#this is an original character from an original setting

[fastepp]

Every time I see an author promoting their debut Greek mythology retelling on twitter I mourn the loss of like. To put in ineloquently. Just using these stories as inspiration for your own. Your story does not need to force itself to fit the shape of Orpheus and Eurydice it’s fine you can just allude to their story!! You can use their themes!! Nobody is going to arrest you for being allegorical instead of literal!! I might eat them alive at this point. It’s the only way.

[mimble-sparklepudding]

Ship and OC Relationship Creative Process Ask List.

I am still pondering how best to approach some sort of "ship" for one of my OCs, but it's proving to be quite the challenge to wrap my head around. So what better way to learn more about how other people approach the topics of sex and relationships with their characters than to put together a little Ask List. Not just focussed on ships between OCs and canon characters, but also open to relationships between your OCs - or your OC and someone else's OC (or OCs, as we are all very polyamory inclusive around here).

Did you create your OC with a plan to ship them with a specific character or another OC? Or was their relationship something that evolved all by itself?

How important is your OCs relationship(s) to their story? Would it still make sense without it? Or is their connection to this other character integral to their development?

Were there any barriers to you establishing your OCs relationship? Perhaps social or cultural stigma? Or a concern that "ships" with that character were already overdone? Or simply a fear of being seen as "cringe"? If so then how did you overcome this?

How graphic or explicit are your explorations of sexual interactions involving your OC? Do you happily name body parts and actions? Or do you prefer to leave the mechanical details to the imagination?

If your OC's relationship involves a gender or orientation different to your own then how confident did you feel about exploring or writing this? If your OC and the character(s) with whom they are in a relationship are the same as you in terms of gender/orientation then was this a conscious decision?

How easy do you find it to write (or otherwise portray) non-sexual affection between characters? This might include terms of endearment, "pet-names", descriptions of cuddling or stroking the other's head in their lap etc.

How important is other people's investment in (or enthusiasm for) your character's relationship? Was this a consideration when you were planning it? Have you ever changed a character's relationship(s) due to other people's response to it?

To what degree do you use your OC as a means to explore your own romantic proclivities (or shortcomings)? Is your OC a self-insert and the relationship a form of wish-fulfilment and/or an means to explore certain fantasies? Or do you enjoy exploring something completely different to your own experiences and preferences?

How confident are you in writing about or otherwise portraying kissing between characters? Did this take practice? How much detail is enough? How much is too much?

Is it important to include tension or outright areas of conflict in a relationship? If so then how do you explore these? Or does this not appeal to you?

Does it matter to you how many other people also ship their OC with a particular character? Would this make it more likely that you will compare your material to theirs? Or does this not enter into your thinking?

How much does your OC's background and origin affect their approach to relationships? Are there specific insecurities or preferences that lead on from their past?

How easy do you find it to write romantic (or sexual) dialogue for your OC? If they are in a relationship with a canon character then how difficult is it to keep these interactions faithful to their established character and communication style?

How do you feel about answering questions about your characters sexual/romantic activities or preferences in character?

Did you build up to your OC being in their relationship? Or did you put them into it quite quickly and then filled in the background in retrospect.

Is there a relationship between characters in another setting that particularly inspired you? What is it about this portrayal that you enjoy?

Does it matter whether other people consider your OC sexually attractive? Did this inform your thinking when you were creating them? Also was it important that you put them in a relationship with a character who is generally considered "attractive"?

Do you have specific music that makes you think about your OCs relationship?

Do you have a sense of how your OCs relationship will evolve in the future? Or is it quite a fixed in terms of dynamics and story?

Is it easy to write or otherwise portray other characters (or OCs) reactions to your OCs relationship? Are these interactions important to your characters story? For example, is the relationship one that can be publically acknowledged?

How important is it that your OCs relationship is "realistic" for the setting in terms of the characters values and attitudes? Or are you happy to explore psychological or sexual issues that might more reflect contemporary concerns?

Do you consider your OC to be sexually attractive? Or pretty/handsome? Would you still be able to write about their relationship if you didn't?

What is something you feel you have improved at in terms of portraying sexual or romantic relationships?

How do you feel about people producing fanart of your character's relationship or ship? If this were NSFW would you want to be asked first?

Other than your own characters' relationships, can you give an example of someone who is particularly good at writing or otherwise portraying romantic and/or sexual relationships? What is it about their work that really stands out for you?

Have you given much consideration to specific "kinks" or sexual likes and dislikes for your character? If so then is this something you feel comfortable talking about or describing?

Is there a particular "trope" for relationships that you especially enjoy - e.g. enemies to lovers etc - and is this something that you set out intending to explore?

Is there something you historically felt (or still feel) awkard about describing in terms of your character's relationships? Whether sexual acts, bodyparts, pillow talk, romantic declarations or using the "L word". How did you overcome this (if you ever have)?

What makes a scene or situation "romantic" in your opinion? Is this something you find easy to portray?

What advice do you have for someone considering creating a ship for their character? Or for someone unsure about writing relationships and/or sexual scenarios?

When portraying romantic or sexual scenarios involving your OC, do you aim to inspire a particular response in the reader or viewer? Whether a warm fuzzy feeling, or getting really quite turned on (or possibly both)?

If you ship your OC with a particular canon character, then what was it about that character that drew you to them? Is it that you have a certain "type" when it comes to shipping? Or did you surprise yourself with who you felt drawn towards? If your OC is in a relationship with another OC then did you change any aspects of either of their backstories or personalities to make this work?

To what degree is your OC a self-insert, particularly in terms of their relationship? Do you sometimes use your character's relationship to explore your own feelings about a canon character or another OC?

How confident are you in writing angst or portraying conflict or tension within a relationship? Or is this something you avoid? If so is this because it doesn't much interest you? Or because you're unsure how to approach it?

Is there a way in which your portrayal of your character's relationship subverts the reader or viewer's expectations? Was this deliberate?

How do you ensure that the dialogue (or other portrayal) of a canon character is true to their personality and (more importantly) way of speaking? Do you spend time studying their "official" dialogue in order to get it sounding authentic? Or did it just come naturally?

What is something you try to avoid - or think everyone should try to avoid - when portraying sex and/or relationships with their characters?

What is your favourite depiction of romance (or sex if you prefer) that you have produced? Or if you haven't produced one yet, then what is your favourite example from another creator?

What, if any, is your biggest source of fear or anxiety when it comes to writing or otherwise portraying romantic or sexual scenarios?

What is something that your friends or mutuals could do to support and encourage you when it comes to your creativity around your OCs relationship(s)?

[love-byers]

4x06 'The Dive'

let's talk about mike being positioned in rainbow lighting at suzie's house (a mormon household)

i mean first of all the obvious, the light on mike is ONLY on him, like it's incredibly clear and grabs your attention

"it wasn't on purpose" "it was an accident"

suzie's house was completely artificial. every bit of it was a set with blue screen. which means all the lighting is artificial. do you know what that means? it means someone from production had to specifically tell the lighting department that they needed rainbow lighting for this one scene in ep 6. they had to build and set up a light to cast that rainbow on mike wheeler.

it is quite literally impossible for it to be an accident.

i also want to point out that although mike is the only one in the rainbow lighting, mike and will are the only ones with light on them in general. there is light casting on will, it just isn't rainbow. there is no light touching suzie and jonathan.

and before anyone tries to say that's not even a rainbow, just slightly colored light:

it's clearer when it casts on suzie's dad because his shirt isn't blue like mike's

that's a rainbow. full on rainbow. right where mike was standing. and they literally make a point to show us the rainbow on the wall after mike moves so we know for sure it was a rainbow.

if you need more proof that there are queer tropes in cinematography...

^ canonically bisexual character nick nelson from heartstopper (netflix original)

like it's not bullshit this stuff is real and cinematographers do it all the fucking time

oh and speaking of bisexual lighting...

mike wheeler YOU are a bisexual

[bpmiranda]

The Bodyguard II |l. howlett|

A/N: slow burn, friends to lovers, angst, 21y/o f!character, bodyguard!logan x original character, flirtationship, drug use, depictions of violence, mentions of organized crime

The Bodyguard

Mercedes had imagined a proposition like this would occur when Emilio had begun to pay for her to go to nursing school, but she was far too excited at the time to question it. As she was nearing her graduation, it was beginning to sink in that this might be the life she was stuck with and it didn’t sit well with her.

“You would basically be on retainer for the cartel.” Logan concluded.

“Yeah, some dream job,” She muttered as she set her empty coffee cup down in front of her to run her fingers through her hair. “Logan, I had plans to leave Tijuana. I wanted to go to the States and start my own thing over there. If I get caught up in Emilio’s business…” She trailed off, fidgeting nervously with her cuticles. “I don’t want to get hurt.”

