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ruhua-langblr · 7 months ago

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Language Apps Suck, Now What?: A Guide to Actually Becoming "Fluent"

The much requested sequel to my DL post that was promised almost a year ago.

I'm going to address all of the techniques that have helped me in my language learning journeys. Since 95% of these came from the fact that in a past language learning mistake, they are titled as my mistakes (and how I would/did things differently going forward). For those that read to the bottom there is a "best universal resources" list.

Disclaimers:

"Fluency" is hard to define and everyone has their own goals. So for the purpose of this post, "fluency" will be defined as "your personal mastery target of the language".

If you just want to pick up a bit of a language to not sound like a total foreigner on vacation or just exchange a few words in a friend's native language, feel free to ignore what doesn't apply, but maybe something here could help make it a little easier.

This is based on my own personal experience and (some) research.

Mistake 1: Asymmetrical Studying

Assuming you don't just want to do a single activity in a language, or are learning a language like ASL, a language requires 4 parts to be studied: Speaking, Listening, Writing, Reading. While these have overlap, you can't learn speaking from reading, or even learn speaking from just listening. One of my first Chinese teachers told me how he would listen to the textbook dialogues while he was biking to classes and it helped him. I took this information, thought "Yeah that's an idea, but sounds boring" and now regret not taking his advice nearly every day.

I think a lot of us find methods we enjoy to study (mine was reading) and assume that if we just do that method more ™ it will eventually help us in other areas (sometimes it does, but that's only sometimes). Find a method that works for you for each area of study, even better find more than one method since we use these skills in a variety of manners! I can understand a TV program pretty well since I have a lot of context clues and body language to fill in any gaps of understanding, but taking a phone call is much harder—the audio is rougher, there's no body language to read, and since most Chinese programs have hard coded subtitles, no subtitles to fall back on either. If I were to compare the number of hours I spent reading in Chinese to (actively) training my listening? Probably a ratio of 100 to 1. When I started to learn Korean, the first thing I did was find a variety of listening resources for my level.

Fix: Find a variety of study methods that challenge all aspects of the language in different ways.

A variety of methods will help you develop a more well-rounded level of mastery, and probably help you keep from getting bored. Which is important because...

Mistake 2: Inconsistent Studying

If there is one positive to a language app, it is the pressure it puts on keeping a streak. Making studying a part of your everyday routine is the best thing you can do. I benefited a lot from taking a college language course since I had a dedicated time to study and practice Chinese 5 days out of the week (and homework usually filled the other two). Memorization is a huge part of language learning, and stopping and starting is terrible for memorization. When I was in elementary school, we had Spanish maybe a couple times a month. Looking back, it seems like it was the first class to be cut if we needed to catch up on a more important course. Needless to say, I can't even speak Spanish at an elementary level.

However, I'm sure many people reading this don't have the time to do ultra-immersion 4-hour study sessions every day either. Find what days during the week you have time to focus on learning new vocab and grammar, and use the rest of the week to review. This can be done on your commute to school/work, while you do the dishes, or as a part of your morning/evening routine. Making this as realistic as possible will help you actually succeed in making this a habit. (Check this out for how to set realistic study goals)

Fix: Study regularly (ideally daily) by setting realistic goals. Avoid "binge" studying since remembering requires consistent repetition to be most effective.

Mistake 3: Resource Choice

This is really composed of two mistakes, but I have a good example that will cover them both.

First, finding resources that are at or slightly above your level is the most important thing. Easy resources will not challenge you enough and difficult resources will overwhelm you. The ideal is n+1, with n as what you know plus 1 new thing.

Second, getting distracted by fancy, new technology. Newer isn't always better, and there are often advantages that are lost when we've made technological developments. I often found myself wanting to try out new browser extensions or organizational methods and honestly I would've benefitted from just using that time to study. (Also, you're probably reading this because of my DL post so I don't think it has to be said that AI resources suck.)

A good example of this was my time using Clozemaster. I had actually recommended it when I first started using it since I thought the foundation was really solid. However, after long term use, I found that it just wasn't a good fit. The sentences were often too simple or too long and strange for memorization at higher levels or were too difficult at lower levels. I think that taking my textbook's example sentences from dialogues into something like Anki would've been a far better use of my time (and money) as they were already designed to be at that n+1 level.

Fix: "Vet" your resources—make sure they will actually help you. If something is working for you, then keep using it! You don't always have to upgrade to the newest tool/method.

Mistake 3.5: Classrooms and Textbooks

A .5 since it's not my mistake, but an addendum of caution. I think there is a significant part of the language learning community that views textbooks and classroom learning as the worst possible resource. They are "boring", "outdated", and "ineffective" (ironically one of the most interesting modern language learning methods, ALG, is only done in a classroom setting). Classrooms and textbooks bring back memories of being surrounded by mostly uninterested classmates, minimal priority, and a focus on grades rather than personal achievement (imagine the difference between a class of middle schoolers who were forced to choose a foreign language vs. adult learners who self-selected!) People have used these exact methods, or even "cruder" methods, to successfully learn a language. It all comes down to what works best for you. I specifically recommend textbooks for learning grammar and the plentiful number of dialogues and written passages that can function great as graded readers and listening resources. (Also the distinction made between "a youtube lesson on a grammatical principle" which is totally cool, and "a passage in a grammar textbook" is more one of tone and audio/written than efficacy).

Classrooms can be really great for speaking practice since they can be a lot less intimidating speaking to someone who is also learning while receiving corrections. Speech can be awkward to train on your own (not impossible if you're good at just talking aloud to yourself!), and classrooms can work nicely for this. Homework and class schedules also have built in accountability!

Fix: Explore resources available to you and try to think holistically about your approach. CI+Traditional Methods is my go to "Learning Cocktail"

Mistake 4: Yes, Immersion, But...

I realized this relatively quickly while learning Chinese, but immersion at a level much higher than your current level will do very little for you. What is sometimes left out of those "Just watch anime to learn Japanese" discussions is that you first need to have a chance at understanding what is being said. Choosing materials that are much higher than your level will not teach you the language. It doesn't matter how many times someone at HSK 1 hears “他是甘露之惠，我并无此水可还”, they will not get very far. Actual deduction and learning comes from having enough familiar components to be able to make deductions—something different than guessing. An HSK 1 learner, never having heard the word 老虎 will be able to understand "tiger" if someone says “这是我的老虎” while standing next to a tiger. This is not to say you can never try something more difficult—things should be challenging—but if you can't make heads or tails of what's being said, then it's time to find something a bit easier. If mistake 2 is about the type of method, this is about the level. If you wouldn't give a kindergartener The Great Gatsby to learn how to read, why would you watch Full Metal Alchemist to start learning a language?

Side note: Interesting video here on the Comprehensible Input hypothesis and how it relates to neurodivergence.

Fix: Immerse yourself in appropriate content for your level. It's called comprehensible input for a reason.

Mistake 5: On Translation

I work as a translator, so do you really think I'm going to say translation is all bad? Of course not. It's a separate skill that can be added on to the basic skills, but is really only required if you are A. someone who is an intermediary between two languages (say you have to translate for a spouse or family member) or B. It is your job/hobby. In the context of sitting down and learning, it can be harmful. I think my brain often goes to translation too often because that's how I used to learn. Trying to unlearn that is difficult because, well, what do people even mean when they say "don't translate"? They mean when someone says "thank you", you should not go to your primary language and translate "you're welcome" from that. You should train yourself to go to your target language first when you hear the word for "thank you". A very literally translated "thank you" in Chinese "谢谢你" can come off as cold and sarcastic. I don't tell my friends that, I say "谢啦～". Direct translation can take away the difference in culture, grammar, and politeness in a language. If there is a reason you sound awkward while writing and speaking, it's probably because you're imposing your primary language on your target language.

Fix: Try as hard as you can to not work from your primary language into the target language, but to work from the structures, set phrases, and grammar within the target language that you know first.

Mistake 6: The Secret Language Learners Don't Want You To Know...

...is that there is no one easy method. You are not going to learn French while you sleep, or master Korean by doing this one easy trick. Learning a language requires work and dedication, the people that succeed are those that push through the boredom of repetition and failure. The "I learned X in 1 year/month/week/day!" crowd is hiding large asterisks, be it their actual level, the assistance and free time available to them, "well actually I had already studied this for 4 years", or just straight-up lying. Our own journeys in our native tongue were not easy, they required years and years of constant immersion and instruction. While we are now older and wiser people that can make quick connections, we are also burdened with things like "jobs", "house work", "school work", and the digital black hole that is "social media" that take up our time and energy. Everything above is to help make this journey a little bit easier, quicker, and painless, but it will never be magic.

I find that language learning has a lot in common with the fitness community. People will talk about the workout that changed their life and how no other one will do the same—and it really can be the truth that it changed their life and that they feel it is the ultimate way. The real workout that will change your life is the one you're most consistent with, that you enjoy the most. Language learning is just trying to find the brain exercise that you can be the most consistent with.

Fix: Save your energy looking for shortcuts, and do the work, fail, and come back for more. If someone tells you that you can become fluent in a ridiculously short amount of time, they are selling you a fantasy (and likely a product). You get out what you put in.

For those that made it to the end, here are some of my "universal resources":

Refold Method: I don't agree with their actual method 100%, but they've collected a lot of great resources for learning languages. I've found their Chinese and Korean discords to also be really helpful and provided even more resources than what's given in their starter guides.

Language Reactor: Very useful, and have recently added podcasts as a material! The free version is honestly all you need.

Anki: If I do not mention it, the people with 4+ year streaks with a 5K word deck will not let me forget it. It can be used on desktop or on your phone as an app. If you need a replacement for a language learning app, this is one of them. Justin Sung has a lot of great info on how to best utilize Anki (as does Refold). It's not my favorite, but it could be yours!

LingQ: "But I thought you said language apps are bad!" In isolation, yes. Sorry for the clickbait. This one is pretty good, and more interested in immersing you in the language than selling a subscription to allow you to freeze your streak so the number goes up.

Grammar Textbooks: For self-taught learning, these are going to be the best resource since it's focused on the hardest part of the language, and only that. If you're tired of seeing group work activities, look for a textbook that is just on grammar (Modern Mandarin Chinese Grammar is my rec for Chinese, and A Guide to Japanese Grammar by Tae Kim is the most common/enthusiastic rec I've heard for Japanese).

Shadowing: Simply repeat what you hear. Matt vs Japan talks about his setup here for optimized shadowing (which you can probably build for a lot cheaper now), but it can also just be you watching a video and pausing to repeat after each sentence or near simultaneously if you're able.

Youtube: Be it "Short Story for Beginners", "How to use X", "250 Essential Phrases", or a GRWM in your target language, Youtube is the best. Sometimes you have to dig to find what works for you, but I imagine there is something for everyone at every level. (Pro tip: People upload textbook audio dialogues often, you don't even have to buy the textbook to be able to learn from it!)

A Friend: Be it a fellow learner, or someone who has already mastered the language, it is easier when you have someone, not only to speak to, but to remind you why you're doing this. I write far more in Chinese because I have friends I can text in Chinese.

Pen and Paper: Study after study, writing on paper continues to be the best method for memorization. Typing or using a pen and tablet still can't compare to traditional methods.

The Replies (Probably): Lots of people were happy to give alternatives for specific languages in the replies of my DL post. The community here is pretty active, so if this post blows up at least 20% of what the last one did, you might be able to find some great stuff in the replies and reblogs.

I wish you all the best~

#langblr #mandarinblr #language learning #resource #dare i put this in the duolingo tag lmao

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wannabespacesmuggler · 10 months ago

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L.H. | Like a Moth to a Flame

Masterlist | Buy me a coffee

Summary: Logan Howlett is a dangerous man; at least, that's what he wants you to think when he first meets you during your shift at Lucky's. However, he only seems to prove the opposite as he becomes a more constant presence in your life. After learning his true identity in a dark back alley, he's certain you want nothing to do with him. But against your better judgment, you're drawn to him like a moth to a flame.

Pairing: Lumberjack!Logan Howlett x Bartender!Reader

Warnings: canon typical violence, men being creepy in an alley, canon divergent (because fuck the timelines), mutual pining, miscommunication

Word Count: 3.4K

Author’s Note: I am overwhelmed with the love and support for my first Logan fic. This man has taken over my ever waking thought. I wrote this while picturing lumberjack Logan from X-Men Origins: Wolverine and listening to Hozier (this man is so "Too Sweet" and "NFWMB" coded). Super proud of how this turned out, hope you enjoy it.

You’re used to a rough-and-tumble, rough-around-the-edges kind of crowd — blue-collar workers, committed hunters, down-on-their-luck drifters. Maybe that’s why you don’t think twice when he enters the tiny dive bar. He’s clad in a deep maroon flannel tucked into a tattered pair of jeans. You don’t even look in his direction as he sidles into a seat at the end of the bar. He looks like any other patron you’ve met while bartending at Lucky’s.

“Hey there, what can I get for you?”

He leans forward, forearms flexing against the counter. A shiver runs down your spine as your eyes linger on the deep scars etched in between his knuckles before traveling up his broad frame. It’s as if your fight or flight response kicks in, and suddenly, a voice in your head tells you to run. But as you finally meet his hazel eyes, you freeze. There’s a hollowness in how he looks at you — a profound sadness that makes your heart ache for the man sitting before you.

“Whiskey, neat.”

You simply nod at his request before turning to pour him a glass. As you place the drink before him, a flash of metal across his chest grabs your attention. The man follows your gaze, and his features harden at the realization of what caught your interest. He quickly shoves the dog tags hanging loosely around his neck under his shirt — out of your line of sight. Your cheeks instantly flush, humiliation washing over your body. You begin to apologize, but the man downs his glass of whiskey and slaps some cash on the table.

“Thanks for the drink.”

With that, he grabs his leather jacket off the back of his chair and stalks out of the bar. You watch him leave in stunned silence. You hadn’t meant to invade his privacy in any way. You’re used to the anonymity that some men around here need to survive — hell, you don’t even know the names of some of your regulars. Before you can get swallowed up by embarrassment, one of your other patrons calls for another drink. Shaking off your previous interaction, you return your attention to your job.

After work, you couldn’t stop thinking about the encounter. With a deep sigh, you pour yourself a drink and collapse into your couch. You don’t know why you’re getting so worked up about it. In reality, you probably won’t ever see the man again, which should relieve you; however, the thought only disappoints you.

To your surprise, he walks back into the bar three days later during your shift. You try to ignore his presence as he moves to sit at the same spot at the end of the bar. To make amends, you pour a glass of whiskey and set it in front of him.

“This one’s on the house.”

The man looks up, giving you a confused expression. He opens his mouth to protest, but you cut him off.

“Don’t. It’s just an apology for the other night.”

He gives you a nod before grabbing the glass and taking a long drink. You turn away from him, but his deep voice cuts through the rowdy Friday night crowd before you can take a step.

“Thanks.”

“Don’t mention it. I still expect a tip, though.”

A chuckle reverberates in his chest. The sound of it causes your face to light up. The man’s lips pull up into a small, gentle smile. You force yourself to return to work before you get further drawn into him. Unlike the other night, he sits at the bar for the rest of your shift, ordering several glasses of whiskey and keeping his eyes trained on the television above your head.

“It’s the end of my shift. Ready to close out with me?”

Logan nods, downing the rest of his whiskey and then placing several bills on the counter.

“Keep the change.”

“Wow, thank you…”

You trail off, realizing you still haven’t learned his name. Looking down at the money he placed before you, you notice he’s tipped you at least fifty percent. You don’t want to invade his privacy again, but a part of you wishes you knew his name so that you could thank him properly.

“Logan.”

“Thank you, Logan.”

He stands up from his seat before clearing his throat awkwardly.

“You working tomorrow?”

You bite your lip at his words, trying to stop yourself from grinning like an idiot. Trying to ground yourself back into reality, you remind yourself that you don’t fraternize with your clientele. While working at Lucky’s, you’ve learned one thing about the men who frequent the establishment — they’re bad news. But then you look back up at him. He’s got to be over six feet tall; his simple white t-shirt accentuates just how broad his body is, and yet this sturdy, well-built man looks almost nervous standing before you. Your body responds before your brain can catch up.

“My shift starts at 6:00.”

Logan slides his leather jacket on, and a slight smirk spreads across his features. He’s a devastatingly handsome man, and you’re no better than a moth to a flame — irresistibly attracted to that which you know will hurt you.

“See you then.”

And you do see him during your shift the next day, and your shift after that, and the one after that. Logan’s there in his seat at the end of the bar during all of your shifts, ordering whiskeys and making polite conversation until he’s become a constant presence in your life.

Today is no different. You have a glass of whiskey ready for Logan when he enters the bar. His schedule with the town’s logging company is pretty consistent. Logan accepts the glass graciously as you slide it in front of him.

“Thanks, sweetheart.”

You ignore how nonchalantly the term of endearment slips past his lips — and how your heart lurches as he says it. Instead, you focus on his features, which somehow look more exhausted than usual today. His work is hard, long, and labor-intensive; however, throughout your conversations with the hardened lumberjack, you’ve also learned that Logan’s sleep schedule is abysmal. He’s a grown man; he can decide what he wants to do — or doesn’t want to do — but a part of you can’t help but want to care for him.

“You gotta get some sleep, Logan.”

He scoffs in response, looking up at you with tired eyes. You know he isn’t angry at your suggestion, but the pointed look he gives you is a warning. He’s opened up quite a bit throughout his frequent visits to the bar, but there is still an air of mystery about the man sitting before you. You know better than to push him, so you raise your hands defeatedly.

“All I’m saying is that those dark circles do nothing for that handsome face.”

A warm laugh reverberates in Logan’s chest. He takes a long drink from his glass before responding, downing a considerable amount of whiskey with absolutely no reaction.

“You think I’m handsome?”

You roll your eyes at the man, trying to keep your cool. Logan is an enigma to you — simultaneously socially awkward and overly flirtatious. It’s as if he has two personalities — two completely different sides of himself — fighting for dominance at all times. And yet, it works because he’s catastrophically charming.

“Shut up.”

A smug smirk spreads across Logan’s face, and you decide it’s getting a little too stuffy in the small dive bar. You grab the pack of cigarettes you keep stashed under the bar and turn back to Logan. He already knows what you’re about to ask. It’s become routine for Logan to join you during your fifteen-minute break, sharing cigarettes in the secluded alley behind the bar.

“I’m going for a smoke. You coming?”

“Let me finish my drink. I’ll be right out.”

You nod at him before moving towards the back door. As you step out into the alley, you’re met with a much-appreciated, cool breeze. It causes a shiver to run down your spine as your body adjusts to the sudden difference in temperature. After placing a cigarette between your lips, you pull a small silver lighter out of your back pocket. You slide your thumb over the engraving on the side: L.H. Logan had given you the lighter after yours burnt out about a month ago. You tried to give it back, but he insisted you keep it. You bring the lighter up to your face, but a voice surprises you before you can light your cigarette.

“Those things’ll kill you, sweetheart.”

A man you’ve never seen before emerges from the darkness and approaches you with an uncomfortable air of familiarity. The way this man says Logan’s term of endearment makes you sick to your stomach. It sounds sweet coming from Logan’s lips — grounded in a deep respect and laced with affection.

You were simply going to ignore him, knowing Logan’s presence would deter him in a matter of minutes; however, your body bristles as two more figures join him from the darkness of the alley. Your body moves on its own accord, seeking the comfort and safety of the bar — of Logan. But the man closest to you grabs your arm before you can step out of their reach.

“Where you going, sweetheart? The party’s out here.”

His voice is sickly sweet and dripping with venom — a stark contrast to Logan’s low, warm timbre. The two men behind him laugh at his words. Your fight or flight response kicks in, and you struggle against the man’s hold as you’re hit with the gravity of your situation.

“Just let me go.”

Your voice is stern as you rip your arm away from the man’s grip. You rush to get away, but he’s quicker. He places both hands on the brick wall behind you, caging you in. Now you’re panicking. A threatening growl interrupts the encounter before the man in front of you can say anything else, and Logan emerges from the darkness. His features are menacing in the dim light of the alley, but you’re met with a sense of relief rather than fear.

“You heard her. Let her go.”

The tiny hairs on the back of your neck raise at the sound of his voice; however, the stranger in front of you doesn’t seem to find him as frightening. Instead of backing down, the man lets out a dry, unamused laugh at Logan’s words.

“We’re just having some fun here.”

Bile rises in your throat at the insinuation in his tone. Logan seems equally displeased by his response as another animalistic growl rips through his body. He takes an intimidating step forward before speaking.

“You don’t want to do this, bub.”

It’s almost as if he’s pleading with them — begging them to stop so that he doesn’t have to act first. Your eyes find those dog tags hanging around his neck again. Your heart breaks as you realize Logan doesn’t want to fight, but he will — for you. Based on the look in his eyes, he’ll rip these men apart limb from limb if they lay a hand on you.

“No, buddy, you don’t want to do this. You’re outnumbered — three to one. You don’t stand a chance.”

The man’s tone is amused but impatient. He’s itching for Logan to either leave them be or throw the first punch, but he does neither. Instead, Logan squares his shoulders and extends his arms out at his sides.

“You sure about that?”

