#this is more me rambling than analysis but it's going in the tag anyway in case i want to find it later

[shannonsketches]

something something foils moving in opposite directions Goku's always happy to seek and fight stronger opponents because he spent most of his life being the strongest guy in the room and Vegeta wants to be the strongest/is always exhausted to find stronger opponents because he spent most of his life having to navigate his survival around the whims of the strongest guy in the universe room and so Goku has a foundation of safety and stability and so spends his time craving challenge and adventure and Vegeta has a foundation of challenge and adventure and spends his time craving safety and stability and the overlaid section of their venn diagram is that the only way they know how acquire and maintain those things is through battle

[possessionisamyth]

So, while I do think a lot of the criticism of Remake Ada is in bad faith, I do think there is something to be said about how the design of the character does not match the personality they gave her.

They clearly want to portray Ada as someone who puts up a cold, professional front with a heart hidden underneath but the outfit they gave her still screams Femme Fatale and is in some ways even less appropriate than her original outfit. The animated direction doesn't help either with quite a few shots of her ass. Not that any of this is remotely the fault of Lily Gao who clearly knows what type of character she is supposed to be voicing.

Basically, the writing and acting for Ada aren't the issue, the design and visual direction are the issues.

I forgot I got this in my askbox! I can't really add much to this. You're right, but the problem isn't limited to Resident Evil. Many game franchises pull this shit no matter how nuanced they write the character's story and personality. If they have boobs, it's fair game to try and sell the sex angles. It's honestly their default most of the time.

The people who spend money and yell the loudest about the things they've purchased are the opinions that corporate will listen to. It's why we get the scene of Rebecca struggling in a wedding dress in Vendetta. It's why we got Claire tank top shot and then struggling while tied to a chair in Infinite Darkness. It's why we got that close up of Jill's cleavage with the licker tongue in Death Island. Hell, it's why you could look up Ashley's skirt in the original RE4, an aspect that a very specific group were so pissed about being removed in the remake. Maybe that's why they added all those close ups to Ada's ass and not her face. Who knows! I couldn't tell you. I don't pay much attention to the development side of media unless I have to fix a problem or it's an interesting factoid.

Also gotta take into mind who is behind most of the development process decision making. Is it mostly men? Yeah. Are there good men writers/directors who don't do this shit? Also yes. Are they the ones with the final call on all these decisions for the particular game/movie? Probably not. Which is why it happens, and why it happens so often.

I'm sure when it comes to outfit design and framing, thematically speaking, the stark contrast of Leon's old flame Ada to Leon's new flame Ashley could be used as a line of reasoning. Ada has to be the lusty forbidden fruit while Ashley is the pure fairytale princess, but I'm not here to spout bullshit with confidence. Ada was supposed to look hot and sexy in the original games. They did the same in the remakes, but due to her sweater dress they likely chose to improvise for the same effect.

Does it suck? Yeah. Is it good because woman hot and I do thirst for Ada? Idk! I'm still waiting on my fave youtuber to play Separate Ways DLC, and I'm avoiding spoilers like the plague.

I could attempt to go further into what design decisions define a femme fatale, gender expression, and how a woman and a man can wear essentially the same outfit but the woman's will be framed as more sexual or fragile due to how she's forced to move combined with the camera angles. However, I feel it's faster if you look up those mods where people replace the guy characters with girl characters in game cutscenes to see the sexism at play.

Batman and Catwoman wear the same outfit until they start giving him more armor in later iterations. But look.

Sometimes the clothes don't matter. I think there's a mod where someone switched Ashley and Leon's roles too, and you can see Leon doing Ashley's girly run versus Ashley doing Leon's manly sprint even though they both have shirts that cling to their fat tits. I'm sorry if you wanted something more nuanced than this. I'd say the only true solution to this problem if they're so insistent on selling sex is to give me more ass and bulging crotch shots of the men. It's only fair.

As for Ada's writing versus her depiction, her writing is just recently becoming stabilized and good. If they Remake RE6, we can see whether or not they learned their lesson or if these choices will keep being made regardless. Though they need to fucking remake Code Veronica first.

[asterythm]

on the ending of in stars and time:

an essay from someone who couldn’t sit with it at first, & a love letter to the fic that brought me here anyway. (…spoiler warning for in stars and time, naturally, but you knew that!)

if siffrin isat has taught me one thing it's that vulnerability is cool, actually, and being forthcoming and generous with love when there is love to be shared is how the coolest kids do it.

so. hello isat nation of tumblr dot com. i'm here because even after cutting out several chunks to shorten this significantly, i busted through the ao3 comment section character limit and still had more to say, so i needed somewhere to put it all that would let me go longer.

i’m pretty sure this post is for, like, three people, one of whom is me. but look, it’s been moved here to the webbed site so if you wanna read it anyway i won’t stop you!

=====

i think what it is, ultimately, is this: the ISAT canon ending was beautiful. it was an objectively well-written ending with so much love and hope and thematic satisfaction.

it also left me, for a period, with a deep and unshakeable sense of dread.

:)!!!!

now enter @faedemon's "None Forward & Two, Two, Two Steps Back" (hiya, fancy seeing you here), a two-chapter alt act 5 in which siffrin finds a New, Worse way to break the loops.

despite being, as mentioned, a notably worse outcome for everyone involved, this alt end managed to cut straight to the heart of that dread and settle it — and not in the sense of "oh, i like this alt ending better", or “oh, the canon ending looks better in comparison against this worse alt ending”, so much as "oh, thanks to this alt ending i am finally able to sit in a place where it no longer feels like the canon ending, as a beautiful outcome which felt impossibly lucky to get, is the only outcome in which life can go on — and my ability to accept it, and the game as a whole, is elevated for it."

which!! i mean!! i don’t know that that’s exactly what you set out to do; None Forward is explicitly a tragedy!! and one, as your tags say, written because the canon ending didn't ring true for you.

but I realized that the thing that was stopping me from enjoying ISAT’s canon ending was that ugly hard core that was still so, so scared after the canon ending of every way we (that is, siffrin + i as the player moving in that incredible ludonarrative lockstep with him, holy moly the harmony in this game) had not yet grown to earn it. 

=====

(I’ll take a sec here under the cut to say that when I played ISAT, and then for much of the month that followed, my main reason for engaging with it and its related content at all was that it was a piece of media that came fervently recommended by my incredibly dear friend @iconocat , who it had massively, violently impacted and whose media recommendations in general I trust more than anything.

so i played ISAT, and it was incredible. but even though it's a piece of media that just about hit on every point on my list of Things That Set My Brain On Fire, it failed somehow to. well. set me on fire — at least to the extent I was expecting it to. I still enjoyed myself in the few weeks afterwards of running through fan content and intentionally plunging myself into media analysis, but I was never convinced that I would be engaging with ISAT to the extent I was if it wasn't for the sake of trying to intentionally hack my brain to the point where I could share with my friend something so important to her at the same level of genuine investment. 

I’m telling you all this because, legitimately the same night I posted “nothing but a dull ache” (ie, if you're not charlie faedemon and are somehow caring to read this anyway, the epilogue oneshot I started feverishly writing the morning after reading None Forward), I realized through my rambling in my friend’s discord dms that reading None Forward was the moment the fire finally caught. I spent a month burying myself in ISAT content and asking myself “Is this natural yet?”. after None Forward, the answer to that question finally became a sure, wholehearted yes.)

