#then again my art is only for the funsies

[teakoro]

stylin’

[explodingstarlight]

your honor, my client pleads “whoopsie daisy”

[cozylittleartblog]

diversity win your spam emails are queer

[nyatbinary-81]

@vulpixisananimal sifstem art jumpscare!! more specifically i got bored and decided to mess around with sif and mal's outfits.

[sysig]

For the last day of requestober, can you please draw something spooky/scary with Negative RGB? With all the cool lighting stuff you've been doing recently, I think it could be very dramatic, and I'd love to see him in your style!

Day 31 -Pl̷̼͙̯̼̟̈́͒̃̓͆e̵̢͔̞̤̯͗as̴̨͆̒̏e dö̸̧̢̝̳́͝ not̸̨̞͔̗͆̔͝ͅ ̶̦̋͒a̵̪͋̉̈́̒djus̶̪͔͎̘͈̍́̂̅̚t yö̶̙̺͎́͘u̷͚̙̿̓͆r sc̸̙͍͒rę̸̰̺̣̿̓͌̔̎en̴̏̈́͊ͅ

[starflungwaddledee]

been working on answering a prompt i received in an ask the other day, and so i'm back thinking about... the Thing... 💖🎀 and thought maybe prompt doodles might help me work through this a little?

so uhhh.... if by any wild chance anyone has any ship suggestions for starstruck...??? feel free to send them through!

[emile-hides]

Tired of the cute facade, gonna start drawing myself uglier

[xamag-draws]

BBR thoughts 2024

Since I mentioned that I finally dusted off an old project of mine and was ruminating on how I'd remake it, I thought I'd elaborate a little, now that I've solidified some concepts. For funsies

This is gonna be a bit of a long and unfocused one, but I don't share my personal thoughts here often, especially the stuff about my projects I always marinate in. And for once it's something that people have existing context for, so hey why not

So for anyone who hasn't been following me for a gajillion years, The Black Brick Road of OZ was a webcomic that I posted around 2013-2015, back when I was in highschool going on college (which is kinda crazy to think about). It was sort of a darker twist on The Wonderful Wizard of Oz, although I definitely leaned a lot more into dark humor more than anything in those first few chapters

I don't think it's available to read anywhere anymore, and I know people have been asking me about it. So here's the full proper archive of BBR, as full as it can be with deceased Flash

I totally used it as an excuse to shamelessly and self-indulgently experiment. It had interactive pages and GIFs and was wayyy too overproduced for what I could handle or what was necessary, but I did have great fun making it while it lasted

Unfortunately, that excess and the fact that I've changed too much as a person by the time I was in college is what ultimately killed it. The direction I wanted to go in was practically unrecognizable from the original idea started back in 2011, so there were many old hold-ups that I felt ruined it

At the time I kinda wished I could start/rewrite it all over, but considering that I pretty much had the entire script done at that point, it felt like a pointless sisyphean task. So I just put it on a shelf and didn't look back for about 8 years, because I didn't know what else to do

Now to be fair, the nature of my art has always been iterative and cyclical; when I feel like my creative juices have run dry I prefer to leave a project to marinate and move on to something else; cycle through other old things and bring in new skills and perspectives into the mix when I'm ready again. Not very productive, but it is what makes me happy to work on my OCs; I'm doomed to hit a wall with them eventually and I need some time to be able to find a new direction

So that said, I'm glad that BBR was left to marinate for that long. I don't think I was prepared, emotionally or intellectually, to tackle it again until now. The Wizard of Oz book (and the entire series of them, really) has always been near and dear to my heart, but there's a lot of context around it that I'm only unpacking now that I'm older

I think I always inherently feel negatively about the stuff I've made in the past, like its faults always jump out to me more than the positives, especially the more time passes. I've never liked that, and I do really appreciate the kind things people have to say about BBR to this day. The fact that it still can be recognized and remembered is very sweet

When I left it, I already found it "kinda cringe", and that feeling only deepened with years. When I took my first look back at it, asking the question "how would I rewrite it now?", at first I took a very cynical approach, as in "everything would have to be torn down"

But the more I sat on it, the more I found that I still see some merit and charm in the ideas I was putting out; I just didn't know how to execute them at the time (not to pretend that I know what I'm doing now, but I certainly know more at least). Turns out a lot of my old concepts could be changed substantially with just a few small tweaks. So I'd say that's a nicer way to think about my previous work

If you haven't seen yet, I posted a first draft of my new designs for some of the characters (the main group, the Goods and the Wickeds). Definitely subject to change, but more or less how I see them now

I'm just playing with these concepts; by no means would I attempt to remake BBR right this moment. Call it a pipe dream among my other ones. But just for fun, this is the direction I'd like to take:

Nowadays I'd probably make it a visual novel, with more emphasis on the visual part than the novel because I'm no English prose writer by any means. It'd still let me play a little with the interactivity while helping cut some corners on the drawing part (only some, I imagine I'd go hog wild anyway)

I've always intended for some events inspired by the sequel books to take place in BBR's past. Stuff like Jinjur's revolt or Ozma's rule preceeds the main events here. So I think it would be fun to follow the past of a few key characters alongside the main story. One chapter focusing on the present quest to see the Wizard, then one focusing on the past events (that are maybe reflective thematically); rinse and repeat

I'm also sticking a little closer to the original text in some regards. Not everything that I enjoy from the books would be translated here, it's still just a very loose fantasy on the material; but I'd like to be closer in spirit at least

I like mature, wise and powerful Glinda, I like kind and vulnerable Tin Man, I like the Wizard being a pathetic yet loveable liar, so I'm sprinkling in more of that for example

I'd like to keep some whimsy, but make it more grounded and a bit more serious to be coherent in tone. I think the original TWWOOZ book was a more realistic fantasy in some ways, even for the standards of the time; I like its simple but vivid tactile descriptions and details like bringing attention that Dorothy needed to eat and sleep

I find it funny that Baum specifically was averse to making his books scary or unpleasant, finding that unnecessary for telling a compelling kids story, but they still can get pretty dark and disturbing, at least for our modern sensibilities. Let's just say that I intend to use the Evoldo and Chopfyt storylines for my purposes. In that way, I feel like a "darker" Wizard of Oz retelling can still mostly be tonally in line with the original and balance it with enough heart and occasional humor

I slowly grew to appreciate the quaint old-timey quality of the original series, as well. The first book is both timeless and very much a product of the 1900s. Originally I tried to give it a little modern or at least anachronistic spin, but it was moreso because it's what I knew best, so these days I'd rather intentionally lean into the time period. Still not fully historically accurate by any means, but at least directly acknowledging the influence

The events of the story span across 40 years of these characters' lives, so I'm drawing inspiration from the entire so-called La Belle Epoque: the time period around 1880s-1920s. Basically I'm cooking, and my soup is old Victorian fashion morphing into Edwardian fashion and slowly inching towards flappers

Some new Dolly outfits

Lots of crazy things, political changes and innovations were happening at the turn of the century, which I think is noted and reflected by Baum in the books as well; the character of Tik-Tok might not blow any minds now, but he was one of the first robot characters in literature at that point; and don't even get me started on Jinjur, etc. Plenty of really interesting stuff one could lightly ponder in an Oz adaptation these days

Aesthetically, art nouveau has always been a big artistic influence for me, and it'd definitely be its time to shine here. John R. Neill's illustrations of the Oz books often keep me company as well. Nouveau architecture in particular fits that fairytale whimsy extremely well imo

I'd allow myself a little bit of art deco here and there, but ultimately its intimidating geometrical splendor is an antithetical to the flowery nature of nouveau and I associate it with a completely different era. Definitely fitting some characters like my Wicked Witch of the West, but shouldn't be overused

One of my main problems with the original BBR was that eventually I lost track of what it was even about; and the original ending felt too mean and unfulfilling to be worth it. Now I'd like to stick to the theme of home and family as my main theme, but in a different, more bittersweet way than in the book

An interesting connection I made is that a lot of my aforementioned older key characters (the Witches, Jinjur, the Nome King, etc) all came from the same reformatory as kids, that's how they know each other. In my recent research I learned that in those reformatories it was usually frowned upon to release the children back to the families, which were seen as the original corrupting influence regardless of the circumstance. The reformatory did everything in its power to cut that connection and make itself the only family those wayward kids were supposed to know and love. That's an unexpected tie into the theme of home that I'd like to explore as well

So yeah that's the current state of it. I have a bunch of outfit concepts I'm slowly cooking, although I'm now sure whether I'd post them... But I do miss these funny guys, and I'm glad some people still do as well :)

[tobiasdrake]

FUN FACT: Did you know Frieza had a finite amount of soldiers on Namek? (And he doesn't kill his troops.)

