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i want the whole SEASON of bucktommy
i want buck being wooed - flowers and being taken out and a little protective hand on the small of his back
i want to hear all the soft ways tommy can say evan and the look on buck's face when he does
i want to see them at tommy's karaoke trivia place because holy shit buck would love it (and didnt oliver say that we're getting buck singing this season cause uhhhhh)
i love that this is such a fling, such a happy thing for buck - he is finally feeling that puzzle piece click into place and it is freeing
and i cant wait to see all the small ways we see that play out!!!
let buck be happy challenge 2k24!!!!
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Thinking about a boy who used to dream, but stopped when his family restrained him into a cage made of fake gold.
His dream came back to him shaped as an energetic bright boy.
He knocked on the cage, and the fake gold melted.
Then he knocked on the other boy's chest, and, at every hit, one by one, his insecurities melted just like the fake gold.
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you ever just have a lot, a LOT of feelings all at once about a character and not even remotely enough words or brainpower to FORM the words to describe everything you're feeling. so it feels like you may explode. yeah
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Ok for some reason my brain is hyper focusing on Johnlock again like I won't regret it 2-3 business days from now when I come out of it with 5 new open AO3 tabs (out of my already 156 open AO3 tabs not counting other unfinished/unread fic/fic I've not caught up on, full disclosure) for fic that I probably won't finish reading and/or while being unable to find the. Very Specific. fic I want to read and just having like an open half-filtered tab... But Anyway.
Here's a Very Rare Johnlock Post from me lol
Imagine after all the seasons are over and Johnlock are old and have finally talked about their feelings and properly, actually, gotten officially together
(and subsequently gotten married in like 2 months cause Sherlock filled out the paperwork while John was not actually at home and then actually having a discussion about it when John finds out it happened cause Sherlock casually mentions it and actually agrees after Sherlock mentions (read: steamrolls over him, anxiously) them practically already being married by common law and just officialising it for the tax benefits... they only have a proper wedding, maybe on their/an anniversary when Mrs Hudson finds out probably 6 months later or sth and complains,, but I've gone on a tangent again)
Anyway Rosie is a teenager, with after-school activities and a phone.
I'm just imagining Sherlock dragging John out on a murder case (read: date) and deciding to feed him midway through (like always, tbh,, sth sth that post about feeding the depressed man that tends to forget to eat but I digress)
So Rosie gets a text and a voicemail from the two of them (cause Sherlock prefers to text and tell me John is not the sort to leave voicemails, like he would have put it on the voicemail machine if they had one he's so old man sometimes)
And it goes something like:
[Text from Papa]
Ragù Bolognese, Angelo's, 7pm. Hugs. -SH
[Voicemail from Dad]
"Hi honey, it's Dad.
Sorry we won't be able to make it to dinner with you, your father's got a case and you know how he gets...
Anyway, Mrs Hudson is going out tonight remember, so your Papa is booking the usual table at Angelo's for you... You still like the Spaghetti Bolognese right?
Don't worry about us, we'll eat before we get home. And the reservation is at 7, so don't be late. This will probably take a while so don't wait up either and go straight to bed young lady, you hear me?
Anyway I've got to go, loveyoubye."
Anyway I think it would be very cute, like they love and care about her, even if they're old men who laugh at crime scenes and whose ideal date is trying to catch a murderer together, and they show it by taking a moment to make sure she's fed with her favorite food even when they're busy solving crime, so yeah.
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Alex Song Xia is responsible for so much of my happiness right now
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regarding: colour me in – HMMMMM okay pls talk to me about this 🎨🤍
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how some people can look at Zhongli and Venti's dialogue during this Lantern Rite and interpret it as beefing instead of, you know, flirting truly blows my mind? like it's not just what they're saying, but also the way they're saying it. it's flirting, they're flirting. and even if they aren't flirting, that's obviously an inside joke? look at Venti's face when Zhongli acts like they're strangers, does it look like someone who can't stand the other and isn't willing to play along with the other's dumb idea? please. I don't understand how people can still think they hate each other even tho it's established that they're friends, not only through items lore and their own character stories (I really doubt someone like Zhongli would let a guy he hates forge his sigil, let him destroy his precious vase, let him pour wine on his head, and then yearn for him for 500 years bffr), but also in the first Liyue Archon quest Zhongli talks about "a friend from Mondstadt" who used to bring him wine all the time, and Venti has a "refined gentleman friend from Liyue" he wishes he could spend more time with. a friend he still visits often, so much so that madame Ping commissioned Tubby to make a Mondstadt-inspired house for the teapot with good acoustics so he could play inside with no problem.
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As much as I love playing embrace Dark Urge runs (discussion in therapy pending), there's something so narratively satisfying about how a Resist Durge playthrough can go once you get to the Bhaal Temple. Your character steps into the ring with Orin, it's intended to be a duel, but odds are you're getting eviscerated pretty quickly. You then switch to one of your other characters in your party and throw an attack, effectively breaking the duel and setting the whole temple upon you.
