#this is why i don't post these often lol

[xallmywolvesx]

who: open @chqstarter

where: Meteor Shower Night

Carleigha tucks her bag under her arm, picnic blanket stuffed inside. Her eyes skimmed the Green for an open spot. It appeared she wasn't the only one who'd had the idea. With a soft curse as she struggled to see over the menagerie of people, she climbs up on the nearby bench balancing a foot against the back as she tries to spot an open area for her blanket. Her head tilted as she noticed someone joining her at the bench. "The bench will be free in a moment I promise, just hoping I can catch a spot on the green, there's so many stargazers out tonight"

[hephaestuscrew]

“This has both our names on it”: Viewing Fleet and Clara’s relationship in Victoriocity through a queerplatonic lens

TL;DR: By Season 3 of Victoriocity, Fleet and Clara have developed a committed emotional partnership that certainly moves beyond the purely professional. Whilst very much operating as a duo, they can be interpreted as often rejecting or subverting romance-coded elements in their relationship, instead embracing a unique dynamic that can be read as resonating with the concept of a queerplatonic relationship (QPR).

Buckle up because this is over 2,500 words long! If you'd rather read it as a document, you can access it here: Fleet & Clara QPR Google Doc

Disclaimer: I'm not making any claims about creator intent, nor about how anyone else ought to interpret Fleet and Clara's dynamic. It's also worth acknowledging that queerplatonic relationships are inherently defined by the people in them and any attempt to apply such terminology to a story set in 1887 is obviously anachronistic (although whether that should matter when said story also contains a cyborg Queen Victoria is up for debate). 

With that said, if we define a QPR as a committed personal partnership which is not entirely captured by the typical expectations of either friendship or romance but may contain some elements typically associated with either (other definitions of QPRs are available), I enjoy viewing Fleet and Clara's relationship through a QPR lens, and I want to talk about some of the reasons why I think this reading works.

***Spoilers for all three seasons of Victoriocity and the novel High Vaultage***

Detective duos

Even before we actually get into Fleet and Clara's particular bond, detective / crime-solving duos as a general concept have QPR energy to me (which probably predisposed me to this interpretation). It's the Holmes-and-Watson legacy. It's the use of the word 'partner' in a non-romantic context (‘associate’ or ‘companion’ can also serve a similar purpose). It's the intense trust and reliance on each other. It's the sense of being a recognisable pair, always appearing together, known as a duo, with skills and attributes that complement each other. 

Romantic assumptions

Moving on to Fleet and Clara specifically, one aspect of their relationship that can be read through a QPR lens is how they are often in situations where other people believe or imply that there is a romantic relationship between them. Sometimes this is a deliberate strategy of theirs, and sometimes it’s imposed upon them by others. But I’d argue that there’s never a point where they both simultaneously seem entirely comfortable with that romantic narrative for their relationship. Usually one of them will actively deny the assumption or react negatively to the implication:

When Mrs Hampshire interprets Clara and Fleet as a couple experiencing “young love”, Clara might be happy to adopt this as an effective cover story, but Fleet seems unsettled and keen for them not to be perceived this way: “No. No. You’ve misunderstood, we are not, that is to say I am…” (S1E2)

When Warden Hughes assumes Fleet is the new Warden and Clara is the new Warden’s wife, Clara says “I am certainly not”, with emphasis on the ‘certainly’. (S2E2)

Fleet definitely doesn’t sound enthused when he realises Clara has gone for a married couple as their cover story at the Grand Salcombe: “I am sure I’ll regret asking, but by any chance am I [Mr. Theasby?]” (S2E2)

When Titus Byrne tells the pair “I take it you're happy sharing [a room]”, Clara responds with a horrified “What?” (S3E4) (Obviously sleeping in the same room isn’t inherently romantic, but it is often perceived that way.)

Of course, fake dating and external assumptions of romance are very common tropes in romantic will-they-won't-they dynamics, and these moments could definitely be interpreted that way for Fleet and Clara. But I prefer to read these instances as reflecting a different kind of closeness between these two characters. They have a sense of emotional partnership that allows a marriage cover story to seem plausible to others and that other people sometimes automatically assume to be romantic (obviously with some period-typical heteronormativity at play). But to me, it doesn't seem like either of them are fully comfortable with their relationship being perceived in a directly romantic way. Perhaps they are a couple in a different sense…

Proposal via door plate 

The way that Fleet asks Clara to be his business partner has always seemed to me like a platonic version of when people find personal ways to surprise their romantic partner with a proposal:

CLARA: You bought me a door plate for your office? [...] This has both our names on it. FLEET: What do you think? CLARA: I like it. (S2E7)

Fleet could have just asked Clara outright, without going to the trouble of buying a sign that would have been useless if she’d said no. If it was purely a professional business proposition with no emotional meaning behind it, I think he would have just asked verbally. But instead, he gifts her a sign with their two names paired together: Fleet-Entwhistle Investigations. There's something so intimate about that to me: about Fleet asking Clara whether she would like to be a duo with him in a more formally-defined but still non-romantic way; about him choosing to present this offer in the form of a gift; about the way he presents her with their two names joined together etched into metal and asks what she thinks; about the significance that this gesture attaches to their partnership; about him having enough trust that she'll say yes that the effort and vulnerability of presenting her with that sign seem worth it for him. And the gesture means an awful lot to Clara:

She thought about the door plaque he’d had engraved with both their names on it as his way of inviting her to be his business partner – typical Fleet, refusing to tell her so much as his favourite breakfast food and then to go and do something like that. It was the nicest thing anyone had ever done for her. (High Vaultage, p187). 