“You won’t get hurt,” Logan reassured her as he placed a comforting hand on her knee and squeezed it. “I wouldn’t be doing my job if you did. And you could still go anywhere you want to go.” He said with a shrug as he leaned back in his chair and watched her shake her head.

Mercedes gave him a doubtful look, those deep brown eyes looking at him sadly and he hated to see her like that. “No one says no to the cartel, or my brother. Do you really think it’ll be that easy for me?”

Logan couldn’t help but be sympathetic towards her. Maybe it was the years that they had known each other that made him grow soft for her. Maybe it was that little pout on her lips as she confided in him, trusted him entirely with her issues. Maybe he just enjoyed being useful to her. “I’ll help you figure something out, sugar.”

Over time, and with a lot of effort, Logan had earned a certain amount of authority within the Vasquez cartel, mainly over issues of security, but Emilio had come to trust him as a confidante. Especially when it came to anything dealing with his sister. After dropping Mercedes off at the clinic where she worked part-time one morning, Logan arranged to meet with her brother.

Emilio was having breakfast with his wife at her family’s restaurant which Logan knew well. Her name was Clara Espinoza, the Espinozas’ were old family friends of the Vasquez’ and she was a long time lover of Emilio’s. “Logan!” The drug lord greeted him with a strong handshake and a hug. “Come, eat with us.” Logan was guided into a chair across from the couple and he thanked them for the invitation. “What to drink? Un café? Una cerveza? (A coffee? A beer?) Whatever you want, amigo.” Emilio gestured at the waiter standing over Logan.

“Beer’s fine.” Logan said gruffly and the waiter nodded before retreating. “Thanks for meeting me. I won’t take too much of your time.” Logan returned his attention to his boss who waved him off as he sipped his coffee.

“No, no, you’ve caught me at a good time,” Emilio said with a grin and Clara chuckled softly beside him. He smiled, kissed her cheek and gestured to her. “How can I be in a rush when my lovely wife is sharing this wonderful meal with me?” Clara blushed, scoffing lightly at her husband as she shook her head. “Dime, Logan, que sucede con Mercedes?” (Tell me, Logan, what’s going on with Mercedes?) Emilio asked as he sat back and wrapped an arm around his wife.

“Seems like she’s got different plans than those that have been made for her,” Logan said to which Emilio gave him an understanding nod and he continued. “She told me she’d rather find work in the States after she’s graduated nursing school.”

“Hm,” Emilio nodded as he took in a deep breath, rubbing his chin with his free hand that wasn’t caressing his wife’s shoulder. “That puts me in quite a predicament. You see,” Emilio set both his arms on the table as he gestured with both hands. “My men cannot heal as quickly as you, am I right?” Logan nodded, knowing exactly where the conversation was heading, but not daring interrupt, not because Logan couldn’t hold his own in a fight with Emilio - it was a matter of respect. “And more often than not, I cannot have my men checking into a hospital after getting shot in the arm or the leg or wherever. Too many questions.” Emilio thanked the waiter who suddenly appeared and placed Logan’s beer in front of him. Logan took a long swig as his boss continued talking. “And so, I need a nurse available to my men. You see my predicament, don’t you, Logan?”

“Sure.” Logan said.

“What is she really worried about?” Emilio asked.

Logan clicked his tongue as he shrugged. “She’s scared of getting hurt, and I can’t blame her. With all due respect, I’ve tangled with some of your men. They’re not exactly the picture of chivalry.”

“Lo sé, lo se,” (I know, I know,) Emilio sighed, rubbing his jaw pensively and he turned to his wife. “What would you advise me, amor mío (love of mine)?”

Clara smiled appreciatively at her husband and she looked at Logan. “Mercedes wants to pursue her career in the United States?” Logan nodded. “Would you go with her? To protect her?” Another more eager nod. “So then my Emilio must fund a trip for two across the border without her being seen because everyone knows who she is and in turn who her brother is, which will not come cheap.” She explains, looking over at Emilio who nods, following his wife’s train of thought. “Then if you make it across the border, we pay for housing, supplies, maybe Emilio sends an extra man for the love he has for Mercedes. However, we have already lost you, Logan, and you are worth twenty men and she cannot very well live on her own in a country where we have no strings to pull. Does this make sense?” Logan nods, his jaw tight and his hold tighter on the beer bottle.

Suddenly, Emilio clapped, laughing lightly while he looked at Clara as if the problem had solved itself. “Ah, pues ahí esta!” (Ah, well, there it is!) He exclaimed happily and Logan stared at his beer bottle, wondering how Mercedes would react to him giving her the bad news that she’s already got the job she doesn’t want. “(My sister) Mi hermana has nothing to worry about because she has you, amigo. You will be with her the twenty-four hours of the day, seven days of the week. Twenty-four, seven, si?” Logan nodded. “She comes in to patch somebody up, you come in with her. I send her to one of my safehouses, you go with her. Easy peasy, done.” Emilio dusted off his hands and raised them up. “Algo más?” (Anything else?)

“Nothing.”

While Logan was waiting outside of the clinic later that day for Mercedes, he smoked a cigar and wondered how he would break the news to her that she did not in fact have a choice. It felt awful to bring her bad news, but there wasn’t much he could do short of running away with her. Running off would mean she would be hurt, and staying would mean only possibly getting hurt. Logan felt more comfortable with possibilities than playing around with her safety across the border.

“Hey,” Mercedes suddenly greeted him with a kiss on the cheek as she slid into the passenger seat and she buckled her belt. “Did you talk to Emilio?” Her eyes were wide and expectant and Logan sighed.

“I did.” He said as he started the car.

From his tone alone, she knew he didn’t have good news for her. It wasn’t like she expected anything different, at least not the realist part of her. The dreamer side of her had held onto a little bit of hope, however. “But he said you’ll be with me the whole time?” She asked after he had explained how the conversation had gone.

“Twenty-four, seven.” Logan nodded, looking over at her as they stopped at red light. “Is that a little more comforting?” He asked with a smirk and she rolled her eyes playfully.

“I guess.” She teased and he chuckled. “Was Clara there?” Her foot was tapping anxiously in the air as she had her legs crossed. Logan hesitated, but he nodded, keeping his eyes on the stoplight and hoping it would turn green before she asked him a more uncomfortable question - which she did anyway. “What did she say?” Mercedes asked in a bitter tone because she knew Clara would always put in her two cents simply because Emilio couldn’t live without them. Logan cleared his throat and looked over at her with a little shake of his head. “Tell me. I won’t be upset.” She lied.

Mercedes and Clara did not get along, this was a fact Logan knew and he’d be a fool to add fuel to that fire. It began with some dispute not long after the wedding about some items in her father’s home, the home Clara was now living in which Mercedes couldn’t stand. Another reason she decided to move to the other side of town.

“Sweetheart, just know Emilio’s keeping you around, okay?” Logan almost sighed in relief when the light turned green and he pressed on the gas to get her home as quickly as possible. Her hand suddenly rested on his thigh and she lightly drummed her fingers on his strong muscle. “Stop that.” He barked and she only continued, lightly rubbing his knee as she gave him a doe eyed look. “‘Cedes, I’d take a bullet for you, but I’m not getting between you and her.” Logan said firmly, a sad attempt at saying no to her.

“Was it her idea to keep me here?” She asked and he sighed, her grip tightened on his leg at this and he nodded. “Mierda!” (Shit!) She punched his thigh which made him chuckle and she crossed her arms furiously. “That bitch.”

While she stewed in the passenger seat, Logan finally parked outside of her apartment building and he walked her inside, up to her door where he leaned against the frame and watched her angrily fight her key into the lock of her doorknob. “Don’t think about it too much, alright, kid?” He told her as she finally got the door open. Mercedes turned to him with an unamused expression. “The guys your brother’s got running for him are professionals. What are the chances you’ll have to patch someone up very often anyway?”

It was more often than either of them thought and being on retainer for her brother had worsened Mercedes’ attitude. Logan noticed she seemed to hide in her apartment aside from going to work or school. It concerned him, but she kept pushing him away, telling him everything was fine when he had come to know her so well that he knew she was lying. But what more could he do if she didn’t want to talk to him about it? There was still a job to get done.

“‘Cedes!” Logan was pounding on her door, glancing at the time on his wristwatch as he continued knocking until she appeared in front of him with an annoyed expression.

“Logan!” Mercedes scolded, her brows furrowed as she stared up at him in disbelief. “I have neighbors.” She said as she pulled him into her apartment and shut the door behind him. “What the hell’s going on?” She asked him, crossing her arms over herself and it was then that he realized she was wearing only a tank top and some panties. Her hair was frizzy as if she were just getting up and he chuckled.

