#this is an 8 am class

[handcat]

film bro in my class literally just brought up the joker wtf kill me

[dungeonmessy]

I swear I’ll stop drawing labru low hanging fruit joke comics but I have to do 2 comics a week in one of my classes and it’s just the easiest low effort thing to do

based on this Hehe Haha

[mnemonicmew]

Should’ve read the terms and services

[vepaluiron]

save me sith woman, save me

[front-facing-pokemon]

[nibeul]

college professors have some fucking nerve

[slavhew]

terminally annoying to kind of endearing

[kaladinkholins]

(concept art of young taigen - source ; art credit: @abigaillarson)

i cannot get over this concept art of young taigen. god.

just look at this angry bratty boy, too many feelings that he doesnt know what to do with! an abused 9 year old kid in poverty always playing with sticks in the dirt, obsessed with greatness and dreaming to escape his decrepit village—and he does!

he does escape. he runs away. this angry little boy, all claws and teeth and biting words uttered with a lisp, going on the run into a world he's never seen before until he makes his way to kyoto. and knowing him he probably forced his way in to be accepted by the dojo, growling and kicking even as he's thrown out, back into the streets, too stubborn to take no for an answer and never knowing when to give up.

taigen calls mizu a dog, weak, an orphan, a scrawny street urchin. but i can't help but think that he feels so bold to use those words because he had them spat at him too.

because taigen had the idea of "this is how the world is" beat into him from birth. he learned quickly that if you couldn't beat the world you could join it. but that meant losing your way, your values, your principles. and isn't that what true honour is? not just titles and status and glory?

we don't get to see what taigen, as a child surrounded by peers encouraging and goading him on, would've actually done if that meteor hadn't fallen right in front of them at that very moment. would he have really tried to throw that stone on mizu, killing her? we don't know.

but we do see what taigen (his true self, with no one around) does, when presented with the same opportunity. when mizu passes out in front of him, unconscious and near death, vulnerable, the path to restoring his honour lays itself out for him on a silver platter. and he wants to take it, wants to kill mizu, to claim what is his and return to kyoto and get back everything he'd worked tooth and nail for. he feels like it's what he should do. but he doesn't.

and later, again he is presented with the chance to betray mizu, likely offered by heiji shindo to get his rank reinstated within the shindo dojo. and again, taigen doesn't take it. he refuses. "stupidly loyal," fowler calls him later. loyal, like a dog.

because now, pulled away from the sneering looks and jeering words of people around him, telling him that this is what the world is, taigen had met ringo and mizu, two outcasts who refuse to follow a predetermined path to greatness. and so inside something blooms in him. something like hope. a chance to live in a world that doesn't kick you down every chance it gets, to live in a world where genuine kindness and and love and friendship and even weakness is possible, allowed to simply exist without fear.

because he'd been running away from the very idea of it the whole time. when he ran from kohama, he never looked back, never wanted to remember what it was like to be a child, afraid and hungry and angry and hurting, without the words to make sense of it, desperately wishing for something. something more. he doesn't know what. but he hears stories of great swordsmen and decides, yes, this must be it. this is what i want: glory, greatness. the twisted seed gets planted and thrives in this barren land.

and when he returns to kohama with mizu and ringo, he at last is forced to stop running. he must face the child within him again, and he tells that child to put down the stones in his hand, tells him to stop barking at anything that moves or looks at him wrong.

the child drops the stone, and taigen buys dumplings instead, gives them to mizu. the child within him, wide-eyed at the prospect of friendship, moves him to pick up a hammer and toss it to mizu. he's smiling inside even as he does it; giggling like a kid hiding a silly prank. as soon as mizu drops the hammer after him, he leaps at her, tackling her to the ground and they wrestle and laugh unbridled like two children playing while the adults aren't around to barge in and yell at them.

and then his gaze catches on mizu's lips, he stares into mizu's eyes, a sparkling blue, inviting like the open sea in good weather.

it's a man's desire that takes hold then, the child in him sinking away again, and he curses himself for it, because it ruins the moment.

