#they’re going to kill us

[mercuryspit]

WAIT HAS SNOWJANUSBLR SEEN THIS YET

Rob Wayne save me…….

[fridayiminlovemp3]

the fact that this is real is beyond horrifying

[cordycepspog]

Things that absolutely fucked my shit up this episode, an incomprehensible list:

- Ellie liked the smell of Frank’s sleeping bag

- Joel still wearing Frank’s shirt

- Joel staying up all night to guard while Ellie slept

- “They’re not gonna hit you. Look at me, they’re not gonna hit you.”

- “Mom! Mom! Mom!”

- The way the doctor gave the lines “I delivered you. I held you in my hands.” and “I’m your doctor” so simply when asked for reasons why he shouldn’t be killed

- Ellie’s smile when Joel tried to tug the gun from her hand

- The way Joel bumbled his way through trying to make sure Ellie was okay, and ask if she wanted to talk about it after she shot Bryan

- All of the superhero drawings on the wall that Sam drew of him and Henry

- The mask that Sam had drawn on his face

Something about how everyone is undeniably human, and how unafraid they are of not shying away from that.

[teaposee]

Dumb doodle of a situation me and my partner came up with (rottmnt x bnha (bkdk) crossover)

[fumifooms]

"Marchil? I guess I can see it on Chilchuck’s end, but what about Marcille’s? What makes you think she could develop feelings for him?" I’m glad you asked!

The first thing to note is that she does think highly of him

In the page on the right, literally defending his virtues and literally comparing him to Dalclan. And oh…

She does love a brooding mysterious guy who closes himself to love. But surely, Chilchuck isn’t her type at all, right? He’s not princely or knightly at all. In apperances certainly not, both looks wise and demeanor wise, but then that’s why she seeks to know him on a deeper level, to not only look shallowly.

And hmm. Chilchuck really is quite selfless isn’t he? Always looking out for others, and saving specifically her often, always making sure himself and, staying in or even running towards danger for her sometimes. Modesty is often considered heroic…

And can we talk about that drowning one… You can definitely frame the special attention as him knowing she tends to hesitate or be clumsy, and then his insistance on pulling her out of danger that she’s the healer aka the most important to keep alive, but. From the one who says that he just keeps his ass out of fights and won’t help this is a lot of risk to take, and he does die trying to pull her to safety in the dungeon rabbits chapter. And the drowning bit??? That’s when the dungeon collapses. The only reason they DON’T die of drowning here is that the water then gives way to outside. There was NO hope of pulling her to safety here and resurrections would likely not work either, he truly preferred to die with her than try to survive himself.

Sit your ass back DOWN you are in no state, self-sacrifical hero much damn

And Marcille definitely noticed this imo, after all she loves learning all she can about him, remembering things like how he hates waiting on people too. She pays attention to him and what he does and what he says. This to say that it’s notable, whatever reason for it you may think (though we know by this point at least she was already aware he was an adult though it wasn’t internalized), out of everyone it’s Chilchuck’s bed that she wants to sleep in during the Golden Kingdom stay. He’s safe and comforting to her: dependable, the defining trait in her view of him as is shown by the relationship chart in the Adventurer’s Bible.

^ Lending handkerchiefs is a romance trope btw and handkerchiefs have irl history of being used for courting. Especially in old English literature and plays like Shakespeare’s Othello, and personally I do see a lot of Shakespeare in Dalclan (nobility political drama with some romance). There’s how his cowl is a dearly beloved souvenir from his family too, there’s a lot of aesthetic tropes you can apply to him.

All this to say you can 100% romanticize Chilchuck into a princely noble guy if you try and that’s exactly what Marcille does with the wife roleplay. She doesn’t need much in the first place, she latches onto crumbs and makes aesthetic narratives out of details, give her an inch she’ll take a mile.

But what’s interesting about the shift throughout the arc of her and his relationship is that she starts out idealizing him into a little angel of a kid (shapeshifter), and she ends it idealizing him as a virtuous husband and family man instead.

