#this is an interesting session

[squids-and-waffles7]

hello tumblr i return with this

[ ID: A digital illustration of Adrien from Miraculous and Hunter from The Owl House. The two are sitting on chairs, with adrien on the left and hunter on the right, both looking at the camera with awkward smiles on their faces, thumbs up. The banner above them reads (as in referring to the two), “traumatized blonde teenage white boys who aren’t quite human and were instead created by their evil shithead father figures using magic who they used to look up to until they learned who they really were and they had masked alter egos that gave them more confidence but were also just tools to cover up their true selves and who are in love with a blue haired asian girl who could kick their ass and who have little flying animal confidantes who give them powers and were one of their first friends and who at one point wore very silly costumes and at another point were a villain and are probably bi and trans and-”. End ID.] 

[biggest-gaudiest-patronuses]

*tries to organize my thoughts*

*remembers i'm not in school and therefore beholden to neither heaven nor hell nor any man's grading system*

*joyously shredding & tossing all my carefully arranged 3x5 mental notecards into the air like so much beige confetti. raising my arms in victory, cheering raucously until i accidentally inhale bits of homemade confetti*

(*coughing up itty bits of paper like a cat evicting a hairball with a firm understanding of tenants' rights*) wait wat happens next

[thisisadonaldduckblognow]

all the rise boys get done dirty on characterization by fandom in different ways i think. (not ALL the time every fanwork etc etc these are just like, trends i tend to notice?) every fandom suffers from losing character nuance.

- leo i’ve talked about plenty on this blog, how some of his canon traits (genuine belief in his skill and cockiness, capacity for joy, his manipulativeness whether for good or ill) seem to get watered down or wiped off the board and supplemented with generic sad boy. his struggles with purpose and identity and not wanting to fail somehow morph into “he hates and completely holds no value for himself”

- donnie’s canon personality gets blurred out and largely replaced with whatever list of Neurodivergent Traits. and i think there’s such a fine line to walk between exploring a character that’s been word of god confirmed as on the spectrum and overwriting what’s canonically there. it’s a hard needle to thread. it also feels like a lot of his canon emotiveness gets left off the table for some reason. bc he does have his moments of flat/deadpan delivery, but a lot of the time he’s honestly very emotive. he has the passion of a theatre kid and the vindictiveness of... also a theatre kid. and the mind of a scientist.

- raph loses so much of his rowdy teen boy energy it’s kind of wild? like interpretations sand off that he’s also impulsive and can be reckless and dumb and LOVES fighting and roughhousing and isn’t the most eloquent person. suddenly there’s this pitch perfect soft boy big bro who would never hurt a fly and always says the exact right supportive thing and singlehandedly raised his 3 brothers (which simultaneously sands off all the nuance of splinter’s issues emotionally connecting with his sons and how that affected all of them). and like i LOVE raph, he’s so full of love and care and anxiety, he clearly has learned to put a lot of work into being aware of his strength and size. but there’s a difference you know?

- mikey is like. where raph gets overparentified by fanon, mikey gets over “family therapist”-ed IMO. the impulsiveness, the goofiness, the powerful emotions including a VERY powerful temper, the flat-out dumb teen boy choices... they get ignored. suddenly there’s this only very sweet and earnest boy who has read a hundred psychology books and runs group family therapy weekly or something. he is crying in his room bc leo and raph are arguing about something. which is so. he IS very sweet and can be very earnest and is full of love! he HAS come in with his opinions and unsolicited advice a couple of times and life coached for the greater good. but there’s a difference between what he does in canon and the role he gets in fanon.

[raeofgayshine]

Thinking again about the fact that when Eddie and Dustin finally convince Steve to play DnD with the party, all of them, but especially Eddie, quickly become exasperated with Steve who has extremely high charisma, and decides that he can fix almost any situation by flirting with whoever they were in conflict with. Especially the fucking monsters, this man is bound and determined to himself a monster boyfriend and until it happens, he will make every single person they come across fall in love with him. So naturally, this happens a lot:

Steve: I’m going to flirt with them

Eddie, exasperated: Steve, you can’t date this monster, he’s trying to kill you-

Steve: Hot.

Steve: I’ll flirt with them harder then

[carpe-mamilia]

Ghosts’ Larry Rickard Explains Why They Chose the Captain’s First Name

Photo: Monumental,Guido Mandozzi

It couldn’t be a joke. That was one rule laid down by the Ghosts creators when it came to choosing a first name for Willbond’s character. Until series five, the WWII ghost had been known only as The Captain – a mystery seized upon by fans of the show.

“It was the question we got asked more than anything. His name,” actor and writer Larry Rickard tells Den of Geek. “Once we got to series three, you could see that we were deliberately cutting away and deliberately avoiding it. We were fuelling the fire because we knew at some point we’d tell them.”