everything goes to shit from there, and then it's back to being a man, back to putting on his grown-up's armour to play hero.

it fails. the shogun dies. fowler's beatings reopen all the wounds left by heiji shindo's torture. "honour is meaningless," mizu tells him. "nothing comes from being a samurai but death."

the words follow him, and he follows the words.

as everything burns down, he runs, leaving the fire behind him, and sees akemi, as well as the verdure of spring behind her, calling him. he does not hesitate then to hold his hand out to her, inviting her to come with him. "i don't want to be great," he says. "i just want to be happy."

what is happiness to him? perhaps he doesn't know it yet, or perhaps he does. but really, i believe happiness is what the child in him always wanted but never received. happiness is a home.

[genericpuff]

i played flute for 6 years from middle school until the end of high school

it means fuck all now because i haven't played a single tune in a decade LOL

[vivenecii]

My beloved ugly demons in their ugly Christmas sweaters (but the thing is, neither of those are ugly, really).

[magpiecrown]

born to draw, forced to write essays ✊😔

[m1d-45]

small miracles

summary: washed up on the sands of ritou, inazuma’s famous helper lends you a hand.

word count: ~2k

-> warnings: n/a, just standard imposter au things. you are on the run, technically. very minor gore i guess(like veeeery tiny)

-> lowercase intended!

< masterlist > || second part >>

dirt collapses beneath your feet, your torn shoes skidding on the edge of the cliff north of liyue harbor. you can hear the waves lap at the rock thousands of feet below you, layered under the huffs of the people in front of you.

steel blades shine in the hot sun, the millelith wielding them just as fierce. you can see the hatred in their eyes, the need for your end, whether by the spears in their hand or the waters behind you. the only reason they haven’t struck is because of the woman behind the ring of them.

a dark oak pipe balances on the tip of ningguang’s finger, her eyes as sharp as their ruby hue. she lets it tip to one side, her head following the tilt, before she spins it back into her palm. every action is defined with grace, not so much as a hair out of place. every golden ornament shows off her prestige, her power, how without even lifting a finger she has you pinned in place against a cliff.

perhaps if you weren’t at risk of dying, you might feel different about it.

one of the millelith asks if they’re allowed to strike. the red tassel on her forehead swings as she shakes her head.

“no. this fake is not worth liyuen metal.” ningguang tucks the pipe away in a smooth motion, crossing one arm over her chest to rest the opposite elbow on it. a clawed finger swipes an invisible hair back into place on her bangs. “send them to the sea. their bones will serve as an excellent toothpick for osial.“

well, that was a horrific visual.

in an instant, the millelith spin their spears around, careful to keep the blades away from themselves and each other to jab to dull ends at you. behind them, ningguang barely looks fazed, examining a geo crystal in her hand. you know the nonchalance is manufactured, a subdued silence, but that doesn’t make it any better. she doesn’t care that she’s sending you to your death. she knows it, wants it, and what would the millelith be if they couldn’t remove one person from the tianquan’s presence?

your left foot is standing half on air. the part that is on ground is shaky, uncertain, dirt nowhere near as stable as stone.

you risk a look at ningguang.

ruby eyes are the last thing you see before you fall.

you wake up on a beach, sandy and exhausted. invisible wounds bleed harder as sand gets into them as you sit up to look around. your clothes are hard with saltwater, and it’s a miracle you made it here alive. though teyvat has been kind, fruit and clean water always within reach, you didn’t think that you would live long enough to hit land.

you stand—nearly falling—and shake out as much sand as you can, looking around. across the sea is a small island, within swimming range, but youre not inclined to explore when your limbs still feel so heavy. to your right, the beach narrows off, overtaken by the cliff behind you, but it seems to open up more to the left.

you decide to stumble that way, passing a spike of driftwood, and stop just as quickly.

you can see green roofs of houses, spires and what is maybe a watchtower in the distance, the architecture familiar. red and orange trees are interspersed between them, and your hopes fall.

you’d hoped you were in the stone forest. you’d hoped that you’d have a chance, knowing the abundance of hilichurls on the small islands, but now you’re…

you start walking, hoping to find some clues to prove your hunch wrong.

