reason to be here. However, like I said, he’s fine for what he is. The only other nitpick I have is that it’s weird that the Quintessons have little to no direct involvement in the main conflict, since it’s their rule that led to this mess in the first place. However, since we’re getting two more movies, I’m curious to see how this is gonna play out in the future. Anyways, that’s all I have to say about the issues I have with the movie, so let’s get to the good stuff…EVERYTHING ELSE.

Oh my god, the music score? Easily among my favorite scores in Transformers media to date. The way it not only incorporates music from shows such as Transformers Prime so beautifully, but it gives the world so much life and majesty that is straight out of a Biblical epic. The ending song at the credits reminds me so much of On My Soul, just what an utter bop. Of course, I also need to mention the biggest highlight of this movie…the animation. Oh my god, this movie is utterly gorgeous. Not only are the settings so vibrant and brimming with life and personality, but I absolutely adore the facial expressions on the characters. I’m glad that it’s emotive enough to not fall into the Uncanny Valley, and the characters felt so real. I especially love Orion’s facial expressions, because of how well they convey his growing heartbreak and loss of innocence over the course of the story that we’ll discuss later here. Overall, the music and animation are good enough reasons why you need to see this movie on the big screen. Just…MMMMMMM. Delicious food.

The characters are also really likable and enduring. I wasn’t sure if I was gonna like Badassitron going in, but honestly, he’s a Bumblebee done well. He has plenty of funny moments and jokes, and I like how they don’t have him make quips during the more serious moments here and there. He is the comic relief done right. I’m pleasantly surprised by how they handle Elita’s character. At first, based on the promos, she seems to be the Ultra Serious Girlboss who girlbosses her way into the Elita One we all know and love. However, as it turns out, it’s revealed that she’s a neurotic, yet well meaning dork and I love that for her akskssk. I especially love how her relationship with Orion develops over time as they went to find the One Piece. She went from being irritated with his tendency to cause mischief at work and ignoring protocols to warming up to him because of his resilience and optimism (no pun intended) of their people being freed. Honestly, it’s so refreshing to see a flawed, yet likable Elita here and she’s perhaps one of my favorite iterations so far. Moving on, and oh man…where do we even begin with our good buddy Sentinel Prime. Not only is he one of the evil ass motherfuckers in the franchise so far, but he is a fantastic main villain. Just seeing this despicable bastard manipulate his way into power makes you love to hate him, he’s also pretty funny, and the way he poses a threat to our heroes provides enough interesting groundwork for the conflict between two of our main amigos. Also, shoutout to Jon Hamm. He did an excellent job at portraying Sentinel as this smug, arrogant little bitch. Just, amazing. And speaking of portrayals, the entire voice cast did an amazing job here. You can tell how much they clearly respect the characters they’re portraying while also breathing new life into them. This is what animation studios need to do; hire actors that suit the characters well DAMMIT. Other positives I have is the amount of neat cameos of our favorite blorbos in the background, the comedic timing is excellent thanks to the voice actors’ deliveries and banter with each other, and in spite of the darker tone the more it progresses, it also has a very cozy, fun feel to it due to one of the movie’s main central themes. And speaking of themes…this is where we will end the section here.

Now…I am saving the best for last. What I mean by that is that there are two characters that manage to be my favorite aspect of the movie overall. So…let’s go talk about them.

A Tale of Two Friends:

I’m struggling to use the right words to describe how I feel about Orion and Megatron. To me…they’re the true standouts in the movie for me. Their relationship is portrayed with so much care and gravity that they both felt like real people. Not only are they both likable and charming, but seeing their relationship break apart over the course of the movie is hauntingly beautiful and tragic. Trust me, it’s not the shipper speaking here. It’s so refreshing to see them together in the big screen for the first time since The Last Knight, but it’s also so interesting seeing them in a different light than what other Transformers media did. I’m starting in the order of the movie because the movie’s pacing is perfect. Every scene connects to each other perfectly and it makes room for the wild ride we’re in for.

First, let’s start with Orion.

We start the movie off with Orion breaking into the Iaconian Hall of Records and search for anything on the status of the One Piece. Then, he gets caught by some guards and a chase ensues. Right away, we get a good idea of his mischievous, yet curious personality and his determination to discover more about the surface world. He won’t take no for an answer and while it does lead to him getting in trouble often, it’s genuinely admirable to see him have the initiative to make the best of his situation in life. Then, right before he gets caught, Megatron comes in with a cart that serves as a distraction for Orion to slip away and they both head to work.

Right off the bat, we see that Megatron is the more relaxed, more cautious out of the two. He tries his best to stay out of trouble and to keep his good ol unhinged buddy alive due to his wacky shenanigans. At the same time, he also has the same kind of energy he shares with Orion in that they both keep their heads up in spite of their circumstances. Adding to the layers is Orion bringing him the Fallen sticker, which is how we get a good idea of how much they care for each other. True, they have their own frustrations with each other. Megatron is frustrated by Orion’s tendency to get in trouble, along with not recognizing his discomfort with some of the things he drags him into such as the Iacon 5000, and Orion is frustrated by Megatron keeping his head down to avoid trouble. However, they always have each other’s back and they are each other’s equals.

We also see that they’re both kindhearted people who will stand up for the little guy through risking their lives to save Jazz from the collapsing Energon mine, even though it resulted in Elita being demoted. From the start, their desire to make their world a better place is set in stone there. This is furthered strengthened by Orion standing up for Elita by flipping off Darkwing and both him and Megatron needing some milk afterwards. Also, quick side note: Orion’s sass and dynamics with the other characters is so damn refreshing. I love how he literally has no chill in speaking what’s on his mind, and I especially adore how he interacts with Elita. Pure malewife material aksksksz.

Back on track, he then drags Megatron into the Iacon 5000 so that they can prove themselves to be just as worthy as the upper class racers in the game. As they fly through the race track with mere jet packs, their fellow miners cheer for them and they were pretty close to finishing in first place had it not been for the combo of an injury Megatron got and the first place winner coming in. I’m not gonna reveal who won the race, but let me say that who won it is a pleasant surprise. Anyways, this earned the attention of Sentinel Prime and he went down to their recovery ward to personally congratulate them on their boldness in participating. He even offers them a nice ol place in his crib, which they might've accepted if Darkwing didn’t throw them down into Undertale due to his jealousy and anger. Throughout this scene, we see Orion and Megatron being validated by the Prime they’ve admired for so long for breaking out of the status quo and it lays the foundation for later on. Eventually, they met Bee, found the map to the One Piece, and ventured into the surface world while accidentally dragging Elita along for the ride. Pretty landscapes and peril later, they end up in the cave where the bodies of de Primes are at. They wake up Alpha Trion and he reveals the bitter truth:

Uh oh, it turns out Sentinel Prime is a LIAR and that he betrayed the Primes in order to be in charge of the Cybertronian population. Here…we see the innocent viewpoints of Orion and Megatron shattered permanently from here on out. While Orion reacts with anger as he should, Megatron is utterly furious with this horrific revelation. The Prime he has admired for so long, the Prime who just gave him an opportunity to move upwards just minutes ago…turns out to be a cowardly, spineless fraud that took away their autonomy to having basically a crucial organ in their bodies and to make choices for themselves. It isn’t helped by Sentinel giving up the Energon (that they risked their lives in mining for) to the very evil overlords that are responsible for their people being this way for so many generations.