“You’re sleeping in now?” He asked, sounding more like a father figure than he intended to and she rolled her eyes as she walked into her kitchen. His eyes fell on her ass, not failing to notice how it moved with every step and he found himself following her.

“Is that what this is?” She asked as she filled a glass with water from the faucet and turned back around to watch him as she drank it. “A wake up call?” She asked as she set the glass down. Logan shook his head, not necessarily in a big rush now as he was looking at her. Mercedes suddenly snapped her fingers at him and his eyes met her deep brown ones. “Que paso, Logan?” (What happened, Logan?) She urged in an irritated tone.

“Emilio needs you. Someone’s been cut up pretty bad and they need stitches.” Logan answered and her eyes widened.

“You’re fucking kidding.” She groaned in disbelief as she hurriedly ran to her room to get dressed and Logan took his sunglasses off to rub a hand over his face. Pull it together, he thought to himself as he refilled the glass she had used and chugged down some cold water.

At the safe house, Logan kept her shielded behind him while guiding her into the rundown, empty home which sat in the middle of a sketchy neighborhood. His gaze seared every guy that watched them come through, protectively holding onto her waist as he led her into the bedroom where a young boy was sobbing and wincing from the pain of some deep slashes he received in an arm and a leg. “Oh, shit.” Mercedes breathed out as she quickly knelt beside him on the makeshift cot.

“Oye, amigo, para fuera!” (Hey, buddy, get out!) Another guy in the room tried to shove Logan out and he simply punched him in the face, his knuckles didn’t even bruise while the guy now had blood spurting out of his nose. Mercedes looked over her shoulder at them and Logan shrugged it off, leaning against the door and crossing his arms.

“He might need you to take a look at that when you’re done.” Logan said and she only gave him a little incredulous head shake before returning her attention to the boy bleeding out.

No one tried to tell Logan anything once he made it clear he wasn’t leaving the room while she was still in there. Logan watched her easily calm the young boy down with chit chat and explained what she was doing before she did it. It seemed second nature to her to care for others and he wondered if she was like this at the clinic as well. This was the Mercedes he had come to know, sweet and gentle. It confirmed for him that there was something else going on with her that made her turn to smoking and lacking in the general upkeep of her space.

After about an hour, she finished stitching the kid up. “Ahí está,” (There you go) Mercedes said as she snipped the thread in the boy’s arm and wrapped a bandage around the wounds. “Change them every two hours and keep them clean, okay?” She said and the boy nodded, thanking her in Spanish and squeezing her hand gratefully as he rested back on the cot, sighing in relief that he wouldn’t be bleeding out today.

The guy whom Logan had punched approached them suddenly and Mercedes quickly placed a hand on Logan’s chest as he made a move towards him. “Wait,” She told him as she dug in her medical bag and pulled out an ice pack. “No está rota,” (It’s not broken,) She told the guy as she inspected his bleeding nose while she shook the pack before handing it to him. “But next time it might be if you try anything like that again.” She warned and he nodded as he backed up.

Mercedes then turned to Logan with a little smile as she zipped up her bag. “Ready?” He asked her with a bit of a proud smirk, stepping away from the door as she nodded and he guided her back out. The guy running this safe house stopped them at the front door and he looked Mercedes up and down quizzically before taking her hand and sticking a wad of money in her palm. “Gracias, doctora.” (Thanks, doctor.) He said and then he looked at Logan and nodded towards his car parked in front. “Now get outta here.”

The car ride was silent and Logan was curious as to what was going on in her mind. “Wanna get a drink?” He asked, looking over at her and she nodded with a small smile.

The bar they stop at is one on Emilio’s payroll and Mercedes is immediately greeted and tended to when they walk in. Logan follows behind her as he eyes the other patrons, making sure there isn’t an unfamiliar or unwelcomed face in the bar. Once seated in a corner booth, they order their drinks, and Logan notices her mood is more uplifted than before they arrived at the safe house. “Thanks for staying with me.” She says suddenly, her hands folded in her lap as she looks at him across the round table.

Logan lights a cigar while he shrugs. “Just part of the agreement with Emilio.” He says and she only smirks. “What?” He asked her with a raised brow as he closed his zippo lighter and stuffed it back into his pocket.

“Was part of the agreement to punch anyone that tried to keep you from me?” She asked and Logan chuckled as he blew out a cloud of smoke above them.

It wasn’t, but she didn’t need to know that. “Would you have preferred that I left you alone in there with him?” He asked and she rolled her eyes as she shook her head, still smirking as she knew he was avoiding the obvious.

The way he stared at her this morning was no slip up. “I’ve seen how you look at me, Lo.” She said, resting her hands on the table in front of her and he moistened his lips as he waited for her to continue. “I look at you sometimes.” She said with a nonchalant shrug, and he felt a connection between his pelvis and his heart, aching for the girl across from him.

“Sugar,” Logan said with a sigh as he ashed his cigar in the ashtray sitting on the table. “You don’t want to go down that road with me.”

A small frown turned her lips and she asked, “Don’t you think it’d be fun?” Her elbow propped up on the table and she rested her chin on her palm as she gazed at the handsome features of his face, wondering what his lips might feel like on hers or on her neck or somewhere else. The adrenaline is this afternoon was still pumping through her and she desperately needed a way to release it.

Logan wasn’t sure what her game was, but he figured he’d play along. “Say we fuck tonight when I drop you off,” He says and she bites her lip at the thought, closing her eyes as she makes a show of really thinking about it. The thought aroused her and Logan pretended not to notice, pretended his mouth didn’t water from her scent. “What happens in the morning when I pick you up?”

“So you wouldn’t spend the night with me?” She asked, her eyes opening and feigning to be hurt as she placed her hand over her heart to which Logan rolled his eyes.

“Forget it.” He smirked, thanking the waitress as she dropped off their drinks and he noticed she gave him a flirty look as she mumbled a soft ‘my pleasure’ while also setting down a napkin in front of him with her phone number.

Mercedes noticed too and she couldn’t help the light scoff that left her lips. Logan downed his shot of whiskey and he avoided looking at her as he knew exactly what she was thinking. “Clearly you’ve got choices.” She said as she sipped her drink, eyeing him over the rim of her glass. Logan could’ve sworn he detected a hint of jealousy, but he decided not to pull at the thread. He had to remain professional, had to get her home at the end of the day without fucking her, or he risked everything he had built.

They had a few more drinks over which they talked about the general stuff which they usually do; her schooling, their work, Emilio’s work. It interested her more than anything, however, to know more about his life before her, the centuries he had spent wandering around, and how things had changed. Meanwhile, everything before meeting her was slowly beginning to matter less and less to Logan.

“When exactly did you get into that stuff?” He asked as he watched her roll up after he swallowed his fourth shot of whiskey.

Mercedes shrugged as she finished sealing the joint with the moisture of her tongue and she slid around the table towards him, holding the spliff between her lips while Logan lit it for her. As she was about to slide back around to her seat, his arm came down around her shoulders and he kept her there beside him. She smiled to herself and rested against him. “This girl at college always had some and we would smoke from time to time.” She said after blowing out a cloud and ashing in the same tray he was using.

“Is that the friend that’s got you behaving differently?” He asked as his thumb gently caressed her bare shoulder and she looked up at him.

“Different how?” She asked, hitting her joint again.

Logan shrugged as he toked on his cigar, doing another scan of the patrons in the bar around them before ashing. “Your room’s messy which isn’t normal for you, you’re smoking weed and drinking which isn’t something you’ve shown interest in before recently, you said you were scared of working for the cartel, but I seem to remember you didn’t want to let fear control your life. Something changed.” He pointed out.

Mercedes was quiet for a moment before saying, “You’re the first person that‘s asked.” She said softly. Logan looked down at her and leaned away from her a little bit. “I’m not a normal college student, Logan.” She sighed, resting her elbow on the table and her head in her hand as she turned her body towards him. “I just want to be a normal girl with friends who do drugs and has a messy room and doesn’t care so much about trying to please someone who isn’t even paying attention.” Logan realizes she’s talking about Emilio and he frowns when her eyes water threateningly. “My dad used to call me everyday and talk to me. We’d have conversations that normal fathers and daughters have, you know?” Logan nodded even though he didn’t. “I just miss that. I miss just being his daughter and him telling me how much he loved me; he was the only one that unconditionally supported me.”

Logan should’ve realized she had not properly processed her father’s death. It was quite sudden and tragic, and he recalled now that she had been away at college when it happened. Mercedes didn’t get to say goodbye like Emilio did and that was clearly taking its toll on her now. “Wanna go home and talk about it?” He asked and she gave him a little playful look.

“Don’t you have a waitress to see about?” Logan smirked and glanced over at the waitress who was already smiling sweetly at him.