Anniversaries

In the special episode ‘Murder in the Pharaoh's Tomb', Clara says “And you know what else is a big occasion Fleet? It's our one-month anniversary.” She wants to celebrate the anniversary of Fleet-Entwhistle Investigations. Their partnership holds a significance for her that means key dates associated with it are worth remembering and remarking upon. 

When Clara first mentions their anniversary, Fleet nearly chokes on his drink, which seems like an instinctive reaction to the usually romantic connotations of an anniversary (see my point above about Fleet not being comfortable with their dynamic being perceived as romantic). But when Clara clarifies what she means, Fleet seems much more cheerful about the notion of their anniversary: “Ah, so it has.”

“Miss Clara Entwhistle, my partner”

I get extremely strong QPR vibes from this moment, when Fleet introduces Clara to the sailors at Grave End:

FLEET: This is Miss Clara Entwhistle, my partner - in business, my business partner. CLARA: I'm also his friend, but he doesn't like to say it. (S3 E3)

Fleet and Clara are partners, but not in the way the average person might assume from that word, which Fleet realises mid-sentence here. This is another instance of Fleet reacting negatively to the idea that their relationship might be interpreted romantically (see above). And yet, 'partner' (rather than, say, ‘colleague’) is the word that comes naturally to him in this moment to describe who Clara is to him. He then frantically emphasises the professional element of their relationship so as to avoid the romantic implication, but Clara is keen to proudly assert that there is a personal, emotional aspect to their dynamic too. They are first-and-foremost partners, and they are friends, and they do not want to be seen in a romantic light - this post basically writes itself... 

“Her ridiculous detective.”

When Clara fears for her life at the display of the Lanterns, the narration tells us:

“she thought of her brother, her sister, her parents... Her ridiculous detective.” (High Vaultage, p172) 

The fact that Clara thinks of Fleet in this moment of fear clearly indicates his importance to her, but I think the phrasing of this quote is particularly interesting. The narration lists Clara's immediate family: two of whom are dead (her sister and father), one of whom is publically mourning Clara's life choices (her mother), and only one of whom we have any real evidence of her having a positive relationship with (her brother). And then, separated from these complicated familial relationships by an ellipsis, the narration tells Clara also thinks of Fleet, “her ridiculous detective”. 

Parents and siblings are familial relationships that tend to come with established expectations, in which the use of a possessive pronoun (i.e. her brother) to indicate the relationship is a norm. ‘Detective’ does not fall into this category; unlike ‘brother’, ‘sister’, ‘parent’, ‘friend’, ‘partner’ etc., ‘detective’ is not a word that inherently implies a relationship or that we'd usually expect to see preceded by a possessive pronoun. The idea of ‘her detective’ therefore stands out, giving the sense that there is a unique relationship being indicated here. The way in which Fleet is ‘hers’ is something that Clara has chosen for herself, something that they have shaped together. Who they are to each other can't necessarily be fully expressed using standard phrases that traditionally describe relationships between people. But Fleet is Clara's detective, of which she only has one, and who she'll think of in the midst of “the screaming of the heavens at the end of the world”.

Fleet is also the only one in this list of Clara's loved ones who gets an adjective - her love for him has detail. And while “ridiculous” might often be perceived as negative (it's certainly not a classic romantic endearment), it seems to me like there's such fondness in it in this context: the recognition of and affection for eccentricities, the idea that his importance to her is not (purely) based on his professional strengths but on Fleet as a whole - perhaps at times ridiculous - person.

“Settled”

When Clara and Fleet talk about Clara's mother’s expectations for her, they have this exchange:

"She's still living in hope that one day I'll settle down."  "You're not settled?" asked Fleet. "I am." (High Vaultage, p259) 

By ‘settle down’, Clara's mother of course means ‘marry’, ideally into “at least a minor baronetcy”. But Clara already considers herself "settled", just not in a way her mother would understand or appreciate. She's not looking to "settle down" into a lifestyle other than her current one. She is settled in a situation where Fleet is certainly her closest personal connection in London (and perhaps anywhere), and where the two of them work closely together, operate as a duo, and then go back to their separate homes. And this partnership with Fleet is a comfortable set-up that feels right for Clara exactly as it is, rather than being a precursor to, or a distraction from, the marriage ambitions that her mother wants for her.

I think this exchange also contains an implicit sense of the commitment between the two of them. Fleet wants to check that Clara is ‘settled’ in her current situation, of which working closely - and platonically - with Fleet is obviously a major element; Clara confirms she is. There's a subtle indication of their shared intention to be in this for the long haul.

As a sidenote, Fleet and Clara’s implicit assumption that their partnership is a long-term one can manifest itself in joking contexts as well as serious ones. Look at this exchange from S3E5: 

FLEET: We're not bandits, we're just going to flag it down. CLARA: We'd be terrific bandits! FLEET: Let's just see how our current line of work goes.

I think it’s notable that, in this joking speculation, both Fleet and Clara use ‘we’ and ‘our’. The joke could have been phrased just as effectively if they were imagining only Clara becoming a bandit. But the suggestion is that, if either of them was a bandit, they’d be bandits together. Even if they changed their lives entirely, they'd still approach life together.

Inseparable 

Fleet and Clara have become a nearly inseparable duo in a way which is noticed by others. For example, after Clara and Fleet fall out in High Vaultage, Fleet meets with Keller, who says: 

"You're here with me instead of barrelling across town with her, so I'm just assuming there is some thickheaded puffinry for which you need to apologise to Miss Entwhistle" (p335)

Keller, hardly the most emotionally perceptive man in Even Greater London, automatically infers from the fact that Fleet is on his own that he has had a falling out with Clara, rather than that they just happen to be in different places. When all is well, Keller expects to see the two of them together, whether or not they are in a position to be actively working a case.

