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#this again is my own opinion
wonderlandmind4 · 11 months
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Super agree with Foggy...look at Defenders where he sets aside his feelings towards Matt being Daredevil and shows him support by handing him his suit personally. And in S3 when he was adamant to Karen that he was willing to forgive Matt and didn't want to abandon him
But is Karen really at the same level of importance? One of the things that tick me is that I feel like I've seen Karen support Frank more than she ever did Matt. This is why I kinda fail to see the "she's so vital to Matt"...she didn't really show that. Not saying I wanted her to just show mindless unconditional support but it was weird how much more grace she showed to Frank than Matt in attempting to understand his motivations. She just straights up liken him to an addict which is problematic to me. Matt was the one man to ever help her first in her problem yet she couldn't lend him as much grace as she did Frank. Doesn't sit well with me at all
This is why she will never be as important as Foggy IMO. Sorry for the long rant.
Agai this really is a matter of fan’s opinion because I’ve seen so much Karen hate sadly, but for me, yes. I think she is. I say Foggy was the heart of the show, but not only to Matt, he was to Karen too. (She does say at one point that it was Matt AND Foggy that convinced her Matt was some kind of addict)
Matt has become one of my favorite characters ever, but I didn’t ignore some flaws he had or slightly had, and Karen was also a flawed character in certain ways. But she didn’t just straight up support Frank until after she dug deeper and found out what really happened why he was doing what he he did. And unfortunately that came at a time in S2 where there was too much shit on Matt’s plate and some things fell through the cracks. But Karen’s past makes sense of why she aligned with Frank and/or wanted to help him.
Because she also has a good heart under that penchant for pulling a trigger sometimes 🤷🏻‍♀️ she’s just a little more okay doing it if she absolutely has to. But she’s always been determined and sharp minded and wants to help just as much as Matt does so when she was finally told, and it all made sense, by that point she was already hurt and disappointed 🤷🏻‍♀️ but she also comes around by the Defenders and S3- especially holding that hope and having a feeling that Matt wasn’t truly gone.
In S3 when Matt shows up at her place again Karen is back in a life threatening situation and her reactions to him again make sense for that moment and honestly very realistic.
If she was told sooner about Matt’s secret, if Matt revealed himself to be alive sooner in S3, she would have a different reaction. But this also goes back to my point about Foggy being the one who knows every side and shape and cut and damage piece of Matt. When he says to Karen that all of Matt’s life he’s been abandoned and he wasn’t going to do the same even after everything, and that everything was very much rooted in Matt’s own self hate and worth and his trauma. And I think once Karen was reminded of that she too wasn’t going to abandon Matt.
To me she never really did, stepping away to take time for herself is different than full on never speaking to him again or leaving, es if she felt hurt from the events in S2 but in The Defenders we see that she does still care for Matt.
The whole “vital” part to Matt thing I think is due to, again, her own heart and deep care she has for Foggy and Matt because she too lost her entire family (but it her fault or an accident) but because of some of the violence in her own life, and siding with Frank, she has more of an understanding with Matt’s violent Devil side and the injustice that’s the cause of that.
She’s just not the typical female character that sits by a man and lets them get away with hurting her or is super quick to forgive and forget, because if you hurt her you better not do it again. And maybe that’s something I resonated with in a way, but to me yeah, I think she’s just as important to Matt’s life. BUT that doesn’t have to be a continued romance (as they showed in Defenders and S3) and now that she knows everything and understands it more would make her someone else in his corner supporting him.
(Let’s not forget that Foggy still doesn’t outright support Daredevil’s tactics mainly because he’s terrified of Matt dying or getting caught)
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chalkrub · 10 months
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demon that critically analyses the past actions you'd really rather forget
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egophiliac · 2 years
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so we know you love diasomnia endlessly, but who is your favorite character from each of the other dorms
this is SO hard to answer, because so many of the characters are, like, those pet adoption ads that say "MUST STAY TOGETHER, CANNOT BE SEPARATED". it's all about the relationship dynamics! and I think everybody in the main cast is pretty neat, honestly; there isn't anyone who doesn't have something I really like about them. but if I haaaaad to choose...
Hearts - Trey, partly because I do like me a good Mom Friend™ character, and partly because he pretends like he's all sane and normal, right up until he does something to prove he's just as much of a dipshit as everyone else. you're not immune, sir.