Also Appule is kind of important and there's a clearly marked place where Goku's six-day space journey happens in the timeline?

I have a laundry list of grievances with the Dragon Ball and DBZ animes. We're here to talk about one of those right now! The Z anime gives Frieza infinitely respawning soldiers that just seem to pour out of his ship whenever he needs them.

This interferes with a key plot point of Frieza's portion of the Namekian Dragon Ball hunt: That Frieza, for all his power, is rendered helpless when his attack on Moori's village goes south.

See these guys?

These guys ruin Frieza's entire goddamn week.

Get his ass, my Namekian thembruhs.

A consistent weakness of Frieza's forces is that they fight blind. By this point in the series, characters on Earth have been taught advanced fantasy martial arts involving manipulation of ki or chi. They can concentrate ki into attacks more powerful than the wielder, sense ki in other beings and feel incoming attacks without having to see them, suppress ki to become invisible to ki detection, etc. etc.

The Earthlings are goddamn amazing at ki manipulation, and the Namekians are just as good.

But Frieza's Planet Trade Organization represents the uncaring hand of capitalism. There is no artistry in their methods. There is no true discipline or understanding. They're a bunch of paid thugs with guns, looking to gentrify planets for their boss: a real estate mogul. So they rely on fallible technology that fails time and time again when put up against experienced martial artists.

The battle at Muri's village is no exception, as Frieza's forces get slaughtered by the "harmless" interlopers.

With only the elites vaguely understanding, from second-hand accounts, what they're seeing here.

Which, in turn, gives Muri the opening he needs to cripple Frieza's campaign by destroying the Scouters they're using to track down Namekian villages.

This is Muri's checkmate. Muri destroys the Scouters, the technology Frieza relies on to find Namekian villages on this planet and take their Dragon Balls. Meanwhile, his reinforcements wipe out Frieza's army.

That guy right is the only survivor of the massacre.

This is Appule. If you've ever wondered why Appule was so important that he got to be his own distinct character in Tenkaichi 3, this is why. Appule is the last grunt left standing.

Though Dodoria makes short work of the Namekian warriors, the damage is done. Frieza's lost his Scouters and he's out of manpower. He's going to have to fan his men out to search the planet, a planet larger than Earth, by looking around with their eyes. And the only men he has left to do that are Zarbon, Appule, and Dodo--

...are Zarbon and Appule.

So. Y'know. Frieza is two deaths short at this point of being completely and utterly fucked sideways.

As his two remaining men set out to search, Zarbon takes great care to tell Appule not to do anything that might get him killed.

It is absolutely pivotal for Frieza's campaign that these two live. There is no one else on this planet who can do the job. It's Appule who ultimately succeeds in finding the last Namekian village.

For some reason, in their eagerness to rewrite the story so that there are far more soldiers on Namek for some reason, the anime makes this Appule's vampire cousin?

Uh. Okay, man. Sure. In any case, it's Appule who finds the village and Appule who reports its destruction to Frieza. He's not a significant character by any stretch, but you can see why he warrants a bit more name recognition than Frieza Soldier #72. He has more impact on the plot that Cui does, that's for damn sure.

Too bad about Vegeta though.

It's a lot easier for Vegeta to get away with this gambit in the manga than it is in the anime. In the anime, somehow the infinitely respawning Frieza soldiers (who he regularly kills for funsies) flooding the halls don't give away the fact that Vegeta's still here.

But with Appule dead, Zarbon and Frieza are the only people left alive in the ship. It's a lot easier to distract two people for a minute than a limitless garrison.

In the manga, this is the closest Frieza ever gets to team-killing one of his own soldiers. Once he realizes Vegeta has stolen all five of his Dragon Balls, has a sixth Dragon Ball stashed away, and is now just one Dragon Ball away from immortality while Frieza's blind and understaffed? All because Zarbon fucked up?

He says some shit.

So. Yeah. He's not above killing his men when they fuck up so bad that they cost him immortality and give his most dangerous archnemesis the means to topple his empire and end him.

But that's a much higher bar to clear than shooting down his infinitely respawning dudes because, uh....

*checks notes* With the Ginyu Force on their way, Frieza can afford to kill his own guys because the Ginyus are better than them anyway. So he keeps them all in the ship and murders them for no reason despite the fact that Vegeta is actively making off with his Dragon Balls right this second and he has no idea to where.

Yeah. That's. Uh. That's a pretty significant story difference. In any case, Frieza's campaign grinds to a screeching halt when....

That's it. That is the very last one. Frieza's campaign is sunk. Until the Ginyu Force arrives, Frieza has no forces and no resources left. He is an unbelievably powerful man, the most powerful in the universe, and the only way he could ever hope to catch up to Vegeta is by flying aimlessly around a colossal planet and looking for Vegeta with his eyes.

I've often heard people express confusion about where Goku's six-day transit is supposed to fit into the Namekian timeline. This, right here? This is it. At this moment, it's over for Frieza. For the next five days, he is soundly defeated. He's out of the race for the Dragon Balls entirely.

And the only reason Vegeta hasn't won the race is because of that one Ball Gohan smuggled away from him.

So Frieza, defeated, is forced to sit in his broken ship with his thumb up his ass and wait for reinforcement.

Vegeta, with six Dragon Balls, is forced to sit on his balls with his thumb up his ass hoping the talented martial artist Earthlings currently suppressing their ki signatures get stupid and give him something to detect - knowing that if he leaves for a second, those little shits with the Dragon Radar might scoop 'em up from under him.

While Gohan and Krillin, with ki signatures suppressed, make the five-day trek at minimum power to Saichoro/Guru.

It's here. Right here. Where everything stops for five days to pass, and for Goku to approach the planet. All because Frieza ran dry on resources and manpower to keep up the hunt.

[cxsmicvega]

so many things to share! soso many!

Let's go ahead then!

I believe the wally recording links spell out "I will help you understand soon." But I could be wrong!

The links for the videos tell you what number they are out of 14, i will watch them in order later, and the last two letters are the initials of the characters speaking.

Obvious, but all the videos cut out after they say Wally's name.

SEARCH FOR THE BUGS AND DOODLES, V IMPORTANT

Wally is no longer looking at the viewer in the count image.

Despite so many of Wally's art no longer looking at the viewer, the stickers for Wally and Home still are.

It has been confirmed that the doodles on the guest book aren't by the team

Zoom out on the pages

The vinyls for the recordings also look like eyes

in the little divider used for wh, Wally and Home are the only ones not separated by a heart

Poppy's accent drops in the phone call recordings [Link] when she drops the phone, idk if that means anything but good to keep in mind.

Franks garden is dead.

The answers to the safe coincide with the worksheet answers in the playfellow exhibition [link].

Home is def speaking in morse code again in this audio [link, heavy spoiler for those looking to find stuff on their own] and if anyone has figured it out lmk, i tried but im a lil Substance Induced rn and my friends couldn't figure it out either.

Somethin is up with the question answerer, maybe try hovering over the word answer here and there to find something!

Remember the "you" page in the neighborhood, don't skip it.

Spend some time on the error page. For funsies yknow : ) (there's something there)

Remember to check the guest book!