Going back earlier in their partnership, Keller makes a similar assumption about Fleet and Clara being inseparable in S2E6. When Clara shouts her name amidst Keller's anti-Vidoc booby traps, Keller asks "Entwhistle? Which means… Fleet?" Again, there's this idea that if one of them is there, the other is likely to be there too - they come as a pair. (It's worth noting that this scene takes place less than two weeks after they first met.)

“Like a friend might?”

At the end of S3E7, Fleet suggests that he and Clara go to the theatre together. It would have been easy for this invitation to have been explicitly framed as a romantic proposition, or even for the nature of the offer to have been left more ambiguous. But Clara says "Archibald Fleet, are you inviting me to a social activity? Like a friend might?" The use of the word 'friend' directly labels this as a platonic interaction. And it's with that platonic lens on it that Clara is extremely excited to spend non-work-related social time with Fleet.

“Maybe it'll just be my good luck charm.”

CLARA: My grandmother's ring, I don't suppose you managed to hold on to it? [...] FLEET: Oh, it's been crushed.. I'm sorry Clara [...] CLARA: No, you keep it. FLEET: What? No... CLARA: Keep it. Maybe it'll remind you not to run towards trains. FLEET: Maybe. Maybe it'll just be my good luck charm.

In S3E7, Clara gives Fleet a ring, which - as a gift from one person to another - is traditionally a symbol of a particular, legally recognised, kind of personal commitment. But when Clara tells Fleet to keep the damaged ring, down in the Underground tunnels after the destruction of the beast and Fleet's latest brush with death, it is quite a different situation to a wedding or a proposal. A married man would traditionally wear his wedding ring on his finger for all to see, but Fleet won't ever wear this ring like that. The ring itself has been bent into a different shape between the wheels of their misadventures, subverting the usual associations of a ring given from one person to another. (In a heteronormative world, those associations are particularly strong when the two people in question are a woman and a man.) 

That ring is not an engagement ring, but it is Clara’s grandmother's ring, an inheritance from the blood family she never really felt she belonged in, now given to the man who might be a very different kind of family for her in London. That ring - with which Clara saved Fleet's life - is a symbol of their bond. And it therefore serves as a reminder for Fleet “not to run towards trains" and as a “good luck charm”. I like to think he'll carry that ring with him, perhaps in his jacket pocket - a little piece of his partner, kept close to his ticking heart…

Thank you for reading all of this!

If you’ve read all of this, I'm assuming you also enjoy the concept of Fleet and Clara as a QPR (unless you're really a glutton for punishment) and that makes me very happy! This was long because there's so much to say about them… And I wrote all of the above without even getting into: the potential to headcanon Fleet and/or Clara as aspec (which I don't think is necessary for QPR headcanons, but which is also fun); Clara's baggage around and discomfort with marriage in general; the speed with which Fleet and Clara become a ride-or-die duo; and the many other demonstrations of care, understanding, trust, respect, and affection between them that didn't feel as directly QPR-coded to me but are nonetheless wonderful. Please do feel free to share your own thoughts!

[ihamtmus]

it's weird how jhope is Right There and he's like the Most Talented Person but some armys just. don't see him. should be studied

[quaddmgd]

PARTY LIKE IT'S 2072

Place me in my casket tonight Because I'm already dying inside Pale skin so cold to the touch Like a rose in bloom when we blush Dark eyes meet under the sky The stars are out, we're alive in the night My hollow heart finds it too hard to trust We're all alone until we turn back to dust

Sidewalks and Skeletons - GOTH

[icewindandboringhorror]

Hrmm... put together a roommates quiz finally after years of thinking it would be an interesting idea lol.. Though obviously not meant to be taken super seriously, I just like thinking about this aspect of personality compatibility. Like yeah, maybe you could get along with someone just chatting with them, but living together is such a different thing. .. curiouse...

[thefrogdalorian]

Having of those moments where I wish to yeet the like button into the sun or maybe make it so there was setting you could turn on so that people can only reblog posts (even better with the minimum requirement of adding at least one tag)!!

It's kind of absurd that one of my fics is getting close to 500 notes while simultaneously being one I've had the least actual human interactions come from. Like...... come on, that's now how it should be AT ALL!

Don't get me wrong, I'm so thrilled people are clearly finding it and I guess enjoying it(??) but just having endless likes without people letting me know what they enjoyed about it or even if they liked it kind of makes me sad. That's not why I want to share my writing here!

I love having those little human connections with others. I don't ever want my writing to feel transactional. I would love to talk to more people about things I've written. It's truly one of the best feelings and I would hate to lose that, the more I write or the more notes my fics get. Please don't be shy!! I get the social anxiety, but there is no reason to be. I am truly just a Din Djarin obsessed loser.

Anyway, whine over. I don't want to focus on the negatives here and I appreciate every single person who has ever left a positive interaction with something I've written. You are truly a light!

[wonder-worker]

J.L. Laynesmith taking the 'Buckingham Did It™' route for the murder of the Princes in the Tower AND the rumors of Edward IV's bastardy ... I have to laugh

[firendgold]

Pk now I want to hear tour rant about how Harrydore is bettter than Grindeldore. Bring it 🤣❤️

ohhh, this one's easy. I've been in this fandom on and off since 2006, and seen how Harry, Albus and Gellert were written pre- and post-'Dumbledore closet interview'. cracks knuckles

got to hit you with that readmore though. and it's going to be in two parts. I rambled again. ^^

🗲

//

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(...'rambled' is perhaps an understatement.)

