#the way their character arcs are so beautiful to me

[forlix]

𝐝𝐢𝐦𝐩𝐥𝐞・b.c.

— incurable playboy turned doting boyfriend was a character development arc nobody saw coming for christopher bang, including (especially) his frat brothers.

words・2.8k pairing・frat president!chris x gn!reader genres・fluff, humor, hurt/comfort, college!au, fuckboy!chris, boys being boys, kissing, implied sex so mdni warnings・substance use, talk of past heartbreak

a/n・here is "nobody believes you're dating" w/chan, requested by none other than my @rachalixie for my 2k event !! anny, i hope u love this fic as much as i love u; thank you for allowing me to write something so self-indulgent <3

In the deafening throes of one of Phi Mu Alpha’s spring kickbacks, Minho finds Jeongin and Seungmin standing in motionless silence by the kitchen counter. Both boys are gaping at something with an intensity that dips egregiously into the realm of creepy.

He moves to pour himself a shot. “What the fuck are you people looking at?”

Seungmin prods a pointer finger in the relevant direction. It takes a few seconds of scanning the scene for Minho to find what he’s referring to. He digs a knuckle into his eye, instantly confused by what he’s seeing. Maybe the gaping is justified.

The windows and doors have all been thrown open to invite the balmy April weather into the foyer of the frathouse. There’s a large crowd of people huddled around a long, foldable table stationed before the stairs; Jaehyun clutches a ping-pong ball between his fingers, singular eye squinted shut as he takes aim. The number of remaining solo cups dwindles rapidly, as does the players’ sobriety.

Something—someone—is missing.

Not to say “beer pong virtuoso” was one of the reasons Chris was elected frat president, but you’d think the guy had a career path in basketball with how he’s given the entire Greek life community alcohol poisoning by courtesy of two or three plastic balls alone. Minho has never known him to miss a shot, let alone miss out on a game.

Today, however, the reigning champion is only spectating, seated above the ongoing match on one of the steps of the main staircase.

A beautiful stranger is sitting beside him, cheek pressed to his shoulder as you peer at the match through the bannister.

You say something inaudible. The laugh it earns from Chris is bright enough to pick up from a few streets down. He leans in to murmur something in return, and you slide your hand over his nape to pull his mouth onto yours, light blush crawling up and over your ears. The way Chris melts into you can only be described as familiar, his eyes slowly fluttering shut, finger hooking delicately beneath your chin, grin going lopsided as your lips part—

“That’s enough,” Minho hisses, tearing his eyes away with considerable effort. “Aren’t you ashamed? Just fucking ogling.”

Jeongin shakes his head, grinning. “It’s dinner and a show. We’d be idiots not to.”

By dinner, he must mean the gallon of chocolate milk he’s been drinking from for the last hour. He now holds out said gallon with the intent to cheers. Seungmin picks up the entire handle and does the same.

Minho sighs, clinks his glass against theirs, and they throw back their respective refreshments in unison.

“Anywho.” Jeongin swipes the back of his hand over his mouth before going on. “You guys know who that is?”

Minho resurfaces with a wince, relishing in the bitter aftermath, then motions for Seungmin to give the bottle back straightaway. He arrived to the function late and he’s not nearly as drunk as he’d like to be.

Seungmin obliges Minho only after another heady swig. “No clue. Probably just another fling, no?”

“Mmm,” Jeongin hums in assent. “It’s Chris we’re talking about, after all.”

"Exactly.” There’s an air of finality in Seungmin’s voice—but Minho wouldn’t be so sure.

Perhaps because he has never noticed that Chris had dimples until now; or because you fold so naturally into Chris' side after your kiss ends, head nuzzling against the crook of his neck and hand seeking out his to hold in your lap; or, most likely, because Chris' eyes seem to return to you when he looks at you, as if his gaze drifting anywhere else is but a momentary departure from where it really belongs. As if he comes home every time you come into his line of vision.

Whatever the reason, the idea coalesces in Minho’s mind, even as inebriation begins to fall over his cognitive faculties like a curtain, that the boys have got it wrong.

Jeongin utters his name, jolting him out of his trance. There’s another shot lifted halfway to Minho’s lips that hasn’t budged in minutes. “Whatcha thinking about?”

