#this little moment of connection

[honourablejester]

I was just watching this video by Part Time Explorer on the wreck of the sailing cargo ship Glenesslin in Oregon, 1913, and there’s a tiny little happy story from 11 years before the wreck that just caught my happy bone (starts around 10:40 mins into the video). While she was docked in San Francisco in 1901, her captain had socialised with another ship’s captain and his wife (apparently captains often had their families on board with them). At that time, the other captain’s wife was pregnant. A year later in 1902, the ships happened to pass each other on the open ocean, and recognising each other, the captain of the other ship came up on deck holding his baby, held her up, and shouted ‘It’s a girl!’ across to the Glenesslin. Who, obviously, responded with a cheer across the water, before the two ships simply sailed past each other.

I don’t know, I just love that. This tiny little moment of happiness and connection across the vastness of the ocean, these two ships that could be anywhere in the world from month to month and year to year still managing to share a happy moment by chance. A universal proud parent moment that just happened to be shared across a hundred feet of water between two sailing ships who’d stumbled back across each other by pure chance.

Humans are good, you know? Sometimes humans are good.

[inkskinned]

he says i hate everyone except you and that is addictive and that is kind of romantic and beautiful because you're young and you're kind of a sarcastic asshole too and you don't like bad boys, per say, but you don't really like good ones either. and you like that you were the exception, it felt like winning.

except life is not a romance book, and he was kind of being honest. he doesn't learn to be nice to your friends. he only tolerates your family. you have to beg him to come with you to birthday parties, he complains the whole time. you want to go on a date but - people are often there, wherever you're going. he's just so angry. about everything, is the thing. in the romance book, doesn't he eventually soften? can't you teach him, through your own sense of whimsy and comfort?

at first - you know introverts often need smaller friend groups, and honestly, you're fine staying at home too. you like the small, tidy life you occupy. you're not going to punish him for his personality type.

except: he really does hate everyone but you. which means he doesn't get along with his therapist. which means he has no one to talk to except for you. which means you take care of him constantly, since he otherwise has no one. which means you sometimes have to apologize for him. which means he keeps you home from seeing your friends because he hates them. you're the single exception.

about a decade from this experience, you'll type into google: how to know if a relationship is codependent.

he wraps an arm around you. i hate everyone except you. these days, you're learning what he's actually confessing is i have very little practice being kind.

[darkxsoulzyx]

POV: You join the fnaf security breach fandom / DCA fandom

[utilitycaster]

Talking as players outside the game is an incredibly important part of having good PC/PC D&D relationships, and obviously the characters involved in the relationship talking to each other in meaningful ways is crucial, but I think the importance of talking in-game in depth to other people is really underrated, in that it not only tells the other player what your character is feeling without having to reveal it in-game to them, but also serves to engage other characters in the story and deepen those platonic bonds to the point where they might even serve as confidants or wingmen. To give a bunch of examples and what they achieved:

Vax telling Gilmore he didn't want to string him along made it clear out of game that his feelings towards Keyleth were his priority, even though it happened where the other characters were not able to hear.

Similarly, Vex giving her blessing eventually after her initial resistance signaled to Liam that this would not be a major break between the twins.

Vax asking Vex what she intended to do about her feelings for Percy served not only as an opportunity for her to voice them to someone; it also serves as a big green light for Taliesin as Percy to kiss Vex later that episode (which he had already from Vex's resurrection ritual, but it underscores it).

Pike talking about Scanlan with Keyleth and Vex allows her to make it clear that she does ultimately like a lot of things about him despite sometimes being annoyed, and her talking to him through her earring while Scanlan is very much not there but Sam is at the table also serves as this kind of green light.

Jester asking Veth about kissing in relationship to Fjord lets Travis know where Jester is at and invests Veth in-game in the relationship.

Caleb asking Jester if she's "sweet on [Fjord]" lets her openly reassess her feelings after an intense arc and also indicates in-game that Caleb has noticed.

Beau waiting to hear the sound of thunder signals to Ashley (who was not at the table but who was presumably staying updated on events) that Beau has feelings for Yasha; it also allows those playing Yasha (often Matt for pure RP and Travis in combat) to return that flirting, since the baseline was already established.

Possibly the most obvious example, but Beau and Fjord's conversation on Rumblecusp not only clarifies to the whole table where everyone is (opening the door, for example, for the scenes in the beer garden a few episodes later of Caleb having Fjord and Jester dance together and Caduceus encouraging Yasha to pursue Beau) but very much serves as a green light to Ashley and Laura respectively. This is then mirrored by them talking after Beau has asked Yasha on a date and Fjord and Jester have kissed, and everyone involved can "debrief" with their partners not present in-game.