🗲

grindeldore vs harrydore

grindeldore

the tl;dr of the below is the following sentences, and then I'll get into it. My philosophy on gr*ndeld*re extends to all other ships in all other fandoms, especially HP: if it's not an AU and you have to excessively mischaracterize Character A to get them to 'fit' with Character B, then it's not a good ship, canon or not. Albus Dumbledore is quite often mischaracterized in order to 'fit' or 'keep' him with Gellert Grindelwald.

here's my problems with how gr*ndeld*re is most often portrayed:

Inconsistency within canon. JKR is partly mostly to blame for this (because she has contradicted her original 2007 statement in the present day with more interviews in the 2010s and with the Fantastic Beasts movies), but the first problem is: gr*ndeld*re was originally an unrequited ship. The original statement was that Albus was dazzled by Gellert's power, his presence, their similarities, their shared ideals... but That Woman wasn't explicit on whether Gellert ever returned his feelings. But based on her quotes where she says "falling in love can blind you to an extent" and that [Dumbledore] was "terribly, terribly let down" by the result of that whirlwind relationship, I think it's safe to assume that her original idea of Gellert cared far more for seeing his grander plans realized than for the needs and feelings of his 'equal'. And yet... in fandom, they are most often portrayed instead as star-crossed lovers torn apart by 'conflicting ideals'.

The second problem is that in the avalanche of fics and art that have come from The Reveal, the original lesson (/moral...?) behind the reveal of gr*ndeld*re, and how it shaped Albus as an adult, leader, and progressive, just... got lost. Completely lost. The whole point of it was to show that even Albus (supposed 'paragon of goodness' until book 7 showed the fandom that he is a regular human being) can make 'relatable' mistakes like... you know... being friends with a fascist. Being in love with a fascist, even. Thanks to said retcon interviews and the new movies (and even before that tbh) the fandom has since: overexaggerated Albus' new clay feet to the point of bashing him, idolized Grindelwald's red flag traits and ideals to the point where he has become the new "Tom Riddle was just misunderstood!" guy, and twisted that lesson/moral/whatever to mean that actually Albus and Gellert were tragically kept away from each other by an itsy bitsy little difference of opinion. A minor little fight. Casual death of your sick sister. Haven't we all been there?

The fandom diminishing the real reasons why Albus and Gellert eventually clashed, were destined to clash, is bad enough. What's worse is the opposite end. Some Dumbledore-bashing fans go the other way and paint present-day Dumbledore with the same brush as Grindelwald, even going so far as to say he still supports The Greater Good even though his entire character is literally built on being the opposite of the pro-magic, anti-Muggle philosophy. Albus has also been painted in some fics and even meta discussions as someone who 'regrets' his past not because his sister died and his brother is estranged from him, but just because his ex-boyfriend is in prison and he maybe kind of regrets not going full fascist with him. Like... bruh. NO. There are people who ship gr*ndeld*re just because they feel like Grindelwald, the worst dark wizard in the world, the reason why Voldemort is only a minor league little lord in comparison, is an appropriate "punishment" for the character they already dislike and thus misinterpret. (Side note: I'm not sure if I'm in a worse hell watching Albus' character get whitewashed for fascism or demonized so he can be a miserable lonely gay.)

Albus diminishes himself to meet Gellert's needs. An in-universe problem this time instead of a meta/RL one: Albus and Gellert were lovers, yes, but in order to be so, Albus had to actively start neglecting his siblings (since in Aberforth's words he was 'doing all right' taking care of them before Gellert showed up) and leaning more into anti-Muggle sentiment. He put all his energy into what for most of the magical world was a wild goose chase after some fairy-tale items. (Remember, most wixen don't give a shit about the Deathly Hallows, or think they're even real.) He became the person Gellert needed/desired most. Albus became a version of himself that he despised later in his life and after his death.

Relationships often include the members changing, and it's easy for even the most devoted partners to fall out of love if they change and are now too different from one another, or one person changes and the other... doesn't. After Ariana died, Albus chose to become a different person and champion the same people he and his family once despised. He chose to stay away from Gellert, whether he called it cowardice or principles or whatever else. And his choice put him in conflict with Gellert, who at sixteen refused to change course or rethink his ideals even when his choices led to the death of a magical person (the type of person he supposedly prizes above all others). His magical boyfriend's magical sister, even. And we see no sign that Gellert changed, repented, or considered Albus until decades later, at the very end of his life—far too late.

Healthy relationships require give-and-take, sacrificing for your partner in things big and small. For high-stakes relationships like Albus and Gellert's (queer in the 1800s, sweet Merlin), that is even more true. During that steamy summer of 1899, it was Albus who did all the sacrifcing/giving and Gellert who did all the taking. Gellert may have entertained the idea of bringing Ariana along on his quest with Albus (we don't know), but Aberforth was right to say that it would have been torture for her—and no alternate idea was brought up that would prioritize the wellbeing of Albus' siblings while he was away. And in the moment of required reciprocity when Albus was at his lowest, Gellert left him behind and went off to go rule the world. Not even the most diehard shipper can argue against the fact that when Ariana died, Grindelwald left.