=====

so anyway, back to the essay.

don't get me wrong. it's really, really nice, to read a story where the moral is less “you should have asked for help", and more “there are people who will unselfishly give the gift of a love that saves even when you cannot save yourself".

but that whole ending also was only able to happen because 1. they broke in a way no one should ever have to break, and 2. everyone involved got lucky.

which, in media, happens all the time!! it is not inherently dissatisfying for a narrative to wrap by saving you with luck and love in the nick of time!! in fact it should be incredibly satisfying, after the unambiguously-negative downward spiral into Director Siffrin who had begun to learn what to say and do to make his family behave exactly the way he needs them to, for a stroke of unpredictable luck brought about by factors entirely out of his control to finally be what sets him free.

but like... I think it's because the story is set in a situation where it's no longer true that luck and randomness is a factor by which anything significant can change.

we're hammered over the head with it: until and unless you do something to alter the course of events, they will not be altered. when you are the only dynamic element the world is reacting to in an otherwise looping course of events, you don't get to rely, anymore, on the idea that at any moment something could happen to save you. you have to assume that nothing will happen unless you make it.

and siffrin?? siffrin's literal motto was "stick to the script"!! they spend the loops with a mouth that kept closing tighter and tighter and tighter until i got to act 5 and watched them implode. and then I’m saved, and I know I haven't earned this. I get to the end and I'm still not telling them anything!! I wasn't supposed to get the good ending!! but I get away with it anyway with open arms and acceptance and unconditional love, and it's. kind of nauseating?

how am I ever supposed to learn and grow, if I didn't manage to change my behaviour even then under the threat of Eternal Looping Torment, and still got the good ending anyway? how can I prove there was an alternative way I could have broken free if things hadn't turned out so lucky in that one terrible act 5 loop?

I can't. and that's terrifying.

(aside: I’m speaking in the first person here to emphasize that the thing that got in my way is not because I don't believe siffrin is deserving of this love — quite the opposite, I think the driving force behind the good ending is that siffrin went scorched earth and saw he was loved anyway — but because this is a game designed to frequently encourage the player to deeply feel what siffrin is feeling throughout its course and. well. as a thing to happen to a fictional character it's beautiful. as a takeaway for the player, it's... harder.)

and that's where None Forward comes in. (i’ve already written thousands of words in comments and epilogue fic declaring my love by now, but i mean. im hoping you won’t mind just a liiiittle more.)

None Forward shows a devastatingly written, all-too-believable version of what might have happened if siffrin didn't get lucky, and the loops continued, and they kept clinging to the script and refusing to Look At It and successfully stagnating and stagnating and stagnating as they were so determined to do. and it's bad, it's worse, it's way way worse — but there's no reliance on outside factors. it comes completely from within siffrin and loop, the only dynamic pieces in the world, finally breaking out.

it was the terrible, nightmarish unfairness of the loops brought to their natural, just-south-of-inevitable conclusion.

and yes, it's a terrible, unfair conclusion, but the loop still breaks.

in a roundabout way, it... gives me so much hope. if the outside factors were different, if the stars did not align just right to allow siffrin's family to get there on time to save them, if siffrin never learned to open their mouth, which by all means seems like the likeliest course of events... they'd still get out. worse for wear, and separated by a gap unbridgeable, but out.

there is a future. there is freedom.

=====

to speak more specifically on dull ache, if you'll forgive the indulgence, just since this was originally meant to be in a reply to the author in my own comments section:

I think I so desperately needed to write it with a focus on the family siffrin left behind because I wanted to prove, if just for myself, that in that barely-dodged alternative there still could be a future for everyone. (isabeau's just happened to be the voice in which dull ache came to me, but the point was to create an epilogue for all four.)

for the rest of the family, who was not quite so deeply ravaged but was still left in a bad way at the end of None Forward, and for whom randomness is not pretty much unequivocally good just by virtue of being better than the alternative like it is for siffrin and loop (more on that in a sec), I could see it mattering more to set specific pieces up precisely, and I could actually imagine the pieces I could set up that could have a meaningful impact in the immediate future.

so. y’know. I set them, in the way I happened to want to. granted, with some extra... divine indulgence, but siffrin's departure from their family's perspective at the end of None Forward was definitely Wrong but not so obviously wrong that I could believe that without it they wouldn't otherwise either (a) go hunting him down to force out the truth, which felt Worse, or (b) just "accept" that it was as simple as Siffrin not actually caring about them/brushing them off and thus intentionally fade him into the distance in their minds to deal with it. which felt like the WORST POSSIBLE THING.

you'd think it might make more sense to have done this for siffrin and loop, instead. they're arguably the ones who need it most, after all, so why not build them up from rock bottom as a sweeping show of "things get better"?

but... i think it doesn't need to be written to have faith that it will happen: the very fact that Siffrin is about to set out on a new journey in a reality where everything is a dynamic player just. immediately gives me hope all by itself. random lucky things that save you are so much more believable and wonderful when random lucky things in general are happening all the time, and you have all the time in the world for them to happen.

and anyway, I don't think this is the kind of future you’d write satisfyingly as a sequence of events at all. to heal from this is something that will take an incredible amount of time and nonlinear progress. 

until one day, through a series of disconnected small quiet gloriously-random lived experiences, without knowing when it happened or being able to trace it back, you realize, oh —

somewhere along the way, you came to know how to live again.

[cain-speaks]

LMK Season 5 Animation Analysis

basically just me rambling about how i feel about the animation. i'm not going to talk about plot but i tagged spoilers just in case :3

First, to put it bluntly:

No, I do not like the look of season 5. The movement of the characters is regularly stiff and slow, the character proportions are odd, lines are oddly angled instead of smooth (like the monkey tails), you can tell they're still adjusting to how LMK does character lighting, and it's not as flashy and fun in my opinion. I think some of the sound design was a little weird this season, too (in EP3, Wukong busting a giant hole in the wall makes like no noise? Just seems weird to me). The space cracks are oddly... solid, if that makes sense? In season 4 they appeared much more delicate, while in this season they're, in a way, heavy? Also, this is certainly a personal irk, but the blended style for the tears? Not a fan. I could be misremembering, but Flying Bark made them crisp.

Having said that, it's not nearly as bad as I (and others, I imagine) thought it would have looked, judging from the trailer. Part of this is probably because they reused a lot of animation from previous seasons; which, by the way, isn't bad, it saves time and I'm sure it's a lifesaver while they're learning. It's just... obvious. Very obvious, especially because you can tell they did it more this season than Flying Bark did.

I've watched some clips from Carmen Sandiego because I think it's one of Wild Brain's most recent shows, and I think you can see the similarities. I didn't watch a lot, but it seems to me that characters are less expressive with their body language and more stagnant. They also don't seem to be super facially expressive to me, but like I said, I didn't watch a lot. Now, Carmen is a beautifully animated show! But it's different. And different's not bad, it's just... hard. Unsatisfying and disappointing, currently. Flying Bark's style, in my opinion, had the characters constantly moving. Whether it was a tail twitching, a position shift, a little expression in the background, they were moving. And they moved fluently and quickly. It really made the characters feel alive. I THINK it's also a different between puppet animation and frame-by-frame animation but don't quote me on that.

ANYWAY all of that is to say that yes, there are visible differences and they're upsetting. I hold LMK very near and dear to my heart as I'm sure many of us do, so as thrilled as I am to have season 5, it does hurt a bit.

HOWEVER.

Wild Brain isn't responsible for that. Flying Bark had a learning curve just in season 1 vs season 2. We have to give the new studio TIME to grow and adapt to the style. It's really unfortunate because now we have what feels like a very crudely animated season that I just know would have been better with the style we all know and love, but hopefully there will be more seasons, they'll get better, and we'll realize that this is just a blip in our hopefully long lives.

And to the neurodivergents: you are valid, we are valid. God knows I loathe change. I was really hoping the studio change was just a misunderstanding, but unfortunately it's not. LMK's visual aspect is important. If you decide to leave the show behind, that's okay! If you don't, welcome to the ship I'm trying to keep afloat!

Back to everybody now. Your decision is yours; don't let others make you feel bad about leaving or sticking with the show and most DEFINITELY do not lash out at the studio, because istg if the show gets cancelled from backlash I'll jump off a bridge (/dramatic).

Anyway idk if this is really an analysis. But it's something! Less than 4 days for the english dub, whoop whoop!