Minho looks at Jeongin first, Seungmin next, then back at Chris and his stunning companion. He’s not inclined to answer the question in full, but he can in truth. A coy smile crosses his face.

“Threesome?”

Jeongin laughs hard enough to collapse onto the kitchen island. Seungmin drags a hand down his face. “Come on, man.”

In the corner of his eye, you’ve gone back to kissing again, slow and sweet and secretive. Chris' gentle hold on your jaw shields you from view but fails to hide his lovesick smile. Dimly, Minho thinks that maybe his friend has met his match.

Then, he takes four shots in rapid succession—and stops thinking altogether.

Christopher Bang’s love life is like a horror movie and romcom spliced together: a fiasco of a film to which his housemates have front row seats.

The frat’s upperclassmen live in sets of four-bed, two-bath suites comprising a small common space with a kitchen and a sitting area, sandwiched by bedrooms on either side. It is in that common space that Changbin, Hyunjin, and Jisung often see or hear Chris stumbling home after a night out, entangled with a different attractive stranger every time—so often, in fact, that they’ve come to believe that he’s deathly allergic to anything bigger than a one-and-done hookup.

They can’t judge. In part because they’d be throwing stones from glass houses, but also because the man’s penchant for empty physicality is far from unfounded. His past self gave pieces of his heart to the wrong people, contracted first-degree burns from the guileless warmth he sought out. Now, his version of “intimacy” is less a connotation of closeness than it is a self-contradiction, for it should be impossible for so much distance to remain between two people in a single bed.

Chris hasn’t vocalized any of this. Nor have his housemates discussed it with each other. The knowledge simply exists in the air between the four of them like something akin to taboo, dipping in and out of acknowledgement depending on the circumstance.

This might be the circumstance of all time.

At around 11:40 A.M. on a Saturday, three doors in the suite open at once. Hyunjin and Changbin aren’t coincidence—the latter is coercing the former to go to the gym again—but they lift their eyes to the opposite side of the living room, and the slice of milk bread dangling from Hyunjin’s lips very nearly takes a fatal fall. Changbin manages to snatch it up with an extended hand.

Chris has just emerged from his room as well. Your silhouette follows close behind, your mouth stretching into a yawn as you massage the sleep from your eyes. You’re sporting a mesh green sweater identical to one Chris owns. They find Chris' accessories more interesting than his clothes, though: two hickeys peeking out from beneath his jaw and the base of his neck.

Chris sees Hyunjin and Changbin right away, and his expression goes utterly blank, not unlike their faces as they watch you close his door meticulously. You turn around and gasp.

The four of you stare at each other for what feels like multiple business days. At least, Hyunjin, Changbin, and Chris stare at each other; your eyes dart between the men on the other side of the room and the man next to you, silently pleading for him to say something. He does not for a long while.

Then, he lunges for one of the throw pillows on the couch and flings it at Hyunjin like a shot put. It ricochets off his chest and lands on the floor rather anticlimactically.

“Distraction!” Chris yells anyways, grabbing your hand and tearing towards the exit, wild grin on his face. “Go, go, go!”

Your raucous laughter lingers even after you’ve been hauled away, accompanied by an unintelligible, breathless shout of something along the lines of my toothbrush—and then the front door clicks shut, and there are two.

Changbin and Hyunjin lock eyes, struggling to process what just happened. Hyunjin is the first to move, wandering hesitantly into the bathroom that Chris and Jisung share. Nothing about the place looks out of the ordinary.

Aside from the two toothbrushes slotted in the holder on Chris' side of the counter, that is.

“Oh, shit,” Hyunjin says out loud.

Something moves in the bathroom window, catching his attention. Hyunjin looks over just in time to spot you and Chris dart out onto the lawn two floors below. Chris has his arm draped over your shoulders, yours wrapped around his waist. Your smile is discernible all the way from here, and Hyunjin sees a perfect mirror of it on his friend’s face when Chris glances at the frathouse over his shoulder. 

Has he always had dimples?

Moments later, Changbin joins him in peering out the window. A high-pitched cackle erupts from the older boy’s lips. “Look at that idiot.”