This problem is even more personal/biased than the other ones. Albus and Gellert parted ways in 1899. They didn't see each other again until the duel in 1945 (because fuck Fantastic Beasts, the scripts don't even make fucking sense). Albus defeated Gellert, put him in prison, and then went on living for another fifty-two years. And That Woman expects me to believe that Albus never had a relationship with anyone before Gellert, and never even looked at another wizard afterward? In 52 years, he was one-and-done? He never once fell in love with other people, whether or not he fully trusted them/let them in? Be serious. Pull the other one. It's not realistic, and it doesn't speak to the kind of man Albus Dumbledore is. He may not have found a man to check the same boxes Gellert did, but he wouldn't arguably be looking for someone too similar to his old flame. He might not trust them unconditionally or be the Perfect Partner for them (bc whew traumaaa), but there would be other people for Albus in a realistic Magical Britain (even discounting time travel shenanigans). Before the reveal, the most popular people to ship Albus with were Minerva, Alastor, and Elphias Doge; these options are still arguably more valid. Albus Dumbledore loves love, he champions love, and he doesn't think he deserves it after his sins, but that doesn't mean he wouldn't go looking. It's mind-boggling to me that with all the well-deserved disavowing of JKR following her anti-trans hate (and her shameless pandering to the same people calling her a witch poisoning their children's minds decades ago), that some people still treat her words about Albus and Gellert's relationship and its effects on Albus in particular as gospel. I sure don't. (Especially because she said he became "asexual" after His One Gay Experience when like. That's not. What asexuality is??? And ace gay people exist???) Whether you count the FB movies or not, there are still decades of Albus' life that are a mystery, and I refuse to believe he closed his heart and caged his dick for all of them.

IMPORTANT END NOTE: These observations obviously do not apply to all gr*ndeld*re shippers. Some people genuinely do like both characters, characterize them correctly, and still want to see them together for reasons. I'm not going to judge them. I ship a frigging time travel age gap ship, how the fuck could I. And I'm also aware that a lot of fics/art are made to color in between the lines of what we don't know in the fandom, bringing Albus and Gellert together during the mystery years, or making one wizard better for the other to address all the ship baggage. I just can't join them because of how rarely that occurs (and, admittedly, how much I personally can't see it). You would not believe how many fics and discussions I've seen that lionize Grindelwald and treat Dumbledore like an accessory, or completely mischaracterize Albus' motivations, intentions, and actions, and then put him with "the other Big Bad". UGH.

Most of the time, I see gr*ndeld*re the ship hurting Albus the individual. It's very rare to find an iteration where Albus is not bearing the consequences of Gellert's choices, Gellert's actions, Gellert's mistakes and harm done. I think Albus deserves better than to be Gellert's accessory just because he loved him deeply long ago.

okay. whew. that was a lot.

a character limit prevents me from continuing here, so the second half of this versus will go elsewhere, sorry!

[goldkirk]

Patreon question

I'm focusing hard on budgeting, and one of the things I want to do more of in the coming year is support independent creators/small groups on Patreon and Substack, even if I can only do a little bit at a time. I have a few creators I already support on Patreon, and two on Substack, but I'd love to support more.

I know you've got creators that you love to support on these platforms! Tell me who you support and why you started supporting them if you have creators that are especially unique or near and dear to you. Anything and everything, across the board, I love supporting small business and I love finding new people and niches I never heard about before. There're no wrong answers here!

[2bu]

ending this year with one of my hottest takes: nonblack aroaces - especially white aroaces (mainly because y'all are the most guilty of this) - have no business headcanoning black characters as aroace and should refrain from doing so. i do not care the justifications or reasoning.

[blujayonthewing]

I've had Elyss for eight years today and I'm feeling very normal about it

[trashlie]

ILY FP 210, 211, 212

WOOOOOOOF I’ve been holding off on writing this post, because I wanted to wait for this whole “episode” to fully come out. Quimchee revealed they were all meant to happen in one episode, but SO MUCH was happening in the episode that it was too long to do as the one. I... kind of wish I hadn’t waited because now there is SO MUCH for me to cover, so I’m going to do my best to keep this organized and coherent.

No lie, these go up there in my top episodes, especially 212. I have a feeling I might have some different feelings than others on this one...? We’ll see, I’m keen to hear how all of you are thinking and feeling about it. To me, these episodes really encapsulate a good 80% of the plot that we’ve been dealing with, and there’s some good reveals in here that have been a LONG time coming. I think everything is set up now for the time skip to come, and especially after all the events that transpired this arc (remember how this all started out so many moons ago with Nol going to the company Christmas party? That feels like it was years ago to what is happening now!) I am BEYOND excited to see what the time skips have in store for us! 

Anyway, before I start spoiling things, let’s get into it!

Well and truly, I love this arc! It’s really capture so much of the story this bigger story has centered on - the relationship between Nol and Kousuke. This isn’t the root of the story, of course, but it’s a significant portion of what we’ve come to read for, I think, and I cannot tell you how much I love seeing the characters verbally acknowledge things they’ve swept under a rug. 

212 felt especially raw to me - Kousuke’s confessions are tragic in the way of too little too late, and the realization that Nol was never against him, that he was always on the same side, that they could have been an incredible team may come to haunt him. That acknowledgement of his that nobody really liked him - no one else but the one person he had demeaned and devalued until he was truly nobody - really hit me like a sucker punch. I truly thought these were truths Kousuke wouldn’t be able to reach until he lost more, like his job or his sense of self, but I guess we can argue that he’s lost a lot of his sense of self; from the moment he punched Nol, it’s clear that he’s dissociating. That also serves to tell us how important this moment is for Kousuke, what it means to him, what Nol means to him.

Now, I’ll be upright honest with you guys, because I think this is where the difference of opinions will come in. I really enjoy stories with this kind of element of hatred and care so intricately interlaced in family or friends. There’s something about this sense of care being overwritten by jealousy so scathing it mutates into resentment and hatred and loathing. The way these two feelings battle out, the way ugly emotions are so strong they come to eclipse any hope for warmth. Idk it’s intriguing to me, it creates a compelling story. 

And in Kousuke’s case, it is! A running theory has been that Kousuke treats Shinae the way he does because he is, subconsciously, treating her how he wishes he’d treated Nol. As the story went on and Kousuke’s ugliness started to come out more and more and his paranoia began to consume him, I think it was probably difficult for many to find credence in this theory - that there was no way Kousuke could have cared about Nol and transferred it to Shinae when he treated Nol how he did but I’m still here for the theory. It’s just that Kousuke’s ugliness was so strong, overwhelming, it eclipsed anything else. 

