#the whole scene with him is hilarious but that panel GOT me like no other and idk why

[awkward-halfhug]

The best spidey comic villain isnt actually doc ock or green goblin or any of the sinister six

It's Goom (Earth-20051) from Marvel Adventures Spider-Man #4

[blackbird-brewster]

Highlights from Catherine Tate's Q&A Panel at Armageddon Expo 2024 (NZ) :

[I took notes best I could during the panel but some may be paraphrased]

Q: What's your favourite Doctor Who alien?

CT: The wonderful Ood!

Q: Who's your favourite Doctor? (Crowd gasps in anticipation)

CT: Well, I get asked this a lot, and obviously it's David (Tennant). I don't know what number he is, he keeps coming back. But definitely, David. Although, someone recently pointed out that I was technically the first ever female Doctor. So you know what? Me, I'm my favourite Doctor.

Q: What's your favourite episode you were in of Doctor Who?

CT:The Runaway Bride, because that's where it all began.

Q: What's a favourite memory of working with David Tennant on Doctor Who?

CT: The scene in 'Partners in Crime', the one with the Adipose, there's the scene where Donna and the Doctor see each other from across a room. But they're both behind glass and they have the whole mime scene with the windows. Well, I remember it was about 3am when we were filming that - - Russel really likes to film at night if the story is taking place at night - so it was 3am, and I said to the director 'Uh, right here it just says Donna Mimes' and he said 'Yeah do whatever'.

So that whole scene was ad-lib during shooting and David and I were so in sync with it, we did that first take and the director said cut and print!

Q: How emotional were you filming your final scene in Journey's End?

CT: So, we didn't always film in order. And I'm not really a sentimental person, but I will say I thought Donna's ending was absolutely perfect. When she meets the Doctor she was always yelling at the world, and she was so different than what she was by the end, she had so much growth with the Doctor and she changed so much in her time with him, but then, she forgets the him and all those memories. And that final scene, what really got me was how he says 'Donna, I'm off' and she's just, I think she's on the phone, and she just waves dismissively. She doesn't know him anymore. Russell, the way he ties things together, he's brilliant, that man.

Q: What was it like working with Bernard (Cribbins)?

CT: Oh, Bernard. God, I love him. He was so funny and talented. He always had stories and voices and sound effects. He loved making people laugh. But we had a gag where every single time I called him I'd say (Donna Voice) 'GRANDAD!'

He'd say, "Who is this?"

"It's Catherine."

"Catherine who?"

"Catherine Tate"

"Never heard of her."

We did this every time I called him and I loved it.

Q: Is there anything annoying about working with David Tennant?

CT: No, absolutely not. He's perfect. He's the best person to work with. I will say though, I was annoying him a lot. When we did the 60th Anniversary specials, our trailers looked exactly the same and I never knew where my trailer was. I'd walk into his all the time!

Sometimes I'd walk in and see his shoes in the trailer and instead of thinking 'Oops, wrong trailer', my brain went 'What's he gone and left his shoes in my trailer for?'

It got so bad, sometimes I'd walk up the stairs and from inside I'd hear 'NO.'

Q: Was it weird coming back to play Donna after all these years? Especially when it was along side David Tennant?

CT: It was a bit weird, more in the 'Oh I hope i still know how to do this' way than anything. But I did think it would be hilarious if David and I arrived on set and every take we just did completely wrong voices. Just thought it'd be hilarious for him to go (in an airy upper-crust British accent) 'Ohhhh, hellloooo. I'm the Doctor'

Q: If you could take any prop from set, what would you take?

CT: Ohhhh, I'd have very large pockets and see what I could fit. But mostly I think it'd be a sonic screwdriver. It's gotta be a sonic screwdriver, doesn't it? It's small and mobile... Easy to steal. Plus, it'd fetch a great price on Ebay!

Q: Best show you've ever worked on?

CT: The Office, they paid me tons of money.

Q: My mum loves David Tennant, is there something you can say to dissuade her?

CT: Hm, something to convince her he's not.... Oh, he doesn't believe in astrology! I'll say 'It's Mercury Retrograde' and he'll say 'NO, NO, NO I DON'T WANT TO HEAR IT'.

Other Highlights:

As soon as she came out, she saw the stage had no steps to the audience, so she stayed on mic and went the long way round to go into the audience and interview people, trying to find who had traveled the furthest to be here. She was sorely disappointed everyone was just from Aotearoa 🤣

Donna Lines She Performed:

"Oi Spaceman! You're not mating with me sunshine!" (Crowd went wild for that)

"Binary. Binary. Binary." (🥺)

She did some of her characters: Lauren Cooper mostly, but also wished someone Happy birthday as Nan

[mayybearii]

Thoughts On The Final Noragami Chapter

⚠️Will Contain Spoilers!⚠️

Now that it’s been a few days, I wanted to share my thoughts about the ending. Overall, I liked it. I honestly assumed the ending would be sad or bitter sweet at best, and while the latter can be argued, I’m glad everyone got their happy ending.

I heard someone say this felt like an epilogue rather than an ending and I have to agree. It was rushed, and there’s many plot points that hadn’t had proper concussions or will ever get answered. Some examples being are Yukine and Kazuma’s names still cracked, the vents that were still opened, all the shinkis exposed/died to ggs, heaven as a whole, how Hiyori got un-shinkied and probably a LOT more. I would have liked to see more loose ends tied up, but I guess it’s up to us to assume what happened. (Fanfic writers this is your time!)

What I did enjoy most is that this chapter was all about healing and new beginnings! Many characters got closure to their arcs that wrapped up sweetly.

I’m gonna go through some of my favorite panels and express my thoughts or things I liked.

First and foremost, Doctor Hiyori! She continues to help people with a smile. Glad to see many people’s prediction were right 😄

It was nice to see Yuka get the closure she needed and finally be able to grieve. She caught a glimpse of her brother through the Sakura trees just like Yato hoped she would. All Yukine wanted was his sister to be happy and it finally came true.

COO PHONE!

Take and Kiun being dads, and Take letting them know that their is nothing to be ashamed of with reincarnation because he is like them. He is helping to end heaven’s stigma. Not shown but, older Ebisu! He is growing up 🥹

Glad to see Bishamon back in action. It looks like her shinki can now take the form of the limbs that she badly damaged during the heaven arc. A bonus is Kazumas new glasses! They look cute ☺️ Not sure why Yato didn’t decide to release him but I thought the comment where Yato tells yukine that Kazuma was his little brother was funny. Yato and bishamon truly are divorced parents.

Though I do wish this was handled differently, I find it hilarious that Yato was saved through the power of Twitter and then Noragami immediately started trending. A true full circle moment 🙏

I liked that this panel showed that Trauma doesn’t go away, but instead you learn to heal and live with it. Sometimes the best way to help someone is just being there for them and showing that they’re not alone ❤️ Also PAPAGAMI

This page was everything to me. I am so happy that Hiiro got her happy ending and that she is learning to heal. She was loved! She doesn’t need to be a tool and pretend anymore. She can be herself and mend the relationships with those around her.

MY MOUTH REMEMBERS

MY MOUTH REMEMBERS

MY MOUTH REMEMBERS

God Yato watching her all these years. Hiyori went through a lot the final arc. She may not have been in the center of the battle, but she was the one behind the scenes responsible for telling Yuka the truth, and helping Hiiro realize she is more than Father’s tool. She gave her life trying to help everyone, and though she miraculously came back, it cost her memory. After everything that happened Yato never wanted to put her in that position again. She died in his arms and he was forced to name her. I can understand wanting to give her space until she can heal physically and mentally. Their ties were never severed, and years later in the spring, when the Sakuras bloomed, she smelled him and remembered.

It reminds me of the saying, “If you love something, set it free but if it comes back to you, it’s yours.”

Whether you see them as platonic or romantic, they are meant to be by each other’s side❤️

I am so glad I got to experience Noragami the final 3 years of its run. It was the first manga I had ever read, and will forever hold a special place in my heart. It inspired me to write, create art, and join many fun experiences like bigbangs and zines.

Thank you Adachitoka for creating such an amazing series!!!

[everynicorobin]

what are your absolute favorite robin panels from each arc/island?

This got so long that I hit the image limit, so this is part one of a five part post!

Part 1 | Part 2 | Part 3 | Part 4 | Part 5

Whiskey Peak

Chapter 114

This is the first time we have a clear full-body shot of Robin! She barely moves from this point on until she leaves on her turtle friend, not even raising a finger to take down the Strawhats.

Chapter 114

I like how cheeky she is here, not only stealing Luffy's hat but putting it on top of her own :)

Alabasta

Chapter 170

An absolutely iconic panel. She's just showing off her power here to mock Pell and Vivi.

Chapter: 173

I enjoy this one simply because it kinda looks like she has two weirdly long and skinny legs. Milkwalker

Chapter 200

This is just delightful. It's the first time she's laughing and smiling without being sarcastic or mocking, and it's because of Luffy's stupid "Water Luffy" move.

Chapter 217

Another iconic panel. She's just beautiful here - look at how her hair flutters in the wind. Ever since she showed up as a surprise stowaway for the second time, she's been smiling.

Chapter 218

Godddd just look at her... look at her smile...

Jaya

Chapter 219

Robin rarely performs hands-on archaeology, so this scene is very cool to see. She gets to show off her smarts, too, by figuring out how the person died and using the hole in his skull and the ship's cargo to estimate how old the ship was.

Chapter 221

After the moment where she states that her specialty is assassination, this is one of the first times she and Usopp become a comedy duo, and one of her first morbid comments after joining the crew.

Chapter 229

She's just very cute here and the reading pose is #relatable

Skypiea

Chapter 239

This is one of the first times she starts to realize what the Strawhats are all about, and when just being around them gives her a new lease on life, psychologically instead of literally being dragged away from death. She's not joining in the romp, but she's just happy to watch her new crew have fun, and I'm sure this was the beginnings of when she fell in love with them.