What happens back in the cave is one of three excellent scenes that is borderline uncomfortable due to how realistic it is. We see Megatron essentially having a mental breakdown from finding out his life is a lie and Sentinel is a big stinker. When Orion tries to calm him down, he finally vents to him about his frustrations with Orion’s tendency to cause trouble over the years and calls him out for not thinking before acting on his impulses. It also helps that we see his patience starting to be worn thin earlier in the recovery ward and when Darkwing threw them both in the Undertale. Then, he finishes his breakdown with one simple, yet effective confession: he doesn’t want to just take Sentinel down…he wants to kill him. To say that hearing Megatron say this left me and the theater in shock is a massive understatement. It genuinely caught me off guard, but in a good way. We finally saw Megatron at his breaking point: his entire life, including being worked to death, has been for nothing. It’s a great scene because it’s an argument where you understand both perspectives here. You understand Orion’s bewilderment at Megatron’s unhinged behavior and wanting him to take a deep breath so he can clear his head while you also understand Megatron finally having enough of being a doormat for too long and Orion putting his own wants before others. Neither side is right and wrong, and I appreciate how Orion’s and Megatron’s emotions are valid here. From this point on, all hell breaks loose.

After they gain their T-cogs and the recording to cancel Sentinel on Twitter by Alpha Trion, the main amigos enjoy the euphoria of transforming for the first time. However…we see Megatron enjoying the euphoria of having the T-cog too much. After fighting off one of Sentinel’s soldiers, he forcibly takes the callout post and vows to make Sentinel pay for his crimes. When Orion tries to protest, Megatron coldly tells him to step aside or else there’ll be a problem between them. Orion’s expression here is why I love his facial expressions the most as mentioned earlier. You can see all the thoughts he’s having right now, especially the shock of seeing his best friend giving into his darker thoughts expressed back at the cave. Now, the coin is flipped. Orion is the sensible, level headed one of the two while Megatron is the impulsive, stubborn one that he always scolds Orion for being so in earlier scenes.

As they make their way back home, they ended up captured by some Decepticons and are being interrogated by Starscream and his band of mean girls. When Megatron walks away from the interrogation nonchalantly, Starscream tries to assert himself as the leader. However, it ended up breaking into a fight that quickly went HOLY FUCKING SHIT, HE NEEDS SOME MILK when Megatron overpowers him. We see a horrified Orion in the crowd and they can only look at each other. Their friendship will never be the same after that…especially now that Megatron finally got a taste of power that’s been denied to him all his life. I know that this is probably gonna be a point of contention for some people with how Megatron’s turn to the Dark Side is portrayed here, so let me provide this perspective:

How long did Megatron have these thoughts?

Given presumably how many times he had to bust Orion out of trouble, and having to keep quiet just to stay alive, you have to wonder how long he kept quiet about his frustrations and hidden rage at the circumstances of his life. From that angle, giving into his intrusive thoughts is inevitable. He just needed the push to act on them. Essentially…the poor guy needed therapy, and sadly, there are no therapists on Cybertron. 😔

Eventually, Megs and Badassitron got captured along with Starscream and several other Decepticons by Airachnid. It’s now up to Orion and Elita to team up with the remaining Decepticons left and YOU GOTTA HELP US. Here, we see Orion finally realize how badly he screwed up for not understanding how his actions affected the people he cares about over the years. It got through his head that he didn’t appreciate Megatron’s patience and willingness to protect him from the consequences. While he means well, he doesn’t realize how selfish he’s also being with the things he does in his overactive ways. Upon realizing this, he takes responsibility for the amigos being in this mess…a mess that happened because of him. That was his mistake. He is now left with no choice but to go forward and make things right by his friend and the people they love. Then…we get another one incredible scene and that is Elita’s pep talk to him.

While it starts off a bit comedic due to how this is clearly Elita’s first time with cheering someone up and Orion pointing it out, it then leads to her expressing how she always admire his optimism towards a better future for their kind and his refusal to back down in the face of struggle. It’s the embodiment of the movie’s most important message: having hope even when the odds are against you. That fact that we have such a strong theme in a turbulent era we’re in at the moment is why this scene works so well. Change starts with one person, and then becomes bigger and stronger when they continue to fight against injustice and inspire others to do the same. Thus, Elita’s pep talk gave Orion the drive to get back up and keep moving forward by teaming up with the Decepticons, go back to Iacon, and free their buddies. The theme is furthered strengthened by Orion rallying the other miners into helping him, as he now has the power to make things better for his people.

Quick side note, but Elita is an interesting foil to Megatron’s in terms of how they react to Orion’s unhinged sassy king energy. While she’s also annoyed by his tendency to get in trouble a lot, she has also admire his ability to remain optimistic even with their shitty conditions. Once he takes responsibility for his decisions, she softens up towards him and she remains his dearest friend by the end. In contrast, by the time he has apologized for his mistakes, it’s too late for Megatron. It’s clear that these two are what shaped Orion into Optimus, for better and for worst.

Meanwhile, Megatron gets tortured by Sentinel after repeatedly defying him. Then, he gets the Decepticon symbol carved painfully into his chest by the blue son of a bitch. That essentially became the straw that broke the camel’s back and it ultimately drove Megatron into a point of no return. After the other main amigos rescued the other amigos and a ROBOT FIGHT occurs, Megatron now has the opportunity to finally show Sentinel that his day of reckoning has come. Now, he must die. However, after putting the callout post on Twitter, Orion realizes what his bestie is about to do and tries to stop him. However, Megatron quickly overpowers him and prepares the final blow to Sentinel. Then…what happened next left me and the entire theater in stunned silence for a good few minutes up until one point. At first, I thought to myself:

“Ain’t no way he’s gonna do this. There’s no way they’re bold enough to have Megatron do this.”

But then…it happened. The shot from the fusion cannon meant for Sentinel ended up hitting Orion instead, sending him flying near the entrance to the planet’s core and hanging on for dear life. The moment he cries out to Megatron for help…I bursted into tears right there. His innocent perspective has been destroyed permanently, and he’s now a broken shell of his formerly spunky self. To add more salt to the wound, Megatron reaches for him…only for him to declare that he’s done saving him from trouble after one too many times. Then, he sent him falling into the core. Megatron has crossed the line, and with eyes now red with hate and pain, he finally killed Sentinel in front of a now devoted group of followers who will obey his every word. He has now become the person he has sworn to destroy…

As that’s going on, Orion’s broken, lifeless body is gently brought down inside of the core and it’s revealed that he is the one who is destined to receive the One Piece…aka, the Matrix of Leadership. Thus, he is now reborn as the Optimus Prime we all know and love. The use of a theme from the G1 movie is the cherry on top of an utterly haunting, yet powerful scene that needs to be seen on the big screen.

