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overnighttosunflowers · 4 months

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The Lore of Every Thought’s a Possibility, or: What The Fuck Is Up With the Planes? A Really Long Post About All My CR Theories

This post is ostensibly about the lore of every thought’s a possibility, an Imodna fake dating fic I wrote that has a canon-divergent continuation of the campaign’s main plot humming along in the background. BUT, just as LOTR was kind of a vehicle for Tolkien to play with linguistics, this fic was really kind of a vehicle for me to explore lore thoughts I’d been having anyway. (I am not actually comparing myself to Tolkien. A much more apt comparison would be a lore gremlin hiding under the bed to gnaw furiously on a thousand pages of transcripts and then offer a sheepish pile of scraps loosely formed into a heart.)

Basically, this should hopefully be accessible and interesting regardless of whether you’ve read the fic.

So! In building out my fic’s B-plot, I spent a lot of time combing through existing CR lore and synthesizing my thoughts into a single multi-pronged theory. What follows, then, is basically 80% theorizing to a degree I feel is supported by canon, and 20% extrapolating those theories a bit further in a direction that would let me resolve my fic.

I started writing Every Thought after episode 57, right before Team Wildemount entered Ludinus’s tower in Molaesmyr. So, the very first thing I had to do was invent what it was that they found there. I decided that, for my purposes, they’d found a shattered dodecahedron—something they’d seen before once, at the Key during the solstice—as well as Ludinus’s notes indicating that it was called a beacon and had to do with a type of possibility/fate/time magic called dunamancy.

I went in this direction because I’ve long been convinced that the Luxon has a bigger role to play in this story than we know, for these reasons plus others that I can’t as easily reconstruct:

First, the Luxon, the Primordials, and Predathos are the only beings described as existing outside of Exandria’s standard planes/people/gods construction. The Luxon was said to exist before the Founding, and to have created the Primordials. Predathos was said to have arrived from beyond the known universe after the gods, during the Founding*, and been banished by the gods and Primordials working together. Although perhaps tenuous, this links the two in my mind.

*(ie the period of history starting with the gods’ arrival in Exandria and ending with the Schism, where the Prime Deities defeated the Primordials and Betrayers)

(I’ve been wondering if perhaps Predathos and the Luxon are a Raava/Vaatu situation, or if perhaps one split off from the other. We already know the Luxon broke itself into pieces (the beacons)—what if Predathos is also a piece of it, containing all the darkest parts?)

In any event, to my mind, there has always been a possibility that Imogen’s storm at the end of episode 33/beginning of episode 34 is related to not just Predathos but also the Luxon. When Imogen is pushed to her breaking point, everything around her goes deep red—and then white. The Hells are each swept up in a storm of previously unaccessed memories and seem to perhaps be somehow shifted out of that space and/or time for the duration of the explosion that follows, being restored unharmed immediately thereafter.

(C3e34)

To me, this very much has flavors of dunamancy—not least because in The Explorer’s Guide to Wildemount, the Luxon’s original form is described as “a colossal, shapeless body of impossibly bright light.”

The other time a similar white light is described is at the end of episode 51, when the Hells are bamfed to Wildemount and Issylra. The light is described as “familiar,” so presumably similar to the light from episodes 33/34.

The only other unexplained spatial displacement we have seen (beyond the other solstice-powered ones at leyline nexuses) was Ashton’s, during his parents’ Hishari ritual. He had a sense of watching everything tear apart—"wind, and light, and air"—and then they found themself suddenly in the Hellcatch desert. So I decided—half conjecture, half invention—that Ashton was transported by this same white light.

(Perhaps interestingly, the light has appeared 1) when an Exaltant of Predathos was pushed to the brink; 2) when a beacon was used in the Malleus Key, and—in my conjecture—3) during a ritual we later learned involved a shard of a Primordial, legendarily a creation of the Luxon. Could all three be related?)

All the Primordial stuff we learned from episode 58 onwards exists outside the scope of my fic, so I didn’t know about that shard while I was writing, and it isn’t fic-canon to my story. But I was absolutely positive that the Hishari stuff would be coming back in a big way; Matt had been dropping those hints for quite a while.

So, in my fic, Team Issylra (who at the time we didn’t know would land in Issylra—I guessed well!) encountered someone who had, for a time, been romantically involved with a member of the Hishari who had defected. (It had to be someone able to fill the group in on the Hishari without having known Ashton’s parents, because there’s a whole additional layer of emotional weight to that which this fic wasn’t equipped to contend with. As is, this defector’s ex, who I named Jesmaine, is mentioned like once.) Team Issylra learns the following:

The Hishari derive their name not from the Ashari but from the Gau Drashari.

The Gau Drashari were trying to keep Avalir from moving from plane to plane, which would have been dangerous to Exandria.

The Hishari were a modern group that discovered this information and came to believe that the Gau Drashari’s mission had been mistaken; far from keeping the planes separate and protected (a legacy we still see in the Ashari and their elemental rifts), the true mission should have been to reunite the planes, collapsing them all back down into the single plane from which they’d originally sprung.

(Technically they don’t get this much detail, but I’m giving it in full here for context.)

Now, in my fic, we go on to learn that Ludinus was working with the Hishari to help them collapse the planes. The Hells’ understanding, and mine, is that either the Hishari were already on this path and Ludinus realized he could benefit from helping, or—more likely—the group and/or its mission are themselves his own creations, shaped to help him achieve a goal.

We also learn that the Hishari were trying to collapse the planes by supercharging threshold crests with a good old dose of possibility and potential, courtesy of a beacon presumably provided by Ludinus. This mimics the way that Ludinus was using a beacon to charge or power the key. It also puts keys or threshold crests on all seven of the most “central” planes: canon’s Material, Fey, and Shadow, and my Earth, Water, Fire, and Air.*

*It's interesting to note that, per the Divine Gate article on the CR Wiki, you do not pass through the Divine Gate when traveling to the Fey Realm, the Shadow Realm, the Ethereal Plane, or any of the Elemental Planes. You also don't pass through it when entering the Astral Plane, which itself contains the Divine Gate, but you do pass through it on returning. I omitted the Astral Plane from my plane-collapsing theory for this reason, and omitted the Ethereal Plane because it already overlaps the Material Plane to a much more significant degree than any other. I discounted all the Outer Planes because they are beyond the Divine Gate, and because they mostly seem kind of vestigial from official D&D and Pathfinder lore anyway.

Now, there were a few reasons I’d been thinking that perhaps the planes were going to become more relevant to the lore of Exandria than we’ve seen thus far. First of all, there have been several attacks at the elemental rifts defended by the Ashari: first an attack from the fire plane in ExU Prime, then an attack on Terrah before the Solstice.

(c3e49)

Now, Keyleth concludes that these were just “false front” distractions, but I’m not so sure.

(c3e66)

Coming from our current lore knowledge, I notice that it’s the earth and fire planes specifically that were targeted—the same as the two Primordial shards that ultimately come to reside in Ashton and Fearne. At the time, though, I didn’t know about the shards, and so I instead thought: could these groups perhaps have been trying to weaken the boundaries between the planes? Could Ashton’s parents’ ritual—the Hishari ritual—have been doing the same?

We also knew that for some reason in order to release Predathos it was essential to have Malleus keys on three separate planes. While Ludinus was able to proceed with the Fey key down, Predathos quite notably hasn’t emerged yet, so it’s entirely possible that having a Fey tether remains in some way essential. I also found it particularly notable that until Fearne was born, Ruidus didn’t show up in the Fey Realm, suggesting that her birth somehow anchored it there—a theory only strengthened by what we’ve since learned about Fearne’s parentage.

The biggest reason I’ve thought the planes would be important, though, is ExU Calamity. Calamity seems to have (likely intentionally) laid a lot of lore groundwork for Campaign 3, and planes—specifically travel between them, specifically as it relates to godhood—were essential to Calamity’s plot.

Let’s go through the details there, starting with the Tree of Names. In Calamity, we learn that the Tree of Names was inscribing a spell of protection on the world: protection from “all the things outside it.” We specifically learn that this protective barrier somehow enforced a separation between the planes:

(ExU Calamity episode 3)

The Tree does this through the power of names. Anything whose name it knows, it can guard against. Now, at first glance it seems like it specifically was meant to guard against the Primordials: after all, it was foretold that if the Primordials joined the Calamity, it would mean the end of everything, and it was by learning the names of and banishing the Primordials that the Ring of Brass was able to save a portion of the world.

But, if the Tree was intended to guard primarily against the Primordials, why would the Arboreal Caelix have been added to protect it right after the Matron of Ravens ascended?

We don’t know. But we do know that no one remembers the Matron’s name. That, therefore, very probably, the tree doesn’t remember it, either. And, therefore, that probably the Matron was able to evade the tree, giving her access to all the planes.

From there, I hypothesized that there might be some connection between the Matron’s evasion of the tree and her ascension—between her planar travel abilities and her godhood.

Now, why did I zero in on collapsing the planes?

In Calamity episode 3, we learn that Laerryn had designed the Astral Leywright to “allow the city to travel not only across the face of Exandria, but to realms supernatural, where a city of mortals might walk as equals with the gods themselves.” In episode 4, we learn further that “Aeor opposed the gods and the Matron of Ravens and her ascension, and Laerryn's vision was, from whence do the gods come? By what token do they award themselves that title, and what realms beyond could we explore?”

In summary: Aeor wanted the gods gone, and no more mortals ascending. Avalir wanted to one-up Aeor: why not make mortals themselves equal to gods? How better to do it than traveling as the gods travel—across the planiverse?*

*I didn't have space to address it in my fic, but I actually think that the most important part of all of this is "from whence do the gods come." The gods, the Luxon, Predathos: all came from somewhere beyond. Whatever and wherever that is, access to it is what truly separates mortals from gods. For the convenience of fic plot, I decided that where they came from is not an entirely separate place, but rather Everywhere All At Once. Put all the planes together and you get a sort of fourth-dimensional place that is simultaneously all of them and none of them.

In briefer summary: travel from plane to plane is the last thing separating mortals from gods.

Now, one might immediately note that Plane Shift is a spell that exists, so this would have to be some kind of more complex planar travel. Calamity episode 4 enlightens us a bit on this: “[Laerryn’s] vision was not the simple magic of the threshold crests, not a quick move, not a one-way trip, not a single destination, but truly to take a leyline off of the face of Exandria and chart it to the stars, that we could go wherever we wished and be whatever we wished. [But] we didn’t know the spell the tree was writing.”

So. The kind of planar travel Laerryn seeks—the kind that brings humans level with gods, the kind the Matron would’ve been able to execute as part of her ascension ritual—isn’t to a single destination.

Could that mean that it’s to every plane at once? That part of what makes a god a god is the ability to exist on every plane simultaneously?

The Ritual of Seeding page on the CR Wiki offers some evidence to support this theory. Itself citing ExU Calamity, it tells us that one of the things that happens during an apogee solstice is that the walls between planes thin and the leylines move around. It also tells us that this was part of the Matron’s ritual of ascension:

(CR Wiki - Ritual of Seeding)

(I’ll note that I dropped the leylines lore from my fic for reasons of simplicity, choosing to focus on the adjacent planar lore. I avoided delving into Matron stuff for the same reason—the Hells haven’t learned a ton about her, so I would have had to do a lot of legwork to introduce and support theories about her. I was trying to operate within the realm of what we already know. I will note, though, that The Nine Eyes of Lucien tells us that the Matron of Ravens, as the goddess of fate, is very interested in Fate-Touched individuals; that the Fate-Touched feat closely mimics the effect of the dunamantic spell Fortune’s Favor, which can also be obtained from staring into a beacon; and that Tal’Dorei Campaign Setting Reborn alludes to the Fate-Touched feat being somehow connected to Ruidus… very interesting, is all I’m saying.)

Okay, so now we’re set up to move into the endgame of my fic plot: Artana Voe showing up to tell the Hells that the deaths of the gods Ethedok and Vordo created the Fey and Shadow planes. This theory originally comes from Rach @dadrielle (as do fragments of everything in here, because I developed 90% of this directly into her DMs, but I know that I got this one 100% from her; whether she got any pieces of it elsewhere I’m not sure).

I believe the first seed of this idea came from Ethedok and Vordo’s domains. Ethedok was the god of darkness and winter, and Vordo was the god of fate and order. The former calls to mind the Shadow Realm, while the latter calls to mind the Fey Realm (albeit in a more topsy-turvy kind of way). This was fueled by the vibes of a largely unrelated post about Spelljammer, which mentions that in that canon, the Astral Sea is full of the corpses of dead gods, some of which form entire cities. (Absurdly cool Spelljammer campaign idea there if you click through, by the way.) Of course, this has nothing to do with Exandria, but it did get us simmering on the idea of the deaths of gods creating locations, and Rach had the thought that perhaps planes could grow from the corpses of the gods in the astral sea.

Anyway, I hadn’t committed to using this in my fic—that aspect of its lore solidified rather late in the game—and then episode 68 rolled around in mid-August, and Keyleth casually dropped that the deaths of the Primordials caused the creation of the elemental planes:

Which, while not confirmation of anything about the Fey or Shadow planes, definitely made the Ethedok-and-Vordo’s-deaths-made-those-planes theory feel a lot more plausible. So I made it fic-canon!

I decided that the Grim Verity would’ve discovered this information, and used Artana Voe* to relay it to the Hells.

*In my earliest drafts, Artana Voe was going to relay information about the anti-resurrection poison being derived from a distortion of the Luxon--eliminating all potential worlds where someone came back to life--as well as the discovery that Potions of Possibility could therefore protect against it, and might even be able to someday reverse it. But this felt less consequential in a world where Revivify is offline anyway, and less thematically relevant than I wanted my finale lore drop to be, and by the time canon got to Keyleth's magical healing flowers, I'd more or less decided to scrap it and come up with something else.

It seemed entirely plausible that the Verity would make this discovery. They already know about Ethedok and Vordo, about them being eaten by Predathos, about Ruidus being formed to imprison Predathos afterwards—and they also know that something is brewing with the planes, per Campaign 2 Episode 129 when the Mighty Nein find Planerider Ryn’s notes:

So (and we are fully past theories into the realm of Fic Canon at this point), the Hells have learned that part of the ritual to create godhood is existing on every plane at once, and that Ludinus is aiming to achieve this by collapsing the planes. All that’s left is to put together that it’s not that he’s trying to ascend to godhood himself, it’s that he’s trying to feed the god-eater inside the moon by ascending that moon itself to godhood—bringing it to every plane at once by collapsing them, and topping it off with a dose of the Luxon’s infinite potential and (likely very significantly, although I wasn’t able to explicitly address it in the fic) the “sliver of divinity” itself that is Vax’ilorb. And that by releasing Predathos and killing the gods, he will create an entirely new set of planes to replace the ones he’s destroyed, giving him a whole new universe to rule over.

Now, do I think that this will wind up being true in the campaign? Not in so many words, no. I’ve taken my hypotheses and theories, shaved them down a little bit to fit more tidily into the space of a romance fic’s B plot, and then extrapolated them outwards slightly past what I’d otherwise be comfortable conjecturing if this were purely a lore post. But the result is, I hope, both logically sound and consistent with stuff we know to be true of canon thus far. I’m pretty damn proud of it, and if any tiny glimmers of this end up coming true? Well, then I’ll be even damn prouder.

Some additional miscellaneous information that I couldn’t quite figure out what to do with, but sure felt relevant:

Regarding Ludinus and the Luxon: Team Wildemount learns in episode 58 (i.e. after my fic diverges from canon) that Ludinus used a crystal found under Molaesmyr to open a “channel of consciousness” with Ruidus during a celestial solstice. The crystal was believed to have fallen from an ancient flying city… which tracks with the fact that we know from C2 that Aeor was experimenting with dunamancy. The cast hypothesized that the crystal under Molaesmyr was indeed a beacon.

Regarding the Astral Plane, which contains the Divine Gate: Per a map found in the Happy Fun Ball in C2, Ruidus—or some kind of “ruby circle” that seems likely to be Ruidus—existed in the Astral Sea before the time of the Calamity, ie at a time before the Divine Gate went up (maybe disappearing because of that gate?): https://www.reddit.com/r/criticalrole/comments/u24lzj/spoilers_c3e19_ruidus_mention_in_the_happy_fun/. Unlike everything else on the map, it is not tethered to anything.

The Happy Fun Ball is now owned by Yussa, who is a friend of Ryn’s and therefore may be affiliated with the Grim Verity.

The Astral Sea was the Somnovem’s destination of choice when they planeshifted the Cognouza Ward away from the crashing Aeor.

(c2e45)

Regarding the planes collapsing: Per The Explorer’s Guide to Wildemount (p134), “The extremely rare double eclipse, when the moons Catha and Ruidus overlap before the sun . . . [is linked to the fact that] seers and oracles warn of portents that speak of an uncontrollable planar crossover, where multiple planes might briefly collide.

Regarding the origins of Ruidus: The Tishtan ruins, where the Malleus Key is located, date back to around the time of the Schism, i.e. shortly after the imprisonment of Predathos. Tishtan culture vanished with no explanation prior to the Age of Arcanum. Could the Tishtans have somehow ended up on the newly created Ruidus and become Reilora? We know that the Tishtans built ritual sites around Exandria, and it seems reasonable to hypothesize that those sites were at leyline nexuses. Were they attempting some kind of early version of Ludinus’s ritual to communicate with the godeater inside the young red moon?

Regarding the “beyond” from which the gods initially came: Deanna describes the afterlife as something that “existed before [the Matron of Ravens] and that will exist after her . . . It’s like being a little kid, and you think that your parents are gods . . . and then you get old enough to start asking who made your parents, you know?”

The Matron of Ravens is responsible for death, but if what happens after you die is beyond the purview of the gods entirely, what implications might that have about godhood?

#critical role theories #critical role meta #critical role #cr3 #my fic #mine #gonna add in descriptions to all those screenshots later!

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dynared · 1 month

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Yes! Burning justice for Star Saber! I also once made a post about the unfair treatment he received from IDW comics, and now I really hope that he will have chances to appear in other projects.

And about that. I don't think having Optimus or Rodimus can be a big problem for him to appear in the media. Everyone has already got used to the fact that, for example, Elita One is the commander of a certain number of fighters or units, so why shouldn't Star Saber be something like a field commander of some part of the troops on distant borders, if the war is more global? This could show that the Autobots (and Decepticons) have some kind of chain of command and a hierarchical army structure, not just a leader and a few assistants.

I have, perhaps not the smartest idea of how to tie this atmosphere of Super Robots to the character.

If we include Jan's adoption in the story, then the development of events may be as follows.

Jan could grow up and socialize on the base among transformers or partially even among other aliens. But at some point, Star Saber could decide that a human child still needs to communicate with his kind and peers, or decides that it is becoming more dangerous for Jan to be around him. In any case, this is a kind of repetition of the plot from the anime.

Gradually, Jan gets acquainted with Earth culture, with local media, in particular with anime about Super Robots, because it seems to me that this genre would have arisen anyway, despite the presence of transformers, even if they were known to people.

At some point, Jan, due to resentments, difficult age, or still insufficient level of socialization, could quarrel with Star Saber and say something like: "If only you were like (insert the name of some character)!". Considering that they were fighting in the manga as well, that would be partly in Jan's character. In addition, sometimes children, at some moments of resentment against their parents, really tend to compare them with some kind of ideal or example.

Such a comparison or some reason for the quarrel could cause a sense of guilt in Star Saber that he did not pay enough attention to his adopted son because of his responsibilities or did not meet the expectations of the child. This reaction could also be caused by an old sense of guilt that he did not have time to save Jan's parents (as it was in the original).

All this could lead to the fact that Star Saber would consciously or not begin to copy the behavior and character traits of Jan's favorite character in order to become "that real hero" for his son. Something like overcompensation.