[yukimomodivorce]

Unecessarily long explanation/analysis of what Re:vale's name might mean

I don't know how to start this ok so basically this post and these tags from @nitunio

inspired me to try to explain my own interpretation and I maybe accidentally spent several days looking into the etymology in the process and now I have more to say about it than I did initially. So I wanna start by outlining every potentially relevant definition/use of re and vale that I found and then I'm gonna talk about how some of them relate to Re:vale. This post has sections and a reference list baby let's go

1: Definitions of re

1. In music terms, re is the second syllabic note in a diatonic scale (do re mi etc.)

2. Re: specifically with a colon at the end is often used as an abbreviation of 'reply' (especially in emails) and/or as the Latin re meaning 'regarding' or 'in reference to'

3. In most cases, re as a prefix/affix indicates 'back' (as in return) or 'again' (as in repetition)

2: Definitions of vale

1. The Middle English vale (pronounced like veil) is another term for valley (derived from the Latin vallis), used in literary/poetic contexts or place names to mean:

A low stretch of land surrounded by hills or mountains, usually with a river flowing through it

The world or mortal life (figuratively and often with connotations of sorrow or hardship, such as in the phrase "vale of tears")

2. In most modern uses, the Latin vale means 'farewell' or 'goodbye', especially in the context of death (apparently this is really common in Australia? I've never heard it before)

3. This use is derived from valeō (or present infinitive valēre), which basically means 'be well/healthy' - so vale in Latin means 'goodbye' in the sense of wishing someone good health, safe travels etc.

Valeō/valēre can also denote strength and worth, and it's the root of both valour and value

4. From what I can find, vale in Spanish is mainly used as a colloquial term similar to 'OK' or 'cool' in English, but it's an inflection of valer which can mean 'valid' or 'worth' and is also derived from the Latin valēre! everything is connected :D

TLDR two main uses of vale both derived from Latin: vallis meaning valley and valeō meaning to be well/healthy/strong/worth

3: What 1 year and 4 months of being a Re:vale fan does to a man

Yuki and Momo's symbols are both repeats, and the two dots (resembling a colon) are what distinguish repeats from final barlines in sheet music (more of me rambling about their symbols here - it's also where the design on their rings comes from, which is something that I keep realising and then instantly forgetting about).

Considering this, I think that the most relevant and likely intended meaning of the 're:' in Re:vale is repeat - we also see English words with the prefix used in this sense pretty frequently with Re-raise, 'revive' and 'rebirth' in Dis one., and 'restart' and 'reborn' in Period Colour. The 'back' aspect also has some significance here, especially in Re:member (the word remember doesn't mean you're like. membering again. it refers to memories. but the title re:member is very intentionally split that way because re:vale both gains and loses a member, so it works with both the again and back implications. anyways). This is also a bit of a recurring theme in i7, what with the whole "the ideal idol is one that doesn't end" thing.

Turning our attention to vale as in valley, once you look into it the whole "vale of tears" meaning doesn't really align with Re:vale unless you only interpret their story as a tragedy, but if you were to look it up and just see the definition "the world" with very little context, then it seems pretty fitting for the most famous currently active idols in the Idolish7 universe. But it actually symbolises how they mean the world to me and also to each other. And the figurative world of suffering that they have put me through thank you and goodnight. Just kidding there's more. I would say something about the valley (landform) and how Yuki is the river and Momo and Banri are the surrounding hills but you get the idea. Momo would live by the river...... he wouldlive by the river. I think about this every day

Anyways. So I really can't say how much of this is intentional but the 'goodbye' vale is especially accurate if you consider the underlying meaning - it's a way of saying goodbye, but it's also sort of a way of saying good luck and be strong. It's the same as how Banri has to say goodbye to Re:vale, but he also tells Yuki to "find a place to sing as yourself". And valour is kind of Trigger's thing (see: valiant) but reaching a little further for the 'value' meaning, it goes back to the whole Mikansei Na Bokura thing - all three of Re:vale's members had to lose something important to them, but the time they spent with it was still valuable and in the end they're able to retain those experiences and move forward to something just as valuable. In the end the name is a bit of a cluster of things vaguely related to them but I guess if you put it together it's like. The repetition of them saying this to each other. Yeah Momo after his injury getting that push from Yuki and Ban's concert to start saying goodbye and moving on and yeah like nitu said him affirming Yuki. Banri saying goodbye/I can't be there next to you anymore but I'll cheer you on from the sidelines and remember the time we spent together fondly and be able to smile once we meet again (<- from the end of his re:member pov). Yuki stabbing me 12 million times in the chest I mean um. Yuki... yeah I'm gonna need another 14 days to write that post let me get back to you on that one. But you get the idea. You get it

I think I had another point somewhere in here but this post has been sitting in my drafts for ages and I still haven't thought of it. But thank you very much for reading if you've gotten this far!!! As a reward you get a hug from me and the reference list :D

4: References

These aren't organised well at all but hopefully it's not too bad

Australian Writers' Centre: Q&A: The Origin of 'Vale'

Dictionary.com: Re • Vale

The English Idolish7 Wiki (my beloved)

Reddit: Contextual Use of "Vale"

Wiktionary: Vale • Valer • Valeō

also the google definitions of most of these terms but idk how to link those and I can't be bothered

[imagionationstation]

Hi! I read your TMNT 2012 separated au that you made with ellestrade and it really gave me brainworms so I wrote a small one-shot for it! The characters kinda ended up writing themselves haha.

anyways, wanted to share it with you and also make sure that you're okay with it. Not sure how you feel about other people taking inspiration from you ideas, so if you would like me to take it down, just let me know!

Thanks for sharing such fun ideas. Here's the post (I've also tagged you in it but sometimes tags are weird and don't always show. Also its on my fandom specific sideblog, but I am the same person haha)

Gotta love those brain worms! (Ironic statement from a 2012 viewpoint, actually-) HOLY CHALUPA, BRAIN WORMS IN THIS AU UNIVERSE, WAIT WAIT ACTUALLY WAIT-

*background rambles and spazzing*

Okay, I’m back.

I’m always a-okay with whatever fan things anyone wants to create with inspiration from something I made or helped make. As long as it isn’t containing some stamp that says “this I deem canon” when neither me (nor my partner) deemed it canon, no one ever has to worry with me getting upset over some story/comic/art.

I’m going to give some thoughts and I want to disclaimer.

When I discuss my thoughts on your POV of events in the AU, I will never, in any way, intend to diss or attack the story. I think the flow was excellent and Raph’s analysis of the events occurring was intriguing. I loved it! And nothing I say will be a statement otherwise.

But, since I have a distinct inability to keep my mouth shut when it comes to turtles and you asked, I have thoughts 🧐

My brain is now turning and ya’ll have to deal.

Characterization:

Donnie: Much distrust. Much sass. A strong sense of duty to defend his brethren turtles who don’t deserve it but he’s doing it anyway.

Very on point. Much approval 👌

Mikey: Could not be more perfect. I love him. Sweet soul ✨

Leo: He’s a bit less… Forceful. Cold and calculating. Than I envision.

I’d imagine that he had to learn to shut feelings down in order to survive. Fidgeting/smiling/visibly hesitating is out of the question. Staying in Shredder’s graces meant learning to play the game. His silence is what earns Raph the ability to be loud. The only times that he’s himself is when him and Raph are alone, outside of the sight of cameras, or when someone in is danger and fear/fury overwhelms all else. He seems bland to outsiders and it takes the Hamato brothers a while to see that that he’s just a scared little boi at heart that’s just trying his best in a cruel world.

He’s also set in his beliefs, so he’s going to assume that they’re being tormented mentally, if not physically. There’s no place in his mind that wonders if they were actually safer elsewhere.

I do like your POV, though. Plenty for me to play with.

Raph:

He’s ABSOLUTELY the first to question the differences between how Shredder treats them and how Splinter treats their brothers. He doesn’t jump the gun, but as devoted as he is, he’s never really liked Shredder. I love the implications that he’s been filing away concerns subconsciously and his brain keeps poking him like “HELLO?!”

He’s very deep. I can’t decide how I feel about that 🤔

Shredder would have wanted to fan that temper into something unforgiving and vile. Or course, that doesn’t mean he stops being a sensitive soul. It could… Have something to do with Shredder manipulating him into being angry when he wills it (basically all the time) and solemn and still when he doesn’t (such as during lectures, punishments, etc).