After he has risen and put an end to Megatron’s madness, he decides that the best option for them both is banishing Megatron and his followers from Iacon. The fact that he chose this option instead of simply killing his former best friend really speaks a lot about not only his character, but also how much their relationship has essentially been ruined by how different they are in terms of wanting change. Alas, Megatron goes off into the sunset with his followers and Optimus is left there…mourning the death of their once great bond. When it showed a memory of how they met afterwards, it made me sobbed uncontrollably. At this point, you’re left with one question:

Will they ever go back to where they were at before?

Thus, we end on a bittersweet ending…an ending of two former friends who were torn apart by the sins of the fathers and the aftermath of said sins. All there’s left to do is wait and hope that everything will be okay soon.

Overall…Orion and Megatron are what makes the movie for me. Their chemistry, their character development, and the phenomenal performances of Chris Hemsworth and Brian Tyree Henry are what makes them the most layered, most complex iterations of the characters respectively.

Conclusion: IT’S SO GOOD, YOU GUYS.

Words cannot describe how Transformers One is a phenomenal love letter to the franchise I hold very dear to my heart since I was a kid. Overall, this is a fantastic movie that you will love.

It has phenomenal characters, gorgeous animation, an amazing score, and a powerful story of how you have the power to change the world and make it better. For the very first time since Cyberverse, I award the very rare 10/10 to this film.

Please check it out. I applaud everyone involved in this project for making it a beautiful work of art for the fans. It is indeed more than meets the eye.

[beanghostprincess]

I will forever love seeing Luffy and Nami holding Zoro's swords. He's so protective of those three but it's not even because he fears something might happen to them, but because he's scared something might happen to the crew and himself if he doesn't have them with him. They're like extra limbs. The ones he uses to fight and protect and breathe. He feels uneasy whenever his swords aren't around him, and that is just a fact. You can't deny that he feels comfort in having them by his side at all times, knowing that he'll be able to protect the crew from any dangers. They're tied to his heart and soul in a way that if he loses sight of them he might actually lose himself too. So he does not enjoy seeing his swords in somebody else's hands. They can disappear, he will find them. They can run away, he will follow. They can break, he trusts them not to but if they do, he will keep going carrying their bond with him still. But he doesn't like seeing them in somebody else's hands because those are his swords. His limbs. His heart. His soul. It's just not right. It never feels right. But.

But.

But sometimes Luffy acts like he knows what he's doing and actually asks for permission instead of just taking what he wants. As if crossing Zoro's boundaries would be unforgivable, when he knows Zoro would give him anything he wanted to take from him. But he asks. He asks, with a careful, polite, deep voice Zoro isn't used to hearing. But it always ends with the softest of smiles and the petition reaches a place inside of Zoro's heart that he just knows has also touched his swords. So he lets him, because how could he not, and he runs his fingers through all of them. Amazed. Astonished. Respectfully talking to them as if they could hear him. And they can. Zoro knows they hear and feel and love and crave and long for his captain's touch. He knows, because he does too. Because who wouldn't? Luffy holds them in a way he never holds anything else- Carefully. Like they aren't his. Like befriending somebody he fears might reject him. Like taking hold of Zoro's heart and holding him so gently in case he might break him. He worships them as if he weren't the god in this relationship. He looks handsome, too. Not pretty. Not cute. Handsome. Mature. His hat covers his adventurous gaze but leaves his mischievous grin for the whole world to see. And yet, the swordsman trusts him enough. Without any look or any word. He knows Luffy's face by heart, he realizes, now that he can picture his eyes quite too perfectly under his hat. His skin glistens under the sun and his tender fingers hold the sword with so much clumsiness it looks dumb. He doesn't know how to hold them, yet they don't want to move away from him. It's clumsy but it takes over them. Maybe it's his haki. Maybe it's the effect the future king of the pirates has. Zoro thinks it's just him. Luffy. And his heart stops the second Luffy smiles, as if he had just heard the sword respond to him. He wants to kiss him. Bite him. Let him bite back and draw blood and eat him. Let him hold him the way he holds the swords but tighter. Closer. Maybe he's in love. Zoro. With Luffy. It's not a maybe. Who is he trying to trick? He knows he is in love. With the way he smiles and the way he holds and the way he wants but respects and loves. It's funny like that, the fact that Luffy keeps being so careful when Zoro would let him tear his heart apart and eat it if he so desired. It's funny that the swords love him with such gentleness when they often demand power. Perhaps kindness is the most powerful weapon of all or, at least, Luffy's most powerful skill. Zoro hates it when somebody else holds them because they don't own them. They don't own him. He doesn't even own his swords, anyway. Nobody can. They're his the same way he's theirs, just with a bit more dominance and respect. But Luffy isn't owning them. He's praying to them. Talking to them. Befriending them. Loving them. And they would bow to him if he so desired. Zoro knows they would, as fierce as they are and violent as they seem and as sharp as they cut. They'd bow to him because Zoro would too. The uneasiness does not exist when Luffy is the one to hold them because, if Zoro had to give out his soul for somebody to take care of, that would be Luffy. And if he has to be unprotected. Naked. Bare in front of a thousand soldiers. He will if it's Luffy the one fighting instead.

Sometimes Nami wants to hold them just to feel what it's like to be in Zoro's shoes. It's a stupid reason. He refuses to let her do it as an instinctive reaction at first. She doesn't seem as interested in following the protocol as Luffy is, but she knows where to stop and she knows what to say to get on Zoro's nerves, anyway. She's equally as fierce. Equally as sharp. He won't let her hold any cursed sword, but it's not like she wants to. She's smarter than that. Careful and respectful but not that interested in the swords and what they mean, more in how they feel. Zoro gets it. Kind of. Somehow. She says something about always letting them eat her precious tangerines, so he should humor her by letting her hold Wado at least. She isn't pushing him. He knows she wouldn't. She's just teasing because she knows. She always knows. She knows he will say yes. Because he always does what she says, although he keeps demanding a bit of respect to not be treated like a dog. But Nami never forces him to do anything. He could refuse. She would give up at some point. But there's just something about her- Stubbornness. Strength. Love. So much love and care and worry and anger. And Zoro likes her. She's selfish, too, like a pirate should be. Stronger than Zoro in the ways that matter. Smarter, too, even if he wouldn't admit it out loud. But she leads the way and he follows, not because that's a dog's job, but because he wants to. He trusts her. Something he never thought he would. But he does. She's smart. She leads the way. She knows where they're going. They somehow are the same and totally different at the same time. Zoro grounds Luffy when he gets lost. Nami leads them both so they won't. So there's something about her curiosity that makes him soften. He never knows exactly why he does what she says. Why he indulges her like that. But it's satisfying, for some reason he refuses to read within himself, the satisfactory and pleased grin on her face when he hands her Wado. She's careful with her. Awful at holding her. Bad posture. Great smile. Horrible movements. Beautiful eyes. It's okay, though, he thinks. Wado likes her because Zoro likes her. Nami loses interest within a minute, complaining about the weight and the sudden realization of "you always have this thing in your mouth" which makes her want to give her back. But she stares at her for a whole minute. It isn't her thing, but her eyes spark when the sword is returned to Zoro. Trust. A smile. Thankfulness. Her bangs are getting a bit longer and one strand of hair gets in the middle of her teasing smirk. She says she prefers her clima-tact, but swords are fine, "I guess". "She's pretty" she says. Zoro thinks she is pretty. Nami. In a way he can't quite describe because he has never really been good at that. But she is. Like a blade. Sharp. But in the right hands this time for her not to cut the ones she loves anymore. She hands him a tangerine next, every time he lets her hold his sword. An exchange. "I give you something that matters. You give me something that matters". Zoro wants to say it's not the same, but the tangerine is sweet. Juicy. His fingers then smell strongly of citrus. Almost as similar as steel. If he can feel Nami's heartbeat in every bite, he wonders if she has been able to hear his in the hilt of his sword. Calm. Peaceful. Safe.