And if this were a children's media, it could lead to the morality that you don't have to copy someone to be a real hero for your child, for children the moral is that parents, despite the fact that they are not as cool as heroes, can still be for their own children. Or you can take it in the other direction altogether, that with the help of such changes, Star Saber became even more inspired by the ideas of justice and the fight against evil and became, I don't know, a symbol of hope for children like Jan.

I repeat, the idea may be stupid, but, okay, in any case, it's better than what was shown in the IDW comics.

Being better than the IDW comics is an admittedly low standard, but there is a lot here, and most of it is based off of what already exists of the character rather than the insane Roberts portrayal.

I like what you’re suggesting, as a sort of journey for the character, maybe going TOO over the top in the vein of his Earth Wars character from what I originally saw as a more stoic character to something a bit more balanced between the two extremes. The martial arts master who’s used to acting in solitude and fighting his enemies without a single care given for what civilians think of him would definitely be taken aback by how disapproving his son is of his focus on work and would probably do everything he could to keep his trust.

There is also something to the idea that Star Saber presenting himself as a Brave Hero in the hopes of being someone Jan can admire and while Jan ultimately learns the lesson that parents are people (robot people but imperfect people all the same) his new portrayal ends up making him very popular with kids and civilians even if the other Autobots end up finding the whole thing completely ridiculous. How would the Cons react to such a thing? Ignore it? Poke fun at him? Make him an active target because of his popularity with the flesh creatures? Maybe a rival of his chooses to portray himself as an over the top villain to contradict the hero? There’s a lot that one can do here.

#transformers #star saber #rambles #transformers IDW #transformers victory #Jan #energon universe #meta

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estellardreams · 5 months

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Okay so... On the topic of this post, I'm going to provide my reasoning for each pony species and design attribute because I wanna talk about them. If you got any questions, just ask.

For starters, their ears are obviously a blend between their original Mobian ones and the pony ears... But in Rouge's case they're just Bat ears because for whatever reason people forget Bat ponies exist when they turn these characters into ponies!

Anyway, another detail was trying to match pony species to each Mobian's main attribute. And it led to quite a few plot changes and alterations to their designs in general. So let's just start...

Sonic: Pegasus. This one I had directly based off of a legitimate MLP G5 Cover where the artist themselves showed the unshaded version and it was LITERALLY SONIC. So I made it as close as I could but added my own flair to it such as the peach muzzle and a fluffier physique (bc I draw all of my characters like that). If you don't know what I'm referring to for "Pony Sonic" look at these.

As for lore reasons, I took it as a direct competition with Rainbow Dash, his free lifestyle, and because Pegasi are naturally the fastest pony type.

Now there still might be the question on... Will Sonic become an alicorn if he goes super? My answer: No. I doubt he would, and if anything super forms were traded out for rainbow forms instead since during this timeline the elements of Harmony became the core magic relics, and the crystal heart itself is now the Master Emerald.

Tails/Miles: Pegasus. A bit of a lore explanation on this one, so buckle in. Have you noticed that Tails' wings are more fluffy and round, like Pipp's? Despite that most likely being a design choice, I've decided to twist this attribute into something more like a disability.

Wings that fluffy and not aerodynamic make those having them struggle to fly, as such it's a genetic mutation. See where this is going? Miles was bullied a lot for being unable to fly, just like Fluttershy. Then Sonic came around, got the bullies to back off, and Miles wanted to catch up to Sonic and thank him. And despite the blue blur already being far away, he tried to fly... And managed to! His flying style is actually quite different from the usual pegasus, focusing more on long strides than fast and quick flapping. He also figured out gliding in the air to conserve energy, too!

Knuckles: Earth Pony. Do I need to state the obvious that earth ponies are naturally stronger than the others? Besides, being the sole guardian of a powerful relic and seperated during the three tribe's conflict entirely made him completely unaware of the other races. In a way, his kind is similar to the crystal ponies who are all earth ponies with a special gimmick.

Knuckles did guard the Crystal Heart his entire life, so when the empire itself was about to lose itself to the storm he gave some of the Crystal's energy to create an identical replica to restore it.

However, he's had to repeatedly replace it because once the energy exhausts itself, it just kept shattering and threatening the storms again. Eventually though, pure love from the empire stabilized one of the replicated hearts, leading to them not needing the replacement unless for emergencies.

Amy Rose: Unicorn. So... You know how unicorns are known to be more magically competent? Well, what if I told you I placed certain strengths between the species and enforced Amy's character that way. She was originally seen as weak, but built up her strength and speed to keep up with everyone else. Although she's still a fortune teller at heart, she's incredibly skilled with her hammer and is surprisingly faster and stronger than the average unicorn, who are by comparison the weaker race physically.

Shadow: Alicorn. Now you might be asking... Why an alicorn? Two things: One; Ultimate Lifeform's gotta keep up his title and Two; If they wanted a pony who is both immortal and immune to all diseases besides being a bio-weapon, wouldn't you design them to be the strongest race out there?

The story here is rather simple; Shadow was created in a space colony to help cure his friend/older sister Maria, who had an incurable disease. Eventually, the royal guards caught wind of this and alerted the princesses, who ordered for them to storm the space colony and arrest EVERYONE who was involved. However, because Maria was so weak during the escape she unfortunately died before Shadow and her could've reached the pod together. Shadow was ejected out and sent down to Equestria before he could save her.

Eventually he was imprisoned as well after getting captured and remained locked away for 50 years before eventually getting released, but told to never speak of the incident nor interact with anyone else... Guess what happened afterwards.

Detour real quick because small rant... Why do people make Shadow an earth pony, unicorn, or pegasus but not an alicorn in general?! It's legitimately so fitting and it kinda frustrates me. And also... I understand the appeal of an earth pony Sonic because, well... He runs. He's the fastest thing alive and would make him direct competition with Rainbow because they're both fast. But also... Aren't earth ponies the most physically strong out of everyone? Pegasi are known to be the fastest, and even then this would make him even more tight locked with a Rainbow Dash rivalry. Think about it!

Anyway, back to Shadow. I don't get the earth pony take but I understand why because A. Sonic's rival and B. Being the exact same like Sonic in every way except speed which no it doesn't work like that. If anything, I think Sonic could hold up rather well against Shadow through quick thinking and movement while he relied on pure strength and power. Opposites by design, too. As for the unicorn take... What part of that screams "Ultimate Lifeform"?

Anyway. I rest my case.

#ShadowAlicornSupremacy

Now, back to the other pony designs.

Rouge: Bat pony. Do I even need to explain?

Silver: Unicorn. Similar reason to Amy, except he didn't build up his physical strength or speed that much. He did still come from the future, however occasionally got stuck in the past due to the time travel schenagains. Also he was probably oen of the harder ponies to design because, well... Have you seen how little color his fur is? It's practically all white! I had to compensate by adding more cyan and yellow to make him more recognizeable than just eye color and cutie mark.

Also fluffy hair Silver... I love it when Silver's hair in human versions is soft and fluffy. It's adorable! :D

Now, how would this change the original MLP canon? Not too much, actually. If anything, these stories go on in the background during the Mane 6's adventures. But some things definitely intrude on some seasons and force the six to act and get involved, leading to them to meeting with the Sonic characters. Generally, depends on the threat at hand. Think of Dark Gaia being their first instigator to meeting, then the plunderseeds coming after because Harmony magic accidentally went haywire due to the Dark Gaia incident, leading to the plunderseeds finally being able to sprout, and they snag whoever has a ton of Harmony magic inside of them... Celestia, Luna, Shadow, and Sonic included.

Then Tirek comes around, leading to Sonic's squad to work together to distract him long enough so Twilight and her friends could figure out what to do, get everyone to safety, and avoid capture themselves.

Eventually their group falls, leading to a fight breaking out as Twilight's group goes Rainbow and begins to fight Tirek. But during this, one by one their own power-up disperses until Twilight is left, forced to choose to give up her stored alicorn magic in exchange for rescuing all of her friends, including Sonic's group. Then the final key, magic chest, yadda yadda.

Twilight's castle still has the original seven seats, though. Sonic's group functions more like a support friend group than part of the major group, and after this they went back to their normal adventures on the side.

The War still happened. Along with the Metal Virus. They don't talk about those.

#text post #sonic au #mlp au #explanation #World's Unite MLP/Sonic AU

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badedramay · 5 months

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sorry to keep coming back here lmaojgkdflhf but i started rewatching (bits and pieces of) mann mayal this past week and like. what a phenomenon. was the plot horrible. yes. did it drive all of us crazy with the melodrama. absolutely. is the fact that it was the note ayesha khan decided to end her career on kind of hysterical. i certainly think so. but something about it was nonetheless so enrapturing. the direction and music production definitely contribute to that but i also think for whatever all of the mess was on top i really was transfixed by mannu's narrative arc. like it was powerful! obv it was easy to get caught up in all of the fine details and chastise mannu for her brashness or stupidity but the point was that she had always had decisions taken for her her entire life. to see a female character so stubborn and possessive about her right to make her own decisions regardless of whatever anyone else with "sense" had to say about them bc her agency was that important to her in a societal context of women's oppression.. it was incredibly liberating! and i hate to bring the fairy tale comparisons back but i think esp in contrast to the latter it was empowering bc post time skip salahuddin was in every aspect The Ideal Guy. he cared about mannu, he bantered with her, he protected her, he was eager to guide her, etc. but that was precisely the problem, bc everything was about his protectiveness over her rather than a respect for her ability to make her own decisions and chart her own life path. to see her refuse to succumb to his will to the very end, the very end! the fact that he had to accept that he could not make her decisions for her and that to be let back into her life again she would have to be absolutely convinced he would respect her agency and desires! just, wow. that final scene in the last episode truly takes my breath away. sameera fazal makes me want to bash my head into a wall with how ridiculous her plots are but i can't lie that i do love the undercurrent themes in a lot of them. it makes me wonder what she'd do with a story if creating melodrama to get views wasn't such a necessity

I've been saying this for YEARS that Mannu was a far stronger character than people gave her credit for. I do blame the direction for literally bahaoing all of Mannu's strengths in the oceans of tears that she was made to shed in every fucking episode. beneath it all, Mannu as a person was just so staunchly protective of her OWN agency that really she can give many characters a masterclass in how to own their destiny. yeah sure, a deeper conversation about whether an agency that is purely masochist an agency worth celebrating can be held here. but there's no denying that Mannu's agency EXISTS. we cannot say the same about so many of the female protagonists. #MannuProtectionSquad!!

I do think Samira Fazal would make a much better short drama writer. Her basic plots are always fun. she just tends to lose the plot when she has to write 30+ episodes of it. which is what happened with Mann Mayal. which is what happens to ANY of her dramas. do you know Shukk? uska bhi yehi haal hua tha. i really enjoyed that drama in its first half and then toh phir toh too much hi hogaya.

Mann Mayal aired at the perfect time which is why the show enjoyed the blockbuster popularity it did. I am thankful it didn't air at the time when armchair "critics" were running their mouths mindlessly criticizing every project on air just to churn out an hour worth of content twice a week. social media trolled and celebrated the drama. Hamza Ali Abbasi was THE darling of the awaam and Maya got to enjoy a peak with Mannu that I am afraid she won't get to enjoy again in any other character. despite all the rubbishness..the show just worked. it didn't bother with giving any social message or sensationalizing for the sake of having a shock value. it was a melodrama, plain and simple, and fully committed itself to the genre. however, years later, the show still contains some moments of sheer brilliance that have not been tainted by time. in fact, I think now is a very good time to go back and watch Mann Mayal with an open mind. with no trolling to distract us or the long wait of a week between episodes to exhaust, and the entirety of the plot easily available on wikipedia to read..Mann Mayal becomes a show that should be watched to appreciate the technical finesse with which it handled some of the show's pivotal moments as well as to finely study the characterization of its very grey protagonists, flaws and virtues all at once.

#mann mayal #for a show that i complained about a lot..i have turned out to be its biggest defender xD

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nox-the-former-demon · 2 months

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>>Nel killed God.

Sorry, let me start from the beginning, I just really wanted to cut to the chase on this one. Ahem

In this post, I, ex demon Nox, will discuss the flaws of the old ways now that their arbiters are all gone, be it by their intent, their melancholy winning, or a violent outburst by someone who had had enough of their shit.

When I first took up my mantle, my job was simple. Agitate the waters of the river of death, check on the state of souls and if any were ready to cross over into the river of rebirth, scoop them out and toss them over. A quiet but mindful job that was simply done and monotonous as hell. On the other side, leaders would contemplate, plan, and direct their unders to use the souls as clay in a manner not unlike a sweatshop to mass produce and send on their way the lives to be born.

The issue with this system was that as the population grew, demand grew in turn, and with certain individuals being extremely stuck in their ways, there was a growing demand on the people working the system. I think it was that stress coupled with the monotony that pushed me to my limit and made me do the things I did. The system was broken in ways I could obviously see and I didn’t want to perpetuate it.

Funnily enough my rebellion did necessitate some level of change. The river of death now has intentional bottlenecks that create harsher flows that do the agitation automatically, and some of the more… stained souls will be put into a cage of sorts and left in these areas for extended periods to really scrub away the past they had.

The river of rebirth, by comparison, has apparently taken some level of modernizing. I don’t claim to know the details for that, I wasn’t too privy to that side of things during my time. But I do know that they’ve sped things up and lightened the work.

But the fact that a war needed to happen to make these changes is but one of the many reasons why the old ways didn’t work. And more importantly, why the old people needed to go.

In a past post I mentioned Cariel, Death, and a third individual I left unnamed just to avoid stirring the pot too much. I did so because their chosen name was the name of the god Christianity and the rest of the Abrahamic religions venerate. God, Yhwh, etcetera etcetera. For simplicity’s sake I’ll henceforth refer to that one as Y. And Y is far and away the central point of this post.

As you know by now, Cariel reincarnated 31 years ago. And Death did so as well as year. These ancient spirits saw their time needing to end and ended it themselves on their terms so as to allow the world beyond life and death to have the room to grow. But Y… Y was a sticker. The founder of the Knights of Justice, the knower of all the old things, the last remaining soul to exist unchanged for two millennia. With a position like that, Y garnered respect and admiration. But also contempt and anger.

Asa and I have visitors time to time. Her and Nel’a guardians, a few other notable individuals, hell even my daughter Marisol is on friendly enough terms to use our body as a means of getting away from work time to time. And whenever they visit, they chat with Nel. And in recent months, many of them were stressed out and complaining. Complaining about Y. Complaining about the extra authority he now had. Complaining about how everyone was stressed out

Nel decided Y has to go.

The story as I’ve been told (as I was standing on guard duty over Nel’s body at the time) was that Nel broke out of the shackles of their physical form, projecting themselves out and up. They then shrunk their soul down to a tiny size to sneak up on him before growing to full size and lashing out with wolf like fangs and sharp claws and antlers. Allegedly he fought back, got a good blow in on Nel’s nose. But Nel held firm. They even showed Y Cariel’s old face for a moment. And then, they dunked Y into the river of rebirth a few times before tossing him in entirely, all before reinforcements could arrive.

Funny thing about the river of rebirth. It doesn’t have good effects on a soul that hasn’t been stripped by the river of death. It can deform and twist and damage a “complete” soul. Rather horribly. So Y was in no condition to keep existing after that. He’s been sent to the river of death for an extensive cleansing. One long overdue.

With this head stripped away, the system finally has room to change. To improve. The new generation has a clean slate to make the world better, to make the future more unique and more beautiful than it ever was.

And we have to thank Nel for killing God and allowing that to happen. And you wonder why I love that deer-fox?<<

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samuel-de-champagne-problems · 3 years

Text

I Can’t Say Anything to Your Face

Summary: Lunchtime is Spencer Reid’s favorite time of day and not because of the crappy endless coffee, dry sandwiches, or the occasional chocolate donut. Spencer’s favorite time of day comes in the shape of a little post it notes and fits perfectly into his heart.

Pairing: Spencer x Female Reader

Content: Fluff (1 use of a$$)

Author’s Note: The idea of for this came from @shemarmooresfedora for giving Spencer compliment cards

Word Count: 2.6 K

I Can't Say Anything To Your Face

When Spencer checks his watch for the twelfth time that day, he can practically feel Derek’s eyes roll. He tries to cover up his action by picking at his sleeve, but that just seems to draw attention to the situation. Derek raises his eyebrows at Spencer, as if to tell him, I saw that.

When it comes to teasing Spencer, Derek doesn’t miss a beat.

The team, minus Derek and Spencer, continue to work diligently. JJ walks back and forth from her office to Hotch’s, constantly shuffling through piles and piles of paperwork. Emily seems to keep herself busy with the 33 tabs that she has open on her screen. Y/N, who’s tongue slips out of her teeth in concentration, doesn’t look up from her mound of case files. Spencer likes studying how each of the members of his team works, but he particularly likes to watch Y/N. She always sticks her tongue out when she’s deep in thought. Sometimes she’ll close her eyes and rub the butt of her palm against them. Other times she’ll push her glasses up on top of her head and her hair frames her face perfectly. Spencer couldn’t care less what she looked like or how she wore her hair, but watching her was his favorite part of the day.

In a totally platonic, non-creepy way.

A beep distracts Spencer from being distracted by Y/N. It’s an IM from Derek, telling him something to the effect of asking Y/N out. Instead of responding, Spencer decides to send Derek a more direct message. He shuts off his computer, which isn’t really used, besides for Y/N to send Spencer requests for online scrabble.

Spencer, ignoring Derek’s gloating, walks from the bullpen into the team’s lunch room. It’s a small kitchenette with a couple tables, a very old coffee machine, and an even older refrigerator. Peeking into the refrigerator, Spencer takes out two lunch boxes. One is light green with patterned purple and orange dinosaurs all over and the other is a light blue with green plants. Like clockwork, Y/N rounds the corner with a smile plastered to her face.

“What’s got you smiling like that?” Spencer asks, placing his lunch box down across from Y/N’s seat.

“It’s just my favorite time of day,” Y/N responds, unzipping her bag and taking out her banana, water bottle, granola, and turkey sandwich.

Spencer tries to hold back his smile at Y/N saying that lunch is her favorite time of day. He likes to believe that it’s because of him and not because of the top tier kitchen facility the government provides for them. But who’s he kidding, there’s no way that lunch is Y/N favorite part of the day because of Spencer when he’s up against a crappy coffee maker.

“Did you know that sandwiches were only called sandwiches because the Earl of Sandwich ate his meals with bread, meat and cheese like modern day sandwiches? However, there’s much debate if sandwiches existed prior to this. Researchers actually believe that sandwiches were simply referred to as bread and meat or bread cheese, depending on the ingredients. There’s hundreds of works of literature that help to determine this,” Spencer says, as he unwraps his leftovers from dinner the previous night.

Y/N, who takes a bite of her turkey sandwich, listens intently to Spencer’s oral history of sandwiches. She starts to respond to Spencer, but before she can even get the chance, Derek interjects into the conversation.

“Hold your horses, there Reid,” Derek says, his voice tainted with sarcasm and Spencer braces himself for a clipping comment, “you don’t want to scare away the newbie,”

Y/N, ever quick witted, rolls her eyes dramatically at Derek. She gets up and moves her seat closer to Spencer who’s heart rate, at the thought of her sitting even closer to him, speeds up. He knows that it's just an effort to tease Derek. That she'd rather suffer next to Spencer, than to have to entertain the idea of sitting next to Derek. But still, Spencer is a dreamer; he'd like to think she'd sit next to him even without the added bonus at avoiding Derek's playful teasing.

“Derek, leave Spencer alone, I happen to adore his facts. You know, I’ve seen I’ve been here I’ve been a Jeopardy beast. And when are you going to realize that I’m not a newbie, I’ve been here for what 2 years-”

“2 years, 4 months, and 4 days,” Spencer says, cursing himself silently for interrupting Y/N.

Derek grabs his lunch from the refrigerator, and sits down across from Spencer and Y/N.