Chapter 253

And speaking of falling in love with the crew...

Chapter 255

Not only is this hilarious, it's a cute moment between Robin and Chopper :)

Chapter 268

This is just a nice scene. She's spent a couple hours now not only searching for the lost city, but fighting off enemies on the way and literally digging into the ground to get there. She deserves a break.

Chapter 296

Another moment of her loving her new crew, whether she wants to or not. No matter how much the Strawhats might bicker, they follow Luffy to the end.

Chapter 301

Another wonderful smile from our favorite Robin

Long Ring Long Land

Chapter 307

Very amusing to me that she somehow keeps a book in that outfit, and that she's taking the time to read it while there is a dire situation on their hands

Chapter 312

Women supporting women we love to see it

Chapter 319

This is the first time we see Robin really vulnerable in front of her crew. This whole scene is a great moment for her character, showing the normally calm and collected woman suddenly so scared she's fallen down and frozen in fear (though not literally just yet), and it does a good job setting up her character growth in W7/EL.

Chapter 320

Related to the previous one, this is another great look at Robin's character. Here she's already willing to sacrifice herself if it means everyone else will get away, just like she tries to do in Water 7, and I suspect she attacked Aokiji to goad him into focusing on her instead of Luffy and the others.

Chapter 321

Once again we're coming back to Robin and her newfound love for the crew. She's perfectly fine here, but according to the next chapter, it appeared to the rest of the crew that she recovered a little after Luffy, leaving the room after he did. I wonder what she was thinking about while resting - was she worried about the fact that she could no longer leave of her own free will, having become attached to them? Was she preparing to give herself over to the WG should Aokiji alert his comrades? Was she contemplating suicide in order to free the Strawhats from the perceived burden of having her as a crewmate?

Water 7

Chapter 323

Yes we are once more coming back to the "Robin loves the Strawhats so so much" hour. Look at her smile!

Chapter 325

The introduction of a fantastic and iconic outfit, and she's hanging out with Chopper :)

Chapter 340

This is an interesting scene. Robin is telling this to Sanji and Chopper to try to keep them away from her - she's clearly stating that she's leaving the crew, and trying to emphasize that she herself is dangerous to have around to make them stay away. But even though she loves them, it's apparent that she doesn't know them well enough yet, because this only makes them more worried about her and desperate to go after her.

Chapter 340

A continuation of the above - despite that she's trying to drive them away from her, she can't help but leave them with kind words, and thank them for everything they've done for her.

Chapter 347

She's trying so hard to play the part of the villain here, deliberately being vague with her wording to make it sound like she's sacrificing the Strawhats for her own dream when in fact it's the other way around. I'm not sure if it's because she has trouble being vulnerable with people at this point in time, or if it's because she correctly thinks that the others won't accept her actual reason.

From Chapter 359, I had to include this whole sequence because. Augh. Augh. We finally know the truth, that she loves the crew so much that even though they brought back her will to live, she's ready to die all over again just so they can keep going. She can't betray them so she can live this time - it seems like she never even considered that possibility despite doing it so many times in the past. And she just has to tell someone the truth. She might not have said anything if Iceburg hadn't accused her of being on good terms with the government, and insulted her dream. aaaaaauuuuuuuggggggghhhhhhhhhh

Chapter 370

We return to the comedy abruptly! Endlessly amusing how serious and calm she is here while Sogeking is doing goofy things with his arms for truly no reason.

Part 1 | Part 2 | Part 3 | Part 4 | Part 5

[kariokiipeaches]

I did it!

I really actually did it!

I drew part of the elevator scene in Chapter 4 of Poor Little Meow Meow on Ao3!

The idea of Killer being a smug-as-f*ck asshole (even going as far as saying “you’re welcome”) after destroying the elevator panel was HILARIOUS and stuck with me even after Chapters 5 and 6 were released/added to the story!

It was something I HAD to draw and have a visual of, lol.

Here’s 63 layers of Killer, and 30 layers of elevator!

FUN FACTS!

•I hate drawing shoes when legs are crossed!

•his legs, shoelaces, socks, the ring in his SOUL, and the top of his head are all different shades of white, even though you probably can’t tell without zooming in a WHOOOOOOLE lot!

•I had to cut Killer up (heh) a bunch of times to fix his proportions (first he was too wide, then his torso was too long, then his jacket was too wide, then his arms were too long for his new body, then his arms were too thick and puffy)!

•this started out as my oldest child posing the way I wanted, and I traced the photo to get all the areas that would be shaded in marked!

•Killers body was drawn, re-sized, and colored in one piece of art, and then he was cut (heh heh) out and pasted into a whole other artwork so that I could fit him in the elevator background the size I needed him!

•I must have attempted close to 30 times to try to get the sparks right, and I’m still not completely enthused (but I’ll tell ya, it makes the time-lapse video of this artwork being made [posted on my YouTube - link to video below] kinda spectacular and look like it’s actually sparking, so whatevs)!

I could NOT decide for the life of me where to put the text, how much text to add, or if I even wanted to add text in the first place, soooooo THAT was a nightmare (no, not nightmare with a capital “N”). That’s why I’m posting a couple versions of it for your viewing pleasure!!!

And yeah, I know it’s kinda dark in the elevator, but in the story it said the lights were flickering, so I muted the colors so it would reflect that easier. IT’S ARTISTIC LIBERTY, GIMME A BREAK!

I ALSO heard, maybe, possibly, probably… that another person may have helped to work on ideas for the elevator scenario… sooooo shoutout to both @lady-of-disdain (the author) and to @calcium-supplement for instilling upon me this brain-rot that refused to go away until I could puke-out a decent image. Go support them!

It’s kinda funny which parts of a story stick out in every individuals mind… and this was just one of them for me.

I can’t WAIT to draw more for this story! I’ve still got ideas, and you just keep adding MORE ideas with every chapter you release!

Wanna see what it took to draw this?

Check out my YouTube!

Wanna read the story?

Check out Poor Little Meow Meow!

Wanna see what I’m drawing next?

TOO BAD.

I’M NOT TELLING.

[tarisilmarwen]

Rebels Rewatch: "The Wynkahthu Job"

The space = ocean metaphor really getting stretched here.

Hoo boy, here we go.

Hondo's converted the Imperial shuttle he stole into his new pirate ship. Mostly by way of strapping cargo crates to the top like it's a minivan lol.

Love how literally no one but Ezra is happy to see Hondo.

"But it all worked out in the end right?" It in fact did not work out in the end my love, you lost the Phantom and nearly fell to your death in a gas cloud.

Azmorigan wiping his earwax off onto the door panel, gross.

Yeah no I'm with Hera on this one I wouldn't want to work with him either.

I SHOULDN'T LAUGH BUT HONDO'S BLIND JOKES ARE ACTUALLY KIND OF HILARIOUS.

Right so, Rebels kind of leans into this whole aesthetic of depicting space with ocean and seafaring metaphors, which I guess ties back into the whole idea that Star Wars is Space Fantasy, not science-fiction, imbued with the romanticism and swashbuckling adventure of weekly serials. We have knights and princesses and pirates, the most iconic weapon is a sword (Ezra's first lightsaber in particular is kind of akin to a rapier, and his fighting style evokes fencing), we have ancient wayfinders (bo-rifles and Lasat culture) and migrating pods of whales. And now we have a shipwreck being slowly drawn in by a whirlpool.

It's a pretty cool reoccurring element.

Ezra still looks a bit uncomfortable with Hondo's affectionate shoulder wraps.

I love that they brought AP for this mission, he's always hilarious.

Oh good we're at scene the first of my least favorite part of this episode, Ezra randomly being an ass for no real reason. It's especially jarring and grating after the maturity he showed last episode so frankly I'm just kind of going to wander away from that plot thread and ignore it whenever it happens, it's dumb and I refuse to entertain it.

There isn't even any real lesson learned??? Ezra never apologizes for being a shit and Hondo proves he is actually a good and loyal friend by coming back for the finale so what was even the point of this contrived piece of conflict? Nglh.

"This is your plan!" "I have factored that in. Without me your chances would be almost zero." <33333 I love him.

Hondo and Azmorigan play off each other hilariously.

Keen-eyed can spot Melch running around the corridors in the background.

I'm remembering why I tend not to like stories centered around or heavily featuring Chaotic Neutral characters, all the times Hondo's double-crossed someone gets very tiring and hard to keep up with.

"You attacked an Imperial ship." "We do it all the time." "Exac--Really?" I DIED. I LOL-ED AND I DIED.

That sighing eyeroll from Ezra in the background there ha ha.

I really am going to have to refrain from quoting Hondo every single time he makes me laugh, but this line about how they used to get none of the truth is hitting me right in the funnybone.

The gag with the door is great too.

Oh! The whole nautical swashbuckling adventure vibe I mentioned? Yeah, now they're gonna fight enchanted skeletons. In the form of the sentry droids.

The cable ziplines make this feel a little like a heist movie.

Ignoring this whole exchange...

Oohhh they are taller than Zeb, that's scary.

AP-5 FORGOT TO INCLUDE THE SENTRY DROIDS IN HIS SCENARIO CALCULATING LOL.

Hello Darktrooper precursor.

AP-5's sullen disappointment when Ezra tells them the first sentry droid got blasted lolol. AP you could have saved everyone a LOT of headache by just forewarning them about the droids.

This whole exchange. <333

Ezra that "I'll catch up." was dangerously close to "I'm right behind you." and also the last time you used that phrase you found Maul lurking in a pit. Do not tempt karma like that.

The sentry droids show a remarkable amount of strategic intelligence shooting the cable out rather than continuing to fire at Zeb and Ezra.

