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#this is a horror series after all
reachartwork · 2 years
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What is a Cybersaint?
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A cybersaint (pictured above 30 of the 40 days into their ascension pyre) is a form of physicalized egregore created via a critical mass of belief in a cause, concept, or individual. Upon the breaching of a particular threshold of belief, an individual bursts into flames, consumed by their "ascension pyre", which lasts for 40 days and 40 nights. During this process, their mortality is burnt away, and, through an unknown process, the burgeoning cybersaint takes their "Ascension Vows", the strictness of which determine the strength of their resulting powers.
The resulting cybersaint, should they survive the ascension pyre, is a being of immense, physics-defying power even at their weakest. The process inevitably radically alters the individual's mental state to the point where the vast majority of cybersaints willingly discard their old identities, despite possessing continuity of consciousness.
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The first Cybersaint ascended during the period of extreme political and military turmoil shortly before the first Geneknight Conflicts in order to defend a heavily at-risk group of humans. Afterwards, the floodgates opened, allowing anyone to ascend with sufficient belief. Every side of the conflicts rushed to puzzle out the ascension process, leaving many dead in their wake - this was the first and only Cybersaint War, before the timely development of World Government to bring everything in line and standardize the process.
Find out more about the Cybersaints here
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poorly-drawn-mdzs · 1 month
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Trapped in a vicious cycle of pining? Try gay sex! (More things to learn over at Tiger Tiger!)
#tiger tiger#jamis arlesi#remy bonnaire#Arno#through a series of unfortunate events I will be posting this after the update will be out so my timing will be more so:#“Alternate take on how that scene played out” Rather than my funnier “My prediction for how it will go down”#I truly think Remy would rather admit to crimes he didn't commit than confess he has a thing for men.#It would be funny! It would be so funny if this is how Jamis found out. Alas...Not yet...Not yet...#I do love the idea that Jamis completely overlooked the all the elder god horror to get right down to the question of 'HOW DO YOU KNOW HIM'#Remy knows him. Knows him carnally. Wouldn't you like to also know your captain better? In spirit and body and mind?#Jealousy looks good on Jamis. Now he just has to do something about it.#Poor Remy though...He love Jamis so much he'd do anything to prevent losing him.#Which entails never giving Jamis a chance of rejecting or accepting his feelings!#Meanwhile...Jamis is a bisexual disaster man who is at his *limit*.#(For the MDZS fans looking at this Tigers comic who still have no context:#This is like Lan Xichen finding out Jin Guangyao hooked up with Nie Mingjue after LXC spent all that time thinking JGY was straight.#Better yet. This is like WWX just starting to realize his crush on LWJ and then finding out he and JC hooked up in the time skip.#'Nice to know you're into men but why did I have to find out like this' moment.)#((Yes I am trying to bridge the gap between the fandoms I am in. Yes I am still on my propaganda train. Choo Choo!!!))
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hopeinthebox · 1 year
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bts + reductress headlines pt.12
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ghoulbats · 11 months
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cleo so far this series
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turtleblogatlast · 6 months
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Sorry if you've gone over this before but I was curious as to what you'd think it would take for Leo to finally break in front of his brothers?
We’ve actually seen Leo break his persona multiple times throughout the series! And pretty much each and every time has a common theme present: his family being in danger.