“You remember the day I started?” Y/N asks, turning her attention from Derek to Spencer, whose face is twisted in what he can only assume is an extremely unattractive deer-in-head-lights look. He shrugs off Y/N’s comment, as if to say it’s just normal for him.

"Of course I do, I remember how long each of us has been here,"

"Oh, right. Eidetic Memory," Y/N mumbles, almost like she's slightly disappointed in something.

Suddenly Spencer’s mouth is quite dry; he reaches into his lunch bag to grab his water bottle, but his fingers brush across a small card taped to the outside. Forgetting that showing the card to Morgan would give him enough ammunition for the rest of day, Spencer quickly scans the card. It’s a small piece of paper, but it suddenly has become Spencer’s most treasured object. More than the set of Chaucer tales that his mother gave him, or Gideon’s watch, or his first microscope that his biology teacher in high school gave him at his graduation.

The one side of the card is decorated in small hearts and there’s a sketch of a dinosaur on the other side. In careful handwriting, the giver of the card wrote “Are you made of Nickel, Cerium, Arsenic, and Sulfur? Because you got a NiCe AsS!”

Spencer’s eyes grow a couple sizes once his brain registers the meaning of the card. Handling it less than gracefully, he chokes on his water, which catches Derek and Y/N’s attention.

“You okay there, Spence?’ Derek asks, questioning what sent Spencer coughing and choking on water like that.

Spencer, not wanting Y/N or Derek, especially Derek, to read the card, attempts to put it in the front pocket of his lunch box. Unfortunately, Derek catches sight of the card and snatches it out of Spencer’s hand.

“Derek!” Spencer whines.

He can feel his embarrassment deepen as Morgan’s smile grows. Spencer seriously thinks that this is how he’s going to die. His death, being in his line of work, is something that plagues his thoughts from time to time, but any gory hero’s death pales in comparison to Derek Morgan reading Spencer’s love notes about his ass.

“Nice ass? I’m not too sure about this, Reid, but looks like your secret lover likes your ass just as much as your brains,” Derek teases, handing back Spencer his card.

“Those are private,” Spencer says, grateful that Derek’s going to leave him alone, places the card back in it’s temporary resting spot near his driver’s license and photographs of him and Y/N at the arcade.

“Hey man, I was just going to put in that shoe box you have tucked under your desk, you must have hundreds of them by now,” Derek says, taking a bite of his ham and cheese wrap. His eyes dash between Spencer and Y/N, like the pair of them is the most entertaining reality show he could think of.

“I have 645, now,” Spencer says, unable to help himself much to Derek’s amusement. Spencer hears the chair next to him screech and Y/N rushes to pack up her half eaten lunch.

“I completely forgot, Anderson needs me to uh, help him with something,” Y/N says, stuffing her water bottle into her lunch box in a flustered state. Spencer watches as she rushes, her need to leave the kitchenette quite evident. Spencer is left wondering why she has to go see Anderson, of all people.

“Anderson? What does he want with you? I don’t remember Hotch saying anything about that,” Spencer says, his voice comes off a little more bitter than he indented.

“Maybe Anderson has some extracurriculars that he needs Y/N’s help with Spencer,” Derek says with a wink. Spencer’s brow tightens and his blush deepens as if he’s trying to decipher the way that Derek’s voice is laced with suggestion. The only logical conclusion is that Y/N is flustered because she’s sneaking off to see Anderson, because she likes him.

Y/N likes Anderson? Something about that doesn’t taste right in Spencer’s mouth.

Like the wind, Y/N is gone and all that remains is Derek’s sly chuckle.

“What!” Spencer says, much too loud for him to continue the coy and unassuming demeanor he usually produces when Y/N gets hit on at the bar or on case by local cops.

“Nothing, Reid. You're just clueless. Just think about how many of those little compliment cards you’ve gotten,” Derek says. He reaches into Spencer’s lunch box and takes his brownie. Usually, Spencer would have protested, but Derek’s words sent him into a confused spiral.

“645,” Spencer responds.

“Okay,” Derek continues, “645 days you’ve gotten those cute little cards in your lunch box or taped to your hotel room door on cases. Now, Reid think. How many years, months, and days, is 645 days”

“That’s 2 years, 4 months, and 3 days,” Spencer starts, “now given if it’s a Leap Year that could change it a little bit bit-”

“Think about it Reid,” Derek says, talking slowly to get the words sink in and hoping that he doesn’t have to spell it out for him.

“Y/N?” Spencer asks, kind of like he can’t believe it, but desperately wants to believe it at the same time.

“Y/N,” Derek repeats, “I’m surprised it’s taken you this long, Reid. She’s been making eyes at you the day she’s gotten here. It’s almost sickening to watch you to dance around each other,”

“Y/N,” Spencer says, it’s like he’s saying her name for the first time. It’s the most beautiful string of syllables to ever come from his lips.

Spencer pushes back the chair and swings the door open. As he walks to Y/N’s desk he gets distracted by the little brown shoe box that sticks out slightly from under his desk. He crouches down and picks it up, hoping that it can be helpful. He approaches Y/N’s desk, but JJ stops him before he can go closer.

“Stairwell,” Is all she says before she brushes past with an armful of case files. Spencer, heading JJ’s advice, practically runs to the stairwell. As he approaches he can hear quiet sobs, which he can only imagine are Y/N’s.

Spencer opens the door and Y/N, startled, stands up and tries to mop the tears away from her face.

“Spencer, oh god, I didn’t know you were here, I’m okay, it’s just me being a little silly,” she says, trying to laugh through what she can only assume is going to be rejection.

“I really hope you don’t think these are silly, well some are kind of silly, but others were very poetic,” Spencer says, taking a step forward and gesturing with the shoe box to make it obvious to Y/N that he’s talking about the compliment cards.

“What are you talking about, Spencer?” Y/N says, feigning ignorance.

“Don’t play dumb, Y/N. You're much too smart to play dumb,” Spencer says, moving closer to Y/N so he can wipe her tear-stricken face with the sleeve of his soft cardigan. He tries not to focus on the way that Y/N seems to melt into his touch. He knows that if he can get another touch of that, he’ll never want to touch another person ever again.

“I’m not playing dumb, Spence. I just never planned for you to find out,” Y/N mumbles. Spencer’s face resembles a mix between shock and confusion.

“Why would you not tell me, I don’t think I made it anything but obvious that I’m crazy about you,” Spencer says, deeply wondering why Y/N would ever hide something like this from him.

“God Spencer, have you ever looked in a mirror?” Y/N asks him, sitting down on the third step, “you’re so gorgeous, Spencer, I can’t say anything to your face. So the next best thing was to write down everything that I wanted to say to you,” Y/N finishes, a little embarrassed. She tries to hide that embarrassment by not making eye contact with Spencer, who sits down next to her.

“You think I’m gorgeous?” Spencer asks, not entirely sure that he heard her correctly.

Y/N peaks at him with teary eyes and a runny nose. Spencer thanks science and the universe for his Eidetic Memory. He knows that there won’t be a single day of his life that he won’t want to think back to this day and remember the way that Y/N looked when she first told him that she thinks he’s gorgeous.

“I think you’re the most beautiful person that I’ve ever seen,” Y/N says breathily, her voice laced with restraint. She’s terrified of rejection, terrified that Spencer will turn her down still.

“That’s the first time I’ve heard that,” Spencer says, equally as quiet and equally as terrified. He notices that Y/N’s hand creeps closer to his. Spencer is itching to intertwine it to his and never let go.

“You deserve to hear it more often, hence the cards,” Y/N explains, moving her hand even more closer to Spencer’s. He has no choice but to wrap his much larger one in Y/N’s smaller one.

“You meant it, right?” Spencer asks, bravely putting her heart out there on the line, “because if you did Y/N, that I’d really like to kiss you right now. But if you didn’t then that’s-”

Spencer tries to finish the sentence, to give Y/N an out, but somehow she doesn’t take it. Somehow she decides to kiss him.

Spencer has kissed a total of three people in his entire life, but none of them ever mattered again the second he feels Y/N’s lips against his and her hands in his hair. Spencer doesn’t complain when Y/N starts to set the pace. Her lips roam across his face. They venture across his jaw, up closer to his nose and then back down to his lips. Spencer had no clue Y/N can kiss like this. It's a little passionate for a first kiss, but maybe it's just the pent up tension and frustration 2 years in the making finally being let out. He's dreamt of the way that Y/N's pillowy lips would feel when they were finally pressed up against his. Spencer, from the fibers that make him up to the hormones that surge throughout his body, tries to be brave. He places his hands so they rest on Y/N’s neck. He’s not passive, but he’s happy to sit back and let Y/N have her way as she continues her feverish assault on his lips.

Her ministrations are interrupted, however, when the box of cards falls from Spencer’s lap. It seems to remind both of them that they are in the stairwell of the FBI making out like over zealous teenagers for the first time. Y/N lets out a small giggle. Spencer wishes he can write down the feeling it gives him and tuck it away safely in a shoe box.

“I hope you know that those compliments aren’t platonic, Spencer. I really do think you’re the most beautiful person I’ve ever met,” Y/N says, her fingers gravitating to the brown curls behind Spencer’s ears. He has the softest, silkiest hair she’s ever felt.

“That’s a good thing, Y/N, because you’re the most beautiful person I’ve ever met,”

Standing up, Y/N winks and pecks Spencer on the cheek, “I hate to break it to you, darling, but I think I win when it comes compliments,”

--Thank you for reading--

Taglist (Comment & I'll Happily Add You)

@shemarmooresfedora

@april-14-blog

@willowrose99

@calm-and-doctor

@spideygenius

@measure-in-pain

@nomajdetective

#spencer reid x reader #criminal minds #spencer reid #spencer reid x y/n #spencer reid x reader fluff #dr spencer reid #spencer reid x fem!reader #spencer reid fluff #spencer reid x you #criminal minds x reader #spencer reid fanfic #spencer reid fanfiction #criminal minds fanfic #spencer reid x reader one shot #spencer reid one shot #spencer reid x reader happy ending #criminal minds fanfiction

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ghirahimbo · 3 years

Note

"2. Suddenly pulling them in for a dance." - Ghiralink, perhaps? (Sorry incase that's not really your thing anymore! Feel free to pick another ship <3)

Yeah… yeah, that’s still my thing T-T lol, thanks for the prompt! This one was fun 😊

Post-canon, vague master/sword AU, ghiralink-ish

—

The spirit maiden danced with a grace befitting her divine origins, little though Ghirahim liked to admit it. Moving so lightly through the lively steps that her feet might have been floating, he could almost believe that she still bore Hylia's feathered wings on her back, tucked somewhere outside of physical sight. Link danced like a log in comparison—though on second appraisal, Ghirahim had to give him more credit than that. The boy wasn't stomping on Zelda’s toes, after all, unlike Fledge dancing nearby with poor Karane. Link's style consisted of accuracy without artistry, though with enough enthusiasm to almost make up for it. How odd that all his light-footedness seemed reserved for the more violent dance of swords, where he moved nimbly enough to keep even Ghirahim on his toes… a nod to his true calling, perhaps?

Privately savoring the notion, Ghirahim lounged against the wall of a newly erected building, only half noticing the wary looks he received as he watched the festivities unfold. These Skyloftians-turned-surface dwellers still feared him, despite the months he had served already as their hero's sword—a primal fear, perhaps, unless that fool Groose had secretly run off at the mouth. Link and Zelda had agreed from the start that certain aspects of Ghirahim’s past were best kept hidden, his previous master and role in Zelda’s disappearance highest among them. He had certainly not done anything overtly threatening to the residents of this tiny, budding village—and yet, they feared him.

The whole situation fell well beneath his notice, though he’d caught Link frowning over it more than once. Link was frowning at him now, Ghirahim realized, directing it over Zelda’s shoulder as they turned in sync, and he met it with a scornful expression of his own. What had Link expected him to do here tonight? Mingle?

The music finally paused as the lively song wound to its end, prompting the dancing couples to bow and switch partners (in Karane’s case with remarkable alacrity). Link leaned in towards Zelda, whispering something in her ear before vanishing into the milling throng, and Ghirahim half raised an eyebrow. Likely he'd just gone for more food, though Link might have finally tired of this tedious celebration. Compared to the more demonic gatherings Ghirahim knew, this less raucous human affair contained a disappointing (if expected) lack of bloodshed—though of course, those had often erupted haphazardly in the throes of battles won. Not like this one, which commemorated nothing more than the laboriously slow growth of food and its eventual harvest.

Another song started up, slower than the last but no less cheerful. Fledge had moved on to his next victim, some girl in a bandana and horrifically flared pants whose name Ghirahim had never bothered to learn. Zelda had produced a harp, wandering to join the musicians with plucked out harmonies that flowed from her fingers with ease, and Link…

Ghirahim frowned when Link’s bobbing green hat still had not emerged among the dancers. The food tables remained conspicuously absent of green, as well. If Link thought he could escape on his own while leaving Ghirahim here waiting—

A hand grabbed his arm, pulling him from his perch by the wall, and if he hadn’t had that hand memorized from the hundreds of times it had gripped his hilt, Ghirahim might have expressed his surprise in regrettably drastic fashion. Instead he let it pull him through the crowd until they reached their apparent destination, and it slid down his arm to grasp his own blackened hand, while another reached up to rest lightly on his shoulder.

Ghirahim blinked. Link smiled blandly up at him.

"Care to dance?" he asked, a bit too late for etiquette's sake considering that the dance had already started. Link's cheeks shone pink from the exertion of tromping around with Zelda, and his messy hair, mercifully absent the hat that always covered it, felt deceitful in how easily it had disguised his presence. Sweat clung to the base of those dark blonde locks—the reason for the hat's removal?

Ghirahim's legs moved automatically through the simple steps as he considered his young master, who made a brave attempt at leading with that unfortunate portion of his usual grace.

"Presumptive of you," he murmured, just loud enough to be heard over the din of laughter and music. "Any particular motive for such impertinence?"

Link had the nerve to look confused.

"You like to dance," he said, as if that was answer enough. Perhaps it was. Link wore his cheerful naiveté like a cloak sometimes, and even Ghirahim couldn't always sort out how much of it was real, and how much artifice. "Someone had to ask you?"

The hint of a question?

A number of potential reactions ran through Ghirahim's mind, considered and discarded in quick succession. He could extract himself easily enough, leaving Link clutching nothing but vanishing diamonds. He could also stand stubbornly still, refuse to dance, and let Link discover just how easily he could drag around a sword that didn't want to move. He could reject Link quietly—dramatically—at knifepoint, even—but…

A quick glance around revealed their audience. Though most had the sense not to stare openly, nearly every couple surrounding them shared the same nervous, almost scandalized smile, as if they feared the consequence of making their amusement too obvious. The spirit maiden in particular watched him closely, keeping a pointed eye on him over her harp though her lips shared the same bland smile as Link.

There would be no consequence, of course—Ghirahim wouldn't risk this precarious arrangement with Link simply to save face in front of some humans—yet neither could he let anyone think him scared off by something as innocuous as an invitation to dance. The steps themselves were straightforward enough, easily gleaned through his brief time spent observing… and as Link had pointed out, he did enjoy it.

His lips curved into a grin.

"I accept your request," Ghirahim said, and the moment Link started to relax, added, "but I will not be led."

Link's eyes barely had the chance to widen before Ghirahim spun him around, reversing the position of their hands.

Backpedaling to match Ghirahim's smooth advance, Link's startled face swiveled between watching Ghirahim and his own two feet in a desperate attempt to avoid being trampled. Lack of practice in this secondary role made him even less sure of his steps than before, though Ghirahim managed to steer them without incident through the greater pattern of dancing couples, humming in amusement as Link fought with surprise against an unexpected dip backwards.

"Come now, Link, have I ever allowed you to wield me with so little poise?" he hissed, the tip of his tongue whipping out mockingly as he raised Link back up. "If you favor only my sword with your attempts at finesse, I will begin to be jealous of myself."

Face red now from more than mere exertion, Link opened his mouth as if to protest—and closed it again, his lips forming a thin line of determination. An abrupt change swept over him, as drastic as if a switch had been pressed, and his stance shifted along with his center of gravity. Back straight with just a hint of fluidity, eyes blazing with the same defiance that had caught Ghirahim’s interest from the very start, Link danced, the superior reflexes he showed in battle at last made manifest.

Ghirahim's own eyes glowed. So Link had finally remembered that he held a sword.

"You've been holding out on me," he whispered, uncertain if Link could hear him or not. Experimentally, he directed Link with a light hint of pressure through a gliding spin, and found him as responsive an opponent as ever. "I should punish you for that."

Except that Link had held out on the spirit maiden first, and only for Ghirahim revealed his true potential. There was a pattern to that, he decided, glancing once more at Zelda and relishing in her look of surprise. Her chosen hero could never have defeated Demise without trying himself again and again on Ghirahim's sword first, and he hoped at times that his necessity haunted her.

The music picked up in pace and volume, the steps coming quick and intense. Link said nothing—he never did in the midst of battle, as silent as stone and just as unyielding—but perspiration broke out in beads along his face, trailing down the edge of his jaw. His hair swept and stuck in strange patterns across his forehead, disheveled but not wholly unappealing. Link might still have lacked a certain flair to his movements, too direct and to the point for Ghirahim's taste… but style could be taught. Idly, Ghirahim considered other dances he might teach this man if he was amenable, of perhaps less wholesome origins—dances whose quick, subtle movements pushed the bounds of even his own abilities, requiring strength in muscles Link likely didn't know existed. What was a dance without challenge, after all… without something a little more physical?

For now they moved through this tamer dance of Hylia's people, both withdrawing and rejoining as the pattern of steps demanded. The outer world fell away as their attention narrowed in on small details—the clash of eyes and brush of skin—blue on black and flushed tan on cool, steely gray—

And the music ended in a moment of silence that rang out unexpectedly. Laughing chatter burst to life, as abrupt as it was unwelcome, and the spell between them broke. Panting, looking slightly dazed, Link gave Ghirahim a bow that he returned with almost his usual smoothness, convincing himself that he had not been nearly so affected.

"Satisfied?" he asked softly, with the hint of a smirk—and was taken aback by the positively sly look Link gave him in response.

“Well…”

Brushing his hands together and placing them on his hips, Link gave a show of looking around meaningfully, and only then did Ghirahim realize how the tenor of the voices surrounding them had changed. Those glances sent his way felt more curious now than wary, and the bubble of instinctive fear surrounding him had all but vanished—his presence made human in their eyes at last by his part in the harvest dance.

"It's a start," Link decided, wiping sweat from his brow and settling his pointed green hat at a jaunty angle on his head. "I’m done dancing for the night, but you keep going if you want. You looked like you were having fun.”

With a wink, he turned to leave, and Ghirahim couldn't help but admire his exit. Link really was as conniving as any demon he’d ever met at times, though to completely different ends.

A nervous cough caught his attention, and he glanced down to see Fledge looking up at him anxiously. From the flurry of motion around them, it was time to switch partners for the next dance.

“U-um,” he managed to squeak out. His face, torn between pale white and deep red, had settled on both in splotches. “Everyone else is, so do you… I mean, are we supposed t-to…?”

Ghirahim snapped, leaving Fledge gaping at vanishing diamonds, and as he left caught the edges of Link's laughter. Conniving indeed, he thought, though at least in that as in so much else they were equally matched.

#writing prompts #ghiralink #ghirahim #my writing #I’ll probably post this to ao3 some time tonight

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shinigami-dispatch-association · 2 years

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An In-depth Post About This Thing I Saw:

And whether it is true or not

So, to start, I thought there might be something about it on his character sheet and, lo and behold, I found this online:

How perfect, I thought, surely the note in the top right mentions whether it’s dye or bleach. Except, it’s too blurry for me to translate. Well, I then found a better version, and…

I am choosing to assume that this translation as accurate (even though I would much rather translate it for myself), because the original is too hard to make out.