you see an okay looking boat, but youre preoccupied by the path branching to the left. wooden boards seem to make a walkway, and you step over them on your way inside. theres a small tent, a lantern, a block of supplies and a cooking pot. in the tent is a bed fashioned of hay, but embers light up the wood beneath the pot.

it would be a cozy enough place to stay, but you can’t risk whoever owns it coming back.

you head back the way you came and continue towards the city. the sand slides beneath your ragged shoes, but theres flowers following the breeze in the grass near the cliff. purple and a soft blue, they distract you long enough that a guard walks to their post further down the beach.

oh.

oh no.

you recognize the uniform, and the logo of the tenryou commission embossed on the armor. if inazuma is the same as any other nation—likely worse, considering the way its run—you need to avoid those guards at any cost.

you look to the cliffside. its steep, too steep to climb when youre still soaked from the sea.

you sigh, and decide to find another way up.

youre not quite sure how none of the guards saw you, but under the dwindling light of dusk, you manage to make to the southern(?) outskirts of what appears to be ritou.

…not that that means anything. you still don’t know how to get off the island, and trying to forcibly get deported will only result in an arrest. though there’s a food cart that most certainly can see you, the worker didn’t report you to the guards when they passed. you don’t remember her name, but know she sells some kind of food. maybe a fish dish? or was it egg? not that it matters, food is food, and if you’re lucky you’ll have enough mora for some.

you sit against a wall, checking your pockets. most of your stuff was either stolen or lost to sea, but your mora was still securely tied to your waist. after checking twice that you were out of people’s line of sight, you started to count, stacking the coins in piles of 10 on the grass in front of you. after a hundred, you moved them into one bigger pile.

you had more than you expected. though your pouch always seemed to weigh about the same, you didn’t think you could fit almost three thousand mora inside- or that you even had that. then again, chests typically had a few hundred, and you’d been pretty lucky in mondstat…

you set aside five hundred and hope it’s enough, but knowing teyvat’s economy… if salt was 60 mora, who knew how much you’d need?

whatever the case, you needed to eat. cradling the coins against you as you attach your pouch back at your waist, the go to move for the food stall.

your plans are dashed the second you stand.

a familiar face walked up the path towards the food stall, but quickly diverted towards you.

shit.

you step away, behind a tree, hoping against hope that he’d only seen somebody next to you instead of-

“hello there!”

you jump at how quickly thomas voice appeared at your side, taking another step back.

shit. that’s definitely him. weird horn headpiece, blonde hair, too-short jacket, dog tags and all.

you lick at your lips. they taste of salt. “hi?”

you hate how shattered your voice is. how quiet and rough it’s gotten.

“hey! i’m thoma.” he extends a hand, the small ribbon on the back of his glove rippling in the soft breeze. “it’s nice to meet you!”

you hesitate. it feels like you do a lot of that lately.

you remember him being affiliated with the kamisatos, which means he’s almost certainly heard of everything you’ve been accused of. but… there’s no way he would come up to you so casually if that was the case, right?

you want to trust him. you do. but there hasn’t been anybody else yet that you could.

carefully, you meet his hand with your own weak grip. the cloth on his gloves is leather, unsurprisingly, and though it is cold with the dusk chill, his fingers are warm. you have a feeling it’s from his vision, and your mind flickers to the last time you slept by a fire.

it’s been months.

“oh, you’re freezing! what are you doing outside?” his voice jumps a few octaves and his hand tightens around yours. “oh jeez, you’re going to catch a cold if you’re not careful. what are you doing without a coat in the middle of winter?“

is it winter? you don’t really remember the last time you knew the date for certain, but if that was true, then it was bad news. the clothes you wore you got from hilichurls and abyss mages, but the main enemies in inazuma were nobushi…

your worry must show on your face, because thoma’s frown deepens.

“now that i look at you… you’re not from inazuma, are you?”

you shake your head no.

“oh no… did you get caught up in the outlander affairs agency? they haven’t gotten any better after the decree, have they….”