And what’s doubly interesting is that in the former, she’s actively warping who he is personality and demeanor wise to fit the aesthetic, he doesn’t have that bitter pride of not asking for help and the edges have been smoothened. But what she does during the wife roleplay is something else, she acknowledges the flaws and just… Accepts them, rolls with them. She’s aware of his flaws and implements them into the narrative, but the reason why his wife left doesn’t capitalize on them even, rather Chil is chilblivious and his wife loves him very much still, she’s just testing him after having had a night of feeling out of place at his side.

And this is what separates the idealization vs romanticization, she’s not twisting him into someone else she’s just uplifting what he is and focusing on the good sides.

Marcille: "he has a shitty personality sometimes but if he was my husband I’d still cherish him" "If I were your wife I’d be overjoyed to go out with you and would get myself prettied up while you complain about me taking a long time, your friends would tell me that I’m nice and that’d make me happy, but I’d also be sad because you wouldn’t tell me that you love me enough"

He’s angry and his wife left him, he’s *flawed*, but he’s still worth hyping up, still worth having his own romance story, still has a shot of winning back his beloved. She sees him for what he is, human and real and not a carefully scripted character that fits an aesthetic, and she thinks it’s still worthy of love and admiration and fighting for

And what’s funny too is that you might expect her to cool down on him once she learns more about him but actually she only gets increasingly into his business. You tell her your age and next thing you know you promise to introduce her to your family. Give her an inch she takes a mile. And too the thing is, Senshi is equally mysterious but she doesn’t pester him like at all, asks him ONCE about his succubus and he doesn’t even answer and that’s like… It. With Chilchuck it starts off innocently enough with her wanting to know his age, hometown, the stuff she mentions having asked pre-canon. But it just keeps and keeps going and escalating. Think she’ll be satisfied now knowing you have a wife and kids, maybe she’s disillusioned now? Wrong! She wants to know their names and ages and occupations and hey how did you propose to your wife? Do you think she’ll stop after meeting them? What’s next? What will she want to know next????

She’s… Like it’s not a reach that Marcille is all over him. Like it doesn’t mean it’s romantic but she just is. She is not normal about him idk. Can you not ask him about what tongue technique he used when first kissing his wife, give the man breathing room

Marcille could literally go "if I was Chilchuck’s wife" having deeply pondered and thought out the hypothetical and people would still ask where anyone sees any romantic potential between them. Oh wait

There’s a platonic explanation for everything (almost?) in Dungeon Meshi don’t say I’m saying otherwise, but it’s definitely not like there’s nothing here to read into lol

Going off a bit more under read bc it’s my fave topic

Marcille has a whole theme with the charming prince trope with her idealization and storybook motif and Chil is kinda the "Well someone perfect like that isn’t very realistic and romance is usually more complex and that’s ok and good and flawed people can still be ✨virtuous✨" catalyst

Do you see do you see she starts canon thinking the most romantic thing is a prince charming but her arc in the end has her romanticizing an average, flawed, real and realistic family man, who’s on the poorer side and is on the verge of divorce. And that’s what he needed, too, seeing the positive of himself and the situation instead of focusing on the negative is explicitly what inspires him to hope that he might be able to reconcile with his wife, gives him the courage and self-esteem to shoot his shot.

He IS a prince figure instead that now it’s not about idealizing the grand and overt it’s about romanticizing the small things in real life!! About finding joy and beauty in things that seem normal or mundane and uplifting them to make the world feel kinder!!!!

He’s the devoted virtuous man that she wantsss not the storybook prince that’s unrealistic and could crumble like a script at any time. He’s the perfect example of a flawed realistic but virtuous & devoted & loving man. Far from a prince charming, but not fully detached from it either. Something worth fighting for despite the flawed cracks. Like literally, flawed romance being worth fighting for is literally the finale of Chilchuck and Marcille’s arc on the matter, where their separate arcs and issues intersect at the most crucial moment.