So, what does it say about his hair? Well, nothing. His hair is short in the back. I guess that’s good to know, but it doesn’t mention his dye/bleach.

Then, I decided to look at some images of him. But, you have to remember he only appears in BoC, BoA, and Season II. I will only be looking at his BoA appearances because, in my opinion, his other appearances make his hair much more orange than blond. Note: I am also ignoring Doormouse! Ron.

So, to start, ignoring the time period, would it be possible to dye or bleach his hair this color?

Following his character sheet, I am saying that his lighter section is between a 7-9, while the same is somewhere between 1-3. So, would this be possible to achieve?

Yes, there is multiple people who have bleached their naturally black hair as far as platinum blond. However… the multiple examples of people doing this are all from the modern day. Now, to be fair, I will also stage that it is also possible to go the opposite direction with a simple OTC hair dye.

So, what does history tell us is more likely? Well, in the Victorian Era the fashion trend was actually dark hair, with many recipes preserved that show homemade hair dye. However, this same source also mentions that changing your hair color still is not recommended, as it seemingly defies nature. But, this doesn’t mean that it wasn’t ever done.

Furthermore, the color that people actually wanted the most was auburn hair. Saffron and other natural dyes would actually be used to give hair a more orange color. However, blond could also be achieved as far back the Elizabethan Era. So, in theory, both dye and bleach could be used to, but, in comparison, dye would have been cheaper and more accessible for the average person. Though, there is one last isle to go down.

If you do read the articles, you might have (like me) noticed that any color change was difficult and even frowned upon. So, what if his hair is just Like That™️? Is two-toned hair naturally occurring? Yes, it’s called Hair Heterochromia, but it is not this extreme. I also thought that it could be some very extreme sun bleaching, seeing as only the top is light. Unsurprisingly, that is not possible either. Not that this completely disqualifies the idea, though. After all, Yana-sensei’s characters don’t exactly have reasonable hair in terms of color to style.

So, which is it? Well, I think there is actually two different answers for this question.

If you take a literal approach, then the article is right, and it is almost certainly dark dye on light hair. Not only would bleach strong enough for his hair level not exist, but blond hair was not sought after the same way it is today.

However, I do not think this is the case in-universe. From Madame Red’s bright red hair (She has a flashback that proves it’s natural), to Ciel, Ciel, and Vincent, it can be assumed that hair colors in their version of Victorian London are different, with basically anything being possible. Do with this information what you want, and know that I will personally be forgetting all of this research in order to continue writing him with bleached hair.

#black butler #kuroshitsuji #ronald knox

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descendants-brat · 3 years

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How I feel about Mal Bertha and her character PART 1

This is not a Mal bertha Biography and it is biased in the sense that I don’t like her at all. Read with caution.

Descendants 2 was actually the first movie of the trilogy that I had watched. My little sister was watching it and I happened to be passing by and sat to watch it with her when it caught my eye. 2017 me had a completely different opinion of Mal bertha than today not because I was younger but simply because D3 hadn’t come out yet and I hadn’t watched the first movie or even knew there was books. I can’t stand Mal bertha, not even the D1 version of her and that’s the one even Mal antis love. I didn’t like her in the first movie but it was more of a “I wouldn’t be friends with her.” I didn’t think that she was unforgiveable and that it was impossible to give her a second chance. She made her own bad choices but she expressed genuine regret for them and was only 16. Despite me, loathing Mal’s existence I related to her in sense that it’s scary wanting to change but you don’t know whether or not your actions have caused too much damage.

In D2 watching it as a stand alone I saw a girl wanting something other than the ‘happily ever after’ and deciding she would go for what would make her happy when she went back to isle. I was desperately hoping that after the ‘It’s going down’ scene that she would go back to the isle and not choose to stay somewhere she wanted to leave. But we know how that went and the ending left me bitter and sad not for her, but for Uma. She began to leave a bitter taste in my mouth when she broke up with Ben and came back and just expected him to get back together with her. I’m going to go around every version of her character.

PRE D1

She was a dick. That’s the simplest way I can put it. I don’t like even acknowledging pre d1 Mal because it leaves me with this very negative view of her character that I don’t think was necessary. I feel like this is a big fuck up, wanting to have Mal be her ‘evilest’ before coming to Auradon. I understand the reason why they wanted to show her growth and change throughout the series. But after looking at some real life scenarios with a similar Mal situation it made me look at it differently. Imagine this: someone who severely bullied you and harassed you and everyone around getting to go to a new place and get the best treatment there, then she’s congratulated with becoming queen of that land and not only that she then decides she’s going to be queen of the place she was bullying and harassing people at without ever properly apologizing. This happens in real life and these people get exposed which is why I don’t like it. It would be different if Mal actual grew throughout the series but it was real just her gaining more power and the scenery changing from Pre D1-D3. She also continued to make the same type of ‘mistakes’ with no actual direct consequences all she had to do was cry and they forgave her. She would be okay if it Descendants was a stand alone movie. But knowing the type of life she would get to live after all of this behavior puts me off from reading it. It would also be different if Mal lived a simple life in Auradon (Aka not trying to take control by dating the king and then stepping all over said king) She got more than what she deserved to have. In my opinion she did deserve the chance at all better life just like all the other kids who didn’t commit any crimes to be locked up. But in the eyes of people she victimized she wouldn’t deserve to be Queen become royalty, live in castles and get gifted with limos and bikes.

D1 is the version of Mal everyone generally likes however, like I stated before I didn’t like her even then. At the start we see someone who is clearly trying to please her mother so if her mother wants bad behavior she gives her that. Throughout the main plot she did things of her own accord that she can’t use her mom as an excuse for. There’s a couple different things but a lot of them had to do with Ben and I’m making a whole post on how Ben was treated like shit throughout the franchise so that will be addressed then and not in this post. However for a reference she drugged him with a spelled cookie into falling in love with her for the wand. He wasn’t even willing to eat the cookie at first but she guilt tripped him into eating it. We could brush this off as her doing whatever she needed to do to get to the crown but to me she took advantage of the situation by actually going on dates with him. He was already spelled and willing to listen to whatever she wanted so besides for her own personal interest why would she go on the dates? (Granted a 16 year old wanting to get cute and have a nice date with a nice boy is not a fault or wrong in any way the fault here is all of this was happening when Ben was not in his right state of mind until the spell washed off.) Her taking advantage of Jane’s insecurities was not cool either and I’m interested in what ways she would’ve tried to use Jane if it was easier to get to the wand through her. Since her main crime in my opinion was Ben and since he’ll have his own essay post I’ll focus on Audrey here.

Her disrespect to Audrey

It was unnecessary, she had no reason to have had Audrey’s name in her mouth as much as she did D1. It would make more sense for Mal to like Audrey’s sassy boldness to me not shit talk her every chance she got. At the start they had a small passive aggressive conversation that could’ve just been left at that because technically they burred the hatchet between the two families. It was a “hey I don’t fuck with you, you don’t fuck with me” type of a situation that could’ve grown civil. However, throughout the movie in comparison to Audrey who really just had a problem with Mal’s mother until she spelled ben then it became direct problems with each other. Mal was continuously talking shit about Audrey as if Audrey was the one who fucked with her family. This time her upbringing can be referenced, on the Isle she most likely was allowed to openly hate things and Audrey was most likely raised to at least pretend to be polite. But from the Audrey we’ve seen she clearly doesn’t care about holding her tongue she’s straightforward with how she feels and she didn’t have a problem with Mal she had a problem with her mother. The only time she talked about Mal directly was about the hair spells which she ended up being right about (Mal’s addictive reliance on magic in D2 and Jane at the end of D1). After completely ignoring Audrey’s feelings and literally stole her boyfriend (not even on the the you can’t steal a loyal man type of shit she literally stole him he wasn’t even allowed to consent to it.) She later in Audrey’s Diary multiple times tries to reason this with she never meant to directly hurt Audrey and that she didn’t really want Ben she just wanted the wand etc etc. The evidence doesn’t back this up Mal, you’ve made your disdain for Audrey clear and talked shit about her to Evie right after you spelled Ben the did I mention bs claiming “Chad will see her horrible personally” as if you knew her personally and that Chad didn’t grow up with her. Mal can say she didn’t mean to hurt Audrey but she clearly didn’t mind that she did.

I’m going to make a whole separate on Audrey and how I do think she gets a lot of slack because people can relate to her, but also how her treatment in comparison to Mal’s is unfair.

I did think she deserved a chance to show remorse for her behavior (spoiler: she didnt) Again, I like to look at things from the pov of other characters for things like this. If I was an Auradon kid who was friends with Mal and ended up finding out she was using me and plotting to take over and destroy the place I lived with/for her mother but changed her mind last minute. I would see her as forgivable I just wouldn’t want her around me. In other words I would expect her to start her own new life, not continue trying to live the one where she was plotting without even actually apologizing to people. AU: After descendants instead of continuing to date Ben she breaks it off and goes to an Art school frequently coming back to visit Auradon and after high school she goes on a quest (with the C4 of course) exploring all kinds of different kingdoms and countries because she was locked up on the isle her whole life. In the future she possibly returns to Auardon and even could get back together with Ben with a proper start.

The first Descendants Movie I ever saw so it holds a special place with me and I actually rooted for Mal the first time I watched it. I sat in to watch at the argument scene and knowing all of the plots now and after rewatching it my opinion has change greatly. We see a blonde and very stressed Mal who’s dealing with the pressures of becoming a royal in order to secure her place with Ben. I do feel bad for Mal when she was talking to Evie, she was trying to reach out to her friend about her situation and was basically told to stop talking about it. I understand Evie’s feelings of wanting to leave the past behind but I can also understand Mal feeling like she’s cornered and can’t even talk to her best friend. I can also understand her feelings of ending up overwhelmed with her decisions from going to somebody who did whatever whenever to becoming a royal with duties I get the pressure. If Mal decided that wasn’t the life she wanted to live and went back to the isle where she felt more comfortable I don’t see anything wrong with that. She wasn’t required to stay in Auradon if she felt like she was unhappy there. That says a little something about Auradon to me if somebody would rather live where they ate rotten food than live there. My sympathy for Mal stops there because everything else was a result of her own actions and things she brought onto herself.

1. The royal situation

Let’s get one thing clear nobody was forcing Mal to hand sign up for the prime and proper royal life. She did that herself.

Nobody told her that she had to dye her hair blonde and have a complete wardrobe change, she did.

Nobody said she even had to continue the terrible relationship she had with Ben and go straight into being a royal in order to basically become Ben’s wifey, she did.

She’s saying all of these people are expecting things of her when 6 months ago she was stealing candy from babies when she was the one who let people have these expectations. She decided to take up the role herself because that was what she wanted. Let’s be honest with how it happened Mal would not live in Auradon if she had to be a regular citizen she wanted to be in control of everybody and to have power because that how she always lived. However once she realized that nobody was just about to hand her this power just for being with Ben unlike with her Mom (getting to rule the isle just because she was her daughter and not because she actually worked her way up there) and that she actually had duties and work to fulfill if she wanted to be the boss. She let her pride get in the way by feeling she had to prove she could last with Ben and become an Auradon girl and ended up miserable and blaming Ben for something she decided to do herself.

She then had the responsibility to fulfill all of those duties and she was struggling unlike anybody else who would’ve had to abide by the “don’t use magic” quote on quote rule she decided to use Magic after claiming she’d give it up and was still a hot ass mess. She can’t even use the excuse that was to help her with her lady in training because she was using it to not be late to class and later to try and manipulate Ben. @ishiphumasohard made a good response on why it was unfair for Mal to use magic as her ‘right’ because at what point would it be unfair to other kids? While all the other kids have to show up on time to school Mal gets to use magic to turn back time instead of just being on time. If other kids studied all night for a test Mal can use a speed reading spell. If there was a cooking contest Mal can spell her way into a feast while the others would have to the actual labor. You get the point, because magic is not universally used by everyone in Auradon and it’s an unspoken rule that it’s not to be used then she should have followed this rule.

I will say the girl was stressed and was feeling alone, I already gave my sympathies for that.

The magic situation really hit the fan when she felt comfortable enough to spell the boyfriend who had already put enough trust in her to continue their relationship that started with her drugging him for her own benefit. Compared to her Ben did seem to be taking it easy but maybe like her, he didn’t want to show it. It seems Ben and Mal had a sort of pack to work hard together to become ‘the king and queen’ of Auradon they were supposed to be in it together. In my opinion it would make more sense for Ben to be hiding things from Mal than the other way around due to the nature of their shitty relationship. But that’s just not how it went down and after Mal tries to spell Ben into not finding her spellbook he gets RIGHTFULLY ANGRY. That entire scene was her fault, she could’ve explained herself and why she was using magic and that she was having a hard time but she once again decides to take advantage of Ben’s trust. Then proceeds to make sure she ends the fight with her being the victim. So much so that the entire fact that she spelled Ben was never brought up again.

Going back to the isle

She then decides to go back to the isle, if this was really her decision I wouldn’t mind it. There’s nothing wrong with her liking the isle better than Auradon if that’s where she felt at home. The problem was she was clearly emotional and let’s be honest, if she had called all of her friends together and actually broke up with Ben and told them this was her decision to go back to the isle before leaving they MIGHT (hard might) not have ran after her like they did. Not only that the duties that we were speaking of earlier, she didn’t formally pull out of anything which is why it irked me when she was so irritated that they came back for her.

Some people actually didn’t like her attitude as soon as she got back on the isle because she expected to run it. That wasn’t surprising to me honestly, because for her whole life that’s how it was, only person she was scared of was her mother. She quickly realized however now that her mom isn’t around and in lizard form nobody was scared of her. Most unrealistic part of D2 was how Mal didn’t get jumped as soon as people realized she got back. Like I said Isle Mal was a straight dickhead and had too many enemies to be walking around like she was.

Another point was when she got her hair dyed by dizzy, the shop wasn’t open, she saw this, ignored it and went in anyway. Not even because her and Dizzy were tight like that she just expected her to do what she wanted (get the pattern with Mal here?)

Skipping her scene with harry because it did nothing to the plot.

The rest of the C4 and Ben come to get Mal back as expected and she acts all surprised and angry. Ben apologizes to her and instead of apologizing for what she did and then explaining that she doesn’t want to go back to Auradon and be a lady of the court. She continues the narrative that Ben wanted her to change and that she’s not good for Auradon so she’s going to stay on the isle. What’s the difference between the two? The first one is her taking responsibility of her actions and deciding for herself that that’s not the life she wants. While the other is acknowledging none of the blame and deciding to run away not because that’s not what she really wants but because everyone will turn on her so she has to run first. It painted a narrative that nothing of this was her own doing while at the same time making it seem like she is doing the right thing by backing away which in hindsight probably was the better decision. Mal’s feelings weren’t the problem I understand them, she thinks she won’t be accepted as herself so she wants to leave before they can kick her out but that’s not what caused her to leave and she knows it. You got caught doing something shitty and instead of apologizing you ran away.

After Ben gets kidnapped she lectures the C4, again she does have some blame in this. With the way the fight ended it made it look like Ben was in the wrong so he was going to try and apologize regardless if they brought him or not. The rest of them came to keep him safe and as her gang members come back for her. Was this not something she considered after she calmed herself down? Ben honestly had no reason to be directly on the isle unprotected besides to sneak and apologize to you so are you really going to just blame the C4 for bringing him there and getting him captured?

Then when Uma, who has him captured plans a meeting she antagonizes her like that’s what is best for Ben at the time. Even in the mist of Ben being in danger she thought it was a good idea to try and piss off the person holding him captive. If you don’t remember what she did she called her shrimpy, insulted the smell of the restaurant and said she never thought of Uma while implying that Uma always had her on her mind for no reason. None of that was necessary to ask what Uma’s conditions were to give Ben back she just couldn’t help herself.

She didn’t care about Dizzy

Who had just performed a task for her and right after she paid her got robbed and had the place trashed just for Mal to say she’ll be alright. This should’ve been foreshadowing at the very least that she wasn’t ready to be making decisions for other people’s lives because besides her own and her friends she didn’t care for many especially those on the isle.

It’s going down

Even though it was in the song and not directly her words again antagonizing the person who has Ben held captive and threatening his life, insulting them is stupid. This entire scene is messy and they shouldn’t even had been able to win a fight against pirates outnumbered. When has Mal ever picked up a sword???

Car ride Back

She gets mad when Ben has sympathy/ shows understanding for Uma. She somehow realizes that it’s wrong Uma kidnapped him but was comfortable spelling him without a second thought. In my opinion she thought she had some type of ownership over Ben she could do what she wanted to him and if somebody else did it was wrong. (Even though this can be applied to what she did in D1, I’m only talking about D2 because most people agree she showed regret for her actions in D1) When he calls her out on her hypocrisy she goes mute and does that thing, of letting her mouth hang opened whenever she gets called out on her shit.

END OF PART 1

I was going to make this one long post but I’ve been putting this off long enough so here is part 1, no idea when part 2 will be up. I do hope to have the Ben posts up before that.

#anti mal #anti mal bertha #anti bal #anti ben and mal #ben florian #ben descendants #descendants #disney descendants #audrey descendants #princess audrey #Audrey Rose #evie descendants #ben deserves better #uma descendants

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chibijinebra · 3 years

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Let’s not call it a hot take, this is me, err, critique? on the Cruella critiques This is not directed everyone that didn’t enjoy Cruella because is just a movie and as people we have different tastes and opinions and if you don’t like is ok, people don’t have to like it, people can like different things like, whatever is not about that, my “take” is on people that have all this long list of issues with the movie and have not seen it themselves but have their opinions from posts Online or have seen the movie, hates the movie but keep comparing it with Maleficent or that just didn’t like the movie and are here poorly explaining it to people so they hate it too and you should not like Cruella under any circumstance and…

As you can see my issues are very specific and because is a “take” lets make a sort of list

Cruella was sold as a prequel when it really is a reboot- I personally I don’t remember Disney saying this was a prequel, just the “origin story” to their Disney Villain, just like they did with Maleficent and just like with Maleficent it turns out that yes, it was more like a reboot. This Cruella is not the same Cruella from the animated movie just like Maleficent is not the same Maleficent as the animated movie. Yes, they should have sold it more like a reboot but even then I feel that still wouldn’t have change the view of people who had already decided they were going to hate dislike the movie.

Cruella is worse than Maleficent because they are trying to make you sympathize with a woman who wanted to kill dogs- How is this worse than Malificent because of that? I don’t know if you remember that Maleficent wanted to kill a 16 year old girl? I love dogs, I love puppies but we really have to stop with this idea that dogs and animal lives are worth more than people’s lives. These are just movies and I get you wanting to kill people that killed a dog in John Wick or so but in this scenario you are literally saying is worse for a person to kill dogs than to kill a teenager. I personally did not like Maleficent other than visuals, I did not like what they did to the story and the characters and I do have an issue with Disney here saying “Now all villains are antiheroes”, I am also just saying the amount of critique, scrutiny and hate the Cruella film is receiving is nothing compare to the Maleficent one and that film decided to make Kin Stephan a r*p*st so ???

This movie didn’t need to be Cruella, it was a good movie on its own and it could have been with another character. It didn’t need to be about Cruella- Agreed. They changed the character so much is no longer Cruella. Is a good movie that had no need to be Cruella. But is the same with the Joker, here is when you can actually make those comparisons. The Joker is movie did not need to be The Joker, it has the Joker because it would pull more people to see it but the character is so different it really didn’t need to be the Joker so, yeah this is the same thing.