“I’ve got her number. I can just call and apologize later.” He said as he nudged the young girl and she smiled bashfully, nodding as he guided her out of the booth. He set some cash down on the table before her leading her out to his car - forgetting the napkin with the waitress’s number.

At a stoplight, Logan looked over Mercedes having gotten the feeling that something was on her mind and he placed a hand on her knee. Her sweet face looked over at him and he gave her a nod. Her eyes moved away from him and onto the stoplights. “Are you going to leave me someday?” She asked quietly. Logan raised an eyebrow curiously as she picked at her cuticles. “My dad passed away, Emilio got married and stopped calling me all together,” Her teary eyes looked over at him and she gave him a sad smile. “You’re the only person I’ve got left.”

Logan’s heart ached as he heard her confess that she felt abandoned, cast aside, and her attempt at distancing herself was beginning to make sense now. “I’m not going to leave you, ‘Cedes.” He told her, taking her hand and kissing her knuckles. “You’re mine to take care of, aren’t you?” He teased and she couldn’t fight the smile on her face.

In her apartment, Logan was sitting at the kitchen table while she paced around and talked about how it felt to have missed the funeral, to not have been at her father’s deathbed to share her last words to him. Slowly, through the night, he could see her coming back to him. That sweet girl he had first met five years ago, every tear seemed to be washing away this new persona of hers that pretended not to care when in reality, she cared a lot.

“You know what the weirdest part is though?”

They were on her couch now. She was sitting with her legs criss crossed, facing him while he sat back on the other end, smoking his cigar, his thighs spread out as he sat comfortably. “Tell me.” Logan said, looking at her as she picked at her cuticles.

Mercedes looked back up at him and shrugged. “I thought I’d be scared of the men my brother works with, but I think I was more scared that I couldn’t sympathize with them.” Her eyes searched his face for understanding and he nodded, wanting her to continue. “Seeing that boy today, it made me realize he and I aren’t cut out for this life, but maybe that’s because people like my brother need people like us around. People that can care for them without judgment.”

There was a moment of silence during which Logan considered telling her that he thought she was perhaps the most compassionate person he ever knew, that he couldn’t have ever imagined he would come to care this much for her. But what would that do?

“You’ve got a good heart, kid.” He said as he took another puff of his cigar. “Even better head, don’t stop using it, yeah?”

A soft laugh left her lips as she began to lay down. “Thanks for listening to me ramble, Lo.” She whispered, looking up at him with sleepy eyes as they had been talking for almost two hours now. Her head was lying on the couch’s arm rest while her legs were now draped over his lap and he couldn’t stop staring at her.

“My pleasure.” His tone was mocking of the waitress, making her chuckle and she playfully pushed on his ribs with her foot which made him laugh as he caught it and caressed it softly. “Get some sleep. I’ll spend the night.”

🌼🌼🌼🌼🌼🌼🌼🌼🌼🌼🌼🌼🌼🌼🌼🌼🌼🌼

🏷️: @dontfeedthebigbadwolf @peterparkernotfound @httpsells @evasmlp @ayatotiddies @thatlittlered @seasonofthenerd @littlemisscantloveyouback @scorpiosaintt @simpingfor-wakasa @spencerswh0r3 @thatweirdtheaternerd12 @shybluebirdninja @iamburdened

[archie-sunshine]

As a more recent follower of yours, I have to ask now:

What other OCs??? They need love too????

i technically have one other tf oc, his name is altair, he's an astrocartographer and his alt mode is a space telescope! i haven't written or thought much about them though.

And then the rest are original ocs, made in my bffs homebrew ttrpg setting, my first big two are JAK and Pandora, a human consciousness with corrupted memory files downloaded onto a kickboxing robot and a disgraced major league bot fighting engineer turned illegal underground unregulated bot fighting champ! most of my content about them surrounds the strangeness of their relationship and their more personal emotional issues though. they're definitely my most fleshed out ocs

I also have my two active tabletop characters, cablebunny from my cyberpunk campaign, and the professor from my dnd5e campaign, a livestreamer who attempts to solve missing persons cases in night city, and a college professor/giant bug veterinarian respectively

and then theres my gaggle of freaks from my original fantasy world The Spire. I have an mc adventurer character (you can find them under the tag #the knight or #insect knight) but i've been more focused or more talkative about the level lords, a group of semi omnipotent beings who work together to make the titular spire the worst place ever.

there are twelve of them. i cannot cover each one individually on this post

but yea! aside from past ocs and inactive dnd characters, those are all my current ocs, thanks for asking!

[sister-lucifer]

Taken To Another World 

⊹₊⟡⋆A Multifandom Fantasy AU Themed 5K Celebration Writing Challenge⊹₊⟡⋆

Special thanks to @ghostboneswrites2 for inspiring this! 

Interested? Keep reading! 

There will be two prompts for each genre; a pair for fluff, a pair for smut, a pair for angst, and a pair for horror. Each prompt comes with its own criteria, so read carefully! 

How To Participate: 

Reblog this post (for reach! thanks!) 

Pick a prompt (or multiple) 

Write your fic 

Post it and tag me (feel free to send it to me directly if I don’t see it!) 

Use the tag #lucifer’s 5k fantasy challenge 

The fandoms this challenge is open to are as follows: 

Obey Me!, Creepypasta, Marble Hornets, Batman (and all related media), Jojo’s Bizarre Adventure (all parts), and any original characters/universes.

Don’t see your fandom? You’re still free to use these prompts (and please tag me if you do so I can see it,) but it unfortunately will not count as an entry for this challenge!

Rules: 

Feel free to pick multiple prompts, but you cannot enter more than one fic per prompt! 

The fics can be part of your own ongoing series, but they must be able to stand alone as their own piece without the additional context of the series 

Please state which prompt you chose somewhere on your post 

Feel free to cross post your work to another site such as Ao3, but please, do mention that it was part of my challenge 

Anyone can participate in this challenge, however I ask that minors stay away from the NSFW prompts 

You are free to bend the prompts as you wish, there is no mandatory time period or setting 

My inbox and messages are always open if you need to ask questions, consult me, or just want to discuss ideas!

The fics can be Character x Reader, Character x OC, or Character x Character; relationships can be platonic or romantic as you wish

Some prompts are written with pairs in mind; feel free to modify this to fit in as many characters as you’d like. Poly relationships included!

Absolutely NO incest OR pedophilia under any circumstances 

NO AI, NO using other people’s writing, and NO using a piece you’ve already written

Pay attention to the criteria! Prompt 1 will have a required quote, and Prompt 2 will have a required plot point/action

The Deadline is currently undecided. This will be updated soon 

Winners: 

I will choose up to 3 finalists for each prompt.  The finalists will be presented in a poll, and the readers will choose the winner. 

The winner of each prompt will get their own shoutout/promo post including an analysis of what I liked about their fic, & at least 3 fics I recommend from them and why. 

Does all that sound like fun? Good! Here’s your prompts:

Over The River, Through The Woods…

Fluff + Faeries

Prompt 1:  In a fit of rebellion, a naive royal flees from the castle and into the woods. They stumble upon a faerie who, against all they’ve ever been taught, seems rather…kind. 

Necessary Criteria: “Anyone can do a good thing if they try.” / “Well…how often do you try?”

Prompt 2: Fae don’t often leave their villages, except to gather. Unfortunately, one foolish faerie has found themself entangled in a trap left behind by a human hunter. Even worse, the human has returned to see what they’ve caught; although, they seem far more curious than hostile. 

Necessary Criteria: One of the characters teaches the other a new word in their native tongue. 

Magic Begins In Superstition, And Ends In Science…

Angst + Alchemy 

Prompt 1: The job of an alchemist’s apprentice is rarely an easy one. Magic is a fickle mistress, after all. When the apprentice’s companion tries to pull them away from their work, the argument gets heated, until the pressure becomes too much and causes an intense explosion…literally. 

Necessary Criteria: “You’re not even smart enough to understand what I do, and you think you get to tell me when to stop working?!”

Prompt 2: The alchemist’s work is starting to consume them. Blinded by their pursuit of knowledge, they recklessly decide to slip a bit of their newest experimental concoction into their companion’s meal without their knowledge. The alchemist convinces themselves this is all for the greater good, and surely nothing all that bad could happen, but soon comes to regret it. 

Necessary Criteria: A horrible transformation. 

The Tongue May Be Twice As Sharp And Thrice As Lethal As The Blade…

Smut + Swords 

Prompt 1: A rivalry between two swordsman gets a bit out of hand when the pair decide to make a salacious bet over a duel: whoever loses must play submissive to the other, starting from the moment they drop their sword. 

Necessary Criteria: “Don’t think I’ll surrender that easily.” / “Mm, I didn’t think you would…I like it so much more when you’re fiery.”