Marcille is important to Chil’s arc not only because of her optimism, but also because of her interest and knowledge in romance & matters of the heart, and that’s what he needs to both open his heart up to hope and to try to reconcile with his wife, like idk sounds gay

Their arc together is literally learning to 1) see each other for how they are and not undermining their qualities capacities etc etc while still not leaving flaws unchecked either and 2) opening up to people. Marcille LITERALLY makes Chil open his heart up to hope like idk man. What do you want from me. He’s literally the guy helping her through deconstructing novels and fantasy and rose tinted glasses and like. Deconstructing the prince charming figure into something more real but still romantically beautiful like KUI KUI STOOOOP STOP I’M ALREADY HOOKED I’M ALREADY-

 Ok fine that’s me reading into the tropes too much forgive me for being storybook brained but like. Speaking his heart out to a lone woman on a balcony, Romeo and Juliette shit, asking if she, too, doesn’t want to meet his family, madly blushing. And like she’s learned with Chilchuck it’s all in the little things, all the implications he cannot speak aloud. She does reciprocate, does blush madly back, and the first thing she does is shower him in flowers and jewelry and what in her heart is coded as romantic gifts

A lady, stashed away in a high tower by her lonesome, waiting for someone to call out to her from below… Romeo courting type shit with an offer, a heartfelt spiel, implicit confession from underneath her balcony. Offering him flowers because he succeeded in calling out to her heart…….. And they have to climb to her too…. Crazy

Doesn’t it sound like a proposal. One that’s both so storybook-like and not, contrastedly real and grounded, all about the implications rather than in your face grand gestures, "Don’t you want to meet my family?". They literally have an arc about the topic of romance and this is the climax/pinnacle of it like god?? This is @ the woman who said "Chilchuck is a shy/bashful man so I know he wouldn’t tell me he loves me, but…" btw

To quote a friend, truly the shiny secret unlockable dating sim capture target : THE DUNGEON LORD BIT WAS SO FUNNY BECAUSE HE KNEW SHE'D TAKE IT HOOK LINE AND SINKER HES THE ONE WHO GOT HER TO TURN AROUND COMPLETELY SHES LIKE. WIDE EYED FLAG RAISED???? FLAG RAISED WITH CHILCHUCK 👀👀👀‼️👀👀‼️👀

And the way that this is the culmination of their arc together… Like people are not ready for the ‘Chil calling out to dunlord Marcille on the balcony has Romeo and Juliette romance novels imagery’ take. Or the ‘their arc is about growing to see beauty even in the non-idealized, in the flawed and in the real’ take which makes it so so perfect if she were to lower her ideal from a charming elven prince to a virtuous halfling man (which she does end up romanticizing)

So there, you got to witness in real time what happens when I think about marchil for longer than 2 minutes, there are so many layers it’s a deranged rabbithole. I saw the necronomicon of subtext and it’s driving me to madness with forbidden knowledge that no one else sees

……. Like what if I told you she implicitly picked Chilchuck over a "unrealistic prince charming who’s actually disingenuous" much earlier in the story already. If she was given the choice to think through going with a guy that seems perfect and chivalrous like her succubus she’d pick Chilchuck over the other actually. If I sound insane rn tune in for my full analysis on them coming this month hopefully thank youu. Interwoven arcs of fantasy vs reality and idealization vs pessimism I love youuu

So now you know the general thesis of my planned analysis about the importance of the prince charming figure in Marcille and Chilchuck’s arc, where she romanticizes things to a sometimes worrying degree or idealize people into something easy and digestible and poetic (like Chil being a kid, and then him being a virtuous ✨✨✨husband), and how she needs to value aesthetics less and actual acts and facts more, be more grounded (like seeing people for what they are flaws and all, and accepting that people need money and not pulling through on principles of honor or unity shouldn’t get Namari shamed) and a part of that is accepting that Chilchuck is BOTH flawed and virtuous, a loving husband that still has shitty moods and fumbled his marriage so bad etc etc. So it’s like, her image of perfect prince charming that will whisk you away on an ethereal romance -> realistic flawed middle aged dad with personality issues and a failing marriage but he still is worthy of love and having his cute grand romance story and his happy ending. Ik I keep repeating the same point through this but I need it to be burned into everyone’s brains it has its grip on me I can’t do this. They are so special……

[puppyeared]

I just skimmed through the art part of your blog and holy bajeebus your LMK art is so beautiful and the headcanon ideas you come up with are so good I wanna steal em-

Kinda wanna see like a part 2 of the little angst you did between MK and Macaque a while ago. It's so interesting and I wanna see Macaque's reaction in your art style. (You don't have to of course, it's just a suggestion [idk if i spelled that right])

Thanks for reading and hope you have a good day/night!