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Savana - BUFF 👏 TSUNDERE 👏 WEREWOLF 👏
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Octa - this one took a lot of soul-searching, because I do feel like the Octatrio is at their very best when it's all three of them, especially when they're in full Ed Edd n Eddy mode. but in the end, Jade ekes out a win, because sometimes you get this Jade:
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and then when he gets back from his nice mushroom-foraging hike, you get this Jade:
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Scara - Kalim, my sweet little moron. such a good heart, so few braincells.
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Pome - 90% of the time when Rook shows up, you know it's going to a be fun time watching a silly little man dance around and break into song for no reason and wax poetic about the beauty of, like, a chair. always a delight!
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except every once in a while, he'll bust out something that is absolutely insane even by Twst standards:
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this isn't a complaint, it's just. why is he like this. I want to study him under a microscope, except I'm afraid of what I might find.
Igni - MUST STAY TOGETHER! CANNOT BE SEPARATED! ...but I would probably go with Ortho, just because right now I'm pretty invested in his Learning Emotions story arc and looking forward to seeing it progress. he's a good boy who will post your cringe fanfic publicly if you annoy him
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...and at this point I'm calling technicality because the ask says "other dorms", and I genuinely do not think I could choose between the Dia boys at this point. let's see how episode 7 goes first!
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kwistowee · 2 months
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The Crow (2024) remake: Hi— Me about Brandon Lee and The Crow (1994):
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ingravinoveritas · 27 days
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I've been asked to write a post about Georgia's newest Insta stories, all of which (including the text title cards) are in the video above. I'm between events here at the conference, so I will try to get my thoughts down as succinctly as possible.
What seems to have happened is that Georgia dared David to climb a tree, and what we see in the video then ensued. I think what stood out to me most about this is the way David and Georgia are speaking to each other, which seems very different to how we've seen them speak to each other before. In this video, David seemed to really push back in response to Georgia, particularly when she was using her "mom" voice and talking to him like a child as she entreated him to get down from the tree:
"Get down." "You started it, Georgia." "I'm stopping it. Get down." "Oh no you're not. You don't get to do that to me."
I couldn't help but contrast this in my mind with the video Georgia filmed of David at Morrison's last year. How visibly uncomfortable he looked throughout, but despite that, kept on going and didn't say anything or ask her to stop. To go from that to, "You don't get to do that to me" seems like a major leap, and possibly another indication that the dynamic between them has shifted.
It was also interesting to see the difference as she continually pleaded for him to get down, and him seemingly...not believing her? The "Is this not a ploy?" was an interesting comment, as if he's become so used to being a gimmick, to being content for her, that he is now doubting her sincerity. It was hard not to get the feeling that Georgia was panicking less about him possibly falling out of the tree, and more about David not immediately doing exactly what she told him to.
This is not me saying that she wasn't truly worried about him getting hurt, of course, but when you take David's comment into consideration along with the second title card, it just seems disconcerting:
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...I had to read this twice to really make sure I read it correctly. And again, this feels like it reinforces what we saw above, with Georgia not being able to handle David pushing back: The idea that she would be (and is) more concerned about her own image and her coming across as unappealing than anything else.
Which we again saw with the last title card and the ending of the story being that "the wife was listened to. All was right with the world." That was apparently the victory here more than anything else, at least for Georgia. And she is very good at not making this the most visible thing on the surface, but once you really think about what she is saying (he's 53 years old and embarrassing and has delusions of grandure grandeur), it starts to become a lot more apparent.
So those are my thoughts on the video. I could be wrong about all of the above, but this was what I took from it. I'm glad it all turned out well, though, and to see how proud David seemed of himself once he did get down from the tree (and him wearing that adorable stripey sweater again). Happy to hear from folks in the comments as well with your thoughts...
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royalarchivist · 1 month
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smultronviol · 2 months
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Ppl going "waaahh unpopular opinion but Alice is kind of annoying and obnoxious and I don't think I'd like be her friend irl" is so funny to me bc like.