Weird af that they asked a puppet about his dating life in the live interview [link] but maybe it's just a muppet thing? idk!

That's all for now I think, at least what I wrote down. Remember to take breaks for snacks and such! Ily!!!

[ququb444hm]

𝐭𝐡𝐚𝐧𝐤𝐬 𝐚 𝐥𝐨𝐭, 𝐜𝐮𝐩𝐢𝐝

part 27 / cramps ☆

masterlist

warning(s): possible typos bc its almost 2 am n i have not proofread this at all

mori glanced over to his left, noticing the sudden change in demeanor from yn who was just giggling over mr. alec’s reaction to his ‘friend’ surprising him outside of his class for a ‘friendly hangout’. “something happen?” 

the mild concern spreading across yn’s features quickly diminished when she turned off her phone, tucking it away in the back pocket of her jeans. “no. everything’s fine. everything will be fine.” she reassured– though it sounded like she was reassuring herself more than mori. “tets is on his way to pick me up, so I’m gonna have to raincheck going to your dorm tonight mori, sorryyy.” 

“don’t worry about it!” mori chirped, an arm slinging around the girl’s shoulders. “just means that you’re making dinner for us next time.”

“if you want overcooked dino nuggets for dinner again. then, yeah.” rin teased, laughing to himself at the memory of yn forgetting to take the metal tray out of the oven because somehow she managed to lock herself out of mori’s dorm room and couldn’t get back in until 7 minutes after the kitchen timer alerted the food was ready.

yn rolled her eyes, nudging the boy’s side with her elbow. “as if you weren’t the one refusing to open the door for me.”

“I was working on a project!” rin defended.

mori raised a brow, recalling the night of the topic. “oh? I didn’t know taking a nap with my dog was part of your project.”

taking rin’s silence as a sign of defeat, yn grinned in triumph. “never belittle my cooking skills!”

“yeah okay. opening a bag of pre-made dino nuggets and popping them into the oven isn’t necessarily cooking.”

yn cupped her ear, leaning closer to the grumbling cinematography major “’m sorry, what was that? can’t really understand what sounds like…like…” she shared a knowing look with mori who was already giggling to himself. “like BULLSHIT right now!”

the sudden stop in rin’s footsteps threw the two into a frenzy, clutching their stomachs as their laughter bounced about throughout the halls. 

“I think he’s mad!” mori managed to squeeze in between laughs.

taking a deep breath, rin gave his friends a menacing smile.“i’m going to be generous and give you giggling neanderthals a five-minute start before I catch you and commit unspeakable crimes.”

yn let out an excited squeal, feeling like a little kid as she grabbed mori’s arm and began to run to the building’s exit. “don’t let him catch you!” she exclaimed, steps quickening as the two made their way down the stairs, careful not to trip.

“I hear him, he’s coming!” mori cried, navigating through the various turns they had to make before finally bursting through the art building’s doors. 

just as he was about to make a successful escape, he was pulled back by the thundering drummer. “leaving so soon, pretty boy?” 

“noooooo!!! we were so close!” yn shrieked, “please, take me instead!” but her pleas went deaf to rin’s ears who only smirked in victory.

“now, now, no need for any sacrifices.” he kept his hold on mori’s wrist, unknowingly silencing the sandy blond whose heart seemed to run numerous laps inside his chest. “a win is a win.”

yn scoffed, waving off the loss. “whatever.”

the three make their way to the parking lot, patiently waiting for tetsurou to arrive. when he does, mori and rin watch as yn gets into the car, saying their goodbyes before also taking their leave.

“hey, kuroo.” tetsu smiles, messing up his sister’s hair and earning a groan as she puts on her seatbelt. “how was class?”

yn makes herself comfortable, prepping her mind for whatever her brother was about to follow up with. “suppeerrr funsies, tets. did you just come from the gym?”

“yeah, had to drop off kou before picking you up.” yn hums. her mind starting to fill up with possibilities of what the conversation might develop into. as if tetsu could see right through her, he began to ask what had been plaguing his mind for the past few days. “so…anything you wanna tell me? ya know cause i’m your brother and I love you, and I would always want to know if something is wrong, and I am hoping you know you can trust me with anything and everything.”

“I know tets.” yn reassures, giving him an awkward smile which he turns to see for a brief second before turning his eyes back on the road in front of him.

“so spill, what’s up?”

“are you looking for a specific answer or…”

“no, just want you to be honest with me is all.”

the conversation yn had with her friends from the night they were all in her room, after the whole incident with kozume, revisited her thoughts. 

“oh but guys,” yn spoke up, earning several hums. “you cannot let my brother know about any of this.” the request caused the friends to break away from the hug, confused as to why the only other person besides yn who could knock some sense into kozume couldn’t be informed of the situation. “it’s just… with the game coming up, I don’t want the team to turn to shit because one of the co-captains suddenly can’t cooperate with the main setter.”

mori clicked his tongue, feeling conflicted with yn’s choice. “okay… I understand where you’re coming from but what’re you gonna do when your brother does find out? I mean, he’s not dumb.”

“mori’s right.” rin chimed. “he might start getting suspicious with your change of attitude towards kozume and start piecing things together.”

she mentally cursed the accuracy of her friends– though already expecting her brother to notice something was wrong without her directly telling him because, obviously, he’s her brother.

“okay…,” yn knew it would be best to come clean to tetsu about the recent events, but she just couldn’t bear the guilt she would feel if she saw him and kozume suddenly start to get rocky before their first game of the year, especially after all the hard work the whole team has been putting in. “well i’m passing all my classes-”

“even chem?”

“even chem, tets. and I have this big project for my painting class, the one I just came out of, so i’m spending more time in there than usual. and…” yn tried to think of other things to catch her brother up on to hopefully ease his concern, but he beat her to it.

“why’d you skip chem and ela that one day with tooru?” the car stopped at a red light, allowing tetsurou to have more of his attention on yn. 

‘quick, quick, quick-’ yn fidgeted with the straps of her bag, attempting to calm herself down. “oh you know, I was just really overwhelmed that morning.” ‘that wasn’t a total lie, please believe me.’ “with the project, my other classes, helping out with the band because of their gig, and cece with the shop, and the volleyball team, i’ve just been a bit busy and tooru wanted to help me relax.” once again, not a total lie. “don’t worry though, kozume- er koz uhm- i texted kozu while i was out and he said we had a sub and were just working on the previous day’s work which i already finished. so, it’s all good. all good.” now that was a lie.

the topic of kozume seemed to be what tetsurou was curious about because his face flashed with surprise, almost distracting him from the spotlight turning green. “oh. so… nothing is wrong with you and kozume?”

“why would there be anything wrong?”

“no its just,” his confusion was evidently clear, his other hand running through his hair as he tried to collect his thoughts. “last week tuesday with the apology and you telling me he kissed you, but when he got to practice he was barely talking to you which i just found really weird.”

“ohh, I mean I think we both know how shy he can get.” yn mumbled.

“yeah but,” tetsu clicked his tongue. yn was right, but he couldn’t get rid of the feeling that there was just more to uncover. “I guess I just expected him to be more bold after he literally kissed you. I mean you make it clear you like him, and there’s literally nothing stopping him from asking you out or something– and i’m sorry if i’m overstepping my boundaries since it isn’t technically my relationship, but it just rubs me the wrong way since I’m your brother and if something happens to you, it happens to me too. that’s just how it is.”