As mentioned, this is mostly about PC/PC relationships because PC/NPC is an inherently different dynamic mechanically though still should be a conversation, but Veth describing Yeza and Jester asking Caleb about his feelings about Essek both give Matt clues for playing these NPCs and how things might be received.

FRIDA mentioning their crush on FCG to Deanna means it's not a complete surprise to Sam, since it is a very sudden relationship, and lets him prepare and decide how FCG would feel in the moment, and also establishes how Deanna will feel about it.

Similarly in the C3 Uthodurn arc, Fearne going to Chetney about Deanna is an incredibly good move from Ashley (to the point that talking about this is what led me to write this whole post). It lets Travis play out where Chetney is. It lets Aabria therefore hear not only where Chetney is, but also know that Fearne is potentially interested. It establishes a ton of the dynamics for a relationship that out of game everyone knows will not have a full campaign to play out since one of the characters involved is a guest. And finally, it signals to Christian as FRIDA what the situation is in case Deanna confides in them.

[sianmary-illustrates]

You’re safe in her arms, and just for a moment, nothing else exists.

[chirpsythismorning]

Welcome to a series I'm calling:

Yes, that scene did foreshadow Mike's monologue was disingenuous

Because you'd be surprised how many times the show (even prior to s4) has poked fun at Mike's monologue in the most random ways.

The Bingham's Beautiful Performance

First we have Suzie's sister on the floor, bedazzled and sporting a veil all while her brother is filming. This is basically the kids attempting to present a tale of a romance ending in gruesome tragedy.

Our bride here is El. The edition of the veil could be a nod to the loud majority's series long assumption that Mike and El are going to end the show together, preferably getting married.

Unfortunately, this is the closest thing they'll ever get to it, with the acknowledgement of that possibility in and of itself being mocked.

This next shot makes the likelihood that these scenes are connected pretty much indisputable, that being the edition of the record player behind the bride's head.

The only reason they made a point of having Will push the radio out of El's way, was to subtly connect this moment in Surfer boy to the beautiful performance we saw at the Bingham's only a few episodes prior (scenes that are widely known to be filled with foreshadowing for the season's ending).

A few bylers have already talked about these parallels, so this isn't new knowledge per say. But I do know some have dropped it altogether as possible foreshadowing for whatever reason, while most fans outside of the byler fandom insist it only foreshadowed Eddie's death. However, I think there are too many details that equally, if not more connect it to Mike's monologue than to Eddie's death.

Some fans have also noticed how Will was missing in quite a few shots at the Bingham's, which is interesting, but not all that surprising. Especially in this case...

Will. Will is the director

Director Will: GET THAT RADIO OUT OF MY SHOT!

Will directed the monologue when he used his feelings to inspire Mike, with the reminder of it (literally in the moment) directing Mike to confess to El, just like Suzie's brother directed that beautiful performance. Both performances convincingly left its audience thinking that the performers feelings in that moment were believable and...

genuine...

[autisticaradiamegido]

thoughts on dave and aradia (<>)?

day 356

BIG fan tbh. in this house we love and respect timerails

truly yall read this log and tell me theyre not cute

[zeb-z]

demon girl tina who shaves her horns down, who tries to be everything a demon isn’t. never angry, never pressed, sweet and easygoing. perfect in every sense of the term. who’s traumatized from purgatory, who’s afraid of losing what she loves as much as she’s afraid of being shunned by who she loves for what she is. for all the imperfections that fracture her perfect image. who craves trust, a place to belong, the secret of who she is just bubbling under the surface, shaved down and hidden just underneath the cat ears she wears.

human girl bagi who embraces imperfection, who loves with loyalty and longevity. who would go to the ends of the earth for her loved ones, knowing their worst sins, their terrible crimes, and going I will love you anyway. I will be there for you anyway. who’s best friend is a demon, who she knows is a demon, who she met at his worst, and wouldn’t let him go through it alone. who understands the importance of secrets, which means she knows the value of honesty, and is ready to lay out all her truths once she cares about someone enough, trusts them enough.

tina getting flighty and nervous when she’s told that it’s love what bagi feels - not because she doesn’t feel the same, but because she does, and it’s all she’s ever wanted, and isn’t that just terrifying? because she doesn’t think she fully deserves it. not yet at least! and she doesn’t want to lose it. imperfect, clumsy, secretly a demon tina, still processing purgatory and everything that came before, so afraid because she believes she can’t measure up. once she’s worked on herself, once she’s perfect, she says. once she stops panicking at purgatory flashbacks, once she stops losing her temper, once she can provide stability, once she’s shaved her horns and they stop growing back - then she’ll be ready. as soon as she’s made herself into something easily lovable.

bagi listens to tina as she spills some of this to her, under the moonlight along the beach. not quite all her worries, but some, just like she had given not quite her whole heart, but a part of it, in that room that represents bagi’s mind. and bagi doesn’t press for more than what she’ll give, because she cherishes what has been given already, because she’s in no rush and has no where else to go, because above all else, she’s in love and willing to wait. and in the meantime, she’ll reassure tina that she doesn’t want perfection - she just wants tina the way she is.