Prompt 2: A courageous knight rescues a royal from the clutches of peril, and their majesty simply can’t let their hero leave without thoroughly rewarding them for such bravery. 

Necessary Criteria: The pair narrowly avoid being caught in the act. 

Cursed Is The Man Who Dies, But The Evil Done By Him Survives…

Horror + Hexes

Prompt 1: Foolish explorers accidentally wander into a witch’s garden. One of them can’t resist plucking a berry from a bush, not giving it a second thought as they swallow it down, only for the horrific consequences of a curse to start taking form the next day. 

Necessary Criteria: “Please…you have to tell me you know how to make this stop.” 

Prompt 2: While treasure hoarding is generally frowned upon among honorable bounty hunters, some simply can’t kick the habit. This quickly proves to be a terrible mistake, though, as a cursed trinket starts to warp its owner’s mind and plunge them into a darkness that turns them on the one they love most. 

Necessary Criteria: Creative use of an everyday object as a weapon. 

Final Reminders:

Most importantly: Have Fun! 

Make sure to read the rules carefully! 

You’re always free to ask questions! 

Tag me in your entry + use the tag #lucifer’s 5k fantasy challenge! 

Happy Writing, everyone!

(even if you don’t plan to participate, please reblog and share this post so others will see it!)

[salt216000]

I saw a post today that made me quite upset. Normally I'd just ignore, but I read some of the tags and they upset me quite a bit too.

Username is cropped out because I don't want to make it seem like I'm putting 'em on blast, I just want to give my opinion on this.

Transfem headcanons of Gabriel are absolutely fine. Awesome, even. But not while putting down transmasc headcanons at the same time.

The post makes a really interesting and good point! Transfem Gabriel does work well with his narrative of growth and discovery of his own identity, especially as someone cast out of Heaven for not achieving the ridiculous standards they set. That is a really good notion that, yes, being entirely honest, I don't see as frequently from that angle.

But you do NOT have to say it is a 'failure of the fandom' and pin the blame on more people headcanoning him as transmasc. If you want transfem Gabriel content then you can make it: art, writing, musings, anything, but you don't have to put down other creators for projecting their own ideas and potentially their own experiences onto a character they like and relate to.

I'm going to preface this next part with: I am NOT disparaging against transfem Gabriel headcanons, or giving reasons as to why they shouldn't exist. All I am doing here is clarifying why people tend to headcanon him as transmasc. Francis Xie was hired by Hakita to draw concept art, and he is known for drawing a lot of artwork of Gabriel (some NSFW in nature, as a warning in case you decide to look for yourself), and in said artwork he depicts his headcanon of Gabriel being transmasc. Of course, this is not gospel, it is not officially canon and even if it was people are allowed to headcanon him as whatever they want, I only bring this up to help explain why the headcanon may be so popular.

More personally, I find it really gender affirming to have a character in the ballpark of masculine in frame and voice, but to see him wear more feminine clothing in official artwork without it being degrading. It's very nice to see a depiction of this to help push back against the reinforcement that masculine presenting people must conform to certain standards, and that's why I personally enjoy the headcanon too.

There are also a decent few characters that DO get more transfem rep: Mirage, the mindflayers, mannequins, V2, so I don't understand why it's a problem that it is the minority with Gabriel. I wasn't originally going to post this publically, but these tags pushed me to do so:

Username once again cropped out for the same reason as above. To be clear, these are NOT OP's tags.

I don't care what the original tone OP meant was, if it was joking or playful or whatever else, because the sentiment that that post gathered is absolutely wretched. I don't have much else to say about it without getting deeper into gender stuff that I don't want to extend this post with, but I'll reiterate my main point.

You can be upset that there aren't headcanons that represent a certain idea you prefer, but DO NOT put down others who have contrasting ideas in the same breath. If you want to make a post about Gabriel being transfem being a great narrative, go for it, no one will stop you, but do not fucking wrap in a 'transmasc headcanons are wrong and don't get it, and my headcanon is more correct', and at those tags in particular, do NOT treat transmasc headcanons like this, 'transmasc pandemic' is such an awful way to put it and makes me feel as though a line in the sand is being further drawn between transmascs and others who are not.

[terukotime]

allow me to be super delulu for a second

if either Eden or Ace are the actual killer, that would mean one of them would be saying their secret quotes in the next coming episodes. but...do we really feel like the situation warrants them saying what their quotes are?

Ace's is: "I don't know what to do with myself anymore."

Eden's is: "You can't go back, no matter how hard you try."

Ace's feels a little strange to say in the trial. we're very close to unearthing the real culprit, and if Ace really is the killer, when would he say that? immediately upon being found out? the quote itself has their air of melancholy and defeatism, and even at his lowest, we know Ace isn't someone to concede or go down without a fight. and if he knows he's about to die, what's the point in saying "I don't know what to do with myself anymore" when he's not even going go be alive in the next few moments? He WON'T be doing anything with himself anymore, he'll be dead.

Eden's, while not as strange of a thing to say as Ace, is also kind of peculiar. when would she say it? while she's admitting to the murder? if Eden did it, sure, it's believable that she'd feel some regret, but the setup to her being the killer feels very odd now that we've gone through this big emotional moment between her and Teruko. honestly, after all that, if Eden really is the killer, i'd be more inclined to believe she WOULDN'T regret killing Arei. it'd seem like her crying and pleading was all just emotional manipulation. it also seems strange to me that Eden would have already had it in mind to kill Arei when she and Teruko found Ace, and took the opportunity to steal the tape to carry it out. i could definitely be wrong, and please correct me if i am, but i think the attempted murder was the same day as what happened with Eden and Arturo? honestly, even if it wasn't, it just feels weird to me that Eden would find some way to disguise her handwriting, set up a murder method even more elaborate than Nico's original version, and then do the whole trial pleading and sobbing for people to believe she didn't kill her and actually have regretted her actions. that shit is so premeditated that everything Eden has done thus far feels like immense emotional manipulation. while that could still be possible...it's not really that satisfying, i'd say. who knows, maybe i'm in severe denial, but i just think this characterization of Eden would be really weird. it would feel less like a betrayal of "man, this character i liked turned out to be awful", and more like a betrayal of "man, this character i liked has made a 180° in their personality without any foreshadowing of having a darker side to them".

and i'm just still really hung up on Hu. her secret quote, "I want to pay for what I've done. But even then, I still want to live." makes total sense in the context of this trial, especially after her secret reveal. and while it's pretty unlikely she took the tape from the gym, there's no guarantee that the person who took the tape at the time HAS to be the murderer. i'm just still hung up on the fact that it feels like there needs to be one last, big twist before the true killer is revealed. a moment where Teruko comes to her realization and the culprit is selected before she makes any actual accusation against them. we already knew Eden and Ace would be the ones Teruko was going to interrogate in the selection because of her explanation. just given how drdt has been written thus far, i feel like they wouldn't hand the potential answer to us like that so easily. like we wouldn't get to the point of selecting the culprit with the story already telling us it can only be one of two suspects.

it's entirely possible that i'm just coping and am refusing to accept that one of my favorite characters is actually the culprit. or that drdt could have a trial that isn't greatly written. it's totally fine if i'm wrong and Eden or Ace really is the killer, i definitely won't enjoy it much but it's not my story, nor would it completely make me drop drdt.

i honestly just needed to rant LMAO. this episode left me with a LOT of feelings.

[whencyclopedia]

Segesta

Segesta (or Egesta), located in the north-west corner of Sicily, was an important trading town from the 7th century BCE onwards. Situated on the strategically advantageous slopes of Mt. Barbaro, yet still close enough to the coast to support a trading port, Segesta established itself as the most important regional town of the Elymi people. Flourishing in the 5th century BCE, Segesta continued to hold important status as a trading centre into Hellenistic and Roman times. Today, the site has two of the best-preserved Classical monuments anywhere and they are impressive testimony of Segesta's one-time prosperity - a 5th century BCE Doric temple which, at least externally, is reasonably intact and an equally well-preserved 3rd-2nd century BCE theatre which provides its audience with a stunning view towards the nearby Gulf of Castellamare.

In Mythology

One of the symbols often associated with Segesta is a dog, which is seen, for example, on 4th century BCE coins. The animal may refer to the founding myth that describes a dog as the personification of the river god Crimisus. It was he who fell in love with a local nymph (Egesta), and their resulting offspring, Egesto, was credited with being the founder of the city. In the Roman mythology which sought to link Segesta with her ancient Roman origins, the Trojan hero Aeneas stopped off on Sicily during his long wanderings from Troy to his final destination Italy and the founding of Rome. Aeneas, then, according to Virgil, founds Acesta (later to become Segesta). Aeneas escaping Troy is portrayed on bronze coins from Segesta minted during the reign of Augustus.