We didn’t need this. Glenn Close is a better Cruella- Yes, we did not need this. Yes, Glenn Close does a much better representation about the animated Cruella but as we stablished before, this is not the same Cruella. Go watch that movie again and literally the only thing that is still good, amazing, is Close acting because all the other character are nothing, they are boring, the dogs are cute but because for good or bad they do not talk on this movie you remain the majority of this movie just watching animals making sounds and run around. Glenn Close is my favorite Cruella, she looks amazing, she steals the movie and she is the only reason to watch that movie. But that is another Cruella, on another story. I do agree that we didn’t need it, but is already here so-

Cruella hates Dalmatian dogs and this movie explains why and is stupid and hilarious- Ok so, I don’t know how to tell you this but Cruella never hated Dalmatian dogs, In 102 Dalmatians sure, she does because the dogs had already ruined her life but in both the animated 101D and the Live Action, Cruella do not hate dogs, she doesn’t like them but she doesn’t like any animal other than to use their fur. but the character doesn’t have some sort of hate towards just one animal, she is just a horrible person that wanted to make a coat, they could have been Dalmatians or puddle or any other animal, the woman just wanted a coat. I personally also laughed with the killer Dalmatian dogs scene but the movie once you actually watch makes you see that not only Cruella did not hate those dogs it was not the dog’s fault. I did laughed when it happened tho, but I laughed with a bunch of stupid things so idk.

The Dalmatians commit incest- That’s… that’s just how pure breeds are made. It is horrible and breeders that do this are horrible people exploding dogs for money but is sadly a things that exists and also this is a movie like, do you also complain about incest watching The Lion King?

If you read all my crap, thanks~ Overall, I just want you to watch the movie, you can either wait for it to be free on Disney + or you can pirate if you want like, if you don’t wanna pay for it don’t do it, is your money, I just want people to watch the movie and decide if they like it or not and not just blindly believe the 101 (he ehe) posts about “I watched the Cruella movie so you don’t have to” or “This is everything that is wrong about the Cruella movie so you don’t have to see it”

#Cruella 2021 #Cruella #Disney #chibi rants about shit #I forgot my own tags. It's been so long #long post #Cruella spoilers #I guess

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paladinsbrainrot · 3 years

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All Season Two Byler Proofs (Part Three)

This is part three to my season two Byler proofs, so if you haven't already check out part one and two here and here.

Lets continue, shall we?

19. ‘Best thing I’ve ever done’

˰ Season Two Chapter Eight : The Mind Flayer

This is one of my favourite scenes in the entire series. It’s super emotional and beautiful and it just fills me up with joy.

Anyways, it contains a lot of Byler proof. Befriending Will Byers is the best thing that Mike had ever done. Not El, not becoming friends with Lucas or Dustin, not even existing is the best thing he’s ever done. The moment in which Will became his friend was the best thing that Mike had ever done.

Don’t you think that says alot about what Mike feels for El? If he loves El so much wouldn’t you think that finding El in the forest or kissing her would be the best thing he’d ever done? No, because El isn’t the one that he’s in love with, it’s Will.

I’d also like to add that if Mike and Will had the same relationship as Will and Dustin or Will and Lucas, wouldn’t you think that Lucas and Dustin would be in the shed too? Another direct comparison of Mike and Will’s relationship.

Also notice how once again the only people in the shed are Will's family, Joyce his mother, Jonathan his brother, Hopper (foreshadowing father figure) and Mike, foreshadowing boyfriend. There are so many moments when Mike is compared to Will’s family.

Also, after Mike talks about how becoming Will’s friend was the best thing he’d ever done, it’s then Will decides to use morse code. Again, proving that Mike is one of the most important people in Will’s life. A sensitive topic like this that Will has bottled up inside of him (having a crush on Mike) would trigger Will’s actual self and get him to speak in morse code.

20. Snowball (they like each other)

˰ Season Two Chapter Nine : The Gate

During the snowball scene, each original party member has someone to date with. Mike with Eleven, Lucas with Max, Dustin with Nancy, and Will with…? Who was it again? Oh that’s right, the person Will dances with is so insignificant she doesn’t even have a name.

So, Max is asked to dance by Lucas. After this, Dustin looks sad.

And guess what, Will is asked to dance with some random girl and after this, Mike looks sad.

We know that Dustin had a crush on Max. Does this mean that Mike has a crush on Will because they are paralleled to each other?

I’d like to mention that the person that Will is dancing with contains a rainbow hair clip, resembling him being gay or apart of LGBTQ+ culture.

This girl Will is dancing with does not appear in other seasons and is not given a name (in the script she is known as ‘The Cute Girl’) again, proving how insignificant she is. She also refers to Will as ‘Zombie Boy’.

And notice how Will doesn’t dance with the girl until Mike reassures him.

I’ve made an entire analysis on the snowball scene which you can check out here, however I’ll just be going over some of my main points that I made in that post.

Dustin dances with Nancy to get over Max, and since Mike is paralleled with him, it means Mike dances with Eleven to get over Will.

Even in the official script for the episode, it is listed that Will isn’t looking at the girl, he is instead looking at Mike, signifying his crush on Mike.

And that is it for my season two Byler proofs. I really hope you enjoyed this, and likes/reblogs would be greatly appreciated because of all the hard work that went into the project.

I’m working on Byler proofs for season three but I’m not sure if I should release it. If you like this and would like proofs for season three, please show your support! It would be greatly appreciated.

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rivalsforlife · 3 years

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AA7 Speculation Post: One Year Later

here we go again.

A year and a day ago, I made a speculation post about if/when we’d ever be seeing AA7. Obviously, my claim that AA7 would be announced in September 2020 did not turn out to be true, but later that year we did get a leaked calendar containing information on the new ports for Chronicles, and also plans for a new aa7, which I summarized in this post.

Now that we have Chronicles we can verify that the leaks contained legitimate information (as if a statement from Capcom saying they were hacked wasn’t legitimate enough). So that leaves us with one key question: is AA7 still happening? If so, when can we expect it? As well, what other information from the leaked calendar can we consider, especially with early sales data on Chronicles? In addition, what are the implications of this new survey on Chronicles from Capcom?

All of that will be discussed under the cut so that this doesn’t take up too much space.

Revisiting The Calendar

Once again, here is a rough translation of the calendar that was present in the leaks:

As a note, in this post, I’ll be referring to our new games as “Chronicles” to prevent this from being blocked by people avoiding spoilers.

So: this original calendar, generated before the pandemic, had Chronicles releasing in Q1 of FY2021 - and it’s also important to note that in Japan, each fiscal year starts in April 1st, so FY2021 is actually April-June 2021. This shows that Chronicles was pushed back about a quarter from their expected release date. However, Chronicles was a port of already existing games, therefore somewhat less work was needed on them - upscaling models and textures, adding in some new features like autoplay and story mode, and of course, the English translation and voicework were needed, which is still a lot of course, but less compared to development on an entirely new game. In addition to that, the pandemic hit AA7 in its early development stage, assuming this schedule was still being followed by the time the pandemic hit. That could cause more delays than expected.

So the original plan was for AA7 to be released in Q3 of 2021, which corresponds to October-December, aligning with the 20th anniversary of the series in October. While it’s a desirable goal, it’s quite likely the pandemic pushed it back at least a quarter, if not more, if not cancelled it entirely. ... haha.

We’ll only know the fate of AA7 for certain when it’s announced. Which it is possible it may never be. However, I have two theories for, if AA7 is getting an announcement, when it will be:

1) Sometime during September 2021, either in the leadup to or during Tokyo Game Show this year. These are for the same reasons as I outlined in my initial speculation post. It’s a popular time for Ace Attorney game announcements, after all. TGS, according to what I can find, will be held online this year from September 30th to October 3rd. If Capcom announces AA7 earlier in September through Famitsu, like they did with AA6 for example, then we can expect to get some information during TGS...

2) Sometime during a 20th Anniversary Event, possibly in October 2021. I’m assuming AA is planning something for the 20th anniversary - Chronicles wasn’t really marketed as a 20th anniversary release, for instance. If they can’t release a new game for the 20th anniversary (which at this rate, seems unlikely, as we’re about two months out from that with no word about it) then an announcement would be just as good at generating hype for it.

Naturally, if we reach this time next year with absolutely no news on AA7, it’s probably safe to say it’s been cancelled or at least delayed so severely that anything we currently know about it isn’t worth much.

There’s one more point of interest on the calendar: reconsidering the porting of 456. I feel that this depends heavily on how well the Chronicles ports are doing; if it’s not financially viable to keep porting games, then why bother? So, let’s take a look at that.

The Success of Chronicles

As I write this, it’s about two and a half weeks since the release of Chronicles worldwide. So... how did the games do? It’s a bit hard to tell, especially as I am not a game marketer and don’t know the expectations for Chronicles. What is obvious is that, if Chronicles does much better than expected, porting 456 and possibly even the investigations games seems likely. (If Chronicles, indeed, does especially well in the West, than a porting of the investigations games and localization of investigations 2 after ten years could very well be possible.) If Chronicles does absolutely terribly, it damages the chances of porting, and possibly of continuing the series. If it does terribly especially in the West, where the games are essentially new, it could damage the chances of any new games being localized at all.

So, a lot is riding on this, and I don’t know enough to tell how well it did. Here’s what I have found, however:

Nintendo Enthusiast reports on Famitsu sales of Switch games, and overall thinks it’s not doing so great. Chronicles ranks third on the list of Switch sales in its first week, with 14,460 units sold, over 4000 less than NEO: The World Ends With You, which was released on July 27th. Keep in mind that Chronicles was released in Japan on July 29th, which is two days later, and that these are only Japanese sales (where they’ve had Chronicles for years on both mobile and 3DS) and only Switch sales, where NEO:TWEWY is currently only available on Switch and PS4 (Chronicles has the additional platform of Steam, where there could be many more sales). In the next week, Chronicles ranked 22 overall, with NEO:TWEWY at 23, though of course they’re still a little less than 4000 units behind NEO:TWEWY overall. Slightly closing the gap, I guess.

How about overseas data, then? ... It’s hard to tell. I can find this report from gamespot which discusses the top 20 games sold in the US in July, and Chronicles is not on the list, while NEO:TWEWY is at 16. However, they don’t give any number for the units sold, and it seems that they aren’t considering digital sales for a lot of them, so it’s hard to tell how much of a hit that is.

However, let’s go back to Japanese sales for a bit, and look at the 2019 Trilogy re-release for a comparison against Chronicles. Allegedly, combined Switch and PS4 sales in the first week of the trilogy’s release only amounted to about 8000 units, a little more than half that of Chronicles’ Switch sales. It’s also important to note that the 2019 trilogy ended up being the only ace attorney game to sell over a million copies. Ace Attorney is not a big series; I’m sure Capcom takes this into account when considering sales data, especially for ports. If Chronicles does end up doing better than the trilogy overall, it’s definitely looking good for ports and especially so for Chronicles.

However, there’s more to this than just sales data.

The Survey

Capcom now has a user survey for Chronicles, which you can answer even if you’re partway through the first game. I believe it’s only open until September 30 2021, so if you think you can finish the game before then, I’d recommend filling it out once you’re done so that you can give the best feedback.

It asks you a bunch of questions like what platform you bought it on, why you bought it, your expectations, and all sorts of detailed questions on the various mechanics, difficulty and enjoyment of the trials and investigations, satisfaction of visuals, plot, characters, music, and even free response sections for what you liked and disliked about the game. It’s a very detailed survey that’s pretty long but I think is worth filling out. At the end they ask you to fill out some demographic questions (such as age, gender (male, female, other), country, what kind of things you like to spend money on, and what kind of games you like, what platforms you have to play games on). But what’s possibly the most interesting question is this:

“If a new [Chronicles] game is released in the future, do you think you would buy it?”

This means that, depending on the answers to the survey, they could very well decide to work on a third game to Chronicles.

This has huge implications for the future of the series. I’ll probably make a separate post on plot-related stuff later, but for now... let’s talk about logistics.

In my initial AA7 speculation post I said I highly doubted that they would ever make another Chronicles game. I also said that they probably never would be localized, so, guess who’s a clown now.

Right now the AA series is in a bit of a dry period, with no new games having been released in the last four years. As well, with Yamazaki (the director of the investigations games and AA5/6) having left Capcom, the next director of the mainline games is completely unknown. As described in this video, the main reason Chronicles ever came about was because Capcom went ahead with mainline AA5 before Takumi could come back from the Layton crossover. Now, since 2017, we don’t really know what Takumi is working on. It’s possible he’s gone back to mainline to work on AA7 (though of course, there is absolutely no evidence suggesting that he has, so definitely don’t take that as any sort of confirmation).

However, if we do get a Chronicles 3, it’s quite likely Takumi would return to work on that, as he directed the previous two games. In addition, if Chronicles ends up being such a success to completely eclipse mainline (from what I’ve heard, though I have no serious proof, Resolve is considered as highly rated as T&T by many Japanese fans) then the series could permanently go down the road of writing more Chronicles games, leaving mainline stagnant (which, let’s be real, it’s already stagnating). The success of that is uncertain considering how neatly our current Chronicles duology wraps up, but... we’ll have to see how things unfold in the future.

For now, I highly recommend filling out the survey to give your input to the series’ future directions. Maybe mention that you want localized investigations 2 somewhere in the free response section because uhh I forgot to do it in mine. do that for me.

TL;DR

Main takeaways from this post are:

- I personally expect an AA7 announcement either during TGS or a 20th anniversary event

- If Chronicles does extremely well, then 456 ports are likely to happen, and I personally speculate investigations ports (along with localized investigations 2) will as well.

- Fill out this Chronicles survey before September 30th to give your input on the games and possibly the future direction of the series. I recommend completing the games before you do, but if you think you won’t before September 30th, you can fill it out at any time.

- We Very Well May Get Another Chronicles Game. Who saw that coming. Not me.

Thanks if you read through all of this, let’s hope September/October doesn’t leave me looking like a fool again.

#aa7 speculation #my posts #ace attorney

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todomitoukei · 3 years

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Japanese vs. English Todoroki - A 302 Comparison

After chapter 301 gave us a bit of Touya’s backstory, this chapter continues giving us some flashbacks as well as the conversation between the Todofam in the present time with plenty of questionable lines! Just like with 301, we’ll take a look at every line from this chapter so this is another lengthy post...

「今後は焦凍を他の子らと一切近付けさせないことにする。」

「今後 ; kongo 」-> from now on; hereafter

「は ; wa 」-> topic marker particle

「焦凍 ; shouto 」-> Shouto

「を ; o 」-> direct object marker

「他 ; hoka 」-> other

「の ; no 」-> possessive particle; similar to an apostrophe

「子ら ; kora 」-> children

「と ; to 」-> with

「一切 ; issai 」-> absolutely not; without exception

「近付けさせない ; chikadzukesasenai 」-> won’t let someone near someone else

「ことにする ; koto ni suru 」-> to decide on

= “I’ve decided that from now on, I will absolutely not let Shouto near the other kids.”

The official translation says that “we” are keeping the kids away from Shouto. While the Japanese line doesn’t include the pronoun for “I” it makes a lot more sense to go with that since Rei didn’t exactly have much of a say in anything, so whether or not she agreed to this isn’t even important. The point is, Endeavor made this decision.

This was most likely right after Touya tried to attack little Shouto so a direct continuation of the last flashback from chapter 301.

「俺は仕事でずっと面倒を見るわけにはいかんその為の使用人を雇った。おまえも燈矢から目を離すな。」

「俺 ; ore 」-> I

「は ; wa 」-> topic marker particle

「仕事で ; shigoto 」-> attending work

「ずっと ; zutto 」-> continuously; straight

「面倒を見る ; mendou o miru 」-> to look after someone

「わけにはいかん ; wake niwa ikan 」-> cannot afford to

「その ; sono 」-> that

「為 ; tame 」-> sake; purpose

「の ; no 」-> possessive particle; similar to an apostrophe

「使用人 ; shiyounin 」-> servant; employee

「を ; o 」-> direct object marker

「雇った ; yatotta 」-> hired

「おまえ ; omae 」-> you

「も ; mo 」-> also; too

「燈矢 ; touya 」-> Touya

「から ; kara 」-> from

「目を離すな ; me o hanasuna 」-> don’t take one’s eyes off

= “I am attending work. I can’t afford to continuously look after him, for that sake I hired a servant. Don’t you take your eyes off Touya, either.”

The na at the end of me o hanasuna is a negative command to say “don’t do” I’m not sure how exactly Rei is supposed to not take her eyes off Shouto and Touya when they are kept apart from each other, but what do we expect anyway? Also, keep in mind that Touya is 8 years older than Shouto and has been training on his own for around 4 years at this point without his parents being able to stop him. Of course, Endeavor is not going to be the Number One Hero if he can’t even stop his own child from doing whatever he wants. How are two adults not able to handle one tiny child??

「。。。あの子はあなたに見てほしいんだよ。」

「あの ; ano 」-> that

「子 ; ko 」-> child

「は ; wa 」-> topic marker particle

「あなた ; anata 」-> you

「に ; ni 」-> by; from

「見て ; mite 」-> to look

「ほしい ; hoshii 」-> to want

「んだ ; nda 」-> explanatory particle

「よ ; yo 」-> emphasis particle

= “...That child wants you to look at him.”

The “that’s all” in the official translation is a good way to capture the nuance of nda yo.

「。。。俺はヒーローの世界しか。。。見せられないよ。」

「俺 ; ore 」-> I

「は ; wa 」-> topic marker particle

「ヒーロー ; hiro 」-> hero

「の ; no 」-> possessive particle; similar to an apostrophe

「世界 ; sekai 」-> world

「しか ; shika 」-> only

「見せられない ; miserarenai 」-> to see (potential negative) *shika requires the verb to be in the negative form

「よ ; yo 」-> emphasis particle

= “I can only show him the hero world.”

Shika is usually used in a negative context, so an alternative translation would be “I can’t show him anything but the hero world.”

Anyway, I absolutely love (sarcasm) when people try to claim that Endeavor was a loving family man who just didn’t know how to express his love even though it’s so obvious that he couldn’t be bothered to try and be an actual father. Saying that he can only show him the hero world is just a lazy excuse, similar to him telling Touya that he’s ignoring him “for his own good” - none of those are in any way helpful or something that a child could understand. Instead, it only signals that Endeavor doesn’t care. No one is born a perfect parent nor is anyone expected to be one, but a good parent would try to do a good job and not neglect their child because they are incapable of being a parent. It’s also like he pretends that only the hero Endeavor exists and that he isn’t anyone outside of that. He’s a hero and nothing else (unfortunately, he isn’t really a hero, either, though). The problem with separating the hero from the person behind the hero is taking away the responsibility and sort of using the hero persona as a shield. Instead of recognizing that he failed as a parent, he is acting as though he doesn’t exist outside of his hero job and thus doesn’t have any responsibilities outside of work. That is how he also ends up blaming Rei for everything that happens rather than acknowledging that this is all his fault.

「ヒーロー？　逃げてるだけじゃないの。。。」

「ヒーロー ; hiro 」-> hero

「逃げてる ; nigeteru 」-> running away; escaping

「だけ ; dake 」-> only

「じゃない ; janai 」-> aren’t

「の ; no 」-> explanatory question marker

= “Hero? Aren’t you just running away…?”

This is a fantastic line and it’s nice to see her call him out, however, it also just makes no sense when later on in this exact chapter, we see Rei - in the present time - now being a lot nicer to him and supporting him instead of calling him out for being at fault for what happened to Touya.

「燈矢兄遊ぼー！！」

「燈矢兄 ; touya nii 」-> Touya-Nii

「遊ぼー ; asobo- 」-> let’s play

= “Touya-Nii, let’s play-!!”

「おお」

「おお ; oo 」-> Oh

= “Oh.”

Something I want to point out about this panel is that we see two desks here. Do they have a computer room? Do Touya and Natsuo share a room? While there are plenty of books on Touya’s desk, the one next to him has a couple of action figures on it. Though it’s hard to determine who those action figures are supposed to be, it would be absolutely hilarious if they just had a bunch of All Might figurines that they placed around the house to piss off Endeavor.