Standing off to the left is a tiny, baffled Han Jisung, his arms full of groceries, jaw sitting squarely the grass and whites of his eyes on full display as he watches you and Chris stroll away.

Hyunjin laughs with his whole fucking body. Changbin whips out his phone and takes a picture.

When you finally breach the topic, it’s because you don’t think you can physically study for another minute—but also because, after multiple long months of fruitless sparring, your curiosity finally wins.

Your boyfriend is seated in your desk chair, feet kicked up onto your mattress with his laptop propped up on his thighs. His features have rearranged themselves into an expression of intense focus. You can hear the music blaring through his headphones from all the way here.

You uncross your legs from below you, scootch across your bed, and lift your hands to cradle his cheeks. He starts as if jolted out of a trance, then starts to smile when he reads the words hi, Channie off your lips.

His headphones fall around his neck. He sets his laptop down onto your desk with a dull thunk. The next thing to drop is you when Chris seizes you by the waist and tackles you into the mattress. The somber atmosphere of your study session is shattered by your muted laughter and Chris pressing his lips to every inch of your exposed skin he can. He saves your mouth for last.

“Hi,” he answers after kissing the living daylights out of you, the syllable soft and silky with adoration. “Missed me?”

The room’s dim lightning sets your beautiful boyfriend aglow. You drag your eyes from his brown irises with blown pupils to his sloping nose, from his disheveled dark locks to his cordate lips, so plush and warm against your own that you swear you still feel them there. 

“Always,” you say, brushing a hand over the back of his neck, your head now spinning so badly you can barely remember what you wanted to ask him. “I was starting to feel jealous of your homework.”

He chuckles. “Shit, I’ll drop out of college right now, baby. Jus’ say the word.”

“You’re perfect,” you whisper, nudging the tip of your nose against his.

“Says you.”

Your lips find his again—needless to say, your study sessions aren’t known for their productivity—and a lot of time passes before you come up for air. Even afterwards, Chris doesn’t let you go far, pulling you into his chest by the curve of your waist, nuzzling his cheek into your hairline. You only need to murmur for him to hear your question.

“Can I ask you something?”

“'Course,” he returns, and you’re close enough to sense him tighten with apprehension. “Everything okay?”

“Yes. Don’t worry.” You print a kiss to the side of his neck for extra reassurance. “It’s just…I’ve been meaning to ask how your friends feel about me.”

He tightens with something else now: surprise, you’re guessing, hoping. You hadn’t seriously considered that the answer could be negative, but it’s dawning on you now that the possibility of that isn’t zero.

“Where’s this coming from?” Chris hums, his tone opaque.

You hesitate, mentally reviewing your interactions with your boyfriend’s social circle. Hyunjin and Jisung can’t make eye contact with you when they speak to you. Minho does nothing but make eye contact with you whether he’s speaking to you or not. Jeongin and Seungmin can maintain small talk for about ten seconds before they start looking like they would rather be anywhere else. Changbin is the only one you’ve held a conversation with, and only because you were going up the same stairs at the same time and the alternative would have been mind-numbing silence.

What is the best way for you to say this?

“Well,” you begin, “I can’t help but notice that they act a little—when I’m around, they’re a bit, uh—”

“—crazy,” Chris offers. “Completely fuckin’ bat-shit crazy.”

You blink, stunned. “Yes. Exactly that.”

Chris threads a hand through your hair, the comforting gesture doing nothing to assuage your worry. It seems there’s some truth behind your impressions. Your next words are tinged with a quiet sadness.

“I’m not imagining things, then?”

“No, angel,” he sighs. “But not for the reasons you think.”

A beat passes. Chris perceives your silence as a chance to backtrack, to opt out of this conversation if it’s one he’s not ready for. He would’ve leapt at the opportunity once.

But he realizes in that moment, with your voice gentle against his ears and your touch so doting upon his skin, how much has changed since he met you: from the color of the sky to the word home and everything in between, including his cynicism towards love and all the iterations of forever it holds. 

With that epiphany comes another, then another: he wants you to know why his friends are being so weird, wants you to know about him and his past and all the wounds of his you never know you healed. Wants you to spend the rest of this forever with him.