Your brow furrows at an unfamiliar sound — a strange, metallic snikt. You’re surprised when the man’s arms fall from either side of your shoulders. You take the opportunity to create distance between yourself and the group of men who are all staring at Logan. Not understanding what caused their sudden hesitation, you also look over at Logan. Your body tenses at the sight of him standing in the middle of the alley with long, metal claws protruding from his fists. He takes another step forward, and the men scatter, running for their lives.

Logan waits a few moments, ensuring that the men are actually gone. Then he lets out a deep sigh as his metal claws retract back into his hands. Your hands meet the cool brick behind you, grounding you in this incredibly unreal moment. You blink, expecting to wake up from whatever dream you’re having right now — but you’re not dreaming.

Logan finally turns to face you, and his features soften. His eyes scan your body, checking you over for injuries. He takes a step toward you but stops as you take a step toward the bar's back door. You can’t seem to look away from his hands — at those deep, pronounced scars between his knuckles. His eyes follow yours, and you’re met with instant regret as he shoves his hands into the pockets of his jeans. You finally look up at his face and are anguished at the sight of his hardened features.

You want to tell him a million things. Your body moved on its own accord. You didn’t mean to stare at his scars. You’re just confused. You’re grateful for his help. You’re not afraid of him.

But you don’t mutter a single word. It’s as if you’re frozen in place.

“Alright.”

Your heart almost breaks in two at the pained sound of his voice. Logan meets your eyes one last time, disappointment evident in his gaze. Finally, your body shakes out of its paralysis, but it’s too late — the damage has already been done. You watch helplessly as he begins walking away from you.

“Logan, wait.”

But he doesn’t turn around. He keeps walking until he vanishes into the darkness. Tears begin rolling down your cheeks as you slide down against the brick wall — partly because of what could have happened and partly because of what did happen. And just like the first day you met Logan, you fear you may never see him again.

But once again, you were wrong.

Eight unbearably long days later, Logan enters Lucky’s again. You watch his bated breath as he approaches, hoping he’ll sit at his usual spot at the end of the bar. Instead, Logan places a few bills on the counter before meeting your gaze. You draw in a shaky breath as you look into his hazel eyes — the hollowness is back, and our heart aches as you realize you’re now the reason behind that sadness.

“Didn’t feel right not closing out last time.”

You almost laugh at his words — the free glass of whiskey was the last thing on your mind. He rolls his shoulders back nervously, his muscles flexing under his black t-shirt. You reach out and grab his hand before he can pull it away from the counter. His eyes instantly widen, but the physical contact seems to make him relax ever so slightly.

“Can we talk, please?”

Your hand tightens around his, physically begging him to just stay. Logan nods in silent agreement. You pull your hand away from his and try to push down the sudden disappointment caused by the loss of his touch. You move toward the back door, and Logan follows you into the alley from a safe distance. For a moment, you’re lost in a bout of deja vu as you lean against the brick wall, and Logan stands before you. Your hands nervously find Logan’s lighter in your pocket, looking for something to occupy yourself with. The movement catches Logan’s eyes, and you swear the corners of his lips twitch up into a small smile at the sight of his lighter in your hands.

“I’m sorry.”

The words tumble out of you clumsily. Logan’s brow furrows, and you watch as his head tilts slightly to the side.

“What?”

“I’m so sorry, Logan.”

Logan’s lips pull into a small frown as he considers your apology. He takes a cautious step forward, watching you intently. He’s waiting for you to pull away, but you stand your ground.

“Why are you apologizing, sweetheart?”

You can’t help the small smile that spreads across your face. Hearing him say that name — the word that’s been keeping you up at night — you realize just how much you missed the sound of his voice.

“I made you think I’m afraid of you.”

Logan takes another step forward, testing you. You know what he’s trying to do — he’s giving you an out. Pull away, and he’ll stop, but you lock eyes with the man before you. His movements might be cautious, but his eyes are wild with unspoken emotion.

“Well, are you?”

“No.”

Another step forward. He’s now standing within arm’s length. You could reach out and touch him. God, you want to reach out and touch him. Logan looks down at you with an intensity that makes your breath catch. No man has ever looked at you like this, but then again, Logan certainly isn’t like any other man.

“You should be.”

That voice from the first day you met him appears yet again, telling you to run. But you stay put. You don’t need to run from him. You don’t need to fear him. He protected you from those men. He was prepared to fight for you. He revealed his true identity to keep you safe. And once again, you’re like a moth to his flame — gravitating towards him.

“I’m not afraid of you, Logan. And I’m not going anywhere.”

He’s a breath away, so close you can feel the warmth radiating off his body. You wonder if he can hear your heart pounding in your chest as his gaze moves from your eyes to your lips. His hand covers yours, stopping your anxious fidgeting with his lighter. You watch in awe as he takes it from your grasp and places it into your jacket pocket. He moves his hand out of your pocket; his fingers leave a scorching sensation behind in their absence as they slide across your skin until they reach your waist. His other hand comes up and tenderly caresses the side of your face.

“Say it again.”

Your breath hitches at his request, but you do what he asks — hell, you’d do anything for him.

“I’m not going anywhere.”

Logan shakes his head. His hand moves to take hold of the other side of your waist. The grip he has on you is secure but gentle.

“No, sweetheart. Not that part.”

Oh. Oh.

You could cry at the realization — at his need to feel wanted and appreciated. You move your hands to either side of his face. He melts into your touch before meeting your eyes again. A part of you wonders if anyone has ever touched Logan like this — if he’s ever known what physical contact feels like outside of a fight.

“I’m not afraid of you, Logan. I trust you.”

And suddenly, Logan is pulling you into him. His lips desperately find yours. Your fingers thread through his hair as his body pushes you into the brick wall. His movements are rooted in a deep hunger — not driven by lust, but in a need to be known and loved and touched. So that’s just what you do. Your hands move through his hair, down his neck, across his chest, over his back. You attempt to touch every bit of Logan to prove that you want this — that you want him.

A low growl reverberates in his chest as he pulls away from your lips. Unlike the night before, this growl isn’t rooted in anger but, instead, the result of a deep desire. His hands move away from your body and find the wall behind you. Your brow furrows at the loss of his touch until you hear a familiar sound on either side of you — a sharp, metallic snikt. He leans down, forehead resting against yours as his short, rapid breaths fan over your face.

“I’m sorry. I’m sorry. I can’t control it sometimes.”

You shake your head at his admission. He did control himself — he purposely removed his hands from your body before his claws extended. He protects you as if it’s just his second nature — something he doesn’t even need to take the time to consider. You run your hands up his chest, feeling the tense muscles under his t-shirt, before gently grabbing his face.

“Hey. Hey.”

You pull away slightly so you can look him in the eye. Your words grab his attention, grounding him.

“You have nothing to apologize for. I trust you.”

His breaths gradually even out, and eventually, you hear his claws retract and feel the familiar warmth of his touch against your skin again. As Logan maintains eye contact, looking at you as if you’re the answer to some unspoken prayer, you begin to think you’ve gotten this all wrong: maybe you’re not the moth, but the flame.

#logan howlett #james logan howlett #logan howlett x reader #logan howlett x you #logan howlett fanfiction #hugh jackman #x men #x men fanfiction #deadpool and wolverine #wolverine #wolverine fanfiction #wolverine x reader #wolverine x deadpool #marvel #marvel fanfiction

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petrawood · 11 months ago

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I saw someone post a tweet about how a lot of people in the Inquisition must have suspected that something was off about Solas, and out of all of them Bull knew that there was something fishy going on for SURE but the scope of the whole thing was just too big for him to have guessed exactly what was going on.

So, that made me think how the whole reveal must have been like if it actually happened in our world and oh my god it's SO ridiculous.

Btw, this is obviously OOC, but it's just. Solas makes SUCH a character oh my god.

---

Imagine you are an Interpol agent that joins the CIA for this one very important and very specific mission. Everyone knows that you work for another organization and you are a trained and highly competent agent, but the situation is so dire that the CIA is basically hiring everyone who could help.

So, there is this one very weird guy.

He wears an old hoodie and yoga pants. When asked where he came from, he tells you that he is into outdoor living, so just "outside, you know, somewhere". He has no qualifications apart from being a skilled hacker and really really really good at navigating the Deep Web. In fact, he's an expert at it, to the point of being the Deep Web specialist of the team. He walks around BAREFOOT.

He is a WEIRDO.

You assume he is just some guy probably over his head, pretty helpful but that's kinda it. You are going to keep an eye on him anyway, as you keep an eye on most people.

And suddenly, things start no adding up.

You ask him how he learned to hack into the deep web and he answers that he just likes sleeping under bridges and there is very good internet connection there, so he ended up learning. He doesn't elaborate.

For a guy that spends all his time sleeping on the floor and hunched over a computer, you notice that he is actually BUILT. You cannot tell over the oversized hoodie, but that guy has muscle. Once it comes up, he looks you in the eyes and tells you that that's just normal when you live in the outside like him.

You need somebody to pilot an helicopter. He knows how to pilot an helicopter. "Oh, I just watched a video tutorial. You know, in the Deep Web".

You need to steal some nuclear codes. "Oh I know how to cancel those nuclear codes. I found a lot of documents explaining how to do it. You know, in the Deep Web".

You need to plan a coup. "Oh yeah I know all about backstabbing politics. I found a list of all the relevant politicians and the country's corrupt history. You know, in the deep web"

You are in the middle of said backstabbing and he's slightly tipsy looking fondly at the whole thing like "oh how I missed the vibe of a nepotist state. No one throws a party like corrupted politicians- Not that I've been in one before, of course. I've only seen videos. You know, in the deep web"

He drives the other two expert hackers out of their minds. "I don't know how you managed to get this position, you don't even have a Doctorate" "Doctorates are overrated, I think you all would do better if you came to vibe under a bridge like me"

He actually is OBSESSED with overthrowing institutions.

The hackers tear him a new one because they find his Hacker Drip lacking (fair). And he smells like Cheetos.

"I made a lot of friends on the Deep Web forums"

At this point you are convinced that this guy HAS to have something else going on. There is simply NO way someone would know so many things from his deep web premium access under a bridge.

Your best bet has to be that he's another secret agent, a very highly trained one at that, right? Or maybe a highcore antifa member? He either has inside information of the CIA or he's looking for it. But he has been ridiculous helpful so far, so you just can't tell what he's hiding and why.

And then one day guy, this FUCKING guy.

He shows up and tells your Boss that he's actually the ancient god Loki from the Nordic pantheon. That he created death, but is sorry so he's actually going to join the Earth with Heaven and Hell. A lot of people would die because of the Demons and you know, Earth as it is not existing anymore, but that's a sacrifice he's willing to make.

Now tell me, how the FUCK were you supposed to guess THAT.

#solas dragon age #dragon age #dragon age inquisition #solas #iron bull #This is a hahaha funny post that I wrote in one go so sorry for the mess and the inaccuracies!#I hope y'all have a laugh at least

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darqx · 5 months ago

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Another BP/HH/Gen answer dump as usual starting with BP and then moving into the other two \o/

All demons age about the same rate as humans (although with earlier milestones as babies) UNTIL they hit their 30s-40s after which aging slows down drastically 🙂‍↕️

Izm chasing you down to get .D back like

🤔 You guys sometimes really make me think about things I don't often have to think about LOL. I'm just gonna do the gang this time so off the top of my head:

Izm and .D are often eating sushi in my drawings and since I'm pretty sure Izm is mainly the one buying, sushi is his fave. He'll eat any type but he prefers the raw fish ones.

Whilst .D also likes sushi, it's not his fave dish. His fave dish is pasta in a red sauce (like Sugo or Arrabiata) for some reason. Nostalgia maybe?

Zeke is a meat and potatoes kind of guy, so, a nice juicy sirloin with mushroom sauce and a side of roast potatoes and veggies. (BP!Zeke is similar but he really likes pork/bacon particularly, so a pork roast for him probably).

Wei Ren's comfort foods are chicken congee, and seafood steamboat/hot pot.

Marcus' fave is his mom's chicken casserole.

Oh I'm glad (and thank you very much)! I hope you get lots of inspiration and can create a lot of things :D

Hm, that's a good question! I think, for doodling purposes, my fave is Rire mainly because Rire always looks more or less completed in black and white. My other two faves are .D and Izm - .D is a good exercise in subtle expressions whereas Izm is the complete opposite (esp with BP!Izm with that mouth).

Yes. I mean, I'd prefer you be at least 15 for those two things only cos if i had to age rate them they could be considered M or MA15+.

Hullo! The short answer is that there are also "not normal" skin tones, it depends on the demon species :)

The rest of society is pretty standard so yes there are charlatans in the world of BP lol. HOWEVER, no one would pretend to be a BP for three distinct reasons:

You need to be sanctioned to be a BP (ie they have abilities that normal people do not, like being able to perform exorcisms.)

There is no profit to be had as BPs generally don't get paid (all their living expenses are generally covered by their religion's HQ).

It's dangerous work. You'd have better luck being a bank robber.

Desmond is def a club music kind of guy XD EDMs, techno, trance, hardstyle, house, whatever - the kind of stuff you jump energetically up and down to at a club/concert/rave, he'll listen to it.

Not yet for BP (soon...🙏🏻). HH wasn't really a comic series so much as a bunch of somewhat random one shots I did for fun lol.

^ you guys :d

I don't put my pronouns anywhere partly because it is lowkey amusing for me to see how people perceive me online. It doesn't really matter to me, so go with your best guess lol.

You would be surprised at how much time those two hobbies can take up outside of work |D; I also like doing puzzle games (like Quordle etc), coding, going for walks/bike riding, making slightly odd food combos in normal recipes and freaking out my friends on Discord with them, and watching horror/disaster films and playthroughs of horror games.

Maybe one day I would, but not at this particular time, sorry!

Thanks for asking as this is a bit of a grey type area! Personally, I think that as long as this is purely for your own use and you aren't going to on-sell it in any way...then it should be ok. I'm going to categorise something like this as somewhat similar to say...people printing out my art to stick to their wall type thing. Of course, if you ended up buying a bunch and then thought oh i have so many extra I'll sell them to whoever wants them - that would be a no no.

In what capacity lol if there's something I've learned from real life it's never agree or disagree to anything without knowing specifics. Eg if you would like to use my art as a PFP on tumblr then you can if you credit it, but if you want to use my art as a face claim for your own charac then i would have to say no, etc.

That makes two of us as i am not familiar with the twisted wonderland universe :P

.D: Diasomnia

Izm: Pomefiore

Wei Ren: Ignihyde

Zeke: Savanaclaw

Marcus: Diasomnia

I never really specified one so my friends and I have been calling it the fictional city of Hedone lol.

I haven't given up on HH, i just dont draw it nearly as much since i'm focussing on developing BP :) Anyway HH wasn't seriously planned to be a comic or anything (though technically...it does have a very loose storyline that I've alluded to in some drawings |D ) so it's something I can just jump back into and doodle whenever i feel like.

This was from a while back

It's pretty straightforward HH is a slice of life 'verse where my main characs are in an all boy's boarding school and Rire is the headmaster. It focuses on the boys shenanigans though so if you specifically like Rire you will be disappointed as he's barely in it.

I cut off this post cos I dont think the stuff in it should be shared with other random people even though anon is on anon. If this is you anon i hope you are doing well and i would genuinely encourage you to talk to someone about certain things (like a therapist maybe).

#art #doodle #answer dump #battle priest #hedonehigh #reply #answer #sz

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lani-heart · 1 year ago

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|| series masterlist || next // previously ||

genre(s) -> angst, fluff, smut, non-idol, hybrid au, poly au paring(s) -> ( eventually ) ATEEZ x reader warning(s) -> mentions of violence, mention of putting down / death, etc. words -> 4.2K

abstract -> "Lets make it up to eachother!"

y/n's perspective

“She’s awake! Get the doctor!” I heard and my vision was doubled while my head was throbbing. Where was I? The last thing I remember was…

“Then why don’t you run?”

Did he actually run? Was he finally free like he wanted? How does a hybrid escape without pretending to be human? Oh yeah… the black market.

If he did... I hope it was successful and not all for nothing.

“y/n? How are you feeling?” I heard and I looked to my side. “Jeno… how’s school been?” I offered him a smile and didn’t have to see his face to know he was concerned for me. “Good, I've been focusing on this internship and well I try my best to not lose sleep,” he said and I smiled. “Haechan should learn from you,” I said and I heard his soft laughter.

“How… are they?” I asked and he sighed. “Let’s get you checked out first. I’ll let Taeyong-hyung explain,” he said and I knew it was probably bad.

“Y/n the doctor is gonna come in and do some tests, you’ll be given pain medication and you currently have stitches so this will scar. We’ll set up future appointments” I heard as I saw Johnny enter the room.

I wonder if they're okay.

seonghwa’s perspective

Last week we were finally let out. That would mean she's dead or alive to have them do action. I don't know what they did to San or Hongjoong yet. But I was in observation to see if I should be considered for a breeding farm.

I heard them talk… I had no chance of adoption. My only option was a hybrid farm where their only purpose is to reproduce. It also gave me little hope that she was alive.

I know she’s scared of me… but she would’ve tried to convince them otherwise. I also did hear that Yeosang and Wooyoung were code greens ready for adoption but Wooyoung has been in the medical wing.

“If I could, those tigers would be shipped off. Hongjoong is excessively violent, he killed her. What am I supposed to tell San? Or Wooyoung? Those hybrids are far too dependent on her. If they knew, San would become a bigger threat to himself and Wooyoung would join him” I heard. She was dead…?

I may have not had a lot of hope but a part of me hoped she was alive. Oh, Hongjoong… we caused a mess.

“Seonghwa, you have a check” I heard as they opened my curtain. I saw the employee now opening the glass door. “I’m sorry,” I said… and he looked at me confused.

“If… if I didn’t help her she’d still be alive. Even then I could’ve stopped–" "Seonghwa none of this is your fault, I'm sorry your future isn’t looking too bright,” he said and I felt the tears run down my face.

“My future was never meant to bright”

yeosang's perspective

She was alive. I knew she had to be… there's no way she'd die.

I was in isolation. My records unfortunately were publicly known when I was in here. The accident at a popular apartment complex where politicians, CEOs, and even idols lived took pictures of what happened. They warned me… she called in asking if I was gonna be put up for adoption. If… she was dead. I would get a horrible punishment for defying her… maybe even move the country?

“Yeosang, are you ready for some air?” I heard one of the employees. I remember him being called… Jaemin? He was a friend of hers. “Any news?” I asked and he sighed.

“Don’t worry, she’ll be fine” he said and I nodded. “Do you believe that?” I asked and it caught him off guard. He was supposed to make me feel better. I know he’s not allowed to say anything…

“Look… she’s the strongest person I know. The last time I saw her, Johnny promised to make sure she was alright and my friend worked with him. She’s in a stable condition”

liar. He was lying…

“You don’t believe me do you?” he asked and I shook my head.

“She’s… not in stable condition. In fact, they're trying their best to monitor her at all times–” “What’s wrong with her?” I asked and he sighed. We started walking outside as he looked to think about what he’d say.

“Hongjoong when he clawed her jaw hit a vein connected to her heart. The week before when Kun was there, she flatlined but I know she’s stable now we just need her to wake up. If not she might be in a coma for longer than we’d hope” he explained and I could only feel hatred for those tigers and myself… I pushed her, and I misinterpreted her feelings. She was scared of them… and even us.

“Is there hope?” I asked and his smile said everything. It was forced and I could see the glassy look in his eyes. “There's always hope”

Liar.

wooyoung’s perspective

“Wooyoung you need to eat, we don’t want to put you up with the purple code hybrids. She’s not gonna be happy when–” “How can she feel anything? She’s not here… she’s dead isn't she?” I cut him off. The doctor sighed and shook his head.

“No, she's not dead,” he said and I didn’t believe him.

“Do it for her… don’t you think she’ll be distraught to see you in a worse state than before? When she saw you she said she was heartbroken. To know that you were a depressed hybrid… that those who promised her to take care of you weren’t–" "She’s not here!” I yelled.

“Let me mourn her… she isn’t coming back,” I said and I was fully convinced. She would’ve been here already, she’s gone. I should’ve been there.

“Wooyoung you need to take care of yourself, your weight is dropping and you’ll start to get sick..” I turned him out. I didn’t feel hungry… not when I used to live a fantasy almost two weeks ago now. I was hopeful at first…

but then she never came back.

san’s perspective

The world… stopped.

My world stopped… code purple. For hybrids who are dangerous to themselves, mainly ones who experience such stress, or depression they harm themselves.

Would it be so bad to be with her again? Constrained and isolated… How was Wooyoung doing? Was he like me?

I missed the feeling of that collar on my neck, the feeling of her warmth, I miss her. Where is she? How long has it been since I've been here?

Surely only a few hours… I wonder when she’ll be here. Maybe in a few hours?

“San, how are you feeling?” I heard and I finally saw someone after they put me here. “I’m… tired,” I said, I was tired, my mind felt like I was spinning and I felt sick.

“Do you remember what I told you last time?” he asked me. “What?” I asked and he sighed. “San, I've been here three times a day for two weeks now,” he said and I was confused. I laughed, “It's only been a few hours…” I said and he shook his head.

