Im about to get controversial.
Out of chrollo, illumi and hisoka, hisoka is canonically the least likely to flirt to get anything he wants, if at all.
A lot of people think he's a natural flirt but I fear I couldn't have disagreed more. He only "flirted" a single time and that was solely to piss off machi, knowing she'd never agree. Hot take? He would've never asked if he knew she'd agree.
Also, bro's the biggest humanphobe in the anime. He keeps his distance from everyone. The only human physical contact he ever made was through fighting people. (If you're a person thats interested in seeing more evidence, I have an entire long thread about it on twitter that I do plan on posting here soon)
so u cannot give me 1 reason for hisoka to flirt with someone at a random bar but chrollo and illumi? i can think of a few.
chrollo, he already canonically flirts to get what he wants. straight up goes on dates gets a suit and shit. he has no reputation among the general public that hes concerned of that isnt the spider. Illumi? He's a manipulator. I HIGHLY doubt he never flirted to get something in his life from people who are too easy to win over. He's someone that wouldn't care what people think of him. He's also anonymous. People have no idea who tf he is anyways. If it affected the zoldyck reputation? Thats a different story.
Hisoka? he would fucking NEVER. Him specifically? HE HAS A REPUTATION. And whats that reputation? That hes an absolute disgusting freak that no one should dare to approach. He kills people. He fights live and makes sure the audience is always disgusted and weirded out by his actions and performances. You look at him and you should immediately look away and pray he hasn't seen you.
So riddle me this. If his entire shtick is making sure everyones afraid of him and avoids him, then why the hell would he get himself a reputation that makes him approachable????
Why would he get himself a reputation that makes you, as a person who only ever heard of him picking people up, want to approach him.
On top of that, I just.. don't see him picking random people up..??? random weaklings that dont even know nen????? he literally treats them like trash that inconveniences his time. You're saying he'd EVER give them the privilege of sleeping with him???
And then you'd say, oh so he'd sleep with strong people! HERES THE THING. Why would he sleep with them..... when he can fight them. Him getting off from fighting comes NOWHERE to actual sex. What people don't understand is that he gets off to killing people and seeing them crumble in front of him when they realize theyre going to die. Torturing people to death. What's... that got to do with like. yknow. actual sex bro 😭😭😭😭😭😭
this turned into a huge rant probably but do you know how genuinely depressing it is seeing a unique character like hisoka that gains lust through FIGHTING and KILLING reduced to. sex addict in fics. Like. be so fucking serious right now. He called himself a FIGHT ADDICT in the manga. Can I see more of him actually spending his time killing and fighting people instead of whatever the hell bros doing with a random npc.
Anyways this is also why I hc him as asexual/demisexual NEXTTTT
107 notes
·
View notes
Chapters: 3/3
Fandom: Supernatural (TV 2005)
Rating: Explicit
Warnings: No Archive Warnings Apply
Words: 5,187
Relationships: Castiel/Dean Winchester
Characters: Castiel (Supernatural), Dean Winchester, Sam Winchester, Jack Kline
Additional Tags: Post-Canon, Post-Canon Fix-It, Everybody Lives, Jack Kline is Not God, Saileen Mentioned, Domesticity in the Men of Letters Bunker (Supernatural), Castiel in the Men of Letters Bunker (Supernatural), Established Relationship, Established Castiel/Dean Winchester, Kissing, Boys Kissing, Neck Kissing, Fluff, Fluff and Smut, Attempt at Humor, Deansturbation, Masturbation, Teasing, they are so gone for each other, They try to resist it though, because of that silly game they are playing, Smut, Two Endings, Don't be afraid to tell which one you prefer
Summary:
Dean and Cas waited 12 years to finally be together. So, they think they can resist each other, but do they? (Please, read the notes at the beginning for better understanding)
Notes:
I got this idea from this pic (coming from this post on x):
27 notes
·
View notes
i'm impatient so i wanted to share my handwritten notes for 1.15 the benders because i can't wait to type it all up... it's a little messy so here are my key takeaways from the episode, formatted for easier reading:
this is another episode which subtly explores the idea that hunters are monsters. similar to 1.02 wendigo, the monster of the week is defined by its skill in hunting, which suggests that hunters are the same cruel killers that their prey are. other episodes up to now that touch on this are 1.06 skin, 1.07 hook man (less directly), and 1.14 nightmare (less directly).
dean is resistant to this hunt, while sam is enthusiastic about pursuing it. i wrote extensively about the importance of sam pursuing this case here, but regarding dean: dean not wanting to follow up on a potential hunt reveals something about his character, and here it seems to be his worries about sam's developing powers.
sam performing acts of service (hunting) in order to ensure his goodness seems rooted in his family values which are based on service to others. importantly, compare 1.22 where azazel also upholds these values while posing as john. azazel worms his way into the family dynamic and corrupts it by enforcing toxic relationship dynamics, both through acts like this and through acts of incest.
the benders are implied to be incestuous at various points in the episode. they're also paralleled with the winchesters as a whole, through them being hunters and through their undersocialized, insulated dynamics. daddy bender further draws a direct parallel by comparing himself and his family to dean during his interrogation and invites the audience to see them as similar. this consequentially invites us to see the winchesters as incestuous, but in a different way from the incest parallels in episodes up to now: this is a grotesque, warped thing, nothing romantic about it. it's peeling back the layers to reveal the ugly truth of their isolated family.
sam attempts to include himself in this hunt by telling dean to be careful. saying this is important to him because he wants to be part of this dynamic and help, even when locked in a cage. being part of his family is important to him.
sam doesn't kill any of the benders. compare 1.14, where he says it's wrong to kill humans. consistency that reveals a difference between sam and dean: sam doesn't want to see humans as the monsters they hunt, while dean assigns monstrosity based on actions and behaviors.
the episode concludes that seeking revenge will not result in healing, continuing the theme from 1.14—still, sam remains motivated to find and kill azazel, while dean seems to agree with kathleen (who is paralleled to him) and has in a lot of ways abandoned this revenge quest (hinted at in 1.16 and confirmed in 1.22). like in 1.11 and 1.12, sam is making the decisions that will result in tragedy, while dean lacks the narrative agency and willpower to challenge sam's choices and avert their ruin, because his devotion to the family is his ultimate flaw that sam denied him of developing out of in 1.11 (and we see now the effects of this, further expanded upon in 1.18, 1.20, and 1.22). the "moral" of the episode runs directly contradictory to sam's choices, and the warning signs are ignored as sam continues his hunt for azazel.
actual notes under the cut because there's a lot of them!
18 notes
·
View notes
I did really like "Just Kids" but its frustrating because it does give the illusion that things just happen for some people. Can you imagine walking into a store and buying a necklace from a shopgirl who wraps it up and hands it over saying "Don't give it to any girl but me" and then meeting her again just in time to bail her out of a pickle and you two become soulmates (facebook status: its complicated) and make friends with every literary Great who ever set foot in the Chelsea Hotel. Talk about fomo.
8 notes
·
View notes