Writing prompt #8
This time we have Danny as a woman.
We also have Siren AU where Danny is a singer with an incredible voice.
so enter the scene:
one of Bruce's most honored business partners, organized a New Year's Eve party, the whole family was invited, along with many other partners and businessmen.
The party starts without problems, the background music is perfect, neither too loud nor too low, and can be heard throughout the room.
All of the Batkids manage to not fall into their chaotic tendencies and mostly stick together, until the main "act" arrives.
A beautiful woman in a one-piece black dress walks onto the main stage, the musicians prepare for the performance.
without introduction, the woman begins to sing:
While the melody invaded the party, the gaze of (insert member of the bat clan here) could not depart from the beautiful blue eyes of the song, everything would be perfect if it were not because suddenly a group of criminals burst into the party, destroying the magnificent atmosphere created by the melody.
Although as strange as it may seem, the bad guys on duty were not here for the rich and very rich businessmen and their families (jewelry, money) but for the group of musicians and their lead singer.
Everyone from the public, the musicians, the waiters and the singer seemed not to understand the criminals' demands at first, but when they saw that there was no turning back, the group decided to go with them to prevent the guests from being hurt.
As the singer passed by (insert bat here) she pretended to trip and hand him a small device while I thanked him for catching it, winking discreetly, the message is clear.
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your art makes me wanna start testosterone
i can't read tone well, so this is either an incredibly touching ask, or an extremely funny one, and in the absence of confirmation: both!
i'm in a chatty mood, so i'll share some thoughts about testosterone and my art.
i liked being on testosterone a lot. i had an IM injection every two weeks (on tuesdays!) and because that's a sizeable dose every 14 days that slowly disperses, it can cause some mood fluctuations (every other friday i would have a crisis about not feeling like the world had a place for me in it) but even those were far more manageable than the ones that would come with my previous and current monthly hormone cycle (every month i spend a solid week thinking the world will never have a place for me in it)
It gave me a patchy little bit of scruff on my chin and a whispy mustache under my nose that still struggles on, despite adversity!
It redistributed my fat a little bit, but that's long since gone back to pre-T shape.
it lowered my voice! that hasn't changed :^)! even if i never go back on t, that won't change. it was the thing i most wanted, and its the one i'm most grateful for. Pre-T, I didn't speak much. I'm getting better and better at talking and getting more and more comfortable communicating with people because of it.
having been off t now for 3 years, i don't pass anymore—not as a cis man, or a cis woman, certainly not as anything approximating straight. if people look at me and see anything, i'd hazard a guess that they see me as A Queer (the noun—for all it's complicated connotations).
i'm not surprised that my art might make somebody want to start testosterone! a lot of my art was made out of the aching grief that came with being kicked off of testosterone, and how neatly that loss of autonomy over my own body knits in with yamato's loss of autonomy over his own.
how my body started doing things i disliked, how i didn't have the support necessary to access the healthcare i needed—how my inability to give myself what i needed made me feel as though i were trapped inside of myself and abandoned (by both myself and the world at large)
when i write comics about yamato as a trans man, i don't take away his testosterone, because that hits a little too close to home for me. for Ninja War Town Reasons, he has plenty of access to all the HRT he could ever need and nobody questions his need for it—instead, i project my own horrors onto the way Danzō defined his identity for him as a child, the way that Kabuto and Obito dehumanize him as an adult in their war efforts, and reduce him to the thing his body holds (the Mokuton). I give him a kneejerk compulsion to dehumanize himself (out of a feeling that he has a duty to his community to do so) and I give him a slow-growing resistance to that impulse (which comes out of a feeling that the people he loves would frown upon seeing him reduce himself like that)
it's dysphoria! it's not gender dysphoria, but it's a loss of self, and a need to reclaim it. it's a war between the hollow shell of a thing he thinks he has to be, and the vibrant and messy person beneath it that he is. it's a desperate need to say "this is who i am—only i can say it"
I enjoyed HRT a lot. it was a really useful tool in helping me feel like my body was my own, that i didn't have to fight it, that we were the same entity. It's not the only tool, but it was a really good one, and one day I hope to use it again.