“no, i-“ you cut yourself off with a coughing fit, tasting a bitter mixture of salt, blood, and bile climb up your throat. it’s disgusting, and alarmingly salty. you must have drank more ocean water than you meant to; it’s a wonder you didn’t choke on the trip over.

(how did you make it over? the distance from liyue to inazuma was too large for you to have simply floated, surely? but didn’t thoma himself float over?)

thoma’s other hand lands between your shoulder blades, patting lightly. “hey, it’s okay. it’s good you haven’t ran into the agency, but that cough doesn’t sound good at all…”

you adjust the tattered mask on your face, straightening and doing your best to look like you haven’t been on the run. “i’ll be fine.”

your chest tightens with the need to cough, but you set your jaw. you can’t afford to get involved with the yashiro commission. you’re certain the mora clutched in your grip is enough to buy you a decent meal and—alongside the rest of it—some kind of warm herbal tea.

gentle green eyes catch the money in your palm and widen. you can see the gears clicking inside his head, and he speaks before you can.

“is that all the mora you have?”

“i-“

“and you don’t even have a- ah, i can’t leave you out here like this. could you come with me to the teahouse? there’s a waypoint just inside ritou, and i’d feel a lot better if i could get you some tea and clean clothes. it won’t be the fanciest, but i know there’s some spare sets and anything would be better than risking an illness. inazuman winters aren’t kind, and the shogun hasn’t been in the best mood as of late.”

the pros and cons weigh in your head. you could go with somebody you know is kind, and get what is certainly good food and hot drinks with clean clothes to boot. or, you could risk walking into a trap with, arguably, one of the most influential people in the yashiro commission at least, if not all of inazuma. it’ll either be the best choice you’ll ever make, or one that’ll land you in front of tenshukaku in chains.

thoma picks up on your hesitation, taking his hand off your shoulder and giving you space, though he keeps your hands linked. “can i at least bring you some dinner, then, if you don’t want to come with me? or a blanket? or- or something?“

he’s awfully worried for somebody he just met. you’re not sure if his determination is evidence of his benevolent nature, or if he’s trying to make you trust him as he calls over some shogunate soldiers.

…you also can’t decide if it’s your desperation for connection with somebody you can rely on or your need for a better environment that makes you agree.

maybe his bright smile has something to do with it. or the comforting warmth in his hands as he leads you away? maybe it’s the way he holds you tightly against him after you ask to go to the teahouse and are nearly sick coming out of the teleporter.

or maybe, by chance, it’s the light in his eyes when you say ‘thank you’.

[apollos-boyfriend]

let us know when you get an answer im suddenly fascinated

pressing my face against the glass of our dms waiting for him to open them. the people must know

[veone]

🚬6:45pm "we got an hour."

[yohankang]

i survived my first week at a new job *cheers and applause*

[beesorcery]

i really liked the design of this shirt but 1) too many dollars 2) i wasn’t about to stand in that merch line for an hour and 3) it’s not on the website anymore??? idk

anyway i have decided to embark on a fun project in which i recreate this design but instead of the city names it’s the 8 ball from that show, which means it won’t be done until april! so i’m gonna post progress updates as i do them. graphic design is my passion or whatever

here is the current draft updated through 3/4:

i’m doing it in illustrator because i have access through my school and also it’s easier to move things around as stuff gets added. i don’t know yet if i’ll try to make it into a shirt or maybe a poster or something once it’s done

my main obstacle to making it really similar to the original is these fucking song titles jesus christ. it took me like 5 hours noodling to get the current composition. slump isn’t even one of their longest like if they play get busy in raleigh i’m cooked. i am having fun though so that’s what matters

finding the fonts is also very time consuming but still fun, there are some i straight up can’t find anywhere (and the image isn’t hq enough to be able to tell exactly what they look like anyway) so for some of them i’m just gonna use the best match and then convert to shapes and fuck around until it looks right; i did it with the 3.3 and 3.4 idk if it’s noticeable

i’ll rb this post with more updates!! hopefully posting will also structure the time i work on it so i don’t end up completely missing schoolwork due to hyperfocusing on this