「焦凍見るな。兄さん（アレ）らはおまえとは違う世界の人間だ。」

「焦凍 ; shouto 」-> Shouto

「見るな ; miruna 」-> don’t look

「兄さんら ; niisanra 」-> older brothers

「アレ ; are 」-> that person

「は ; wa 」-> topic marker particle

「おまえ ; omae 」-> you

「とは ; to wa」-> topic marker with added emphasis to the topic

「違う ; chigau 」-> different

「世界 ; sekai 」-> world

「の ; no 」-> possessive particle; similar to an apostrophe

「人間 ; ningen 」-> human

「だ ; da 」-> be

= “Don’t look, Shouto! Your brothers (they) are people of a different world.”

Here, we have a sentence where the Furigana (= what the character says) read as are and don’t match with the Kanji (= what the character actually means), which read niisan.The ra at the end of niisanra is a pluralizer, just like tachi (ra is more informal). These pluralizers can be translated as something like “group” to say something like “the group of which your older brother is a part of.” It’s interesting that he says this, though, since the word kyoudai (=siblings) exists, which would better include all of Shouto’s siblings. Adding ra to the word Niisan (=older brother) rather than using a more neutral term like kyoudai then sort of adds emphasis to the older brother. This would be a great moment to joke that this is where Touya got his sexism from since Endeavor can’t even be bothered to mention that Shouto also has a sister here. But, I think this “group of which your older brother is a part of” refers to Touya specifically for a different reason. Natsuo himself has mentioned that Endeavor never even acknowledged him and instead he was tossed aside right away. And while Fuyumi is the one shown to be closest with Endeavor in the present time, that's only because Endeavor relies on her since she more or less replaced Rei in her mother role. But back then, she was probably just as ignored as Natsuo. That makes it feel like even here when saying “your siblings are in a different world” he is referring to Touya being a failure and thus not being part of the hero world, while not even acknowledging Natsuo’s or Fuyumi’s existence at all.

「いっかいだけでいいから燈矢兄たちと遊ばせて。」

「いっかい ; ikkai 」-> one time; one round; one game

「だけで ; dake de 」-> just

「いいから ; ii kara 」-> listen up

「燈矢兄たち ; touya nii tachi 」-> Touya-Nii and the others

「と ; to 」-> with

「遊ばせて ; asobasete 」-> let (someone) play (command)

= “Listen, let me play with Touya-Nii and the others, just one time!”

Ii kara is an expression used at the start of a command sentence for emphasis.

As mentioned before, tachi is a pluralizer and it’s similar to saying “Touya-Nii and the others” which is important for two reasons. One, this indicates that there were no further incidents where Touya tried to attack Shouto, since the latter doesn’t show any fear or resentment towards Touya, probably not knowing about the incident at all. And two, it really feels like Shouto is looking up to big bro Touya here. The oldest child - the head of the kids, if you will - and all Shouto wants is to hang out with this awesome brother of his. It’s not clear whether he knows that Touya used to be trained too or not, but either way, Shouto emphasizes Touya here and I’m glad the official translation included it like this, too!

「ダメだ出力訓練だ。」

「ダメ ; dame 」-> no good

「だ ; da 」-> be

「出力 ; schutsuryoku 」-> output

「訓練 ; kunren 」-> training

「だ ; da 」-> be

= “It’s no good. It’s output training.”

As mentioned later on in the chapter, Endeavor only ever taught Touya how to increase his flames and not how to decrease them. So I assume that “output training” is just that - training Shouto to increase his flames.

I’ve seen some people claim that the panel we get of Touya is him looking at Shouto in some evil or jealous way, but it’s more realistic to assume he’s looking at Endeavor, especially when looking at the part that comes right after. ALSO, please look at Natsuo in that panel.

He looks so worried as he’s realizing that he’s about to hit Touya-Nii in the face with the ball. You think Touya manipulated Natsuo? Actually, Natsuo physically abused Touya :/ (this is sarcasm). This is also the part where, in the anime, Touya just falls down and Natsuo and Fuyumi laugh at him. No wonder he ended up as a villain. Bullied by everyone in his family, the poor kid...

「そりゃああの時は俺が悪かったよ。。。！！焦凍に罪はなかったもの。。。でもお父さんも悪かったんだよ！　俺たちは失敗作だから相手にされないすごいよな。。。要らない子をつくってこれが現代ヒーローなんだぜ。」

「そりゃあ ; soryaa 」-> well; that is to say (interjection, form of それは)

「あの ; ano 」-> that

「時 ; toki 」-> time; occasion

「は ; wa 」-> topic marker particle

「俺 ; ore 」-> I

「が ; ga 」-> subject marker particle

「悪かった ; warukatta 」-> was at fault; was in the wrong; was to blame

「よ ; yo 」-> emphasis particle

「焦凍 ; shouto 」-> Shouto

「に ; ni 」-> for

「罪 ; tsumi 」-> fault; responsibility

「は ; wa 」-> topic marker particle

「なかった ; nakatta 」-> wasn’t

「もの ; mono 」-> sentence ending particle used to indicate reason/excuse/dissatisfaction

「でも ; demo 」-> but

「お父さん ; otousan 」-> dad

「も ; mo 」-> also; too

「悪かった ; warukatta 」-> was at fault; was in the wrong; was to blame

「んだ ; nda 」-> explanatory particle

「よ ; yo 」-> emphasis particle

「俺たち ; oretachi 」-> we

「は ; wa 」-> topic marker particle

「失敗作 ; shippaisaku 」-> failed creative work; flop

「だから ; dakara 」-> because

「相手にされない ; aite ni sarenai 」-> don’t associate with; take notice of (passive)

「すごい ; sugoi 」-> terrible

「よ ; yo 」-> emphasis particle

「な ; na 」-> sentence ending particle; used to seek confirmation

「要らない ; iranai 」-> not needed

「子 ; ko 」-> children

「を ; o 」-> direct object marker

「くって ; tsukutte 」-> making

「これ ; kore 」 - > this

「が ; ga 」-> subject marker particle

「現代 ; gendai 」-> modern era; nowadays

「ヒーロー ; hiro 」-> hero

「なんだ ; nanda 」-> explanatory particle

「ぜ ; ze 」-> emphasis particle

= “Well, that time I was to blame. Shouto wasn’t at fault. But dad was also to blame! We’re failed creative works, so we aren’t being associated with. Terrible, isn’t it… making children they don’t need. Is this the modern era hero?”

We know that Touya attacked Shouto when Shouto was a relatively fresh baby, but here Touya is 13, so this is roughly 5 years after that incident and yet Touya is still thinking about it and still feeling guilty about it, too. It’s also obvious that he never properly spoke with either one of his parents about this since a parent would then sit him down and help him work through these feelings of guilt. Then again, not his parents! Maybe he did tell them this before too and he didn’t get any reaction from it. It’s also sad how well he understands the whole situation and how much critical thinking he has (more than most of the fandom!), questioning how someone like Endeavor can be considered a hero when he isn’t even a decent person to his own family.

「たまには姉ちゃんことで言ったら。。。？」

「たまに ; tamani 」-> occasionally; once in a while

「は ; wa 」-> topic marker particle

「姉ちゃん ; neechan 」-> big sister

「こと ; koto 」-> phrase nominalizer

「で ; de 」-> with; via

「言ったら ; ittara 」-> if you said/told

= “If you told big sister one in a while…?”

This one sounds a bit strange when just doing a direct translation since this is one of those cases where the rest of the sentence is omitted because this part is enough to understand what he’s trying to say.

The one compliment I always have to give Horikoshi is managing to write very believable sibling dynamics/interactions. Also, I can’t help but wonder whether they are sharing a room (which doesn’t really make sense considering they live in a large house) or if these two just like to have sleepovers (I prefer this theory).

「夏くんまで俺をたしなめるのか！？やめてくれ！夏くんしか理解できないから話してるのに！！わかるだろ家の女は皆だめだめなだ！」

「夏くん ; natsu kun」-> Natsu-Kun

「まで ; made 」-> even

「俺 ; ore 」-> I

「を ; o 」-> direct object marker

「たしなめる ; tashinameru 」-> to chide; to rebuke; to reprove

「のか ; noka 」-> question marker particle seeking an explanation

「やめてくれ ; yametekure 」-> quit - asking for a favor (やめて + くれ)

「夏くん ; natsu kun」-> Natsu-Kun

「しか ; shika 」-> only (with neg. verb)

「理解できない ; rikai dekinai 」-> able to understand/comprehend/sympathize (negative form because of shika)

「から ; kara 」-> because; therefore

「話してる ; hanashiteru 」-> speaking; talking

「のに ; noni 」-> even though (used when complaining to someone)

「わかる ; wakaru 」-> to understand

「だろ ; daro 」-> right; I think

「家 ; uchi 」-> one’s family; one’s home

「の ; no 」-> possessive particle; similar to an apostrophe

「女 ; onna 」-> woman

「は ; wa 」-> topic marker particle

「皆 ; minna 」-> all

「だめだめな ; dame dame na 」-> entirely useless

「だ ; da 」-> be

= “Even you are chiding me, Natsuo-Kun!? Please stop! I’m talking to you because you are the only one who can understand me, Natsu-Kun!! You understand that the women in this family are entirely useless, right!”

The kure at the end of yametekure is used when asking a favor from someone, in this case, Touya is essentially asking Natsuo to please stop.

I know a lot of people said this is somehow manipulative and sexist?! About the sexist part: this is literally just a way for him to sum up that he’s talking about Fuyumi and Rei, which makes sense, considering he is not allowed to talk to Shouto, and obviously he can’t talk to Endeavor, either, which means the only remaining candidates he is able to talk to are Natsuo, Fuyumi, and Rei. Since he is talking to Natsuo, that only leaves Fuyumi and Rei (= the women in the family). It’s not that deep. It’s not like he said “they don’t understand because they are women” he just said “the women in this family are useless” which is an understandable feeling. While we don’t know exactly how his conversations with Fuyumi were like during this time, we know that Fuyumi is more on the neutral side in the present time and later on in this chapter, she even admits to having turned a blind eye in the past. And the next scene shows us why Touya thinks his mom is useless, too. He has legitimate reasons to view them as useless because neither of them acknowledged his feelings or listened to him properly. So no, he isn’t sexist he just uses this term instead of saying “Fuyumi and mom”.

And about the manipulative part - I’m not sure if some of you don’t have siblings? You are allowed to vent to your siblings. Also, let’s not forget that Touya is a drama queen, so him being a little dramatic here is just him being himself. More importantly, though, Natsuo is the only one that listens to him, so of course, he’s worried when the one person that he feels understood by tells him to talk to someone who doesn’t understand him. Not to mention the fact that Touya didn’t exactly grow up in an environment that taught him how to properly handle his feelings, which is the core problem in his life, so if he doesn’t perfectly articulate his feelings then remember that his parents never taught him any better.

「待ってまたお山に行く気でしょ。。。！たまにはクラスメイトと遊んでみたり。。。」

「待って ; matte 」-> to wait

「また ; mata 」-> again

「お山 ; oyama 」-> mountain

「に ; ni 」-> to

「行く気 ; iku ki 」-> feel like going

「でしょ ; desho 」-> it seems; right?

「たまに ; tamani 」-> occasionally; once in a while

「は ; wa 」-> topic marker particle

「クラスメイト ; kurasumeito 」-> classmates

「と ; to 」-> with

「遊んでみたり ; asondemitari 」-> try to do things like playing

= “Wait, you feel like going to the mountain again, right…! Once in a while, try to do things like playing with your classmates and…”

「友だちなんかいらない！世界が違う！」

「友だち ; tomodachi 」-> friends

「なんか ; nanka」-> make light off something

「いらない ; iranai 」-> don’t need

「世界 ; sekai 」-> world

「が ; ga 」-> subject marker particle

「違う ; chigau 」-> different

= “I don’t need friends! The worlds are different!”

Obviously, he has adapted this mindset from Endeavor. Thinking that heroes live in their own world and are somehow different - better - than anyone else. Being a hero in the bnha universe isn’t about anything heroic in most cases, but rather it’s about status and being a superior person. Sure, not every hero is as cruel to people as Endeavor, but even the other heroes believe that some people are worthier than others. In a way, they really are in a different world because they have the power to decide who to save and who isn’t worth saving, even though none of them are able to recognize this. To some people, though, like Endeavor or Touya, these different worlds are very clearly there.

「燈矢おまえ。。。本当にヒーローになりたいの？」

「燈矢 ; touya 」-> Touya

「おまえ ; omae 」-> you

「本当に ; hontou ni 」-> really

「ヒーロー ; hiro 」-> hero

「になりたい ; ni naritai 」-> want to become

「の ; no 」-> question marker particle seeking an explanation

= “Touya, you… do you really want to become a hero?”

「お母さんには。。。お父さんに縛られて苦しんでる様に見える。。。燈矢。。。世界は沢山あって選択肢は無数にあるの。お父さんだけじゃないもっと外を見て。。。！その中で本当になりたい自分を見つけてほし。。。」

「お母さん ; okaasan 」-> mom

「には ; niwa 」-> as for

「お父さん ; otousan 」-> dad

「に ; ni 」-> by

「縛られて ; shibararete 」-> to tie, to bind; to restrict (freedom)(passive)

「苦しんでる ; kushinderu」-> suffering

「様に見える ; you ni mieru 」-> seems like

「燈矢 ; touya 」-> Touya

「世界 ; sekai 」-> world

「は ; wa 」-> topic marker particle

「沢山 ; takusan 」-> many

「あって ; atte 」-> to be; to exist

「選択肢 ; sentakushi 」-> choices; alternatives; options

「は ; wa 」-> topic marker particle

「無数 ; musuu 」-> countless

「に ; ni 」-> to

「ある ; aru 」-> to be; to exist

「の ; no 」-> explanatory particle

「お父さん ; otousan 」-> dad

「だけ ; dake 」-> only

「じゃない ; janai 」-> isn’t

「もっと ; motto 」-> even more

「外 ; soto 」-> other place

「を ; o 」-> direct object marker

「見て ; mite 」-> look

「その中で ; sono naka de 」-> therein

「本当に ; hontou ni 」-> really

「なりたい ; naritai 」-> want to become

「自分 ; jibun 」-> oneself

「を ; o 」-> direct object marker

「見つけて ; mitsukete 」-> to discover; to find

「ほし ; hoshi 」-> want

= “To mom… it seems like you are suffering and being tied down by your father… Touya… There are many worlds, there are countless choices. Look more outside, there isn’t just your father…! I want you to find out who you really want to become therein.”

See, she can’t really blame him for becoming Dabi when she literally tells him he should find out who he wants to become. He only took her advice...

「お母さんが何を知ってんだよ！？啓発本でも読んだのかよ。。。！？」

「お母さん ; okaasan 」-> mom

「が ; ga 」-> subject marker particle

「何 ; nani 」-> what

「を ; o 」-> direct object marker

「知ってん ; shitten 」-> knowing

「んだ ; nda 」-> explanatory particle

「よ ; yo 」-> emphasis particle

「啓発 ; keihatsu 」-> enlightenment; development

「本 ; hon 」-> books

「でも ; demo 」-> ...or something

「読んだ ; yonda 」-> was reading

「なのか ; nanoka 」-> question marker particle seeking an explanation

「よ ; yo 」-> emphasis particle

= “What do you know, mom!? Were you reading some enlightenment books or something…!?”

Once again, the official translation makes him talk in the weirdest way. We get it, he speaks informally. But no one talks like that. Please stop. Also, while the official translation only called this a “self-help book” keihatsu is defined as the act of teaching and leading others by teaching knowledge and awareness and is based on a saying from the Analects of Confucius about teaching only those who have the desire to learn and struggle to express themselves with words. There’s another word for enlightenment in Japanese, keimou, which is defined as being about teaching people the answer, whereas keihatsu is about leading people to think about the answer themselves.

Again, in a way, Rei did lead him to think about what his answer to “find out who you want to become” is so it’s somewhat fitting since she didn’t explicitly tell him who to become.

I’m sure Rei hasn’t actually read any enlightenment books, but I’m sure Touya has (that and parental books, probably). Smart boy!

「おばあちゃん達が貧乏してたからお母さんを売ったんだろ。お母さんはそうするしかなかったんだろ。」

「おばあちゃん達 ; obaachantachi 」-> grandma and the others

「が ; ga 」-> subject marker particle

「貧乏してた ; binbou shiteta 」-> was poor

「から ; kara 」-> therefore

「お母さん ; okaasan 」-> mom

「を ; o 」-> direct object marker

「売ったん ; uttan 」-> was sold

「だろ ; daro 」-> right?

「お母さん ; okaasan 」-> mom

「は ; wa 」-> topic marker particle

「そうする ; sousuru 」-> to do so

「しかなかった ; shikanakatta 」-> had no choice but~

「んだろ ; ndaro 」-> right?

= “Grandma and the others were poor, so they sold mom, right? Mom had no choice but to do it, right?”

Remember how in chapter 301 I said that the first flashback seemed more like a business transaction? Well, well, well. Of course, just because Touya says that Rei was sold doesn’t mean that she was actually sold, but I do think that she was sold in the sense that Endeavor is providing for her family, which would also explain why they are never seen visiting Rei (aside from the fact that this story isn’t about her and they are just not important) since they are financially depending on Endeavor and thus don’t want to get into any sort of fights with him that would possibly result in him not providing for them anymore.

Again, it’s sad that a 13-year-old is already aware of these circumstances.

「燈。。。」

「燈 ; tou 」-> Tou

= “Tou…”

「だから俺が生まれたんだろ。。。！？お母さんも加担してんだよ。」

「だから ; dakara 」-> therefore

「俺 ; ore 」-> I

「が ; ga 」-> subject marker particle

「生まれた ; umareta 」-> was born

「んだろ ; daro 」-> right?

「お母さん ; okaasan 」-> mom

「も ; mo 」-> also; too

「加担してん ; katan shite 」-> being complicit

「んだ ; nda 」-> explanatory particle

「よ ; yo 」-> emphasis particle

= “That’s why I was born, right…!? You’re also complicit, mom.”

Honestly, he looks so hurt there. Some people like to claim that he was too harsh or whatever, but he basically just poured his heart out to her and told her that she can’t understand his pain - which is true - and it’s so sad to think about how long he must have had this thought already at that point. Again, he is thirteen. That’s a tough age for most people as it is, and when your own family doesn’t listen to you or understand you that makes it even worse.

Another thing to note is the sweat drops on his face. As we learn on the next page, when his emotions increase, so does his fire, so it’s likely that by yelling at his mom and getting angry, his body temperature was rising, thus making him sweat. This also matches with the line that comes right after:

「火が。。。。消えないんだよ」

「火 ; hi 」-> fire

「が ; ga 」-> subject marker particle

「消えない ; kienai 」-> won’t go out

「んだ ; nda 」-> explanatory particle

「よ ; yo 」-> emphasis particle

= “The fire... won’t go out.”

Again, this could refer to the fact that a literal fire is lit inside of him as he’s more emotional right now.

「燈矢」

「燈矢 ; touya 」-> Touya

= “Touya.”

This conversation is similar to two other conversations we’ve seen so far: First, Rei gives him the exact same “advice” that Endeavor has given Touya before: “Make some friends. There are more worlds than just the hero world!” and then, Rei also tells Touya that there isn’t just Endeavor, similar to how she told Shouto “You aren’t bound by his blood.” So why did these two things not work on Touya?

The first piece of advice doesn’t work because it pretty much ignores Touya’s feelings, problems, and goals. He wants to be a hero, but his father won’t let him. Similar to how his own father couldn’t just give up on his dream of being a Number One Hero, thus starting a family and his little eugenics project, Touya can’t just give up on his dream of becoming a hero. To him, it’s not even necessarily about being a hero - it’s about proving himself to his father, to have his father say “I’m glad you were born” instead of just ignoring him and only focusing on his new masterpiece, Shouto.