His pointer finger dusts beneath your chin, a wordless request for you to look at him, and he nearly liquifies when you do and he finds entire constellations in your eyes. 

“It’s a lot,” he mumbles, though he suspects you know that already; he suspects you know about the other stuff, too. 

You bring your hand to the side of his face, bring your forehead to rest upon his. Your closeness washes over him like a low summer tide lapping over sandy shores, a soothing balm spreading over scorched flesh. 

“It’s you,” you answer, your voice steadier than he’s ever heard. “I will love it just the same.”

Chris' held breath comes out in shudders.

So this is warmth.

Minho and Felix are watching anime on the couch when a knock comes at their door, unfortunately during a pivotal moment of a pivotal episode. 

Minho hits pause with a ghastly groan. Felix laughs and rises to his feet, dashing into his room to grab the two silver necklaces he’ll be loaning out for the evening. “Coming!”

Outside, Chris is standing alone, hips and thighs accentuated by a pair of tight-fitting dress pants, sculpted chest and collarbones framed by a thin, cream-colored shirt with the top three buttons undone. Most of his hair has been pushed off his forehead, leaving a few locks free to fall over his right eyebrow. He’s rolling up his sleeves when Felix opens the door, veined forearms flexing as a result of the effort.

“Well?” He asks. Minho cranes his neck to look past Felix.

Both boys start to holler and whistle like excited macaques.

“What in the Calvin Klein is this?” Felix shouts, spinning Chris around by the shoulders. “You look insane, bro. Holy fuck.”

“What’s the occasion, young man?” Minho inadvertently sounds like a gruff uncle. “Where are you going dressed like that?”

Chris' laughter comes easier nowadays. What’s more, it comes in a way that reaches the rest of him, that ends in a tiny, high squeak that you really have to look for in order to hear. Felix and Minho can't help but replicate his smile. Those clothes look good on him, yes, but happiness looks even better.

“You guys are silly,” Chris giggles. He accepts the necklaces Felix hands to him. “Thanks, man. I’ll give ‘em back tomorrow.”

“No rush,” Felix replies, grinning. “Have fun, yeah?”

“We will.” Chris starts to retreat down the hallway, hands moving to slip the jewelry over his head, but not before he blows the both of them a kiss.

“Be back before ten!” Minho hollers; Chris laughs again, turns a corner, and disappears.

Felix closes the door. His smile falters fast. Minho has brought his face mere centimeters away, his expression thoroughly humorless.

“Tell me only the truth, Lee Yongbok,” he deadpans.

“O-okay—”

“Is Chris in a relationship?”

“—oh.” Felix frowns. “Well, yeah.”

Minho blanches. “How—how long?”

“One year, give or take? Anniversary’s today.”

Minho is stunned. Felix is stunned that Minho is stunned.

© 𝐟𝐨𝐫𝐥𝐢𝐱 (est. 090323) · liked this work? please consider reblogging, commenting, or sending me an ask to let me know; or, read my other writing here. thanks so much for the support ♡

[sixthsensewulf]

I think what's fun about Dimension 20. . Especially with the way I've watched the seasons, is seeing which campaign and characters I get attached to and which character arc hurts me the most. . (Leaving A Crown of Candy for last pretty much, for multiple reasons.. I'm getting there don't worry!)

For example in Neverafter, it's a puppet, a girl that is the symbol of Death and a cat that hits the hardest for me. Gerard's arc hurts but the two kids and the helper Cat's stories definitely had me tearing up multiple times.

Adaine in the latest Fantasy High, hit me hard. I see myself in Gorgug and Riz the most, so their arcs hit me hard.

With Unsleeping city and Starstruck Odyssey, pretty much the entire journey was like a rollercoaster of emotions.

Kug's journey in Unsleeping City as well as Skip's / Norman's journey in Starstruck, just the twists around it were heartbreaking.

Sofia and Sid's stories, I'm just marking down as Emily just wants me to cry. . . But their arcs were beautiful.

In case you were wondering my order of viewing went

Neverafter, Starstruck Odyssey, FH:FY, FH:SY, Unsleeping City Chapter 1 + FH:JY.