Worried Sabine be worried. :)

"It's okay! Zeb's got him! [Ezra]"

*raises eyebrow*

Interesting specification, Sabine.

This bit is pretty awesome.

And wow that was a quick climax.

Eyyyyy Melch is fine! And taught Hondo a lesson hopefully, lol.

This episode frustrates me because on the one hand it is HILARIOUS and I love the spacemariner and swashbuckling aesthetics of it but on the other hand *gestures to all of that*. With some tweaking this could have been the funniest episode of the series but as it is it just winds up landing as a mixed bag.

We're back to form next time, though, and we really don't stumble again for a good long streak. We're also going to start running into more and more episodes I've already liveblogged through. As I said previously those recaps will likely be shorter, unless I find something I really want to ramble about.

[aqqleshiqqing-archive]

Hi, Jil!! Just popping in because of your tags on my fic asdfghjkl

I did write "this one is for my Pokémon mutuals" with the thought "specifically Jil" in parentheses in my head--you're like ... my main Pokémon mutual. Gotta share some breadcrumbs of Aria/Eusine with THE Pokémon mutual, of course.

Also Eusine is a fairly arrogant character--he's very proud of his knowledge of myths (oh no ... a man who likes history ... and me having a history degree ... how could I resist ... /lh) and does tend to dismiss others when they try to correct him. He's not as dismissive of Aria or Morty, though, because ... *childhood friends beam.* Also maybe he likes Aria that way, so he's a bit easier on her, who knows--

Anyway, I had the misfortune of seeing the only (?) Johto anime episode with him as a kid, and little 9-year-old Sarah really though, "Man. This guy's a jerk." Little did she know she'd fall for that jerk years later. We don't talk about that--

The loss of the shiny Pidgey exists because I was training Ollie (my Chikorita/Bayleef/Meganium) in HG the other day, encountered a shiny Pidgey, and realized I didn't have any more Poké Balls--massive loss. But also a win because ship lore. And also the second time I've run into a shiny Pidgey while playing a Johto game ... maybe someday I'll actually catch the thing.

ANYWAY. I always felt Suicune would prefer Aria over Eusine (similar to the way the plot unfolds in the games, with Eusine eventually ceding the right to catch Suicune to the player), and while she would like to catch it, she's not as ... let's say ... passionate about it as Eusine is. Hence why Suicune tends to respond to her.

... she does think him chasing after Suicune all the time cute, though. It's very subtle, but she would've been mega embarrassed to fail that Pidgey in front of him--because, while it's not stated directly, she's imagining a scene where she failed at her life goal in front of her crush. It's not like Eusine doesn't do that on a regular basis, but that only makes it worse for Aria asdfghjkl

I also liked writing the subtle “… you were talking to Suicune about me?” followed by Aria immediately changing the subject--and then her adjusting his bow tie later. Subtle things get me all the time--

Anyway, uh--Morty, huh? 👀 /lh

(And sorry for the essay--I just. Have a lot to say and like to respond to tags through asks, sometimes asdfghjkl)

~ heart-of-aspiration 📖

HI SARAHH!! - oh man the fact you had me in particular to share the aria/eusine ship makes me SO honored ("THE pokemon mutual", that made me audibly giggle) and i'm honestly here for it, and you can tell i can definitely like - have the capacity to take batch after batch of hardcore pokemon ship/self insert lore (and be equally as talkative and lengthy about it...) so naturally i'd immediately gravitate here, and it's characters belonging to gen 2 which i'm incredibly biased to.... AHFJSHFGAS

i should've expected this from eusine - it would seem that he doesn't seem too dissimilar to his manga counterpart (which is radiating the same vibes as how you written him, he's definitely arrogant but kind enough to help) i actually should share some panels of him maybe! i'll admit that he was really hilarious for being lowkey petty due to a certain circumstance in the manga, but moving on!

i respect that his attitude is toned down towards aria and morty, they're totally good friends and morty doesn't seem like someone who'd engage in fights quickly - he's super relaxed and wise...

the whole pidgey story got me WAHUSHASHDAF THAT'S SUCH A MISSED OPPORTUNITYYY but that moment was enough to be a realistic incident for aria and i LOVE it. i hope you can actually catch that shiny birdie!!

i can totally imagine a scenario where she notices eusine on his failed attempts to catch suicune and he probably curses to himself (assuming he's alone) and aria would just quietly laugh, reminding herself how much she adores him and how cute he is for that - i swear i know a dynamic where they had a similar vibe to this but i can't seem to point out who or what -- but my point is, i love that dynamic so much. it doesn't feel TOO much like a rivalry but it's enough to at least poke fun at each other's professions + their little romance heheh ITS JUSTTT. YEAHHH!!!

let's not talk about morty /lh /pos the headband makes him look so cute combined with his relaxed personality and i'm on a hunt for a misdreavus and to name it after him as we speak WAHUSDHAUFS (IT'S NOT SUCCESSFUL HOWEVER BUT I'M GETTING THERE) let's just say he's one of the early crushes i have - not too active but i... would like to hold his hand HWAJHSDJAHJFDSAF. if he ever resurfaces im running to you immediately /pos /lh

[binarybitex]

Since today is appreciation day, I obviously had to send something in ^^ This is going to be really long because I have a lot to ramble about -w-

Let's start with the obvious. Cardboard Castle. I FUCKING LOVE IT!!! I feel so lucky to have been graced with an over 100k-long slow burn with my favorite pair. You had my ass checking the tag every day to see if it had gotten an update. Every chapter is amazing, but 4 and 5 have to be my favorite. Something about them is just… idk. Maybe it's because I absolutely love carnivals and go to them every chance I get, and the way you described them it just made me feel like I was reliving them. Plus the corn maze scene?? Dawg you had me feeling like Sebastian thinking “Just kiss him!!” The fact that it’s not really a date, but totally is. Just reading it makes me feel so festive, no matter the time of year. Thinking about it now I have the urge to make some apple cider. With all the inspiration I get from it: here’s a little mood board based on it!

As for chapter 5, I really just enjoyed the dialogue at the end. The vibes are also immaculate. I can enjoy a good angsty fic like the next guy, but David and Max just bonding with each other and being mundane makes me feel so soft. The dialogue really felt like two people just going over old memories. In your author’s note, you mentioned it would be a boring chapter, but I feel like it was anything but boring. Whenever I want to read something fluffy, I always go back to that chapter. Plus what Max did to Charly was hilarious. I don’t have as much to say about this one as I did chapter 4, but nonetheless, I love it!! To be honest, it was after reading chapter 5 that I really got into writing and decided to upload my work/become more active in the maxvid community as a whole.

And onto Heart Hallow ;D I don’t usually find myself getting into OC projects, but when webtoons recommended it to me, I was like “I’ll give it a go” AND I’M GLAD I DID BECAUSE AJDGWMEOWHFE. I adore the characters, the drawings (particularly the coloring you do for each panel!), and the little stories they go through each chapter. I can tell so much love went into it from just seeing how you talk about it when asked. Kara is up there as one of my favs (yes because she’s Aroace but it has a good personality!! I just like seeing Aroace characters >w>) but Lewis and Zeke are my top too. On several of my assignments, I have Z + L scribbled on them surrounded by hearts. It has driven my friends crazy trying to figure out who they are LMAO.

And just like I do with all my favorite media, I had to insert my OC in there somewhere :3 So, Spencer! I had a lot of fun filling out her card and doing the little edit. She managed to sneak her way into employment at HH (I’m not creative, please just accept this.) and is one of the housekeepers. So two things about her. One, she’s an artist. She does a lot of landscapes/portraits. And two, she’s super messy. Which is why she has a bunch of paint all over her! She’s good at getting it out though.

Anyways, the reason that she has paint all over her is that she noticed a lot of the walls at the hotel needed to be touched up, and since she’s really good with matching colors (make-up artist), she used what paint the hotel did have to create the color needed to re-paint the walls. Then she heard about the old murals that used to be on the walls (probably from Lewis) and was like, “Wait a second. I can paint landscapes. I should do that!” So she got (dubious) permission from Mr. Wright and got to painting! She does it whenever she has time. Mr. Wright seems like he wouldn’t care, cause free art. So yeah. She does a lot of painting so constantly dirty, much to Lewis’s annoyance. And every holiday she gives all her co-workers paintings because it's cheap and easy.

And some doodles :> Not the greatest artist but I like to think I’m funny.

She suffers from having bad taste in men disease :( Her two friends, Ava and Mia run a bakery and anytime they have leftovers they give them to her. If she has anything left from that she’ll take in with her to share the next day. She is also super tall (6’5) because it's funny to insert her into a show/movie/comic and have her be the tallest person there. I also had another meme in mind but I don’t think I’ll finish it in time so be prepared for a random meme in your DMs one day.

And that’s it. Sorry it’s so long, I just want to make sure I say everything on my mind!! You’re super cool and I love your stuff and keep up the good work :3 Have a great day!!! (again your art is really nice to look at ok bye)

hi omg!! this is the most pleasant thing to open my phone up to and I just have to thank you for taking the time to write all this to me! 🫶

I'm beyond elated you've loved cardboard castles as much as me. it's my baby, and chapters 4&5 are my favorites too! I LOVE the moodboard!! omg!! srsly you did such an amazing job with it!

and Spencer is adorable !! I had a feeling you might have been coming up with an OC 👀 she'd fit right in with the cast. love how tall she is... the fact that she's taller than lewis is just 🤌and we're definitely missing a creative personality type at Heart Hollow! (for now. a new character gets released soon towards the end of book 1. she's an eccentric artsy kinda woman herself!)

your art is so cute, I love your style!! and the fact you filled out an employee sheet for spencer makes me so happy 🫶

have a lovely day and I hope that you'll send some more stuff my way! my asks are always open :-)

(btw ur ask totally made my day!!!!)