“so you’re saying…kozume kissed you too?”

tetsu rolled his eyes at his sister’s little joke, “oh shut up, you know that’s not what I mean. but there’s something else i’ve been thinking about. I noticed after you went out to go talk to kozume when he went to get some water, you didn’t come back. what happened? atsumu said you got-”

“NO! no! ahahaha no.” yn awkwardly laughed off her sudden outburst, mentally reminding herself to sucker punch the fake blonde the next time she saw him. “I just…got cramps. yeah, my period cramps hurt real baaaad.” she dragged out the word, wanting to emphasize the lie. “like I started crying, kind of bad. I had to ask cece to pick me up. sorry I didn’t tell anyone before leaving all of a sudden.”

seeing tetsurou’s features soften at the misfortune his little sister had to endure, yn finally relaxed knowing he was going to drop any further interrogation related to the one person she did not want to even think about. “aww what,” genuine concern laced his voice, making yn feel slightly ashamed for the string of deception. “is your cycle over now though? you should’ve texted me, I would’ve come by after practice and got you something.”

“I know, I know. i'm sorry, tets.”

“and if you’re really stressed, just let me know. the whole manager role was so abrupt. I wasn’t really thinking of how busy you already are with everything. I’m sorry, yn.”

hearing tetsu’s worry was equivalent to being stabbed a hundred times and then being lit on fire and then having the people who lit you on fire extinguish you only to stab you a few more hundred times. yn quickly tried to cheer him up, “its okay, tets! I wanted to do it, remember? I thought it would be fun and it is. getting to spend more time with you and everyone else has been a great way for me to unwind. I’m really glad you gave me this opportunity.” 

tetsu sighed, thankful that he didn’t add to yn’s burdens. “If you need to work on other things tomorrow, just let me know. I'm sure kou and I can handle practice ourselves.” 

laughing at the stubbornness, yn placed a comforting hand on his shoulder, squeezing it lightly. “no, I can make it. It’s okay, but thank you.”

“are you sure?”

yn smiled, her heart warming at knowing how much her brother looked after her. “yeah, i’m sure tetsu.”

part 26 mic drop <- | masterlist | -> part 28 TYPE SHIT

note(s): ILL PROBB REUPLOAD THIS/EDIT AFTER SCHOOL +none of the pictures used are mine!!

✩⡱ taglist !! + @writing-for-the-hell-of-it @sherryuki-callmeyuki @anny-bah @ast4rg1rl @sukunasrealgf @dani-shitting-around @whokillednyx @vernon-dursley @limaswife @sugawara-levi @sixxze @ryoiii @literally-a-ferret @444sunarin @llearlert @lloyd4x @usermins @2baddies-1porsche @vernon-dursley @lyzisbitchingagain lmk if u want to be added (msg or inbox)ヾ(･ω･`；)ﾉ

[cerastes]

Arknights God, how do I use Reed the Flame Shadow? I got her and I've leveled her but I think I'm missing something, because it doesn't seem like I'm doing the damage she's supposed to be doing.

So step one is that we need to stop with the Arknights God thing because I'm flattered that you and others have a high opinion of my gameplay advice but it also makes me look like a narcissistic jackass. I appreciate the compliment and I'm happy my advice helps, but to everyone not familiar with the whole "I like to play a heel clown character on my blog for funsies with my friends" will think I'm actually addicted to the scent of my flatulence and the rhythm of my own words. It makes answering these a tad awkward.

Step two is understanding that Reed' skill selection, and which skill is the correct answer to any given issue, has a lot of factors going for it, more than the majority of Operators. If you use Cantabile, for example, you know that both of her skills are bangers, and while they have their respective jobs, they are not hard-slotted into these. Reed's S2 and S3 are similar in this regard. You'll be ignoring S1.

Before we get into that, though, here's some fundamentals about the Flame Shadow: You position them differently from other Medics and most other units. A good Reed tile is one where she has both enemies and allies in her range, so, if you placing her at a front, you'll want her to be a bit behind, but not fully behind, your line of engagement. She needs to be able to attack in order to heal, and her allies need to be in her range in order to get healed. This may sound obvious, but it needs to be taken into account. She's not a Marksman or a Medic, she's her own beast. Another thing that needs to be taken into account is that her healing comes specifically from dealing HP damage to enemies, not barriers. Greytails and the Rat King, for example, have shields that must be broken with Arts damage before exposing the succulent flesh within, right? Well, until the shield breaks, Reed is not giving anyone any succor and they might in fact just explode because while she's dealing damage to their shields, it doesn't count as valid damage for her healing. Keep this in mind so you don't run out of sustain while fighting shielded enemies, since shielded enemies tend to also have high attack. The Final Reed Essential regards her Cinders (AKA Firebrand), which she always has a chance to apply with her attacks and skills (with S3 guaranteeing it): The way it works is that, if an attack would apply Cinder, it applies it before the attack resolves, meaning, the Arts Fragility will be in effect and that attack will already be dealing 30%(32% with Potentials) extra damage off rip. Or, in other words, you don't have to apply Cinder and then start capitalizing on it on the next attack. Arts Fragility, by the way, stacks multiplicatively with Fragile, and they count as different debuffs, despite the similarity in name.

You made it past the tutorial, now let's tackle 1-1:

S2, or as Harvard scholars call it, the Spitroast, is a damn strong skill. For the purposes of this post, I'll be using the M3 versions of the skills. Spitroast grants two allies, with Melee tile priority, 3 fireballs that'll deal 240% of Reed's Attack as damage to enemies they touch every 1.5 seconds, with this 1.5 second timer applying only for each unique target. The fireballs do in fact have a hitbox, so if there's enemies on either side of the fireball unit, you'll trigger two fireballs at once, one for the enemy on one side, and another for the other. Each fireball then takes 1.5 seconds to refresh (they'll look darkened around the Operator) and once they are a vibrant orange again, it means they are ready to explode again. Each time these fireballs deal damage, they'll heal their Operators as per Reed's trait (so 120% of her Attack), and each fireball has a chance to inflict Cinder as per any of Reed's attacks. You can test this yourself by putting fireballs on Operators so they hit enemies outside her attack range, and you'll see that they do in fact also have a chance to inflict Cinder. Be mindful that the fireball's instance of damage counts as a Reed instance of damage! This means that for the purposes of Counter effects, it is Reed that's the source of the damage, so for Spike Chests, Reed WILL receive the reflected damage, and for The Last Knight, Reed WILL freeze if the fireballs hit him, etc etc. The lane-holding application of this skill is that you can grant your cornerstone immense Arts damage and healing independent of everything else they have going for themselves, including through Status effects like Freeze or Stun, as the fireballs are independent entities separate from the Operator. So if Mudrock gets stunned by Nervous Impairment and has sweet dreams of beautiful rocks that go on adventures with her, she's not completely helpless, as the fireballs will keep shredding enemies while she's in dreamland. This actually leads us to the next point: Fireballs cannot be placed on Summons, so if you had dreams of making the sickest Stainless turret surrounded by industrial flames or picturesque mindblasts about Ling's Great Thunderer's surrounded by godly plumes of cleansing conflagration, well, stop being silly and come back to reality, also rent and student debts are due. Fireballs can be placed on 'Enmity' Operators, such as Musha (ie. Akafuyu) and Juggernauts (ie. Mudrock), but they won't receive the healing from each of their hits, as the healing is mechanically counted as direct healing, thus, they may not benefit from it. Well, at least they can always take a whiff of Lena's wonderful fragrances instead. With all this in mind, we get to the Spitroast part of the Spitroast: If you jail an enemy (sandwiching them between two Operators) and use Reed's S2 to give them her mighty balls, now that enemy is getting assblasted by both sets of balls, so a whooping 480% of Reed's attack as damage, which in turn is very likely to diagnose them with Cinder due to how many times they'll be taking Reed damage, so that final damage is now also increased by another fat 30%, in addition to being inflicted with Cinder's ATK -20%, so your engager is safer as well, on top of being healed a lot. So, in practice, let's say your trusted Specter the Unchained is currently blocking Yamcha Jesselton, and as they are engaged in mortal combat, you then deploy Skadi S2 on top of Jesselton as well. But this is all within Reed's range, so you use her S2 and now the shark and the orca also have fireballs around them that further obliterate Jesselton, and he can't even damage Specter in a way that matters because 1) she leveled HP and 2) she's getting an absolutely unholy amount of healing from Reed's hot balls, so, in short, he'll never have another birthday. This MELTS bosses, but obviously, it's a rather expensive endeavor, necessitating 3 deployment slots dedicated to the bit. But no one said being funny was cheap, and end of the day, it's funny seeing bosses melting down to nothing under what's practically two fire buzzsaws.