[cronchy-baguette]

what do you know of loss?

no words for how much I adore these two characters and the ways their journeys parallel one another's... take this as part character study (what if they helped each other heal!) and part ship content (they were made for each other...) anyways. the shadowzel illness never stops

[comradekatara]

Your atla analysis is the best so I wanted to ask your opinion on something I've found the fandom fairly divided on - what did you think of Azula's ending within the show proper? Unnecessarily cruel or a necessary tragedy? Would you say that her mental breakdown was too conveniently brought about in order to 'nerf' her for the final agni kai? Also, do you think it was 'right' for Zuko to have fought with his sister at all or would it have been better for him to seek a more humane way to end the cycle of violence?

okay so im saying this as someone who loves azula to death like she has always been one of my absolute favorite characters ever since i was a kid and i’ve always vastly preferred her to zuko and found her to be extremely compelling and eminently sympathetic. i am saying this now before the azula stans come for me. i believe in their beliefs. but i also think her downfall is perfectly executed, and putting aside all the bullshit with the comics and whatever else, it’s a really powerful conclusion to her arc. obviously that isn’t to say that she wouldn’t continue to grow and develop in a postcanon scenario (i have a whole recovery arc for her mapped out in my head, like i do believe in her Healing Journey) but from a narrative perspective, her telos is in fact very thematically satisfying.

no, she wasn’t nerfed so that they could beat her in a fight. the fact that she falls apart is what makes them feel that they can confidently take her on (although i do think in a fair fight katara could win anyway), but the whole point is that it’s not about winning or losing in combat. the whole point is that zuko and azula being pitted against each other in this gratuitous ritual of violence as the culmination of their arcs is fundamentally tragic. yes it’s a bad decision to fight her, and zuko should have chosen another path, but the whole point is that he’s flawed and can only subscribe to the logic he has spent his whole life internalizing through violence and abuse.

that’s why aang’s fight against ozai, while tragic in its own way, is also a triumph for the way in which his ideals prevail in the face of genocide, while zuko and azula’s fight is very patently tragic. there is no moment of victory or triumph. even as zuko sacrifices himself in a beautiful mirroring of “the crossroads of destiny” and as katara uses the element of her people combined with techniques across other cultures to use azula’s hubris and ideology of domination against her, it’s presented as moments of personal growth occurring within a very tragic yet inevitable situation. it was inevitable because azula had always been positioned as an extension of her father, and thus to disempower ozai also means disempowering azula, his favorite site of projection, his favorite weapon.

yeah, it does rub me the wrong way when zuko asks katara whether she’d like to help him “put azula in her place.” it’s not a kind way to talk about your abused younger sister. but it’s also important to understand that zuko doesn’t really recognize his sister’s pain, despite the fact that they obviously share a father, because he’s always assumed that she was untouchable as their perfect golden child and thus never a victim. and he’s wrong. zuko and katara expect a battle of triumph and glory, noble heroes fighting valiantly so that good may prevail over evil. but as they discover here, even more so than their previous discovery two episodes prior, a battle is not a legendary event filled with bombast and beauty until after it has been historicized. often a war is simply fought between pathetic, desperate people who see no other option but to fight.

aang’s ultimate refusal to fight despite having all the power in the world is what makes him so important as the protagonist. but katara and zuko both share a more simplistic view of morality and what it means to be good. and zuko assumes that by fighting azula, he can only be punching up, because she has always been positioned as his superior, and she (in her own words!) is a “monster.” and then azula loses, and his entire worldview shatters. joking about putting her in her place makes way for the realization that behind all her posturing and lying (to herself more than anyone) and performance and cognitive dissonance, azula has always been broken, perhaps even more than he is.

azula says “im sorry it has to end this way, brother,” to which zuko replies “no you’re not.” but i think azula is truly sorry, because in her ideal world, she wouldn’t be fighting zuko. she doesn’t actually want to kill him, as much as she claims to. she’s already reached the conclusion that zuko will only truly reach once their fight is over. she lacks a support system, and she needs one, desperately. if she could somehow get her family back, do everything differently, less afraid of the consequences, she would. she’s smirking, she sounds almost facetious, but really, she is sorry. as of this moment, she really doesn’t want it to end this way. but zuko cannot accept that, because in his mind, azula is evil. azula has no soul nor feeling. azula always lies.