[chidoroki]

182 Days of TPN - Day 44

Chapter 44: “The Girl in the Hood”

They’re all shocked to see another “person” in the forest and while most of the younger kids are relieved for a moment at least we got Gilda thinking logically. No offense to Mujika, but appearing out of nowhere like this is pretty sus (which was the whole point, I know). In the anime, Gilda walks around the other kids to ask these questions, which leads me to believe she just casually dropped Emma on the ground. Knowing Gilda, she probably placed her down gently, but the image in my head is funnier.

Ray already looks so darn tired. This is probably the most running he’s ever done in his life.

Apparently “a while” means we only get about 30 seconds of this entire chase scene in the anime.

Not only is Ray trying to outsmart them while he runs away, but he’s also keeping in mind where he’s going in order to put distance between his family and the demons. He’s such a good boy. But how exactly does the leader already know where Ray is? At first I thought it was holding a tracking device, but that wouldn’t do any good since all the kids removed their transmitters, so I’m not entirely sure what this demon means but I don’t care too much to wonder about it either.

More chess flashbacks huzzah. I also think it’s hilarious that Isabella is shown completely owning the board with just a pawn. Not really sure how since they can only move forward one spot at a time (aside from their first move if desired) and attack on diagonal, but the fact Isabella manages to have the upper hand regardless is amusing.

So proud of him for not giving up once during this whole chase, even when face to face with this huge threat and completely surrounded.

My boy has ran until he faced complete exhaustion so many thanks to Sonju (& his horse) for rescuing him.

Favorite panel/moment:

I can’t say I really have a big favorite for this chapter so pardon me for breaking my own little rule of not including any extra pages for these, but I literally can’t not mention THIS! One of the many reasons I love Chris so very much. He is so cute scolding Ray like that and my boy getting all those hugs warms my heart immensely.

[anti-dazai-blog]

7 & 8- If only Dazai would stop putting people in danger (and other complaints) 

Dazai doesn’t appear much in these two chapters— he’s only in around 5 panels total in both chapters combined. Most of the things I’d blame him for within chapters 7 and 8 are Akutagawa’s actions that were influenced by/ a result of the trauma Dazai’s training gave him. With that being said, let’s move on to the contents of these two chapters.

Chapter 7 opens with Kyoka capturing Dazai. I unironically found this scene to be the most hilarious scene in the whole anime. (in the manga it’s significantly less funny though). It’s just. The way Dazai has to act like he’s getting captured for real. 

He’s really like “Oh no 😮 an ability user is capturing me 😱 there’s absolutely no way for me to escape this 😰 if only there was some way to shut off her ability 🤔 oh well 🤷 I can't think of a single thing I could do here 😔”. If that’s not peak comedy I don’t know what is. 

Moving on— why did Kyoka even bother using her ability to capture Dazai? It’s fair to say that she didn’t know about Dazai’s ability, but Akutagawa definitely did, and he was the one controlling Demon Snow. So why didn’t Akutagawa tell her? And why did Akutagawa have her use Demon Snow in the first place? The only answer I could possibly think of is that he’s trying to follow in Dazai’s footsteps of “never explain anything ever and let people figure things out on their own, even if it puts their lives in danger”. That was how Akutagawa was taught— and I wouldn’t be surprised if Dazai would send him into battle while withholding crucial information about the enemy, just to see how he’d handle himself. 

As it’s later revealed, Dazai got captured on purpose. He got captured on purpose, meaning he knew that Kyoka specifically would be capturing him. He’s clearly well aware of the mafia’s current members, their assignments, and their abilities (at least in regards to what’s relevant to him). Given that this is the case, why didn’t he warn the other agency members about Kyoka and her involvement as Akutagawa’s subordinate in the mission to capture the weretiger? Even if Dazai doesn’t want to tell the whole agency, he should at least inform Atsushi of some potentially life-saving information. 

As per usual, the answer is most likely along the lines of “he’s not going to give over any information ever, even if lives are in danger”. In this particular case, it may be even worse than that. By this point in time, Atsushi’s already beginning to learn how to use his ability. Dazai neglecting to inform him of the trained assassin who’ll potentially be hunting him down could be for the purpose of throwing him into a real fight (alone this time) with no prior warning, so that he could have some (sudden) real life experience with using and controlling his ability. This is incredibly similar to how he trained Akutagawa (ie by shooting at him before he fully mastered blocking the bullets, as a way of teaching him how to). Often enough, Dazai abides by the “throw them in the water, they’ll either swim or sink” teaching method. And it should go without saying that that teaching method is not very effective at best, and outright harmful or fatal at worst.

Now onto Kyoka herself— I’ll take a moment to acknowledge that her mafia trauma is mostly from Akutagawa, who only treated her so harshly because Dazai treated him even worse, and in comparison he’s probably being a whole lot nicer to her than he was treated in his own training. I’ll only be mentioning this once— I don’t want to bring up that it’s technically Dazai’s fault that Kyoka has a huge pile of mafia trauma every single time Kyoka shows signs of her trauma. 

There isn’t much else to say about Dazai here, but there is one other thing that I wanna say before finishing off chapters 7 & 8. 

At the end of chapter 8, Akutagawa is talking to Dazai in the dungeon, and says “are you a pawn, or…”

Akutagawa. I’m so sorry, but that’s the absolute dumbest question you could possibly ask. Really, Akutagawa. Are you serious. Did you really just ask Dazai if he’s a pawn. Does he look like a pawn to you. Does he look like any chess piece. Akutagawa, look, he’s very obviously not a pawn. He’s not a king either. He’s the chess player. That should be so obvious to you. I get it that the question was rhetorical but still. What was the point. You know he’s manipulating everyone around him for fun, as a hobby. It’s literally what he does in his free time. You know that. Why are you even having this conversation, Akutagawa. He’s not gonna acknowledge you. Please move on. Just punch him in the face and leave. Don’t talk to this guy.

That’s it for this week’s post— join me next week when I talk about. I don’t know yet. I know it’s the dungeon scene and unfortunately no emoji exists that could accurately portray the Deep Sigh Of Annoyance(?) when I realized that that’s what I’m up to here. {Akutagawa and Chuuya in the same chapter? No no that’s too much. There’s too much to unpack here.}

[tremendouskoalachild]

Star Wars (1977) #03: Death Star!

Roy Thomas, Jun 07 1977

Yay, they fixed the logo!

Honestly this whole page is fantastic. I love the composition, the wacky fonts, Mr. Leialoha getting credited as Leia, Alderaan's appearance? Beautiful.

Motti's two lines weren't important enough to include him in the issue so we get Vader being an errand boy, which I love. Also Leia's space racist line equating humanity with morality in a world with an untold number of sentient species is retained from the script.

Ben's reaction to the destruction of Alderaan is next. At this point a disturbance in the Force was still called an "ebbing" - much less dramatic in my opinion. Luke gets the job of reminding the readers what is happening by calling Obi-Wan by his full name out of nowhere and needing a refresher of what "the Force" is.

Feeling unappreciated, Han watches Chewie play against Artoo and gets a lot more invested in the droids' health than his movie version:

Also what do you mean, a "wookiee like Chewbacca"?

Luke is training with the "remote" (heh) that look much more virus-y than the cute laser-shooting ball we all know and love.

It isn't going well. Ben also takes some of the recapping duties reminding us about Luke's dad having been a Jedi.

Apparently the artists decided to portray the remote bouncing off the lightsaber instead of Luke deflecting a bolt. Looks funny but why not.

The line "Stretch out with your feelings, in the dark" is from the fourth draft of the script.

Eventually our heroes arrive to find Alderaan is gone!

Luke calling Han by his last name these early comics is funny to me, sorry. I can't think of any other instance of it happening.

Same with Obi-Wan's "Mr. Solo". That's so rude sir, you know he's a captain. Also Han stole Wedge's line from the movie's climax:

(And yes, "sucking Han Solo up like space dust" is a Lucas line.)

Meanwhile, there's drama on the Death Star. Oh, and Vader is there I guess.

Tarkin screaming and Vader's pose are hilarious.

The trooper whose armor Luke wears is still referred to as TX-421 like in the script and novelization. The guy who goes to check on their coms gets wonderfully bitchslapped by a very jacked Chewbacca.

Also Obi-Wan apparently will call Threepio by his (nick)name but Artoo is "the R2 unit". What do you think he is, a charger? At least address him directly :(

I really love this page:

In the movie Luke and Han are the only ones in stormtrooper uniforms, this depiction makes the scene more dramatic in my opinion. Also the sound editing (and actually editing in general) feels kinda off during this fight so I'll just go ahead and say I prefer the comic version. Chewie knocking out fascists with his fists is great. The narration is top notch. Also the trooper shot all the way through lmao.

(Sidenote: this page also mentions cell block TX-138, which is TS-138 in the script and simply 1138 in the movie. I guess just like with TK they wanted to make the reference more obvious?)

Everything on the next page seems to be entirely comic invention and I love it! So much added tension.

The guy has a wonderful death pose. But "space-pirate"?

Comic Luke has no time to open doors normally:

And next we come to this beautiful collection of panels:

All of these lines are directly from the script as well. I adore Leia's expressions, especially in panel 3. That does seem like the appropriate reaction.

And we end the issue with this tease:

I can't wait.

This issue was kind of short on weird Lukes with all the helmets and so on... but I got to share this one:

[biolizardboils]

its been 10 days since the movieversary but my CU hyperfixation's still going so heres another one of those Scattered Thoughts posts (minor movie spoilers!)