His brain registers this situation as one where he’s not meant to be loud and angry, and so he’s kinda… Shut down. Sassy, but mellow. Processing. Adapting. Letting what happens happen because he’s not meant to stop it.

It’s a reason that Leo gets so defensive when punishments come into play. It forces Raph to feel small. It make him vulnerable.

HOLY MOTHER OF MUTATIONS- I AM IN LOVE WITH THIS NEW TAKE ON THE AU @ellestrade TELL ME IF I’M ONTO SOMETHING

Anyway, commentary:

“in one of Takeō's strategy books he couldn't care less about”

It’s like Space Heroes. He claims so and YET he read, recalls, AND clearly has DEBATED the passage so I call sus vibes.

I get giddy when I think of Takeō discovering Space Heroes-

“Junkō and Kōta— or Donnie and Mikey, whatever false name they’d been given—”

My brain made connections. I don’t know if it was intended, but I always believe that they knew them by Shredder’s names through the beginning of season one, end of season one/beginning of season two they were associating them as both, and then by the time that the City is under attack, they’ve adapted to using their real names. (But the Saki brothers still keep their Foot names.)

So, now I assume this is somewhere in that middle plot.

Fun little Easter egg~

“Takeō and Akihitō were the offense, and Donnie and Mikey were the defense” “They held their own. In fact, they dominated.”

I’m in love with Raph’s simple acknowledgment of their roles in battle. It’s a very practical outline of exactly how their dynamic on the field plays out and he's so certain of his place.

On the other hand, I’m a bit uncertain about whether they’d dominate. I do believe that they are trained and can hold their own, but I don’t know about them being as impressive as Raph&Leo, simply because Splinter trained them to defend and Shredder trained them to kill. The Hamato brothers haven’t had much time to practice in the offensive, especially since that’s Leo&Raph’s job. (In non-AU canon, they are all offensive/defensive.)

I think Mikey might learn that kinda strength at the farmhouse after being taught by Leo&Raph, and Donnie will step back from that, finally finding his place not as a fighter/leader, but as a scientist.

Definitely an interesting take, tho 🤔

“Only now does he think that, perhaps, there was a reason their master made their primary weapons blunts and not blades.”

I am chewing on this line so hard. It’s so powerful.

I can’t even tell you why. It just is.

“Akihitō knows that Takeō isn’t lying. He’d already tried to take tonight's blame all on his own shoulders, spare Akihitō of the punishment. But Akihitō knows all his tricks and he won’t let his brother suffer alone. Again.”

100% behind Raph learning to butt in when Leo tries to take the fall as they get older and punishments get worse.

“Seeing the situation, the evidence glaring at him, Akihitō cannot deny that this wasn’t exactly a great sell. Takeō and him are tied to the ground, trying to convince these two strangers that they would be safe with them. That their clan would not hurt them while that same clan was just about ready to beat them to a pulp.”

I was thinking the same thing 🤣

Leo, dude, seriously. Look around. Think for a second. You are not selling your point. You are doing the opposite.

In the end, it doesn’t even matter. Sensei will always find them no matter where they run. It was better to follow than be chased.

SOMEONE NEEDS TO TEACH THESE KIDS THAT THIS IS A TOXIC RELATIONSHIP. YOU SHOULD NOT FEEL MOTIVATED TO STAY WITH DAD BECAUSE HE WILL FORCED YOU TO REMAIN OTHERWISE. BRUH. RED FLAG.

These were Foot Ninja binds made specifically to hold them. Mutant strength and all.

It makes sense that Shredder would make these. But.

But man. He made those. For them.

Takeō tries to take control of the situation again, the bossy oldest sibling coming out in him.

HA. Got him. Leo is Leo in any universe.

“His name is Mikey.” Donnie glares. “The rat is lying and he has—” “Donnie, its fine.”

Absolutely how they view things. Mikey doesn’t care what they think or do as long as no one he cares about is paying the price. Donnie feels it is a manner of principle that they accept logic and truth.

Leo talking over both of them is valid. This kid, I swear.

“Then tell your older brother to shut up about—”

LEO IS IT OFFICIAL YOU HAVE BEEN DISOWNED

“Sounds like a you-problem.” Donnie stands. “Mikey, we saved them. It's time to go.”

Donnie would die for them <3

A hand lands on his shoulder, and he recognizes it. Takeō always knows when to give support. He’s a good brother. He hopes Donnie and Mikey will know that one day too.

OH. OKAY. WELL. 🥺

THOSE FEELS CAME OUT OF NOWHERE-

He loved his big bro sm hjkhkjhkjhjkkjhkjhkjhku

If Akihitō didn’t know any better, he’d say it was longing.

Oh, don’t worry, he is dying to have other people in his life who genuinely care for him, but as long as you guys are with the enemy, you’re a threat to his baby brother and daddy and not to be trusted

And, just maybe, it could be their world too. 

Oh, so that’s what pain feels like. Glad to be reminded.

[hero-nerd]

WHAT ARE SOME THINGS ABOUT MONOMA YOU'VE ALWAYS WANTED TO TALK ABOUT BUT NEVER HAD THE CHANCE TO? GO FORTH, GIVE US THE MONOMA CITATIONS. RAMBLE.

- @veras-monologue

YES THANK YOU IM ALWAYS HAPPY TO TALK ABOUT MONOMA

I think the majority of my pre-established writing with citations for him has been posted already. Whether anyone read it or not is a different question lmao. And I never set up a tagging system so they are probably lost to the depths of tumblr anyway. So if you have any questions about those please ask!!

But today I’m gonna talk about something I only ever get to talk to about with one person, our ✨ballroom dancing au✨

So this started because me and my friend have a villain monoma au where he and toga are twins separated at birth that reunite when Mr Compress brings Monoma into the league. I’m like 87% sure I’ve posted about that but again I’m always happy to expand or make another post on it. The au is mostly slice of life things amongst the league with Compress trying to parent his chaos twins while Magne sips her drink and laughs at him from the background /lh.

From here I got really into this manga about ballroom dancing I randomly picked up at the library and I’m so fixated right now, so I messaged up that friend like hear me out, ballroom dancing au

Weve been establishing that au for a bit now, Monoma and toga are siblings still that dance together, Compress is their main coach but Magne is like an assistant as well. It’s super fun /gen

One thing I’ve been thinking about is that Monoma is a really selfless dance partner, always letting Toga really shine in the dance while tailoring his dance exactly to her. The manga series talked about this idea of the flower and the frame, with the lead dancer being the frame meant to emphasize the flower, aka the following dancer. Monoma really leans into this and does it to the point where you can barely see the frame, Toga isn’t just a flower she’s the whole damn garden.

I think this is where people would disagree with me saying that Monoma would want the spotlight, but this is also where I have citations!!!

Citation one is from the sports tournament, Monoma did not mind placing low in the beginning to win his strategy. Like he said, he wasn’t some idiot chasing after a carrot on a stick, he was thinking things through to win in the long run. Of course it didn’t work in that moment (something else I could go off about) but that mind set is still there!

And then citation two is from the joint training arc. Monoma knows he is going to get captured but lays the trap with twin impact anyway, allowing his team to win. He seems to have the mentality (not just here, but this is what I pulled for citation) that a win for his team is a win for him, regardless of whether he was the one to do the winning thing. My past analysis has emphasized that his unstable identity leads him to heavily put his identity into outside factors, specifically class b, so I think this stands.

Now this is not to say that he doesn’t want to be the center of attention, be in the spot light! He very much does, although I think his feelings on whether he deserves it or not / what that looks like are pretty complex. In the joint training arc he talks about being the side character that steals the show, more beloved than the main characters, and that’s how he sees himself. However even here he calls himself a side character.