her breakdown doesn’t come out of nowhere, either. it’s precipitated by everyone she has ever cared about betraying her. first zuko betrays her, then mai, then ty lee, and then ozai — the person she has staked her entire identity to and to whom she has pledged her undying loyalty and obedience, become nothing more than a vessel for his whims — discards her because she had the audacity to care about someone other than him. what i don’t think zuko realizes, and perhaps will never realize, is that azula betrayed ozai by bringing zuko back home. he was not supposed to be brought back with honor and with glory. azula specifically orchestrated the fight in the catacombs to motivate him to join her, and it’s not because she’s some cruel sadistic monster who wanted to separate a poor innocent soft uwu bean from his loving uncle, it’s because she genuinely believes that she’s doing what’s best for him. she believes that their uncle is a traitor and a bad influence, and she believes that bringing zuko home with his honor “restored” is an act of love. to her it is.

yes, she claims that she was actually just manipulating him so that she wouldn’t have to take the fall if the avatar was actually alive, but also, she’s clearly just covering her own ass. she didn’t know about the spirit water, and only started improvising when zuko started showing hesitation. but even if she was only using zuko, then that was an insane risk to take, because either way she was lying directly to ozai’s face. and zuko admits it to ozai while simultaneously committing treason, so of course ozai would blame azula, his perfect golden child who tried to violate his decree by bringing zuko back home a prisoner at best and dead at worst, and instead found a way to restore his princehood with glory.

we only see ozai dismissing and discarding azula in the finale, but it’s clearly a tension that’s been bubbling since the day of black sun. and we know this because we do see azula falling apart before the finale. in “the boiling rock” she is betrayed by her only friends. in “the southern raiders” we see that this has taken a toll on her, that she is already somewhat unhinged. she and zuko tie in a one on one fight for the first time. and she takes down her hair as she uses her hairpin to secure herself against the edge of a cliff. unlike zuko, who is helped by his friends and allies, who has a support system. it’s a very precarious position; she’s literally on a cliff’s edge, alone, her hair down signifying her unraveling mental state. azula having her hair down signals to us an audience that she is in a position of vulnerability. she is able to mask this terrifying moment wherein she nearly plummets to her death with a triumphant smirk, but it should be evident to us all that her security is fragile here.

and the thing is, even though she’s always masked it with a smirk and perfect poise, her security has always been fragile. azula has never been safe. azula’s breakdown is simply the culmination of her realization that no matter how hard she tries, she will never be ozai’s perfect weapon, because she is a human being. she is a child, no less. and there is no one in her entire life who loves her for nothing. zuko has iroh, who affirms to him that he could never be angry with zuko, that all he wants is simply what is best for zuko. but azula doesn’t have unconditional support in her life. she doesn’t even have support.

everyone she ever thought she could trust has betrayed her, and so she yells that trust is for fools. because she feels like a fool. of course fear is the only way; it’s what kept her in line all these years. azula is someone who is ruled by fear, and who is broken by the recognition that fear isn’t enough. her downfall is necessarily tragic because her worldview is wrong. the imperialist logic of terror as a tool for domination is her own undoing, just as ozai’s undoing is losing the weapon he has staked his national identity to. it’s a battle of ideals. aang v ozai: pacifism v imperialism. katara and zuko v azula: love and support v fear and isolation.

zuko is unfair to azula, it’s true. he tries to fight her even as he can clearly recognize that “she’s slipping.” instead of trying to help his little sister, he uses that weakness to his advantage, tries to exploit her pain so that he can finally, for the first time ever, beat her in a fight. it’s cruel, but it’s also how siblings act. especially considering the conditions under which they were raised, and how zuko has always viewed her. and in zuko’s defense, she has tried to kill him multiple times lately, both in “the boiling rock” and in “the southern raiders.” zuko is someone who gets fixated on a goal and blocks out everything else, including recognition of his surroundings or empathy for others. so of course when he’s promised to put azula in her place he’s going to exploit her weaknesses to do so. after all, isn’t exploiting his weaknesses exactly what azula does best? so he allows himself to stoop to her level, and in fact only redeems himself through his sacrifice for katara. but it is when azula is chained to the grate and zuko and katara, leaning on each other, look down and observe the sheer extent on her pain, that zuko realizes that “putting azula in her place” isn’t actually a victory. it feels really, really bad, actually.