In yet another version of the mythical events surrounding the founding of the city, the principal character is one Aegesto (or Aceste), who was born in Sicily to a Trojan mother. Aegesto returned to Troy when he was an adult, but following the sacking of the city in the Trojan War, he and a group of survivors returned to Sicily. First establishing themselves at Erice, Aegesto later relocated, setting up a new city at Segesta.

Continue reading...

[journeytothewestresearch]

As someone who’s Chinese w/ a degree in social science + (art) history regarding East Asia I’m always super intrigued and interested to how others interpret changes in new titles on older religious texts- but I will ask in particular if you have any personal ties to Buddhism/Taoism/Confucianism (and Chinese culture) when you find yourself interpreting BM:W’s change in allegorical use of Buddhism as contemporary political adherence! BM:W’s religious and soul mechanics follows their previous game without much overt linking between the two.

Overthrowing Gods in East Asian media is a very common trope in videos specifically due to player involvement (contrast to books where you are separate as the audience) and often is used as an allegory for the system/recent events we exist in. In such it does shift a lot from the original text in base but I think it’s not supposed to relay the same allegory due to the time period in which the writers exist! Wukong’s story changing to him still being chained by the principles that envelop life is far more relatable to late-stage capitalist environments viewers and artists exist in- as such he fulfils the contemporary variant of his original role in JTTW!

I think the change in purpose the Buddhist mythos serves in this game is decisive by nature due to inherent bias present in the original text as a religious piece, and such is core to the allegory. However I don’t think BM:W is supposed to relay that allegory, I think it is supposed to branch off on its own as an alternate contemporary extension of the foundation JTTW set out (plus with the 2 DLC’s on the way, there is plenty of time to extend the universe in game to validate a shift in religious purpose compared to the cut 7 chapters planned during development). And such i think attributing it to the CCP can be a bit of a touchy statement (especially if one doesn’t have long standing ties to East Asian culture or Regional religious practice!) and can accidentally play into sinophobic phrasing and attitudes.

Buddhism as a practice and way of life has a very different presence in writers centuries ago compared to now, as well as how we use religion in audience-involved stories. And such I find it an interesting shift regarding a game made with an international and widely multi-religious audience (that isn’t consuming it as a psycho-socio poem compared to a much smaller and more culturally homogenous readerbase. I think the friction caused by thematic changes is more due to how the game relays the physical journey so closely with reusing characters and having to shift them according to the foundational changes- if it was closer to other written “sequels” that created characters connected to the original cast through descending from them etc, the changes wouldn’t grate on completed arcs or how we compare the experience to wukong’s parallel one

No, I do not have any direct personal cultural connection to Buddhism, Daoism, or Confucianism. I live in Asia, though, and beyond my research of JTTW, I do study religion here (with more of an emphasis on folk religion as it pertains to the Great Sage). My negative view of Black Myth: Wukong is colored by my deep love for the original story. In general, I don't like adaptations.

Thank you for your explanation of the game.

[novella-november]

Not to harsh your joy regarding your personal project, (which does sound awesome!) the fact that you keep answering the "can I do fanfic?" questions with "technically yes, but have you considered not doing that?" does not actually *feel* very fanfic friendly. (Especially for anyone who enjoys fanfic as a hobby and isn't also an ofic writer. For example, I personally write almost exclusively character studies that are an explicit reaction to canon; there is no real way to write that sort of thing except as fanfic.)

Which is just a long-winded way of requesting that you maybe consider less of a caveat with the FAQ if you make one, please.

oh that was definitely not my intention, thanks for the ask! I think it was mostly just because I got that same question a few times in a row from various anons within the same time span (including some that were not published publicly), it just happened that I was thinking of my own project(s, plural now) in the last day when I answered those two, for those who want an extra creative challenge.

There's a reason my own original thing has been in my head for the last ten years without me actually writing it while I've written and posted tons of fanfiction, and even now some of my original works are going to be based on Arsene Lupin, so they'd technically be considered fanfiction since they're based on and use an established work for the characters and settings --

--writing completely original fic *is* harder, and that's exactly why I'm *suggesting* (not requiring!) that people consider taking 1 out of short story 4 challenges to look at their work in a new light.

90% of what I read and (until I actually start and finish my original works) 100% of what I've written in my life is fanfic. I have nothing against fanfic, otherwise I woudn't even be interested in creative writing.

But its also not a diss to say "Would you consider looking at your [fanfic] writing from a new angle and try to figure out different ways of going about it?"

Honestly, being able to even consider this option *as a fun extra challenge* is meant to help improve your writing and creative skills; it's not meant as a cheap shot at people who choose to write fanfiction because I my self write and read tons of it,

it's me saying "if you want even more practice at creative writing during these monthly challenges, try branching out a little bit from your comfort zone, you may be pleasantly surprised."

People who write and read fanfiction already have tons of creative experience, and if people like me and many other fanfic writers who one day dream of being published authors, want to broaden our horizons and seek new experiences, one of the easiest exercises is to take something we're planning on writing or already wrote, and see what we would change to make it brand new and standalone--

-- something that not only helps you come up with new ideas, but also will help when it comes time to *edit*, which can be, depending on the length and complexity of your story, can be a complicated process:

whether that means having to delete scenes entirely,

changing what a character says,

altering an aspect of the worldbuilding to fix plot holes

, re-writing your character so they're not overpowered because it was ruining the stakes and tension,

changing the POV of chapters because it was ruining the flow of the story,

etc etc etc.

I love fan fiction.

I love reading it and I love writing it, and for many people who take on monthly writing challenges, it is a way to test ourselves and gear ourselves up and prove to ourselves that not only can we write x amount of words, but it proves to ourselves that we are *capable of creating*, and for many creatives, that ultimately leads to crafting our own unique stories;

if you're already taking place in a monthly writing challenge, why not push the bounds a little bit *if you're so inclined* and test the waters? Especially when you're surrounded by a community who is cheering you on, every step of the way?

Every Nanowrimo I ever won was fanfiction. Heck, even not during November I once did 40k words in two weeks for a fic.

I always stalled out when I tried to write original works;

it is much easier to start small with a single short story than it is to try to write an entirely original novel, and my encouraging people to try baby steps by *experimenting* with one short story out of four in a month is not meant to be a diss against fanfiction,

but an *encouragement to those like me* who were so eager to write original works but floundered when I tried to jump into the deep end and felt disheartened.

Many fanfic authors aspire to write original fics, and thats who that challenge is for, for the people who want to write original works but are too afraid to fully commit; I'll still be writing and posting fanfiction even if I become a published author, even If I just have to come up with a few new pen-names to post them under.

There's absolutely no judgement on anyone who wants to write fanfiction for these challenges, my "caveat" as you say, is only there as encouragement to those like me who are afraid to take the first step, or uncertain of how to even *begin* that first step, not any kind of condemnation.

TL;DR:

I did not mean for my responses on the "can I write fanfiction" to come off as rude or looking down on fanfiction, its meant to be an encouragment to all the people like me who love fanfic and started out writing fanfiction, and dream of writing original works to take the first step, with a community of like-minded people all taking the same challenge.

Like every other challenge aspect of these events, taking a fanfic idea and turning it into an original short story is completely optional and meant as inspiration, just like following prompts for events is not mandatory, and even completing the 30k word goal is not mandatory; the goal for this month is to create, get in the habit of creating, and having fun with it!

[sherbertilluminated]

Last night I was talking with my friends @teefigotem and @calypsopond about the pacing of the musical Les Miserables. I think Les Mis' libretto is one of the best foundations for a musical out there, but the first act has so much more plot and more iconic songs than the second, and I worry that top-heavy structure diminishes the ultimate impact of the uprising in the second act.

Caly and Maddy agreed that the 2012 film adaption had the right idea when it swapped the positions of "Do you Hear the People Sing" and "One day More." Transplanting the former to the beginning of Act 2 maintains the balance of revolutionary fervor (and iconic songs) between the two acts, and a serves as a payoff to the tension at the end of Act 1. While "Upon these Stones/Building the Barricade" begins Act 2 in the current libretto, it's high on exposition and low on enthusiasm. Since "Do You Hear the People Sing" has become an international revolutionary anthem, making it the opening of the uprising, rather than the prelude to it, builds on *ahem* that connection.

Just picture it: the audience returns to their seats, the orchestra hums with tension, and the lights go up on a somber street with a single voice—Enjolras, probably—singing. Students emerge from the set, workers join in, the turntable starts turning and it becomes clear that soon a barricade will be built in the street. The subsequent Marius/Eponine conversation that transitions into "On my Own" would still probably work here. In the span of fifteen minutes, the thesis statement of the revolting students turns into the reveal of the final barricade. It'd be pretty damn rousing, right?