God forbid a cast of characters be multifaceted and have actual flaws and unpleasant aspects other than "grr angsty hero" and "whoops i'm so clumsy". Sometimes character dynamics and arcs need to be prioritized above "who would i personally be niceys with irl"
2. bro just WAIT until you hear about season 1 jon lol
#the magnus protocol#tmagp#season 1 jon was obnoxious and sometimes a straight up ASSHOLE and you were supposed to find him kinda grating!!!#yes alice IS a bit annoying and too much sometimes (esp in the first episodes) and i love that <3#like. its p obvious that she uses the over the top-thing as a shield (to push ppl away/as a defense mechanism/to avoid being vulnerable)#we see her drop the act sometimes w ppl like teddy and sam who she actually feels comfortable around (and who know and understand her)#but like. she's stuck in a job she hates and is kind of afraid of (she KNOWS smth abt the horrors and is keeping her head down to survive)#(shes obviously afraid of sam going to far bc she KNOWS its dangerous)#so yes her act gets too much sometimes and yes sometimes she crosses the line into straight up mean (esp against gwen)#(but their dynamic is a whole other can of worms)#but like. i'm pretty sure its supposed to be seen that way. the audience isnt supposed to just find her kooky funny#the facade is supposed to be dismantled by the viewer etc etc#kind of like SEASON 1 JON the obnoxious bastard!!!!!!!#like. if you ever think alice is too mean towards gwen pls listen to s1 jon again and how he speaks abt martin??#from a position as his boss no less? ngl i wanted to throttle him sometimes#you kinda forget abt it in the later seasons and if you only engage w fandom content. but like. go back and listen to the shit#he actually says. jesus christ man. i remember kinda hating him in the beginning#and to be clear i love jon! i think hes a great character!#and like. its almost as if his early season personality and facade was an important setup for his character development#and relationships with the other characters???#but anyway 'alice is kind of annoying' is not an unpopular opinion its literally the FUCKING POINT#and both her and jon are my sweet baby angels <3#alice dyer#jon sims#(and obviouslyyy you're still allowed to dislike a character ppl can have their own opinions etc etc etc. i just personally find it funny)
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puppyeared · 10 days
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i feel like im not making any sense but does anyone else feel like there are stories that let u run with them and ones that spell everything out for you
#im reading that post that says artists are directors of audience reaction and not its dictator:#'you cannot guarantee that everyone viewing your work will react as you are trying t make them react. a good artist knows that this is what#allows work to breath. by definition you cannot have art where the viewer brings nothing to the table ... this is why you have to let go of#the urge to plainly state in text exactly how you think the work should be interpreted ... its better to be misinterpreted sometimes than#to talk down to your audience. you wont even gain any control that way; people will still develop their opinions no matter what you do#im thinking abt this again cuz i was thinking maybe the thing that lets adventure time work so well the way it does is cuz it doesnt#take itself too seriously that it gives the audience enough room to fuck with subtext and then fuck with them back yknow. i think it was#mentioned somewhere that they werent even planning to run with the postapocalyptic elements that are hinted in the show but changed their#mind after the one off with the frozen businessmen and dominoed into marcy and simons backstory. on the other side there are stories that#explain too much to let the story speak for itself and i think it ends up having to do more with the crew trying to lead ppl in a certain#direction than expand on what they have and i see a lot of this with miraculous. like when interviews and tweets are used as word of god in#arguments and it becomes a little stifling to play around with it knowing the creator can just interject. u can say its the crews effort to#engage with its audience but it feels more like micromanaging. and none of this is to say there ISNT room for stories that spell things out#theyre just suited for different things. if sesame street tried abstract approaches to themes and nuance itd be counterproductive#a lot of things fly over my head so i need help picking things apart to get it- but it doesnt have to be from the story itself. ive picked#picked up or built on my own interpretations listening to other ppl share their thoughts which creates conversation around the same thing#sometimes stories will spell things out for you without being so obvious abt it that it feels like its woven into the text. my fav example#for this might be ATLA using younger characters as its main cast but instead of feeling like its dumbed down for kids to understand why war#is bad its framed from a childs point of view so younger audiences can pick up on it by relating to the characters. maybe an 8 year old#wont get how geopolitics works but at least they get 'hey the world is a little more complicated than everyone vs. fire nation'. same for#steven universe bc its like theyre trying to describe and put feelings into words that kids might not have so they have smth to start with#especially with the metaphors around relationships bc even if it looks unfamiliar as a kid now maybe the hope is for it to be smth you can#look back to. thats why it feels like these shows grew up with me.. instead of saving difficult topics for 'when im ready for it'#as if its preparing me for high school it gave me smth to turn in my hands and revisit again and again as i grow. stories that never#treated u as dumb all along. just someone who could learn and come back to it as many times as u need to. i loved SU for the longest time#but i felt guilty for enjoying it hearing the way ppl bash it. bc i was a kid and thought other ppl understood it better than me and made#feel bad for leaning into the message of paying forward kindness and not questioning why steven didnt punish the diamonds or hold them#accountable. but im rewatching it now and going oh. i still love this show and what it was trying to teach me#yapping#diary
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delicatepointofview · 8 hours
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gonna have to deal with people missing the point of louis singing 1d songs in festivals... don't get me started on the other covers
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kaiiscottage · 3 months
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JUST WHEN THE WERE STARTING TO GET ALONG AGAIN IT'S SO OVER I'M GONNA LOSE IT
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deluweil · 23 days
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My ladies I love you,
But Christopher leaving Eddie shouldn't spark a string of posts on how it affected Buck!