Then of course there is his big moment recently animated in the show, which would change this analysis plenty. However, applying that to him in this moment is like applying season six bakugou moments to season one bakugou, that doesn’t work! There’s chat at after development that needs to be done. I actually have a scene that ties in that stuff to give Monoma some character development in the ballroom au but that’s for another post XD.

And then tagging @logicaldelta because 1 au and 2 I’m not sure I have been able to coherently express all this to you yet lmao

[i-didnt-read-the-b00ks]

Intro post

hiiii! so I have yet to read the Percy Jackson series (cardinal sin I know) and I figured I'd liveblog the TV show for Tumblr's entertainment!!! :D

editing this far sooner than I expected. sighs deeply. apparently my instinct to ramble about cinematography is unable to be contained. thus. tagging system.

"#liveblogging" for, yk, liveblogging,

"#film language rambles" for cinematography and related stuff,

"#reactions" for Reactions,

and "#asks" for answering asks.

Hi. So, first of all, there are going to be spoilers for the books and the show. That should be obvious, but I'm saying it anyway.

Second, and more importantly, this blog is a lie. The Percy Jackson books Formed My Personality. I am a huge fan. It's been a while since I read the books, but I read them enough times that that's probably fine. I did make this blog to entertain, though- the point is to pretend not to have read the books, to create a sense of Dramatic Irony and Sympathetic Horror for all you avid fans reading.

Also, uh, this has accidentally become a bit of a cinematography/film language analysis blog as well. That’s what I get for taking film classes I guess. Sorry about that. (<- not sorry at all) So yeah stay tuned for Extended Rambles. I am cheating slightly because I’ve already watched all the episodes up til the Ares one so I’m Rewatching Them, which allows me a better shot at noticing stuff. We’ll see how it goes after I catch up to myself. I can always just watch the episodes twice, I suppose.

This blog will be somewhat like an in-character/rp/gimmick blog- the persona will be kept up, and just... yk, Be In On The Joke. Standard procedure, you know the drill. I think that's about it? Yeah, enjoy! This blog is as much for my enjoyment as for yours. (I'll be sad if nobody follows, though.) I think that's all? More will be added as necessary. Merry tv-show-ing!

TL;DR: This blog is me writing as if I haven't read the books, for entertainment purposes. It’s basically an in-character/rp/gimmick blog.

[captainnait]

(Decided to reuploded this post because literally no one saw it. . . Oh well. Might as well tag @whocaresifwearecrazy since they could be interested in this idk)

Something that literally no one asked for - a TTwM compilation!!

I enjoyed gathering all the questions for this one. I'm not sure if I found *all* of them, but. . . Yeah. Some clips (4 out of 13) aren't mine, so I left the source in the description.

Also I wrote a little analysis/commentary thingy for all of these, which you can read down below. It's mostly just me rambling about Bob and Milan and how stupid these two are, so don't take it too seriously. I just— I just need to get this off my chest, okay 😭 also sorry for the broken english in some of these. I was half-awake when writing lol

Anyway, would really appreciate if you watch this compilation. I might do some others in the future idk. Enjoy 💖💥

As for commentary, here it is ✨

"Ode to a Garbage Can": I put this one first in the compilation, because (imo) it shows Bob's and Milan's overall dynamic perfectly - Bob tries to be as positive and supportive of Milan as he can (although with a mild success), while Milan. . . Well, he's just being himself - extremely forward and harsh, but, in the end, not minding Bob's attitude, and even engaging in a playful back-and-forth with him. It's simple, it's nice and it's going to be a repeating pattern.

. . . Aaand it's probably the most analytical I'm going to get here. Probably.

Anyway, can't say much else about this one. They're silly

"A Crappy Question": Bob here sounds so genuinely guilty 😭. And the fact that he immediately tries to make up by helping Milan with his classes— it's pretty wholesome. . . Milan slapping the living shit out of him in the end isn't tho lol

"Get Your Finger Out of Your Nose": Milan calling out Bob on literally anything is also the main point of a lot of these. And, tbh, if I worked as a janitor somewhere, where mfs like any of ydkj hosts work, I wouldn't be so happy either bruh

Anyhow, the gross out humor in the end is nothing unusual for this game. But damn, the way Milan said "chucklehead" at the end. . . He loves that idiot I'm sorry 💥💥💥

"Urinal Chips and Dip": Bob being an idiot and getting what he deserves will NEVER not be funny to me

"Wait a minute, is this a trick question? 😠" "For you? Yes 🙄" I can't with them—

Also Milan helping Bob out a bit at the end was surprisingly nice. . . And uncommon too

"Swapping Spit": Milan calling Bob "host boy" at the start caught me off guard completely when I first heard it. And yet, somehow, he gets even more wild with the nicknames later on in the other questions lol

"Moron? Hey! >:[" Bob sounds so hurt here 😭 i like to imagine that before that he wasn't catching any insults from Milan at all up until this point. He's clueless like that

"Ugh, Milan! Why do you say things like that?" "To make you blush" Okay that's just straight up flirting—

Also Bob doesn't sound so opposed to that huh. . . Interesting. I wonder when this is going to come up again—

"Things Nobody Wants To Lick": OKAY FUCK I'M SORRY THIS ONE IS JUST INSANE. MILAN JUST CASUALLY RIPS HIS SHIRT AND SAY TO "LICK UNDERNEATH HIS SWEATY ARMPIT"? AND NOT ONLY BOB IS IMPRESSED WITH MILAN'S BODY (as he says himself), HE ALSO ISN'T OPPOSED TO HIS REQUEST IN THE END (even though it wasn't even addressed to him btw)? AND EVEN ADVICES TO SAY "THANK YOU!" AFTER THE PROCESS?? HELLO?? WHY SO 𝓯𝓻𝓮𝓪𝓴𝔂? WHY NO ONE TALKS ABOUT IT—

Ahem. Anyway, "Bob-friend" is such a great nickname, 10/10, amazing job, Milan.

Bob's "MILAN! WHAT? 😨😳" is literally my favorite thing ever

"Please? Look, begging is not gonna help, my friend" yup, I figured

(I'm not even going to comment on the last few lines lol this is already too much)

"Seven Minutes in the Broom Closet": And just when you think it can't get gayer than the last one. . . This title. What the fuck are they doing in the closet—

Bob mistaking alliteration with liter is just so him

"Haha, you said pee :D" this man literally has a mind/humor of a toddler

And yeah, Milan leaving Bob confused with his words/sayings is. Everything

"I'm Not Your Chew Toy": I'm pretty sure this is the shortest question in this category in terms of dialogue

I love that this one highlights just how patient can Bob be with Milan's rather snappy attitude (which, to be fair, is pretty reasonable for him to have)

"Gift Ideas from the Bathroom": This one. This is my favorite question in the whole game probably. . .

Milan calling Bob "Robert" (which continues running joke of Milan calling Bob different nicknames). Milan sharing his collection with Bob, who seems to be not only interested in it, but also wants to implement it in the question. Bob being a clumsy ass moron and dropping the jar, with Milan following with his (almost) catchphrase "I'm not cleaning that". Milan sharing his culture with Bob and feeding him a homemade soup, with Bob being absolutely joyful and excited to learn new things from his favorite person (while also being taken care of by said person). Milan's little "jerk" at the end, that sounds just a bit too soft to sound like an actual insult, and more like an affectionate pet name. I love this. This is amazing. If this isn't not one of the most wholesome moments in ydkj series, idk what is tbh

"Little Red Outhouse": "Hey Milan, how you doing? Good to see ya 😁" "It's a pleasure for you to see me 😇" "Yeah, i— Uh what? 🤨" This is one of my favorite exchanges between them. Milan has such a way with words sometimes idk. . .