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triglycercule · 1 month
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sleep deprived dust can't recognize what's dream and what's real when he goes in and out of consciousness so i think dust is allowed to be incredibly reckless when he's awake but thinks he's in a dream. he will kill whoever passes by him (or attempt to. for him it's an instict to shoot bones anyways.) he will drink 4 bottles of alcohol just because he thinks its just a lucid dream. have incredibly loud conversations with phantom paps because he's asleep so nobody will hear him talk. or just have loud ass breakdowns because again he thinks he's asleep!!! nobody's gonna know what he gets up to in his dreams. and until someone (probably phantom paps) tells him that he's not asleep and this is reality he won't realize until he's done something really reckless
horror is seconds away from exploding dust's skull open with his magic while dust is trying to strangle him and FINALLY phantom paps tells him he's awake and dust snaps out of it. killer is walking around the house with bones sticking out of him like pins on a sewing pattern (casually too. another day in the life for him) and he just asks dust what that was about. dust just gets off of horror and shrugs his shoulders with an idk. and then walks away. this is the 6th time its happened this month
#horror needs to find a way for him to get back at dust for almost killing him#horror IMMEDIATELY booby traps dust's room's door with several fatal traps. and then dust just teleports away to dodge them#horrors incredibly cool bone manipulation power is incredibly underrated. neither dust nor killer can do what he does#when i say people underestimate just how powerful horror is i mean this#he has MANY shows of power where he summons a shitton of bones. or when he's clever and tricky#using tiny bones so his karma can hit the guards more and kill them faster??? GENIUS#granted kist could definitely think of something like that but that doesn't mean horror's a coughing baby#ok back to my original post. i came up with this after doing my little dusttale translation thing#dust is such a fucking asshole during it all istg and i whooped and cheered every time he was a fucking dick#when he doesn't know what to do when in doubt destroy everything you see. what a guy#he'd definitely be a lot smarter than that in real situations but again#he came up with that strategy while he was under the impression that he was in a dream#so i do think this little prick can be quite an unrestrained destructive force when he doesn't know whats real or not#can i just talk more about translated dust because GODDDD he was SO FUCKING COOL IN MAD TIME SERIES I SWEAR#when he plucked floweys petals off him one by one???? and then berated him??? and the nursing home comment??????? fuck i lov him#can you please unspill the spilled blod??? sick ass line. i think he knew from the start he was gonna betray flowey in that one#god i love canon dust so much he's such a sadistic shit. and he likes it. what a freak. HE LIKES IT#the only person he outwardly expressed regret about killing was papyrus. you'd think he'd care more about everyone else but NOPE#or maybe he did in the earlier runs. still doesn't hide from the fact that he was cruel to everyone else. because thats dusttale 4 you#youre on death row and theyve sentenced you to endless torture and then the mtt pulls up#listen man if i were on death row and they were my torturers id let them do whatever. my babies can get back at me for making them suffer#canon horrordust my beloved i love canon horror and dust#idk if killer in this is like totally canon but idc. it's such a funny idea to make him unbothered when he's injured its hilarious#horror and dust's personal little punching bag ✨✨#killer sans#dust sans#horror sans#murder time trio#utmv#tricule hc
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spicypussywave · 7 months
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HE ACCIDENTALLY CALLED HIM BARCODE 😭😭😭😭😭
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official-panini · 2 months
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*in the tone of an ad*
have you ever asked someone for mosquito bite cream?
does the phrase "mosquito bite cream" take too long to say?
say "squito sauce" instead!
*side effects include: your parents not understanding what you mean, repeatedly saying squito sauce in random situations cuz it sounds so fun, and death!
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"All I wanted to do... was to have fun at the public pool with my friends." "If that's really it, then...you're a fool, Higurashi... You should have just told us... what you wanted sooner, back then." "If the time comes when I really become a zombie... let's go to the pool together, okay?"
Dedicated to: @apparently-artless
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blackhholes · 11 months
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Teen Wolf as Horror Subgenres
Season five B: Gothic Horror
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yesokayiknow · 6 months
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best part of listening to the edas after only having watched ~1.5 seasons of classic who is that sometimes a guy will turn up and eight's like there he is. my sworn nemesis. the man i battled against in several bodies. the man so horrific i will drop everything to stop. the only man i've ever been afraid of. and i'm like hell yeah fuck that guy. also who is he
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mochasucculent · 1 year
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Yea idk how I haven't shared them here yet but here's some doodles of Tabitha and "Apathy" (she ain't got a name yet), the two protags of my ghost story!
Grieving after the sudden loss of her grandmother, Apathy accidentally becomes bound to the spirit of Tabitha, a young girl who was murdered in the 1870s. Stuck together in unfamiliar circumstances, the two must discover how to send Tabitha on to the afterlife, and if they even can.