Ideal Operators for these strats involve your prim and proper engager, someone tough that can take a hit and also hit hard, like either Specter or Skadi S3, but you can also make this engager a dedicated tough slab of meat like Hoshiguma, and your drop-in assassin with huge damage, like Texas the Omertosa, Surtr S3 (two girls that will appreciate the Arts Fragility Reed can inflict!), Skadi S2, Nearl the Radiant Knight S2, et al. 'Enmity' Operators work as well but you'll not be received the healing, just keep that in mind, but they work splendid as well. Once again, Arts Fragility stacks multiplicatively with Fragile, so break out the ol' Suzuran S3 or, if the boss can be Frozen, Gnosis S3 for some more immensely violent peacekeeping.

That was a lot, but trust me, it becomes second nature once you see it in action once, it just clicks and now you know exactly how to roast that spit.

Woah, look at all the progress we made, it's time to start 8-12:

So, S3, the big flashy and fun explosions that scream "I'm a healer, but," in big red flaming text. This skill does a fair amount of things, actually! First of all, Reed will have multitarget attacks, two per attack, and her attacks during S3 will always 100% of the time inflict Cinder, so that +60% ATK buff she's getting is actually bigger than that, given that she'll always have her final damage increased by 30% Arts Fragility on top of that. What's more, Cinder's CANNOT expire for as long as the skill is active, and now have the additional effect of inflicting a Damage Over Time effect that deals 60% of Reed's Attack as Arts damage (so, again, amplified by Arts Fragility). And, of course, as we all know and love, if an enemy dies while having the Cinder's effect during the skill duration, they explode for 140% damage in a 1.7 tile radius, and enemies damaged by these explosions, you guessed it, also become inflicted with Cinder.

That's a lot going on, but it's also pretty self-explanatory once you lay it out like that. Ace detectives might have gleaned something from this river of letters: Cinder is a very strong effect. Cinder lets you deal more damage, take less damage, and receive more healing, since Reed's healing is based on damage dealt. S3 takes Cinder to the next level: Guaranteed proc, now with a DoT, and will never expire until the end of the skill. Not only that, but the multitarget makes it easier to inflict more and more enemies with Cinder, it's truly a fire gone out of control, for the enemy, anyways. S3 lends itself to mob control and killing large crowds of enemies with the power of friendship, but do not neglect its utility in engaging with troublesome elites and bosses! While S2 is her premiere boss-killing tool, it required set-up, deployment slots and tiles you might not necessarily have in high-end content, and in these situations where the boss isn't the only issue, but you also have to deal with an overall dangerous map that's threatening as a whole, S3 may just be the perfect tool to have a more balanced and yet still very potent approach.

This is what makes the Flame Shadow such a fun unit! Your skills are not really locked by circumstance, and they can be used with several different objectives and goals in mind, depending on what the rest of your team is and who your enemy or what the challenge of the map is. With her incredible adaptability and wide array of applications, Reed the Flame Shadow absolutely shines and can be a core part of any team.

[nyimasu]

WHITE ROSE — GOJŌ SATORU X FEM!READER

— CW : jjk verse, dom/sub dynamics, sub!gojō, sensory deprivation, shibari, dacryphilia, impact play (one tiny slap), degradation kink, orgasm delay, slight praise kink, riding, geto is here just for the funsies (sort of)

— WORD COUNT : 1.3k┊AO3 LINK

NOTE : this can be intended as a follow up of this fic or as a stand-alone piece... what truly matters is that in my mind, most of the times gojō is a brat and he needs to be tamed + I gave a certain knot a personal twist, hope you don't mind ehe

enjoy!

“Oh, looks like you’re about to cry. Are you about to sob your eyes out for me? Go on,” a soft peck at his nose, followed by a sultry laugh.

“I want you to cry for me.”

As restless as ever, he tugs at the knots constricting his entire body, testing their durability. It’s useless to resist it.

You mastered the art of shibari, going to unimaginable lengths to do it, just to come back at him for every snarky remark he’s made about you being too "harsh" on Suguru rather than him. Not that you’ve never tamed his brattier side softly, on the contrary.

Gojo wants more, and you're more than happy to comply.

This time it’s sweeter than ever because his Six Eyes had been put to rest by your capable, soft hands. They are wrapped in a silk blindfold, and not only physically speaking. Your cursed energy always rivals his, and he’s so busy catching up with it that you have your way with his body anytime you want.

Satoru’s ache for obedience is eternal, as much as Suguru’s resolution to see him crumble beneath you.

Geto’s purple gaze is set on you two as a breathy whisper fans over your face. “May I?”

You comply with another kiss on his face, sparing a brief, victorious look to your other boyfriend sitting on the chair across the bedroom.

Today it’s his body under yours that’s chanting, caged by dark ropes adorning his taut muscles. Hands and arms tied behind his heaving torso, legs spread open on either side of your bed, blocked by the ankles and knots covering his delicate skin right up his thighs. You left nothing to chance. 

You’re particularly proud of the intricate pattern around his crotch, starting from the apex of his beautiful, tensed thighs to then descend further between them. At its core, the threads had entrapped Gojo’s cock in a web. Not too tight, not too loose, either. 

Perfect to have him always a breath away from fleeing his skin.

Better than a cock ring was what your kinbaku master whispered in your ear during your last session with them. A mischievous grin was painted all over their face as you finally tugged at the needed knot, and a satisfied laugh had left you as you stepped back to take in the view.

At that moment, you knew you had to try it out with your bratty boyfriend.

The sound of a belt hitting the floor pushes you to look over your shoulder and see Suguru’s hand slip under his boxers, eyes transfixed on the white-haired sorcerer as he mutters, stern in his words, “Satoru, what makes you think you can call the shots today?”

You return to the man under you and despite the blindfold, Gojo turns his head your way. 

And right after that, you feel his hips bucking into yours, frustration gnawing at his insides. Geto had caught the action before you did, but it doesn’t matter. 

Stilling yourself on him, you cup Satoru’s face with a hand, while the other one grabs the ropes around his cock, twitching when you finally give it a few squeezes. Gojo throws his head back in delight and desperation and you hear Geto curse under his breath, stroking himself faster to completion.

“Aw, you’re not satisfied with what I planned for you?” you coo in faux sadness, digits brushing the base of his length as Gojo grits his teeth, on the verge of coming with just your hands on him. But your touch disappears right then and he bends his head forward again, eyes pricking with big, clear droplets of violent desire. He’s miserable.

“But everything I did is for you. Pretty knots for my pretty slut,” you carry on without pauses, lips on his ear shell as you finally exhale on it. “But you’re not the one in charge tonight. I am.

You’ll come when I say so, yes?”

“Yes.” he answers right away and tears soak the silk blindfold until your kiss on Gojo’s mouth makes him squirm. It feels like a reward, a small one.Now that he’s obliged, you can give in to what he needs the most.

His pearly locks are the perfect place for your fingers to roam in, so you indulge the feeling after you get rid of the oversized shirt you have on. And then without warning you ease yourself on his constrained cock, sighing as you bottom out and Satoru follows suit. 

You can’t see it, too enticed with Gojo’s lovely strings of praises for you washing over your body, but Geto is a step closer to his orgasm with every bounce, every stroke you graced Satoru with. His fingers match your ministrations and he lets himself go as you do, chanting Gojo’s name as he whimpers yours, the man relying only on the feeling of his walls clenching around him and the warmth of your body on his. Geto’s eyes are tainted with the ugly shade of jealousy now.

Next time, he’s going to be under your care and Gojo will watch. 