“I’ll remind you later, today we thought it would be good to take you outside” he said and I shook my head. “San, do you remember when you arrived here after the fight? You lost any sense of time and thought you lived the same day over and over again. You improved so much afterwards… she would want you to improve and get adopted again” he said and I shook my head.

“I am adopted, she’s my mate” I said and he sighed almost like he was tired.

“San, we’ve been having the same conversation for the past two weeks, almost three times a day”

hongjoong’s perspective

My hands felt dirty… They didn’t let me go to the cells anymore.

I need to get rid of her blood. I didn't mean to kill her. I… where was Seonghwa? Was he okay? Did he get adopted already? Maybe she’s alive and she took them… but not me.

I don’t deserve it… besides living with humans? I hate them… I hate her… but I want to apologize. I hope she’s okay. I want her to be okay. But is she? Why would they send me away if that's the case, they were preparing to send me off.

I was slowly accepting what I was destined for… I was gonna die. Born into a circus, I was always gonna die.

“You’re scheduled to leave in three days” I heard. It was the main doctor… “Dr. Doyoung will take you in to check your wounds,” he said and I was unchained from the ground to be led to the medical wing.

He knocked on the door when it revealed another employee… and Wooyoung? He looked… starved. His eyes looked lifeless and dark circles prominent.

He looked up at me to not even react. They led him away, speaking to him in a cheerful voice as if wanting to cheer him up. “You ruined the lives of four hybrids,” the behaviorist said to me.

“What's wrong with him?” I asked and he scoffed.

“The healthiest right now is probably Seonghwa and Yeosang. Yeosang though is still clinging to her being alive, while Wooyoung has refused to be cooperative with this severe depressive episode, even San has lost all sense of time and is worse. All humans aren't evil, but you let that control you and even ruined your own chance to actually live” he said as I went inside the room to see the doctor.

I… I'm sorry…

y/n’s perspective

“Two weeks?” I asked and they nodded. “Johnny and Jeno tried their best to take care of you… but you were asleep for two weeks and they thought for a minute your body was in shock, especially after your flatline last week.

“I… what?” I was confused with everything. Two weeks I was out… What happened to them? “You’re okay physically, the tests they've done should help and it looks like they helped you gain some strength to walk despite being comatose for two weeks” he explained and I nodded.

“Curious about anything?” Taeyong asked and I wanted to ask but I was scared. “I’m curious. Curious as to why you were suddenly scared of your hybrids. Kun told me that your hybrids said you started to be detached and started avoiding them and it was clarified that you were scared” he said and I nodded.

“When I did the interviews… Hongjoong mentioned that hybrids do anything to survive even if they pretend to like their owners” I said and he laughed at me. “You’ve clearly forgotten how those three looked at you. Wooyoung used to– actually has been obsessed with you for years, Yeosang is the most overprotective hybrid i've ever seen and San? He loves you… he was your first hybrid and he… he’s a code purple right now” he said and i stopped. I felt frozen…

“A… a code purple?” I said hoping I heard wrong and he nodded.

“He’s lost track of time… he thinks it's been hours. His mind is scattered in events, sometimes he’ll think he’s there because he attacked you and become depressed, or he’ll think the attack was minutes before and scream that he’ll kill that tiger. The worst of it is, right now… he’s waiting for you to show up in front of him. He thinks it's been hours and you’ll recover soon, for him it hasn't been two weeks”' he explained and he wiped my cheek.

“He… he’s no, you're messing with me. San… I need to see him!” I declared and he grabbed my elbow. “You shouldn't be so rash. No one knows you’ve recovered… Kun thinks you're as good as dead. He was there when you flatlined and thought there's no hope” he said and everything was overwhelming.

“I need to see him,” I pleaded and he smiled. “And we will, just let me go to the station first. We’ll go later today, I want to take you back home–" "No” I refused and he sighed.

“The blood is clean… Wonyoung had people clean your apartment–" "It won’t feel right with them not there” I argued and he sighed.

“Give me a few hours then, I'll call Yuta and Shotaro, they'll take care of you,” he said and I sighed. “I’m a grown woman I don’t need to be taken care of” I argued and he nodded.

“Okay… but they’ll meet with you to make sure you're okay, '' he said and I nodded. “I can walk–” “I need time alone… I know where they work” I said and he nodded. “Be careful, you just–” “Taeyong please” I pleaded and he nodded as he left.

I couldn't stop the tears flowing down. I was an idiot… I doubted them and I failed Hongjoong… I need to talk to him–

“Why are you crying again?” I heard as I noticed a man in front of me. It was the man that helped me before. “It's been a long day” I answered and he nodded.

“I’m sorry to hear that, but please don’t cry, surely whatever it is it can be fixed?” he said with a cheerful smile. “Have you ever owned a hybrid?” I asked and his eyes widened. “Only one,” he said and I nodded. “How do you know their feelings are genuine and they actually love you?” I asked and he chuckled.

“That's an interesting question… Well, hybrids are known for faking they care but that's a rare few. If you treat them with love and care I can assure you they will be the same” he said and I nod.

“What if they fake it though, even if you love them to the best of your ability?” I asked and he hummed. “Well, a hybrid can fake words, but the things they do have meaning. Where– I mean hybrids are like animals by the end of the day. They have animal habits they follow, like uhm bunnies circle around their owners, fox hybrids are dependent on owners and usually bond to one person for the rest of their life–" "What about canines and panthers?” I asked and he chuckled.

“That's a weird pair?” he laughed and I smiled.

“Well, panther hybrids only really expose themselves to their owners when they fully trust them so sleeping is a big one. Uhm… panthers are actually known to cook or feed their mates as an act of love? –” San often would feed me off his own plate and make me eat more… and he would always say how he preferred sleeping in my room.

He was showing he trusted me…

“– Dog hybrids however, are known to scent their mates and groom them? So dog hybrids will often fix their owners hair or males would often scent their owner to tell others to back off” he explained and suddenly Yeosang made much more sense to me.

“I can tell you're a good hybrid owner… any hybrid would be lucky for someone to care about them like you do” he said and I smiled.

“Thank you…?” I didn't know his name. “Oh? Uhm my name! My name is… Yunho” he said and I smiled. “Thank you, Yunho! My name is y/n” I said and he smiled.

“It was my pleasure, ah! I think you dropped this?”

Yuta and Shotaro were spamming my phone.

I was now in front of the infamous building… The Seoul Hybrid Rehabilitation Center.

I entered and I was immediately greeted by a shocked Haechan. I smiled at the boy who couldn’t even produce a sentence. “YOU'RE OKAY!” he yelled and I laughed as he hugged me tight. “We were convinced you weren’t gonna wake up” he muttered and I ruffled his hair. “Where's Kun?” I asked and he sighed. “Kun cares about you a lot… so does Doyoung but Kun sees you like his little sister–”

“Haechan, what's going on with him?” I asked and he sighed

“He’s planning on sending Wooyoung and San to Jeju’s Rehabilitation Center, as for Yeosang… There's a threat of legal action with his previous owner, Seonghwa is going to be moved to a breeding farm, and Hongjoong is being sent out of Korea '' he explained and I was speechless.

“W-What?” I asked and he nodded. “Kun right now is out but he’ll be back soon–” “Take me to San,” I said and he shook his head. “Only Kun and Doyoung have the key to get in there… and you're not supposed to be allowed without them knowing,” he said and I smiled.

“Please, let me see one of them?” I asked and he nodded. “I can take you to Yeosang,” he said and I nodded. He talks to have someone come get me and lead me to Yeosang.

“y/n?” I heard and saw Renjun. I smiled softly and offered a hug. “I'm so glad you're okay! When did you get discharged” he asked and I sighed. “Maybe two hours ago?” I said and he scoffed. “You should be resting–” “I need to see if they're okay” I cut him off and he nodded.

He leads me around the green code hybrids seeking adoption until we go towards the ones who have not been cleared for adoption.

“He’s missed you a lot,” he said and I smiled. He opened the curtain and I saw he was asleep. “Jaemin has been trying his best to cheer up him and Wooyoung but it's been hard for them,” he said and I nodded. “I’m only doing this cause I know he won’t hurt you and he is still your hybrid,” he said as he opened the kennel and waited for me to enter.

I nod and go in to kneel close to his bed. I pet his ears softly as he whined and opened his eyes slightly. “Hello, sleeping beauty,” I said and his ears flattened on his head.

“Are you real?” he asks as he grabs my hand, tightening it as if I'd disappear. “I’m real, Yeosang,” I said and he sat up looking at me for what felt like a few minutes before he started crying.

“Please, be real! I… I miss you” he said as he hugged me tightly. I rubbed it back as he sobbed. “I’m here, I promise,” I said and he pulled away to look at me. I wanted to cry too… so many times I got into my head that he faked everything to hide away from his owner when I should’ve known better.

His hand cupped my jaw to where my bandages lay. “Does it hurt?” he asked and I smiled. “I’ll heal,” I said and he nodded.

“I’m sorry for making you adopt them–” “It's not your fault… I got in my own head. Hongjoong is rough around the edges–” “You shouldn’t defend him” he said angrily and I smiled.

“Yeosang…. He was wronged. I should’ve voiced my thoughts sooner, but he deserves a second chance. What you suggested was sweet… he’s lived tormented by humans so he deserves to feel loved even if he doesn't know how to accept it” I said and his eyes widened. He nods…

“You’re too good to be real. I still don’t believe you're actually here… maybe you're a true angel visiting me in my dreams'' he said and I chuckled. “I don’t have wings or a halo,” I said and he chuckled.

“Doesn’t mean you aren't an angel to me” he said and I smiled.

“y/n?” I heard and I looked behind me to see Doyoung. “Did Haechan tell you?” I asked and he nodded. “I-I’m, why didn’t they tell us you were awake?!” he asked and I smiled while looking at Yeosang. “Well, I did wake up two hours ago,” I said and Yeosang laughed. “You should be resting,” he said and I smiled.

“I know… Doyoung. Can I see San?” I asked and he sighed. “I don’t have the key… Kun has taken charge of seeing Hongjoong and San, I only see them to check up on them” he said and I nodded.

“And… Wooyoung?” I asked and he sighed almost nervously.

“He’s… he needs to see you”

Yeosang was gonna be checked one last time by Doyoung while he led me in front of Wooyoung’s kennel. “Be careful with him… he’s been worse than I've ever seen him” he said and Yeosang didn’t want to let go of my hand.

“I’ll be here when you're out, I promise,” I said and he didn’t look convinced. “When have I ever lied to you? Or broken a promise?” I asked and he nodded.

They leave me alone with Wooyoung’s key. I knock before opening the door… It's to tell the hybrid I'm going in. I open it and see that he’s already staring at the door. His eyes widened.

“y/n?” he said and I noticed how hoarse his voice was. How skinny he was… how tired he looked. “Hello, Woo,” I said, trying my best to offer a happy smile as I felt my vision blur. “You're… alive?” he said, confused and not moving.

“Missed me?” I said and I sat down on the floor to sit at eye level with him. “I…” he was speechless. I smiled as I hugged him… his tears and sobs broke my heart. The way he tightened his grip on my body and let out cries was the only thing I could focus on.

He struggled with words as he sobbed.

“I... I lost- any hope that you were alive!” he let out and I felt a serious ache in my heart. “I’m sorry,” I said and he shook his head as he let go and ghosted his hand on my jaw. “It's not your fault,” he said and I knew what he suggested.

“It's not his fault either… I should’ve talked about what I was feeling "I said and he said nothing but hugged me. We sat there on the floor with him hugging me in silence.

“Wooyoung '' I heard as I saw Yeosang in his regular clothes and his collar. “Yeosang?” he said as he lifted his head without letting me go to see his friend. “The doctor wants to see you so he can discharge you,” he said and he tightened his grip on me.

“I’ll still be here… you get to be in comfortable clothes and your collar again,” I said and he nodded letting go but did move to leave.

“She’ll still be here,” Yeosang said and Wooyoung nodded. “Can… Can we get food from that street food market?” he asked and I smiled. “Anything you want,” I said and he nodded. He leaves but not without looking at me one last time and giving me a slight smile.

Progress…

“Are you gonna take in those tigers again?” Yeosang asked and I sighed. “I hate how I… I want to give them a second chance. A better chance without me being scared of them… I took them in because they wanted a better life and I didn’t even try like I did with you, Wooyoung, and San” I explain and nod.

“I don’t trust them” he said and I smiled. “And you have every right to,” I said.

“y/n?” I heard and I saw Jaemin who looked at me with the biggest smile. “How are you doing?” I said and he chuckled. “You see Yeosang, she’s okay,” he said and Yeosang nodded. “Jaemin? Can you take me to Seonghwa?” I asked and he sighed. “The tigers are gonna be transferred–” “Kun can’t do that, I'm still their owner,” I said and he chuckled.

“You're the same as ever. Let me take you there then, I'd rather not be sued and in debt even more than I am” he said and I chuckled.

“Yeosang, stay here for Wooyoung,” I said and he shook his head getting ready to argue– “He needs someone here, and I’ll be back,” I said and he nodded reluctantly.

I followed Jaemin when I noticed he was also a code green hybrid. “Seonghwa, you have a visitor,” Jaemin said as he opened the curtain first.

He looked at me shocked.

“You're… I’m sorry! I should’ve stopped Hongjoong, please I-I’m so–” “Seonghwa it isn't your fault '' I said while giving him a smile and he looked at me with wide eyes.

“I’m sorry for not offering you what I did to my hybrids' ' I said and he looked confused. “You deserve a second chance… so does Hongjoong. Let me make it up to you” I said and he shook his head.

“I… I should be asking that of you!” he said desperately and I smiled.

“Let's make it up to each other then!” I said and he was frozen… “I… why do you still want me?” he asked and I shrugged. “You’re a sweet hybrid… a farm doesn’t suit you at all,” I said and I could see tears forming in his eyes.

“I… I really am sorry I wasn't–” “It's not your fault, you… were the sweetest. You tried so hard to earn a place with me and I know you deserve it. So I'm sorry for letting Hongjoong’s words get into my head, I really do think you deserve better Seonghwa '' I said and he was silent.

“Do you accept me?” I asked and he smiled softly.

“If you’ll take me”

@wonuangel @danirael @angelsaway @krissroo @minkysmilk @mayonnaise-on-toast @robertsbbygirl @superbbananananana @hyukssunflower @kitty4hwa @justconniez @senpai-of-doom @kibs-and-bits @caityelise99 @ilovekinny @ateezennie23 @wooahaelemons @purplelady85 @watamotee33@chidess97 @littlelostdemonofthelight @maliamaiden @burntarm1n @spooo00oky @eastleighsblog @momo-peachy @kitstar1117 @quartzpirate @sunnyhokyu @iwishiwasrichasfuck @theginger543210 @pandolinka @ddaeing @kpopnightingale @slid3er @kekdo-520 @puppyminnnie @sparklinghwa222 @calicanbeevil @itsvxlentine @atinism @loumin908 @smally97 @rxnexxi @acetruepunk @majesticbeluga @namjooncrabs @tashizxy @itstheghostofmypast @smilefordongil @teeziny @totallynotlyntv @kyeos4ng @prodsh00ky @acescavern

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severedfromthesource · 2 months ago

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Androids and Electric Sheep

Ren is experiencing an unusual bug. Features F resus, M rescuer, CPR, stething, mouth to mouth, internal defibs, sex leading to cardiac arrest, sex acts both with consent and a person who cannot consent. I got too invested in the preamble so I highlighted the moment resus actually starts if you want to skip it.

No matter how advanced technology gets, it’ll only ever be used to fulfill man’s most base desires. Case in point- RN-34678. Or Ren, when the barcodes make my eyes glaze over and I get sick of calling them the number slurry X Tech names absolutely everything. Ren is as sophisticated as they come. Actual artificial intelligence. She makes the predictive text and ‘can’t even draw fingers’ image generating 21st century jokes people passed off as AI look like even more of a waste of time than they had been in those days. They might as well have been Speak n Spells. The collective power of every single basement dwelling crypto whizz kid with miles of wires and burnt up processors and bricked up video cards dedicated to their etherium farms pale in comparison to the computing power it takes to run Ren’s brain for an hour. She understands nearly 6,000 languages. She learns and retains information, consuming nearly 160 TB of memory every 8 hours. The bio-organic lace that makes up the net of her brain is a miracle, with the possibility of infinite memory. She is perfect in every sense of the word.

She is a glorified fuck toy.

The second the first android became commercially available, one of the first markets they hit was sex work. If nothing about late stage capitalism drove you crazy, that would have. Fuck curing cancer, or making androids for the dangerous, back breaking work people wreck their bodies to do, X Tech decided people needed a sex doll with a 100k price tag. The world’s most expensive cum sock. And yeah, alright, maybe I’m just bitter, partially because there’s no way in hell I could ever afford one, even as an android technician. But what a waste. She sits on my examination table, dutifully unzipping her black leather catsuit. Her managers always manage to stick her in something stupid looking, so overblown and sexualized they stop even being sexy at a certain point.

She looks up at me with lilac eyes. Last time they’d been blue. I like this shade better, I think, though I could do without the electric blue bob they have her wearing today. ”Your crash reports say you’ve been throwing error codes whenever a stream donation comes in over 2k,” I say. Which, for a bot like Ren, is quite a lot of her donations. “It’s probably just a bug in payment processing.” I look again over her diagnostics, floating on the screen at my desk. “Any complaints I wouldn’t find in the debug menu?”

”My heart has been feeling strange,” she says. I pause and look at her over the top of my glasses. “Well, firstly, it’s not your heart. An aether pump does not a heart make. Secondly, it shouldn’t feel like anything. You’re supposed to ignore the inner workings, it’s all background programs, runs without you thinking about it.” She shrugs. Her shoulders are pale as she rolls down the catsuit and pulls her arms from the sleeves, bunching up the tight leather around her midriff. Her breasts are small and round, standing upright as pretty as a Botticelli painting. I’d noticed the small bumps on either side of her nipples (Christ, did the things ever go soft? Or were they just always cutting glass?) but didn’t register until I saw them now that her managers had pierced them sometime since our last checkup. Little silver bars were stuck through the pink nubs, with winking silver balls on either end. Alright, cool, chill.

I clear my throat and pull up my rolling stool. “Well, let’s just take a look then.” I shift once I’m seated to alleviate the pressure of my stiffening cock. Listen, I’m not a technophile, honest to God. I go out of my way to filter out androids when I’m scrolling through porn sites because, despite the leaps and bounds we’ve made in technology, the uncanny valley is still a thing. It feels weird getting off to bots. But then there’s Ren. And fuck me if she isn’t the most attractive thing I’ve ever seen. I put a hand on the back of her neck, my thumb resting at the diagnostic mode button hidden just under the edge of her jaw. I feel the soft bump that sinks in when I press. Her lilac eyes flash black with snatches of white text, then roll back to lilac. Damn, she smells like a new car.

I glance back at the monitor, and as I suspected, nothing comes up about the aether pump. It seems in perfect working order. Still, I dig around my box of scrap wires and spare tubing until I find my mostly neglected stethoscope. I don’t often have to use it, but I feel a trill of excitement go up from my stomach to think I get to use it on Ren. I plug up my ears and put a hand on her shoulder, taking the bell of the steth in my other hand. Her breasts rise and fall with the rhythm of her breathing, set to mimic human intervals. The real purpose is to cool down her insides and keep her from overheating, but just like the aether pump and its auditory cues, its designed to mimic humans as closely as possible. After a guy fucks something like Ren, he gets the added benefit of being able to lay next to her and listen to her breathing. Feel her heart beat. Doesn’t matter what the purpose of the design is for, it matters so he doesn’t feel like he’s fucking a 100k fleshlight with arms and legs. I press the steth to a spot above her breast and it sinks into her pillowy soft skin like it was real. Cool it, Christ, you can’t get so hot and bothered over everything. Heel, boy.

But my thumb makes a slight imprint against her tit, and it’s hard to think of anything else. Same thing happens when I press the steth against a space under her breast, and it lays warmly against the back of my hand. The pump, like the fake lungs, is designed to look and act and even sound like a heart, pumping coolant through her body. I tell her it’s not a heart out of some petty, pedantic need to distance myself and my unique humanity, but truth is, the thing is a heart. She could die if something went really wrong with it, and a lot of bots have. Sudden cardiac arrest was one of the main bugs in the 2.3 rollout. It got so bad, tons of models in the service industry had to be recalled, because mechanical line cooks and servers were dropping if the ovens got too hot. My hand still on her neck, I pull her forward and press the bell to her back. Her forehead brushes against my shoulder, her gaudy blue wig draping against the side of my neck and jaw. I tilt my head just enough my nose brushes her hair. Fuck, she really does smell good.

“Well, I don’t hear any irregularities,” I tell her, because I don’t. The thing is pumping liquid aether around her body at around 70 bpm, like it should. She draws up from my shoulder, glancing at me sideways. “It only seems to happen with clients,” she says, drying out my throat in an instant. “Clients?” “Mhm. Whenever one of them climaxes. If they do it inside me, my heart starts going very fast. I get foggy and I can’t think afterwards.” I swallow. “Right,” I say, “I mean… I can’t exactly test that, Ren.” She touches my wrist. “It’s rather frightening, Doc. I worry…” She pauses, and I try very hard not to say out loud what I’m thinking. You shouldn’t be frightened of anything, Ren. You’re not supposed to feel any of this. She sits back, bringing her hand up, her fingers curling against where her pump lies in her chest, half covering her nudity.