UPDATEEEEEEEEE Apathy's name is Naomi :)
#i draw tabitha all cheery usually but she has a very very rough time at the start#very vengeful and confused and inconsolable and angry#as one would be if they were murdered#the first drawing was a couple months ago but the last drawing was from maybe like a year and a half ago?#so they look a lil different#i change their designs slightly every time i draw them lol#but yea i imagine this as an animated series!#its a love letter to the PNW (my home baybey) as well as like. my attempt to utilize the vehicle of horror for character exploration#if u know i love midnight mass and haunting of hill house then the mike flanagan jumps out immediately lmao#tabitha bennett#naomi evans#ghost girl story#i dont have a name for any of my stories either#i thought maybe of calling it 'mortis operandi'#but idk what their usual way of doing things would be to make the modus operandi part of the title make sense lol#also the tagline would be something like 'life after death for those who have lost someone and those who were lost'#so then i thought of calling it something like 'those who were lost' but ghosts are kinda a rarity in this universe so#it feels like that shouldnt be the focus of the title#idk im REALLY bad with titles#i think the character writing for these lil dudes that currently only exists in my brain is some of the best ive done tho#grabs u by the shoulders: talk to me about the irony that tabitha teaches apathy how to feel alive again despite being the one who's dead#my art#ocs
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alasroundrock · 8 months
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Okay soooooo
First statement from the 18th century? Oh I wonder who else was born in that century and why it wasn't Chester or Norris reading this
Very Posh Voice (someone who could have believably been an old man from a different century)
'But I was young and frightened, and simply watched in quiet awe.' ?? that's what I thought you'd say you dumb fucking horse
A tale with themes of hubris and a man sacrificing both parts of himself and the lives of others to place himself above his fellow men???
Where else have I seen someone bleeding for their own goals (ehm gouging own eyes out ehm) and feeding their entity via the life and fear of others. I know the second part is a common feature of avatars (assuming they even exist in this universe) but I want to hope it's him ok
With all the deaths and the terror it was all still worth it to the violinist because of the music??? Remembering Simon's talk about how being an avatar is like hearing the most beautiful music in your dreams. Thinking about Elias admitting the exhilaration of knowing you would be willing to sacrifice the entire world in the name of your own freedom. Thinking about 'Nothing's wrong with him. He's the pupil of the Eye. He's won.'
In conclusion: Jimmy Magma enjoy your vacation inside the computer
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every time i think about the locked tomb series i just circle back to “you can’t take loved away” and “life is short, love is long”
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ehlnofay · 10 months
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It’s not until she hears Sissel’s knees hit the floor that Efri is jolted back into her body.
She blinks, whipping her head around. Sissel is kneeling, bracing a palm on the ancient stone pavement, at the barrier – no, the barrier’s gone, it’s just Sissel on the floor. She lifts her head and meets Efri’s eyes; her hair is wispy and wild, the little plaits meant to keep it neat come loose and tumbling, her eyes wide. The barrier's gone, but still, her pale face is lit up blue.
“Are you okay?” she asks. She doesn’t speak loudly, but it echoes in the great stone chamber.
Nine, Efri doesn’t know.
She blinks again, looks down at her hands, clinging to the metal stick so fiercely that her joints ache. (Her own stick, her nice wooden one, is still on the floor somewhere, where it slipped out of her grasp when she hit the wall.) The lumpy heavy end of it, the clobbering end, is still resting on –
Not on. It’s in the thing’s head, fitted neatly in the opening of its dented helmet, the horns spiralling over the floor. There’s a tooth, perfectly preserved, by Efri’s foot.
One by one, she unwraps her gloved fingers from the handle of the metal stick, letting it drop to the floor with a clang so loud it makes her wince. Kazari is nosing at her side. (When did they let go of it? When did they get so close? She must have missed that. She feels out of the loop. Her heart is juddering like fish on a line, battering like some frightened trapped thing at her ribcage, and her breath is coming fast and heavy.) Absentmindedly bringing up a hand to press over her sore shoulder, she says, “’M fine. Not too – barely touched me.”
Kazari turns and spits on the floor. Efri blinks. She does it again, tongue lolling out of her mouth, face very disgruntled – and oh, Efri gets it. She does not glance down at the thing at her feet; she doesn’t need to, she knows what its arm looks like, chewed almost to pieces even through its banded armour. (If she hadn’t been so busy being scared of it, that sight might have made her a bit scared of Kazari. But not now, when they’re trying to hack and spit the taste of dead man arm out of their mouth.)