Not much to say about this one, except the fact, that Milan washes Bob's microphone in the toilet bowl, becomes much more disgusting when you know, that in one of the questions Bob smooches his microphone. You're welcome 😇

"It Happens to the Best of Us": Crying Milan is the last thing I expected from this game, but here we are ig. As much as I feel sad for him, I can't deny that his crying voice is incredibly stupid (/pos)

"It was a horribly sad incident which took place today" I like how even when he's distraught he still tries to flex his english skills. What a king

The way Bob instantly goes "yes sir" right after Milan tells him to shut up is just. . . 😭 no comments

"Don't Forget to Wipe": Ah yes, the one where Milan blackmails Bob. Anyway

"Hm, would you like to know" THE WAY HE SOUNDS HERE I— 💥💥

Also the way Milan interrogates Bob here is just so funny to me. He's like an annoyed and slightly disappointed owner that find out his dog made a mess in the living room again. . . Weird comparison, but oh well (I've been writing this commentary for way to long)

"There's a Swosh™ on My Tush": I love this one. Mf just plays basketball in the middle of his work day and that's it. No disgusting twist, just basketball

. . . Well, except the last few seconds, where Bob straight up drools on Milan's shoes. . . Like a dog—

Okay, nah, that's it, that enough of these guys for me today istg

[hazellvsq]

frank/hazel/leo most popular pjo ot3? an analysis

okay so the love triangle poll had me thinking. i knew frank/hazel/leo had ship content on ao3, and i was curious to see if other love triangles or popular trios got the same treatment.

(this is very long and rambling)

this is the amount of ao3 content frank/hazel/leo has:

these are the other trios i was looking at:

last one is crazy lol. anyway, other potential trios like jason/reyna/piper or different combos of percy/annabeth/piper/jason all had less than 20 fics each. its possible i missed one but i'm pretty sure i tried of all of them.

for context, the general state of pjo character and ship content looks like this:

the vast majority of tagged fandom content with frank and hazel has them as background characters. finding content that centers them takes digging. aside from calypso/leo, they have the least popular canon ship, and the only other character that either has any substantial fan content with is leo. the pjo fandom has shipped leo with literally any character he was in proximity with, and hazel was a canon love interest of his. in addition, the pjo fandom has incredibly popular mlm ships and has gone through the time-honored tradition of finding ways to sideline, if not villainize, the canon female love interests. which makes these next stats so interesting to me:

a decent portion of works in both of these tags are frank/hazel/leo fics that got crosstagged. obviously, frank/hazel have more fics than frank/hazel/leo:

however, its impossible to figure out how many of these fics actually center frank/hazel, as opposed to them just being background characters. so i did a test and filtered out all of the more popular ships in their tag:

this isn't a perfect representation, because there are definitely frank/hazel centric-fics that had other ships in the background, and frank/hazel/leo aren't the main couple of every fic they get tagged in. still, though. that's less than the frank/hazel/leo fics.

the other thing about hazel and frank content is that they are the two characters who are most frequently headcanoned as straight. it's died down some in recent years but it used to be CONSTANT (it happened to leo too, but not as much). most fans thought they were the two most "traditional" characters, value-wise. so i was thinking, if frank and hazel got this much content for a poly ship, then the characters that this fandom actually thinks are gay have to have more:

and then i was like, hmmm well okay i'm very surprised there's not more for those three. but there's so many people who ship some combo of nico/percy/jason/will. i've seen so many big 3 edits that leave out the girls. there's no way frank/hazel/leo is beating out the white slash ship industrial complex.

frank/hazel/leo beat out the white slash ship industrial complex (big threesome is a very funny ship name tho).

my biggest guess would be that there was some sort of beef between the percy/nico and jason/nico crowds that has led to this lack of ot3 content. i wouldn't know. i'm wondering if they're going to catch up; its not far off right now. as far as i can tell will solace has no popular ot3's that broke more than 20 fics and is pretty much only shipped with nico.

other potential ot3's like jason/piper/leo...i have a theory that a lot of jason/piper shippers only really shipped it in conjunction with percy/annabeth because they were were a good secondary couple for percabeth-centric fics, and didn't care about leo as much (which could explain why there's more overall content for jason and piper than for leo). also, i think historically a lot of leo fans thought jason and piper were bad friends, although these days there's a lot more renewed appreciation for their trio. piper has also been commonly written as a ship obstacle since the inception of her character, when people thought she was homewrecking jason and reyna (the jason/nico crowd uses this trope too), which might be why she's not commonly put in ot3's despite having chemistry with most of the cast. on the other hand, the "ship wars" between hazel/frank and hazel/leo shippers in the mark of athena era were pretty mild, because most readers liked all three characters and didn't have strong enough feelings about either pairing to fight about it, whereas other ot3's don't get written because fans have a very strong preference for their other ships.

i know frank/hazel/leo has its origins on ff.net, but it was mostly one author and mostly just kink. there's a much bigger variety on ao3. i'm wondering why people liked it enough to make it a side pairing for other fics, and at what point the bulk of content for it was written. i'm wondering what people get out of combining the three of them that you don't get from just two. is it because all 3 dynamics are so clearly defined in canon? some of them also are based on kinks like mpreg that historically exclude women, so why do these authors include one? this is also interesting because the rest of the fanbase, including both fans who ship frank/hazel and fans who think that shipping hazel with anybody is problematic, refuse to write about hazel or frank having sex to the point where it was a fandom meme for a while. except in frank/hazel/leo fics, where a large percentage have explicit content. i'm wondering which of the nico/jason/percy or frank/hazel/leo tags has more mpreg, but i'm okay not knowing.

if you made it this far, there's not a real point to this post, except pointing out that for characters who barely get shipping content, frank/hazel/leo is unexpectedly popular considering how much content exists about them otherwise, and also goes against popular fandom perception of the characters in interesting ways.

[nicxxx5]

autistic mike wheeler headcanons

*IMPORTANT* i'm reposting this post because my original post of this is not showing up under the tags and i don't know why. i mean i have an idea but nothing to prove it so... anyways i'm reposting this with some edits to try and fix it. so if you come across an identical copy of this post from me..yeah..well...that's-that's why...anyways!

this is to go along with my autistic will byers headcanons post. just a reminder that this isn't an analysis and is instead my own personal headcanons for mike being autistic as an autistic individual myself

mike is touch adverse. he really dislikes people touching him unless their people he's lose to and in his case it's the party and occasionally nancy and holly

his special interest is dnd, star wars, and will's art. he loves to infodump with the party because they share his interests even if not to his extent. he loves infodumping to will though when will draws because sometimes will draws things based off mike's rambles and mike gets so excited about adding it to his binder

he hyperfixated on both el and eddie a little bit. when he was little mike also had a special interest in super heroes and el reminded him of super heroes with her powers so he became fixated/entranced by her. eddie was super into dnd and was basically everything that mike wanted to be; he expressed himself the way he wanted and didn't care, love dnd, acted confident. so he became super fixated on him and started to model himself after eddie because eddie to mike was both really cool and embraced mike's biggest special interest.

he's very hyperverbal. he often has so many thoughts and ideas that they're so overwhelming he needs to express them verbally in order to get them out and help his brain relax.

mike has verbal stim. he likes to click and roll his tongue to help him focus. he typically does this when he's alone because people have picked on him and he's been reprimanded by teachers for doing it at school so he's kind of shy about it

mike like's to stim by flapping his hands and jumping spinning in circles (separately). he also likes to verbal stim while doing this when he really feels like he has a lot of pent up energy

he's really bad at interpreting social cues and sarcasm. a lot of it just goes right over his head. when people try to explain it to him he just doesn't get it even when thinking back to the situation.

his difficulty with social cues causes people to sometimes get frustrated with him and he gets frustrated back because he doesn't understand what he did that they didn't like

growing up he also like to hold hands with will and he didn't understand why people gave them looks and why lonnie got really mad. he stopped mainly because of will getting bullied and he wanted to protect will

mike has a very limited number of safe foods and these safe foods change for him from time to time. more often than not though he does prefer crunchy foods to soft foods

when he has meltdowns he mostly wants to be left alone. everything is too much for him so he likes to be in a really dark room with no noise. he ends up verbal stimming and rocking to try and self sooth. he really hates people touching him during a meltdown or when he's over stimulated. will is able to talk to him though and is able to get yes and no answers out of mike sometimes and help him if his stims start to become self-harming

he has alexithymia. he struggles a lot, and i mean a lot, with recognizing his feelings.

even though mike is hyperverbal he does often struggle to verbalize his thoughts a lot of the time. often times he finds writing his thoughts helps to put together his ideas

he really hates the clothes his mom made him wear growing up. the tags were beyond painful and he would tell his mom this but she didn't understand what he was talking about so she didn't really listen. mike ended up bring his clothes to mrs. byers sometimes because she noticed how uncomfortable he was and offered to fix them

i feel like i could definitely keep going with this one but then i'll feel bad if this one is significantly longer than my will byers one. might come back to edit it in the future though. let me know your thoughts!