[geekynightowl1997]

I still can't get over how Eliot and Hardison do their "secret" handshake- even though Eliot is miffed that Hardison ate his sandwhich.

I still can't get over how Parker calls Eliot "Sparky," and he's scared enough to rip open his apple- because he actually thinks Parker somehow got a razor blade in it.

I still can't get over how Eliot tells Hardison that he won't help him if he goes to far with "Ice Man," and when Hardison calls him out on it- Eliot blames Parker.

I still can't get over how Hardison comes to Eliot when he needs help brushing up on wine.

I still can't get over how Parker goes to Eliot when she's looking for something to love and he teaches her to love food.

I still can't get over how Parker is allowed to poke and push Eliot.

I still can't get over how Hardison riles Eliot up and it's just reflex for Eliot to say; "DAMNIT Hardison."

I can't get over how they became a little family all on their own.

[queenerdloser]

i just finished dark heir

[chickenstrangers]

@userdramas secret santa 2023

our dining table (2023) || for m by mikko harvey

for @ginpotts 🩵 wishing you a happy new year full of good food & good company

[icarrymany]

the mh comics open up such an interesting narrative for our few surviving characters. to them, what happened in the videos was real, but to everyone else its a cool creative web series. when all of that is viewed as fiction, fans have a freedom to speculate about and invade the lives and privacy of real people. and that would be so uncomfortable and terrifying. imagine someone irl having headcanons about YOU. writing fan fiction about you and your real friends. assuming things about you PUBLICLY ! IN MASS!

wouldnt it be so cool to see a character grapple with that in like a self-reflective way? fans asking questions the muse is too afraid to ask themselves. of course, theyre the only person the answer matters to.

[honorthysalad]

Seems like Yoshiki’s eyes are starting to lose shape whenever he’s stressed out, starting with his left pupil getting more jagged when he’s putting back ‘Hikaru’s head in ch22, and then in ch24, his left iris moves to the side.

[nelkcats]

Not so alive, after all

Jason Todd died, that's a fact. What no one notices is that he never revived. What came out of his grave was not a body, or a corpse, but a ghost, taking the form of his wishes. The only reason the League of Assassins was able to see him at first was their connection to the pits.

Ghosts take on the appearance they want, depending on how they feel. Which is why Jason's ghost kept "growing" during his training with the League. Everyone in the League could see and touch him because being submerged in the pits (toxic pools of ectoplasm) gave him the strength to manifest. Even though the ectoplasm was clearly tainted and diverted his obsession.

So, Jason Todd wasn't a zombie, or a revived human. He was a very powerful and remarkably sick ghost. Something that went unnoticed by his whole family (They could see him, touch him, and obviously he ate, his green eyes were the influence of the pits and that was all for them.)

Or at least it did, until he began to grow weak (he had spent a lot of time away from the pits and the ectoplasm on his environment wasn't enough), and his illness worsened. When Dick tried to take his hand during a discussion about his health and he went through it, Jason began to panic.

A week later, when a green note told him to "go to Gotham Cemetery to find out the truth" without further explanation, he decided to follow it. It was probably a trap and he should check his security system but what did he have to lose?

His humanity, apparently; "Phantom" looked extremely nervous when it came to explaining. But Jason had gone blank ever since he heard the "you were never alive" and "you need a doctor"

Well, fuck.

[heretodefyfate]

i want to see them again

[zeb-z]

Watching over Bad’s perspective of the little chat him and Foolish had at Forever’s base today, and from his perspective you really can’t tell that Foolish picked up Bad’s hint about the “blue fish” at first.

Their chat was a huge glimpse into the real Foolish under all his wisecracks and cheer, the Foolish that solves problems and takes things seriously, a little look into how much he actually is aware of and what his true intentions are - but even then he’s holding back how much he’s understanding what Bad is trying to say. Dancing around the subject, either for Bad’s sake to keep up appearances, or his own.

Bad goes home, and wonders if he can truly trust Foolish enough to show him more. Foolish goes home, and considers how Bad’s really the one they have to look out for.