I decided Danny needed a fire core AU where the portal accident blew up the entire block, condemned all of Amity, and was left to haunt it for 100 years before Sam and Tuck find him 🥰 for enrichment
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Egooooooo we will get the continuation of ch 7 this monthhhhhh (at the end of the month as usual🥹) (squeals like lilia subordinate but in a fan girl way)
me, emerging from Deadline Hell to this most excellent news:
I was NOT expecting it so soon! I think this may actually be the shortest time between story updates yet?! (at least since the early days...episodes 3 and 4 feel so long ago now...) give me the Silver backstory, I'M READY.
oh, and because I wasn't losing my mind enough already,
AHHH WELL GOOD THING I ONLY WASTED HALF MY KEYS BEFORE I GAVE UP ON CERBERUS ORTHO, I GUESS
(I am just going to be absolutely useless through all of June, I'm so sorry)
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...frig, they could have called him 'Eustace Ace.' Then we could have 'useless ace,' 'pure ace' (Eustace means purity), and, to top it all off, he could have referred to himself as 'the Ace of Aces'.
That would have been amazing, and also proves that 'Eustace' isn't the problem with the localization name, 'Winner' is. :/
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Yui lies awake for an indeterminable amount of time, watching shadows make patterns on the ceiling above them. The heartbeat against her fingertips beats a constant tattoo against her skin, a reminder that she’s not alone, that the body next to her continues to live and breathe and exist in this world.
—Famous Last Words Chapter 3, from May Death Never Stop You by @slexenskee
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Okay so I binged this series in about the span of a week and it did things to my brain. The scene where Yui gets Satoru to come home and sleep lives rent-free so I had to draw it. She's the most little sister ever and this scene made me cry from the bittersweet wholesomeness. My utmost respect to slex for this masterpiece of a fic.
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Girl help im crying over androids in the city again and their concept of souls and how they love and exist and fight or not fight and the graffiti bible and destroya and their belief in gods and soul and thought versus programming and having bodies that are only meant to last for a couple years and being so temporary but also eternal living on in the energy grid and destroya and your best friends coding your essence etched into their very mainframe a bit of your code downloaded so you live on forever and ever and how they dream of freedom and of the world and yet remain so loyal to the city they were made in, not to their masters not to who runs the city, but to the bones of the city itself from ancient bursting pipes and cracked streets to neon highrises and power lines and subway tunnels and and and how in our dreams we can be complete AAH
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Killjoy Day of the Dead where the ‘joys spray paint paths of their friends’ favorite colors to help lead them home. Where the Mailboxes are flooded with letters and gifts to loved ones. Where killjoys remember their loved ones and celebrate their lives. Where they give offerings to the dead and to the Witch in hopes that their friends will be able to visit them that night. Where the Witch guides the dead along the painted paths to the people they called home, so they’re not alone reading their letters and opening their gifts. Sometimes the Witch brings them all of the way back for that night, sometimes not. There is always next year, and the knowledge that your friends are there, even if you can’t see them.
Just. Killjoy Day of the Dead guys.
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I know tp ganondorf looks Like That during his execution because there's no sense in doing a full 3D model for a two minutes cutscene, but.
first of all, bold choice to condemn a man to die by impalement and decide it's not as fun if there's not heavy plating in the way trying to prevent you from doing just that, but also.
who did his hair and makeup.
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thinking about love in danger days
this is part of my conspiracy theory that that album is aroallo, but i've always gotten the sense that romance and romantic attatchment is much less important to danger days than any other mcr record. with bullets&revenge it's quite obvious as the demolition lovers take up like, everything, and the black parade has a heavy focus on a romantic relationship as well.
while i do think there are lines in it that are romantically coded, there is a definitive lack of emphasis on it- like it's nowhere in the plot at all.
i do think danger days represents a very familial type of love though. while other albums visit a sense of "i want you, i need you, i miss you, i hate you,", this is more like…"i love you, i want to protect you, i'm sorry"
i find this especially strongly in s/c/a/r/e/c/r/o/w:
"Nevermind about the shape i'm in, I'll keep you safe tonight"
"love, love, love won't stop this bomb"
"run, run, bunny, run"
and other songs:
"i'll find you when the sun goes black"
"just save yourself and i'll hold them back tonight"
"how long until we find our way in the dark and out of harm"
relevant things i can't cover with just quotes are planetary go, oft-theorized to be about party poison and kobra kid, as brothers, leaving battery city together; sing, about the killjoys' last message to the girl while saving her; goodnite dr. death, phrased as him saying goodnight to children; and summertime, which i can't discern the meaning of but seems more like a family type of love.
i think it makes sense that danger days is like this, seeing as it features main characters that take care of a child main character as opposed to main characters that love other main characters of the same age/ability.
another thing i noticed while re-listening to the more sentimental songs for this essay is that there's just a distinctly different vibe to it. So much of it is focused around wanting to protect people, keep them safe and out of danger (<- ha that's the name of the album) and loved. i think this also makes sense, because the killjoys live a very, well, dangerous life without much security, and they'd want to provide what they lack the most. another semi-related thing i noticed is just how much of an emphasis there is on childhood in this album. i feel like there's a vibe of youth or teen-hood throughout the earlier ones, but this is just VERY strongly about kids. again this makes sense cause not only are the killjoys teenagers (a type of kid!) they also have a proper little kid to watch.
also, i wonder how much of this stuff was due to gerard becoming a parent. just something to think about
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