She doesn’t want to get recalled. I wince in spite of myself. If she has the same defect others in her rollout had, she’s going right back to X Tech. I push the steth around my neck, scooping back hair from my face. “It’s a pretty fatal system flaw. It… I could… Well, I-“ I can’t look at her. Fuck, I really can’t look at her. My face feels hot. This is the plot of like, 90% of bot R34 on the internet. I might as well be a pizza delivery guy and she a lonely housewife who’s a few bucks short on a large sausage. She ‘breathes’. Her chest goes up and down, the lights winking off her pierced nipples. She’s so goddamn gorgeous.

“Doc?” “Thinking,” I huff. I spare a glance around the other cubicles bordering mine. Big glass offices, designed for this exact stupid fucking thing I’m about to do. The first guy who got caught with his dick in a bot ruined it for everyone, so now my coworkers and I are subjected to rat lab cubicles where we can look in on each other at any given moment. People around us testing reflexes, repairing cosmetic damage, quashing bugs. What I was about to do was also technically debugging, but there was no way in hell my boss was gonna see it that way if he saw my flat ass pumping in and out of a bot worth more than I make in a year on the other side of plexiglass. Alright, cool, chill. I scoop up my backpack with my work laptop and sling it over my shoulder. “Bathroom,” I whisper.

Cut to Ren and I, locked in the women’s bathroom. We have three women in the office, and their cubes are on the other side of the building, closer to another bathroom. This one is usually empty. Cut to her, awkwardly standing in front of a toilet. Me, on the verge of being the Most Fired Man Who Ever Lived. For extra security, I’d stuffed us both into a stall, locking it behind me too. It's cramped, which adds to the feeling this is absolutely not what I'm supposed to be doing. But hey, it's my job, isn't it?

I awkwardly maneuver around her and sit on the toilet lid, hastily undoing my pants. God, this is shameful. And weirdly hot? I can't tell if it's just Ren or the dozen or so corporate regulations and general laws I'm breaking doing this, but I can feel the pulse in my cock, pressing up against the inseam of my jeans. Those lavender eyes flick from my face to the swollen, flushed skin, and the outer rim of her pupils flash with color. I help her roll down the leather catsuit and then, holy shit, Jesus, Mary and Joseph, I’m inside her. She feels real. My hands on her back, my face buried in her tits, her thighs on mine, she feels realer than any woman I had ever known. My breath warms her artificial skin, and the barbell through her nipple is cold, the contrast making me shiver whenever the hot skin of my cheek touches the metal. My fingers slide up her stomach, her hips bucking and pumping me in and out of her. She’s tight. Really fuckin tight. I can feel her aether pump, the artificial heart, throbbing in her inner walls, harder than any real heart I’d ever felt. It adds to every stroke, a thumping sensation that’s nearly making me come after a couple thrusts. Christ, I might as well be sticking my dick right against the chambers of her fake heart.

The job. Right, I’m doing a job. Fuck, I’ve never loved my job so much. “Lemme- ngh, God, fuck- lemme see i-ins-side your ch-est, R-Ren.” She’s straddling my lap, panting like a porn star, her bob swinging back and forth, and she nods. The synthetic skin goes translucent, a dull blue glow that starts at her collarbone and down to the bottom of her ribcage. I spare only a brief chuckle, Man, we never could get rid of those stupid gamer lights, before I try to focus my attention on her inner workings. The aether heart is basically a simplified human one, drawing hot fluid in one side and squeezing out coolant through the other in an eternal ebb and flow. And right now, it’s going insane. The valves are snapping open and closed rapidly, the thing shuddering instead of really beating. There’s a little display window pinned under her collarbone, and it’s clocking her at 150 bpm, the green spikes of her heartbeat saw toothing across the round display port. Not totally dangerous, but as I pump inside of her and she bounces on my thighs to match my quickening pace, it keeps climbing.

Alright. As much as I want to be stuck in here forever, with a beautiful woman bouncing on my dick in a way I’ve only ever dreamed of, I have to figure out what’s wrong. I wrap my arms around her body, pulling her flush against my chest. “Hold onto me, ‘kay?” I breathe against her ear. Her arms slid around me, nails brushing briefly against my shoulder blades. I take in her scent. Focus on the sensations of her body, the sharp cold of her piercings, breasts pressed against my chest, her warm, throbbing cunt. It doesn’t take long. I start to lose the rhythm as my breath shortens, my strokes shortening too, until finally I can take it no more. I come, hot seed filling her up, bathing my cock, spilling out from between our sexes. Her back arches, a cry ripping from her throat of the most exquisite ecstasy.

Then she dies.

No, seriously, the bot quits all at once. I’m there, still trying to enjoy the feeling of my load making her even tighter and full, when she goes completely limp. Her arms slide down from my back, and the artificial pulse I feel in her cunt just stops all at once. She’s dead weight on top of me. “Fuck,” I spit, trying to readjust her, but she’s goddamn heavy. “Ren? Hey, Ren- man, what the fuck-”

I look up at her sternum to see the aether pump has stopped. The little internal monitor is reading a flatline. I fumble to unlatch the bathroom door, my other hand cradling her back, as I awkwardly shift to try and swing it open. Both of us end up in a heap on the floor when I try to pick her up. I'm apologizing to her slack and lifeless face as I disentangle myself and hastily zip up, then lay her flat on her back. Her perfect round breasts sit in the open air, her still heart glowing between them. I set my laptop beside her and hook up a USB into the command port hidden behind her ear.

There was no tip off in her crash reports, but looking now, I can see the absolute mess of code in the last few lines she ran before arresting. I clean up some of the irregularities, get rid of the redundancies, and hit reboot. Two small circular nodes glow within her chest, then snap against the chambers of her heart. Basically built in defib units. Her body jerks, hand twitching in against her cheek, her back arching slightly. Her naked shoulder blades slap against the tile floor as she falls back, limp again. But she doesn't move. Her pump is still. I glance at the monitor and see FATAL SYSTEM ERROR flash across the screen. Fuck, am I going to have to do this manually?

Growling in frustration, I throw my hands against her sternum. It's easy to get the right position when I can see her heart lying beneath a few layers of synthetic skin. Squaring my shoulders, I push down hard. Unlike with real CPR on a real person, depth doesn't matter, nor the risk of breaking ribs. She's basically Wolverine. A hydraulic crusher couldn't break her ribs. They yield though, and bow in against her spine as I rhythmically pump her heart. The force ripples through her whole body. Her stomach pops up, her shoulders shrug in, her head rolls back and forth. I look from her face down to her tits. I can't help it, they're swaying with each compression, the light catching her piercings. I can feel the cool metal rest against my fingers. The position my hands are in leaves my fingertip pressing against her nipple, still standing upright from our exercise. A shiver runs through me. Am I seriously getting hard again? It's hard not to. My eyes drink in her still body, the remnants of our session dribbling down her thigh, her breasts bouncing like they had when she was riding me.

I can almost see the corner of the screen light up with “Kink Unlocked: Reviving Dead Girls”. I glance at the monitor and see the reboot option has lit up again. When I take my hands away from her chest, I see her aether pump jerking as if trying to start again. Once more I charge the internal defibrillators. While they hum to life, I partake in a ritual that isn't strictly necessary. The hero always gets to indulge in mouth to mouth with the downed heroine. She doesn't actually need air, but her lips are slack, full and inviting. I press mine over hers, breathing air she doesn't need into her mouth. I can feel her cheeks puff, and I'm surprised but excited to see her chest rises too. I give her a few quick bursts of oxygen. Her chest jerks up and I only allow it to fall part way before I give her another, making her chest rise and fall in short hyperventilations. My hand finds itself running up her stomach to feel the motion of my breaths, up over her breast again. It fills my palm as I breathe a long, slow draft into her throat, and I roll her nipple between my fingers. She sighs out recycled air against my face when I break the seal of our lips.

Man, how do EMTs not cum when they resuscitate hot girls? The whole tableau is so erotic, I can feel my pulse once more jerk in my cock. The defibs once more slap the chambers of her artificial heart and she thrashes under the current. Her breasts sway and she again falls limp to the tiles.

“Come on, Ren,” I say under my breath, watching her aether pump swelling at uneven intervals. The chambers aren't beating right still, snapping open and closed out of sync with one another. I again check her code on my laptop, using one hand to tap through my options. The other I lay against her sternum. It occurs to me I really don't know what the fuck I'm doing. Whatever feels like it helps, I guess. Or whatever feels good. I grind my heel in against her heart in slow, rhythmic compressions with one hand. “Come on, work with me here. Breathe for me. Do something, at least let me know you're not completely bricked.” The idea that she might be makes me swallow hard. I like Ren. I don't want to ship her off to the junkyard as much as she doesn't want to be shipped.

When her heart goes still again I lace my fingers together and start pumping her chest anew. I forget my laptop entirely- this isn't a software issue, it's the hardware in her chest acting up. If I can just get the damn thing to reset. Swinging my leg over her supple thighs, I straddle her so I can use my whole body. Like this, I can feel the motion my work creates in her otherwise still body. Each powerful thrust against her pump rolls the kinetic force through her whole body. Her feet swing back and forth. The force rolls from her chest, down her stomach, even rippling her thighs. Each compression makes her stomach roll out, only now I can feel it between my legs.

Fuck it, I'm already fired. These life saving efforts have got me hard all over again, something I would have thought impossible. I unzip and thrust into her almost in one motion. It's next to impossible to actually pump into her while I'm working her heart, so I mostly settle for letting her body rock into me while I do CPR. Only when the prompt for the defibrillator pops up again do I allow myself to roll my hips into her while it charges. The thing whines quietly as I brace my hand against her chest, driving my cock deep inside her. It slaps her heart again and she arches her back, filling my hand against her sternum. Her inner walls clench with the electricity and I groan as I roll in and out of her. That's when she draws in a breath and moans all at once. Her eyes flutter open and she instinctively begins to grind her hips in rhythm with me. Before long I'm filling her up all over again and I collapse on top of her. She's back. The thought strikes me as I look down and see her aether pump snapping out a normal, if elevated rhythm. I roll off onto the welcome chill of the tile floors, my arm still slung around her.

“You okay?” I pant, my eyes half lidded as I look at her. Ren nods, smiling weakly in return. Then she’s wrapping her arms around me, burying her face in my shoulder. I hesitate, the shame of what I had done to her when she was basically dead starting to creep up now that the high is waning. But eventually I slide my arms around her in return, drawing her close to my body. “Thank you, doc,” she whispers.

“Don't mention it.” Seriously, don't mention any of this.

#tbh i might not finish bite back. ive had a hard time motivating myself to complete the final part #resus community #resus #cpr #chest compressions #female resus #resus writing #internal defibrillators #mouth to mouth #defibrillation #stething

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m-robinavitch · 1 month ago

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the interrogation.

Pairing: Sammy Bryant x Reader, SLIGHT Ben Sherman x Reader (blink and you miss it) Summary: Pulled out of bed in the middle of the night, you find yourself in an interrogation room with two cops. Warnings: 18+ MDNI, smut, role play, sex as negotiation, drug mentions, general cop meanness

It was late, you were tired, and you were so fucking annoyed because you were pulled out of bed for this? Two fucking cops staring over at you in the poorly lit, freezing interrogation room asking you about something they knew you had nothing to do with.

“You don’t mind if we record this conversation, do you?” The younger of the two asked, Officer Sherman, you think. You just shrug, not meeting his eyes because they’re going to do what they want regardless of what you say. The officer presses record and the ancient fucking device whirs to life- the reels start to spin and where the fuck did they even find that relic?

“Now, we appreciate you coming down here so late.” The older of the two speaks- sitting back in the chair that’s slightly too small for him and throws his elbow over the backrest. They were both fucking attractive and knew it, but this one seems like he’s used to his charm getting him to where he needs.

“It didn’t seem like I had a choice, Officer Bryant.” You crossed your arms, titling your head while you answered his question because you were woken up abruptly for this. You were literally only clad in your nightgown that was too thin and a cardigan that barely provided any warmth.

“It’s Detective.” He spit back, rank was important to him, “and we like to give people the benefit of the doubt here. At first anyway.” You could feel the way his eyes trailed over you, the neckline of your nightgown was way too fucking low and he let his gaze wander over the skin that was uncovered and bare for him.

“What’s this about?” You asked, looking over to Officer Sherman now- maybe he’d like to get to the fucking point.

“Uh- um Wednesday night. Hospital pharmacy inventory shows that two vials of fentanyl were missing. Now those are high security clearance drugs- that were logged under your access code.” Sherman never handled interrogations before, but Bryant decided what better way to learn than diving in head first when the precinct was practically empty- he was here if the kid needed help.

“I never touched them.” You quickly said- too quickly. Fuck, you had to relax.

“You were the only nurse on that floor with that security clearance. And the pharmacy was suspiciously empty around that time- not even the cameras caught anyone.” Bryant spoke now, taking the papers from Sherman so he could look and make sure he was on the right track here.

“Someone must have used my code,” you shrugged again, not backing down now. “I’ve been there for 5 years- never had an issue before.”

“Codes just don’t go floating around on their own, sweetheart,” Oh? Sweetheart were you? Detective Bryant tosses the folder in front of you now, lets it slide across the cold metal table while he leans forward and lets his forearms rest along with them, “now of course my partner and I looked into you- last month your supervisor had you under review for some discrepancies in your medication counts.” You tensed, eyes darting between the men because they had you pinned now.

“Those discrepancies were corrected. Clerical error.” Your voice wavered slightly, but you held your head up as you anxiously bit your lip to help the nerves.

“Clerical errors don’t walk out the door in vials that are worth $2,000 on the street.” Detective Bryant cut off your words, the lies he could see forming behind those pretty little eyes- hidden behind thick lashes that he’d probably have a problem saying no to. Officer Sherman watched his superior work, watched how he took the lead now- how he had you awkwardly adjusting in your chair and trying to cover yourself up with that cardigan that did nothing to hide your figure.

“You think I’m fucking selling?”

“You tell me sweetheart,” the detective shrugged, picking up the folder again, thumbing through the papers and- “you’ve got the access, knowledge of the protocol, and the debt.” Your eyes widened. Fuck.

“E-everyone has debts.” You swallowed heavily.

“Not everyone lies about their whereabouts during a 15 minute blank period.” He was cold. Stone cold and harsh and the only thing you can focus on was the way his hazel eyes trailed over you again.

“I was in the break room. No cameras to see me.” Focus. Don’t let him get to you.

“Convenient.” Sherman speaks again, wetting his lips lightly with his tongue, stopping at the way you anxiously toyed at the necklace that dipped between your breasts, wedding ring catching the only overhead light of the now seemingly stuffy interrogation room.

“If I wanted to fucking steal, Detective Bryant, I wouldn’t be stupid enough to use my own login.” Frustrated- frustrated and nervous so you lash out like you usually do and-

“You know what’s interesting, we pulled the access codes from the staff entrance and- well you said you were in the break room but your badge was scanned at the east stairwell door around that time. Not the break room like you say.” Bryant’s eyes never left yours, titling his head only slightly but he leaned back again and nodding along with his own words like he’s made his mind up about you already.

“The door sticks, everyone knows that and the scanner catches wrong sometimes.” You were not going down for this.

“Except, we crossed checked that sweetheart,” Bryant stands now, “with the elevator scans?” He’s walking around the table to come in front of you- to sit on the table and block the light from you and- “no one else was on the floor when it happened. Just you. And we found some latex gloves in the stairwell trash, no prints but some traces of fentanyl residue.” You didn’t want to look up at him, you kept your eyes focused on that folder in front of him- trying to will whatever damning evidence they had against you to disappear.

“That doesn’t prove that it was mine.” You needed to stay calm. You needed to breathe. In. Out. They had nothing. Circumstantial at best.

“No- but it was your locker that had a box of gloves that don’t match the ones the hospital orders, the same brand and size from the stairwell trash.” Less circumstantial.

“I- I don’t know what you want me to say.” You were visibly tense, it was getting hotter in the room now and you shrugged off your cardigan to get some ventilation on your body.

“I want the truth sweetheart,” Detective Bryant came off the table now, kneeling in front of you so you’re almost eye level and you look behind him at Officer Sherman who had leaned in to watch his partner work. “You’re not a hardened criminal.” He shakes his head, almost condescendingly and his voice changes from gritted and angry to- soft and pleading. “You’re married, never been arrested, not even so much as a speeding ticket- maybe, maybe you made a choice. Maybe you were helping someone? Frankly I don’t care why you did it- I care about the kid that OD’d last night- who toxicology said had hospital grade fentanyl in his system- same brand that was missing from your hospital.” One of his large hands comes to rest on your thigh, thumb stroking along your skin while his words come out- almost rehearsed. “Officer Sherman- give me a minute with our friend here. She might be a bit nervous about having two cops in here.” Ben pauses, swallowing a bit but nods and stands to comply with his superior. Detective Bryant waits until the door shuts but he knows Ben is watching behind the glass. A few moments pass, his eyes don’t leave yours, thumb still stroking and his other hand rests on the edge of the table next to you- effectively caging you in.

“It’s not on me, I didn’t- I didn’t give anything to anyone.” Your lip quivered, shaking your head and looking down at the ring along your finger, running your thumb along the smooth metal to calm yourself and- he takes your hand.

“We’re past denial now sweetheart,” shaking his head, stooping his head down to make sure your eyes meet his, “what comes next is cooperation. Help us. And the DA might listen, but if you don’t tell me the truth then- you’re looking at felony charges. Theft, possession, intent to distribute, murder-” Wait- no. You didn’t- you didn’t murder anyone. You absolutely didn’t- no.

“I didn’t kill anyone,” you panic, standing and ripping away from him as you start to pace the small room. They can’t pin this on you. They can’t. This wasn’t even your idea and you just went along with what you were told and- “I want a lawyer.” You say- watching as Detective Bryant stands and nods, considering what you say. He hears Ben knock on the glass. Lawyered up? Get out of the room. But- Sammy has never been one to follow the rules anyway.

“That’s fine sweetheart, you get a lawyer but-” he comes around the table again, stopping in front of you- hand resting on the table and making you look up at him. “I can’t help you if you hide behind your lawyer. If I walk out that door then we’re done here.” Sammy didn’t move, Ben wants to knock again because if Sammy doesn’t leave then they’re fucked. Lawyer? Leave. That’s the way it goes. But you were biting your lip and look up at him and-

“Help me. Please detective I- I don’t want to go to jail.” You begged, putting your hands on his chest and looking up at him like he would be your savior. “I’ll do anything. Please I can’t- I’ll lose my job if this gets out. My husband will find out and- my reputation. I can’t have this happen to me.” You could convince him. You could convince the detective to let you off if you just gave them all the information they asked and even the next drop off location and time. But you couldn’t go down for this.

“You have to talk to the DA, there will most likely be a trial and-”

“No!” You cut him off, pushing forward and your faces are inches apart, “please- no I’ll- I’ll tell you everything. I’ll do anything Detective Bryant- anything if you make this go away.” He swallows- hard. From this angle he can see down your nightgown and- fuck. You see the way he looks at you, the way he flushes when his eyes drop down your neck and maybe you could- maybe there’s a way out of this? Your hands slowly drag themselves down his chest, not breaking eye contact and see his face flush again.

“I- I can’t promise that-” his focus breaks, his mouth waters because you’re fucking gorgeous and your hands stop at his belt now, “I can’t promise that it’ll go away for you. Th-there’s, um, a process and- and-” Fuck. Sammy stops, eyes closing as you lean up to kiss his jaw. He- he can’t do this. He can’t let you off because you’re kissing him, sighing against his skin with little nips and your small hands work at his belt. Fuck- was Ben seeing this? He knew he was, he can feel his partner’s gaze from behind the glass and-

“It’ll feel good Detective Bryant,” you whisper, dragging his zipper down and smiling to yourself when you feel how hard he is. “I’ll make you feel so good.” Sammy had to close his eyes, bite his fucking lip from moaning out loud because your hands are pulling his shirt from it’s tucked in position and slipping into the waistband of his boxers and- fuck your hands are soft. He lets out a choked off breath- hand coming down the grip the edge of the table because it feels so fucking good. The way your fingers haven’t even done much other than swipe your thumb along the slit, collecting the bit of dripping pre-cum there and- he remembers where he is. Remembers who he is and steps back- grabbing your wrist now and you’re fucking smirking at him.

“I can’t- that’s not, this isn’t-” he’s a good cop, he can’t let himself get lost in a pretty girl with a wicked smile who’s fucking licking her lips now and dropping to her knees in front of him. He takes a few steps back, coming to bump into the table and you’re fucking crawling to him now with a devilish smile- fucking hell he can’t breathe. You pull his pants down to his knees and-

“Do you want me to stop Detective Bryant?” You whisper again, looking up at him through thick lashes as you toy with the fabric at his thigh. No. No he didn’t want you to fucking stop. Your mouth looked fucking heavenly and you were all but begging and- he shakes his head, no. You drag his boxers down his thigh, moaning at the way his cock springs up to slap against his stomach and- oh he was big. His cock was big and thick and leaking already and you could tell he needed a warm mouth to cum in. Well- might as well serve him while he protects. You shuffle a bit closer, knees coming to rest alongside his feet and you push his buttoned shirt up, giving you view and access to his cock and you give it a slow, soft lick- starting from the base and coming to the tip.