The second advice worked on Shouto, so why didn’t it work on Touya? Well, the two of them are the same, but they are also opposites. Shouto has only ever had negative feelings towards Endeavor since he had to witness him hit his mom and terrify his siblings. Shouto always wanted to be a hero, but he didn’t want to become like Endeavor. Shouto said that he wants to make people feel at ease, and he knows that Endeavor doesn’t make his own family feel that way, so clearly becoming like him would mean not becoming the kind of hero Shouto wants to be. So by Rei telling him that he isn’t bound by Endeavor’s blood, she’s reassuring him that he can be independent from Endeavor and doesn’t have to be like him.

So how is Touya different? Touya always wanted to be a hero, but more importantly, he wanted to be good enough in his father’s eyes because unlike Shouto, he saw the “good” days of his family. While Endeavor never unconditionally loved him like a parent should, to a kid love is love and all that matters is getting their parents’ attention. Touya had that, but then suddenly was only met with excuses of “We can’t train anymore for your own good!” which doesn’t really help a child understand why they are now being ignored. While Shouto didn’t want to become Endeavor nor did he want to be around him, all Touya ever wanted was for his father to be proud of him and view him as worthy. So of course telling him there are more worlds than just Endeavor couldn’t possibly be helpful, because how can you expect a child to just not crave their parent’s love anymore?

「早生まれの小さな身体に漸く訪れ始めた二次性徴」

「早生まれ ; hayaumare 」-> someone born between January 1 and April 1

「の ; no 」-> possessive particle; similar to an apostrophe

「小さな ; chiisana 」-> small

「身体 ; karada 」-> body

「に ; ni 」-> at

「漸く ; youyaku 」-> finally; at last

「訪れ始めた ; otozurehajimeta 」-> begin to appear

「二次 ; niji 」-> secondary

「性徴 ; seichou 」-> sexual characteristics

= “Secondary sexual characteristics finally begin to appear in the small body of someone born early in the year.”

Of course, we are all surprised that “Touya was always small because he came out of the oven a little early” isn’t a literal translation.

Hayaumare is a term that describes someone born between January 1 and April 1, since the school year in Japan starts in April and kids start going to school at age 6 and so kids born between January and April will be the youngest in their class, sometimes almost a year younger than their oldest classmates. Shouto is also a hayaumare since he is also born in January, thus one of the youngest in class 1-A. So while this doesn’t mean that he was born prematurely, he would just seem smaller in comparison to his classmates since there is still so much development happening during that time. Obviously, that doesn’t explain why he was so much shorter than Natsuo. While it’s true that Natsuo is the kid that most resembles Endeavor in appearance, Rei is also pretty tall and I believe even now taller than Dabi. I think that overall, this is more to amplify that Touya has a weak body.

Also, this is clearly a great moment for him to develop secondary sexual characteristics, which include things like body hair, only for him to burn them all off right then and there. This also means that they wouldn’t have recognized Dabi by his voice, since it wouldn’t have gotten deeper yet before he left the family.

「そうか。。。身体機能だもんな！感情の昂ぶりが火力に直結するんだ！すごいぞ俺。。。これならお父さんもきっとびっくりするぞ！」

「そうか ; souka 」-> is that so? (rhetorical)

「身体 ; shintai 」-> body

「機能 ; kinou 」-> function; feature

「だ ; da 」-> be

「もん ; mon 」-> because; indicates reason

「な ; na 」-> sentence ending particle; used to seek confirmation/ introduce new topic

「感情 ; kanjou 」-> emotion; feelings

「の ; no 」-> possessive particle; similar to an apostrophe

「昂ぶり ; takaburi 」-> excitement; stimulation

「が ; ga 」-> subject marker particle

「火力 ; karyoku」-> heating/fire power

「に ; ni 」-> to

「直結する ; chokketsu suru 」-> to directly connect

「んだ ; nda 」-> explanatory particle

「すごい ; sugoi 」-> incredible

「ぞ ; zo 」-> emphasizes the speaker’s will or opinion

「俺 ; ore 」-> I

「これなら ; kore nara 」 - > this one

「お父さん ; otousan 」-> dad

「も ; mo 」-> also; too

「きっと ; kitto 」-> surely

「びっくりする ; bikkuri suru 」-> to be surprised

「ぞ ; zo 」-> emphasizes the speaker’s will or opinion

= “Is that so…? It’s the body function, huh! The stimulation of the emotions is directly connected to the firepower! Incredible I… this one will surely also surprise dad!”

Look at him still smiling! Wasn’t that All Might’s thing, to smile no matter what? Touya sure had that down too, still holding on to the hope that his dad would care.

「身体の変化と共にその炎は赤から蒼へと色を変えていた」

「身体 ; karada 」-> body

「の ; no 」-> possessive particle; similar to an apostrophe

「変化 ; henka 」-> transition

「と共に ; to tomo ni 」-> together with

「その ; sono 」-> that

「炎 ; honou 」-> flame

「は ; wa 」-> topic marker particle

「赤 ; aka 」-> red

「から ; kara 」-> from

「蒼 ; ao 」-> blu

「へと ; e to 」-> to

「色 ; iro 」-> color

「を ; o 」-> direct object marker

「変えていた ; kaeteita 」-> was changing

= “Together with the body’s transition, the flame’s color was changing from red to blue.”

「ああでも。。。くっそ昂ぶると何だって涙が出ちゃうんだろう。」

「ああ ; aa 」-> Ah

「でも ; demo 」-> but

「くっそ ; kusso 」-> extremely

「昂ぶる ; takaburu 」-> to become excited; to become aroused (of emotions)

「と ; to 」-> when

「何だって ; nandatte 」-> why?; what for?

「涙が出 ; namida ga dechau 」-> to shed tears (出る + ちゃう)

「ん ; n 」-> used for emphasis/ to show surprise

「だろう ; darou 」-> I wonder

= “Ah but… I wonder why I shed tears when I become extremely excited?”

Dechau consists of deru (to come out) and chau, which is used here to emphasize his emotions. The n after dechau is an explanatory particle and can also show surprise (basically asking for an explanation for this new discovery of him crying as a result of becoming excited).

Anyway, this is a super important new detail we now know about Dabi. In this post I talked about Dabi currently experiencing emotional numbness (in response to him telling Shouto that he doesn’t feel anything anymore), a coping mechanism that can occur after traumatic events. It doesn’t mean the person experiencing this doesn’t actually have any emotions anymore, but those feelings get repressed because sometimes it’s easier for your brain to pretend those feelings aren’t there rather than letting you become overwhelmed with extremely strong emotions. However, individuals experiencing emotional numbness might still show emotions like anger in situations where they might feel powerless or threatened.

While I still do believe that this does apply to Dabi, this chapter is proof that he still feels very strong emotions since strong emotions make his fire stronger. A little later in this chapter, we also find out that Touya was only shown how to increase his flames and not how to decrease them (imagine Endeavor teaching you how to drive lol, no thank you!) so it also seems like even now, he doesn’t have full control over his flames - or rather their intensity - since otherwise, he could have just used a weaker flame up until now instead of always using blue flames no matter what. So his flames are still controlled by his emotions, therefore showing that he still has very strong emotions now.

In other words, while he is suppressing his emotions and not fully experiencing them the same way he used to, those feelings are still very much there even if it doesn’t feel that way to him.

I think something very interesting to see would be if at some point (should someone ever properly decide to save him) someone would get through to him and we would just see his blue flames slowly turning red as he, for the first time, truly calms down...

「お父さん今度の休み瀬古杜岳に来てよ。」

「お父さん ; otousan 」-> dad

「今度 ; kondo 」-> next time

「の ; no 」-> possessive particle; similar to an apostrophe

「休み ; yasumi 」-> holiday; day off

「瀬古杜岳 ; sekototake 」-> Sekoto Peak

「に ; ni 」-> to

「来て ; kite 」-> come

「よ ; yo 」-> emphasis particle

= “Dad, come to Sekoto Peak on your next free day!”

Again, can we just appreciate how strong this child is still smiling and being hopeful despite years of being neglected and told he’s not good enough? Even now, he’s still trying and not giving up. He looks so cheerful here like he still has positive feelings for his dad here.

「火傷。。。周囲から見られない箇所での訓練。。。！」

「火傷 ; yakedo 」-> burn

「周囲 ; shuui 」-> surroundings

「から ; kara 」-> from

「見られない ; mirarenai 」-> can’t be seen

「箇所 ; kasho 」-> place

「での ; deno 」-> in (the no adds emphasis on the preceding word)

「訓練 ; kunren 」-> training

= “Burn… training in a place that can’t be seen from the surroundings…!”

「おまえまだ。。。！！」

「おまえ ; omae 」-> you

「まだ ; mada 」-> still

= “You still…!!”

Obviously, this is very different from the official translation’s “Dammit! Again?!” but I think the criticism only stems from people who think that swearing is some sort of terrible taboo way of speaking. No, he doesn’t swear in Japanese but there are so few swear words in Japanese and usually, the way you would swear is by speaking informally. Anyway, it matches his expression and you can see that he’s yelling so it’s one of those changes that aren’t that dramatic, and anyone that cries over this better also address the heavier changes in regards to Dabi and the rest of the villains. Also, as I’ve said before: the changes in Dabi’s speech are far more severe and impact how people view him as a person since the entire content is sometimes changed for the worse. He is also someone who is clearly smart and knows how to use language, so making him speak in weird ways like the official translation does definitely changes how he is perceived. Endeavor, on the other hand, is not perceived differently by the minor changes made to his speech, which don’t even affect the content. For example, with this line, he is literally yelling at his child. Saying “dammit” isn’t the reason I view him as a terrible father since him neglecting and abusing his children for over ten years at this point is enough proof for that already. Whether he swears or not doesn’t change that.

「すごい事になったんだ必ず来て！」

「すごい事になった ; sugoi koto ni natta 」-> to go crazy; to get out of hand; to end up in an extreme state

「んだ ; nda 」-> explanatory particle

「必ず ; kanarazu 」-> certainly; without fail

「来て ; kite 」-> come

= “It ended up in an extreme state, so you certainly have to come!”

What’s interesting here is the “sugoi koto ni natta” part, which is an expression with the above-mentioned meanings that certainly all fit Touya’s state there. But if you break it down then you have “became a terrific thing” - which is close to the “what I can do now is pretty cool!”

「焦凍にだって到達できるかどうか。。。！オールマイトにも負けないかもね！お父さんもきっと認めざるをえなくなるからさ。。。！俺をつくって良かったって思うから！」

「焦凍 ; shouto 」-> Shouto

「に ; ni 」-> at

「だって ; datte 」-> after all

「到達 ; toutatsu 」-> reaching

「できる ; dekiru 」-> to be able to

「かどうか ; kadouka 」-> whether or not

「オールマイト ; orumaito 」-> All Might

「にも ; nimo 」-> also

「負けない ; makenai 」-> don’t lose; to not be inferior to

「かも ; kamo 」-> may; might

「ね ; ne 」-> sentence ending particle; used to seek confirmation

「お父さん ; otousan 」-> dad

「も ; mo 」-> also; too

「きっと ; kitto 」-> surely

「認めざるをえなくなる ; mitomezaru o enakunaru 」-> cannot help to grow to recognize/notice (認め + ざるをえなく + なる)

「から ; kara 」-> expresses sympathy

「さ ; sa 」-> emphasis particle

「俺 ; ore 」-> I

「を ; o 」-> direct object marker

「つくって ; tsukutte 」-> to make

「良かった ; yokatta 」-> to be glad

「って思う ; tte omou 」-> to think

「から ; kara 」-> expresses sympathy

= “Whether or not I am able to reach Shouto after all…! I might also not lose to All Might, will I! Surely, you cannot help but grow to notice me too, dad...! And you will think you’re glad you made me!”

Later on, we get Endeavor and Rei both expressing that they didn’t know what to say to Touya around this time. When your child says “I will do this thing that’s damaging me to prove my worth to you and have you think it’s good that I exist!” maybe just say that you’re already glad they exist and that they’re already good enough! I’m sure parenting is hard, but affirming your child’s worth should not be one of the difficult parts of parenting.

Also, I would like to point out that the fandom has talked a lot about Touya’s jealousy towards Shouto, but I don’t fully see it. First of all, Touya is fully aware of why he and his siblings exist and therefore also knows why Endeavor is training Shouto. This doesn’t mean that Touya isn’t jealous at all, but he also doesn’t really dwell on those feelings. He sees Shouto as his competition, but not even in a negative way. If Endeavor had allowed it, Touya probably would have trained with Shouto and the two of them could have motivated each other to reach their full potential. The only reason Touya had any amount of jealousy in him was that Shouto was his replacement and as long as Shouto was around and better than Touya, it meant that Endeavor wouldn’t pay any attention to Touya. The whole “Whether or not I am able to reach Shouto” phrase shows that he recognizes that Shouto is stronger than him at the moment, but again, it comes from a place of trying to show Endeavor “Look, I can do what your masterpiece can do, too!” because he knows Endeavor is currently only impressed by Shouto. Shouto sets the bar and Touya is trying to make his father see that he can reach that bar too (probably). If Endeavor had changed his mind and let Touya and Shouto train together, then Touya might not have had any ill feelings towards Shouto, so when talking about this jealousy, please keep in mind that all roads lead back to Endeavor here and taking him out of the equation would make for a good bond between the two brothers.

「何故止めなかった冷！！！頼んだはずだ！！！」

「何故 ; naze 」-> why

「止めなかった ; tomenakatta 」-> didn’t stop

「冷 ; rei 」-> Rei

「頼んだ ; tanonda 」-> entrusted to; requested to

「はず ; hazu 」-> expectation that something took place

「だ ; da 」-> be

= “Why didn’t you stop him, Rei!!! I entrusted him to you!!!”

Hazu is used with the past tense of a verb to express negative feelings in response to something not having turned out how you expected them to.

「お母さんいじめないで！！やめて！いじめないでよ！」

「お母さん ; okaasan 」-> mom

「いじめないで ; ijimenai de 」-> don’t be cruel to

「やめて ; yamete 」-> stop

「いじめないで ; ijimenai de 」-> don’t be cruel to

「よ ; yo 」-> emphasis particle

= “Don’t be cruel to mom! Stop it! Don’t be cruel!”

「焦凍は出てろ！関係ない話だ！！」

「焦凍 ; shouto 」-> Shouto

「は ; wa 」-> topic marker particle

「出てろ ; detero 」-> get out

「関係ない ; kankei nai 」-> not involved

「話 ; hanashi 」-> conversation

「だ ; da 」-> be

= “Shouto, get out! The conversation doesn’t involve you!!”

「お母さんが何を知ってんだよ！？」

「お母さん ; okaasan 」-> mom

「が ; ga 」-> subject marker particle

「何 ; nani 」-> what

「を ; o 」-> direct object marker

「知ってん ; shitten 」-> knowing

「んだ ; nda 」-> explanatory particle

「よ ; yo 」-> emphasis particle

= “What do you know mom!?”

「選択肢は限られていたけれど選んで進んだのは私の足でせめてその先では笑っていようと思っていた。。。のに」

「選択肢 ; sentakushi 」-> options

「は ; wa 」-> topic marker particle

「限られていた ; kagirareteita 」-> was limited

「けれど ; keredo 」-> however

「選んで ; erande 」-> to choose

「進んだ ; sunda 」-> to live

「のは ; nowa 」-> topic maker particle

「私 ; watashi 」-> I

「の ; no 」-> possessive particle; similar to an apostrophe

「足 ; ashi 」-> foot

「で ; de 」-> on

「せめて ; semete 」-> at least

「その ; sono 」-> that

「先 ; saki ; 」-> the future; destination

「では ; dewa 」-> topic maker particle

「笑っていよう ; waratte iyou 」-> should smile

「と思っていた ; to omotteita 」-> was thinking

「のに ; noni 」-> even though; and yet

= “My options were limited, however, and yet I chose to live on my feet and thought I shall at least smile in the future.”

「私じゃ止められない。」

「私 ; watashi 」-> I

「じゃ ; ja 」-> topic marker particle

「止められない ; tomerarenai 」-> couldn’t stop

= “I couldn’t stop him.”

Again, he’s thirteen. Maybe she didn’t read enlightenment books, but she sure should have read them. And also brought Touya to a therapist.

「そして。。。あなたは行かなかった。」

「そして ; soshite 」-> and

「あなた ; anata 」-> you

「は ; wa 」-> topic marker particle

「行かなかった ; ikanakatta 」-> didn’t go

= “And… you didn’t go.”

「出るな。。。！涙なんか。。。」

「出るな ; deruna 」-> don’t come out

「涙 ; namida 」-> tears

「なんか ; nanka 」-> expresses strong emotion; used to belittle something

= “Don’t come out…! Stupid tears…”

Nanka doesn’t really have an actual translation here, but the “stupid” from the official translation conveys that nuance of belittling something pretty well.

「。。。薪をくべてしまうだけだと。。。いや。。。」

「薪 ; maki 」-> firewood

「を ; o 」-> direct object marker

「くべてしまう ; kubete shimau 」-> to completely burn

「だけ ; dake 」-> only

「だ ; da 」-> be

「と ; to 」-> quotation marker

「いや ; iya 」-> disagreeable

= “... I thought it’s only completely burning the firewood… no…”

The to could be interpreted in different ways since it can also mean “and” but here it makes more sense to go for what the official translation did, which is assuming that it’s the quotation marker which would normally be followed by omou (= to think).

「ちくしょう。。。」

「ちくしょう ; chikushou 」-> damn it

= “Damn it...”

「何と声を掛けたらいいのかわからなかったんだ。」

「何と ; nanto 」-> what

「声を掛けたらいい ; koe o kaketara ii 」-> should start talking (to)/ give vocal support (to)/ to let (somebody) know (声を掛けた + らいい)

「のか ; noka 」-> question marker particle seeking a clarification

「わからなかった ; wakaranakatta 」-> didn’t know

「んだ ; nda 」-> explanatory particle

= “I didn’t know what vocal support I should give.”

The official translation went for the more natural way of saying this, which is “I had no idea what to say to him.”

「おとうさ」

「お父さ ; otousa 」-> dad

= “Dad-”

「私もそうだった。」

「私 ; watashi 」-> I

「も ; mo 」-> also; too

「そう ; sou 」-> in that way; so

「だった ; datta 」-> was

= “I was also like that…”

Something that bothers me a lot about this exchange is that they both claim they didn’t know what to say to Touya, which is a weird conclusion as to where things went wrong. First of all, Touya is in all honesty probably smarter than both his parents combined and despite the translation constantly trying to make him sound like he’s speaking his own language, he has always been someone well-spoken in the sense that he chooses his words carefully as seen by how he knew exactly what to say to Aizawa in the summer camp, how politely he spoke in his broadcast, etc. He knows how to word things in order to get specific reactions out of people and be perceived however he wants to be perceived by people. More importantly, though, he had made it very clear on multiple occasions growing up what his problems were. He was always clear about his needs - wanting to train with his dad, having his dad come to the mountain with him, etc. - yet here it sounds a little like he never voiced his feelings or was somehow unable to comprehend what his parents told him.

Second of all, saying they didn’t know what to say to him makes it feel more like the whole thing was just a one-time slip and not years and years of problems piling up until it all collapsed. They knew Touya wasn’t fine. They saw him try to attack Shouto, they knew that he continued training and didn’t stop, they knew he wanted Endeavor’s attention.

As mentioned earlier, their advice failed because neither of his parents could practice what they preached. Endeavor telling Touya to give up on his goal of surpassing All Might and becoming a hero failed because Endeavor himself couldn’t stop to the point he started a whole family in the hopes that one of his children could do what he wasn’t able to. Rei telling Touya that he looks like he’s suffering and that he should find out who he really wants to become failed because Touya was aware that Rei didn’t marry Endeavor out of her own will but for her parents’ sake. And the thing is, he told them. He told them both that this advice wasn’t good enough, and then they just gave up. One piece of advice was what they deemed trying hard enough and now they boil it down to “I didn’t know what to say to him” even though the real reason Touya “died” was because they gave up on him from the start.