(Adding a cut because this ended up being longer than I thought)
But, I think it's a very satisfying way to play. Your party members have grown fond of your Durge, seeing them as a friend, a family member, even a lover. They've watched you and your pain over your Urge and what it makes you do or want to do. Maybe you've slipped up once or twice, but you've been trying so hard to be the hero they know you can be, that Faerûn needs. So, when it comes time to finally face your demons and you're getting so horribly hurt in the process, they can't help but rush to your defense. It'll put all of them in danger, but it doesn't matter because they want and need to help you, their ally and companion.
Bonus points if you select your character's romanced companion as the savior/duel interruptor to make it extra delicious. They've fallen in love with you, stayed with you when your Urge craved their blood the most, maybe by this point in the game you've helped put their demons down as well. They see you in pain, a final valiant effort to overcome your Urge against the power of Orin, a whole cult, a god of murder himself. They want to protect you, save you as you saved them.
I'm also fond of the extra beauty of Astarion being your Resist Durge romance since it puts the two of you in very similar situations. Fighting against the will of your masters, finally defeating your demons with your newfound companions' help and being offered the greatest power you could ever fathom... only to deny it, ignore power in favor of your party and your love.
This isn't even mentioning just how goddamn good the Withers resurrecting you cutscene is. This skeleton in your camp with unknown and unfathomable power (also apparently supposed to be Jergal himself if I've done my research properly?) is able to bring you back to life, free of your Urge. The line along the lines of "Bhaal could only destroy what of you that he knew, but because you've grown past your Urge and become your own person, he couldn't destroy that new growth" is just so weirdly powerful narratively. Tav may be a default character for you to create upon making a new save file, but Durge is the canon protagonist and I think that entire scene shows it the best. It's a beautiful secondary climax of the narrative (primary being battling the Netherbrain of course).
And, perhaps it's just an oversight on Larian's part or something that'd be a bit difficult to work into the cutscenes mechanically, but I think that it could only get more impactful if your companions could comfort each other during these moments. Everyone and their mother wishes you could hug Astarion after he kills Cazador, but also imagine your romanced companion cradling your body after Bhaal kills you. It seems just a little odd that they all (meaning your party) kinda just stand around staring at your corpse, especially with how close y'all have gotten.
Idk, I have a lot of thoughts about this section of the game in this particular type of playthrough and some of them are hard to articulate into words. It's just such a damn good narrative peak and can really make you feel things.
I've completed I think two resist Durge runs and just hit this point on my third and it really stuck out to me this time (then again my new antidepressants are kinda fucking with me so that might be playing a role). I left it as my last mission before dealing with the Netherbrain and I think it helped build the anticipation of that moment. Everyone else has been helped by you, and now it's your turn to come into your own. I really felt so connected to my character walking into the temple, feeling like everything has been building to this, that regardless of what happens our suffering will finally end. And you have your party there to help you in your time of greatest need as you've done for them.
There's a reason this game was Game of the Year, the narrative is just so powerful and the replay-ability is just insane. I've beaten this game ten times, heading for my eleventh and it truly just never gets old and never fails to make me feel so many things so strongly.
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Second chances part 22 > 21 > 23
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Faun you can be unhinged on here too have you seen how I post just say shit no one cares
AJHDJ
listen... i care!! i get embarrassed that anyone can see my stuff!!!!!
ok right now i'm copy+pasting a bunch of uhh..... Um. extremely nsfw headcanon rambles aiudhdj into a google docs for safe keeping before everything Burns And Dies
(yes they're almost entirely abt veneziano but not the point)
that is like WOW!!!!!!! embarrassing!!!!!! i have no filter sometimes!!!!! jesus what would i do if the peoples found out how insane i can be!!!!
quotev was different cause you just follow people and they follow you back so you see each other's stuff and then the only way of finding old posts is if you scroll AAALLLLL the way down. but anyone can theoretically see my posts on here at any time and i just get shyyy.
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MY BEAUTIFUL WIFE IS BACK FROM THE WAR!!! AS BEAUTIFUL AS ALWAYS!!!!