“Oh fuck me-” He groans, gripping the table with both hands so he doesn’t get the urge to tug you by your hair and use it to hold you while he fucks your mouth. No. No he fucking needs to relax. But it’s so hard to relax when after a few experimental licks, you swirl your tongue around the tip and over the slit to taste what has collected, moaning at the act and smiling when his breathing gets harder. Again, taking the tip between your lips, swirling your tongue and just barely sucking the tip this time as you drag your nails down his shaking thighs. Deeper, just to mid shaft you suck, letting your tongue rest flat along the bottom of him while he’s in your mouth and his groans just make you more eager- that you’ve got him now. Sammy whines when you stop, when your mouth is no longer enveloping his cock but now it’s your hand- slowly dragging up and down his cock while you kiss and suck marks along his thighs. Your touch is so much better than his own, hands warm and small- gentle strokes of him while murmuring praise against his thigh about how big he is, how you’ve never had someone so big in your mouth, how good he tastes and that- you want him to cum in your mouth. That one gets him- makes him see stars and he can’t stop himself from thrusting into your fist because he feels an embarrassingly quick orgasm swelling in his gut. Fuck he can’t cum too fast- but your lips are around him again. You take him deeper into your mouth and your nose is against his stomach, hands coming to grab Sammy by the backs of his thighs to keep him there while you swallow around him and he lets out a string of moans and curses when he empties his load down your throat. He’s breathing hard, panting and slumped against the table but you’re smiling, wiping your mouth and he grabs you by your arm to pull you up into him, kissing you deeply- tongue shoved between your lips so he can taste himself mixed with you, nothing moaning into each other.

Fuck- he needs to be inside you but he has to wait. Sammy picks you up to sit on the table, shoving himself to stand between your open legs and smiles when you gasp against his lips. He can feel how wet you are, you came to the fucking precinct with no panties on and he’s dying right now- praying he gets hard again soon so he can bury himself deep inside your wet pussy and fuck you into this table. But for now, he’ll settle for dragging his hands along your body, palming at your breasts that are fucking threatening to spill over out this damn nightgown that is practically sheer. He drags it down, lets your breast spill out and catches it with his mouth. Your chest heaves into his mouth, hand coming up to thread into his hair now and tug at his auburn curls so you can get him to suck or bite or something. Fuck he’s going to leave marks, marks you can’t hide and-

“You gonna let me fuck you?” He mumbles, grinding himself into your bare cunt- slowly feeling his cock start to stir again but not quite ready to shove inside you just yet. His fingers will do. His fingers that glint in the light from the wedding ring on his finger and slowly push inside you. Thick. So fucking thick and deliciously perfect- dragging across your walls to where you gasp in his ear, nodding because you’re definitely letting him fuck you. Even if you weren’t staring down the barrel of jail time you’d let him fuck you. He drags his fingers slowly inside you, letting you feel every ridge and his fucking ring while he pumps them slightly faster now as he takes your nipple into his mouth- feeling you clench around his fingers while his thumb starts to circle your clit and- “you get this wet from sucking me off sweetheart?”

“Y-yes,” you nod weakly, grinding into his hand now because you feel that swell of ecstasy begin its way through your body- feel the heat dance along your nerves. You’re close. How are you so fucking close already?

“Can my partner watch, sweetheart?” Fuck you almost forgot he was behind the glass. You turn back, obviously not able to see him but you smirk, turning back to the detective in front of you who’s fingers are shoved so fucking far inside you and working fast now you gasp a choked off ‘yes’. Sammy smiles, looking in front of him to the mirror and he knows Ben wants to see your face- so he pulls his fingers from your dripping cunt and kisses your whining lips while he picks you up to move around the other side of the table now. Half hard, achingly so but he knows this will get him ready to fuck you- kneeling in front of you and dragging the other side of your nightgown down so you’re fully revealed to Ben. “Can I taste you?” Sammy is on his knees, kissing your ankle and nipping along the skin as he trails his lips up your leg. You whine a pathetic little ‘please’ to him as he sucks marks against your inner thighs- his curls tickling the sensitive skin there while shoving his shoulders under your knees and pushing the hem of your dress to bunch up around your waist. “So fucking eager- does your husband even fuck you enough?” He doesn’t wait for you to respond- just drags his tongue from your entrance to your clit, circling around once before dipping back down to start over.

“Fuck!” You scream and clenching your thighs around his head while one hand grips the edge of the table, the other finding solace in the curls at the top of his head- trying to be gentle but his tongue feels so fucking good. And he moans when he tastes you- moans into your wet cunt and the vibrations have you pull him by his hair into you deeper so you can grind for more friction. It’s almost not enough. You want him inside you so bad, you want him to fuck you hard into this fucking table and want his partner to watch. But his tongue slowly circles your clit and he moans again before laving at your entrance and pushing between your folds to settle as deep as he could inside your walls. Oh. Oh fuck. The hand that wasn’t gripping his hair for dear life reaches to grab his that’s at your thigh- pulling it to settle on your breast and give some sensation to help your orgasm along. The cold metal of his ring soothes the sting of the marks he had left, this thumb toying with your nipple while he tongue fucks your orgasm from you. It’s wet, hot, and forceful when it slams into your body all at once like a train. You bite your lip, tasting blood to stop yourself from crying out his name when his tongue doesn’t stop but keeps slowly licking into you- helping you ride out your orgasm.

“You okay?” He stands, kissing your neck and collarbone and he’s hard enough now that he can drag the tip of his now fully hard cock along your wet sensitive folds- smirking to himself because you can’t reply with a coherent response but you grab his hip to hold him still against your entrance to teasingly angle your hips back and forth so the tip can just notch at your entrance over and over again.

“Fuck me Detective- now.” You’re breathless, but your hold on his hip doesn’t waver- you’re almost pulling him into you and your mouth falls open in a silent cry because his cock is thick and heavy and pushes into your pussy with resistance from just his fucking size no matter how wet you were. Fuck it was perfect, so deliciously perfect that you can’t even remember your fucking name- only know the feeling of him teasing back and forth into your heat with slow little thrusts. You need to enjoy this- it may be the last time you get to have sex in a while because he can’t promise you won’t actually do time but if the last orgasm was anything to go off of then you’ll be seeing stars soon enough. He’s fully seated in you, throbbing and pulsing inside you but he gives himself a moment to kiss your soft lips- licking his way into your mouth to swirl his tongue around yours while pulling out so unfairly slow. Slow- that you can feel every vein and even the ridge where the tip meets his shaft and he’s almost pulling out of you that when you go to protest he slam back inside you so forcefully it has the table drag an inch or two forward from it.

“This what you needed? To be fucked hard?” He groans in your ear, burying his face in your neck and wills himself to not cum too fast again. “You would’ve confessed anyway huh? Didn’t need my cock to convince you?” The only sound inside the room was the soft drag of the table along the floor, the slap of Sammy’s hips into your own, and your breaths mixing together- panting and shaking moans because he’s fucking you withing an inch of your sanity and- the glass. The mirror where you watch how hard he’s pounding into your tight pussy- behind that mirror Officer Sherman is watching you. Watching you get split open by his partner's cock and- you know you can’t see him but you like to think you’re making eye contact with him, smiling so he can see how good this feels. Smiling at yourself really- dragging your nose along Sammy’s neck with your lips and tongue closely followed behind. With the remnants of your last orgasm still swimming along in your mind- you feel another start to claw its way back up your spine.

“I’m- fuck, I’m gonna cum again,” you whine, silently begging him to give you another orgasm before you start thinking clearly about how bad this is. How bad fucking a detective in the interrogation room is- cutting yourself a deal and using sex as a leverage for your own survival. You try to tell yourself that this is bad, clinging onto him tighter and your ring stares at you- reminding you that your bed is shared. That you greet someone everyday- kiss them every morning and every night. This is so bad. But he hitches your leg higher above his hip, letting it rest in his arm while he shoves himself deeper. “D-don’t stop.” You were close- and a violent orgasm is exactly what you need to stop your mind from going through just how bad this was.

“He definitely doesn’t fuck you enough,” Sammy spits out, eagerly hammering into you and loving the way each thrust has you gasping out while you clench around him. Oh yeah- you’re fucking close. “Been neglected sweetheart? That why you’re so happy to confess? Need rewarding?” He sounds almost condescending, gritting his teeth to concentrate on his words but not letting his pace falter. Each thrust shoves himself deeper- pushing up to force your lungs out the way to make room for his cock. He sounds so mean and rough but his kiss was loving- melting his lips with yours, letting his tongue trail into your mouth and you just let him. You’re too fucked out to do little more than moan and whimper. Your orgasm is fast approaching and you have just enough sense to pull away from the kiss to stare back into the mirror as you cum. Hard. Sickeningly hard that it’s almost devastating and if Sammy wasn’t in front of you then you’d slide off this fucking table and melt into the a puddle into the floor. Your pussy spasms and clenches around him, milking his cock for a few more thrusts before you give his curls a firm tug to crash your lips into his. That was it. That was the literal pull he needed before he pumps once more- cumming hard and emptying himself as deep as he can go inside you. Shared panting, mouths agape and not even able to remember how to kiss but you feel him throb inside you as he finishes cumming so hard he’s sure he had a stroke at that last moment.

“Good?” Sammy asks, pressing his forehead into yours after mouthing mindlessly at your lips and jaw. He’s always concerned with making you feel good- even if he can feel how wet he’s made you or how hard you’ve dug your nails into him- Sammy needs to hear it. He doesn’t like when you just nod- no he wants words.

“Mhm,” catching your breath, wincing when he sets your leg down on the cold table under you, “it’s always good.” You smile up at him, capturing his lips in yet another bruising kiss. You blush now- no longer too horny to care about your state as you adjust your nightgown back over your chest and push the fabric back over your legs once Sammy pulls himself out of you. Fuck- he’s going to be dripping out of your the entire way home. He doesn’t move to grab your forgotten cardigan from the chair- shrugging off his suit jacket to wrap around your shoulders so give you a moment of modesty. “Think Ben is still alive back there or?” You giggle after Sammy tucks his shirt back into his pants, looking back to the mirror when he walks over to the intercom and presses the speaker button.

“You good man?” Sammy asks, smiling back at you when a weak ‘y-yeah’ follows heavy breaths from the speaker- poor Ben. Always dragged into whatever stupid idea Sammy had. But it was an idea that Sammy had tossed around a while ago and how can you deny your husband on his birthday? Because what man doesn’t like the way his wife is lusted after- watching the way Ben has trailed his eyes up and down your body a time or two gave him the idea. Now he didn’t want you to be touched by someone else- no Sammy would break their jaw. But knowing Ben had his hand wrapped around his own cock while watching Sammy fuck you? That was the best present ever. “He’ll be fine.” Sammy came back to you, cupping your face in his large hands while you whispered a soft ‘happy birthday’ to him. He was lucky most of the precinct had gone home already- a few night shift officers were at their desks but typing away on a report or two and the interrogation room was far enough away that he was sure no one would hear you or pay attention to you really.

”Where the fuck did you even find that thing?” You laugh when Sammy reaches over you to turn off the recorder- taking the tape out of the deck and bopping you on the nose with it lightly before shoving it in his back pocket. Definitely one to listen to later.

“Sherman found it in the basement,” Sammy says while you help him with his belt, fixing the metal police badge to clip on straight and adjusting his tie- giving it a yank to draw him in closer to you for another kiss.

“Give him the tape- I think he earned it.” You smile against Sammy's lips when you feel him pout. Maybe it was a sick ‘thank you’ from you- for watching your husband’s back all the time. Making sure he comes back home to you in one piece. You reach in Sammy’s back pocket to retrieve the tape and hold it up to the glass for Ben to see.

“Come get it before I change my mind-” your husband grumbles against your kiss, hearing the door open as Ben rushes in to grab the tape from your hand while you toss him a wink. “Go get the car Sherman.” You smack Sammy for being mean- he gets a little possessive, he’s been sated and fucked and can think properly and doesn’t want his partner seeing his wife with barely anything on anymore. “Lemme get you a sweatshirt and I’ll take you back home okay baby?” There was no way he was walking you out this precinct covered in marks from his lips and your nightgown so low your tits threaten to spill out with every move you make- his favorite one that you wear to bed, the one that doesn’t ever stay on the entire night. The fucking things you do for your husband- but how do you say no to charming hazel eyes and a sweet dimple when he smiles like he knows he’s devilishly handsome?

Everyone thank Ty @velvetmel0n for listening to my random thoughts and sometimes idiot checking my fics for me

#my random typings #sammy bryant #sammy bryant x reader #sammy bryant fic #southland #sammy bryant x you

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hms-no-fun · 3 months ago

Note

you were on cohost? i guess too late now, how was it for you?

cohost had its fair share of problems and i could often find the community there a bit too tumblr-core fingerwaggy if you know what i mean. but the site's dead now so it's kind of a moot point. what i find myself reflecting on most these days are the positives.

first, no numbers. i think their no numbers policy was probably a bit over-aggressive, but it quelled some of the rat race popularity contest aspect of social media that often makes it so tedious. i liked their tag tracking system, their robust content warning options, and the absence of infinite scroll. what i miss most about cohost is that their text editor supported CSS, which led to people programming elaborate text effects and puzzles and games in-site that harkened back to the days of flash animations. there was something in this combination of elements that drew out a rebellious creativity in users.

cohost came at a time when social media was across the board feeling terrible (and it's only gotten worse hahaha), particularly as someone who makes shit that relies on you clicking links that take you away from the website or app. algorithms hate this and punish it. users also just seem kind of lazy and disinterested in using the internet so much as letting the internet happen to them passively. but when a post of mine went viral on cohost, people engaged with it. it wasn't just likes and shares, it was comments and additions. it felt like a place that (at its best) encouraged actual conversation and the development of new ideas among like-minded peers. when my posts did well and i included a donation link, people gave me money. it felt genuinely like a website that COULD support professional blog work in a way that was more customizable even than substack yet still RSS friendly, and the Following tab which let you easily see posts of specific users was a REVELATION, like a mini RSS reader within the website itself.

but the enterprise was unsustainable for various reasons (not all of them outside the dev crew's control) and the haters got what they wanted. now our big social media alternative is bluesky, a website that dares to ask the question "what if there was another twitter?" the answer is that it fucking sucks. i hate microblogs so much dude, why on EARTH are we still acting like these disambiguited 300-character-limit posts are the most preferable means of social communication online??? why would you set out to make a better twitter and then deliberately choose to replicate literally every aspect of the user experience that encouraged low-information high-drama conflict fabrication? WHY WOULD YOU MAKE A VERSION OF TWITTER WHERE YOU CAN EASILY LOOK UP THE ACCOUNT OF EVERYONE WHO HAS YOU BLOCKED AND IT'S SUPPOSED TO BE A FEATURE NOT A BUG???????? i just don't get it. i don't even get the optimism of the early adopters. i've seen people decry the post-election decay of the platform like "of course the cishets come in to ruin a community that was defined by trans & queer people" i'm sorry HELLO???????? from literally day zero bluesky was aiming to be a hands-off centrist IPO-friendly tech startup, there was never anything structurally embedded within the platform itself to keep this kind of decay from happening, you just happened to be on there when there were dramatically fewer users most of whom were curious tech enthusiasts. seriously, how have we not learned this lesson yet? you can't define a digital culture by the vibes of random user behavior! unless you have LAWS and GUIDELINES whereby you fucking BAN people for being shitheads, unless you enforce an actual code of conduct and punish bigoted speech and design a system that encourages constructive conversation, you are always always ALWAYS going to wind up at unhinged facebook boomer slop!

the death of cohost and the utterly predictable decay of bluesky are a big part of the reason why i've been posting so much more on tumblr. this is like the last bastion of anything even remotely resembling the old web, with its support of longposts and tagging and how easy it is to find random hobbyists doing cool shit you never knew existed before. like, yeah, you have to search that shit out and tailor your feed to not drive you crazy, but that's what i like about it!!! i am an adult with agency who understands that life is complicated and as such i expect to have to put some work into making my experience with a website positive! but in the hellworld of the iphone everything is walled garden apps for aggregating content where the content and its creators are structurally established as infinitely replaceable and uniquely worthless punching bags to be used and cast aside. everyone's given up on moderation and real jobs don't exist anymore especially if you happen to work in the "creative economy" IE are a writer or critic or artist or hobbyist of literally any kind. we've given up on expecting anything from the rich moneyboys who own and profit immensely off of the platforms whose value we literally create!!! especially now with the rise of "AI" grifters, whose work has ratcheted good old fashioned casual sexism and racism and homophobia up to levels not seen in such mainstream spaces since the early 2000s.

i like tumblr because i don't have to use a third party app to get & answer asks at length, and because it is a visual artist friendly platform where i won't be looked at funny for reblogging furry postmodernism or transgender homestuck OCs. it is a site that utterly lacks respectability and that's what makes it even remotely usuable. unfortunately it also sucks! partly it sucks because this place was ground zero for the rise of puritanical feminist-passing conservatism in leftist spaces, so it's like a hyperbolic time chamber for brain-melting life or death discourse about the most inconsequential bullshit you could ever imagine. but it also sucks because it's owned by a profit-motivated moneyboy who has consistently encouraged a culture of virulent transphobia and frequently bans trans women who call this out. so like, yeah, this place is cool compared to everywhere else, but it is exactly like everywhere else in that is also on a ticking clock to its own inevitable demise. the owners of this website will destroy everything that makes it interesting and will EAGERLY delete the nearly twenty years (!!!!!!) of posts it's accumulated the instant it will profit them to do so. this will be immensely unpopular and everyone will agree it's a tragedy and it won't matter. the culture and content of a social media platform is epiphenomenal to its rote economic valuation. i mean, obviously it isn't, zero of these massive tech companies would be what they are if so many people weren't so eager to give their time and labor away for free (and yes, writing a dumb dick joke on tumblr IS a form of labor in the same way that doing a captcha is labor, just because it's a miniscule contribution in an economy of scale doesn't mean you didn't contribute!), but once a tech company reaches a certain threshold its valuation ceases to be tethered to anything that actually exists in reality.

all of which is why i remember cohost with a heavy heart. yeah, it was imperfect. it was also independently owned, made with the explicit goal of creating a form of social media that actually tries not to give you a lifelong anxiety disorder so it can sell you homeopathic anti-anxiety sawdust suppositories. for the brief window of time when it was extant, i was genuinely hopeful for the future of being a creative on the internet. part of why i spend so much time on godfeels, a fucking homestuck fanfiction with no hope of turning a profit or establishing mainstream legitimacy, is that my readers actually ENGAGE with the material. what brought me back to using this website consistently was precisely the glut of godfeels-related questions i got, and the exciting conversations that resulted from my answers. meanwhile i put so many hours into my videos and even when they do well numerically, i barely see any actual engagement with the material. and that is a deliberate design choice on the part of youtube! that is the platform functioning as intended!! it sucks!!!

what the memory of cohost has instilled in me is a neverending distaste for the lazy unambitious also-rans that define the modern internet. i remember the possibility space of the early web and long for the expressiveness that even the most minor of utilities offered. we sacrificed that freedom for a convenience which was always the pretense for eventually charging us rent. i am thinking a lot these days about what a publicly funded government administrated social media utility would look like. what federal open source standards could look in an environment where the kinds of activities a digital ecosystem can encourage are strictly regulated against exploitation, bigotry, scams, and literal gambling. what if there was a unionized federal workforce devoted to the administration of internet moderation, which every website above a certain user threshold must legally take advantage of? i like to imagine a world where youtube isn't just nationalized but balkanized, where you have nested networks of youtubes administrated for different purposes by different agencies and organizations that operate on different paradigms of privacy and algorithmic interaction. imagine that your state, county, and/or city has its own branch of youtube meant to specifically highlight local work, while also remaining connected to a broader national network (oops i just reinvented federation lmao). imagine a world where server capacity is a publicly owned utility apportioned according to need and developed in collaboration with the communities of their construction rather than as a deliberate exploitation of them. our horizons for these kinds of things are just so, so small, our ability to imagine completely captured by capitalist realism, our willingness to demand services from our government simply obliterated by decades of cynical pro-austerity propaganda. i imagine proposing some of this stuff and people reacting like "well that's unrealistic" "that'll never happen" "they'd just use it for evil" and i am just SO! FUCKING! TIRED!!!!

like wow you're soooooo cool for being effectively two steps left of reagan, i bet you think prison abolition and free public housing are an impossible pipedream too huh? and exactly what has that attitude gotten you? what've you gained by being such a down to earth realist whose demands are limited by the scope of what seems immediately possible? has anything gotten better? have any of the things you thought were good stayed good? is your career more stable, your political position more safe, your desire to live and thrive greatly expanded? or do you spend every day in a cascading panopticon of stress and collapse, overwhelmed to the point of paralysis by the sheer magnitude of what it's cost us to abandon the future? you HAVE to dream. you HAVE to make unrealistic demands. the fucking conservatives have been making unrealistic demands forever and look, they're getting everything they want even though EVERYONE hates them for it! please i'm begging you to see and understand that what's feasible, what's reasonable, what's realistic, are literally irrelevant. these things only feel impossible because we choose to believe The Adults (and if you're younger than like 45, trust me, to the ruling class you are a child) whose bank accounts reflect just how profitable it is to convince us that they're impossible. all those billions of dollars these fuckers have didn't come from nowhere, it was stolen from all of us. there is no reason that money can't and shouldn't be seized and recirculated back into the economy, no reason it can't be used to fund a society that is actually social, where technological development is driven not by what's most likely to drive up profits next quarter but by what people need from technology in their daily lives.

uh so yeah basically that's my opinion of cohost lmao

#sarahposts #cohost #social media #politics #long post #political diatribe #i miss cohost #this is what happens when my ritalin kicks in mid-stream #i promise i didn't MEAN to make this a whole Thing #but i've been thinking a lot about this stuff and cohost is a big part of why

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wavesoutbeingtossed · 8 months ago

Text

The TTPD Deep Dive (Part ?)