Zoro doesn't like seeing his swords in somebody else's hands because those are his swords. His limbs. His heart. His soul. It's just not right. It never feels right. But.

But sometimes it does.

[foolsocracy]

Hi, hello, I’m new to your blog. I’ve made myself at home. Lovely carpet.

Can I please know more about your spider Robbie pie? Can’t seem to find the silverware.

but of course, kind anon

Spider Robbie is an au in which Robbie Robertson takes up the spider mantle after the death of the one before him. He is the third, following Ben Urich and, most notably, Peter Parker.

This au is very much canon divergence from Eyes Without a Face, where Peter makes it in time to save Robbie from his original fate but dies in the process. Peter is shot while rushing Robbie and the others out. In his panic and elation at finding Robbie physically unharmed, Peter outs himself as the Spider Man to his best friend. Robbie stays with him as he bleeds out and resolves to continue to hide Peter's identity.

Peter is buried and remains that way for... an undetermined amount of time.

Robbie is left with a mask, a jacket, and the question of just who was this other half of his friend. As he learns more of who this... Spider Man was, he gets more and more involved in the spider's cases and conflicts. Robbie gets more sure of his own abilities and makes a bit of a name for the Spider Man within his own community, though the people of Harlem are largely unaware that the appearances of a masked vigilante match the interests of one Robbie Robertson.

It is to be noted that none of these aforementioned abilities are spider-god-induced powers like Peter's. Robbie, especially at the beginning of his spidering career, leans more into Urich's role than Parker's. To me, Robbie has been passionate about the press and journalism in a way that Peter never was. For Pete, his job as a photographer and reporter was a job he took until he could get into college and study science. Robbie has a way with words and communication that Peter frankly lacks. Of course, that isn't to say that Robbie won't be kicking ass, because he will. It will just take him a bit of time to get some of those skills as he's, well, a normal guy. Not everyone can get their biology scrambled like Pete.

And just because Robbie hasn't been scrambled doesn't mean he's completely separate from all things supernatural either!

I think the marvel noir universe is at its best when there's a magical, supernatural undercurrent. This concept isn't super prevalent in the actual comics, but HoplesslyLost on ao3 has done some really cool world building with it.

I think in Robbie's case, where he would be the narrator, "magical realism" would be an interesting avenue to take it. I use this term in particular because I most closely relate it to Toni Morrison in my head, when I first learned about it through her work in high school. For Morrison, the concept was inseparable to blackness and I think for Robbie, where his blackness is so central to his character and his motivations, drawing on that could be more of a service to his character. It feels better to do that than ignore how incredibly racialized his society and story is. It will make his relationship with the spider god, Peter (who I will get to very very shortly), his community, and his own mythos as The Spider Man really interesting and complex.

So it's been established that Robbie doesn't have spider powers. And we all know that Peter did-- or should I say does. One of the spider god's abilities is to bring Peter back to life. She does this in the comics, but not in any of the runs from 2008-2010 (the runs that make up this au). When Peter dies on Ellis Island, he does not think he is coming back from that. Waking up again is a surprise.

Here's where I think the au really takes a left turn. Do I think the Spider God is purely evil and spiteful and has it out for Pete? No, not really. Will I be ramping said traits up to 11 for the au? Yeah, I guess I might. This is because I love a little bit of horror and the came back wrong trope. I will hopefully be fleshing the spider god out in the near future, but I really haven't given her the many hours of thought I have the other characters. For that I'm sorry spider god </3

Peter digs himself out of his grave, more spider than he ever has been. For much of his new, waking life he is more animalistic than not. There is clearly something wrong with him; his joints are too flexible and loose, he's got some eye-shine going on, his skin is pale and his veins are starkly dark beneath it. He's possessed. Someone is puppeteering him, someone who knows a lot-- almost everything about him, but it's clear that the someone isn't him.

And Peter--- the body, it can't be Peter. At least, that's what Robbie thinks when the figure catches his eye the first time. Because Peter is dead and buried, and he has been dead and buried for weeks.

[wickmitz]

I decided to start talking about Wick and Rocky's relationship because I like their dynamics too, I like seeing Wick scared of Rocky and Rocky being aggressive with him, which is unusual because Rocky is rarely aggressive with anyone, but of course Wick is an exception to rule

Also my mini opinion about their possible relationship, I think that if Rocky didn't have to fight for his place, then he and Wick could become friends, or at least tolerate each other a little, I also see some superficial similarities, their gentlemanly and romantic natures, and their common love for explosions (remembering the quarrymen chapter), but this is my assumption, I think that I don't understand the characters' personalities well, so I can be wrong in this assumption, something like that. So, what do you think about their relationship?

for starters, i cannot thank you enough for this ask! as i’ve said previously, i have many thoughts on these two, so it’s nice to finally be able to share some of them. although given the extent to which i think about them, i apologize in advance if this is sloppy and sort of everywhere … while i’ll try to structure things the best i can, i cannot promise i’ll succeed! but hopefully this is an enjoyable reply nonetheless.

one of my favorite things about rocky and wick’s relationship is absolutely how aggressive rocky is towards the aristocrat ; he is prone to glares and cruel jokes and borderline hissing whenever the man is within his line of sight, or can be brought to a wailing-fit over the mere mention of his name from miss m’s mouth. there is a childishness to it, but a very prominent threat as well in spite of rocky’s usual incompetence. so he goes out of his way to posture around wick, readily lying and adorning himself with the gangster drapes he so badly wants to wear, in the hopes that it intimidates … will even badmouth wick’s family and make fun of his name and rock related obsession to mitzi, and so on so forth! yet all of this is very reminiscent of schoolyard bullying rather than anything too severe, though we as the audience understand rather quickly that rocky would bash wick’s head in with a tire iron if he could. ( translation : if it wouldn’t earn the tears or hate of a certain beloved mitzi may ) and it’s all very intense despite the absence of actual violence! and i understand why many fans see this as unusual for rocky and believe that it’s only wick who makes him act so aggressively, but i’d argue it isn’t really wick at all that prompts such scary reactions from him … and that rocky is a deeply angry character who’s a.) been boiling quietly for a long, long time and b.) has turned wick into a punching bag of sorts for this inner world of resentment and hurt. basically, when he’s judging the well-to-do or poking fun, his eyes don’t look at wick and actually acknowledge him as sedgewick sable ; instead this is a being, something vague and metaphorical, who threatens to upseat rocky’s permanence in the lackadaisy and steal away his savior, and he’s had a hand in the violinist’s misfortune for a long time.