Now I’m not saying I think Kousuke loves Nol or thinks of him as a brother, but rather I think deep down, he understood they were connected. As a child, Nol was the only person who didn’t treat Kousuke like an object - like a puppet or rich vending machine or influence to be gained. But how could Kousuke allow himself to think so favorably of Nol when he was so deeply rooted in jealousy? 

This is what I find especially intriguing about their dynamic. Something I talk about a lot is that Nol and Kousuke are both the products of abuse - Kousuke is the way he is due to neglect and manipulation, and in turn he took that out on Nol. I’ve seen people say Kousuke doesn’t make sense to them, but he DOES and this episode really drove that home and confirmed a lot of things I’d felt. 

Kousuke’s treatment of Nol all stems from Rand and his affair. Let’s look at it from Kousuke’s perspective. He has a father who is never around, and when he is he’s busy and always puts his career first. He rarely joins them for family time, there’s a rift between him and his wife. All young Kousuke wants is for his father to spend time with him, to be around, to notice him. His mother tells him things - if he’s a good boy Father will pay attention; if he wants his father’s attention he needs to be just like him; if he wants Father to care to notice he must be exactly like him. But his mother also says other thing - that there’s someone else, money is being wired to someone. At school people murmur similar things. 

All he wants is his father’s approval, his father’s pride, his father’s attention, his father’s time. He must not be good enough, yet. He must not matter, yet. He’ll make sure he does, though. He’ll do exactly what his mother says, he’ll buckle down just like she tells him, he’ll make sure to become the perfect son that his father can be proud of. 

So you can understand, then, why the discovery that the murmurs are true, that there’s another family, would shatter him the way it did, why it remains a point of breaking for him even as an adult, why he never really reconciles his father’s affair. How is it that the man who has no time for him or their family, had enough time to create a second family? Why was he so undeserving of his time? Why was he so undeserving of his attention? 

And it rooted deep inside him, right in the core of his foundation. This other boy who describes his father as someone who couldn’t possibly be the same man as his father - a funny man, a kind man. That is not the father Kousuke knows, so why does this other child know him? (Never mind that this child has also never met that version of his father.) It all stems from that: a craving for something he’s never received. 

Kousuke’s whole speech about how there was only one kind, sweet, generous, funny person in his life was the very person he attacked and tore down hit me HARD. His admission of fear, that he ACTUALLY ADMITTED TO BEING SCARED, that he’ll never be good enough for Rand, that nothing he would ever do would make him worthy of his attention actually hurt. This is the kind of thing I’ve been wanting Kousuke to acknowledge and embrace, because it’s the one thing that has been fueling and propelling him. He doesn’t do this job because he’s passionate about it - he does it because he’s still vying for love and attention. He didn’t forsake his childhood because he was above it - he literally sacrificed it for his father. Regardless of what you think about Kousuke now, it has to be acknowledged that he, too, has suffered. And let’s not pretend that Yui truly believed that Kousuke could win Rand’s affection this way - it still feels like it was a game for her, a manipulation to turn him into someone she could use to get her way, a puppet if you will. It’s fucking sad to think that he gave up everything because he was so determined to earn his father’s love, that his love and attention was believed to be so conditional he had to make himself worthy of it. 

“I hate you for making me aware this person exists. And I hate your face being a constant reminder of it.” 

So many times, Kousuke has berated Nol for his playful, joking behavior, for seeming so lax and carefree. I’d always thought it was jealousy that he didn’t have that kind of life, that he wasn’t allowed it - and that probably is still a part of it - but now we know that when Yeonggi laughed and played around, he was a vision of a version of Rand Kousuke had never known, a spitting image of a man Kousuke didn’t even know could exist. 

And as Nol points out, it was all for naught. All of Kousuke’s jealousy and his fear, tearing down Nol so that he could instead get to know that version of Rand. All of it was for naught, because who knows if that man even exists? It seems like only one person ever knew her, and who’s to know if she didn’t make him up. Kousuke has spent his entire life - sacrificed his childhood, accelerated himself through school, forsook any fun or leisure - on a quest for a man who probably doesn’t exist, for something he’ll never achieve. He spent his whole life tearing down someone innocent trying to get to something he’ll never have. 

I really thought it would take for Kousuke to lose it all, to stumble in his career before he’d realize it, but here he is. 

But on the other side of that, we have Nol. Nol, who also lost - and lost more than Kousuke did. Nol who was isolated and alienated, Nol who tried time and time again to reach out and create a connection, and was refused every time. Nol who suffered under Kousuke and Yui’s watch over and over. Nol, who despite it all, still tried to treat Kousuke well, still tried to give him a chance, still tried to reach out to him at his most desperate. 

I think that really illustrates something important: an understanding that there is a reason for Kousuke’s behavior and his paranoia, where it comes from, but that reason doesn’t justify. I can acknowledge both that Kousuke absolutely is the product of his environment and that he has been an asshole about it lol. Idk I can admit that my intrigue in his has grown a LOT. 

These episodes have just tapped into something so deep that I love about this series - that our experiences heavily color our interpersonal relationships, as well as our relationships with our own selves. Nol notes that he, too, suffered, he, too, lost, he has been alone and alienated and despite it all he still tried, and he still attempted to be a good person, in contrast to Kousuke who let his suffering turn him into an asshole. It was kind of a hard-to-read moment, because Nol spoke the truth, and as much as I feel for Kousuke, Nol is right. Because he never attempted to deal with those ugly feelings, because he never chose to face them, because he instead wore them as armor, it became his identity, he became an asshole through those experiences. Had there ever been a moment that he could have met Nol in the middle, that he could have put aside his jealousy, that he could have turned off his Rand blinders, he could have seen what Nol was able to see earlier and more clearly. And isn’t that sad? They could have been a great team, they could have had each others’ back in a world where no one else did, they could have been there for each other, but Kousuke couldn’t cross that line. 