Judging by how much his knuckles stand up against the black armchairs of the armchair when your hazed gaze meets Suguru’s, he’s enjoyed the show as much as you had. But it isn’t over. 

“Please, baby, I-I…” Satoru is begging at this point and you dip your head towards him again, elated to hear what he’s about to say. 

“Yes?” you retort, patient.

Another squeeze of your pussy around his dick finally has his craving for a release to speak on his behalf.

“C-Can I come inside you, please? I want to feel you around me.”

The little “of course, pretty boy” you let out on his face, followed by a sharp smack on his tensed thigh, is music to his ears, and the strongest sorcerer shatters in an exhausted sob suppressed by the pillow under his head, face half hidden in it as his cosy, thick cum fills your still aching pussy. His hips buck into yours and you let him, for you enjoy watching him get off on the sensation of your pretty cunt swallowing him whole.

You watch in awe as he comes down from his own orgasm, and before any of you can even say something, your fingers fumble with the knot behind his nape, untying and throwing it on the floor. 

When the dim light of the bedroom hits him, he squints his eyes until he identifies Suguru’s silhouettes near him. “Our beautiful white rose is still surrounded by black thorns. Let me help.”

Blue orbs locked on him, Satoru’s breathe hits Geto as the other sorcerer takes out a small knife and cuts a particular knot close to the thigh, kissing his cheek in the process.

The ropes fall around Gojo like heavy shreds of darkness and he goes to talk. His voice is still laced with need, he can almost taste it, but it dies in his throat when your lips crash against his, the intensity of it so overwhelming Satoru moans in your mouth.

But then he remembers his arms are free, and when Suguru frees his legs, too, you see the sorcerer’s Six Eyes snap back to reality.

“You are sublime.” Satoru breathes on your neck and he flips you over in a split second, not giving you the time to tumble off of him yourself. The shift in position elicits a startled gasp from you and a small chuckle from Geto. He’s actually the one to place a thumb under your lower lip, prying it open as Gojo feverishly leaves a trail of wet kisses on your neck.

You’re out of breath, big eyes staring at them as the men smirk, desire clouding their eyes as Satoru looks up at you and says, 

“How about we tie you up now while I fuck your ass and Geto takes your pussy? 

It’s only fair, isn’t it?”

© azanthys — do not copy, translate or share my works.

[flamestar126]

Give me a "M"!

(click for better quality)

Bonus + related art + rambling under the cut

Originally I just wanted draw Dexter in a cheerleader outfit (an excuse to put him a skirt for pure funsies) and so I did! Which is art is below that i drew like a long time ago now.

It was just Dexter at first but I am a dexdark shipper so I had to have him react somehow. Then I remembered there was a comic about an athletic Mandark so I added him in his outfit from the comic.

Then my mind like it always does, wandered and created a short story to make sense of why they would be in this position in the first place.

~~~

After years and years of competing with Dexter relentlessly, Mandark had gotten into a rut during his high school years. He's absolutely frustrated that he's STILL second best to him.

(The time the art is placed is late hs years)

So what does a teen genius do? He explores outside of the science community and what do you know. . . he's actually not half bad at sports. He quickly abandons science for it. Mandark is thriving. Why didn't he try this sooner? And Dexter? He's so confused. Never thought his greatest rival would ditch him science for a mere physical activity. Determined to find the bottom of this he goes directly to the source of his confusion and asks. It goes as well as you think. Not at all. Plan B. Find a way to get close enough without raising too much suspicion. How? Cheerleading.

It honestly wasn't that hard to join. He's cute and flexible enough due to the battle he's faced through out the years. Plus a recommendation from his dear sister, Deedee, quickly received him a spot.

(HAVE YOU SEEN HIM DO FLIPS IN THE START OF EGO TRIP?? BOY IS READY)

The idea seemed brilliant at the time. That is until he found out he had to wear a skirt of all things. Deedee secretly tricked as a little bit of revenge. It wasn't too bad in the end. He rocks skirt ngl. With the excuse of having come to rehearsals and games that involved Mandark, things have become much easier to keep a closer look on him.

His sudden presence certainly didn't go noticed. Mandark's eye often drifted to the redhead that cheered him on during events. And oh, what an ego boost. His former rival cheering on? Yelling out his number whenever he had the ball? Wishing for him to succeed? Even if it was for only the cheerleaders' expectation to do so. How addicting.

He cornered Dexter right after. "That 'M' for me, McPherson?" Mandark teased. Knowing the "M" was their school's name. "How kind of you." "In your dreams, Astronomanov." It continued on like for a while.

They lap it like fucking cream. They've missed this. The feeling buried was bubbling up to the surface once again. Stealing quick glances, the playful jabs, grins matching the other's.

Who made the first move? It wasn't clear. It seemed so natural to be in the other's presence. Both just eased into they didn't even noticed.

Meanwhile, the science department was taking heavy losses. They lost their best two students. Ended up begging the two come back.

Eventually Dexter and Mandark did return but as partners this time.

. . . Douglas? He was thrown out of the loop about the entire thing. He missed out a lot when watching from afar. No one told him they were switching sides! What the heck guys. :/

He wouldn't survived the switch anyway. He's athletic pathetic. Stay on your game boy, Douglas. It's better this way.

~~~

Details I didn't include

Mandark was indeed incredibly suspicious of Dexter's switch

He was a total tsundere about Dexter's outfit (he did like it)

They had a talk about why they made a switched. talk about it and sealed it with a kiss (maybe :3)

Mandark said science for geeks but he's a geek through and through. he couldn't resist science for too long

Sports department was crying after

They do the same thing in college but in different uniforms (already drawn but not sharing that here :>)