obviously, rocky doesn’t think wick robbed him of his family twice over and made him homeless, but he is channeling the fear and anguish of those events into his loathing for wick, if that makes sense? it’s easier that way -- to finally have an outlet for everything bleeding inside of you, to be able to bite and claw at something without feeling conflicted or having to take personal accountability for your own mistakes … which is something that i think rocky does struggle with to a degree. he is sort of a finger pointer! his pain has to be worth something, it has to be for someone else ; spending years homeless and losing his last bit of family was for freckle, and the scrambling of his literal brain was for mitzi, and that means he can’t ever be angry with them! well, except that he is, somewhat, but he buries it deep down instead of feeling it. with freckle there is a sense of strain between them -- an air of ‘you owe me’ from rocky to freckle as he uses freckle to appease miss m, and he constantly pokes fun at his cousin too. it’s lighter than his jabs at wick, but there’s a constant pestering, a reminder of how good freckle has it : how he’s got the mom and the house and the job and the girl most notably. i don’t think rocky is intending to come across as mean, and to his credit he hardly does! but it’s rather clear to me that some part of him, some hidden and deeply hurt part, is rather indignant about taking the fall for freckle all those years ago. which he can’t understand, because how could he? he made that choice, he decided to take accountability for something he didn’t do because he loves freckle and knows it’d be so easy to believe this family tragedy was roark’s fault ; the devilish child he was, all troublesome and too broken to properly fit anywhere. so there is a disconnect born here, where rocky can’t comprehend that he’d be angry at freckle, so instead these not so great feelings are placed elsewhere and silently boil over time. and with mitzi … i don’t think he’s angry at her per se, but there is a frustrated and desperate chorus of : why him and why not me, when i’m the one out here dying for you? which is certainly unpleasant. of course, rather than allowing those feelings to be more aimed at miss m, whom he feels unloved by, he ( again! ) represses these emotions and allows them to fester into his greatest fears and fantastical complexes. i think there is a lot of other miscellaneous anger he could have towards others too … perhaps some part of him is sore upon seeing ivy’s normal lifestyle, watching her go to university and knowing that’s been taken from him. or an ache felt when hearing stories from zib and the band and how they used to travel successfully, living as nomads, and rocky is all too reminded of his similar lifestyle and how he couldn’t make it work as effortlessly. people with immense trauma are more prone to irrational anger and jealousy, to viewing everything around them as unfair and believing it’s even more unjust that so many people get to live comfortably while they’ve suffered. a situation that gets more messy when you’re someone like rocky, a man who’s willingly made choices that have harmed himself and wants to continue on with his smiling, bumbling fool of an act. he does not want to be angry, does not want to see it within himself, i think, which leads to an accidental increase of it.

all of this is to reiterate that wick is a scapegoat for rocky and nothing more. it’s why he’s rather hypocritical whenever it concerns the man. for example, it was stated by tracy that he looks down upon wick for his excessive presence at the bar, yet he appears to enjoy hanging out with zib -- who drinks just as often! he makes fun of how all wick ever talks about is rocks, when he himself is prone to poetry rambles that people find irritating or boring, and etc etc. this is also just a human nature thing, to critique someone you heavily dislike and even going as far as to belittle things you love or do in your own day to day because you just hate them that bad! but given rocky’s willingness to befriend anyone, it more so reeks of a dehumanization element. wick is every obstacle in his way, every divine force that threatens to send him packing again, so he is equal parts unnerved by wick’s presence and angry about it. it is mostly a fear response we are seeing, an emotion that’s morphed into long held resentment and anger. so his actions are extremely defensive, with him trying to push wick far away and keep him and mitzi separate, like some sort of animal attempting to ward off a threat that’s come too close to their home. despite the loaded animosity there, this hate has hardly reached its peak … but it shall only grow more intense as things continue onward i’m afraid, since as it stands ( in the comic at least ) rocky is at an all time low … and is ten times more desperate. i’d honestly say wick has become so warped in his mind’s eye that he can only strive towards ‘winning’ over the other man, because that’s all he can see anymore. i think mitzi implying that wick willingly helped her out, the intense head injury, and rocky’s fragile emotional state is exactly what pushes him towards premeditated murder in look-see. i don’t know how people perceive that arc, but to me it’s very clear that rocky actively sought to see the deaths of wes and fish that night. going as far as to lament that he’d be, “very disappointed if ( he ) dreamed them,” and purposefully luring the marigold duo away to have freckle pick them off. while you could argue that this was a smart move, in a gangster sort of sense, there’s still no denying that rocky is oddly chipper about the whole thing and is now seeking death out ; whereas before his methods of vengeance were just, well, ruining people’s livelihood but ultimately leaving them alive. this isn’t to discredit the fact that rocky is going through something! he is in a very muddled and dark place, mentally and physically, but even tracy has said that the head injury hasn’t changed rocky’s personality -- it’s only brought things to the surface.

source : q&a with tracy .

which, yeah! makes sense! head trauma can cause a person to become a wreck emotionally ( think mood swings, irritability, etc ) but it doesn’t completely morph someone either. personality changes may occur, but it’s not like you’re being rewritten entirely, you know? and given tracy’s old statement, it’s clear that ‘personality changes’ aren’t a side effect he’s suffering from. something that adds to my beginning statement, which is that rocky is a deeply angry and troubled person, more so than fans give him any credit for.

however, to touch upon your mini opinion about these two, i actually wholeheartedly agree that rocky and wick could become friends if circumstances were different. they do in fact have many superficial similarities, but one of the more prominent things they deeply share is never really belonging in the groups they frequent. this is more overt with rocky’s character, yet wick faces it too in subtle ways. the well-to-do crowd, seen through the investors, find the gentleman to be lacking in about every place imaginable ; to them he is an obsessive freak who cares too deeply for meager rocks, something they constantly mock him for, while he’s also being noticeably set apart from the rest of them … he seems younger than the investors, more excitable, passionate, and a little less experienced, and doesn’t seem to care for money or reputation as much as them either. there is a constant rubbing between him and them, where what he enjoys is seen as wrong, such as his love for the lackadaisy and his choice in paramor, a grieving widow with extremely dangerous ties. we also know that wick doesn’t have many friends at all, with the only two he has being lacy and church ( church is listed as such on his character profile, in a sort of tongue-in-cheek way ), both of whom work for or with him. they are obliged to hang around, and while they care in varying ways, they are prone to judging him just as much. honestly, it’s not shocking that wick seeks refuge at his chosen speakeasy! but even there he is rather distant from everyone else. he doesn’t speak to zib ever in the comics, nor seems all too close with viktor, ivy, or horatio … it is merely mitzi he is close to, even if he knows of the other people who work there. and, once again, wick very obviously doesn’t fit in. he is not gangster material, could never be an atlas may replacement, much less someone who could get his paws dirty in such an active way. so he has his feet in two different worlds and doesn’t know how to fit into either of them, or which one he actually wants to fit into more. i think in many ways rocky could relate -- these are two very lonely people who wish to belong somewhere and be accepted by some group or another but go about it in all the wrong ways. wick, who is too hesitant to fully commit to what he wants and is worse off for it, and then rocky, who obsessively throws himself against what he wants until he breaks every bone in his body. they also have explosives to bond over, lol, and other miscellaneous things like their taste in women i suppose … but this potential bond adds to the tragedy of lackadaisy, where we see two people who on every level should get along but we’re burdened with the knowledge that it’s an impossibility anyway, because there’s no removing the circumstance of which they’re in.