Efri unclips her canteen from her belt and holds it out. “Here,” she says. Her voice is rough. Her heart is racing too much to let constructing sentences be easy. “Not much, but –”
Kazari stands still while Efri tips half of the remaining water onto her tongue, and then Efri watches her swilling it around in her mouth, trying to bathe all of her teeth in it, before she spits it again on the floor at the dead thing’s feet.
The water is still clear. That’s something, at least; the dead man was too old to still have blood in him. Or maybe he was embalmed, drained of it hundreds of years ago, thousands.
“Are you okay?” Efri asks Kazari when they’re done, because they were the one doing most of the fighting, who was closest. They tip their head, shift their weight – wince when they put weight on one foot. Their lips peel back from their teeth. Their clothes on that side are singed.
Efri points it out. “Your robe,” she says, which makes it sound much fancier than it is. She’s too tired to think of a better word. She rubs a hand over her face, pushing the hair back over her forehead, says, “I’ll reinforce it for you when we get out.”
Kazari noses at Efri’s shoulder – the shredded fabric of her dress, the fraying edges stained with blood. Efri says, “I know. I’ll have to sew that up too.” Over her shoulder, she calls, “Kazari’s leg’s hurt, I think.”
“There’s blood on you,” Sissel replies. She peels her hand off the floor and leans back on her heels.
Efri touches her shoulder again. “’S fine,” she says. “Just a scrape. The blood’s drying already.”
It’s really sore, actually – the flesh abraded and tender, an ache sinking deep into the muscle – but it’s normal sore, the kind of sore you really should be after being thrown into a wall. It doesn’t feel sprained or dislocated or anything like that.  Just like it will be bruised a whole rainbow of colours come tomorrow.
Kazari noses at it again. She leans too far forward and falters on her maybe-hurt leg – rights herself, wincing, and rolls her shoulder. It gleams, just for a moment, and she nearly stumbles again. Efri puts out a hand to steady her. (It doesn’t really accomplish anything – Efri’s strong, but she’s not that strong – but it’s the principle of it.) “What was that spell?”
“Pain relief,” Sissel says from behind her. “I think. Doesn’t actually fix anything, but.”
“You’ll be okay ‘til we find someone?” Efri asks, and Kazari nods. She presses a hand against their shoulder and nods back.
They both turn to look at Sissel, then, who’s just kneeling on the floor, sitting on her heels.
“You all right?” Efri asks her.
“All right,” Sissel confirms. She doesn’t look at them. “Didn’t even come near me.”
She’s staring.
Efri crosses the floor to stand with her. (She needs to lean on Kazari – her legs are too wobbly, and she doesn’t want to touch the dead thing’s stick, doesn’t want to look for her own. Kazari limps a little on their sore front leg.) There’s a moment of total, humming silence – all of them still and staring, necks craned back, looking up at the thing.
Whatever it is.
It’s a ball. Big and blue and shimmering, it floats above a wide crystalline dish set into the floor, spinning on an axis. Just spinning and spinning and spinning, endless motion. Its smooth surface is cut through with dark wavering lines, etched with lettering, and it doesn’t quite glow but it doesn’t not glow, either, the light moving across it silkily, like clouds in a blue sky. It looks like something that should be humming – a low pitch in their ears, an eerie shiver dancing over their skin – but it’s silent. Inert, maybe, but for the spinning.
“What is it?” Efri asks. Her voice cracks as she speaks. She looks down at Sissel’s face, staring as though mesmerised, illuminated by the room’s dim lighting – the fires that should not still be burning down here, the luminous not-glow of the ball.
Sissel says, “I don’t know. Something important.”
Hovering above the dish, it spins, and spins, and spins.
“Is it what the ghost was talking about?” Efri asks. She tilts her head and squints at it. It doesn’t – well, it looks strange and unearthly and powerful, but it isn’t doing anything. And it hadn’t been clear what the ghost was talking about, exactly, according to Sissel, just that it was something important – but what else could it be?