So i updated the playlist at treehouseblogsinc this week! Idek if Wikplayer still works for most people, but this streak’s five years long and i aint quittin yet! (Usually i just replace song links when they break, but this time i removed a song too cus the guy it references has been Bitch lately)

Speaking of, i did my semi-annual reread of the whole blog too and... man :’’’) Its still mind-blowing how many people played along (and got pissed at Melvin when he took over lmaooo). All the silly, sweet, and angry asks i got there still warm my heart to this day

You know what else i still do to this day? Draw things Pilkey-style! Sometimes i try to follow a rigid anatomy when i draw and feel stuck when it doesnt look right. When that happens, i step back and make a quick Pilk-ish sketch as a reminder to keep things loose. Works every time :)

Something i still love about the movie and the months leading up to it is how much of it felt like a grand... I dont wanna say joke, cus that kinda implies they didnt care when its obvious they truly did. Lets go with prank — it all felt like a grand prank! Like the decisions they made worked in the end, but were also super funny to read and hear about. Like oh my god, they rented Abbey Road Studios to record a choir playing kazoos and singing the word “underpants!” They got the biggest up-and-coming horror director to voice white-ass Melvin Sneedly. (Tho i guess now it can be argued that he’s white-passing in movie!verse, so thats cool)

My fave example of this is how they got Lil Yachty for the album. On one hand, whatever chunk of the limited budget they spent to get him probably could’ve been put to better use, like actually animating the Turbo Toilet fight or something? (While moving the Flip-O-Rama to another scene of course.) On the other hand, its hilarious that they got him to rap the word “cool” 15 times to a cover of Oh Yeah, and then didnt even put it in the movie. Its like George and Harold themselves wrote the stupidest lyrics possible just to see if he’d agree to them, and he did?? Thats comedy gold???

Why didnt i bookmark all the production stuff posted to Instagram. There was so much cool stuff i wanna see again but the search function there is still garbage and uuuughh

So i dont remember if it was production art or fanart but theres this one Instagram post i saw once thats lived in my head ever since. it looked like the cover of Action Comics #1, but with Captain carrying a school bus. If by some miracle somebody has it saved, please send it to me ill be forever in your debt

Im still scared of getting what’s coming to me when the Dog Man movie drops, but now im also wondering if theyll still have George and Harold as a framing device. Ngl i havent caught up with the new books in a hot minute, but ive heard that the boys have stopped appearing in them? if that’s true, that’s Dav’s choice and i have to respect that. ....but also i really wanna see them in CG again. pretty please dreamworks, i miss my sons so much

It mustve been a while since i last watched the movie, cus when i did on the 2nd, the Origin Issue sequence like... broke me all over again. i wrote about why its so great once for a thing that never got made actually, lemme dig that up and paste it in here

The score begins with chiptune and kazoos, two common motifs for childhood whimsy, and already a great fit for this sequence’s simple, handdrawn look. 

But it doesn’t stop there! It goes from what sounds like just two or three people playing kazoos… to a whole chorus of them… which gives way to a full-fledged orchestra. It’s as dramatic a transition as… oh, say, a one-man children’s book to an animated movie by one of the top studios in the industry.

And in turn, as the comic continues, we’re brought closer and closer to the panels until the white gutter between them vanishes, and they engulf the screen. The medium through which this story’s being told has faded from awareness; all that exists now is the story itself. 

But just as suddenly, we’re brought back to our true surroundings. The orchestral music ends, the chiptune returns for one last gentle sting, and we remember this epic tale’s humble origins: a comic book, written and drawn by two 4th graders. *sniff*

Another Score thing i love: you know how Captain is one big Superman parody? I think Shapiro mightve had that in mind when he composed his theme tune, because it starts with a triumphant first three notes (the “Underpaaaaants” part) — just like some of Superman’s! I dont know the right musical terms but cmon, theres a pattern there! And its so touching that they found Captain worthy of a song of that caliber!! Like yes, he IS a true superhero!! heres the epic theme song to prove it!!

Oh wow okay. So to dig up that Writing Thing, i had to open some folders i havent touched in years. And there were outlines for 10 different fanfics in there. I remember not really meaning to finish them ever, just writing them down cus the ideas wouldnt leave me alone. Hell i still dont have time to finish them now

But. Man now i feel bad for never doing anything with them. I have half a mind to post the outlines at least?? Cus someone out there might get a kick out of them?? You know what, if this hyperfixation doesnt peter out in another few days ill probably do it

Speaking of things i havent looked at in years, i listened to this song while typing all this and im tearing up now send post

[labarch]

Witch Hats and Prejudice Part II

<-- Part I

Olruggio, my love, my man, I’m sorry your proposal to Qifrey in chapter 40 didn’t go as you hoped, let’s sit down and discuss your workaholism, temper issues and saviour complex, yes? Yes. It’s couple therapy time at last, we’ll have a look at Qifrey and Olruggio’s relationship and at chapter 40 in particular through the following points:

-Panelling in the Orufrey conversation in chapter 40

-Prejudice and power imbalance in Qifrey and Olruggio’s interactions

-Help as a collaboration between equals (spoiler: they haven’t made it to that stage yet)

-What Olruggio wants from Qifrey

 Panelling in the Orufrey conversation in chapter 40

The conversation in chapter 40 is never framed as a happy reunion. If we reuse the analysis of the panels from Coco and Qifrey’s conversation I made in my previous post, we find the same markers of unease between Olruggio and Qifrey. Most of the panels are narrow, and get darker and darker as night falls. Qifrey and Olruggio rarely share a panel, and even when they do, they rarely make direct eye contact: Qifrey looks down, or Olruggio walks away from him, or they are curled in on themselves or standing on a slope at different eye level. For a while Qifrey is up in the air and mostly talking to himself. Oh yeah, and there’s a hat that gets in the way at some point.

It gives the sense that they are having two separate conversations, and that they never truly achieve the connection that we saw between Qifrey and Coco. On top of that, while the conversation is supposed to be about comforting Qifrey and earning his trust, Olruggio never manages to get a smile out of him, except for wobbly, miserable little grimaces. So what’s going through both of their heads, and why are they failing to meet halfway?

The chapter has an outward pull to it. The scene takes place on a slope that leads away from the atelier. The chapter opens with a herd of dragons flying away and into the night. Then Qifrey takes flight to look into the distance, while giving a very contradictory speech about how fulfilling yet dull his life is here, how happy yet trapped in an illusion he feels. He has to hold on to his cape as it flaps in the wind. It brings those dragons back to mind, like they are a metaphor for the side of him that wishes to escape. Qifrey’s migration season is just starting folks, it’s a confusing time for him okay.

In contrast to Qifrey looking ahead into a dark wilderness, Olruggio in this chapter is almost always looking back. He walks away from Qifrey to talk to him over his shoulder, or he looks back towards the atelier. In the only scene where he faces Qifrey full-on, the past is so present on his mind that he de-ages them both. It’s interesting, because it adds a caveat to his pledge of listening to everything Qifrey has to say: he is not so much trying to adapt to Qifrey’s new situation as he is trying to bring them back to the childhood stage of their friendship, when they were always together and kept no secret.

This whole looking ahead / looking back dichotomy brings me back to the mentality of the Great Hall, a society obsessed with keeping itself in an insulated bubble, wrapping itself in good intentions and noble ideals, and ignoring its own inner darkness and complexity. Qifrey, because of his inability to be content and stay in place, threatens that delicate balance. That sends the other witches around him into such a state of panic and outrage that even those who genuinely love him end up lashing out at him with uncharacteristic brutality.

Prejudice and power imbalance in Qifrey and Olruggio’s interactions

I have described in my previous post how vicious and oddly personal Beldaruit got in his attacks against Qifrey in chapter 36, but you can make the same case for Olruggio, especially since the two scenes run in parallel. There is something excessive about the violence with which Olruggio confronts his friend. For one, he is choosing a hell of a time to do it: the girls are safe, there is no urgency to press Qifrey for answers right this instant – except if he is hoping to shock Qifrey into honesty while he’s disoriented. Qifrey has just woken up from a three-day coma; he is half-naked in a place Olruggio knows worsens his nightmares; his scar is exposed; he is half-blind because Olruggio has taken his glasses; Olruggio is literally an angry dark blob looming over him. I’ve often heard it say that Qifrey is manipulative towards Olruggio, but in return Olruggio isn’t above using intimidation tactics against him, consciously or not.

There is also the staggering lack of empathy of the approach: what started this whole thing is that Olruggio learnt about Qifrey’s impending blindness. And his knee-jerk reaction was to attack Qifrey about it. Like, um, my dude, your friend almost died, he is going to go blind and lose his job, you wanna try being sensitive about it? (Note that Qifrey running after the Brimhats didn’t trouble Olruggio that much at first: after his interview with the Knights Moralis he is mainly concerned with “getting his story straight with Qifrey”; it’s only later on, when we see him staring at the glasses he’s just repaired, that he starts voicing his doubts about Qifrey’s intentions). He may be right to suspect that Qifrey is hiding things from him, but there’s a pretty big leap between “you are keeping secrets” and “you are wilfully using your own child as bait”.

This whole suspicious climate, that makes Olruggio jump straight to the ugliest conclusion possible, is once again a feature of the Great Hall mentality. The mind of a person who has been in contact with forbidden magic is forever corrupt, and his actions are forever suspect. Had Qifrey been anyone else, he would probably have been given the benefit of the doubt for losing track of his students while he was, you know, extremely concussed and suffering from blood loss. Interestingly, Olruggio’s concern – whether, when faced with a chance to go after the Brimhats, Qifrey would choose his quest over his students’ safety – is addressed as early as chapter 22: after an instinctive movement to rush into danger, Qifrey pulls himself back and takes measures to keep Coco and Tetia safe, and even plans to call Olruggio and the Knights Moralis as reinforcements to help rescue the others. Then he gets hit in the head by a giant snake golem, and the rest is history.