though i like to believe that despite wick’s fear of rocky, he maintains a kindness towards him regardless. i think his worries about rocky are rather surface level … he doesn’t know the boy at all, really, and thus can’t make heads or tails of him, hence him believing the lie in balderdash. so when i’m feeling particularly self indulgent, i like imagining a world where they’re forced together and sort of ‘stuck’ together ; to which rocky finally breaks and exposes his wounds to wick, in every sense of the word, and wick finally gets him. the aggression, the possessiveness of mitzi … it is all fear and desperation and a profound sadness, things he’d sympathize with. if rocky was able to explain that he loathes wick because if he saves the lackadaisy then mitzi won’t need him anymore and that it’s not fair that wick gets to so easily fix things when rocky would give his soul for his home, for her, and how wick could render every sacrifice he’s already made for naught by smoothing things over with some greenbacks and he can’t lose this, he just can’t --! … which, well, wick is too kind of a man to be able to do anything except feel awful, even though it’s not his fault at all. here we have two people who could coexist! and they should, since rocky logically can’t do every speakeasy job ( band member, rumrunner, mitzi’s shadow, also the guy who gets the money for the hooch ) by himself, just like how wick can’t save the lackadaisy with only his cash and limited booze stash. it’d be a joint cooperation, a collaboration between them, both equally important in the grand scheme of crime’s every turning wheel … but rocky’s rage and fear won’t let him see that, and likely never will. still, in scenarios where everything ends up alright for the lackadaisy and the people involved in it ( which is not how canon will go, by the way ), i fancy wick and rocky getting better within their relationship. rocky will always be prickly and quick to upset around the other man sadly, but perhaps he could see wick in a softer kind of light. or at least understand vaguely enough that he isn’t out to get rocky, so to speak. and then maybe wick learns that pancakes soothe rocky’s ire and poorly makes them anytime he wishes to talk to the man, and other fun things like that! but you should have more confidence in your character analysis skills, because you were spot on ( at least in my eyes ) about them potentially getting along if things were different. it’s certainly a fun aspect to play around with, and is important to note when discussing their relationship so you can fully understand just how warped rocky’s perspective on things are. and how unstable and traumatized he is too, of course </3 sidenote, but i also hope that throughout everything i’ve said here, or anything i’ve said before on my blog, that my love for rocky and my own sympathy for him comes across well enough. while he’s deeply flawed and i have no qualms discussing said flaws in depth, i also don’t think of him as some insane freak who’s evil at his core or anything like that. honestly, i adore analyzing him so much as a character because of how far down his issues go! he’s very well written, i’ll say, as is wick and many of the other characters, but i digress.

once more, thank you for the ask! i’ll end this here because i fear if i don’t i’ll start going in circles, since their relationship is so vast and very important for rocky in a character sense. hopefully i shed some more light on it though! i love these two to bits and pieces and i wouldn’t be half as invested in lackadaisy if their dynamic wasn’t so monumental -- at least to me.

[least-carpet]

Hiiii, if it's not too much, can you describe the biggest differences between the live action characters and the novel characters in MDZS? They are a lot, so I will love even the difference between few of them! I haven't seen the live action and I don't know if I will ever, but I am curious, considering all the meta. Anyway, thank you in general, even if you don't answer!

Hello anon! This has been in the inbox forever because there are soooo many ways to answer this! However, let me be transparent that I've watched maybe like 1/10 of CQL. Among other obstacles, I simply do not care that much about Lan Wangji and he's always there (even though Wang Yibo is giving it his all... it's not his fault I'm a hater...). Chewing through a book with Ms. Mxtx's commentary was just more enjoyable to me, and even then, to be honest, I still liked SVSSS better. (I just love Shen Yuan/Shen Qingqiu so much. That dude is wild.)

Still, the live action definitely affected how I understood certain characters (...primarily Nie Huaisang) and made me interested in relationships that I didn't pay any attention to in the novel. (I freely admit that the nieyao brainrot is 100% CQL's fault.) Also I found Wang Zhuocheng's Jiang Cheng very cute and loveable. It definitely contributed to my Jiang Cheng Brain Disease.

LISTEN. HE HAS BIG SAD EYES AND THE MEANEST SNEER AND HE MIGHT BURST INTO TEARS AT ANY TIME. HE IS A BABY. A baby who could kill you with his terrifying lightning whip! But a baby nonetheless, to me.

So if you want someone with a real and knowledgeable opinion on the live action, I'm probably not the right person for that! However, here's one difference that changed a bunch of stuff about the characters that I found compelling in the novel: the second flautist.

CQL adds Su She as a second flautist doing unorthodox cultivation in a couple of different places, including at Qiongqi Path, where he seizes control of Wen Ning and is therefore responsible for Jin Zixuan's death. Removing the responsibility for Jin Zixuan's death from Wei Wuxian creates a bunch of cascading character and relationship implications that I don't love.

Firstly, all of the people who cautioned Wei Wuxian against his unorthodox cultivation are now... wrong. If he never lost control, then actually his assessment that he could maintain control wasn't overconfidence, it was just true, and he was persecuted because the Jin needed a scapegoat and wanted the Yin Tiger Tally, not because his cultivation path actually involved significant risks and drawbacks. (To be fair, the Jins actively exploited those drawbacks, the public perception of his cultivation, and Wei Wuxian's failure to manage his reputation. But it matters whether the risks exist or are just made up.)

Secondly, removing his responsibility for Jin Zixuan's death transforms both Wei Wuxian's character and how we understand his relationships with Jiang Yanli, Jiang Cheng, and Jin Ling. Because, in the novel, he kills Jin Zixuan under duress but also after a lifetime of conflict with him. Like, he hates the dude, he doesn't think he's worthy of Jiang Yanli, and he's not willing to examine his hatred and resentment even though Jiang Yanli loves Jin Zixuan and wants to marry him, even after she marries him and has a child with him. (I would argue that a lot of the resentment is because of the eventual marriage; by marrying Jiang Yanli, Jin Zixuan becomes legally recognized family to the Jiang siblings, while Wei Wuxian's relationship with them has no social recognition; I think Wei Wuxian is deeply threatened by that but can't articulate it.) It's a huge failure! Like, dude, you loved someone and you killed that person's beloved spouse. That points to a certain degree of repressed jealousy, possessiveness, longing, arrogance, the list goes on... I am so compelled by that conflict, and the adaptation just erases it.