Sissel, still watching it, shrugs. “I don’t know,” she says. “I think so.”
Efri watches it with her, brushing a bit more hair out of her face. It’s sticking to her sweaty forehead. She feels a drip of not-dry blood running down her arm under her sleeve.
Kazari is staring at it too – just as confounded as the rest of them. Efri sees the light in their irises shifting as the ball spins.
They’re not learning anything from staring, the ball staying strange and mysterious as ever, so Efri raps her knuckles against her sternum to steady her breathing (it’s slowed a bit – not normal, but closer to it) and climbs up onto the stone rimming of the dish. Kazari, behind her, lows in consternation; Sissel catches her breath, a noise like a creaking door. “Careful,” she says.
“Promise,” Efri replies, and places her feet very, very carefully on the glassy blue flooring. Nothing happens. She doesn’t step on the dark curved lines as she treads toward the ball in the centre, slow and wary as if she were approaching a skittish animal. Nothing happens.
She reaches out, and, with just the tips of her fingers, she grazes the ball’s surface.
Nothing happens.
It’s cool to the touch, and smooth, like polished metal or not-frozen ice or delicate glasswork. It continues to spin gently under her fingers, warming her glove with friction, no smudges left on its clouded face.
 It really feels like there should at least be a tingle running up her arm, a strange and unfamiliar current, a spark. But it’s just Efri, standing with an arm outstretched, pressing her hand to a ball.
“It’s not doing anything,” she reports, and Sissel clambers up onto the dish with her, fitting her palm to its gently hovering underside. Kazari balks, begins pacing agitatedly. Efri frowns. “Why isn’t it doing anything? Shouldn’t it be doing something?”
“It’s important,” Sissel says definitively. There’s ancient dust on her fingers, but none of it seems to transfer. “It’s something really special, I think.”
Efri shifts restlessly. She shifts her grip and tries to grab onto the dark ridged curves ringing its surface, but they slip easily away from her grasp as though her touch was no barrier at all. “But what does it do?”
Sissel shrugs.
Behind them, Kazari lows.
Efri drops her hand and grabs Sissel’s wrist. “C’mon,” she says, and when Sissel frowns at her, “We’re not going to learn anything about it this way. We have to look for clues!”
Kazari makes a more impatient noise. (Efri thinks she found a clue.)
Sissel gives the ball one last searching look and lets Efri tug her away, off the weird blue dish and down to where Kazari stands on the stone floor, at the head of the table where the dead man sat. Efri sniffs loudly and tries not to think about it too much. The table is smooth polished stone, worn a little away with time; Efri trails a gloved finger over the edge and directs her attention to where Kazari points with their chin.
There’s something carved into the surface, the edges blunted and shapes softened by however many years it must have been since it was put there. Efri squints, trying to make it out. She has to stand right up on her tiptoes to get the right angle to see much of it in full.
“That’s not letters,” she says eventually, frowning. She’s pretty sure she knows her alphabet well enough by now to know that. “Is it magic?”
Sissel shakes her head. “I don’t know what it is. It’s not like magical writing I’ve ever seen.”
Efri looks at Kazari, who also shakes her head. “Maybe it’s a different sort of lettering,” she theorises. It must have been written a long time ago, if it’s from back when the city had people. Onmund’s been reading all about it for ages, and he’s told her a bit – Saarthal was the city of Atmorans, populated by proto-Nordic people. All complicated history stuff. But they weren’t quite the same as Nords today, he said, so it stands to reason they had different writing, too. They’re supposed to be uncovering and cataloguing artifacts (at the thought, Efri glances back at the hovering ball and swallows an inane bubble of laughter) so she suggests, “Maybe you can copy it and we can show it to someone. I’m sure there’ll be someone at the College what knows what it is.”
Sissel, also standing on her toes, nods dutifully. “What will you do?”
The chamber they’re in is cavernous, and about empty but for the ball in the dish, the altar and chair, the body on the ground. “I’ll check him,” she says, and points. “See if he has anything on him that’s special.”
Sissel follows her finger and grimaces.