It’s no secret that I have a lot of Thoughts about The Tortured Poets Department and it has lived rent-free in my head since it came out earlier this year. I’m absolutely blown away by how underneath the chaos, it’s actually an exceptionally cohesive story and is probably the closest to a concept album Taylor has ever done.

There are so many themes that have stood out to me over the last five months, and there’s one in particular that I think not only drives the entire album, but ties into previous albums to help deepen understanding of it.

This is it, my fangirl magnum opus, my months of posts consolidated into one place. This is also my disclaimer that this is just my interpretation of the album, and my summary of the story it tells, and I don’t pretend to have any special insight or authority. I’m not saying I’m correct at all, do not take any of this as fact, it’s just what it sounds like to me, and these are my silly not-so-little thoughts about it.

(Under a cut because it’s way too long and involves discussion many may not care for or be sick of.)

Come one, come all, it's happening again (I'm thinking too hard about Taylor music)

The overarching theme in TTPD to me is: Grief. If you’re looking at TTPD as a story being told (instead of just as someone’s real life), the inciting incident of TTPD is loss, and the grief from that loss is what drives the narrator’s actions and the fallout, as well as unpacks those complicated feelings and how they apply to the her life in general. By the end of the standard album, it’s also about recovering from that pain, moving on from it and learning from it.

The loss specifically is the loss of the dream of having a family (with one’s partner). One thing that is abundantly clear both on the top line and under the surface in TTPD is how Taylor (as a person and as narrator) longed not only to for marriage but specifically parenthood, and the fear and then realization of losing that chance absolutely wrecked her— which is why the next lover’s (the conman's) wooing worked so well, because it preyed on that yearning. Yet that loss also dovetails into the grief of many things: of youth, of idealism, of relationships, of ideas, even of self, which causes almost a deconstruction of a belief system to piece one’s life back together by the end.

THE CONTEXT

TTPD weaves in the topics of marriage and motherhood both explicitly and in the subtext, in various forms and scenarios. The cheating husband in “Fortnight.” The wedding ring line in “TTPD” the song. “He saw forever so he smashed it up” in “My Boy Only Breaks His Favorite Toys.” All of “So Long, London.” Running away with her wild boy in “But Daddy I Love Him,” fantasizing about weddings and joking about babies. The imaginary rings in “Fresh Out The Slammer.” The cheating husband (again) and the friends who smell like weed or “little babies” in “Florida!!!” “You and I go from one kiss to getting married,” “Talking rings and talking cradles,” and “our field of dreams engulfed in fire” in “loml.” (And arguably: “I wish I could un-recall how we almost had it all.”) “He said he’d love me all his life, but that life was too short,” in “I Can Do It With A Broken Heart.” They may not sound like much on their own, but they paint a picture about how the topics pervaded her thoughts and her writing, and in many cases express her desires, and her pain.

It’s something that goes back several albums when you pick up on context clues. You get the first hints on Reputation with “New Year’s Day,” and “you and me forevermore.” Then Lover is very forward with it: “Lover” is basically wedding vows, “Paper Rings” is very engagement-coded, “I Think He Knows” is cheeky but low-key “you better put a ring on it,” “It’s Nice To Have A Friend” has wedding/marriage imagery in the last verse. As a self-professed diaristic writer, it’s the type of stuff one presumably doesn’t put out there unless those conversations have already happened, and she was very excited about it at the time it was released.

Then the pandemic happens and folklore comes out, and while there is still happy love there (“invisible string”), there are also the first indications that something has happened to put a halt to whatever future she once dreamed of (“hoax,” “the lakes”) and that she’s trying to reassure herself and him that it can still happen even if she’s scared it might not (“peace”). Notably, as far as I can remember it’s the first time Taylor explicitly brings up the idea of family (with her partner) with “you know that I’d give you my wild, give you a child,” which stood out at the time because it’s so incredibly vulnerable, but it’s even more poignant when you really take in that the whole song is like a confession of her deepest worries, and this is her vowing to give him these things that she holds most sacred if he’ll let her. These are what she cherishes most dearly and wants to return in kind: her youth and commitment (my wild), the family she craves (a child), unconditional support (swing for the fences/sit in the trenches) and understanding/compassion (silence that only comes when two people know each other).

Evermore follows an even darker path, and suddenly the album explores relationships that end and grappling with loss. There are toxic relationships (“tolerate it”), dangerous marriages (“no body, no crime,” “ivy”), failing/broken relationships (“Coney Island,” “champagne problems,” “happiness,” “‘tis the damn season”), as well as grief (“Marjorie,” “evermore”). Even some of the happy songs have uncertainty in them: in “willow” she’s begging for him to take her lead, like she’s still trying to decipher him and ask him to commit; in “cowboy like me,” still a beautiful love song, she’s thinking, “this wasn’t supposed to work and we were supposed to bail on each other but we fell in love instead”; “evermore” is about the depths of severe depression (and more) with the love story being the one saving grace in her darkest hour. And it’s also notable that after all the “fiction” writing, shortly after this album she writes “Renegade” where she’s telling the subject: I’m ready to start the next phase of our life now, why aren’t you? Is it me you don’t want after all? It’s like there’s something telling her that this stall might not just be a stall.

Midnights is a jumble (in a good, but in hindsight, also sad way) with the “sleepless nights” concept, but it seems pretty clear now that the themes and events and relationships she was revisiting tied into a lot of what she was feeling in her present life. I wrote the cliff notes version awhile back, but she’s questioning so much of her life that’s reflected in past events and relationships. Am I actually always the problem? How did we lose sight of each other and what we had? We only seem to work when we block out everyone and everything else. Can we ever go back to when things were good? Why are you neglecting me? I once thought I was going to lose everything but you saved me in the nick of time, can that happen again? I chased my career, but did I give up my chance at having a family in the process? Nobody knows what I really suffer from behind closed doors and I’m all alone.

And so on, which in retrospect now that we have TTPD, is very much what she was grappling with in private while writing and releasing the album. The inspiration behind the songs may have been different events and muses, but regardless of their origins they all end up feeling too familiar, like she's seen this film before (ahem). We’re seeing her view of commitment change too, or rather how she writes about it: she’s not making the outright declarations of it like on Lover, or even the implied ones on folklore, nor is she talking of the dark side of it like evermore. For the most part it’s a return to the early days of some relationships, before things got hard, or the end of them when there was nothing left, and also pushing away the discussion of it altogether by the outside world. “Sweet Nothing” is a sweet slice of life, but even at that, it’s the peace of the home in conflict with the pressure of the outside world. Now that we have “You’re Losing Me,” which was written at the same time as the rest of the album, we can probably deduce that she was going back to the start because something happened that made her doubt the future.

THE SETUP

So much of Midnights directly ties into TTPD, and I said in the post I linked that it’s like Midnights is asking the questions that TTPD answers. But there’s one song in particular on Midnights that sticks out to me as being key in the broadest sense to understanding the state of mind that led to the events of TTPD, and that’s “Bigger Than The Whole Sky,” because the way it expresses grief is reflected in the theme of mourning a life built and the dreams along with it that are never realized in TTPD. There are several instances in TTPD that are basically variations of: “every single thing to come has turned into ashes,” and that’s what makes her snap, and leaves her vulnerable to someone who promises her those things when she’s bereaved at losing them in the first place. (In other words: “the deflation of our dreaming leaving me bereft and reeling.”) The song tells a story about how that loss of hope colours one’s entire mindset, and in some ways is a bridge to TTPD to understand what such a low point feels like.

I think that that grief, and most importantly losing hope for an imagined future in its wake, is fundamental to understanding TTPD on so many levels: both the decline with one partner that kept her hanging on then led her such a dark path, and why she fell for the conman's apparent bullshitting because it offered an express pass to what she was losing with her partner. And I also feel like it plays a part into the ruminating she’s doing all over Midnights, trying to make sense of where she finds herself when she’s writing the album, which directly leads to “You’re Losing Me.” Loss permeates so many of the stories on Midnights: of lovers, of innocence, of youth, of faith, of control, of life’s work, etc. “BTTWS” is just one of the ways in which it is expressed so fully, capturing that deep depression and subsequent extinction of faith in something that once felt assured and very much wanted. (Which is also mentioned in her writing process in the “Depression” playlist on Apple Music.)

If you understand why that feeling of loss in general across so many parts of life is so important to Midnights, then it illuminates so much about the “narrative” in TTPD too. If on Midnights she’s wrestling with the seeds of grief and loss (on multiple fronts), TTPD is her reckoning with it in its full form. “So Long, London” is the song that is the most explicit about it: How much sad did you think I had in me? How much tragedy? Just how low did you think I’d go before I’d have to go be free? You swore that you loved me, but where were the clues? I died on the altar waiting for the proof. It’s the sequel to “You’re Losing Me.” It’s, the air is thick with loss and indecision, I know my pain is such an imposition, I’m getting tired even for a phoenix, all I did was bleed as I tried to be the bravest soldier, I’ve got nothing left to believe unless you’re choosing me, my heart won’t start anymore, but from the other side of the break.

This is highly speculative, but if you follow the thread about the topic and the relationship as told from Rep through TTPD, in broad strokes it goes: young love with a serious connection (Rep) -> growing up and making life plans (Lover) -> something happens that delays those plans or makes them grind to a halt (folklore) -> serious doubts arise and cause a loss of faith in their future (evermore) -> struggling with the loss of that future and trying to make sense of the problems in a last ditch attempt to save the relationship (Midnights) -> fallout from that grief after the blowup of the relationship (TTPD). Understanding that progression of events (through the music) explains not only the storytelling side of TTPD (e.g. the jump from the partner to the conman) but also how the experiences/muses blend in the music, and how the music that on the surface is about the short-term relationship is really driven by the destruction of the long-term one.

Following the music, it’s IMO implied that Taylor (the narrator) was holding out for marriage and family with her partner, for years, and it seems like it was at one point a shared dream until something happened to pump the brakes, and seemingly on her partner’s end. And extrapolating further, given how the sorrow expressed in former albums bleeds into TTPD, it sounds like a plan that had been concrete in some form before it had fallen apart, and losing something that once felt so tangible is what drives her in her grief to find any kind of respite from the pain. Which is why the situation with the conman becomes so appealing as the one with the partner splinters further and further.

(If everything you’ve once touched is sick with sadness and you don’t want to be sad anymore, what are you left to do?)

THE STORY

So (one part of) the story kind of sounds like this from the standard album: the relationship with her partner as well as his mental health slowly deteriorate and he withdraws emotionally (“London,” “Fresh Out The Slammer”) and physically (again, “London,” and “Guilty As Sin?”) and takes his resentment out on her (“London” and arguably “My Boy Only Breaks His Favorite Toys” even though I don't want to get into muse speculation here). As she sinks deeper into her own depression as a result, the weight of the failing relationship starts feeling like a cage— or a noose (“London,” “Guilty”), but coming to terms with the loss of their life together and the future they’d dreamed of was killing her (again, “London,” but also “I Can Do It With A Broken Heart”).

Enter the conman who she reconnects with at the very point where this is coming to a head (knowing that IRL she reconnected with him around the time Midnights was being worked on) , and if you read between the lines, she confides some deeply personal things to him (“Down Bad” and “hostile takes overs”/“encounters closer and closer,” “Smallest Man” and the entire sleeper cell spy imagery which is one of my favourite things and I could write a whole essay about the meaning of it, “loml” and “A con man sells a fool a get-love-quick scheme”). Then after she’s confided these secrets to him, he insinuates himself back into her life (“Guilty,” “Down Bad,” “Smallest Man”) and sells her a dream that HE can give her all these things she hopes for (again, “Down Bad,” “Smallest Man,” “loml,” song “TTPD,” “Broken Heart”).

But the thing is, he only knows these are the things she wants because she’s revealed it to him, and presumably, told him that was what she was losing by staying with her partner. And instead of the normal response of, “that is really sad that your partner is not supporting you and you deserve to be treated better,” to a friend in growing distress, it seems like it was, “well I can give you all those things!!!! Right now!!!! Trust me!!!!” And worked on her until she believed it, and jumped at the chance at a precarious time in her life. And one thing I want to underscore is: Taylor has agency in the situation always, it’s not like she’s been kidnapped and brainwashed. (In fact, she implores on songs like “But Daddy” that SHE is in charge of her own choices, good or bad.) She chose to rekindle the friendship and then relationship, and she chose to eventually leave her long term relationship for another man, and she reiterates on the album that she owns this all. But it’s also: nothing exists in a vacuum, and she makes choices based on emotions and information she has at the time, which is why it gives so much whiplash.

THE ALBUM

When you look at it as, the situation with the conman only happens because of what happened with the partner first and that the appeal of the conman and the fantasy he sells her is a direct reaction to that, it makes the “swirliness” of the music make so much more sense. And for much of it, even many of the “conman” songs on the surface are really “partner” songs underneath.

Fortnight

A suburban gothic allegory about a broken marriage with a distant husband with a wandering eye, which makes the rekindled romance with the neighbor so appealing. She’s miserable caged in her stifling house because she’s been abandoned by her spouse, so the reappearance of this past love reignites the passion that’s dead at home.

TTPD

“So tell me, who else is gonna know me?” “I chose this cyclone with you.” I’m gonna kill myself if you ever leave. Everyone knows we’re crazy. She’s laying it out there that she’s already in a dangerous state of mind, and she’s actively putting herself in more danger by pursuing the conman. “At dinner you take my ring off my middle finger and put it on the one people put wedding rings on, and that’s the closest I’ve come to my heart exploding,” spells this whole thing out so clearly: whether it’s an actual event (likely) or a metaphor for the promise he makes to her, the reason why it makes her heart explode is because it’s the thing she’s been waiting for forever with no movement, and here this person comes in and slips it on her finger in an instant like it’s nothing. (And eventually, as we’ll come to know, it is absolutely nothing to him.) You mean it could have been this easy this whole time?! (Well, no. Not until a certain other suitor makes his appearance later.) It feels like she’s finally getting everything she wanted in the blink of an eye! How lucky! How convenient! What was that about the get-love-quick scheme you say? (Unsaid: the reason why this feels so urgent is because there’s a sense that time is running out in so many aspects of her life and not just the obvious. Which reappears later on.)

Down Bad

“Did you really beam me up in a cloud of sparkling dust just to do experiments on?” sets the scene for this euphoric experience in the moment that starts to feel violating once the dust settles (which is then followed up in “Smallest Man” and the spy mission on her). The bridge spells out how he weaselled his way into her life, preyed upon (intentionally or not) her emotional state, sold her a dream and then vanished, without the benefit of hindsight yet we see later in the album.

The alien abduction metaphor is pretty brilliant, because it shows both how she was desperate to escape the place she found herself in, and how much it screwed her brain to then be left stranded when the affair was over. “[I loved your] hostile takeovers, encounters closer and closer,” is so evocative because it details how the situation came to be: his overtures under the guise of friendship blurred lines until he made her an offer that she eventually couldn’t refuse (hostile takeovers) as he infiltrated her life more and more intimately. The sad thing is that the song has parallels to how her relationship with the partner started too in earlier albums, in that they ran away to live in their own bubble (or planet) only for him to metaphorically abandon her as the years went on. (Oven, meet microwave.)

My Boy Only Breaks His Favorite Toys

Being continually emotionally broken down by a person who knows he’s hurting you but still acts the way he does. (The original voice memo version makes this even clearer and it’s rather heartbreaking.) “He saw forever so he smashed it up,” speaks to the loss of a future the person became scared of, and the original lyrics (“he saw forever so he blew it up”) somehow cut even deeper to me because it feels so much more intentional.

Also in the original version, “he was my best friend and that was the worst part,” also speaks not only to the loss of an entire partnership in the wake of this hurt, but also to the feelings of betrayal that the person you trust so deeply has the ability to hurt you in this way too, and how it’s a one-two punch of not only losing the relationship but also your closest confidant. (It’s like the sequel to “Renegade” and the missiles firing to me.) Again, there are shades of both/many situations in the song, pointing to an unfortunate pattern in some ways. The situation in “My Boy” is part of why she was so low, and why the “get love quick scheme” was so appealing later on. And it dovetails nicely into…

So Long, London

The most explicitly “partner” song that puts a coda on “You’re Losing Me,” and is Track 5 because it’s the emotional underpinning of how she got to where she was, and drives the events of the rest of the album. It spells everything out: He withdrew, she tried to fix it for both of them, eventually even that stopped working, he was oblivious to or minimized how badly she was suffering and his (in)actions couldn’t reassure her, he wouldn’t move forward on their future plans and stewed in his own struggles, she was spiralling out of control trying to hang on and ultimately felt like she was going to die if she didn’t leave.

But Daddy I Love Him

Like a direct reaction to “So Long, London” in that she breaks free from the death of one relationship and throws herself with reckless abandon to the next, fuck the haters. How dare you judge me, when the relationship you think I should have stayed in was killing me? (Dutiful daughter all the plans were laid. All you want is gray for me.) Fuck all of you, I’m going to choose whoever I want! (So what if I have a baby with HIM, huh?! I tried doing it the proper way and look where that got me so now we're back to square one) It’s again her imagining how wonderful and freeing this “wild boy” is going to be for her, and how wrong she’ll prove everyone. THIS TIME she definitely got it right. So what if she has to run away! So what if she scandalizes the whole town! They don’t know what she really wants or needs anyway! She’s the only one of her (hee-hee-hee) and she’s the only who gets to decides how this goes. (Because: she longs for control in a situation she’ll eventually realize she has little of it in, which we’ll find out is a recurring theme in her life.)

Fresh Out The Slammer

Also spells out what happened with the partner in the first verse and the pre-choruses, which is what makes the conman so appealing as the imagined jailbreak. The bitter loneliness vs. the sultry passion she builds up in her head as she awaits her release from prison is key to understanding the two sides of the story in the album. There’s this whole outlaw imagery (which is also carried through in “I Can Fix Him”), but it’s contrasted in the end with her and her reunited lover sitting on park swings like children with “imaginary rings” — because “Ain't no way I'm gonna screw up now that I know what's at stake.” What’s at stake is lasting love and the promises that come with it (marriage/family) that are precious and time-sensitive. The imaginary rings are both a nod to the youthful dreams of her and her new/old lover, but also has a double meaning to me because those promises aren’t built on anything together; they're made up, intangible. (They’re no more concrete than the plans that went up in smoke with the partner.) Like with most of the conman situation, it’s all a fantasy in her head that has yet to happen, and as we find out later in the album, reality ends up leaving much to be desired.

Florida!!!

Broadly speaking, it’s running away from your problems and wanting to disappear from your life. (But again: the life she’s disappearing from is the cheating husband she may or may not be feeding to the swamp-- another miserable marriage.) What kind of flies under the radar though is the “I don’t want to exist,” line, which points to her dire state of mind that led her to fleeing to that metaphorical timeshare down in Destin. In many ways about cheating death.

Guilty As Sin

Yes it’s the “masturbation song,” but again the nuance is that she’s left to pleasure herself because her partner has abandoned her emotionally and even physically, i.e. “my boredom’s bone deep.” To be blunt: they aren’t even intimate anymore, so she starts fantasizing about the guy she used to have chemistry with who’s reentered her life and is making moves on her. And realizing that she’s now finding release in another man (albeit imaginary) breaks her even as it reinvigorates her because she finally understands that the relationship she’s in is effectively dead. (“Am I allowed to cry?”)

Who’s Afraid of Little Old Me

This isn’t about relationships, but about society and its reaction to them in a general sense. But again, she’s left to stew in all this anger and hurt as she’s been abandoned at home, then abandoned by public opinion, and the public attack on her is part of the origin as well as the end of that story. The trauma inflicted upon her detailed in the song is the reason why she felt trapped in the first place, which led to the decisions she’s made and habits she’s leaned on ever since.