Sure Buck is a big part of his life, but this isn't about him.
And that's the whole problem of 911 in a nutshell, Eddie’s story can't develop if it becomes about Buck EVERY SINGLE TIME.
Even Eddie getting shot was about Buck.
This is a rather exhausting take from an already sad situation of a father losing his actual son to his parents, knowing full well that they are not the first or even the third choice in the list of people he wants raising his son.
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grimalkinmessor · 1 year
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Light's end has always bothered me for multiple reasons (the biggest of which is it not actually being his fault that he lost therefore robbing me of a greater poetic justice but you can't win 'em all), but I think one nobody really talks about is that,,,Light wasn't afraid to die.
Well—he WAS, at the beginning, but part of the reason I'm so obsessed with his relationship with Ryuk is because Ryuk's existence was a constant threat to Light's life. And yet Light never once seemed afraid of him, or tried to cozy up to him, or even attempted manipulate Ryuk into doing things for him. Sure, he bribed him sometimes into going along with his plans, but he was friends with Ryuk. Or—as close to friends as I assume a Light Yagami and a Shinigami can get.
But before Light meets Ryuk, he 100% believes that he's going to die. His frenzy those first few days can be attributed not to any moral righteousness, but to a desperate sort of resignation. Light thinks that he's sold his soul after killing those first two men, so instead of destroying the Death Note, he immediately sets out to make as big of an impact as possible. He wants to go out with a bang! He wants to be remembered! Light is afraid of death in those first days—but he also comes to terms with it somewhere between killing Otoharada and Ryuk showing up. He was ready to go with Ryuk quietly if he was there to take his life or his soul.
But then—he learns that he's not going to die.
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The face of a boy excited and relieved.
Light learns that there are no consequences to using the Death Note.
THIS is when he starts getting cocky, when he starts to actually convince himself of all that moral stuff he spouts.
But he's still not afraid of death.
Oh he's afraid of being caught, for sure, and after L humiliated him on live television, he might've even been afraid of execution. Because he'd seen firsthand just how quickly L could turn the tables on him, how he could make Kira look foolish. And Light definitely does not want to be remembered as foolish.
I don't think Light was afraid of actually DYING though, because when Ryuk says "You know I could just kill you", Light laughs. Literally laughing in the face of death. Light KNOWS that Ryuk will eventually kill him, but as long as he goes down the way he wants—on HIS terms—it's fine. Ryuk claiming that he'd be the one to finally end Light might've even been a relief, considering how Light's mind works. A god can only be killed by another god, etc. etc. 'Killed By A Real-life Shinigami' sounds metal as FUCK. Top-tier way to die if you're as much of a gloryhound as Light.
And one thing that irks me is that—the five year gap kind of,,,,takes that, from Light. Light spends so long on top of the world with no real challenge that by the time that Near and Mello show up, he's far more arrogant than he was when he was up against L. Light is, once more, afraid of death. He's lost that tolerance he built up in those pivotal first few days, and he goes out, not in a blaze of glory like he wanted, but clawing and pleading to live like a dog.
Light lost his recklessness, his impatience, his acceptance of the inevitable because he believed that he could now change the inevitable—all somewhere in that five year time skip.
This makes him less likely to get caught, yes, but it also takes away that—that teenage dauntlessness that he had at the beginning. Pre-skip Light feared L and L alone. Only the idea of being caught by someone who could truly tear him down frightened him. Not even death compared.
And I suppose that Light's spiralling at the end is a sort of poetic justice in this case?? But it's not the one I wanted.
I wanted Light's recklessness to blow up in his face. I wanted his carefully curated plans ruined by his own impatient hand. I wanted him to go down much as he probably first intended—in a blaze of glory. I wanted his fall to be explosive and terrifying to the audience. A moral of the story that shoots you right in the chest and really makes you think.
