i do think peak comedy is a steve who is absolutely aware of the effect he has on people, but has never felt that way towards anyone else-- the closest he got was with nancy and robin, because he loved them both in different ways, and sometimes he felt like he was going to go insane if he didn't talk to them or touch them right now, but it was never like he had seen other people act about him. robin and nancy made him a better person. they didn't drive him to ridiculous levels of violence and obsession. maybe people in hawkins were just fucking weird.
and then he meets eddie, falls in love with eddie, and he's like... yeah, okay. alright. no, i get it. if anything happened to this guy i would steal the nuclear launch codes.
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every day i get more upset that “i think i found the ultimate lifeform / i think it may be you” line (and sonic’s subsequent pondering about it) gets IGNORED they DROPPED THAT SHIT like a HOT POTATO & i understand why because the sonic heroes tone pivot and the amnesia plot but u dont understand im so mentally ill over the concept of shadow completely shedding this massive huge important part of his identity onto sonic before dying and sonic having to grapple with that. what does he do with that. he doesnt want that kind of title or responsibility or idea of himself, hes just a guy who likes adventure. but shadow gave it to him happily. & when shadow comes back and is basically affirmed in his previous assumption that whatever he would do with it, sonic is already doing. only to be met with sonic giving it back to him like “hey buddy thanks for letting me borrow it but i dont want it ;^-^”. what do you mean you don’t want to be the ultimate lifeform? ITS TOO GODDAMN HOT IN THIS GODDAMN HOUSE i need to kill something. U UNDERSTAND RIGHT. U UNDERSTAND.
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I know a sorta made a small post along these lines the other day, but something a lil more official of!!
im kinda broke rn, between the recent stuff with losing my car and having to get a new one and work literally scheduling me 13 hrs a week. Im slowly losing money and it got really bad this month after paying my bills and everything and realizing I had just 300 bucks in my bank account.
My current job hasn't been working with me to give me the hours i need to make a living wage and iv been trying to get a new job for months with no success and it's looking like i could really use a lil extra support via online commission work rn until I can land a more solid paying job. I really hate to sound like a desperate wet cardboard box beast but I still need to insure my new car and cant afford it as i stand right now.
I wont ask for donations, I think im going to be fine, but a lil money to help keep my head above the water would be great so im just gonna promo my commission work. To anyone who can commission me in some way or another would be awesome! I appreciate any support I can get rn even just a reblog
My Commission Info
My Kofi
My Etsy
My Toyhouse
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a while ago i saw a post by @sideblogdotjpeg about how the cycles in c3 seem a lot more personal/familial. and i kind of went insane in the tags at the time and i’ve been thinking about it a lot since because like…
you have the heroic cycles that the band of boobs parallel/break on this large scale. the idea of these broken trios of adventurers is there throughout the campaign, but they really start to engage with it towards the end— with the divine hearts, and thiala, and the wheel of suffering/wheel of joy idea. the thing hardwon says as he takes the divine heart, that no matter what anybody chooses from then on it’s with love in their hearts, i feel is very relevant to how they break the cycle. they love each other, and they choose over and over to hold each other tighter rather than be driven apart.
and on the other hand, you have duck team’s refusal of fate vs their family’s resignation to it. look at swag working with mothership, oliana’s contrition, and the stuff that is currently ongoing with gowan. you know— sol is a version of swag who fully rejected mothership and found his friends instead. callie refused to be a part of her family’s business, and her love for the wild and the serpents is giving the world a chance. calder, when he makes the deal with ultrus, telling callie and sol that he trusts them to save him. and now calder is refusing to sit back and let gowan handle things in the ice knife.
it's not that duck team aren't trying to save the world. they are. and it's not that the boobs didn't have a personal connection to the cycles they were breaking. they did. but it's like... well... how do i put this into words. right--
the song melora's boon plays when the boobs arrive at the heart of the world and speak to melora. when she talks to beverly about duty, shows him the places he faltered and how at the last second, he gets back up. (later, when they face thiala, bev doesn't go unconscious once. at one point, he's the only one standing.)