I Can Fix Him (No Really I Can)

This is one of the few songs that is the most completely conman-coded, and shows when the delusion finally breaks at the end of the song. She spends the whole song being like, “no really, I alone can make him better! You’ll see! I know he’s gross, but he’s mine! It’ll be fine I swear! You don’t know anything! Uuuuuum hmm wait actually what the fuck—“

Loml

Oof. THE song. Again the surface reading is about the “conman” who comes in and sells her the lie, but the pain is because all the dreams she writes about are HER dreams and implied that they were the dreams she built with her partner that the conman sold back to her. I could do a deeper dive on this but most of the song is applicable to both relationships, which not only shows the “swirliness” of her writing, but also how they both ultimately did the same thing to her in different shades.

The bridge and the last chorus are kind of fundamental to understanding it all, and her ending it with “you’re the loss of my life” is about, among other things, how falling for this trap blew up the life she built and dreamed of for good. (I could talk about this one forever.) “You shit-talked me under the table, talking rings and talking cradles” to “Our field of dreams engulfed in fire” is a hell of a line and progression, and again, indicative of what the real driving force behind the whole album is. The shit-talking is because he took her dreams (of marriage and children) and hyped it back up to her tenfold whether in a moment of his own delusion or for more nefarious reasons — much like how the man prior kept promising these things but never followed through, which left her vulnerable to someone who appeared to offer them enthusiastically. The field of dreams isn’t just the one with the conman, it’s the one with the longterm relationship she’d built the dream with in the first place, because the conman’s actions are part of the reason the LTR went up in smoke. (Not the reason for the rift, but the consequence of the final break.) And THAT is why it’s the loss of her life, so completely.

When she says “I wish I could un-recall how we almost had it all,” IMO it’s not just the fake future that the conman lures her into, but also (and perhaps mainly) the once-real one she had with her partner and the loss of which that made her susceptible to falling for the con in the first place. There’s honestly so much between the lines in this song that covers every theme and speaks to the grief of seeing the life she imagined slip away, slowly by the first man then annihilated by the second.

I Can Do It With a Broken Heart

The juxtaposition of “He said he’d love me all his life, but that life was too short” and “He said he’d love me for all time, but that time was quite short” sums it up to me (and parallels “loml”), because they are two different situations, but they cut her just the same. In the first, “that life” IMO was the life they’d built with the dreams that went along with it and it was too short because he never followed through, and in the second, the “time” was quite short because it was the frenzy of the whirlwind romance that fizzled as quickly as it began. The life that was too short led to the time that was quite short.

The Smallest Man Who Ever Lived

This is definitely THE conman song. The rage, the shame, the violation, it’s all in there. But the key to it is the bridge and the espionage imagery woven through it. A honeypot scheme is when spies target a mark and seduce them to gain their trust and their privileged information for their homeland. So her likening him to a sleeper cell spy who set her up just to mine her deepest secrets and use them against her is a heavy, loaded statement. And implied: that valuable information she unknowingly held were her longings of marriage and family (the aforementioned shit-talking about rings and cradles she never got to have), and more importantly, those dreams preceded him reentering her life and then beginning his mission on her.

The insinuation then is: she confesses these are her deepest wishes which are now seemingly unattainable in her current situation (e.g. with her partner) -> he convinces her HE will give them to her and make the dreams she pines for come true -> she falls for him and blows up her life to make it happen -> he gets what he wants (thrill of the chase/sex/the idea of her/whatever his intent was) -> he abandons her when he gets what he wants, or rather it isn’t what he wants or can handle -> she’s left a) all alone b) with dreams unfulfilled c) with no answers d) feeling used at having her most sacred wishes used against her.

Again, the song is unquestionably about the way the conman absolutely destroyed her, but he was able to do that because there was this thing she wanted more than anything, that was dying in her previous relationship, that he was able to prey upon to seduce her, then discarded her and her dreams as soon as it was inconvenient for him while absolutely hollowing her inside out. (And again: the devastating thing is that this also applies to other relationships she’s written about, in different ways.)

The Alchemy

Not about either the partner or the conman directly, but it (loosely) touches on her finding herself after the whole oven-to-microwave experience and opening herself up to life and love again. #GoodForHer

Clara Bow

This isn’t about the romantic relationships on the surface, but it is about how damaging the entertainment industry and public life are on women, and how women are only valued for their beauty as commodities until they can be discarded and destroyed in the process. Which I think plays into the circumstances that led her to make the decisions that she did years ago, and why she makes the ones she does now. (But also, being valued for physical traits and appeal for the male gaze brings us to…)

The Manuscript

The “original sin” that kicks off all of this. Again, at first light this isn’t about the partner or the conman, but the person it is about is the reason why she has made all the decisions she has ever since in relationships (and that’s Mr. Plaid Shirt Days from “All Too Well”). The realization that her first serious adult relationship is what cemented these patterns, and this view of herself and her worthiness in relationships, is profoundly sad. An older man who valued her for being so mature for her age and implying that the mature activities ahem associated with that were the performance benchmarks in her ability to carry a relationship, only to leave her, was earth shattering. She placed her faith in this person, but then the way he treated her changed her view of love and of herself.

She took his innuendo about “pushing strollers” as a sign of potential commitment, whereas he ultimately meant it as foreplay, and she was too young and naive to know the difference. So not only did she learn from that that this man (and men) didn’t view commitment and family the way she did and that it was something to be toyed with, but she also learned that her value to them among other things was sex. Imagine being an idealistic 20 year old and your boyfriend ten years your senior tells you, “if the sex is anywhere near as good as our dates have been, we’re going to be making babies before you know it,” (e.g. this is relationship is serious) and then he dumps you: does that imply that the sex was not in fact that good? (E.g. that you’re not worthy after all?)

No, obviously from this side of life, it’s because he was a commitment-phobic playboy, even if he did love her, but she couldn’t have known that at 20 and instead internalized that shame. But, it did send her on a path of how she approached sex and love and relationships for over a decade afterwards. And her coming to the realization that that first act of (perhaps unintentional) manipulation is what informed her actions thereafter helped her break the pattern. Her worth to men is not just sex, she has value and her hopes and dreams have value, she doesn’t have to change into a different person to please anyone, because if that is what they want, they won’t ever want her anyway.

It’s been described here on Tumblr by people more eloquent and astute than I as a song that encapsulates the album as this: one did it slow (partner), one did it fast (conman), and one did it first (first love)— and that is haunting. After years of men minimizing her dreams and desires, if not outright using them against her, she’s finally at the point where she can let it all go and move on for good. (There’s a whole other tangent about consent and shame and manipulation, but that’s an entirely different kind of discussion. But it is so devastatingly contrasted with “you said if we had been closer in age maybe it would have been fine, and that made me want to die.”)

THE SUMMATION

This is just my interpretation of it, but in going through the standard album, it feels pretty clear how cohesive the album is about a story of love and loss and grief, then reckoning with what caused it all in the first place that set a person on this path. It’s a formative experience at a young age that was traumatic and led to certain coping mechanisms and a shaping of one’s self-perception, as well as the reaction to external pressures that try to dictate behaviours and influence how one feels one deserves out of love which makes it harder to know when one absolutely deserves more and better. And leaves one struggling to cope with loss when there isn’t anything else to hold onto. Then in light of one’s life blowing up, learning to find oneself in the aftermath all over again.

On another tangent that is somewhat related to the theme of loss, the way she writes about the two main muses on the standard album also ties into how the situations converged to create absolute carnage on her emotional and mental well-being. With one situation, she’s talking about a concrete life that crumbles under the weight of their struggles; with the other, the entire thing is a fantasy that she builds up in her head, and when it comes to fruition it falls far, far short.

If you look at the “microwave” (conman) relationship, you realize that almost everything she writes about it happens before it actually becomes reality, and it’s mostly her imagining how great it’ll be, but with few exceptions, when she writes about what actually occurred, it doesn’t even come close to living up to her expectations. “Fortnight” is an imagined future where she escapes to Florida and his touch finally starts her stalled engine (ahem). “TTPD” is perhaps the most positive retelling of their time together, but even that implies he was better off stoned and when he sobered up he succumbed to his demons all over again, and more importantly she conveys how she also is in extreme distress, barely concealed by the veneer of being infatuated with him. (E.g. saying to that she’ll kill herself if he ever leaves her — the implication is that she is absolutely serious about it when she “felt seen.”) And that the warning bells are going off in her head, but she feels like this person is the only one she can be with (because they’re equally fucked up and the chaos he brings into her life makes her feel alive when she felt so close to death).

“Down Bad” is the most explicit about being in love, but she’s also left completely confused and disoriented by him disappearing, wondering if any of it was real and the seeds of violation creep into her consciousness (“did you really beam me up in a cloud of sparkling dust just to do experiments on?” “Waking up in blood.”). “But Daddy” is her imagining she can tell everyone to fuck off for telling her what to do with her life. “Fresh Out The Slammer” is her fantasizing about this man while feeling trapped in her relationship — but never in the song is she actually reunited with him; she’s using him as the projection of all the things she’ll make right after being wronged by her partner. “Guilty As Sin?” Is very obviously about her fantasizing about sleeping with him, but again it’s such a minefield for her because it hasn’t happened yet; they’ve only just reconnected. “I Can Fix Him” is the only song other than “TTPD” that shows them actually together, and it’s the one where she keeps saying, essentially, “I know he’s gross but I can rehabilitate him into an upstanding person, trust me,” until the mic drop at the end of the song where it finally hits her that no, she can’t, because this is who he is, not the person she’s built him up to be.

“Loml” is when it all comes crashing down, and the song emphasizes everything he did and told her, e.g. that she’s the love of his life, but she doesn’t return the sentiment in the song about their time together. Because now that it’s past tense, she knows it wasn’t actually love. (And says as much in the album epilogue poem.) “Broken Heart” is her reeling in the aftermath, but again, it’s “he said,” not “I loved.” And then there’s “The Smallest Man,” where she eviscerates him: he also pursued an idea of her but didn’t care much for the real her in front of him (who else is gonna know me?), he love bombed her only to hurt her (crushing her dreams), he was constantly stoned (and not just in the funny munchies kind of way), and he wasn’t even a good lover (despite the fantasy she’d created before). That last point is especially striking because she spent albums singing about the importance of and pleasure in (sexual) intimacy in the relationship with her partner (sometimes to both their own detriment) and how it was at times the only way they could connect, but in this case, the idea she hyped up and acted on in her head about this lover never panned out in practice. She spells it out in the epilogue: it wasn’t a love affair, it was a mutual manic phase.

In contrast, there’s a lot more tangible action in the “oven” (partner) parts of the album, showing how hard she tried to make the relationship work in real life instead of just in her head. All of “So Long, London” is her detailing how she tried to break through to him and support him, even when he rejected it and pushed her away, thinking she could carry them both until they ultimately sank, but she did it because she “loved this place for so long.” (The place? Not just the city, but the home and perhaps most importantly, him.) In “Slammer” she stayed with him even as things disintegrated for “one hour of sunshine.” (E.g. holding onto the rarer good times even as they were fewer and further between, hoping things would eventually turn around.) And like in “London,” she held on despite people in her life pleading with her that it was hurting her. (Which is also echoed in “Slammer.”) In “Guilty” her boredom is “bone deep” because the passion that once drove their relationship (and papered over their problems) has finally gone out too, so there’s nothing left to hold onto, leading to her fantasizing about the new suitor, which makes her realize her relationship has passed the point of no return. “Loml” is about the conman on the surface, but the undercurrent of all the things she says about him is that he was co-opting the dreams that she was clinging onto for dear life in the previous relationship, which is why the con is so painful; the field of dreams he sets ablaze isn’t just the fake painting he sold to her, but the original artifact (her life with her partner) too.

All the physical and emotional labour she puts into the relationship with her partner ends up reflected in the fantasizing she does in the one with the conman, which is why it is so confusing in the moment and so lethal when he leaves her without any answers. She wants to get married and start a family with her partner which keeps getting stalled; the conman mock-proposes which makes her think he’s immediately serious (“TTPD,” “loml”). She feels caged by having to hide with her partner and shrink herself; the conman promises he’ll stand by her side publicly and let her shine (“Smallest Man”). She sinks into a deep depression in her loneliness as the relationship with her partner careens off a cliff; the conman convinces her they’re meant for each other in a them-against-the-world way (“Down Bad”). The intimacy (in all senses of the word) in her relationship with her partner fizzles; the conman stokes the fire by sending her secret messages and reigniting passion (“Guilty”). She spent years trying to help her partner to no avail; the conman makes her think she has the power to reform him (“loml”). She feels misunderstood by her partner; the conman acts like he’s the (only) one who truly gets her (“TTPD,” “loml”).

In short: there’s nothing that the conman does or says that isn’t a direct response to what her partner did first, and it’s even worse because the conman knew how much her partner’s actions hurt her and he used that privileged information to paint a picture of what he could give her, but in doing so in some ways aimed at her heart with even deadlier accuracy. (I’ve likened it to him borrowing someone else’s life for his own joyride, until he crashes the rental car and flees the scene.) It’s why in the aftermath, the difference in emotions are so different: she feels nothing but rage and violation towards the conman for getting in her head and using her, whereas her feelings towards her partner are more complicated. There’s anger (at her lost youth and being taken for granted), but there’s also sorrow (at their lost life and future), disappointment (that he never could step up the way he’d promised or she’d needed), even compassion (towards his struggles) and a tiny measure of appreciation (for the good times they did share).

When you look at the bigger picture, the story the album paints is just so painfully normal. You have two people (Taylor and her partner) who once loved each other deeply, and despite warning signs early on telling them they have fundamentally different needs and ways of living their lives they fight like hell to make it work (the epilogue) until those warning signs become grenades that destroy their home (“My Boy,” “London,” “Slammer,” arguably “loml”). Having already been through at least one rough patch/break/breakup that she felt almost destroyed her (harkening back to Midnights on “You’re Losing Me,” “The Great War” and “Hits Different”), the final and fatal downward spiral of the relationship (“YLM,” “London”) and the grief over losing that future sends her into a tailspin, just at the time where a flame from the past (the conman) reenters her life and tells her all the things she’s been longing to hear and feel (“TTPD,” “Down Bad,” “Guilty,” “loml”) and, crucially, missing from the relationship that was once her entire life.

So in her panic, she falls prey to the (empty) promises of the past lover (“loml,” “Smallest Man”) and decides he’s actually what will save her from the free fall, because the alternative (that she will end up in a situation she doesn’t think she can survive) is too painful to bear. When she finally acts on these circumstances (leaves her partner/runs to the conman), she snaps, acting on pure emotion and adrenaline (“But Daddy”), but before she knows it, the new lover abandons her, and she’s left to reckon with the fallout of the episode and process everything that has happened (“Down Bad,” “loml”) — with the conman, with her partner, with the choices made in her adult life personally and professionally which leads her back to the moment she feels set her down that road at the start.

The TL;DR of this unintentionally long essay is that the reason the conman affair was so serious was precisely because it was meant to fulfill the promise of what was her life with her partner. To me, a large part of the story is that she projected that life onto the conman (or he projected her life back to her for his own purposes) because she wasn’t ready to deal with that massive grief and the life raft he offered felt like the only alternative to an even darker end. Whether the conman actually believed what he told her, or he went along with it or encouraged it because it served his purpose, we’ll never know, just like we’ll never know the finer details of what went on (nor should we). But no matter what, the album is just an extreme deep dive into all the ways grief can consume us, and whether it’s a long, drawn-out death or a sudden, inexplicable one, it can turn a person’s life into such a trainwreck that they act in ways unfathomable to even them, let alone the people around them. It can also unleash repressed trauma and mental illness that can crater your sense of self. And when those situations are compounded? It makes for a nearly impossible type of breakdown to unpack. (Which is why you might need a 31 song album to process it.)

#What if i told you I’m back lol #Time for me to finally just post the thing after it’s been sitting in my drafts for so long so I can rid myself of it lol #Writing letters addressed to the fire #the tortured poets department #Consider this a treat before Eras comes back for its swan song leg idk #Would you believe that as long as this is #i deleted quite a few chunks of it from the original draft i sent to a friend(s) in the interest of ~propriety~#Because they were a little too rambly and um— ~speculative~/personal/etc and we are flying too close to the sun #And i tried to be as tactful and more or less stick to things we can point to in the music and such #So hope people catch my drift lmao but also iykyk i guess #I have so many other themes I want to talk about but I never have any time #I have so much more i want to say and yet #wavesoutbeingtossed: The Anthology #Also if things get weird i will turn off reblogs/delete the post tbd #This is not an invitation to get into muse ranting or debate in my inbox and I ask that you please respect my boundaries :)#Midnights #lover #folklore #evermore

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dejabooooo · 11 months ago

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Ok I’m doing it. Idk if anyone will read this but here’s a compilation of all the stancest crumbs from bill’s book along with a stancest endgame theory:

I say theory because I can’t think of a better word atm. I know this is obviously not the intention of the text. I am merely taking the information we were given and twisting it to fit my sick agenda. It’s what bill would have wanted (Well maybe not quite like this but lol fuck him anyway).

So! Obviously billford was the star of the show here, but as I learned a little bit more about the codes I didn’t just learn what they say. I learned that all the stancest ship fuel is contained within them, and even tho it’s not much in comparison, what we did get is pretty profound!

There was a brand new code alphabet introduced in this book that we’ve never seen before. This cute little bros code that Stan and Ford invented when they were kids. Besides this image, this code is used only three times in the entire book.

The first (and insanely subtle) instance is on this page where ford concludes that Stan is the only person he can turn to after bill drives him to his breaking point:

It’s very small and hard to make out. On the window amid the equations.

It says: “miss you”

Pertaining the contents of this page, my first thought was that this is probably meant to be interpreted as a message directed at Fiddleford. But that wouldn’t really make sense given how it’s presented. This wasn’t written in after the fact. It couldn’t be directed at Fiddleford, they’re standing together arm in arm. It’s a code only Ford and Stan know, and this pic wasn’t taken long after they separated. This message must be about Stanley.

Ford uses the code on the next page, the last lost journal page where he’s talking about reaching out to Stan. It translates to: “have I been too harsh all along?”

This is so gut wrenching to me because he’s never written in this code literally anywhere else in the entire journal. And he says this vulnerable little line about Stanley in this code he probably hasn’t used in years but still remembers, in this code that only Stan would be able to understand besides himself.

The last usage is by Stan. Because the rest of the family is watching him write this, to the rest of them it just looks like he’s censoring his cussing for the kids’ sakes. But to ford, stan’s slyly writing him a little message that only he can see…

And what does it say?

“Love ya bro”

Ford’s arc in this book is realizing he should put his attention and concern in the ones that love him rather than fueling his obsessive hatred toward the one who hurt him. He comes to understand that he’ll be happier if he’s open about his past and rely on his family whose affection isn’t conditional like bill’s was. He moves past his shame, and comes out of the paranoid isolation that bill had encouraged him into.

And of course he receives this comfort from his whole family. But I think it’s very interesting how bill is framed as this toxic ex, Fiddleford is framed as the one he should have put his trust in during that pivotal time in 80s where ford ultimately blew his chance, and then there’s Stan.

Stan is hardly brought up at all but his presence lingers in more than few of Ford’s vulnerable journal entries. Stan is the one who put Bill in his place. Stan is the one who made Ford realize where his priorities should be. Stan is the one who’s accepted him all along and is the one remaining by his side in the end.

Bill even blames Stan for stealing ford from him like a jealous ex who can’t stand the fact that ford has moved on with someone else. (This is directed at the reader but it mirrors his frustration with the stans when they worked together to defeat him)

In conclusion: incest somehow ended up being the healthiest partnership option all along. Who knew?

BONUS CODE THAT CAN BE MISCONSTRUED IN A MORALLY REPREHENSIBLE WAY:

At the bottom of the first lost journal page where he’s talking about his loneliness and yearning for human connection, he mentions Stan in a code again. After embarrassing himself in front of the waitress he says: “Stanley could have made her laugh” 💔

#stancest

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suzukiblu · 2 years ago

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NaNoWriMo fic, day one: obligatory sugar daddy Tim/sugar baby Kon AU.

Tim Drake had absolutely no intentions of ever becoming anyone's sugar daddy when he met Superboy.

This would have worked out better for him if Superboy had ever had an actual legal identity or an actual legal guardian or just . . . literally anything whatsoever in life. Ever. At all.

Just a bank account, even.

"You're working for Cadmus," Tim says slowly. "Cadmus, as in the lab that stole Superman's body and cloned him without his consent. Cadmus, which you had to break out of so they couldn't put mind control code words in your head."

"Yeah," Superboy replies like that's not literally insane. Tim stares at him.

"Why?" he asks incredulously.

"Food and shelter?" Superboy shrugs. "And I mean, I dunno, where else am I gonna go?"

Tim is not okay with this situation.

"What did Superman say?" he says.

"Just to like, keep an eye on things," Superboy says with another shrug. "Make sure they're not up to anything shifty."

Tim stares at him.

"Superman," he says. "Told you to just . . . 'keep an eye on' the dubiously ethical cloning lab. The specific dubiously ethical cloning lab that tried to put mind control code words in your head. Specifically."

"Yeah," Superboy confirms.

Alright, Tim is actually even less okay with this situation than he thought, apparently. Like, impressively less.

"Okay," he says. It is absolutely no kind of okay in any way whatsoever, of course, but he doesn't want to put Superboy on the defensive. That'd make effectively interrogating him a lot harder, for one thing. Cooperative subjects are best in these situations. "What are they paying you?"