I'm definitely forgetting more details but i am drawing blanks here

~~~

Bonus!

"You know there are male cheerleaders, right?"

"I like the breeze it gives." Half truth. Was told they ran out of male uniforms. <- Lie by Deedee

"Hm. If you say so." Gay panic

Inspired by a scene of Daffy Duck from Looney Tunes (2011)

Thank you for reading!

[descendantofthesparrow]

Touch starved - Harry Hook x reader - Oneshot

blame @hanas-headcanons​ for this yall 

=

Harry-being from the isle, didn’t grow up with normal affection, the most you got physically was fist bumps, baps on the head, punching each other as hard as you could (for funsies~) and the very rare; pats on the back.

Yeah…isle kids didn’t get much affection growing up, leading many many to be touch starved. Such as the C4; Mal would smack at and basically hiss at anyone that tried to touch her that wasn’t Ben or her friends, only to actually melt into Ben’s arms when he hugged her gently. Evie thrived on physical affection, taking every chance she got to huddle up to someone she was close to. Jay loved being just-squished, happy to be the pillow or mattress. Carlos was the most-skittish of the three- he preferred gentle touches and soft hugs, preferring to be the one laying on Jay instead of being under Evie or Mal.

So Harry ended up being…adverse to touch, he didn’t like it, plain and simple. Only people close to him had permission to touch him, Uma and his sisters being the few with that permission. Then he met you, a bright, affectionate, cheery sunspot that suddenly crashed into his life when he arrived in Auradon.

You were just a quiet thing, sitting in the back of the class with your nose buried in your sketchbook. whenever the teacher called on you; you knew the answer, not even looking up from your art. He didn’t know what had drawn him to you, maybe it was that comforting personality you had, maybe it was your soft smile, or maybe it was that you had never judged him for all his mental bullshit.

He just one day realized oh, there you are; as you were laughing about your stupid joke about pirates. That was the day he admitted to himself tha the had fallen in love. He had confessed soon after, and realized you might be a bit more work than he thought, not in a bad way but-you were and are an EXTREMELY affectionate person, he could tell you wanted to hug him when he told you his feelings, but you settled for taking his hands and shaking them about. He felt a little bad, one of the huggiest girls at Auradon prep and she ended up with the one dude who hated hugs.

He remembered telling you so before you really even became friends ‘I hate hugs. Never got em never wanted em’ he could feel the pity coming from you, or maybe it was just sadness in general. “you’ve never been hugged?” you had sounded so broken, as if just the thought hurt you to the core. But after you got together, you compromised, you could do whatever you wanted with his hands, hold em, play with em, anything, just-don’t hug him without a week's warning.

But one day,  Harry was fully distracted, and you were too, bouncing around the room hyped up from your art project being accepted for the nautical art competition, leaping towards Harry and into his arms, laughing as he went stone still; snapped out of his daydream.

“oh, crap-im so sorry Harry! I got so caught up in my emotions and-and” you started to pull away, face flushed in embarrassment before Harry held you tight, practically melting into your arms “Harry?”

“where ‘ave ye been all me life” Harry grumbled, his arms around your waist tight and unbreakable, he-he was hugging you. “fuck” you beamed, realizing Harry-liked- your hugs. You quickly held him again, rubbing your face against his head, giggling as he gasped and snuggled into you “fuck” you laughed louder, oh he was just so cute. “pirate puddle” you teased as Harry muttered curses, his cheek smushed into your shoulder as he pressed his hands to the small of your back. One of your hands started to run through his hair, your fingernails scratching his scalp and Harry felt as if he was going to melt right then and there. He let out a garbled mess of noises and you tilted to the side, landing on his bed and continuing to giggle as Harry practically crawled into your lap, every ounce of his weight being pressed against you. “yeh can hug me whenever ye’ want, jus’ lemme know it’s you first” Harry mumbled, sounding very sleepy, as if just your touch was comforting enough to put his mind at ease to sleep.

You nodded against his head; your lips pressed to his forehead “promise! Promise.” Harry hummed, happy at your response, and moved his face to press into the crook of your neck, smiling against your skin as you giggle at the feeling “told you; hugs are great”

“should’ve listened”

“yep yep”

-end~!-

again, blame Hana for this, they messaged me about touch starved Harry this morning and i just-HAD to, ive been wanting to write TC’d Harry for a while anyway so this just gave me the excuse, gonna do more with different situations, i just wanna see/read Harry fucking shake and melt when (y/n) holds his face for the first time 

permtaglist!

@queer-cosette​ @sephiralorange​ @lunanight2012​

@daughter-of-the-stars11​ @musicarose​ @rintheemolion​

@random-thoughts-003​ @imtryingthisout​ @remembered-license​

@thecaptainsgingersnap​ @verboetoperee​ @saryguerrero​

@reallysparklychaos​ @thetrueghostqueen​ @dai-tsukki-desu​ 

[gloamvonhrym]

oh I never posted all my silly phoenicis worldbuilding (birdbuilding) that I did while in fanfic writing hell

here’s a huge mostly-boring set of notes expanding and/or playing havoc with canon. I’m putting it here for future reference. maybe to link to it for funsies if I ever post this hell fic

phoenicis is a small insular nation with little social hierarchy, living on inhospitable mountains inaccessible to anyone except other birds. phoenicis has therefore evolved on a somewhat separate cultural track from everybody else in tellius. in this essay I will

economy/practical shit

implicitly in canon hawks are intensely community-oriented. again, they’re a small nation without much hierarchy, and with some preference for chaos. they all “just do what needs to be done”, paraphrasing ulki. they’re not the Strong Guys for the heck of it: they work together to protect & care for their own, and harbor a strong sense of collective duty and trust.

so they’re commies

with serenes out of the picture they’re the biggest commies in tellius

they don’t have currency, that’s some human shit. to each according to their need etc

(exactly how small and close-knit is. phoenicis? small enough that kilvas, a similarly small nation with even fewer resources, could kill everyone on the home front in basically a day when it was left undefended. so. take that for what it is)

infrastructure

minor architecture tangent: we don’t see much of phoenicis & kilvas except for the exteriors of their respective castles, which is kinda boring. obviously not everyone lives in the castles. but phoenicis DOES have some other visible infrastructure, namely the funky detail of these open doorways built into both the castle itself and the surrounding cliffs:

(I don’t know if there’s any kind of proper name for these, because obviously irl we don’t need them and they’re not a thing. I’ve been calling them sky doors, and I might have nabbed that from rebecca roanhorse’s “between earth and sky”, although idk if she in turn nabbed it from anyone else)

anyway there appears to be no actual barrier on these, at least not externally. what did I say. commies. who’s gonna rob and kill you in your own home, in your little nation-commune, where nobody except other birds can get to you, and everyone trusts everyone else to do their duty and provide for each other. (the answer is that other birds will betray you, eventually. sad!)

anyway it’s boring to stick around the castle 100% of the time. I imagine that this architectural idea continues down into the valleys, where maybe artisans can make stuff and services can be provided and bargain economy shit can happen

hawks have seemingly only been pirates for the last 20 years or so, and they do piracy for the sake of vengeance rather than need, and they can’t do that much of it because there aren’t a ton of them; and unlike kilvas, they abstain from trade with the whole rest of the continent, and are isolationist by choice. so they must be self-sufficient in basically every way. someone’s got to be making fabric, making clothes, making shoes, forging metals, creating pottery, creating music and art, administering medicine, providing education, etc, somewhere.

healthcare

tangent about medicine: phoenicis is probably the only nation in the continent that has historically had no contact with healing magic at all. the herons had innate healing magic, and everyone else either has human mages or contact with human mages. but phoenicis is on its own. their medical science is therefore more advanced by irl standards, because it has to be. they know more shit about practical mundane antitoxins, antibiotics, wound dressing, surgeries, anesthetics, and complications. it’s less pleasant than magical means, but it works.

(canonically, healing magic works on wounds and not so much things like regular illnesses, so everyone’s still got some mundane medical care; but when that’s ALL you’ve got, I think it follows that you necessarily come to understand the pure mundane science better than most other people. I bet phoenicis has bred its share of real scientists. if anyone in tellius is going to invent electricity,) (also: they might value physical strength very much, but because they’re commies, I figure they take care of their sick/disabled/injured pretty well, and most of them are at terms with the fact that not everyone can be the Strongest Guys. reyson’s complex about being too weak to live is likely more due to survivor’s guilt, helplessness to protect others/wreak revenge personally, and a post-traumatic focus on violence as a primary determinant of outcomes, rather than any actual pervasive cultural messaging that he’s useless.)

age

hawks live to some, what, 300+ years? janaff says a 24 year old should barely be speaking, but I feel like his ass was just being dramatic, similar to the way we needle real-life 18 year old adult humans about being tiny babies. there’s no reason why any creature should take 20+ years to be at least functional, that would be a huge evolutionary disadvantage. I posit that hawk adolescence is considered to last roughly age 20 to 70 (with heron adolescence lasting somewhat longer, given their longer lifespan; maybe to 80-85, such that reyson has somewhat recently hit true adulthood by the time PoR rolls around).