In “Carpe Diem”, the episode written by Rickard and Ben Willbond that finally reveals The Captain’s death story, they did tell us. After years of guessing, clue-spotting and debate, Ghosts revealed that The Captain’s first name is James. At the same time, we also learned that James’ colleague Lieutenant Havers’ first name was Anthony.

The ordinariness of those two names, says Rickard, is the point.

“The only thing we were really clear about is that we didn’t want one of those names that only exists in tellyland. It shouldn’t be ‘Cormoran’ or ‘Endeavour’. They should just be some men’s names and they’re important to them. The point was that they were everyday.”

Choosing first names for The Captain and Havers was a long process not unlike naming a baby, Rickard agrees. “It almost comes down to looking at the faces of the characters and saying, what’s right?”

“We talked for ages. For a long time I kept thinking ‘Duncan and James’, and then I was like ah no! That would have turned it into a gag and been awful!” Inescapably in the minds of a certain generation, Duncan James is a member of noughties boyband Blue. “Maybe with Anthony I was thinking of Anthony Costa!” Rickard says in mock horror, referencing another member of the band.

Lieutenant Havers wasn’t just The Captain’s second in command while stationed at Button House; he was also the man James loved. Because homosexuality was criminalised in England during James’ lifetime, he was forced to hide his feelings for Anthony from society, and to some extent even from himself.

In “Carpe Diem”, the ghosts (mistakenly) prepare for the last day of their afterlives, prompting The Captain to finally tell his story. Though not explicit about his sexual identity, the others understand and accept what he tells them – and led by Lady Button, all agree that he’s a brave man.

Getting the balance right of what The Captain does and doesn’t say was key to the episode. “It wasn’t just a personal choice of his to go ‘I’m going to remain in the closet’,” explains Rickard. “There wasn’t an option there to explore the things that either of them felt. That couldn’t be done back then – there are so many stories which have come out since the War about the dangers of doing that.

“We wanted to tell his personal story but also try to ensure that there was a level at which you understood why they couldn’t be open, that even in this moment where he’s finally telling the other ghosts his story, he never comes out and says it overtly because that would be too much for him as a character from that time.

“He says enough for them to know, and enough for him to feel unburdened but it’s in the fact that they’re using their first names which militarily they would never have done, and in the literal passing of the baton”.

The baton is a bonus reveal when fans learned that The Captain’s military stick wasn’t a memento of his career, but of Havers. As James suffers a fatal heart attack during a VE day celebration at Button House, Anthony rushes to his side and the stick passes from one to the other as they share a moment of tragic understanding.

“From really early on, we had the idea that anything you’re holding [when you die] stays with you. So it wasn’t just your clothes you were wearing, we had the stuff with Thomas’ letter reappearing in his pocket and so on. And the assumption being that it was something The Captain couldn’t put down, it felt so nice to be able to say it was something he didn’t want to put down.”

Rickard lists “Carpe Diem”, co-written with Ben Willbond, among his series five highlights. He’s pleased with the end result, praises Willbond’s performance, and loved being on set to see Button House dressed for the 1940s. He’s particularly pleased that a checklist of moments they wanted to land with the audience all managed to be included. “Normally something’s fallen by the wayside just because of the way TV’s made, it’s always imperfect or it’s slightly rushed, but it feels like it’s all there.”

Rickard and Willbond also knew by this point in the show’s lifetime, that they could trust Ghosts fans to pick up on small details. “Nothing is missed,” he says. “Early on, you’re always thinking, is that going to get across? But once we got to series five, there are little tiny things within corners of shots and you know that’s going to be spotted. Particularly in that very short exchange between Havers and the Captain. We worried less about the minutiae of it because you go, that’s going to be rewound and rewatched, nothing will be missed.”

The team were also grateful they’d resisted the temptation to tell The Captain’s story sooner. “We’d talked about it every series since series two, whether or not now was the time, but because he’s such a hard and starchy character in a lot of ways you needed the time to understand his softer side I think before you had that final honest beat from him.”

“What a ridiculously normal name to have so much weight put on it for five years,” laughs Rickard fondly. “Good old James.”

From Den of Geek

[cheese-rat29]

hannibal: “he can assume my point of view.”

bedelia: “by profiling the criminally insane.”

get his ass.

[eluminium]

I love how the big Life series "curses"/cliches surrounding BigB and Tango are just, completely nullified by Skizz. Oh BigB is forced to betray his closest ally and that ally will hate/break up the alliance with him due to it? Skizz just goes "Oh it was your task? And you completed it? Worth it then, let's get back to roping people into gambling!!!" Tango keeps having his allies dip on him/ignore him/never prioritize him when he really needs them? Skizz is just like "Okay fine I'll do your task for you together with Big Bopper and then we'll do shots at the top of Joel's cringefail MLG bucket build height tower!!!!!"