Again, I fully acknowledge that Kousuke is the way he is because of those experiences. I acknowledge that this is the wake up call he needed, that he was forced to finally reckon with the truth. 

But I also worry what will come of Kousuke as a result of Rand’s arrival. Is he going to backpedal? Is this going to short-circuit something and push him to double down, or is it going to free him? 

Kousuke has spent his entire life trying to earn Rand’s favor, to earn his attention. Everything he has done has been an angle to get closer to his father. Like, when you break it all down, that’s the sad, basic truth. He was a child who so desperately wanted his father’s attention that his life became about that. And here comes Rand, showing up when it looks like Kousuke is running away. Rand who never had time for him, Rand who didn’t shower him with warmth and affection. 

Rand who showed up and wailed “My son” in response to Nol. 

That whole scene honestly hurts me. Nol is hurt, Rand is anguished and horrified, and Kousuke? Kousuke finally witnessing his father show a fatherly side - and it wasn’t for him. And not only that but Rand might not even believe that Kousuke was trying to get help, that he attempted to get Nol up but couldn’t. And does it even matter when the truth is that Kousuke DID cause this? I can’t imagine it was his intention - I don’t think his mind went “punch Nol and he’ll fall over the railing” as much as Nol tried to leave and Kousuke reacted on that. But the point still stands: even if it wasn’t his intention, this is still ultimately his fault. Nol goaded him on and played a part, but Kousuke was the hand that acted. 

I fear that this will ruin what little relationship Kousuke has with Rand - and it’s a fear because it means Kousuke could swing in two wholly opposite directions. Does he double-down and return to the side of his mother, the only family member who has made him feel like someone’s child? I don’t think he’s at the point where he can extricate himself from the family, as good as it would be. And I worry that if that’s the case, will he double back down on his treatment and resentment of Nol? For this one moment, he saw that they were equals, that they both had a broken, shitty relationship with Rand. And then Rand showed up, showing that paternal side Kousuke has longed for. 

As much as I WANT Kousuke to hold on to that moment, I don’t know that he can. I think the cracks have formed and I think his fragile reality is crumbling faster, but I fear he’ll retreat back into the “comfort” of the world he knows. 

Here’s the thing about Kousuke: on some level he knows. He knows that Yui isn’t great, he knows that she has done awful things, he knows that Nol did no wrong, he knows that Rand will probably never change. But these are such uncomfortable truths and he has spent his life propped up by a false reality. This was pointed out by AugmentedElle on reddit, but look at the difference in Kousuke’s flashbacks. Look at the memory in 210 vs 212. The flashback in 210 is the strongest, most vibrant memory we’ve yet seen. Ordinarily they’re in some kind of grey scale, or at least muted colors, sometimes with spot color like in Shinae’s. In Nol and Kousuke’s flashbacks thus far, we’ve seen those muted colors or alterations - Nessa’s face appearing scribbled out in Kousuke’s memories, just as in 212. The use of color suggests that the memory in 210 is, quite possibly, fabricated. It starts out with Kousuke dazed, unable to remember what just happened, and Yui comes in and tells him he won’t have to see that boy for a long time. It feels like something happened - that perhaps Kousuke did something (the huffing that parallels his huffing after he punches Nol in the current story) and blocked it out or whited out and Yui came in and gave him an iteration of the story. It’s the strongest memory because it didn’t come from him - because it was filled in and colored in by someone else. The whole time we’ve thought Nol had perhaps been pushed to the bring, that Kousuke instigated a fight and Nol snapped, but maybe it was never Nol. Maybe the whole time Kousuke has associated Nol with danger and violence - because he was wired to think that way. That whatever happened and lead to that moment was so traumatic he doesn’t have the real memory, and instead carries a fabrication. 

And that is essentially the basis of Kousuke’s entire life. Regardless of intent, Yui does manipulate Kousuke. She says things knowing full-well the effect they’ll have. Consider that moment with Nol and Nessa vs Yui in Kousuke’s flashback in 212. He watches Nessa blow raspberries on Nol’s cheek, a warm and silly exchange full of so much love and care - and then he looks up at Yui, who wears her maternal mask, shadows falling eerie over her face. Doesn’t it feel so much like she set this up? Doesn’t it feel like she knew Nessa and Nol would be around? She fills his head with things like “the only way to get your father’s attention is to be just like him” and “we’re not like other families we’re so special” and “isn’t it just so wonderful that rand at least has enough time to eat with us”? That’s not vouching for Rand - that’s passive aggression towards Rand and creating an idea of who Rand is - that Rand unwittingly lives up to. Despite speaking of the affair in front Kousuke, she turns and tells him that “Your father values us too much, he would never do such a thing” - a blatant lie that only plays into that feeling Kousuke wears that he’s been cheated, that there exists a version of his father that has been denied to him. Nessa tells Nol that Rand was a kind, sweet, generous, funny man. Yui tells Kousuke that Rand is anything but funny and he has no time for jokes. Maybe both are true, but Nol’s unintentionally makes a point about how Yui speaks of Kousuke’s father, vs how Yui spoke of Nol’s father. Why would a parent speak ill of the other parent -- if not to make the child see them that way. 

(She also tells him there’s nothing she hates more than people who don’t take things seriously, and well, look at how Kousuke came out.) 