(as for the being off of it—it's unpleasant, but i'm enduring! being somebody who now doesn't really pass as anything has put me in a weird and interesting position, where I'm constantly having to declare myself to people, because nobody knows what to make of me on any front. they don't know if i'm a man, a woman, nonbinary, nor even what age i am (Augh!!!!) it forces me to be brave and vulnerable more than I'm comfortable with—if I tell somebody I'm a man, there's no way that they will believe I'm cis, but I'm not about to recloset myself—and I don't think I could at this point anyway.)
(there's something fascinating about the position i find myself in, and while i'd leap back on t the moment that an opportunity presented itself to do so, i do feel like i'm experiencing something interesting and important in this weird zone i find myself in)
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So, I’m thinking about the immortal au (obsessing, casually)
And I’m really into Good Omens, and I was thinking about the way that Aziraphale and Crowley’s relationship is often shown through various non-chronological flashbacks to different points in history besides the present-day storyline.
This came to mind because I was thinking about if this au were written as a fic, this format would be really cool to see if the hypothetical fic took place around the time leading up to m/c somehow claiming the dca from the pizzaplex with the flashbacks being from before/when m/c meets the dca. (I hope that makes sense)
I can’t really call myself a writer so I’m not sure if this is a good idea or not but I’ve been thinking about this premise a lot and thought I’d share.
Ooooooh that's great!! It's an interesting idea for sure, kinda like intercalating (is that the word? Idk english is hard. Consider mixing) the two arcs (which would be pre/during-pizza plex and post-pizzaplex)
I think about flashbacks a lot regarding the 'mc' but whenever I think of them is more like. Things lost in time, from places of really, really long ago
Them making a vague comment about how some random king was a wise and kind leader on his time, smiling softly as they remember how great of a friend he also was, and how they both would gaze down the grass field and talk about nothing and everything
Them mentioning not liking something to the dca, trying their best to not think of the specific situation centuries ago that made them to this day still be scared of it
They are the carrier of the memories of people who've been lost on time and history, who keeps them alive by remembering them, telling their stories after they are long gone. Kinda dramatic but it's like holding onto a drawing your old childhood best friend made you back when you were kids and that you still cherish despite having lost contact ages ago
They've loved those people with an open bleeding heart time and time again, which reflects on their relationship with the dca today and all the things they don't quite tell them
I always think of flashbacks of important relationships that marked them like fire to the skin, which narrative-wise I guess is also kinda interesting- but idk
But I really like your idea too, for sure is smth I'll keep in mind if one day I get to sit down and sort out how will I write this thing
Man, i really gotta watch good omens one of these days
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Mike being closed off, annoyed, defensive, and borderline irate a majority of the time throughout the series, is a defense mechanism.
It's because, if no one knows who Mike truly is at his core, then they cant judge or hurt who he truly is. It's a mask. They can hate him, but it's not even really him so... Jokes on them, right?
But Will. Will makes Mike feel like he's better for being different...
Mike evidently see's Will as someone that knows Mike at his core and still wants to be around him in part for those very qualities. This is the only person Mike has been able to consistently show a more vulnerable side of himself to, and it's because Will himself embodies those qualities that Mike is scared to reveal, out of fear that he will be judged for who he truly is.
All Mike's most vulnerable scenes? I can guarantee you will was present for almost all of them (definitely all of the major ones).
Mike is just not as honest in showing others how he is feeling quite like he is with Will. At the most he might lash out and hope it gets the people around him to leave him alone so that he can be honest with himself in the privacy of a moment with his own thoughts...
However, get Mike around Will and he's head in hands, literally the most vulnerable we ever see him.
Like WTF even is this???? How did we move on?
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