This also affects how we read Jin Ling's relationship with Wei Wuxian. In one scenario, a teenage Jin Ling is (eventually, minus one little stab) ending the cycle of violence by not seeking vengeance for his father's murder. In the other, it was actually someone associated with Jin Ling's paternal family that killed his father, and he's maybe just... coming to terms with that? One of these scenarios is so much richer and more interesting.

How it affects the relationship between Jiang Cheng and Wei Wuxian is a little more subtle. It locates the responsibility for a lot of the harm done to the Jiang siblings with the Jin sect, not with Wei Wuxian, removing some of Wei Wuxian's culpability in the devolution of his relationship with Jiang Cheng. If Wei Wuxian isn't guilty of wronging the Jiang family (and instead is also a victim of the Jin sect), then all of Jiang Cheng's rage and betrayal was misdirected. They were both tricked. In some ways, maybe that's easier to patch up after canon? (I wonder if this is why many CQL yunmeng shuangjie reconciliation fics have Jiang Cheng apologize to Wei Wuxian, but not the other way around?) But it's so much less interesting to me!

Finally, it removes Wei Wuxian's tragic flaw! Dude is legitimately a genius but he's got hubris coming out of his ears and it fucks him up big time! This is classic stuff. Please stop flattening my boy!!

[triglycercule]

it must get boring as hell doing continuous repetitive genos like dust does. he probably constantly questions how his human can keep on going and like not get bored (me too tho ngl because what type of person is out there that's trying to minmax every single undertale geno route interaction???) so i say he changes things up during his own process for a variety of reasons

sometimes when he's feeling REALLY apathetic he might just view everyone as stats and precoded scripts and lines and he just goes about the geno as if he was a player playing a video game (this is incredibly hypocritical because he's acting like the player but also this is dust sans we're talking about. pinnacle of hypocrisy. he'd deny any sort of human like actions because he's not the human and what he's doing is for the greater good). also its kinda fucked because it just means that there's been so many resets that he doesn't view his friends and family as simply people that he's taking the lives of but more as just npcs and numbers. but yk of course he moves on from that episode (and refuses to acknowledge the fact that he was acting very much so like the human. nope nope nope)

or maybe whenever he feels really really really shitty about himself he just lets the human kill him sometimes. he purposely interacts with other monsters before he kills them so he has to hear them beg for mercy. he just lets himself wallow in as much guilt and pain and misery as possible because its really really addicting to be sad and upset and feel bad. and dust is never like "hey i should stop doing this because its getting in the way of be killing the human" because he knows damn well it ISNT. he's still gonna be on that him vs. human grind no matter what even if he spends a few resets fucking around and being miserable and the humans always gonna reset anyways. ALWAYS

even if he's not at lvl 20 or something but still above the human in lv then maybe he'd kill them. but then that also means that there'd still be some monsters left because he nor the human maxed out their stats. so then that's just more suffering for dust (because i really think he'd like to make himself suffer because he feels so much guilt for what he did. his suffering is self inflicted and he knows that and still does it. good for him) because he has to walk around the underground knowing that there are some people hiding in corner or something watching him and scared that he's gonna kill them because thats what he did to everyone else. some nicer monsters might go up to him and try to talk to him but dust doesn't have the chill welcoming friendly vibe sans does anymore so it's just creepy and awkward. angrier monsters might try and yell or fight him and dust just sits there and takes it because theyr totally right. to them it might just look like he killed monsters just for shits and giggles one day and theres no way for him to explain the resets without people just forgetting it in the first place so theres not much he can do except accept the suffering. what in the mental masochism

[fionnaskyborn]

Was tagged by @oceancamp to post my current five favorite songs! (They should invent a stages-of-grief-esque model that encompasses and accurately describes both types of anguish I had to go through making this list - the one of limiting myself to only five songs, and the one of trying to put as little videogame music on here as possible so that I don't end up looking like an absolute goddamn geek, which... I am... Oh well!)

Thank you so much for tagging me - here are the songs!

Heaven Pierce Her - War Without Reason

Tatsuro Yamashita - Love Space

This specific arrangement of Death And Republic + Meet Again

Winger - Junkyard Dog (Tears On Stone)

The Protomen - Light Up The Night

Is it courtesy to tag other people after you've been tagged in a post like this? If that's the case, I'll tag @spiralled-fury, @solradguy, @swamppossum, @five-by-five, @northstarring, @ineedmoredragons and @tbonechessor!

[epitomees]

((….hear me out guys…))

[walkman-cat]

CECIL RAMBLE!!

This is Cecil Meyers! He's Kit's sworn brother, one half of the Nonesuch Detective Agency, and one of the protagonists of Eidolon Vetch.

Here's some (actually Much, because I am incapable of Not Yapping) Cecil Lore (in bullet point form)(also under a cut because it is Sizeable I am so sorry):

In comparison to Kit and Orpheus he seems normal. Kit and Orph consider him to be normal. He is not normal. Kit and Orph are just much more extreme in their weirdness

Cecil's very curious and very nosy and loves eavesdropping, people-watching, and gossiping

He's got a great memory for other people's business, and collects secrets. The Nonesuch Detective Agency has a system where, if a client is unable to pay, they can either owe Orpheus a favour or give Cecil a secret (though Cecil does prefer being paid).

Cecil's habit of poking his nose into other peoples' business means that he's stumbled across a fair number of crime scenes and become witness to quite a few crimes (he likes looking into the windows of buildings)

He actually met Orpheus because he saw Orph sat on a fire escape in the rain and approachd him to find out what was Up with him.

He's the darling of a certain group of washerwomen/embroideresses who live in the city's Old Quarter. Instead of doing his job (ie. selling newspapers or shining shoes or any of the many jobs he took up while living on the streets with Kit) he used to come watch them work and listen to them talk. They continue to have regular gossip sessions to this day, and Cecil's considered family.

Most of his clothes are hand-me-downs or gifts from their families.

Because of this, pretty much everything he wears doesn't quite fit him right

Kit and Cecil grew up together. As children they lived in the same tenement (Cecil's parents and Kit's mother were close and shared in the responsibilities), and after the deaths of their parents they stuck together. They may not be siblings by blood but they are siblings!! Do not separate!!

Kit was always a better newsboy and a better pickpocket than Cecil (Cecil's poor vision made it hard for him to read the headlines, he's more awkward than her, and he'd often get distracted while eavesdropping). Kit often had to steal to make enough for the both of them. Cecil was the distraction.

When Cecil met Orpheus, he was basically working as an errand boy and a mudlark.

He's always preferred scrambling up buildings and across rooftops to walking down the street. If he has an idea he wants to tell Orph about he will just climb onto the roof make his way over to Orph's building and climb in through his window (this has jumpscared Orph multiple times)

Kit's afraid of fire, and Cecil's afraid of the cold, so whenever they were staying somewhere with a lit fire Cecil would mind the fire while Kit slept

Cecil's got insomnia. He spends a lot of his nights wandering the city or going over cases. Orph sometimes helps him sleep (god of dreams things)

Cecil knows nearly all of Kit's secrets, and is also well aware that she's Hermes Vetch.