There’s a fragile cognitive dissonance between what Kousuke knows to be true - that is, the reality that has been shaped by his experiences and Yui’s manipulation - vs actual reality, and we’ve seen this a number of times when various events threaten that tentative balance. Kousuke at the club, angry and paranoid, is aware of what people really think of him. Deep down he knows people don’t see him as great, as an honorable gentleman. Deep down he knows he’s a selfish, judgmental asshole, but it doesn’t fit the fabricated reality he believes in, so it only comes out in his paranoia. He knows that Nol is like him, that he didn’t have the love Kousuke coveted, that he tried to get by quietly, but Kousuke’s fear and paranoia still thought of him as the boy who had earned the love that Kousuke couldn’t, and that made him a threat. He knows what kind of person Yui is and has tried to draw boundaries, but he’s still told her things about Nol that she could act on, because he knows what she is capable of. When people or events fracture that reality, he struggles and lashes out, because he needs that reality to keep it together, but it’s crumbling fast. 

Between the phone call with Rand and the moment that Rand shows up on the scene - what is the state of Kousuke’s reality? Is it crumbling? Is he trying to stuff the crumbling rocks back into the foundation? Will he retreat to his mother, the only one who can keep the tint of his rose colored glasses or will he be forced to face reality for what it really is? I wish it would be the latter, but I just don’t know if he’s ready for it yet. I don’t know if he can face that which he’s run from this whole time just yet. 

As for Nol, woooooooof. What a fucking NIGHT. To think - THIS IS HIS GODDAMN BIRTHDAY. On the one hand, I think, maybe this can give him some kind of peace. He’s finally gotten a piece of Kousuke’s mind, he finally knows how Kousuke sees him, what he thinks of him, and what motivated him all these years. Maybe with this knowledge, Nol will be able to walk away in peace. He doesn’t have to wonder anymore. He knows where he stands - and where he’s always stood - and I think he’s made it clear that he’s drawn his line. He is done, he is finished, with all of them. If Kousuke can find his way to the other side of the line, then good for him, but Nol has no intention of trying to bring him over anymore. 

I do think there’s a lot of room for them to reconcile in the future - when Nol’s raw anger has maybe ebbed, when Kousuke has found himself and learned to stand on his own ground, rather than prop himself up by his fabricated reality. But they are far from there. I’ve said before that I had a feeling maybe we’ll see the three main characters reunite in the time skip as adults after having gone separate ways, and that feeling still lingers. Nol has made it clear that he still wants to get away - and frankly I think he needs to. I wish he’d say so much to his friends, I wish he’d tell them where they stand. I feel so bad for Shinae, who went through so much grief and angst and really put herself out there to bring him back, to get her closure - and then when she had it and was ready to let him go, he insisted on staying. For him to turn around and leave like that again, after everything she told him, after the ways she opened up to herself, god that must hurt a lot. I guess on the one hand, she got the closure she wanted but.... it wasn’t even that long ago that Nol was making jabs at Kousuke for abandoning his friends, and there he goes doing it a SECOND time. 

There’s a piece I’d love to give more time and thought to - that maybe all along, on a deep, subconscious level, Kousuke feared Nol leaving and that’s why he’s always acted when Nol was on the leave. If Nol leaves he’ll be truly alone. If Nol goes, there is truly no one left who ever liked him, who ever saw any value in him. This post is already long enough, so I’ll try to spit that out later this week, if I can. I think it’s not a coincidence that Kousuke punched Nol as he was leaving, that he didn’t bring himself to do it when Nol promised he’d leave, just as he let Yui know Nol was planning to leave. Maybe he doesn’t recognize it yet, but I think Kousuke is terrified of being left alone and Nol escaping without him. 

Like I said, more on that later, but it’s an important point that I think ties in really well with this relationship Kousuke has towards Nol. It’s complicated, fucked up, toxic, and messy, and it needs a LOT of untangling by professional help. But I do think these last episodes really set something up for Nol and Kousuke’s future - as much as there is so much resentment and anger between them, there’s a mutual sense of longing, of needing each other to fill a void: for Nol, he sought out a brother in Kousuke, a companion against the adults in their lives; for Kousuke, that knowledge that Nol, too, had suffered that neglect, and was the only person who had ever truly liked him. I think one day when that anger has died, when they’ve made peace and hopefully worked on themselves, when Kousuke has freed himself, I think there’s a chance they will be able to reconcile. Like I said, maybe they’ll never be family to each other; there’s so much damage there, it’s really possible that can never be undone. But I think at some point, at least, they will see themselves on the same side, rather than each other. 

[wigglebox]

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[healingheartdogs]

NGL, it is very mindboggling to me as a person coming from a police and commercial detection dog training background that so many people who do nosework seem to struggle with imprinting? Like I see it brought up frequently as one of the most common challenges people have and want webinars or classes for, and I’m like... but that’s the easiest part of detection???

[solradguy]

sol art make monkey brain go brrrr, anytime there's any sort of art as a response 2 my asks I perish x100 I cannot it's literally so cool n sweet and I am dying and also awawawaw why is sol so hot ~pumpkin anon

I actually drew that one a while ago... But it's one of my favorite Sol reaction images I've drawn so I will never miss an opportunity to use it haha

Have another solradguy Sol drawing deep cut

Actually I have a lot of ancient Sol drawings I never post on here so have a whole bunch of them

[musical-chick-13]

All the time, I hear about how there are people filtering Cersei through the lens of "poor misunderstood woobified victim who was trying her best and never actually did anything bad" and. WHERE ARE THEY?? WHERE ARE THESE PEOPLE?????

BECAUSE THIS HAS VERY MUCH NOT BEEN MY EXPERIENCE