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i can't stop listening to the 'purpose is glorious' track from this season's ost and thinking about how lovely the title and its meaning are. it's just such an amazing underlying theme in this show, and - while i do have criticisms about some of the choices made for the series finale - i really do feel the writers wholeheartedly delivered in sending that message home. for me personally, loki's ending is so gratifying and a large part of that is solely from viewing their arc's conclusion with the perspective of this theme in mind. to have spent years watching this character i hold very dear to my heart struggle to find belonging, to feel as though they matter and there is reason in their existence, finally get a chance to show - and recognize - their worth was so, so rewarding. and honestly, i think the message behind the phrasing of 'purpose is glorious' is all the more meaningful because of how loki's arc finished. yes, the outcome was bittersweet; yes, we're left knowing loki didn't get the happiness they undeniably earned after everything they'd gone through. it smarts something fierce to know their journey up until they deviated from their timeline and became a variant, as well as seen their eventual intended fate. the ache is only worsened after witnessing everything that happens within the TVA and the entirety of loki's character growth leading up to a redefining moment where they willingly choose to undergo a nightmarish amount of time in the endeavor to do the right thing. of course we want them to emerge victorious when they've struggled for so long, but that's not the point. loki's final moments are them forfeiting their right to a happy ending to preserve the stories of others because all stories matter and should inherently reserve the free will to be written; as sylvie says, loki makes their choice so their loved ones and life across the multiverse still have a chance to belong somewhere and embrace their place in the world. the take away is that even burden can be glorious. even with all the hardships of life - all the inevitable heartache, disappointment, and grief we encounter just by being alive - we have meaning in our existence. there is meaning in the trials we face, and the suffering we endure in order to overcome them. our pain gives us purpose; it gives us the ability to love, to grow from and for each other, and choose to sacrifice our happiness for the benefit of another. loki's purpose was forged in the bonds of those they met in their time at the TVA and the sense of value they gained from their companionship. their sacrifice perfectly conveys how the human capacity to love is one of cosmic greatness, which can ultimately surpass our instinctual desire to preserve one's self. we can move immovable mountains and challenge insurmountable adversity in behalf of the ones we love and their welfare. if that isn't an act deserving of glory, I don't know what is.
tldr; loki's purpose is the friends they made along the way = as the saying goes, 'tis better to have loved and lost than never to have loved at all'. or: our own lives have purpose because of the connections we share with others, even when we are met with great loss.
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i keep thinking about how “is this what justice means to you, answer me neuvillette”, despite having been used in a case all those hundred of years ago, was probably a question that haunted - and still haunts - neuvilette during the entire time he has been chief of justice. i keep thinking about how they highlighted his struggles through time with both carole and wriothesley's trials. how guilty and powerless neuvillette must have felt for not being able to support and save those he recognised as vulnerable and victims before a system that corrupted their fates but that he wasn't able to change despite his position. the theme of being a casualty of a system no matter if you're the victim or the perpetrator in its eyes. the way neuvillette took, in both cases, things into his own hands. even if it was too late to fix the hurting carole and those who cared for her went through, even if it was too late to save her life; even if it was impossible to change wriothesley's past, his verdict and subsequent imprisonment; neuvillette went above and beyond, making use of his influence, to allow both melusines and wriothesley the opportunity of a better future - to melusines by making sure they weren't discriminated, to wriothesley by supporting his attempt at a second chance in life. i think part of the reason he's so intriguing is our awareness that this internal conflict he's bound to have is so complex. you have a chief of justice, or a judge, that is supposed to be imparcial and follow the law stictly confronted with situations of social injustice, unable to protect those who rely on him. you have someone who understands better than anyone what it means to be an outcast, being able to relate to those who are ostracised and have their pain weaponise against them. you have, in vautrin's case, a friend who cannot even showcase his own pain and is still expected to fullfil his juridical duties despite being personally related with those involved in the case. someone who people constantly turn to but whom he feels like he has no right to turn to himself. it's about the conflict between his feelings and his duty, between what's expected of him and what he can actually do. i think that's why the end of his story quest is so emotional and why it's so heartwarming to have him realise he isn't an outcast anymore, that he has a community there for him too. because a system is a system and he will probably never be able to save everyone, because yes he isn't human, but it doesn't mean he doesn't deserve to belong or that an active demonstration of love towards individuals and people he can relate to rather than the theoretical concept of humanity isn't meaningful. in fact, i'd it's a lot about that, about finding ways to be kind and how community gives meaning to life; how personal relationships and targeted kindness can shape society, or at least i think so
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To add a little more to that post about how peaches represent SWK and Mac's relationship:
In the mountain, Macaque is the one to crush the peach in his hand. He offered it to Sun Wukong, and when he didn't accept it and instead yelled at him, he destroyed it and threw it on the ground
In the end, it was Macaque who left first, not the other way around. Now, their broken relationship isn't completely his fault, but he did play a part on it
SWK screamed at him when he tried to mend their friendship, so instead of trying again, he left. That's what broke their relationship for good. Not Sun Wukong yelling, not Liu'er Mihou not looking for him, but Macaque leaving and (as far as we know) not coming back. La gota que colmó el vaso, we could say. Stuff had already been going on between those two. SWK never seemed to genuinely listen to Macaque and his promises of staying forever were empty (he never would've been able to stay in one place for so long) and Macaque never even bothered to communicate his negative feelings over this, so when he warned him he was ignored
Sun Wukong left again and again and again, looking for more power to "be strong enough to protect them", and eventually he lost sight of why he was doing it. But no matter how many times he left, he came back. Macaque didn't
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