The potential problem with this change is the lacuna it would leave behind. In the current structure of Les Miserables, "Do you Hear the People Sing" is an elaboration on Enjolras' claim that "they will come when we call!" and going directly from that rallying cry to a quiet romantic interlude flattens the rhetorical tension between romantic love and revolution "Red and Black" and makes Mairus seem a little silly (which, to be fair, he is. But Enjolras is not.) Although "Do You Hear the People Sing" is a little too bombastic for Act 1, before the uprising actually begins, there's still got to be some kind of transition. Something needs to foreshadow the violence to come. But what?

I proposed that the best transition would be a reprise of Stars. And that Eponine should get to sing it.

Since the Broadway premiere of the musical Les Miserables in 1987 and especially following the 2012 film adaptation, Eponine's character has been a locus for fandom attention and discourse. Because she's really compelling: despite being the daughter of the selfish, abusive Thenardier, she devotes her life to protecting Marius and ultimately sacrifices it for him. But the closest she ever gets to being understood is by the audience; even Marius, one of two people in the show to be kind to her (the other being Valjean), doesn't really understand the full extent of her devotion to him. And that devotion is powerful, whether as a proxy for audience members' own experiences with unrequited love or a representation of the bourgeousie's reliance on unacknowleged suffering. There's a lot going on with her in the musical. But there's even more to her in the Brick.

Unlike my esteemed Les Mis mutuals I'm definitely not informed enough to do original analysis, but I'm a big fan of the Javert/Eponine wolfdog theory. My introduction to it was with this post by @pilferingapples, although I don't know whether it originated somewhere else. The theory posits that Javert and Eponine, who are both compared to wolfish dogs for their ferocity and devotion to their idiosyncratic systems of morality, are character foils who represent the limited choices offered to people excluded from. I definitely don't know the op who suggested they trade methods of death (if anyone does, please let me know!) but that's also in the Brick. And while the musical adaptation doesn't preserve Hugo's canine/lupine symbolism, it keeps Eponine's one-sided committment to guarding Marius. And it keeps Javert's devotion to the institution of Law.

"Stars" is the hymn of that devotion. It's more sinister than Eponine's love for Marius, but in the grand scheme of things it's just as pathetic. Giving a short reprise of that song to Eponine not only explicates that parallel and gives new life to relatively-unused musical motif, it has the potential to tie together the action of the first act and add a new dimension to subsequent scenes.

Imagine if, instead of beginning "Do You Hear the People Sing" immediately after "Red and Black" or transitioning directly to the Rue Plumet, the scene changes to the outside of the ABC cafe. On the other side of the turntable/wall, Eponine is waiting. And worrying. She knows her father's going to rob a house tonight and that the girl Marius asked her to find lives there*. She can't let her father hurt him. She's smarter than him. She'll do whatever it takes to keep him safe, she swears—not to God or the stars, as Javert does, but to herself. The promise is shocking, because the audience heard that melody two songs ago and are just now discovering there is another way to be. There is another vow that can be made.

While she's singing, the ABC society files out the door. Maybe some hand out pamphlets or chat with people on the street. If the production wants to emphasize Eponine and Gavroche secret sibling bond, maybe they interact a little. But no one pays her too much mind. No one ever does.

The last person to emerge is Marius, looking a bit shaken. The timeline of the students' plans has been unexpectedly accelerated, he says. In case it's his last chance—nevermind why, 'Ponine, don't worry about me—he needs to see her once. You've found her, haven't you? Could you show me? Please? For my sake?

Consumed by shame and dread and the sense that he'll probably do something really stupid if she doesn't tag along, she agrees. And the stage begins to turn into the Rue Plumet, where "In my Life" begins. The whole interaction would take maybe two minutes.

There are of course thematic objections to this plan. There's the argument that "Stars" ought to be a unique, distinct song like "Bring Him Home." But those motifs are reused in instrumental form after Javert's and the students' respective deaths, so I don't necessarily think they're scene- or character-specific. There's also the argument that the melody of "Stars" is altogether too rigid for Eponine's character. I think there are a couple moments that would work quite well with the emotion("and if they fall as Lucifer fell," for example) but if you really don't want Javert's and Eponine's motif to cross, the melody of "A Little Fall of Rain" ("and you/I will keep me/you safe") could work for this moment too.

There's also the argument that Eponine already gets "too much" attention in the musical adaptation and doesn't need. But I don't know if that's true either. She interacts with Marius in several short scenes, she's present for "A Heart Full of Love" and "One Day More," she goes on her errand to Valjean, sings "On my Own," goes back to the barricade and dies shortly after. She gets about as much stagetime as Cosette does, and a little less than Marius.

It's true that she stands out as a character, but that's because she's got such interesting writing and is so isolated in the narrative. And while it's important to keep her "on [her] own," for the plot, using shared motifs to emphasize her symbolic similarities with other characters might make her character fit more cohesively into Les Miserables' grander thematic narrative. It could even make "On my Own" that much more powerful if she has a little hope that saving Marius from her father might get him to like her, and subsequently understands that this is not happening. But there's a lot more to her than being Marius' rejected best friend** and this choice has the potential to make that clear onstage.

In conclusion: moving "Do You Hear the People Sing" to the start of Act 2 letting Eponine do a wolfdog reprise of "Stars" between "Red and Black" and "In my Life" would be sick as fuck and maybe resolve some pacing issues in the libretto.

*There is a moment in the show where she realizes that she and Cosette grew up together. I like it in concept but it's a little awkwardly-placed and integrating it into the unnamed Red and Black/In my Life transition song would be great. Overall, her interactions with Marius seem like afterthoughts in between the larger numbers, which isn't fair to either of them.

**And for the record: this not a post pitting her against Cosette! They are both good characters and I wish the best for both of them!

[nynyhaha]

Do you think Chrollo expected the Troupe to last 12+ years? The expectations set at the start largely determine his current views. How good did they do?

Now Ofc he’d want it to ✨last forever✨ or as long as possible,but how long did he think they’d actually get to live?

Chrollo in yorknew carries himself with a confidence that the Spider will live on way beyond him,we somewhat feel like the adventure is only starting. But at the same time he is lost and doesn’t really know the direction the Troupe is heading in.

At the start he mentioned offering up their lives in order to: -find Sarasa’s murderers and get revenge -free Meteor City from crime/mafia so that no child can be kidnapped again

We know the troupe later also broke the deal where Meteorians are exchanged for money. This is a significant achievement,it implies the Spider provides enough money instead,and it hints at the fact that the previous points are already done,that Chrollo has achieved what he planned.

Those were things that he was ready to die for,things for which the others were also ready to sacrifice themselves. And that’s what they kind of expected,right?

My theory is that they greatly surpassed their expectations.

If they were still fighting for any of the above,we wording have this sense of directionless roaming around that is present in the yorknew arc. The Spiders seem to be beyond the theme of revenge unless it directly affects them. Uvo even said he hates those who fight him for revenge reasons (and I wonder why).

Maybe little Chrollo would’ve marvelled at the progress he managed to make in those years,but he probably couldn’t know how it would affect his psyche. He knew he’d become a “villain” but he probably meant that he’d be fighting for a noble end using bad means. What is that end now?

The Spider needs some sort of plan to justify its existence. For its death to be a tragedy,it needs the will to live and some goal to achieve. Or is it a question of a candle stump losing its flame once it’s burned down?

Should the Spider just retire?

If they have achieved all of their previous goals,the answer could well be yes. Sadly those goals aren’t milestones that you have to reach once and for all,but Meteor City’s safety is fragile and needs maintenance.

And yet,it’s never stated as the reason why the Spider has to keep moving. Maybe to the characters it’s obvious,but we as the audience can only speculate. Also it would make the problem way too simple.

“Oh the Spider is still needed back at home” Ofc it is,duh,but that’s not enough to satisfy the quest for meaning.

It would be interesting if the Troupe started out as a team that’s some sort of necessary evil (and the backstory chapters present it in such light) but now that all it’s done it’s no longer necessary so just evil, but they don’t see it as such.

You know,a band of child soldiers that grew up and is now terrorising the world because their original purpose is completed.

But how is the Troupe unnecessary when it’s the solution to the Mafia problem? It’s rather that they don’t know how much more that can do and how much of that will matter at the end.

No one is forcing them. All of their duty is “self inflicted”,they chose to carry that burden.

Are they suffering from success?

Chrollo thought on the way to avenging Sarasa he might loose his own life or some of his friends. He made that commitment still,and then they all survived. Ok,they lost number 8 & 4,but those weren’t original members and it’s still lucky that the rest made it all the way to yorknew. Yk,after they’ve already done what they wanted (and yes,they have already found the murderers,fight me on that, I KNOW its the truth).

