i dont know how else to put this but to approach books (or any media, really) solely for the sake of relatability is genuinely incredibly heartbreaking......to have such little (or such unwilling) imaginative scope that you cannot stretch yourself, even marginally, in a different direction to what you’ve known or are used to knowing when the very POINT of stories is to transport you somewhere else, into someone else, so you can do just that........when fran lebowiz said a book “is supposed to be a door!” and george saunders said good prose “is like empathy training wheels” they were right!!! they were so so so SO absolutely entirely right!!!!!
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Taking the current topic as an excuse to ask you to tell me all the reasons you love Rarijack. Your art for the ship is so sweet and intimate I'd love to hear any in depth thoughts you have.
Breathes in.
I think what makes their dynamic really strong is that they have opposing personalities but aligned values. It's deeper than just "opposites attract." Rarity's fancy, prissy, and femme while Applejack's modest, rough, and "masculine." But both value hard work (to the point of being workaholics), their families (both have guardianship over their little sisters), running successful businesses, and eventually each other. Their relationship can be boiled down to, "Despite our differences/disagreements, I still like you because we value the same things."
We see their relationship develop so much. In the first season, they can't stop bickering about surface-level differences. By season four, they still bicker, but will mend their relationship because they can't help but do nice things for each other. In Trade Ya, they start off arguing over personality differences (Applejack likes old junk and Rarity likes useless crap). Then they pivot and start arguing that they value their relationship more than the other. In the end, they mend things by sacrificing their needs and buying each other a gift. Even if they don't understand it, they know it'd make the other happy. And that's all that really matters. It's a genuinely sweet moment that shows how arguing can be healthy and necessary for relationships to strengthen.
We even see them dropping their hang-ups about each others' personalities. In Made in Manehattan, when Rarity runs off in dramatics about someone's fashion, AJ doesn't roll her eyes or scoff, she smiles. Oftentimes, their conflicts are very common domestic conflicts romantic couples face. Applejack's Day Off is about a woman's inability to balance work and life and find time to properly spend with her partner, causing her partner to feel neglected.
By season seven, they're actively participating in each others' interests. Any problems or conflicts that arise are dealt with, and they come out the other end stronger and closer. In Honest Apple, AJ pretty much spells out why their relationship works so well: even though she doesn't understand fashion, she can recognize and appreciate how much work it takes and wants to respect that. When she realizes her mistake in the episode, AJ goes above and beyond to fix things and apologize to Rarity. They care about each other so much.
The two go out of their way, sacrificing their personal desires and beliefs and doing things they normally wouldn't, to make the other happy. That's just love.
There's Simple Ways, where AJ gets stuck in an unwanted love triangle between Rarity and her hipster crush. And her frustration and anger can be so easily interpreted as AJ finding herself in a terrible position; the girl she loves wants another man, and that man wants her.
I dunno. I've always had a preference for opposites attract ships, but Rarijack's stuck with me like a brain worm because they have the perfect chemistry. The way they show they care, or do things for each other, I've always read it as the truest representation of romance in the show.
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The baby from mysterious egg (4) [(1/2),(3)]
I love him so much look at him please 🥺🥺
Also, I haven't thought of a name for him yet...maybe Lloyd will call him that. 'Javier junior' or something like that lol
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Okay, before I talk about au stuff-ART FIGHT HAS OFFICIALLY ENDED!!
This year I was super busy, and yet this has somehow turned out to me my most productive year on artfight to date with 24 total attacks (and I wanted to do more, but again, this month had me in a chokehold)
SO HERE ARE MY CONTRIBUTIONS!
In order, credit for character designs goes to:
First two are for @rose-petal123 next is @princess-self-shipping , @clawcakes , @sweetkiller690 , @camilieroart , @anixolt , @artilite, @krdrawsnext two are both for @kazehita
@bleeding-fairy-helmet , Curb Animates (on youtube), @donniipao , @wonder-of-the-stars , @bluesgras , @feloplip , @princemonarchempress, @tfrost , @tealgoat , @sketchz42 , @saltyhibiscus
And the last two are for @sharoo
(For some reason the tags aren't working, but if you're curious, I mentioned everyone in the notes in the same order!)
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*sigh* thoughts on Nintendo's botw/totk timeline shenanigans and tomfoolery?
tbh. my maybe-unpopular opinion is that the timeline is only important when a game's place on the timeline seriously informs the way their narrative progresses. the problem is that before botw we almost NEVER got games where it didn't matter. it matters for skyward sword because it's the beginning, and it matters for tp/ww/alttp (and their respective sequels) because the choices the hero of time makes explicitly inform the narrative of those games in one way or another. it matters which timeline we're in for those games because these cycles we're seeing are close enough to oot's cycle that they're still feeling the effects of his choices. botw, however, takes place at minimum 10 thousand years after oot, so its place on the timeline actually functionally means nothing. botw is completely divorced from the hero of time & his story, so what he does is a nonissue in the context of botw link and zelda's story. thus, which timeline botw happens in is a nonissue. honestly I kind of liked the idea that it happened in all of them. i think there's a cool idea of inevitability that can be played with there. but the point is that the timeline exists to enhance and fill in the lore of games that need it, and botw/totk don't really need it because the devs finally realized they could make a game without the hero of time in it.
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the thing about hide is that he never once expressed visible hurt abt kaneki not telling him he's a ghoul. it was never a topic of discussion between them, not even in re when it's a much safer conversation to have. he never (at least openly) feels betrayed about it, and still uses his every action to get closer to kaneki and the ghoul world despite how cut off he's been from kaneki's life. and i'm sure hide was smart enough to realize that kaneki's avoidance was always about protecting him, but it's hard to imagine that he wasn't at least a little hurt at some point that kaneki wouldn't tell him. and then a couple hundred chapters later kaneki's stumbling over his words in a sewer and hide's telling him how he's always known, while offering up his own life for his.
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