Instead he was reduced to just,,,,another criminal, begging for his life.
Which, yes, I suppose, is also a message in and of itself (all evil figures throughout history have only ever been human, have only ever been men that bleed red at the end of the day, and nothing they've ever done or said will change that), but I also find that....exceedingly boring.
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lulu2992 · 7 months
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So Greg Bryk regularly goes live on Instagram to chat with his followers and answer a few questions, and almost every time, someone asks if he’d like to play Joseph Seed again if he had the chance, to which he used to always reply that, yes, he absolutely would. However, in early 2022, he didn’t seem so sure anymore and said it would depend on the script (the question was specifically about a potential Far Cry 5 movie) and the writer(s). Then, a few months later, he implied he didn’t feel like playing the Father ever again because he thought the character’s story was “finished” and that Ubisoft should focus on creating new things instead…
Well, on October 14, 2023, he once again went live on Instagram and, when people mentioned Far Cry 5 in the chat, he revealed that he had reached out to Dan Hay and Drew Holmes, two of the game’s three main writers he’s become friends with, and that they had visited him “on set” (I’m not sure what he was shooting) the day before. In the past, he had already explained several times that he had loved working with them and thought the story they wrote (along with “JS”, Jean-Sébastien Décant, the game’s third main writer) was fantastic. This time, he added that Far Cry 5 was really “special” to him because the writers “cared a lot” about creating something great with amazing characters, and that he thought the whole Seed family was really well-written.
A few minutes later, when he was asked which character he would like to play again if he could, he said it was hard for him to choose because he loves them all, but he eventually picked Jeremy Danvers (Bitten) and Cobbs Pond (Frontier).
Then, surprisingly, he also mentioned Joseph.
I don’t know why he changed his mind again or if the fact he contacted Dan Hay (who doesn’t work for Ubisoft anymore) and Drew Holmes (who recently became the new IP Director for Far Cry) means anything, and I’m not sure I want more Far Cry 5 content to be released anyway (for continuity reasons), but I guess the Seed family’s return, as equally exciting and truly terrifying as this eventuality sounds to me, isn’t completely out of the question anymore in Greg Bryk’s mind!
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vryarts · 6 months
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I’m gonna go through every design that baffles me and make my own version to use instead
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thelaurenshippen · 8 months
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Hiya Lauren! I remember a while back you reblogged something about mark being romantically involved with nearly all other queer atypicals and it did mention oliver/mark as unrequited and I wonder if you could elaborate a little more on that?:D I'm just curious:) You don't have to of course! Ty!
oh gosh, I WISH I remembered this - I don't reblog very much that isn't fanart, so I'm having a hard time recalling what post this would've been and what I might've said/added to it!
I don't think of Mark/Oliver as unrequited at all. That said, in The AM Archives specifically, we were not writing toward that ship - it wasn't the intention and we had no idea that Andrew and Kristian had that chemistry until we were recording the whole season all at once. And then we weren't sure if we were going to get another season at all! So there definitely was a period when I was more uncertain about it, mostly because it was unclear what the future would hold for any of the characters.
While they don't get together in The College Tapes, I do think that they very slowly figure things out in the months and years afterward. In the TCT planner (which is technically the last bit of canon that exists in the Bright Universe, in terms of timeline), there's heavy implications that they're living together - or at least spending a lot of time together - and I think all of us who made The College Tapes were thinking of them as a romantic ship when writing that show.
They both have buckets and buckets of trauma and unresolved issues (as did Mark and Sam - and their inability to work through it together/the way they first met and got together, etc. is one of the reasons they didn't ultimately work out) so I can't say what their future holds, but as far as I'm concerned, they're headed toward romantic involvement the last time we hear from them (or already there).
I hope that answers your question!
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the-obnoxious-sibling · 7 months
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“Being a pirate is all about going your own way.” // “Come with me, Buggy!!”
is this post totally redundant after the similar post i made last week? idk. i guess the main difference is that this time i’m looking at the same topic in an unambiguously romantic light? the shipper goggles, as they say, are on, and i want to talk about these scenes in that context. so, if you’ll forgive me for repeating myself a bit, let’s talk about this again:
as much as i enjoy the heartbreak of “they always thought they’d be together but miscommunication tore them apart” takes on shanks/buggy, the very first flashback we get about them—the first things we learn about them at all, really—tells us this isn’t true.
and i think what we get is more romantic.