I think, perhaps, Skizzleman is the antidote to any curse/cliche that relies on a lack of loyalty. You just can't get him to compromise his loyalty no matter what you try. Can't tempt this angel to fall, even.

Now we just gotta wait and see if Tango and BigB will counteract Skizz's curse/cliche of never reaching session 8 and his rule of three stuff...

[rusty-courage]

Out of sheer curiosity, are you planning on making a design for yourself on Woven Life? Like a specific design for it- yknow

[and would it be ok if I make one for shits and giggles despite knowing nothing-]

My Woven Life design is just this character, but the flowers, scarf, and eyes change color depending on the life amounts, and on red the scarf will be tattered and torn.

[socialiseisnotinmyname]

Clean version:

well random headcanon time: Felix has a sweet tooth, that's it yup...

Well not just that, he LOVES cute/pretty pastries or desserts of any kind. Whenever he goes out(going on a walk, going out to buy snacks,going out with a friend <- mostly a certain au thing,etc etc...) if he happens to pass a bakery or cafe he usually visits, He'll make an excuse to buy something for his mum. Because I also headcanon that His love language is gift gifting (ok another one...) and grabs a thing or two for himself too.

Ok yap session over, you're free now ~\(-_-\)

[ackitscaramel]

JOTARO‼️

[stormofdefiance]

Dkdkdkdks this is not a serious analysis in any way at all but the podcast I’m listening to has started going through Plato’s dialogues & in one of them (The Symposium) an excruciatingly handsome young man, Alcibiades, tries desperately to seduce Socrates with his good looks in the hopes of gleaning more wisdom from him. In it Socrates does get into bed with him, but all that goes down is Socrates ‘not moving at all’ and rambling endlessly on about philosophy. Idk I’m just pishing myself, this is just so incredibly Ratio/Aventurine core dndndndxndn

[dreammeiser]

Are there any confirmed ships in DAWM (what I've abbreviated your story)?

Hi there! I've been playing around with different options and whether they have significant impact for the character and the messages I want the story to have... There are some relationships that are canon, though! I have a hard time justifying romantic subplots in my stories so for me they absolutely must serve a significant purpose.

For now, all the art we are seeing are from a platonic standpoint-- I am ahhhh demi-pan and have a hard time relating to characters where romance is their focal point, though I am trying to look beyond my own perspective! The Gang are all friends that are very comfortable with each other and trust each other immensely, which I think is a friendship dynamic I sorely want to see!

... But I am enjoying playing around with some of these ships yes eeheehee :oD

Mae objecting to any and all recent allegations, even with the damning evidence!!

[fefairys]

like idk personally i dont think characters like feferi and nepeta were "robbed" and this is coming from tumblr user fefairys with the feferi icon. i think that not every single character in a story needs to have equal focus or care put into them. sometimes characters just have smaller roles in a story than others and the author doesn't care about them as much and that's not, like, evil. it's okay. especially in a work like homestuck that has SO MANY FUCKING CHARACTERS. write fanfiction about it.

[reflectismo]

— “Memories of an Apple Girl” by Francie Schwartz for Rolling Stone Magazine (November 1969)

Wait, what? Francie referring to Paul as John’s princess in 1969. I’m so confused.

[chemdisaster]

i've seen people leaning heavily into the watcher lore say that scar's win was all orchestrated and endorsed by the watchers, that he's their favourite and they wanted him to win and now he can be theirs - but isn't it cooler, doesn't it make more sense if he won in spite of the watchers? they've been trying to fuck up all his plans the whole season, they've done their best to make everyone hate him, and he still came out with alliances at the end. they tried to make him a villain, and he succumbed and embraced it, but still showed goodness in the end when he refused to let pearl sacrifice herself - and that's why he won. not because he did what the watchers wanted him to, but because he went against the big plan and won all on his own merit. he didn't win because the watchers like him, he won because of his own quirks and strengths that he used to his favour. he won because he's scar and he doesn't follow the rules and is simply good enough at the game to win.

i don't know, i just. the idea of everything being under the watchers' control and there being no real free will in the series is an interesting one, but a) as many have mentioned, this is the season of defying curses and character development, and b) scar is not just a toy for the watchers to play with. he's a person and the reason why he won is not because grian or anyone else wanted him to, it's because he's bloody good.

[yanguazalie]

I dedicate this cool-down drawing to donut bagels, Uglydolls, and especially Wang Chung! :D

Evidently these two have had a hold on me the past few posts lol