they’re in a similar position as they were when they faced yon rha. and now it is zuko’s turn to understand that he is not a storybook hero triumphing over evil, but rather a human being, facing another human being, in a conflict that is larger than themselves. to “put someone in their place” is to imply a logic of domination, of inherent superiority, that someone has stepped out of line and must be reordered neatly into the hierarchy. but aang disputes the notion, ozai’s notion, that humanity can be classified along these lines, that there exists an ontological superiority among some and not others. so operation: putting azula in her place was always going to be flawed, even if she was performing competency the way she always does, because they’re nonetheless subscribing to her logic.

of course they should be helping azula, of course they should be reaching out to abuse victims through support instead of more violence. but first they must recognize her victimhood. first they must come to understand that they didn’t get lucky, and they didn’t dominate her because they are more “powerful,” that they weren’t “putting her in her place.” they must understand that they are not heroes fighting villains in a glorious trial by combat. that the logic of the agni kai is flawed. that they are all victims. that they are all just scared, hurt children who are still grieving their mothers.

[soranker]

Favorite Trigun character?

teehee..... can u guess 🤪🙈

[sysig]

Anime good :) (Patreon)

[fromtheseventhhell]

I don't want to imply only Arya antis think she'll go to the Riverlands first lol I'm pretty sure us Arya stans came up with the theory she'll reunite with Lady Stoneheart and give her the gift of mercy in the first place. Unfortunately though there are a lot of people whose speculation for Arya starts and ends at her killing people and disappearing off the face of the earth or realizing "revenge is bad" and then doing absolutely nothing afterwards. Though one thing I've seen very common with Arya antis is the idea that she'll effectually never reunite with any of her family members or identify as Arya going forward, either staying in the shadows or dying nameless or faceless without anyone recognizing her. That's a bit that worries me somewhat with her returning to the Riverlands first thing. Most Arya fans do expect her to be crowned by Lady Stoneheart and lead the BWB and Nymeria's pack up north but a lot of speculation from non-Arya fans ends up similar to Arya's reunion with Sansa and Bran in season 7; out of the loop, out of place, her journey treated as boring compared to the others, underwhelming reunions, conveniently out of the picture long enough so she can't ruin relationships that otherwise wouldn't happen with her present, secondary to Sansa.

One thing I think gets overlooked is how close Braavos is to Westeros. I've seen a lot of people act like Sansa in the Vale is a hop, skip, and a jump away from the Wall while treating Braavos like it's as far away as Meereen but they're actually about the same distance away. Braavos does appear to be perfectly placed if his original intent was for Arya to end up somewhere in the North, whether at the Wall, White Harbor, or even Hardhome.

But mostly I reject the idea that Arya will end up secondary to her brothers if she goes North. I have faith in GRRM loving Arya too much to ever treat her the way the show did in seasons 7 and 8. I think she has a role to play in the North considering how much of the Northern plots in ADWD are tied together with the "Arya"-Ramsay marriage and Jeyne. Stansas ASOIAF fans really believe that Jeyne will have absolutely no intersection with the person she's impersonating despite GRRM spelling it out that she's almost guaranteed to sail to Braavos for safety. It makes absolutely no sense to believe Jeyne would go to Braavos and never even encounter Arya. We also know GRRM intended for the Stark direwolves to go against Ramsay's hounds at some point in the future of which there's about nine named ones so far. Sounds like Ramsay will find out what wolves to do dogs ;) That may be enough to overwhelm Ghost or Shaggydog even if together but even a fraction of Nymeria's pack going north with her could handle them. I also refuse to believe Lady Stoneheart will die again before encountering a resurrected Jon. There's been rumors she and her men have been seen disappearing into the Neck which did lead to in book speculation the BWB has some contact with the Crannogmen. Arya can also be a bridge between Bran and Jon if GRRM keeps the estrangement between them.