"I mean, like, they gave me my own room and they're feeding me and whatever, so I don't really need much money," Superboy says. "There's a discretionary fund I can use if I need to go on an undercover mission or anything like that? But I'm not really the undercover type anyway."

"Sure," Tim says. So . . . no way for Superboy to save up to move out and get an out-of-lab life, then. Great. That's not fucked-up or crazy or horrible at all. "Do you like it there?"

"It's okay," Superboy says, shrugging again. "Better than literally everybody in Hawaii yelling at me every time they see my face, yeah?"

Tim wants to set the world on fire, but he's trying really hard not to go supervillain before he's thirty and he'd hate to throw out all that hard work.

"They just let me do whatever, mostly," Superboy adds. "They don't really care as long as I'm around when they need me."

He'll go supervillain as soon as Bruce dies, Tim promises himself. Just–he'll give his share of the eulogy at the funeral and then he'll blow up three-fourths of Arkham and the entire GCPD while Commissioner Gordon is on his lunch break. He can time that out, that'll be easy. And then he'll go and personally murder the Joker with the very specific combination of a rusty crowbar and a shrapnel bomb, and then he'll just . . . well, he'll just go with the flow from there, he figures. Do whatever feels natural.

Seriously, the world as it is does not deserve to exist. It really just does not.

Tim figures he can probably convince the rest of Young Justice to tag along for the whole supervillain thing and hopefully Dick and Steph and Barbara too, and ideally also Alfred, in the unfortunately likely event that he outlives Bruce. He's got time to lay the groundwork with them all and all, and also everything really is awful and horrible and really does deserve to burn.

"Are they sending you to school or anything? Or tutoring you?" Tim asks with what little scraps of hope he has left. Higher education would be . . . well, something, at least. And actually it probably wouldn't hurt for Superboy to learn a bit more about genetic engineering from the same place he got genetically engineered, just in case anything goes wrong with his DNA again. Cadmus should at least be good for that much, right?

"Ew, no, thank fuck," Superboy says, making a face. "Like I said, they mostly let me do whatever until something needs punched."

So . . . no furthered education or learning any usable job skills or making real money or literally anything that could, again, lead to Superboy ever getting any kind of an actual out-of-lab life established.

Great.

Just great.

"I see," Tim says.

"It's a pretty sweet gig, considering," Superboy says, and grins brightly at him. It's a very nice grin. Normally being faced with that particular grin would make Tim need to beat down the highly unprofessional urge to kiss it.

Right now, though, he's a little bit more concerned with the fact that his teammate is just . . . living in and working for a fucking lab. As a matter of course. Just as a thing.

And Superman of all people thinks that's . . . fine, for some reason? Like, normal and ethical and okay? Somehow? In some way?

What the actual fuck, Tim thinks to himself.

"You said Superman told you to keep an eye on things?" he asks.

"Yeah," Superboy says, his grin widening. "He took me to his fortress and asked me to do it there. Showed me around a bit, too."

"That sounds really interesting," Tim says, wondering in vague disbelief if that means Superman had never taken Superboy to the Fortress of Solitude before. He must've, right? And just . . . inexplicably not shown Superboy around then.

Yeah. Sure.

"It was awesome!" Superboy says with more enthusiasm than Tim's seen from him since they met Nina Dowd's . . . endowments, seemingly forgetting the need to be "cool" for long enough to lean forward in his seat and outright beam at him. Tim is gonna need a minute to recover from the sight of that expression, probably. "It's seriously freaking freezing up there, but there's so much cool shit in the place. Like, from all over the universe, but from Krypton, even! The only thing I'd ever seen from Krypton before was kryptonite!"

Tim considers moving up his supervillain timeline after all. Like. Just possibly. Just a little.

Maybe he can convince Bruce to take an early retirement off-planet and just go from there.

What the hell is wrong with Superman?

"Oh, wow, really?" Tim says, simultaneously pretending he didn't already know what Superman has in his fortress and trying not to be screamingly obvious about the internal calculations he's running on figuring out how to weaponize red sunlight. Or like, maybe he could look into learning some magic. That's technically an option. Probably more time-consuming and harder to hide the process of, though. Still, it's on the table.

"Yeah. He showed me some of it. Told me some stories and stuff, even," Superboy says, and that excited grin turns just a little bit shy and soft and somehow even more distracting than usual. He ducks his head just a little, and then that soft grin is more like a soft smile, and Tim suffers. "And I, uh–and he gave me something, too."

"What did he give you?" Tim asks, praying to God that the answer is "an emergency contact number" or "an allowance that can cover a semi-decent Metropolis apartment" or "an offer to live literally anywhere but Cadmus, including in the thirtieth century or on a hostile alien planet or inside an active volcano". He's technically an atheist, so the praying thing is probably moot, but times of desperation are times of desperation.

"A name," Superboy says, and his smile widens helplessly. "Like, you know, a real one."

Tim might hate Superman, he thinks. That might actually be a thing now.

Yeah, he's definitely going supervillain after Bruce dies and doesn't need an emotional support sidekick anymore. Better start stocking up on the kryptonite.

"That's great," he says with a very carefully not-forced smile of his own instead of anything more along the lines of "wait, you've been alive and active as a superhero for all this time and no one ever actually named you?!" Superboy would probably take it the wrong way, not in the least because that genuinely never actually occurred to him as being a thing before. Like–he really did just assume Superboy was keeping a lid on whatever his real name was for personal reasons or Superman reasons or something. "Are you allowed to tell me it, or is that a no-go?"

"Oh, yeah," Superboy says with a sheepish laugh, rubbing at his arm. "It's like, a Kryptonian name? Not like a secret identity one. It's, uh, Kon-El."

Of course it's not even a damn secret identity, Tim thinks in absolute frustration and abject loathing. Of course not! Why would it be?! Fuck forbid!

"I like it," he says, because he lies to Batman and therefore there is no fucking way that he's going to let Superboy–Kon–see any sign whatsoever of the metaphorical 9.9 on the Richter scale that is currently happening in his psyche. "It suits you."

"You think?" Kon grins all the wider. Tim can't even calm down enough to want to kiss him, except in the sense that he always wants to kiss him.

"I do," he says, and smiles at him again.

Kon smiles back.

Tim hates everything. All the things. There is nothing that Tim doesn't hate right now, except maybe Alfred's snickerdoodles because he might be having a nervous breakdown but he's not, like, criminally insane or whatever.

Yet.

"Yeah, it's kinda cool," Kon says, straightening up in his seat and then leaning back, clearing his throat and slipping his sunglasses back on like they're not in a literal cave right now. Tim doesn't call him on it, because he has a supervillain timeline to work out and that's much more important.

Also because the teammate he has an inadvisable crush on is in a much, much shittier situation than he ever realized and he has to reconcile that with his worldview and also his opinion of Superman. Tim doesn't especially idolize the man except in the sense of knowing he's one of the greatest heroes on Earth and a very, very good man that Bruce thinks incredibly highly of, one of the best men on the League and maybe even on the planet, but . . .

But if he's such a good man, then why the hell is Kon living in a lab that tried to mind-control him and why has he only just seen the Fortress of Solitude for the first time?

Why didn't he have a real name?

"So do we call you Kon or Kon-El now?" Tim asks, which is a bit of a senseless question but also at least a bit of a distraction. He wants to say this whole situation is a horrible idea, who the FUCK convinced you this situation was a good idea?!, but there is no possible way that Kon would respond well to that. Ever.

Also, Kon had a point. Where else is he gonna go?

Clearly not the Fortress of Solitude.

Seriously, would it be that hard for Superman to give him a room there? At least a place to stay sometimes, so he wasn't exclusively relying on the mind-control cloning lab for food and shelter and basic comforts?

"I think just Kon?" Kon says, frowning consideringly. "'El' is like Superman's last name, I guess? So I think just Kon."

"Makes sense," Tim says, internally seething. Superman gave him the "El" name but not a secret identity? A name from a dead civilization with a bit of sentimental value, maybe, but nothing usable on this planet? Fuck, you'd think Kon didn't already know his secre–

. . . Kon doesn't know Superman's secret identity, does he.

Tim had thought he was lying, when he'd said that stuff about Superman not having one, before. Thought it was supposed to be a cover or a misdirection or something. But Kon actually thinks that, doesn't he. And Superman has just . . . kept letting him think that.

Becoming a supervillain actually might be an underreaction, in retrospect.

"Just Kon sounds less formal anyway," Tim says instead of so just in theory, do you think tactile telekinesis could trigger a heart attack or stroke in a full-blooded Kryptonian, if you could REALLY concentrate on doing it? like not FATALLY, just dehabilitatingly?, because he still has some groundwork to do before they get that far into potential supervillainy. There's steps to the plan. The steps need to be followed. They're very important steps. "You don't want Bart full-naming you every time he's looking for the remote."

"Like he'd even bother, it's faster for him to turn the living room upside-down than actually ask anyway," Kon says with a laugh, dropping his head back on his neck. Tim has some thoughts about climbing into his lap and figuring out if the TTK makes him hickey-proof, and then buries them. Not appropriate. Not professional. Just not.

. . . technically, if Kon wanted a hickey, he could just let his TTK down and ask for–

Tim buries his thoughts deeper.

Much, much deeper.

"Point," he says. "So what time does Cadmus expect you back?"

"Dude, it's a job, not a boarding school," Kon says, giving him an amused look. "I don't have a curfew."

Tim, technically, hasn't followed his own curfew any way but accidentally once in his entire life, but for god's sake, is Cadmus even pretending to be raising a teenager or are they really just being that flagrant about ignoring all the child labor laws they so clearly do not give a fuck about? Like, there must be something illegal about this. There has to be.

If there's not, Tim will be adding "burn down Project Cadmus" to his list of supervillain plans to set up in advance. In red pen. Underlined.

Twice.

God, why is the world like this. Why are people like this?

"I guess that'd be convenient," Tim says, internally ranking various methods of combustion. "Though I guess it depends on the cafeteria hours, too."

"It's whatever, I can always eat later," Kon replies with a shrug. "I think I've still got a couple protein bars in my room anyway."

"Just protein bars?" Tim asks, mentally upping the amount of explosives he was considering going with. Cadmus is going to be a crater by the time he's done with it. "Don't you need more calories than that?"

". . . well, sort of," Kon says, folding his arms and looking very briefly embarrassed. "Superman doesn't have to eat, apparently, but, uh, guess I'm not Kryptonian enough for that. Actually I kinda need to eat more than normal humans, it's weird. Like. A lot more."

"I'm ordering pizza," Tim says, upping his mental explosives count again. "What do you want on it?"

"We're the only ones here," Kon says, looking puzzled.

"More pizza for us, then," Tim says.

#timkon #tim drake #kon el #conner kent #dc robin #superboy #young just us #young justice #long post #wip: obligatory sugar baby Kon

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pearl-blue-musings · 4 months ago

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touch

Finally finished this WIP so is it garbage? Probably

Pairing: Aventurine x fem!reader, slight Dr. Ratio x fem!reader

Warnings: some smut, unreliable mc, slight angst, is the reader black women coded for my sanity? yes

Word count: ~2.3K

Aventurine is a gambler. You knew that going into this arrangement with him. The both of you have very stressful careers, him an IPC exec and you a scientific researcher, and finding some common ground came easy. You had met during a meeting with the Stonehearts and your research firm. The attraction was instant between the two of you, your breasts felt extra malleable under his gaze and you wanted to ignore the way your pussy clenched at his smirk and chuckle. At the lounge afterwards, the two of you made good conversation, drinking and getting to know each other. Eventually, he was leaning into you, his hands trailing over your silouhette before whispering in your ear.

“I know we both want each other, let’s just go to my place already.”

His voice was sticky and saccharine and it’s been embedded in your brain ever since. If you weren’t horny before that, the way he laced his words with honey had you almost cumming on the spot. Aventurine ravaged your body in ways you didn’t think were possible. You had told him in a lusty haze that his job should be eating your pussy, suggesting more research should be conducted. Never had Aventurine found himself genuinely falling for someone so fast and openly wanting more of their touch. And that terrified him. You two only knew each other for barely a day and he made the decision that you were going to be a problem. A problem he wouldn’t mind fucking every now and then until he figured out something else.

You slowly learned through the grapevine that he is willing to do whatever it takes, whatever gamble is necessary to get what he wants; he’ll sleep with, tease, ingest whatever he can. He does it in a way that pisses you off to no end. Sometimes it ends with the two of you fucking out your frustrations but it gets to you. It always does.

So you decide to fight fire with fire.

Dr. Ratio doesn’t always indulge himself in fleeting intimate moments but there was something about you. He knows about you because of Aventurine and is curious why the IPC executive doesn’t have you on a tighter leash. Despite your knowledgeable mind, you happen to be one of the most beautiful women he’s ever seen. Although Ratio may have a snarky temperament and brooding attitude, there have been times where he is soft around you. Relatively speaking. Through their interactions, Aventurine has spoken about you less and less which only made the doctor want to know more about his ethereal researcher lady friend. Aventurine paid no mind, he has to pay no mind.

So when you had invited him to go over some research topics of yours (a serious endeavor as you have been dying to collaborate with the doctor) and he brought over a nice wine as a polite guest, things got heated. The scholarly debate between the two of you got intense which led to the bed being occupied and ruined. Ratio had left his mark on you, whispering dirty words such as “you uneducated wench, was this your plan? Answer me, slut. Tell me. And to think I wanted to work with you, pathetic.” His toned arms are adorned with your scratch marks, his chest littered with your lipstick stains. During that time, a certain blond had decided to call you for a rendezvous, not that he was missing you, but you politely and accidentally picked up and he heard everything.

He heard the way the doctor whispered sweet and filthy promises in your ear, the sound of skin against skin was almost enough to make him break his phone. But he knew better. He knew you wanted to get on his nerves and so he listened. Listened to the way you finish with that high pitch furl in your voice, to the way Ratio grunted and thrust into you when he was done. He listened to the way your hands grabbed at Ratio’s back and could imagine the way your nails dug into the doctors back.

You let Veritas stay the night, the doctor surprisingly bathing you and suggesting that you two consider collaborating in the future. In research and the bedroom. He leaves and runs into a furious blond, a smirk on his face as Aventurine pulls out the extra key he has to your place. The gambler doesn’t let his guard down until he’s passed the threshold of your apartment. The blond finds you in a state of undress and a satisfied look plastered on your face. He tries to berate you but you tell him blankly, “we’re not in a relationship, remember?”

Aventurine didn’t want to take your words to heart, but he had. He composed himself and let himself out, seething that you would do something like this.

The next time he sees you, it’s at an IPC executive party weeks later. The drink in his hands swirls and starts to lose its potency from the ice melting. His gloved finger traces the rim as he watches you talk with Jade and Sugilite. His eyebrow quirks up when he sees Sugilite put his glass to your lips and a hand to your hips.

You’re up to something he thinks, and it’s driving him insane. Did you want better hours at the IPC? Better funding for your projects? How could you stoop to his so-called level and not let him help-

The glass in Aventurine’s hand almost shatters as you drape your legs over his colleagues thighs as you kiss him seductively. It appears that Sugilite has his hands running up and down your sides and to your ass, grabbing a fistful of it as you two grind against each other so openly. Sure it’s a dimly lit establishment, but it wouldn’t take much to know what’s happening.

This kiss with the other executive isn’t what you thought it would be. You wanted it to be Aventurine underneath you, your breasts pressing against his chest and his hand on your ass. The dress you have on leaves nothing to the imagination and you wanted a certain someone to rip it off of you. However, you have been getting tired of Aventurines antics and decided to get even with him. If he can push your buttons, why can’t you do the same?

The kiss ends with Sugilite whispering into your ear. “The money will be sent posthaste. I can’t wait to see the fruits,” he pinches your side, “of your labor. Pleasure doing business with you.” You give him a sickenly sweet smile before pecking his lips once more. You remove yourself from his lap and grab your own drink and begin to walk away as if nothing happened. Suddenly, a strong gloved hand grips your bicep and pulls you away. The walk is fast paced and you’re starting to trip over yourself. Aventurine walks faster and faster and you attempt to get his attention. You’re led to a private room where you can see some credits flashed to the attendants before he shoves you inside. Clearly this room is used for private shows with the mirrors showcasing your every move. It’s exhilarating seeing the state you’re in from different angles as he locks the door and turns around to face you. You gulp and walk back, your legs hitting the booth and falling into it with a thump. Aventurine hovers over you, caging you in with an intensity you have never seen before.

“What the hell was that?” His breath is flaring from his nostrils as his eyes square in on yours. You try to close your legs to shrink in on yourself but he plants his knee inbetween. Remembering what he’s put you through, you cross your arms and sit up a bit more.

You scoff before retaliating. “Are you kidding me? I was getting money for my research. I learned how to get what I want from you, so thank you for that.” The smirk on your face is ever present as Aventurine matches your attitude.

He chuckles darkly with a roll of his eyes. “You do know digital communication would have sufficed with him. He isn’t so easily swayed by physical bribes.” The light in his eyes darkens as his voice lowers. Feeling a bit more confident at getting under his skin, you let out a soft chuckle.

“Hmph, then why did it get completely funded? Or did you stop watching after I left?” You flinch and shut your eyes tightly when you hear the mirror behind you crack and Aventurine cursing under his breath. He shakes his hand in pain and a trail of blood trickles down his wrist. The alcohol in your system suddenly loses its effect and you blink your eyes wide. Aventurine stumbles back as the pain shoots through him. You reach out for him and he pulls his hand back in fear.

“Don’t touch me!” His voice comes out scared and broken. Your hand lingers in the air, your fingers wanting to grab at the empty air, anything really. You pull your arm back as he hisses to get his breathing under control. You then stand up, unlocking the door to get the attendants attention. “Excuse me,” you whisper, “do you have a first aid kit? Thank you.”

A few minutes pass and the man comes back with a first aid kit. You thank him politely and shut the door again. By this point Aventurine has taken most of the glass out of his hand, leaving only tiny specks only a tweezer can get from his now ripped glove. You gently sit across from him and set down the first aid kit to open it. You pull out the rubbing alcohol and get a clean towel. You part your lips to warm him but he beats you to the punch. “Just do it already,” he hisses. You nod firmly and begin to clean the wounds.

The only sounds going on are the low thumping of the bass, Aventurine’s unsteady breathing, plastic opening and closing, and the minuscule pieces of the mirror falling onto the table. The silence between you two is heavy as you mend his hand. Once it’s wrapped, you let go of a breath you didn’t realize you were holding and go to remove your hand from his. However, he tightens his fingers around your palm. You give him a questioning look. “Aventurine…”

His breath is shaky as he keeps his gaze lowered. “Don’t do that again,” he commands. “I don’t want to share you. You are mine,” he emphasized the last word by pulling your hand and turning his attention toward you. His thumb draws circles on the back of your hand, wanting to bring comfort to the two of you. The strong blond has captivated your full attention.

You swallow a lump in your throat and slowly shake your head. “I,” you stuttered out, “I don’t understand.” The gambler chuckles, drawing you into his orbit. He then pulls you onto his lap, your legs straddling his waist.

He cocks his head to the side with a smirk. “Darling, can’t you tell? You’re the only one I let touch me,” he takes your hand and cups his cheek with it, “like this.” Your hand stays on his warm cheek holding him firm. What is he about to say? The thoughts raging in your head practically block out all other sounds including your increasing heartbeat. His gaze softens, losing yourself in the intertwining pools of purple and turquoise.

Your eyebrows furrow and you instantaneously begin to feel exposed and vulnerable. “What do you mean? I thought-“

Aventurine snorts. “You thought like everyone else that I’m a whore? That I parade my body around to get what I want?” His fingers run up your sides slowly, drawing incoherent shapes. “I may show off,” his voice lowers as he leans into your ear, “but I never let them touch.”

Jealousy.

That’s what this is. He’s jealous, almost slightly possessive. How can you say you care for him when you don’t know him as well as you thought? You gulp and breathe to steady yourself. “Then how come you never corrected me?”

“Would you have believed me?”

A tense silence befalls the two of you. A trickle or nervous sweat travels down the crevice of your breasts, causing you to remember the lack of bra for your dress. The air is warm as you drop your jaw. Your voice is cracked as you lay your forehead against his. “I’m sorry.”

He chuckles and cups your face, his signature smirk visible on his features. “So you were trying to hurt me by using the doctor.” His voice doesn’t indicate anger, but it is controlled. It’s a statement of fact and conclusion. His hold is gentle as he slowly exhales. “Don’t say anything,” he whispers, “I know how you feel.

“Because I feel the same, you alluring,” he kisses the edge of your mouth, “smart,” he kisses the other edge, “gorgeous woman.” He finally closes the distance and gives you the softest yet most passionate kiss he’s ever given to you. The two of you remain in the private room until the allotted time comes to an end. And you stayed on his lap in his arms. His uncovered fingertips graze over your fingers, leaving kitten kisses all over your skin.

As you rest gently against him, Aventurine pulls out his phone to see some messages from his colleague.

Sugilite: the funds I gave her came from your account

Sugilite: I’m not stupid enough to mess with what’s yours

Sugilite: you’re welcome

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