[lingy910y]

Gallavich Questionnaire

Thank you @energievie for tagging me to do this! I get too unhinged when talking about these two boys, so warning for very elaborate ramblings 🙏

1. What’s a fic you’ve read more than once?

This fic is the prime example of why you should write a fic even if you think nobody’s going to read it, because it’s my favorite gallavich fic even though most people don’t want to read about them getting a divorce. But I do, okay, because a normal break-up doesn’t cut it (especially since we already see those in canon, but post-canon is up to our interpretation) and it’s just more serious. I think they will work out their issues before it gets too far in canon but it just hurts so fucking good. The reason for their divorce is so realistic too, in fact it’s not one but a lot of problems piled on top of each other. They think it’s only going to hurt everyone involved including their children, which is arguably true in context, but they can’t resist each other and it’s this back and forth push. There’s parallels to canon, the writing is so good without being drawn out, and there’s so much nuance, emotion, and subtly hinting at something beneath the surface. The pining is just delicious because it’s not “I don’t know if you feel this way about me” or “I’m not allowed to be with you,” it’s “I want to be with you so badly but I’m trying to resist that because it’s going to hurt everyone.” Then the trying so hard not to care because “we’re over, but you’re in trouble and I’m trying to move on and I’m never going to love someone else like I love you” 😭😭😭 anyway I actually had to stop myself from rereading too often for comfort because it was too much LOL

the author said they were going to update it January of this year so I’ll be patiently waiting 😔

3. What's a headcanon you can't stop thinking about?

You know that post abt how when you're sleepy you imagine your favs sleepy? I keep imagining Ian wrapping their comforter around Mickey like a cocoon when he has a nightmare and cuddling him, it's cute

4. What's a fanart you love looking at?

The first image of this by @gallavichonly JUST GETS ME SO FERAL. THEIR FUCKING EXPRESSIONS.

5. What’s an idea you’d love to create if you had the time/inspiration?

I want to draw a character concept art sheet for their outfits/weapons/mechanics for kinda a zombie apocalypse AU. Designing that sounds fun but I need to research more

6. What’s something you’ve discovered since entering this fandom? A new trope you love? A different analysis of the show? Something else?

The jealousy trope, especially jealous Mickey. I guess in other fandoms, people write jealousy in a really possessive, cringy way. Not saying gallavich aren't possessive as fuck but at least they earned it, you know? There's too many ships where one of them is breathing down the other person's love interest's neck but they don't even know you exist, like calm down 😭 Meanwhile gallavich tease and try to get each other to admit it first, and Mickey is biting his tongue trying not to say anything and then "Fucking cheat on me, Ian?!", "Whatcha doin' here then?" AND THEIR EXPRESSIONS WHEN THEY EACH SAY "WHEN YOU KNOW, YOU KNOW" ARUGHHHHHH I'M SO GONE

7. What’s an underrated trope or concept you’d like to see more of?

Touched on this earlier but basically the more tragic/gritty ones—a huge argument, break-ups, unrequited love, falling out of love, hanahaki, amnesia, MCD...

10. What scene or moment do you feel isn’t discussed enough?

Eh I think we've dissected the shit out of every scene lmao, but probably their s4 reunion? The lap dance?

11. What line/dialogue/description from something else (a poem, a book, a tv show, a movie, or something else) do you feel describes Ian and Mickey’s relationship?

Obviously "I'll take care of you. / It's rotten work. / Not to me. Not if it's you."

12. What do you think is next for Ian and Mickey post-finale?

I want Ian to go back to being an EMT no matter what :( but their current security gig fits Mickey a lot. Ian also gets really into gardening, he'll be so good to the point where he'll be known in the neighborhood. And Mickey has a little hobby for drawing. They'll adopt a pitbull because Mickey was actually enthusiastic about that idea, which meets Ian halfway by still giving him something to take care of. Now for the elephant in the room: I think it's okay if Mickey never wants a kid, and there's a lot of issues ingrained in them that unless they go to therapy for a couple of years, hinder them from becoming perfect parents tbh. Now I'm not saying they'll be bad, but will their best be enough? Will they be content? Idk, I don't have any experience and I see them with more issues/flaws than the majority of the fandom? Honestly I just don't see that future for them (but I do enjoy kid AUs because who doesn't.) They'll stay on the West Side because I want them to get out but not stray too far from their family. I also can't think about them getting old or I'll sob, but I wrote a fic about how they'll retire and just live comfortably because it's what they deserve, and they'll take tons of vacations when they save up enough money.

oh my god that was way too much but in my defense i rarely get to rant abt them ok!! anyway now that I went through the whole spectrum of emotions, i'm tagging @michellemisfit, @lupeloto, @jademickian & @softmick 🚶‍♀️

[artofmimi]

Hi idk if you ever go on here but Twitter confuses and scares me . I saw you retweeted some art of Sethos, and I really like that guy and I also think ur opinions on stuff are really interesting, so I wanted to see if you'd said anything specific about him. However, Twitter confuses and scares me, and I scrolled through some of ur tweets and realized that i'd only made it to June 30th and did not have the mental fortitude to keep going. All that to say, if you have any particular opinions on Sethos I would like to read them here on Tumblr. Obviously ignore this whole thing if you just don't want to respond , and sorry that this is weird

hello there! first of all, i don't think this is a weird ask at all. there is nothing wrong with asking questions so please don't apologize :)

secondly, i really like sethos – a lot! i feel like i don't talk very much about cyno but he is, in fact, one of my favorite characters from genshin. the opportunity to learn more about cyno's backstory and the fact that he gained a new narrative FOIL really excited me. juxtaposing the physical and personality differences between both of them (sethos with his green eyes/brown hair/inviting smile/sociability vs cyno with his red eyes/white hair/resting bitch face/social awkwardness) really highlights their character traits, i feel.

one of the things that drew me in lot about sethos (and this may be a tired comparison so apologies in advance) is that he reminds me a lot of claude from fe3h. not just the physical similarities or the fact that he's an archer, but it was mostly his sense of curiosity and his disposition towards other people. the lines he says, i can see coming from claude's mouth. he gives off a strong sense of intelligence and cleverness.

but honestly that's really as far as i can do for (admittedly very surface-level) analysis for sethos! i haven't played cyno's second story quest yet so i don't know anything regarding the temple of silence plotline or what role sethos plays in it other than what the version update trailer teased. i know that sethos is a reference to the egyptian god, set, and he juxtaposes with cyno, a reference to anubis. i know that set is the god of disorder, violence, foreigners (out of many things) and one of the main stories he is known for is how he usurped his brother – so i have my guesses as to how the genshin storyline goes. however, obviously, my knowledge of egyptian mythology is very shallow so i don't want to make too deep of an analysis unless i really know what i'm talking about haha

anyways, i'm glad that you find my opinions interesting and that you at least tried to scroll through my twitter LMAO i do check tumblr semi-often bc i do still like reading the tags people read on my posts. i still find tumblr's askbox system and archiving system by far the best out of the "big" social media platforms these days but i've gotten really accustomed to just saying out inconsequential thoughts on twitter and rambling out analysis threads on there. they do get lost very easily though so alas. once i do finally finish cyno's story quest, i promise i'll come back to this post and share my thoughts on sethos, just for you anon <3

[hesbianyaoi]