She digs out her note-paper and her stick of char, and Efri assumes it’s clues time, but when she turns she feels a hand grip her elbow. She looks back over her tattered shoulder at Sissel’s face, her furrowed brow.
“Promise you’re really okay?” she says, voice anxious and solemn.
“Promise,” Efri says, twisting her arm to touch her friend’s hand. Sissel presses her lips together and lets go of her arm.
Kazari trails after Efri to look at the dead man.
First thing is the metal stick. It’s magic someway, Efri knows – he waved it and threw her into a wall, flung spells with it – but she’s not sure how. Doesn’t know enough about enchantments. Didn’t need to, to use it; when Kazari clamped down on his arm she just ripped it from his grasp and –
She doesn’t quite exactly remember, actually, except for the bitter tang of adrenaline in her mouth and nose, the horrible grunting and scuffling sounds, the heft of the stick in her hands. Impact, over and over and over, against something that had a little more give each time.
Efri scrubs a hand over her mouth and grips the handle of the stick. It takes effort to wrest it out of the thing’s face, caught as it is by the edges of the helmet, and when it’s finally yanked free it’s – actually not as bad as she might have expected. There’s no blood, and the corpse was so desiccated it already didn’t even really look like a person anymore, so it registers less as someone with horrible violence done to it and more as a really gross art piece. It’s not nice. She doesn’t like the twisted, gaping mouth, teeth embedded wrong-ways in its tissue and scattered like coins over the floor. And one of the eyes, which had glowed unearthly blue, is now a dull, rotten black, squished like a plum in its socket.
It's worse the more she looks. She sniffs and turns away.
“This is magic, right?” she asks Kazari, testing the weight of it in her hands, the cool surface of the metal, and they nod. “A good artifact?” she adds, and they nod again, emphatically. Efri sets the stick aside and kneels.
It wasn’t wearing any clothes, really – or if it was, they rotted away. She touches the rusted armour gingerly, tries to avoid brushing her gloves against the shrivelled skin at all. Whoever it was had expensive taste, it seems – there’s jewellery in a shockingly well-preserved beard, pendants around the neck, armbands. Efri asks Kazari if each thing is enchanted. No to the armbands, no to the beard-ring, and then, pressed against the wizened chest where the flesh contours to the ribs, she finds some kind of necklace, sharp-edged and thrumming. Kazari nods to that, and, face scrunched up like an old fruit, Efri reaches around the ancient neck to slip it off.
She tucks it into a belt pocket with the tripwire necklace they found at the weird wall.
“Done,” Sissel says. She folds her paper and slips it into her own pouch. Her footfalls on the echo-y stone floor as she approaches the body for the first time are almost silent. “Did you find anything?”
“Necklace,” Efri replies, watching Sissel’s face pinch at the sight of him. “And – stick.” She scoops up the metal stick and holds it out. “He did spells with it.”
Sissel looks at it warily. “Is he a draugr?” she asks, glancing back down at his mashed-up face.
“I mean,” Efri says, “he’s got to be, right?” She’s certainly never seen a draugr before, but what else could it be?
(Calling it a draugr makes her shiver, the set of her shoulders quaking. She’ll stick to dead man.)
Sissel shudders. She reaches out to grip the handle of the stick, and Efri’s not sure if she’s taking it or just trying to keep herself upright. “I can’t believe that happened,” she says. Her voice sounds, suddenly, fragile. “I can’t believe we’re alive.”
“Me neither,” Efri says. She presses the tip of the stick into the ground so Sissel can lean on it, stands a little unsteadily.
Kazari, with a hushed murmur, telegraphs something. Efri recognises the head incline of understanding – she’s familiar with that word, that idea – and, after a moment, the flickering ear of doubt.
“They’ll have to believe us,” she says with conviction, because she means it. “We’ll show them. They’ll see for themselves.”
Kazari presses their nose to her head.
Efri clasps her hands together. “We’ll go tell someone now,” she declares – though it’s easier said than done; they were lost in the ruins ages before they even found the crumbling wall, the halls, this horrible wonderful chamber. But they’ll get un-lost eventually. They’ll get out eventually. Surely. They have practice enough with walking. “But first – help me find my stick.”