So Uvogin and Pakunoda didn’t die on the way,but after they’ve arrived at the top.(But at the top there was nothing :()

Is that to say that they could’ve hopped off and lived a safer life? At this point they were unable to. Much like Chrollo,they might not have a proper self outside the Spider. AND YET the reason it hurts so much is because they died for the Spider after it lost its main goal. This is why Chrollo quickly needs a reason to ground it all since they couldn’t have died for nothing.

There must be a reason why they’re still doing this other than “we can’t otherwise”, right?

RIGHT?

In conclusion, Chrollo is what happens after one survives the “Kurapika arc” and completes his revenge. He might be free to live on,but after he threw away his life and morals already,this existence looses meaning and so do all deaths for the sake of it.

[david-talks-sw]

I will say that I'm starting to notice a pattern around the approach taken with some live-action Star Wars content.

To give you an idea...

Let's say they announce something called "Dooku - A Star Wars Story".

It wouldn't be too far-fetched to assume it'll be about Count Dooku, maybe about his rise and fall. Former Jedi, evil Sith Lord, you'd expect lightsaber fights galore, him leaving the Jedi, or training under Yoda, training Qui-Gon, studying the Dark Side, stuff like that, y'know?

And instead... instead it would be a story set in the 2-3 years between him leaving the Jedi Order and becoming a Sith Acolyte, and focuses majorly around him getting used to be the Count of Serenno, trying to fight off corrupt bureaucrats and/or pirates/bandits from getting their hands on Serenno and finally, at the end, joining Sidious.

Yoda might make a cameo, Sidious would for sure, but the story's main cast would be a young fish-out-of-water POV character for the audience, the butler of Chateau Serenno, Dooku's sister, a disposable baddie and maybe his political rivals in the House of Lords or something. No one of consequence.

See what I mean?

And I'm specifying "live-action" because I think there's a different approach taken with these stories when they're in live action. Example:

Boba Fett is a bounty hunter. You'd expect a series about him to be centered on that. But nope... let's NOT be predictable, let's make him, I dunno, a crime boss... but not a Peaky Blinders type of crime boss, that'd be too obvious, no let's make him Don Corleone but like 10x softer. See? Now, we're shaking the system! Nobody could've predicted we'd focus on this specific aspect! Fresh, original! AKA quality stuff!

And I know they were going for a decent story, I've already broken it down here. But sometimes, some of this stuff is just straight-forward and seeing them NOT tick those boxes is baffling.

And it's not just an approach Lucasfilm takes, it's all studios.

For instance, the "this superhero needs to spend the whole film in civilian clothing until they earn their costume/powers/name" trope is also a result of this approach.

[graciehart]

helloooo sweet friends!

as you've probably seen, I've been slowly working my way through requests for my follower appreciation event. and though I intended to finish this event before starting a new one (whoops), I also want to celebrate that there's 500 MORE of you (!!!!) than there was when we started, some from brand new fandoms! Thank you for spending time listening to me scream about the things I love.

to celebrate and thank you for the joy you bring into my life, I have decided to do somewhat of an extension of my original event (it'll all be the same tag, but I am going to tweak a few guidelines). NOTE: this is open to everyone, even if you sent a request for the first round!

*once requests close, I won't be taking any more requests until I finish all of these! ideally I'll finish by the end of the year, but I make no promises about the timeline since we're entering a busy season and sadly gifmaking isn't my actual job.

**requests will close September 28. love you all! guidelines under the cut 🩵

————————————————— 🩵

NOTES

we don’t have to be mutuals, but you do need to be actually following me since this is a follower appreciation!

I have absolutely noooo idea what the timeline on this will be lmao (I currently have completed 23/37 requests since starting in April) so please… ✨ lower your expectations ✨

Because of how hard it is to make sets when uninspired, I make them in a completely random order! I want to make sure it's as nice as possible for you and not just me carelessly throwing something together :)

please just one request per person so I can hopefully finish this in a reasonable amount of time and come up with new things to do!

for this event, anonymous requests will not be completed

please consider reblogging this if you send a request so more people can see it <3

to request a gifset, please choose from this list and send me…

🎶 + a character/(friend)ship for a lyric gifset with lyrics of your choice 📖 + a character/(friend)ship for a quote gifset with a quote of your choice 🎨 + a tv show/character for a color palette gifset (send 1-3 colors or general color scheme) 💝 + a theme for a short playlist that I make for you (you can send me a fandom or background information if you wish! also let me know if you prefer apple music, spotify, or a youtube playlist)

*I don’t have a list for them, but you may request movies and musicals as well (as long as you’ve seen me blog about them!)

thanks for being here! 🩵

[dustdeepsea]

Writer Interview

Tagged by @my-favourite-zhent nearly 3 weeks ago and I've entirely missed the wave.

I've enjoyed reading so many interesting ones by my mutuals! Tagging (only if you're keen) @graysparrowao3 @coreene @say-lene @luvwich @grossestjay —and if I've missed your interview somehow, tag me in the comments!

Q&A after the cut—

When did you start writing?

I wrote my first fanwork at age 12. It was self-insert fanfiction with me and 2 of my friends in the Slayers anime universe, which meant it was several comedic sketches strung together with with lots of actions denoted by asterisks and emoticons. You know the ones ^_^ ^____^ @_@ T_T *slaps you gently with a trout*

We printed it out on someone's home printer and bound copies in plastic school folders with a two-hole punch. I've lost the original file ages ago, but I would love to read it again.

Are there different themes or genres you enjoy reading than what you write?

When I was younger, I actively sought out "difficult stories" because I wanted to experience things beyond my day to day life. I read Nabokov at 16 because everyone kept saying Lolita was a dangerous book. I also read a lot of Chuck Palahniuk and Bret Easton Ellis without really understanding them.

My pretentiousness definitely peaked in my university days. My dating profile at the time listed: Herman Hesse, Kazuo Ishiguro and Mikhail Bulgakov.

Now that I'm older, I read and write stories primarily to make myself happy.

Is there a writer you want to emulate or get compared to often?

I'm not remotely at the level where I get compared to any published writers.

My favourite contemporary writer is David Mitchell (of Cloud Atlas fame), and my favourite book by him is The Thousand Autumns of Jacob de Zoet.

My favourite "classic" novel is The Left Hand of Darkness by Ursula K. Le Guin.

Can you tell me a bit about your writing space?

I type at my desk, in a study shared with my partner. Sometimes if the scene is particularly spicy or they are gaming too loudly, I take the laptop to the living room.

What's your most effective way to muster up a muse?

Bouncing plot bunnies off others on Discord, talking a walk or a long train ride, playing an immersive video game and rotating characters in my head for hours afterwards.

Are there any recurring themes in your writing? Do they surprise you?

According to my lovely readers:

"Romantic and sweaty"; "two silly sausages frying in a pan" (thanks to my long time beta-reader @littleplasticrat)

"Purity, temperance, glimpse of [the] ability for real love / real forgiveness" (thank you @tellmeallaboutit!)

These did surprise me a bit when they were first pointed out but it makes sense—I've been accidentally writing Regency romances and repressed idiots in love without setting out to do so explicitly.

What is your reason for writing?

I put aside hobbies for many years because of my work (no matter what advertisers want you to believe—doomscrolling is not a hobby). Started doing more creative things during my sabbatical last year, and writing was one of the things that saved my broken corpo soul.

Nowadays I'm really into bread making and cooking in general. I'm trying to balance work and creative pursuits and I'm much happier overall.

Is there any specific comment or type of comment you find particularly motivating?

Any and all comments are received with love <3 <3 <3 I really enjoy it when people let me know what lines really resonated with them or point out motifs I'd snuck in.

How do you want to be thought about by your readers?

Friendly and approachable! Not entirely hyperfixated on That One NPC from a Video Game with Five Lines (that one might be harder now...!)

What do you feel is your greatest strength as a writer?

A fairly broad vocabulary, including anachronisms, which is useful for fantasy story settings. Writing characters who are actively lying to themselves (thinking one thing and saying/doing another).

My writing tends to be on the more contemplative side and a bit sadder and slower paced, so if you enjoy A Great Deal of Yearning along with your smut, then it would appeal to you :)

How do you feel about your own writing?

I'm pretty happy with it! I write very, very slowly, with constant edits as I go, and would probably starve if I ever had to rely on my fiction writing to be paid. Luckily, I get to do this as a hobby.

When you write, are you influenced by what others might enjoy reading, or do you write purely for yourself, or a mix of both?

I write for myself, but I am also super blessed to have a very small but vocal audience that I can interact with directly. I guess my best advice is: Write for yourself and your 10 friends who want to read your hand-bound home-printed self-insert fanfic <3