In general, Beldaruit’s and Olruggio’s accusations that Qifrey is using Coco as bait without caring for her wellbeing just don’t hold up. First, all the attacks by the Brimhats so far have occurred in completely mundane, teaching-related settings with other adults present (at the stationary shop, or during an exam), so pushing blame onto Qifrey clearly comes from prejudice rather than evidence. Second, if Qifrey’s sole aim was to get clues on the Brimhats, he would pressure Coco into taking the Librarian test as early as possible, but we keep seeing the opposite: he encourages her to take breaks and to enjoy her training rather than be laser-focused on her goals. Hilariously, out of the two tests Coco passed so far, Qifrey gave his approval for none, thinking it was too early for her (extra-hilariously, Beldaruit is the one who speed-ran Coco through her second test). I’m just saying, if Olruggio hasn’t noticed any of this and can’t take it in consideration before bringing out the accusations and threats, maybe he’s not doing that good a job as a Watchful Eye.  

Another thing about this climate of suspicion, added to the power imbalance between Qifrey and Olruggio, is that it prevents them from having a healthy fight. Olruggio invokes his duties as Watchful Eye to berate Qifrey whenever he steps out of line, but when Olruggio lets his temper carry him too far and misuses his own power (when he drags Coco out to the Knights Moralis even though she had already been officially accepted as an apprentice in volume 2, or when he accuses Qifrey of using Coco as bait in volume 7 without proof), Qifrey never criticises him for doing so. It’s not that he is shy about speaking up to power – he is more than happy to yell at Beldaruit and Easthies when they mistreat his students. But when it comes to Olruggio, Qifrey is compelled to shoulder as much blame as he can, and seems almost afraid of saying anything negative to him.

It would have been justified for Qifrey to start chapter 40 by getting mad at Olruggio for his earlier accusations: Olruggio had been insensitive, unhelpful and completely out of line. But instead Qifrey pretty much encourages Olruggio to attack him again: from his “I thought you might be mad at me” to frantically denying that Olruggio might have ever done anything wrong. In return, there is something defensive in Olruggio’s delivery during the “I’m angry that I wasn’t someone you could trust” segment: he walks away from Qifrey as he gives the non-apology, and it comes out sandwiched between criticisms of Qifrey for being reckless and a long speech of Olruggio praising himself, and how everything would be alright if only Qifrey behaved himself and relied on him more. It’s an issue that this old distribution of roles is so well-entrenched between them, with Olruggio as the golden student and Qifrey as the eternal problem child.

Qifrey’s exaggerated gentleness and praise towards Olruggio participates in the feeling of wrongness that weighs on chapter 40. The memory erasure scene is framed like a kiss, and Qifrey keeps complimenting him even after sending him into an unnatural sleep. It would come across as condescending and manipulative, except for how fervently Qifrey seems to want to believe that Olruggio is perfect, and that any dysfunction in their relationship has to come from him.

Qifrey, focused as he is on his own dark secrets, is utterly unwilling to see any darkness in Olruggio. It makes sense when you consider that Qifrey has also been absorbing the prejudices of the Great Hall: he thinks very little of himself, and has probably been looking up to Olruggio as a moral compass ever since Olruggio took him under his wing as a child. He must also comfort himself with the thought that, when/if his quest drags him away from the atelier, Olruggio will be a perfect teacher for the girls. Having to come to terms with Olruggio’s flaws must be terrifying to him. But what about Olruggio’s perspective in all this?

Olruggio is an example of how even those who materially benefit from an elitist, close-minded society are damaged by it in some way. He grew up in the Great Hall as a bright-eyed, idealistic genius, and even as an adult he clings to the principles of that society like a mantra: “bring the blessings of magic to the people”. He is successful and respected by his peers, popular with the nobles and well-liked among the commoners. Yet somewhere along the way he became a ragged, workaholic hermit.

I have mentioned in previous posts that I suspect Olruggio of grappling with his own, deep-seated fear of being unwanted and left behind. He betrays that fear in the way he is attacking Qifrey: his concerns about Qifrey’s treatment of Coco aren’t based on evidence, and underneath that veneer he is mostly complaining that Qifrey is neglecting him. “Be straight with me���, “Don’t lie to me”, “You wouldn’t even tell me about it”, “You took her as a student without a word to me first”. There again, Olruggio is being a bit hazy on how far his influence goes as Watchful Eye: from what we know, Watchful Eyes are meant to ensure that students don’t get mistreated, but they don’t get a say in who teaches whom: it’s the disciples who choose their masters. Olruggio grumbling about Qifrey adopting more and more children behind his back is cute when we treat them as a couple. But from the perspective of their professional relationship, Olruggio is claiming the right to veto Qifrey’s students and take them away from him without any evidence of abuse.

The problem is that Olruggio is very bad at expressing his feelings without using his job, and therefore his authority, as a crutch. It’s endearing when he uses it to explain away his gifts to the girls (“I just want them to test a prototype”) or his marks of affection and care (“Drying your hair so you don’t catch a cold is part of my duties as Watchful Eye!”). However, it adds a layer of threat to his arguments with Qifrey, because he is constantly dangling that authority over his head, even when he is urging Qifrey to trust him. In his more agitated moments, it turns into a one-man good-cop / bad-cop performance (“Step out of line and I’ll report you” / “Why won’t you confide in me? I’m your best friend!”). Sure, he is willing to side with Qifrey against the Knights Moralis when he deems it appropriate, but here’s the catch: Olruggio gets to decide where the line in the sand lies, and that line seems to shift depending on how hot his temper is flaring at any given time.

It’s no wonder their conversation lends them in a dead-end when it is so one-sided. Thourghout the manga, and in volume 8 in particular, the author explores the idea that help should be a collaborative effort between equals, that encourages both parties to grow and learn more about themselves. Trying to unilaterally “save” someone is almost guaranteed to miss the mark and come across as condescending; it might even cause further harm.

Help as a collaboration between equals

Therefore, Qifrey and Olruggio can’t really come to any connection unless they make it clear that they are helping each other, not just endlessly acting out their roles as the golden student who knows all the right answers, and the problem child who must be saved from himself.

Aside from the framing, help as an equivalent exchange is the other key difference between chapter 40 and Qifrey and Coco’s dialogue earlier in the volume. In order to counter Coco’s doubts and growing self-hatred, Qifrey reinforces everything he admires about Coco: from her social skills and capacity for teamwork to her practical skills and her straight lines. He reminds her of all the things that she achieved so far. He also strongly hints that her fight is his fight, too, and that they should hold onto hope for each other’s sake. Finally, he makes a (pretty dramatic, unnecessarily literal and definitely unsafe, but still awesome) leap of faith by letting her decide what direction she wants to take next. His support isn’t conditional on Coco making the “right” choice, but freely offered. In return, Coco makes a display of saving Qifrey as well, saying she wants him right by her side while she figures out her path. The rescue itself is symbolic (it would actually have been safer for Qifrey to go back on his own), but Qifrey’s gratitude is genuine, because Coco made him feel valued, irreplaceable, just as Beldaruit and Olruggio were making him doubt his place as a teacher.

By contrast, Olruggio’s speech of friendship contains a grand total of ONE compliment, served in such a back-handed way that it sounds almost like a warning: “To Coco, you are a good teacher, so don’t betray that trust”. This is weighted against a slurry of criticisms about Qifrey’s recklessness, and heaps of self-praise. Olruggio is making a case for why Qifrey needs help and why Olruggio is best-qualified to deliver that help, like he is making a sales pitch to a client. It’s probably not a coincidence that Olruggio is remembering his successful bout of diplomacy in chapter 39 as he gears himself for his conversation with Qifrey. Olruggio, look, I get that you have more faith in your professional persona than in your regular self, but you can’t talk to your best friend like you are doing customer service, it just doesn’t work that way.

The help that Olruggio offers leaves no room for Qifrey’s input: once Qifrey has confided everything and laid himself bare, Olruggio will pick apart “where he needs the help” and “when he is about to do something stupid”, and either support or stop him as he judges appropriate. It reinforces Qifrey’s inferiority complex and interiorised guilt, by implying that his moral compass can’t be trusted. It also places the blame for Qifrey’s rash actions solely on his lack of judgement, rather than on having to grapple with complex, life-threatening situations and being caught in a pincer between a terrorist group and an oppressive system. There’s no mention that the definition of what’s “lawful” and “responsible” and “just” has gotten a bit messed up lately, and that Olruggio himself has had to compromise with his duties to cover for the kids. Olruggio fakes confidence in his capacity to fix everything, and pretends that things can go back to the way they were, but it would have been more honest of him to ask Qifrey to work with him so they can form a united front to face their new, complex reality.

Instead, by claiming that he is helping Qifrey out of a sense of duty, as Watchful Eye and as a friend, Olruggio reinforces the feeling that Qifrey is a burden to him. This gives Qifrey more incentive to keep his friend away from his investigations, and to see himself as expendable. In that light, since their friendship brings Olruggio so much trouble and so few benefits, betraying him and stealing the memories that relate to Qifrey’s secrets start to look like the lesser evil.

The only way that the conversation in chapter 40 could have gone well is if they both freely admitted to needing each other. However, it is too early in Olruggio’s character arc to be honest about his own feelings and worries. And it is too early in Qifrey’s character arc to see past his own self-loathing and recognize that his “perfect” friend also needs support and guidance. Yet, when they do, it is hinted that Olruggio can draw inspiration from Qifrey, and help Qifrey in a more meaningful way by highlighting how Qifrey matters to him, letting them reach this stage of true collaboration.

What Olruggio wants from Qifrey

I think Olruggio is repressing a sense of disillusionment about his work, the fairness of the system, and his usefulness as a witch. We see glimpses of his anxiety in chapter 39 notably. While he says that his true role is to help the commoners, circumstances keep reminding him that like it or not, his main function is decorative. He gets dragged in on short notice to be yanked around by petty nobles and arrange light shows at weddings; he has to act in secret to help the destitute, and even then can only do so much before the rules of magic society get in his way. So far he manages to keep his head above water, using his talent for diplomacy and showmanship to keep the nobles appeased, and finding small, creative ways to help commoners without breaking any law. But it leaves him with the feeling of being trapped in an increasingly constraining role, and is slowly pushing him towards a burn out.