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Chapter 19, Pages 12-13. i know last time i said they’re at most 12 here, but looking at these lanky-ass teenaged designs that’s nuts. i fully believe oda hadn’t thought through their ages/the timeline at this point, and they were originally supposed to be about luffy’s age when buggy got his devil fruit. which is not relevant to this post in any way, but it’s my post so i get to go off-topic if i want.
Shanks and Buggy have their own goals as pirates, and at this time they understand them to be mutually incompatible. Buggy thinks Shanks’ travel-and-adventure-oriented take on piracy is soft and foolish; Shanks doesn’t care for Buggy’s exclusively treasure-focused take. They’re sometimes friendly, sometimes not, they’ve fought side by side, but they know this time as allies and crewmates is temporary. (Buggy plans on taking his treasure map and the Devil Fruit and leaving the crew immediately.) Maybe they’ll become friendly rivals, ‘fighting to the finish’ when they run into each other like Roger and Whitebeard do, or maybe the next time they see each other they’ll literally fight to the finish. Who knows?
“That’s also what being a pirate is all about.” It’s very sensible behavior. Smart planning for the future.
Which means the contradictory ways they act later—Buggy secretly deciding to follow Shanks, Shanks bluntly asking Buggy to come with him—are not about these characters thoughtlessly clinging to the status quo. They are not in a “we were always together and I never thought that would change” situation. Deciding to stick together is a considered, emotional decision: “I know we don’t make sense together but I don’t care, I want us together anyway.”
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Chapter 1082, Pages 8-9. i was cursed the moment i saw these pages with Unable To Stop Thinking About It disease; only time will tell if seeing it animated makes it worse or cures me.
This argument is a codependent breaking point. Buggy’s pinned all his dreams on Shanks, hoisted that poor boy up on a pedestal, and it all falls apart when Shanks reveals thoughts and plans that don’t match Buggy’s perception of him. He can’t bear to be around him now that the false image has been revealed. (Shanks, poor thing, seems to have had no idea any of this was happening.)
But if Shanks hadn’t said no to Laugh Tale in this moment—or maybe if he’d offered a soft no of, idk, “okay, sure, once we’ve got a strong enough crew”—Buggy would have gone with him, still projecting wildly onto Shanks. He’d convinced himself that being a member of the Pirate King’s crew was enough for him, that he didn’t need to be Pirate King himself if Shanks got the title and he was with Shanks.
…but would he have actually liked being a member of that crew?
Like, looking at the things the Red-Haired Pirates do, would Buggy have enjoyed being one of them? Wandering East Blue, hanging out in friendly port towns, collecting treasure here and there but spending a lot of time getting drunk and making friends with the locals? Eventually becoming famous for having a large, weak fleet of subordinate pirate crews Shanks has to sometimes physically step in and protect?
God, no, he’d’ve been miserable. Just seething with thwarted ambition, furious at the perceived disrespect. A real power hungry first officer stereotype, the kind of character that makes you think, Why’s he working for this guy if he hates him so much?
And Buggy must have suspected it would go something like that. But if Shanks hadn’t rejected Laugh Tale, he would’ve gone with him anyway.
(Better to be miserable with you than a loser on my own.)
Or say Buggy agreed to come with Shanks. Obviously his presence wouldn’t change the crew makeup significantly enough to skew the Red-Haired Pirates towards his way of thinking, but for the sake of argument: if he had convinced Shanks to do things his way, would Shanks have enjoyed the kind of piracy Buggy engages in? Taking over and destroying East Blue port towns, ordering your crew killed on a furious whim, single-mindedly hunting down treasure maps and single-mindedly hunting down treasure chests and paying no attention to anything along the journey? Eventually becoming the boss and administrator for a bunch of bounty hunters and mercenaries?
No way; most of that behavior is totally repellant to Shanks. If he let Buggy do that kind of thing under his banner, you’d be left wondering What happened to his morals? Why does he let this guy walk all over him?
And Shanks knew the kind of pirate Buggy was and wanted to be. But he asked Buggy to come with him anyway.
(Better to be miserable with you than have fun apart.)
It’s hard to see a way to make these very different styles of pirating work together. It’s probably doable… with a lot of compromise and honest conversation. The younger Shanks and Buggy had a point, when they said each going their own way was the obvious choice! It was certainly the easier one. Was it the happier one? Who can say.
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