#little girl has a kill count now!! more at 11#for context: I altered stuff leading up to the discovery of the eye#efri and sissel went off to play in the undiscovered halls of this ancient archeological dig site#on the grounds that efri has a great sense of navigation and they'll find their way back to the group no problem.#(efri has a great sense of navigation in the wilderness.)#(introduce her to a series of roads and buildings and she is lost in the sauce.)#their friends split up to look for them after they've been missing from a while (wandering around with great interest and no sense of place#(incredibly lost)#kazari happens upon them right as they've found a necklace at the end of a dead-end passageway that - when dutifully grabbed#for archeological research purposes - ended up triggering the wall to crumble or disappear or otherwise remove itself from the equation#and efri wasn't going to just. LEAVE that opening there.#come ONN kazari that's weird!! we can't just leave it!! what if it closes up and we never ever find it again and there's incredible secrets#that the college never finds! what if we never know what's through there!#we HAVE to know what's through there!#so on they go.#and so ensue the horrors#they pass a lot of dead bodies before the main all but those ones are all immobile#also sissel is the only one to receive the psijic projection warning. which she explains to the others as a ghost telling her secrets#which efri accepts bc this seems like the kind of place that would for sure have ghosts#and kazari goes sure that tracks this place is fucking creepy can we leave now (<- is also curious but HAS to put on a show of reluctance#because clearly no-one else is going to)#(permanent babysitter of kids with the worst self-preservation instincts imaginable)#(she is so strong. living every childcare worker's nightmare)#ANYWAY#:D#normal type stuff#posting because it matches the artwork I'm also posting! look at that thing!!!#fay writes#oc tag#efri
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skyburger · 6 months
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"fnaf is the scariest game ever" "no its silent hill" "well i think its resident evil" everyone shut up!!!!!! youre all wrong. its actually zack & wiki quest for barbaros' treasure (on the nintendo wii) but only the level "keeper of the ice". that level scared me so bad as a kid and you can tell because its the only individual level i remember the name of off the top of my head. like there is nothing scarier than a) being chased and b) being on a time limit. and you know what this level has? BOTH OF THOSE. this level is still scary to me im like AHHHHH!!!! and then i die
#i had to google horror games after i thought really hard for silent hill and fnaf#because like. resident evil is just not a horror game in my mind... its just cool zombie game...#to be fair though. the only one i actually played a portion of was re6 which is probably the least scary one in the whole series#anyway do the kids still find silent hill and fnaf scary. i dont know.#well the former id say yes given how prevalent ps1 horror has been in recent years#fnaf i have no idea. im a massive wuss so its scary when i play it for myself#but watching someone else play them especially when i know them well isnt scary#and ive watched fnaf videos for YEARS#so i dont know. (old man voice) these damn kids... back in my day we watched markiplier scream at freddy fazbear and we LIKED it!#anyway its objectively a horror game and thata literally fine thats all i needed for this post#MY POINT HERE. my point here#IS THAT HIT ZACK AND WIKI LEVEL KEEPER OF THE ICE. IS SOOOOO SCARY#its not that scary but i see tjat level and im like 3 years old making my mom play this level for me again#and for the record yes me and my sister really did make our mom help us with z&w#she remembers helping us with frost breath the most because we like did notttttt get that one at all#and she could never remember how to do the mirrors based on what combination of stands is there (because tjeres like a few variations)#so she always had to look up a guide 😭😭#my poor mother on fucking gamefaqs or something in like 2010... legends only#anyway if you have no idea what level im talking about (any of my oomfs reading this that isnt end) (hi end) PLEASE look up this level#and i need you to think of like a 5(?) year old making her mom play this game.#this aforementioned child is still a massive wuss as an adult btw. some things never change#anyway watch that level and think about how someone like me. whos already a scaredy cat!#imagine how someone like me felt at age 5 possibly younger playing this level#I WISH I COULD LIKE CONVEY EMOTIONS OVER TUMBLR. why cant i attach a .emotion file to this post#anyway ramble over <- hes said that like a million times today#scariest level in a game ever...!!!!! FUCK that keeper of the ice bitch im GLAD he died#muffin mumbles
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