He seems to feel a kinship with princess Mia, who like him is used as a tool in petty squabbles between nobles. He even metaphorically puts himself in her shoes: after likening her situation to being trapped in the spotlight in a dance she doesn’t want, he applies the same metaphor to himself and his inability to act outside the narrow constraints of witch rules, of being constantly watched and judged. And then, adorably enough, Olruggio actually brings Qifrey into the metaphor. He muses that Qifrey, who has gone against established rules before, might be the key to escaping that dance.

For all that the “problem child” / “star student” dichotomy has been weighing on Olruggio and Qifrey and warping their friendship, there is a flip side to it as well. As a prodigy who always pressures himself to perform perfectly (to the point where he will work himself to a zombie-like state and then hide behind a mask to look perfect and pristine in front of his clients at parties, Olruggio no), Qifrey provides a chance at escapism. For all that he berates him for causing trouble, Olruggio seems to fondly remember their old adventures. It’s possible that he valued the opportunity to do rebellious, forbidden things without having to jeopardise his reputation. His fear of being left behind by Qifrey is then also a fear of losing his hope that, when the pressure of being the perfect witch becomes too much to bear, Qifrey will be there to break him free.

In summary, Olruggio wants Qifrey to be his rebellious prince who breaks him free from the ballroom, and we respect him for it. Qifrey had his reasons for not being able to confide in him, and they both have a lot of character development to do before they can reach a stage of actual collaboration and trust. But I don’t dispute that taking his memories was a dick move. Thank you for coming to my ted talk.  

[captnjacksparrow]

Hello!! Well this came to my mind and would be interesting to put into words.

Something that her fans were right is that she hadn't to accept Rock Lee's confession and love. For them a No was No, which is hilarious becase their princess didnt do this with sasuke lol but anyway. After Lee saves Sakura in Death Forest, she changes her attitude towards him and started to be nice , she even defends him when Naruto said something aboout bushy-eyebrows. Even more, i dont actually remember scenes where she is rude against him after that incident in the forest. She tried to encouraged him and most of the time she was "nice" with Lee. In the Hospital in part 1 she was going to visit Sasuke and she also thought of Lee, so she gifted him some flowers too.

-All of this I speak from the anime canon, manga i dont remember tbh. Also in movies I remember her being nice with Lee too- So, what's my point and question? Why is she so bitchy towards Naruto? While she is nice -or try to- with Lee (which he fucking deserves this treatment of course) , why she is still so ungraceful towards Naruto? Naruto saved her much more times than Lee, but still she can be nice with him. I get that when you are confident with someone, you tend to "insult" more lets say. But i get that feel when naruto is around of shikamaru or the other guys. We know how he and Sasuke treat each other ♥ But still, i dont get this with Sakura. Even more, did she ever defend Naruto? From other people I mean. If she could change her attitude for Lee, being almost a good friend.

I always think about this @melody-of-lost-souls 🤔🤔🤔.... Why is she bitchy towards Naruto alone??

There is this hard fact that every author with just half a braincell knows, that is, 'IF YOU WANT A CHARACTER TO BE LIKEABLE, MAKE IT BEHAVE NICER TOWARDS THE MAIN CHARACTER'.

To be honest, I started to like Sasuke because of that very fact 'He was extremely nice towards Naruto in his own way' and later I started to adore him because of his own backstory. But the first spark was because of Episode 3, Orphan insult scene.

It seems Kishi never had that intention to make Sakura be an honest friend with Naruto even in The Last movie. So, ummm.... Yup.

Like you said, Sakura changed her attitude towards Lee and she encouraged him when he was wounded after fighting Gaara. But anyways, she again went onto being a bitch in the Kage Summit Arc, by leaving Lee on the road without any care!!! So... That's what you can expect from her🤷🏻‍♀️🤷🏻‍♀️🤷🏻‍♀️ But that's not the point of this post. Is it??

Point to be noted : Sasuke and Naruto insulting each other shows their comfort level with each other. Sakura harassing Naruto is not the same thing. Never.

I think she spoke for Naruto before Sasuke twice. One, In the forest of the Death. Two, Under the Bridge. But it doesn't matter.

She should've defended Naruto from Sasuke's attacks in Orochimaru hideout like Sai.

She should've worried about Naruto's wounds after Naruto came back like an Egyptian Mummy from fighting in VoTE in part 1. Instead she was worried about Sasuke alone.

She should've fought Sasori for Naruto's safety sake instead of getting information about Sasuke.

She should’ve stayed with Naruto when he went with Karui to deal with Sasuke’s Akatsuki activities. 

She should've stood up for Naruto in her final confession like 'Sasuke-kun, if you touch Naruto, I'll have to kill you eventhough I love you'... Yeah, she wouldn't stand a chance against Sasuke. But her character would've shined a lot.

So, Nope. She defending Naruto couple of times but letting him down countless other times doesn't matter.

WHY SAKURA TREATS NARUTO BADLY ?

After thinking about all the possibilities,

SOCIAL STATUS OF NARUTO

Sakura is the reflection of the Villagers' mindset. That is, The object of Hatred who should be treated like pest.

She definitely gave me that vibe in Episode 3. She literally treated him like a plague and I wanted to slap her so hard ever since. But even after the Pain Arc, I mean after Naruto became a Hero by making peace with Nagato, she still behaved like a Worst Bitch.

If she truly represents the social dynamics of the Villagers, she should have become a good friend like Shikamaru or Neji long back. But she didn’t.

So, we can safely eliminate this possibility.

SAKURA THINKS NARUTO IS 'THIRDWHEELING'

Well, This is from Chapter 3. So, I think whenever Sakura makes a move on Sasuke, Naruto accidentally comes in between her one-sided ‘duck dreams’ and spoil her party. It seems this has been going on for a long time. So, she just hates him for that. 

I found this ‘coming between’ thing twice in part 1. The first time was when Naruto stole the ‘First Kiss’ of Sasuke.

Second time was when Naruto was about to fight Gaara.

Here, Sakura was fretting over Sasuke’s cursed Seal and when Naruto asked her a question, she responded with a ‘Devil Face’. I mean is there any need to get angry at this time? There’s a monster standing before them and all she worries about is her poor ‘Sasuke-Kun’ and not even bothered about her surroundings, because Naruto will do the dirty job. All she can do is touch and worry about Sasuke. 

Well, In reality she is the one coming between them and she never realized that. What a self-absorbed Trash!!!

SAKURA IS JEALOUS

Naruto receives something from Sasuke that she never got from him, not until the very end and even today. That is, Attention. 

I noticed this in the Manga. Surprisingly, I guess none of the SNS bloggers brought this very cute panel up for discussion. It’s not in the Anime though!! 

This is from Chapter 3 page 6. (Geez!!!! Chapter 3 is a Gold Mine for SNS)

As you see Sakura was watching Sasuke up close like a Fruit Cake. It seems, Sasuke doesn’t give 2 fucks about her or anyone!!!

Now Let’s go back to Page 5 and see what happened earlier.

Naruto has been intensely throwing knives from his eyes. And you know what!!! Sasuke noticed it and asked him ‘What?’. To which Naruto asks, ‘What do you mean what?’. LOLLLLLL.

This is their First official conversation in the Manga.😍😍😍😍😍

Sakura looking at him with love doesn’t get any reaction and Naruto’s angry stare get his attention. Well, this is not an one time occurrence!!

In the Same chapter, it occurred again

This panel screams, ‘Why pay attention to Naruto, when he is not here?’. Kishi established this dynamics in freaking Chapter 3 and it never changed towards the end. LOLLL.

Even during Chakra Training, Sakura climbed the tree very easily in the hopes that Sasuke would appreciate her or notice her with admiration. But he was never bothered about her achievements even by a bit, but he paid attention to Naruto when he found out he was slowly catching up to him🤭🤭🤭.

I always find this scene very funny and cute because just like before, Naruto throws Daggers at him visually and Sasuke was like, ‘What did I do this time?’. 😍😍😍

And this is after getting the pass to participate in Chunin Exams

Well, I don’t have to add the scenes from Orochimaru Hideout, Bridge scene and War Arc, Do I?

And the best part is Sakura knew that Naruto gets his attention. So, her jealousy is probably the reason for her to treat him so badly. Just like how she treats Ino. Since Naruto plays dunce in front of her, she takes advantage of it and used him like a Tooth Brush.

This is also one of the reason for her to treat him badly.

Because Lee never came in between Sakura and Sasuke. It was Naruto, the whole time. And that's why she was like a bitch to Naruto.

Kishimoto in his own words,

I mean, Come On!!!, Sakura is nothing compared to Naruto's power level, strength or jutsu varieties to consider him as a rival in these departments. Still she is considering Naruto as her rival.

In what????

The only thing that connects them is their obsession towards Sasuke's Acknowledgement. And Kishi himself is hinting at a love triangle with Sasuke as the central figure.

Does it means Naruto also loves Sasuke and Sakura was jealous of it???🤔🤔🤔🤭🤭🤭🤭.

Well, that makes more sense. 😂😂😂. Because I can think of no other reason for her to be a bitch towards Naruto.

Curse You, Kishimoto!!!!!!

[golden-winter]

Everyone loves to meme on this panel and it is in fact hilarious, but this is actually one of the most fascinating little bits of dialogue in Jojolion to me, and is a big reason why I find the Higashikata family so interesting.