for sol, this is the song that plays when he expresses his fear of going down again. when he admits to callie that he's scared of the day that she and calder are down and he's the one that needs to stand up alone. when callie says she's not afraid of that day, and sol finds himself empowered by the mushroom in his chest. the moment that sets up sol's long death monk ability, where he's able to refuse to go down and keep on fighting.
melora’s boon is also the song that plays for moonshine’s boon at the heart of the world. there are actually two songs in this scene, hardwon’s is different, and the transition back happens when melora says there’s a part of herself that moonshine hasn’t embraced. when she speaks to moonshine leading her people to a better future like an alpha wolf leading her pack.
for callie, it plays when she tells hardwon and sol that she’s a liability and she needs to change— to embrace winter— in order to get calder back, even as they reassure her that she doesn’t. it also plays when callie asks the others to help her protect honeysuckle while he’s weakened. when they promise to lead honeysuckle home and free him from his connections to gromdal.
the writing on the wall plays when the boobs reach the court of gods. there's the wall of prayers there, and they hear the prayers of the people of bahumia, reaching out to them. prayers of protection-- for and by them. prayers that put the future of bahumia in their hands.
for callie, this is the song that plays when she sees aryox's carving of her reaching the cave. when she realizes her mother acted the way she did because she could see what was coming in the future. when she realizes her mother was leaving the world in her hands.
the songs that the boobs first encounter at the end— when they’re basically demigods stepping up to face thiala— return for duck team in these personal moments. when sol finds the strength to refuse death. when callie talks about embracing winter, her mother’s season, something she eventually finds strength in, to save her friend. when callie asks the others to help honeysuckle, one of the serpents that she’s promised to protect partially due to the harm her family caused to the wild. and when callie realizes her mother saw the future and acted as she did because of it, pushing callie to walk the path she’s walking now.
anyway. this was a post about naddpod music.
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I can’t stop thinking about the parallels between Angel and Rhys
Not only were both of them pretty damn young, Rhys being closer to Angel’s age than Jack’s, but they also used to seek some type of validation from Jack – Angel wanting her father’s love and attention and Rhys wanting his hero’s approval and praise
And Jack used that among other reasons to control them, starting off with promises to have their backs and telling them they’re a “team”
Before he isolated them, continuing to keep Angel locked up (not just “for her own safety” but also for everyone else’s, essentially telling her she’s a danger and that if anything were to happen it would be her and Jack’s fault) and convincing Rhys he couldn’t trust Fiona and co unless he wanted to end up dead or screwed over
Until they eventually tried to break free from Jack which he responded to by attempting to guilt trip them
Both of them also just went through a lot of pain just to get away from Jack; Angel literally asked you to help her commit suicide, screaming in agony as you destroyed the injectors to kill her. Rhys ripped all his cybernetics out, clearly in pain and almost dying from blood loss afterwards
And Jack’s reaction to all of this was very similar as well. He literally pleads with them to stop yet still not acknowledging his own wrongs, telling Angel that he will forgive her, once again deflecting all accountability onto her
In Rhys' case Jack begs for his life which is really interesting because when he is about to die in bl2 he doesn’t. Instead he goes on a long, angry rant spitting insults and yelling until you kill him
Jack is naturally manipulative, sure, but the way he manipulates his enemies vs the people close to him is so different and I feel like Angel and Rhys being treated similarly despite having very different relationships with him shows that 1) yes, Jack actually did care for Rhys somewhat and he really did consider his rejection a deep betrayal and 2) history always repeated itself for Jack and he never wanted to acknowledge it. Instead, he tried to reel them back into his control by making them out to be the bad guys
Basically, I’m insane and I would give anything to see Rhys and Angel interact and talk about their experiences with Jack. Also, they both have chair related trauma. Chair-ed trauma, if you will
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