He just pretends he Does Not See It. Nor does he help Orph during heists. It's a conflict of interest he does Not want to deal with

He's always wanted to be an artist (Kit's mother used to give him art lessons before her death) and he used to doodle on scraps of newspaper. Orph usually asks him to draw details of corpses now, which he's more than a little chagrined by, but he also has the funds to buy an actual sketchbook and watercolours (so he's happy enough).

He's drawn Orph. A Lot. (it gives him opportunity to stare)

His hands are covered in graphite and charcoal a good portion of the time. So are the pockets of his trousers. Because he keeps his pencils/charcoal in the pockets of his trousers

Speaking of Orph! Cecil's been pining after him pretty much since they met. Kit's had to deal with him for nearly six years by the start of Kit's part of the story and she is Sick of his Shit

He's literally all the 'kinda gay to be a detective' memes its so silly

Regardless of his romantic feelings, he's still perfectly happy with them being unrequited as long as he can still be close to Orph. Their friendship matters above all.

That being said, his feelings aren't necessarily unrequited.

He's also friends with Ophelia (somewhat)(she doesn't really Do interpersonal relationships for haunted-by-a-friendship-that-ended-abruptly-a-decade-ago reasons, but it counts)(sometimes they sit in the same room in silence)(it's pleasant).

he's my beloved and I love him

i've probably forgotten things but yeah! that's my boy my bestfriend my silly guy

[dreamieparadise]

I have it SO in my head that Gokudera LOVES talking about his s/o like crazy but it's hard to do that with his besties because Yamamoto is private and Tsuna is shy and so eventually he will turn to the women to gush about the love of his life. I'm talking real teehee. "Where did you have your first kiss?", "first time!?" Type of talk. I also think Hana and Haru EAT THAT UP with him, and he has a good time because they reciprocate. Kyoko is super shy, so she hangs back and listens. She feels like she'd get super embarrassed just talking about wanting to hold her s/o's hand so talking about kissing and sex is SO off the table!! Chrome is also listening and hanging back because she doesn't feel the need to comment but if asked she'd answer.

Anyway I wrote all this to say IMAGINE THESE ADULTS LOOKING LIKE THIS AND GIGGLING:

I need to draw the scene with them honestly...but less looking at the screen and more like that one Amano art.

Meanwhile Yamamoto and Tsuna are together like:

[gigamuffin]

i'm catching up with the first temeraire book after leaving it at part 3 for months. and all my reading insecurities are coming back in full swing!!!

[pochapal-pokespe]

so you mean to say that darach lost by being blindsided by a strategy revolving around attraction/love? inch resting.

[anidealistatbestburntoutatworst]

nikolai would value the opening of spirit halloween as the highest and most important holiday worth celebrating and he would ABSOLUTELY drag the decay of angels with him to investigate the inventory upon its opening

[zhongli-lover-69]

WRIOTHESLEY IS HERE

[raeathnos]

.

[rizsu]

he's married ?! nanami kento.

sum. he's easily the top most handsome guy within his job. his relationship status is unknown, so what happens when his co-workers ship him with a female worker?

nanami is well known within his company. tall, insanely fit, and an attractive voice. it's not uncommon for men and women alike to find themselves thinking about him often. what's not common is knowing about his love life. no one knows anything and he would've kept it that way. but when push comes to shove, and you're shipped with someone who's not your beloved, nanami will make it known that he's not only taken but married.

in the coffee-break room there are three guys. now, there's nothing unusual about this — no, no. they're just three guys that are co-workers... except there's a twist. they aren't your regular co-workers, they're your uncommon trio of male gossipers and nanami just so happened to be their newest victim.

"shh, shh! he's here," guy one, tichi, whispers to the others, raising his eyebrows and pointing his chin to nanami's position.

the other two take a quick glance, nodding their heads when they've seen nanami's back faced towards them. it's a perfect moment to strike up a conversation, especially since it's just four men here.

guy two, tacho, shuffles his feet to the empty space near nanami. he pretends to open a sugar packet, fiddling with it as his eyes peep over nanami's shoulder. his heart skips multiple beats when the man himself turns around.

"morning to you, tacho," nanami greets, nodding his head before he turns his attention back to his cup of coffee.

"y-yeah, morning!" he stutters, awkwardly smiling in return. he turns his head to the other two in the background, mouthing the word 'help' to them. unfortunately, they do not give the aid to their friend. instead, tichi fakes a series of coughs and guy three, toeny, gives him a confident double thumbs up. there's no hope, tacho sighs.

it's a silent moment between the men — only the sounds of coffee brewing and a spoon coming into contact with the mug can be heard. tacho's mouth itches him, he happened to remember his group's recent conversation about nanami. he must ask — even if it costs him a mutual co-worker.

"so, nanami," he begins, waiting for nanami to give him the undivided attention.

nanami doesn't face him, but he hums in response. tacho doesn't mind this as an answer, so he continues, "i was wondering if the rumors of you being with the new worker, yeri, are true?"

there is one big lie in that question: there are no such rumors. it's just a theory the trio has been gossiping about every night. nanami's been helping out yeri for quite some time, one can only think that they have a special connection going on.

"that is bullshit," nanami gives a firm answer. nothing more, nothing less.

tacho's stunned, he blinks a few times to recollect himself. "oh — so you're not with her?"

nanami doesn't answer yet, but the two in the back give their unwanted reactions. tichi clicks his tongue three times, shaking his head in disappointment at tacho's second question. it's obvious dumbass, he thinks. toeny, on the other hand, presses his lips in a thin line, pretending to read a magazine that's been on the counter.

nanami reaches into his pocket, whipping out his phone. the trio's confused until nanami speaks.

"i am married man. this is my wife," he educates, pressing the power button to show you as his lockscreen.

he collects three gasps, internally nodding at their shock. that's right, i'm gladly taken.

"all this time you've been... MARRIED?!" tacho's voice heightens, he drops his spoon in shock. it's unbelievable yet somewhat believable.

nanami breathes out a 'yes', raising his arm to show the wristwatch. "she bought this for our five-years anniversary recently. it's quite expensive, going over four-thousand," he brags, emphasizing on key words.

he's been waiting for the precious day where someone indirectly asks for his relationship status. the day has come and he will spend it bragging about his beloved.

nanami doesn't give them a chance to speak, he carries on with his bragging, "she's a very lovely woman. all my bentos are made by her and she writes little notes for each. some may think it's childish but that's bullshit! they just haven't experienced the love of a woman. matter of fact, her most beautiful moments are when she's freshly awake. the smile she gives me is nothing but angelic."

his speech doesn't stop there, but it did for the trio. his words went in one ear and out the next. nanami's blabbering about his wife immediately set a blank face upon tichi, tacho, and toeny. they're jealous and also surprised.

"the way a woman can change a man will never not be amazing," toeny whispers, blankly gazing at nanami's ongoing speech.