teenagers are stupid. hawk teenagers are REALLY stupid. chaos predilection + hormones. many of them will gleefully pick a fight over any dumb thing and be horny about it. strong with the vigor of youth, but exceptionally poor sense of their own limitations

by age 100+, their temperament evens out; but any contender for the king’s power is probably going to come from the young crowd at any given time. speaking of which,

government

there isn’t much of one. phoenicis is not big. everyone knows everyone and they’re very efficient commies so everything gets done that needs to get done. tibarn has 2 dumbass advisors. who needs a secretary of state.

the title of king goes to “the strongest” (I assume the intent is that this is determined by combat, against self-selected challengers who get to take over if they win, wakanda style). although canonically, his power is that he gets to call some shots but doesn’t really get any special privileges or reverence beyond that, which is nice because it means that if the king became super unpopular, the rest of phoenicis could probably depose him without much trouble if they wanted to. no divine rights here.

(worth noting: I think tibarn’s characterization is super different between fe9 and fe10, with RD tibarn being a lot sassier and more informal. FEH skewed towards the RD vibe, and I think they were right for that. given the hawks’ uniquely relaxed philosophy towards royalty, their insular culture, and the likelihood that they all knew tibarn by name before he ever had a title, it wouldn’t make sense for them to do a lot of formalized bowing and scraping. RD tibarn would never have unironically addressed caineghis as “o majestic king of lions” or whatever he said)

(by contrast, apparently, in japanese, reyson consistently addresses tibarn formally (and also naesala, up until naesala betrays him). I don’t speak japanese and can’t really count this as an aspect of my experience of these characters, but I wonder if the other birds also address each other in this way, or if it’s a trait peculiar to reyson.)

family

families are not nuclear. hawks raise their kids pretty communally, foremost in unstructured “flocks” (households or clusters of households). actual bio parents may or may not be closely involved

parenting is kind of hands-off overall. the concept of adult supervision falls away pretty fast. “let your kid do the stupid dangerous thing so that he learns what’s stupid and dangerous” ass culture; learning by experience is optimal, and if you’re not adequately responsible then others are less likely to be sympathetic and/or have your back in turn. hawk kids tend to gain squads quickly, and they often hang together for life ride or die

if a young hawk is neglected or entirely rejected by their home flocks - rare, but not impossible - likely someone else will pick up the slack, if not adults then some loyal friends

relevant headcanons: tibarn, ulki, and janaff have been sticking together since an early age. ulki in particular had some problems - his original family did not appreciate that he kept overhearing things he shouldn’t, and he was way too autistic to know what was meant to not be repeated, so after not too long he became a bit of a lone wolf. tibarn and janaff already knew each other - janaff’s exceptional sight didn’t cause him any similar problems; and were initially concerned with ulki’s misfit status, but his ability was a valuable bonus. they all adopted each other.

food

the main thing hawks don’t do is cook. because they mostly eat raw meat, fish, and bugs, which is very sexy of them. I imagine every household has certain members designated to hunt regularly on its behalf. add that one to the chore chart

(maybe someone starts experimenting more with cooking when herons are there, and further when phoenicis is open to international relations. for fun and community!)

gender

ok the shit I made up, let’s go off the rails

hawks are queer-normative. in that they don’t give a shit about the anatomy or superficial presentation of who sleeps with whom. most of them are equal-opportunity in that regard

they are, however, by human standards, masc-centric to a sort of absurd degree. they’re not dumb senseless brutes (see again, commies, intense intra-community trust); they’re also probably not the most emotionally available fellas

(“but wouldn’t this level of intra-community trust result in greater emotional availability, not less?” look I’m not saying they’re scared of it. but why would you cry out your feelings with some other guy when you could be killing animals or committing piracy about it.)

gender presentation: I said equal-opportunity in terms of sexuality. might be because it’s a little difficult to tell. the games appear to have no female hawk characters but in MY headcanons their presentation is just masc-centric across the board, and maybe they skew a little less sexually dimorphic in general, so you wouldn’t know anyway

most hawks are he/hims. that’s just a quirk. like discworld dwarves but with less to say about it. just a nation of butches, for fun

bad gender parity in the tellius games? how do you know janaff isn’t a he/him lesbian

hawk dress is largely unisex, earth-toned, and utilitarian. not necessarily fully unadorned - tibarn has an earring & a few other things, including a necklace (feathers; battle trophies?) - but he’s still pretty rugged. nobody is flashy.

nothing AGAINST conventionally feminine presentation per se. hawks would chafe against overly rigid norms. but the way medieval-fantasy femininity looks, they’d probably think it’s a little odd in a practical sense. but who knows. maybe leanne starts something with those she/her pronouns and flowy dresses yk.

(tangent on clothing: phoenicis isn’t really friendly for something like cotton crops, but they can have wool, because goats & sheep can live on mountains. I’m also happy to make up that there’s some kind of hardy tellius breed of mulberry-adjacent tree, which can grow at least somewhere in phoenicis, resulting in the availability of silk and maybe barkcloth. or something. idk I’m not that kind of historian.)

sexuality

hawks primarily value strength, physical + emotional. we knew this. again, doesn’t make for the greatest emotional intelligence. overt softness is not the thing. tibarn kind of sucks at the direct empathy that reyson claims all living beings share, for instance. 2 hawks in a fight would rather tussle it out than waste time talking.

this carries over. in a partner, again, attraction tends to disregard sexed anatomy, but the most valuable thing is being well-matched physically. being creatures of chaos, they trust their impulses, they like a challenge, they don’t mind a fight, and they probably don’t super want to be with someone they have to worry about hurting

(hence that kind of hot chemistry between tibarn & nailah. also janaff hits on lucia at first glance bc she’s a knight obviously she’s got some beef babeyy)

pursuant: by and large, hawks really don’t find herons very attractive. that delicate graceful peaceful affect is kind of a mystifying ideal to them. it’s like art - nice to look at, ig, but what would you actually do with it. people significantly weaker than you are for you to protect, not sleep with. tibarn is a notable exception because he is down bad for reyson

and reyson is like an alien, and tibarn is maybe a bit of a freak for being into someone so fragile. you are the very strongest guy, tf you want with a boy who breaks if you look at him wrong. what do you get out of that sir. he has complexes about this :) but I’m not going to elaborate on that because that’s what hell fic is for

“herons in phoenicis: conceptualizing the vulnerable body in hawk-normative society”, the title of my tellius gender studies thesis at the university of crimea or whatever

speaking of reyson. what does this mean for him. I need to talk about it because I’m obsessed with him. the commie stuff isn’t that much of a culture shock at least

but have some added fuckery: sole survivor, adapting to another culture, learning another language; lone chaos-sensitive empath in a sea of macho chaos-oriented dudes who aren’t very attuned to that kind of thing; also extremely physically distinctive in a way that is kind of weird at best

how do you even maintain a sense of personal identity when the baseline relevant factor is “you’re incomprehensibly different from everyone around you in every way possible”? I think reyson experiences some Gender about this. the most masculine heron is still a lily reed compared to even a fairly femme hawk

reyson’s gender, per the rest of the continent: male. reyson’s gender among hawks: heron

I imagine leanne is somewhat shielded from this once she comes round - she’s able to lean on reyson and naesala, and I figure she does, pretty heavily, considering she picks up maybe a few words of the modern tongue over the course of 3 years. she’s deliberately feminine, and also has already chosen her own terrible boyfriend [affectionate]. she’s not without her own traumas, but she’s more supported, and maybe is even in a place to kind of enjoy the confusion & attention she garners from being the sole girly-girl. I feel like she would.

and her terrible boyfriend [affectionate] is a raven, not a hawk. and by contrast, ravens are VERY attracted to herons. because herons are pretty. and ravens like shiny pretty things.

misc

I’m not quite committed enough to make constructed-culture art, but in my mind hawk visual & aural culture resembles late antique/early modern celtic styles in a few ways. insular culture yk. some book of kells bullshit.

(kinda weird, upon reflection, that phoenicis isn’t full of ancient tongue speakers, considering serenes was allegedly one of the few nations they were ever friendly with. and yet even tibarn understands very little ancient. at the very least, being the most isolated nation, it would make sense for the hawks to have their own modern dialect. but they don’t, that would have been hard for an FE game to pull off, and I’m not enough of a linguist to try. so it is what it is! maybe, even though they don’t fraternize with other nations, they’ve always kept pretty close tabs on them just in case, the necessity of spying facilitated the shift to modern. whereas serenes never did that. anyway sometimes the hawks sound a little irish in my head.)

they are also superstitious. all those lonely windswept coastal peaks, there’s a lot of howling winds, spooky nooks, weird environmental physics interacting with weather phenomena. you end up with stories about folk monsters. hawks know shit about ghosts, fairies, sirens, and banshees, and how to placate them if you piss them off. also the herons sometimes scare people to death because they wear nothing but white and drift around like specters.

I also have a lot of headcanons about herons. but they’re more feelingsy. so I’ll leave that go. I might add to this as I remember more stuff