If Stands were a new concept to JJBA or to us, the readers, this wouldn’t stick out as noteworthy - we would take Norisuke’s statement at face value that Stands are a very private thing, that that’s just how it works in this fictional universe. But this is the sixth part with Stands, and we know this isn’t true. Moreover, this doesn’t seem to be a quirk of Jojolion as a whole - no Stand users outside of the Higashikata family seem to be reticent with their Stands in this particular way. In fact, I'm pretty sure Norisuke is the only one who ever expresses an opinion like this. Other family members say things like “We may be family, but we don’t talk about Stand abilities…”

This got a little long, so the rest is under the cut. Moderate Jojolion spoilers below.

In previous JJBA parts, the main cast all know each others’ Stands. It's obvious that for any team fighting together, knowing each other’s Stands' powers, strengths, and weaknesses, is key for being a cohesive and effective fighting team. The only reason someone would hide their Stand is for tactical reasons - to know how someone’s Stand works is often to know how to defeat them. In fact, in many Stand battles, once the hero figures out the “secret” of the enemy’s Stand, the enemy is very keen to monologue about how their Stand works, to add more detail. They want to brag. It clearly isn't for privacy reasons.

Iirc the only times in former parts in which characters were hesitant to reveal their Stand to someone was in the cases that they did not trust them, and anticipated that they might have to fight.

Does this suggest that the Higashikata family assumes that they might fight each other? I don’t think so - despite certain events in the series, I don’t think any of them even considered that they might go head-to-head in a Stand battle. Every single one of them prioritizes “the family”, although they each have their own ideas on what is the right way to do that, and why it’s important.

The reason the Higashikata family doesn’t discuss their Stands is because they don’t discuss anything difficult or emotional with each other. There is something personal about Stands, which have been described as a representation of a person’s will, or their “fighting spirit”. To discuss their Stands is to discuss their souls - and their pain. I think the “asshole” comparison, while probably intended as a joke, is actually very revealing - Norisuke sees it not only as private, but vulgar and embarrassing.

This scene is (iirc) the earliest indication of something that is a regular theme with this family. Some other examples of this:

When Josuke asks Tsurugi about Jobin’s stand ability, Tsurugi doesn’t know. All he can say is that his father “probably” has a stand, but it might even be unconscious.

Norisuke kept Rai secret from the family (with the possible exception of Jobin) - despite working closely with him, and having a close relationship that could even be described as familial. All they knew is that Norisuke had a plant appraiser they "were never allowed to meet". I literally can’t think of a reason for him to have done this.

And then there's this:

There is so much that isn’t being said here: Norisuke knows that there is a family curse that affects all eldest sons at age 10, and it seems not to have hit Jobin. The only way for Jobin not to die is for someone to die in his place. He knows Jobin is aware of this to some extent. He knows that Jobin is 16 now. But he’s in a trap of his own making; he can’t ask any of this directly, because it’s not done.

The most noteworthy thing in this vein, of course, is how they handle Caato. When she shows up, Joshu and Daiya don’t recognize her - they don’t even know they have a mother at all. This isn’t just “we don’t talk about mom”, this is “hide all pictures and swear oldest children to secrecy” levels of avoidance here. Hato tells Josuke that “Dad would just say things like Mom left or died.” Remember, Jobin was 16 and Hato was 9 when she was arrested. They had to keep this a secret from them, too. Hato mentions that she had to look up by herself why her mother went to prison.

(I also think it's worth mentioning here that Norisuke refused to answer any questions in this scene, and Jobin just straight-up left until the drama was over.)

I’m not exactly sure what my point here is, other than the funny “Stands are like assholes” scene is actually an incredibly revealing glimpse into one of the more dysfunctional Higashikata family dynamics. They’re a fascinating group of characters and I think they way they all care about each other but are working with different sets of information leads to a really dynamic mystery, since theoretically any of them could hold secrets or work with or against Josuke at any time.

I like to imagine that they become more open with each other after the events of Jojolion, but the way they affirm that they truly see Josuke as part of their family (after a horrible tragedy) is to silently cry while all looking away from each other and then ask him to pick which cake to get. So perhaps only a little.

[antiloreolympus]

10 Anti LO Asks

1. you know whats also bad about the red eyes? not only do they look awful on persephone's pink color, they're not even a unique feature? like we've seen hades' eyes go red, we've seen eros' eyes go red, and ares' eyes are ALWAYS red, so even this idea its her "unique queenly trait" doesnt even hold up?? because we've seen it on other characters before?like at least the blue glowing eyes looked unique and even gave her a possessed, otherworldly look, something with the red eyes just dont have.

2. The faces in the latest ep (not fastpass).... Ew

3. I saw someone praise lore olympus art, specifically the ones where Apollo is playing his lyre and Daphne is covering her ears while her hair is split in two (yuck! Bad decision looks awful) so we can see Apollo, the one where she transforms into her hibernation state (weird perspective, chin and neck, I think, also what the hell was that supposed to be?) and the last one before cutting to Thanatos (which, I admit looks a little better that the other but I still got distracted Apollo's arm among other things).

Now, Rachel is a professional artist like 15-25 years older than me (I dunno her age) drawing one of the most liked webtoons.

I feel like I'm nitpicking or being too harsh or crazy because I think it is a little terrible and this person thinks it's amazing and I know art is subjective and all but like the difference of opinion is jarring. I am by no means a professional and my art leaves a lot to be desired and I guess I don't have incredibly high standards (or do I? I'm second guessing). Is it really that good?

Because I know that Smythe commits more than a few anatomy atrocities. I wanted to redraw a few panels two years ago and I noticed a few things that Don't Work Like That.

4. ok but that other anon is right. we shouldnt have to go off old tumblr asks or random tweets to understand what's going on and who the characters are. rachel doesnt realize you have to actually write whats going on, not putting the readers on a scavenger hunt trying to figure out what they're even reading.

5. im honestly surprised LO hasnt ruined more mother figures at this point. maybe maia will be next and depicted as neglectful and hermes is only the way he is because hes acting out to be noticed by her, maybe dione will slut shame aphrodite, who knows, the possibilities are endless when its about ruining every mother figure to prop persephone and hera up and to avoid giving the characters actual personalities that isnt dependent on mommy/daddy issues.

6. I hate the clothing choice for Daphne in run for your life. It felt like she was drawn in a sexualized manner when she shouldn’t have been because she was running away from a r*pist. Like she almost had a nip slip, we almost got her ass, it was like Rachel was trying to fit her butt and chest in a lot of the frames like some video game with the token woman character. Like if a different dress was choosen or how she made Daphne tie the dress, I just feel like Rachel can’t draw outside of pinup sexy that well. Like sexy is fine for sexy scenes but running away from a r*pist is not sexy. (I probably sounded really lame, but the way Rachel presents the story in a feminist way but can only draw one way in not even the same style is annoying)

7. Things I think would have been better for the story instead of focusing so much on HXP

-Expanding on Minthe’s and Hades beginning of their relationship (he couldn’t of fallen for her since she didn’t laugh at him and when she yelled at him said it’s not your fault but you have the hat I think that would have added to his character more to see him more than a 40 year old who hits on barely legal)

-Leto’s kidnapping of Demeter. Both we/are close with Hera, and probably know or each other or may have been friends. Like I wanna know how Leto kidnapped her but also how are they interacting since they probably know each other and Demeter probably had Hera’s back when Hera ended their friendship.

-Ares return to Aphrodite. We don’t get to see much of her character but we know this is something she’s wanted, but they way it was handled was so flat, We assume Aphrodite told Ares that his gf slept with his father to save their son but we don’t actual read any words between the couple. And then they’re living together. I wanna see how they actually interact and stay together like their better moments. Like how well did he settle in, did they talk about how long he left for or is he mad like come on that’s something interesting but I feel like RS can’t write outside of HXP

-the deal with Echo. Why do people think Echo could possibly be Hera’s gf if she’s her assistant. Yeah they do dirty work together BUT I didn’t get a wiff or sexual tension or anything. Was it that she was there with the doctor? It just seems like Hera is that CEO trope who has the assistant always by her now.

-a little more of Pysche and Aphrodite friendship. Like Pysche says Aphrodite is lonely (and we can assume a part of that is Ares) but also because she “doesn’t have many friends” so why not a solo scene of just the two of them being actual friends. Like what did Aphrodite say when she brought back a purple nymph that was gonna help them with their work.

-Hermes not talking about Persephone. I feel like that 99% of what his character is and then just a little bit of himbo. 

-Maybe Thantos and Minthe started flirting/hooking up. We’re they friends first or flirts first? Was it after Hades and Minthe got into a fight or something else? What did Thantos like about Minthe and what does she like about him? Why did she stay with Hades with Thantos was there (it’s not like she wanted to be queen of the underworld) How did Thantoas and Thetis meet and become friends? Idk if I was seeing two guys and one of them actually liked my friend I might consider leaving Hades for him. But again hades did have the power to control everything in Minthe’s life (job, home, everything) I do like Daphne and Thantos But I feel like the transition could have been better if we knew more, but again RS can only focus on one thing and that’s HXP.

------FP Spoiler/Mention------

8. FP SPOILERS— I’m done. I’m really done. We called it. We FKN called it. They got married behind the readers back, Demeter didn’t respond to the question as she actively avoided it and time was up, Apollo is somehow involved in the trial- THIS WHOLE THING IS A MESS AND IM TIRED OF HOPING THAT IT GETS BETTER. Four FKN years of this??? I’m done with this Webtoon even though I’m FKN stuck in it. I’m so FKN done.

9. Fast Pass spoiler (kinda) OH MY GOD, I JUST REALIZED THE POMEGRANATE PIN IS JUST PASTED ON EVERY FRAME, NOT EVEN RE DRAWN FOR PERSPECTIVE, NO, JUST COPIED AND PASTED, REGARDLESS THE OUTFIT ANGLE AND LIGHTING, IT'S HILARIOUS!!!I mean, I knew the art was decaying, but this just made me laugh out loud of how bad it looked.

10. persephone’s pomegranate pin just looks like a giant fly that landed on her and won’t leave LMAO