Hope this is to your liking ^^

Part one here

[jotaroslooseeyebrowhair]

Dp x dc prompt

In a fight, skulker accidentally throws Danny through a natural portal, and now Danny is stuck at Pluto, what the hell you bony bastard?! So now he has to fly all the way back to earth and hope the satellites don’t pick him up, but it’s actually Hal Jordan who sees him, and when later telling the justice league about a glowing boy in space who doesn’t need to breath and definitely wasn’t a lantern, zatanna cuts him off to mention the urgent need of addressing the insane amounts of dead following what feels like an insanely powerful god of death that definitely wasn’t in this dimension the day before. Bats is obviously the first one to notice they’re talking about the same person.

Back with Danny, he can’t seem to find his way around the states with how tired that flight made him, so he crashed down onto a farm on accident, while two sweet parents see this glowing boy fall from the sky and decided yeah. Might as well have another.

Clark, meanwhile, has no clue that the god of death sending the league into chaos is the same kid his parents have been wanting him to meet back at the farm.

[queerdiazs]

as somebody who isn’t a fan of tommy, i think there definitely is nuance to the discussion of the hate taylor/shannon/abby/ana/marisol got vs the hate tommy is getting, and it isn’t as simple as saying it’s the same because it really isn’t.

the hate tommy is getting is strange. there are people talking about killing his character with a gun, calling him a pedophile and a groomer, and wishing harm upon him in ways that reflect hate crimes perpetrated against real queer people today.

and as a fandom that is compromised of a majority queer people, i don’t think is something hard to understand.

[swordmaid]

i am wide awake thinking about that post canon jb au again when I should be sleeping …!!! such is the nature of the jbrainrot…

[mitskiluvr]

that body never belonged to you in the first place

[tennessoui]

oh ho ho au where there’s been a brutal murder and all signs point towards anakin being guilty….but during the trial prep work, obi-wan, not on trial at all btw, confesses to the murder.

the prosecution knows he didn’t do it, but his dna is at the scene, there’s security photos of him close by the murder scene, there’s enough circumstantial evidence that it makes it incredibly hard to prove that he didn’t do it. there’s a ton of evidence to prove that anakin did it, but there’s also not a small amount of evidence that obi-wan did it which makes it really difficult

(anakin definitely definitely did it. but obi-wan feels an incredible amount of both guilt for the loss of life at the hands of a boy who he has vouched for so ardently in the past and also a fervent and insane devotion to anakin, and he can’t let him suffer for his crime when obi-wan could suffer for his crime instead <3 that’s the way things should be)

(anakin would snap out of his stunned stupor and tell the judge and jury that obi-wan is innocent and he’s the actual murderer, but like. it’s really hot. it’s like really hot that obi-wan’s going to give his freedom away so that anakin can live untroubled. no one’s ever loved him so much, not even the devoted wife of his sitting in the audience. this is different. this is everything. this is like. breathtaking.)

[aalghul]

I don’t think it makes sense to assume that Jason was mocking Mia’s past. At all. The thing that got jason painted as violent back in the 80s was his anger against rapists…how does that turn into mocking a victim? and that entire story was written by winick. Do we honestly think winick intended to communicate that? The same writer who made Jason’s first kill a man who was trafficking children? Who had Jason pause in his mission of madness to make sure those kids were found by the right people so they wouldn’t be in further danger?

[zabala0z]

Welcome back to “new fan listens to S3 and OH MY GOD THEY NAME DROPPED THE ENTITIES” and I’m your host, Zabala0z!!! I just listened to MAG 111 if you could tell so be prepared for a long post.