And I really want Roose to find out he was in fact careless with a prize of great worth by not realizing he had the real Arya Stark under his nose in Harrenhal as his cupbearer lol. It'd be a shame if he died before finding out. But I do agree that she could go to either location and GRRM could make it work. I seem to remember jokes about GRRM being stuck because there are too many locations he wants her to be in lol.

I didn't think you were implying that, I just wanted to clarify that there were valid reasons for her heading to the riverlands and that I agree that some people only theorize that because they view the North as the most important location so they ignore her connections to it. I agree with a lot of your points and it's very frustrating that Arya's arc gets reduced so much because people refuse to see her as an important character. A majority of the theories surrounding her are the barest bones and people only expect her to leave the faceless men, kill [x] character, and then fuck off in a boat while her siblings (i.e. Sansa) carry the bulk of the Northern plot. The reality is that Arya's arc is difficult to predict because she has so many plot setups. There is an entire arc in Braavos waiting to play out, she has connections to the Northern plot, and she has plenty to do in the Riverlands. Arya is one of George's favorite characters and he's spent a lot of time developing her for a reason, so safe to say that whatever route he ends up taking it's going to be well-written and respectful to her character.

[kaidanalenkosprmanager]

THE BEST OF PRIORITY: TUCHANKA (PART 2)

Featuring: Cmdr. Sophie Shepard, Lt. James Vega, EDI, Urdnot Wrex, and Dr. Mordin Solus With: Urdnot Bakara And a Special Guest Appearance by: Kalros, Mother of All Thresher Maws I MADE A MISTAKE! I made a mistake... big picture made of little pictures- too many variables. Can't hide behind statistics... can't ignore new data- my responsibility. Need to go- running out of time. Not your work, not your cure- not your decision. Had to be me- someone else might have gotten it wrong... Mass Effect 3: Legendary Edition (2021)

[tytonnidaie]

trigun so easy to sift through people worth following the litmus test is just "what do they think of knives"

[fictionadventurer]

According to the app, I've got fifteen minutes left in The Heir of Redclyffe, but I don't want it to be over.

[deuxs]

bleach characters design is the neatest ive ever seen on screen... they are sooo cool. the drips, hair, face, attention to detail in side characters that make them authentic... just slick fr.

[goldiipond]

sometimes i think abt how ray was originally intended to be successful with his suicide attempt until the editor essentially said ‘no dont do that. that’s stupid’

[cronchy-baguette]

i've caved yall... the way i am so normal about laezel and shadowheart (stay tuned....)

[zukoromantic]

yes i'm aro but i'm sorry i cannot pretend that i don't love shipping characters. Shipping fictional characters is one of my favorite things to do which doesn't mean i de-value other types of relationships, it just means that i love romance and love the concept of being in love and valuing other people in all kinds of different ways. This is fun for me and i like my way of having fun!

[kneworder]

i also think there are few things funnier than the way allen and kanda's relationship changes throughout the manga. like i do not ship them at all but for over a hundred issues it's yuu edgelord supreme kanda being like 'FUCK you for being nice and polite all the time. the world is a TERRIBLE place and it is STUPID AND NAIVE for you to pretend otherwise' and allen grin and bear it walker being like 'Actually I Believe In The Inherent Value Of Human Life You Piece Of Shit :) Be Nice To People :) Appreciate Your Friends :) Find Hope Or Go To Hell :) ' and then searching for AW hits with all the force of neah and the fourteenth and suddenly allen is like "maybe it is all meaningless actually haha i ruin everything i touch and my life was never truly mine <3 i think i might go catatonic for a little while about it wouldn't that be fun <3 go on the run and isolate myself <3" while kanda tracks him down to shake him by the shoulders like "wait wait wait fuck you oh my god stop that you need to believe in people again what about your fucking friends jesus christ don't you remember them oh my fucking god where did your stupid hope go and why do i have to be the one to force you to find it UGH." kanda fucked around and found out. literally be careful what you wish for.

[tiffanylamps]

i apologise to my mutuals for who i become every wednesday after watching ted lasso i just love that show. I LOVE IT.