I want to thank you for that one dazai atsushi post it made me look at bsd in a new light and im genuinely so happy about it??? so thank you very much and i hope I get to read more of your thoughts because i looooove love love when people analyze characters it lets me understand them more and uh what am I saying. ah yes bsd found family is real and everywhere and I’m going to consume lots of it and think of you and smile because I’m glad to feel like I know the characters a bit better okay will stop rambling. unless more is okay anyway would love if you shared more opinions on anything ever whenever you want to so consider this a push .!!!! also I find it funny how every time I come check back on your tumblr your pfp is different but i still know every guy

THANK YOU!! this is very sweet; i honestly really appreciated your message giving me the chance to properly ramble, sometimes you just really do need a push! i love character analysis a bit too much (which feels a bit obvious with how i go crazy in tags when i post/reblog) despite my reluctance to share my thoughts. it does make me happy that you liked my post about dazai-atsushi because they mean a lot to me and i love talking about them whenever i get the chance. bsd analysis is particularly more fun than any other characters i've made posts about in the past because the fandom here is pretty chill from what little i've seen of it

also don't worry. i love rambles especially when they're directed to me. i'm a very talkative person and i love getting asks about characters or how i feel about things

(AS FOR THE ICONS, YES UNFORTUNATELY I LOVE TO CHANGE MY PFP TOO MUCH. i'm so happy you recognize them though i'm a simple guy)

[stick-named-figure]

somewhat long winded and ramble-y musing below the cut. tenuously related to ava but mostly personal.

i think another reason that ava/m (ava especially of course) appealed to us so much is that it's very obviously an interaction between art and the artist. And also creation and creator (which is a separate but similar category) which is something that I've craved in works for a very long time but only recently really came to that realization through trying to see why AVA stuck around with me for so long.

I think it's this sort of idea that art says something about a person (Which is not an invitation to try and make statements about me from my art by the way) but the emotions I try to throw out through art.

This post kind of materialized because I was thinking about whether I should tag my self shipping art as AVM ships, since of course my sona is not canonical [citation needed]. I then figured that blocking the tag "sona" would accomplish the same effect, since I have no real intention of drawing said sona outside of self ship art.

And then I started thinking, this sona exists only in relation to another. I am someone who has had sonas in the past that were very much individual from others (as in had no prerequisite others to include for their existence in art) but Eve, as a sona and a self, exists as a necessity for others. My canonical pronouns are not known but Eve's (sona) are meant to match King's.

(Because I'm about to just start saying things, I have to mention that I'm well aware my relation to identities [especially my own] is not the average experience).

Along these lines I've also realized that the rest of my self perception is primarily built out of the way I am experienced by others, and thus my self is then a group project. This is reminiscent of egregores but I can only read so much on occultism before I start seeing conspiratorial lines of thought that trouble me. However, the point remains that I perceive myself as non-human but rather than in a "diminutive" manner (such as common things as animals or small things) it's in more of an abstraction of behavior and perception.

Which is then maybe a long winded way of saying that I have introspected the self out of myself. I was rather obsessed with labeling myself a few years ago (or, pointedly, finding "respectable" terms for myself that were not too out there) and have since long passed into a label-less state. This seems to have come about at the expense of my identity then as well, down to the point where I was nameless for a few months[1][2].

I'm not so sure I find myself distressed by this lack of self, since it seems mostly other's prerogative to label and classify me to whatever is most convenient for them. So it's that way that I think I find myself basing myself on others perception. Because I don't really have the time or energy to find a self in here that I can pin down and make into a solid object. If I try it will slip away eventually anyway.

I think that I change every day. And if I tried to find something to cling to then it would dissolve so quickly I'd be trying to hold water in my hands. And for a very long time I have been ashamed and nervous about how I treat myself and my interests since they never seem to stick around (which is in great part because of my ADHD and autism from what I understand) but understanding it like this seems much more relaxing, that I am what I need to be in each moment and then allow myself to change when the path is the one of least resistance.

---

I might as well start using footnotes. As offline life often requires, I still went by some name. However, even in my most "genuine" states I found a lack of a name appropriate.

It should also be stated that Eve was picked as a rather quick choice because I had jokingly adopted another friend's name and was soon going to be visiting her. I could probably make some literary analysis on that choice because I'm already treating myself as a character.

[thespoonisvictory]

I posted 5,874 times in 2022

1,359 posts created (23%)

4,515 posts reblogged (77%)

Blogs I reblogged the most:

@firesnap

@thespoonisvictory

@surreal-static

@geoguessbur

@snailsnfriends

I tagged 3,314 of my posts in 2022

Only 44% of my posts had no tags

#asks - 426 posts

#d20 - 182 posts

#acofaf - 168 posts

#fav - 127 posts

#exu:c - 54 posts

#critical - 50 posts

#spoon rambles - 39 posts

#prev - 34 posts

#^^^ - 31 posts

#neverafter - 30 posts

Longest Tag: 140 characters

#like yes niki enjoys a good drawn out seagull eating bit and phil will do unhinged tts but who else would rp being stuck in a public library

My Top Posts in 2022:

#5

ok fine I’ll say it. a good portion of dsmp streamers don’t care about the story and maybe arguably they never understood the enormity of what certain people on that server were trying to create, the integrity they were trying to maintain in it. they see clicks, engagement, and an endlessly appeased fanbase that will accept infinite promises and excuses, and as long as you still click on that stream they aren’t going to care. the farthest a good half of them got was “this seems cool” and then they streamed it and we took that and wrote fun analysis and did fanart. and as long as we all know that and accept that george and sapnap do not care or even understand why tommy’s house is so important, that’s fine. as long as we get that certain streamers only bring it up to promote merch and others only bring it up to pull attention back, and we agree to watch anyway because it’s fun, that’s fine.

but it breaks my heart seeing fans confused and heartbroken because they have to keep realizing that the vast majority of these guys don’t care about this server in that way anymore

1,528 notes - Posted June 27, 2022

#4

the manburg arc being set during the transition from fall to winter like ok you hadestown over the garden wall bitch you really thought of everything didn’t you

1,850 notes - Posted April 26, 2022

#3

I enjoy period accurate costuming but people who get mad at inaccurate but absolutely intentional choices in period pieces drive me up the wall

2,773 notes - Posted April 2, 2022

#2

the new minecraft lore is like:

there are no mobs in the cities. something is stopping them; something is either killing them or maybe even they know not to venture down there, that it’s too dangerous.

but down there, there are candles. there are wool pathways. there are redstone lamps. whatever civilization lived down there was smart, much more advanced than villagers. they had thick walls, and figured out that wool kept Wardens away, and made enchantments to allow them to run quickly and quietly. they had nether blocks, basalt and soul fire, and their buildings nearly resemble nether fortresses, or bastions. there were whole communities that thrived in spite of the threat, until they didn’t, of course. 

did they live in fear of the Warden? if so, why didn’t they leave? could they leave? did they try to make a portal to do just that? their cities are intricate and their floors are lined with wool that children could run across and stumble over without worry and did they whisper, constantly? did they teach children legends of the beasts that would come if they didn’t quiet down? did the children believe them? did they make candles on holidays and dare each other to set the skulk sensors off with small dripstone pieces? did they keep bees, or did they ration their wax carefully, trying to learn the secrets of redstone and soul fire to keep their lanterns burning before they ran out? how far did they get in their knowledge? why didn’t they leave? what were they staying for, what were they trying to find with that portal? 

why didn’t they leave?

5,025 notes - Posted February 18, 2022

My #1 post of 2022

I just. maybe I should be mad but I’m not. Wilbur Soot is a cunt and this was a story about suicide and blue sheep and sunrises and utah and I love that he took a deliberate move to make it campy and insane and like all of the most memorable bits from this stupid server it is full of heart! his mom is a fridge! he fucked a salmon! tragedy and grief render everything around them obscene and hilarious and the fact that this story ended in such a silly way is the ultimate fuck you to c!wilbur’s mindset that he is some ultimate dramatic evil. the world is ridiculous! you have to forgive yourself! suck it green boy! 

7,567 notes - Posted September 3, 2022

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