MAG 107: Third Degree

Very The Desolation-core. I mean the officer literally asked “what do you love most” and the guys dad was dead a week later so duh. Sucks that Jon literally has to read out a statement or else he’ll like get sick. Bro has to read a scary story unless he wants to die 💀

ALSO JULIA MONTAUK??? TREVOR HERBERT?? Isn’t that bitch dead???? Bro had lung cancer last we heard about him wth 😭 the weirdest duo ever by the way

MAG 108: Monologue

Not much on this but Peter god damn Lukas, get out. He’s very cheerful in a way that reminds me of Michael Crew, y’know. I don’t know how old he is but he’s a sea captain so like 35-40? “Thought we had a chat. Alone” oh haha, you bastard. Anyways the statement dealing with loneliness and Peter Lukas appearing I guess was something Elias did, I mean Peter said it himself. Peter didn’t seem to like Elias a lot which makes me think, why is the Lukas family even patrons of the institute and why is Peter and Elias suddenly having these meetings?

Not much on MAG 109. Still wondering why Trevor is not dead but whatever. Bulbs breaking is a common theme with like Julia’s thing.

MAG 110 has a heavy spider theme (eughhh). Also loving the Basira, Martin, and Melanie trio.

Now finally the major one; MAG 111: Family Business

Oh my god. First off, hearing Gerard speak is giving me so much closure. Literally his first mention was in MAG 4 😭 his mom sucks. Duh. But let’s get to the main part. The entities. Jesus Christ.

There’s 14???? Jon says that’s a small amount for them being manifestations of peoples fears but that’s too much for me. But I’m so happy we get all the names for them. Because of course they are manifestations of peoples fears, that’s what gives them power. Fear has always existed as long as living things existed. I think it’s so interesting they brought in animals into it as well because maybe they aren’t as complex but they feel fear as well. And there’s billions of animals.

Gerard makes me sad. Like every mention of him, he’s like helping people or at least doing something good. I wish his life was better cause god does he deserve it.

The Lukas’s I guess are apart of The Lonely. I thought they were apart of The Vast but maybe there’s just some overlap. I think it’s interested they serve The Lonely and are patrons of the institute which serve The Eye cause if you think about, those are two different things. The Lonely deals with being alone and there being no one around. The Eye deals with there being someone, something, that’s watching constantly. I gotta know how they became patrons or I will explode damn it.

Then there’s the rituals, what the hell is the Watchers Crown 😭😭 give Jon a break. I’m gonna theorize that Jon is gonna have to deal with that and is somehow going to be the key to it because he can never have a normal life. Gertrude is interesting because yeah she’s ruthless as hell but she also stopped the world ending like a ton so I guess give and take.

I think that’s like most of my thoughts I can write on here. Which is like 1/5 of it. But god I’m so happy we have names, these are so cool. Or not cool. I might make like a post, ranking on which would be my biggest ops 💀

[lichqueenlibrarian]

“There are others who must accompany us on the voyage, Thea,” he said guardedly.

“James Kirk,” Thea reasoned, tone bordering on contempt. She leaned closer. “When I met you before—in that other timeline—I knew then that he was something special to you.” She paused for just a moment. “Can he be worth what you are doing, Spock? Can any one man be worth an entire universe?”

Killing Time, Della van Hise

[veganymph]

“I’m not vegan because of the cruel conditions of agricultural workers” and what about the slaughter workers who are struggling with ptsd? or the people in their household dealing with the violence they bring home? or the workers who go home and attempt to end their literal lives because of the graphic violence they enact daily? you don’t support amazon because of it’s cruel working conditions, yet slaughterhouse workers experience the exact same, if not far worse. you don’t go vegan because of the poor treatment towards people picking vegetables or growing quinoa, yet you don’t solely live off of meat and dairy and are buying unethically sourced vegetables anyways? why would you cause harm to both slaughterhouse workers and vegetable agriculture workers when you could reduce one of them to 0?

[coconut530]

LET THE DIVORCE ENSUE