「わあっ。」

「わあっ ; waa 」-> Waa

= “Waa.”

「あれは熱かったな。」

「あれ ; are 」-> that

「は ; wa 」-> topic marker particle

「熱かった ; atsukatta 」-> was hot

「な ; na 」-> sentence ending particle; used to seek confirmation

= “That was hot, wasn’t it.”

「あつ。。。！��まらない！炎がー！！」

「あつ ; atsu 」-> hot

「止まらない ; tomaranai 」-> can’t stop

「炎 ; honou 」-> flame

「が ; ga 」-> subject marker particle

= “Hot…! I can’t stop! The flames are-!!”

「ま自業自得だよな。」

「ま ; ma 」-> well; you might say

「自業自得 ; jigoujitoku 」-> paying for one’s mistakes; getting one’s just deserts; suffering the consequences (of one’s own actions); reap what you sow

「だ ; da 」-> be

「よ ; yo 」-> emphasis particle

「な ; na 」-> sentence ending particle; used to seek confirmation

= “Well, you reap what you sow, don’t you?”

I know we all made fun of the “that’s just deserts'' line in the official translation, but that is, in fact, one of the actual dictionary definitions of jigoujitoku. And to be fair, Touya was a smart kid. Maybe he just knows all these strange expressions no one ever uses. Maybe the official translation is onto something here… but to the rest of us, who never heard anyone say this before, it just sounds weird. Maybe we’re just all too stupid for Dabi…

「火力の上げ方しか教えてくれなかったもんなあ。」

「火力 ; karyoku」-> heating/firepower

「の ; no 」-> possessive particle; similar to an apostrophe

「上げ ; age 」-> raising

「方 ; kata 」-> way of; method of

「しか ; shika 」-> only (with neg. verb)

「教えてくれなかった ; oshiete kurenakatta 」-> taught (教えて + くれなかった)

「もん ; mon 」-> because; indicates reason/ excuse/ dissatisfaction

「なあ ; naa 」-> used to say something emotionally when looking back on the past

= “Looking back, he only taught me the way of raising the firepower.”

Again, the kure in oshiete kurenakatta is used when saying that something was done for the speaker.

When speaking to yourself, naa at the end of the sentence can be used when reflecting on the past, as Dabi does here, which makes it sound like he wasn’t necessarily aware of this before or at least wasn’t aware of it back then. I know there were some people when the spoilers came out that claimed that Touya had obviously faked his death on purpose, but aside from nothing pointing to that as it is, this part makes it especially obvious that he didn’t do it on purpose. Touya was clearly surprised that his fire grew so strong there and that he was unable to stop it. And the naa here indicates that if he had been aware back then that he never learned how to properly control his flames, then he might have been able to prevent this incident from happening.

「あの日全て諦めていれば。」

「あの ; ano 」-> that

「日 ; hi 」-> day

「全て ; subete 」-> all; everything

「諦めていれば ; akirameteireba 」-> had given up (conditional)

= “If only I had given everything up that day.”

THIS would have to be about the saddest sentences in this chapter and I haven’t really seen a lot of people mention this. This is Dabi reflecting on the day where his life completely changed and although he just had quite a success by revealing his identity and broadcasting the truth about his family to the whole country, he’s looking back on the day he almost died and thinks “if only I had given everything up on that day.” If you didn’t think he was suicidal before, here is your proof. Yes, he’s freer now in the sense that Endeavor can’t tell him what to do anymore (not like that worked before anyway), but this is still not the life little Touya had wanted. He wanted to be a hero and someone his father could be proud of, and yet here he is as a villain whose sole purpose is to kill Endeavor. So not only is he still not free from his life being dictated by Endeavor, but he also turned himself into someone he never wanted to be. While revealing his true identity to the country was somewhat of a victory for him, it doesn’t change that he won’t ever get back all the years Endeavor took from him. He might be fighting, but deep down he’d rather just be dead.

「燈矢を殺してしまったことで後に引けなくなっていた。。。焦凍に傾倒する他。。。なくなっていた。」

「燈矢 ; touya 」-> Touya

「を ; o 」-> direct object marker

「殺してしまった ; koroshiteshimatta 」-> was killed completely (殺して + しまった)

「ことで ; koto de 」-> nominalizes the preceding phrase

「後に引けなくなっていた ; ato ni hikenaku natteita 」-> couldn’t stop

「焦凍 ; shouto 」-> Shouto

「に ; ni 」-> to

「傾倒する ; keitou suru 」-> to devote oneself to

「他なくなっていた ; hoka naku natteita 」-> can do nothing but; have no other choice but

= “I couldn’t stop after I completely killed Touya… I couldn’t do anything except devoting myself to Shouto.”

As mentioned before, verb + shimau can mean that an action was done completely, but it can also mean that something was done regrettably. This is one of those cases, where both meanings can apply. Endeavor completely killed Touya, thus Dabi was born, but this is also regrettable since Touya shouldn’t have died. It’s just weird to admit that you're responsible (and cry about it in front of your victims) and then also blame the victim for how you treated your other victim.

「燈矢が消えて。。。エスカレートしていくあなたが悍ましくて。。。こどもたちにまで面影を見るようになってしまった。」

「エスカレートしていく ; esukareeto shite iku 」-> to continue escalating

「あなた ; anata 」-> you

「が ; ga 」-> subject marker particle

「悍ましくて ; ozomashikute 」-> disgusting; repulsive

「こどもたち ; kodomotachi 」-> children

「に ; ni 」-> in

「まで ; made 」-> until

「面影 ; omokage 」-> face

「を ; o 」-> direct object marker

「見る ; miru 」-> to see

「ようになってしまった」-> completely reached the point that

= “Continuing to escalate, you were repulsive... until I completely reached the point of seeing your face in the children.”

Okay, first things first. Rei’s line created a lot of confusion since it contradicts what Fuyumi says in chapter 250, where she mentions that Touya died shortly after Rei was hospitalized. This tweet from the official bnha twitter account states that the “Touya disappeared and…” part in Rei’s line in this chapter was a mistake and will be erased in the volume release, so I didn’t include that part in here. I do think that this scene overall makes no sense, then, though, since the idea here is that Touya’s “death” made Endeavor worse, made Endeavor become abusive, made Rei pour the boiling hot water on Shouto, made Endeavor put Rei into a mental hospital. But that’s not true.

Endeavor saying that he started to obsess over Shouto after Touya died is also weird, since we all know that he was already obsessed with him before and didn’t pay attention to any of the other children, which is exactly what led to Touya dying when Endeavor couldn’t even be bothered to go to the mountain with him one time.

「壊れてるのを知りながら。。。怖くて踏み込めなかった。。。上っ面で繕うことしか。。。してこなかった。」

「壊れてる ; kowareteru 」-> to be broken

「のを ; no o 」-> nominalizer + object marker

「知り ; shiri 」-> to know; to be aware of

「ながら ; nagara 」-> while

「怖くて ; kowakute 」-> scary

「踏み込めなかった ; fumikomenakatta 」-> wasn’t able to step into

「上っ面 ; uwattsura 」-> surface; apppearances

「で ; de 」-> at

「繕う ; tsukurou 」-> to fix; to cover up (mistakes); to keep up appearances

「こと ; koto 」-> things

「しか ; shika 」-> only (with neg. verb)

「してこなかった ; shite konakatta 」-> continued to do

= “While I knew it was broken... I was scared and unable to step in… I only continued to… fix things on the surface.”

Tsukurou has several meanings like “to fix” and “to keep up appearances” so that’s probably why the official translation included both meanings here. The Japanese also only says “scared” and not “too scared” like the official English translation, though this is most likely just done to make it sound more natural. Another difference is that in the official translation, Fuyumi says “All I could do” whereas in Japanese she said that she “only continued to” fix things on the surface. The panel also shows a small flashback of Endeavor dragging Touya away and Rei trying to stop him, while Fuyumi is standing in the background and slightly turned away. She’s shown in the sailor uniform that is typically worn by middle school students, so she would be around 12 years old, which was around the time Touya “died” - obviously at that age there wasn’t really anything she could have done against Endeavor so the translation isn’t entirely incorrect, however, judging by Touya telling Natsuo that he can’t talk to Fuyumi because she doesn’t understand, it seems like she probably always tried to remain impartial instead of siding with her older brother. While she couldn’t have stopped Endeavor, she could have at least been there for Touya as emotional support - which, might I add, is her whole purpose for existing - so that’s why saying that she “continued to” only fix things on the surface is a more accurate line.

「全部あなたが始めた事であなたが原因だーでも

俺がぶん殴って燈矢兄と向かい合わせてやれてたら。。。荼毘は生まれてなくて焦凍に盛り蕎麦をご馳走してやれてたかもしれない。」

「全部 ; zenbu 」-> all

「あなた ; anata 」-> you

「が ; ga 」-> subject marker particle

「始めた ; hajimeta 」-> to start

「事 ; koto 」-> situation; incident

「で ; de 」-> and

「あなた ; anata 」-> you

「が ; ga 」-> subject marker particle

「原因 ; genin 」-> cause

「だ ; da 」-> be

「でも ; demo 」-> but

「俺 ; ore 」-> I

「が ; ga 」-> subject marker particle

「ぶん殴って ; bunnagutte 」-> to hit hard; to give a hard blow

「燈矢兄 ; touya nii 」-> Touya-Nii

「と ; to 」-> with

「向かい合わせてやれて ; mukaiawasete yarete 」-> let someone face each other

「たら ; tara 」-> if

「荼毘 ; dabi 」-> Dabi

「は ; wa 」-> topic marker particle

「生まれてなくて ; umaretenakute 」-> wouldn’t have been born

「焦凍 ; shouto 」-> Shouto

「に ; ni 」-> to

「盛り蕎麦 ; mori soba 」-> cold soba

「を ; o 」-> direct object marker

「ご馳走してやれてた ; gochisou shite yareteta 」-> to treat someone to a meal

「かもしれない ; kamoshirenai 」-> may; might; possibly

= “You started all of this situation and you are the cause - but if I had hit you hard and could have let you face Touya-Nii, then Dabi wouldn’t have been born and he might have been able to treat Shouto to mori soba.”

The yarete that appears twice in this sentence is the potential form of yaru, which is used when something is given/done for someone from someone with higher status to someone with lower status. In combination with the causative form (making someone do something) as is the case with mukaiawasete, it changes the nuance from simply making someone do something to allow someone to do something.

Concerning this line, there was a huge difference between the fan translation that I read and the official translation. While the official translation matches with the Japanese line by having Natsuo say that he should have punched Endeavor (can we appreciate how funny that would have been, but also sad if TWO of your children have to stand up to you because you mistreat another family member), the fan translation that I first read had Natsuo say that he should have punched and faced Touya, which is a very different message. Fortunately, that doesn’t make sense and isn’t the actual line, though.

More importantly, mori soba??? I thought Shouto’s favorite kind of soba was zaru soba (it’s basically the same, but zaru soba has nori seaweed on top)…

「責任はあなただけのものじゃない。今回のことは私たち全員の責任。心が砕けても私たちが立たせます。あなたは荼毘と戦うしかないの。」

「責任 ; sekinin 」-> responsibility

「は ; wa 」-> topic marker particle

「あなた ; anata 」-> you

「だけ ; dake 」-> only

「の ; no 」-> possessive particle; similar to an apostrophe

「もの ; mono 」-> thing

「じゃない ; janai 」-> isn’t

「今回 ; konkai 」-> this time

「の ; no 」-> possessive particle; similar to an apostrophe

「こと ; koto 」-> situation; circumstance

「は ; wa 」-> topic marker particle

「私たち ; watashitachi 」-> we

「全員 ; zenin 」-> all members; everyone

「の ; no 」-> possessive particle; similar to an apostrophe

「責任 ; sekinin 」-> responsibility

「心 ; kokoro 」-> heart

「が ; ga 」-> subject marker particle

「砕けて ; kudakeru 」-> breaking

「も ; mo 」-> even if

「私たち ; watashitachi 」-> we

「が ; ga 」-> subject marker particle

「立たせます ; tatasemasu 」-> make someone stand up

「あなた ; anata 」-> you

「は ; wa 」-> topic marker particle

「荼毘 ; dabi 」-> Dabi

「と ; to 」-> with

「戦う ; tatakau 」-> to fight

「しかない ; shika nai 」-> have no choice but

「の ; no 」-> explanatory particle

= “The responsibility isn’t only yours. We are all responsible for this time’s circumstances. Even if your heart is breaking, we will make you stand up. You have no choice but to fight Dabi.”

This is one of those lines that really make you wonder whether the character is supposed to be like that or if the author just doesn’t understand what he’s writing. It’s questionable - to say the least - to say they are all responsible this time. While I continue to wonder how the non-heroes of the family are supposed to do anything here, why would a mother expect her children to be part of this? They are civilians and she expects them to somehow take care of saving their villain brother? Sorry, but she wasn’t even able to stop Touya from going outside to train, and now she expects her children to do better than her? No.

There’s also something very odd about her referring to him as Dabi. I understand that this is done to say that they intend on fighting Dabi and not Touya, and it’s true that Touya is in a way dead and Dabi was born instead. However, the problem with this idea of fighting “Dabi” is that it suggests that Dabi could somehow be killed while Touya survives when that is not at all how helping somehow who has been traumatized works. You can’t just reset him and somehow get him back to the state he was in prior to the traumatic experience (especially when the traumatic experience was basically his whole life). They won’t be able to just kill Dabi and have him go back to who he used to be because he has never been allowed to just be himself. Dabi is now a part of him. And not just that, but Dabi is the result of the trauma and thus functions as Touya’s surviving mechanism. This doesn’t mean that Dabi can’t be redeemed or be saved, it’s just that this idea of fighting Dabi and removing Dabi from Touya is bound to end in failure because that’s an impossible task and, again, the wrong approach to this.

Why exactly is a mother asking her and her children’s abuser to fight her child? Them going against Touya is what caused Dabi’s existence in the first place, which is what the conversation is more or less about, and yet she continues to think that fighting him is the right option here? A lot of people have suggested that this is done to cause a problem later down the line with Hawks and Best Jeanist listening in on the conversation and probably assuming the family doesn’t intend on saving Dabi in any way. But this is still a somewhat weak argument for two reasons: One, Hawks and Best Jeanist talk with the Todofam in chapter 303 and tell them that they will help to fight Dabi, so them teaming up means they should discuss this a little more and with that, there shouldn’t be any problems in terms of communication; and two, anything that happens in a story still has to be believable. If there is an issue or conflict it’s absolutely vital to convince the readers that this couldn’t somehow be prevented or easily resolved. But Rei isn’t vague here. She literally talks about Endeavor having to fight Dabi. So even if this is just in order for the other characters to misunderstand her, I do find it odd for a mother to suggest that her abusive husband should fight their child instead of finally acting like a parent and saving this child.

Until we know what exactly the family is going to do, we can’t determine whether this is just Horikoshi’s writing or if he intentionally made Rei like this, but for now, this just seems like a really weird thing to say. And even Endeavor can see this as shown in the next line:

「おまえ。。。本当に。。。冷か。。。？」

「おまえ ; omae 」-> you

「本当に ; hontou ni 」-> really

「冷 ; rei 」-> Rei

「か ; ka 」-> question marker particle

= “You… are you really… Rei…?”

「私たちよりよっぽど辛いハズの子が恨んで当然の私を再びお母さんと呼んでくれた。」

「私たち ; watashitachi 」-> us

「より ; yori 」-> than

「よっぽど ; yoppodo 」-> greatly; to a large extent

「辛い ; tsurai 」-> painful; difficult (emotionally)

「ハズ ; hazu 」-> ought to; should be

「の ; no 」-> possessive particle; similar to an apostrophe

「子 ; ko 」-> child

「が ; ga 」-> subject marker particle

「恨んで ; urande 」-> to bear a grudge against; to resent

「当然 ; touzen 」-> it’s natural to

「の ; no 」-> explanatory particle

「私 ; watashi 」-> I

「を ; o 」-> direct object marker

「再び ; futatabi 」-> again; once more

「お母さん ; okaasan 」-> mom

「と呼んでくれた ; to yondekureta 」-> called (と呼んで + くれた)

= “It’s natural for the child that should be in more pain than us to resent me. He called me mom again.”

Originally, I thought this was about Touya since these chapters are about his backstory. But then someone asked me whether this was actually about Shouto and someone else also pointed out that the next line is about Shouto, so it makes more sense that this is about him. And this is what I mean when I say that this writing is contradictory. How do they all reflect on the past, recognize that they didn’t understand Touya and neglected him and didn’t know how to be parents to him, but then say that Shouto is the one that suffered more than the rest of them? Obviously, it’s not a competition, and comparing who has it the worst is not helpful at all, but Dabi is literally alone right now and has been alone his whole life, while Shouto at least has his family and emotional support right now. Do they not hear what they are saying? How are they so dumb? Shouto also literally never resented you or stopped calling you mom, so maybe shift your focus to Touya? No wonder he left.

「雄英高校でお友だちをつくって私たちをつなぎとめてくれた。焦凍が轟家（ウチ）のヒーローになってくれたのよ。」

「雄英高校 ; yuuei koukou 」-> U.A. High School

「で ; de 」-> at

「お友だち ; otomodachi 」-> friends

「を ; o 」-> direct object marker

「つくって ; tsukutte 」-> to make

「私たち ; watashitachi 」-> we

「を ; o 」-> direct object marker

「つなぎとめてくれた ; tsunagitomete kureta 」-> saved (someone’s life)

「焦凍 ; shouto 」-> Shouto

「が ; ga 」-> subject marker particle

「轟家 ; todoroki uchi 」-> Todoroki household

「ウチ ; uchi 」-> one’s own family

「の ; no 」-> possessive particle; similar to an apostrophe

「ヒーロー ; hiro 」-> hero

「になってくれた ; ni natte kureta 」-> became

「の ; no 」-> explanatory particle

「よ ; yo 」-> emphasis particle

= “He made friends at U.A. and saved us. Shouto has really become our hero.”

Here we have another case of Kanji and Furigana being different. While the Kanji (what the character means) says “Todoroki household” the Furigana (what the character says) simply says “One’s family” and to be honest, I’m not entirely sure why there is a difference here. Like yes, obviously, by family she’s referring to the Todoroki family.

Anyway, this is probably the worst sentence in this entire chapter. There is nothing inherently bad about saying that Shouto is a good person and that he helped his family. However, he is a literal child. A minor. And a victim in this, just like his siblings - just like Touya. None of the kids are responsible for their family’s well-being or for correcting their parents’ mistakes, and yet here we are. Shouto shouldn’t have to be the family’s hero and feel the need to save his brother just because both his parents failed to be parents. Don’t get me wrong, I agree that Endeavor wouldn’t possibly get through to Dabi now (although realistically, Natsuo is the only one that could really get through to him) so it makes sense to get Shouto involved. But everyone praising him just further shows their inability to recognize that this exact mindset is what caused the problems in the first place. This whole idea of someone - specifically Shouto - being the one in the family who is able to be a great hero is what was part of Touya’s mental downfall. It’s also a harmful statement to make in general, as it pushes the “good victim, bad victim” mentality, where Shouto is seen as the good victim for being able to stay on a good path, live his life in a normal way and still speak with his parents, whereas Touya ended up turning himself into a villain and essentially throwing his whole life away in order to ruin Endeavor’s life, too. Aside from the fact that this mentality is problematic in itself by making it seem like there’s a right and wrong way to be a victim and that people who end up not being able to just move on from their trauma are somehow worthless and don’t deserve to get help, this sentence also shows the problem the family has: not learning from the past. Despite all the self-reflection we’re shown in this chapter with each family member expressing what they did wrong, they then continue to not change at all and just continue to demonize Touya. They are taking responsibility and admitting that they were wrong, just ignoring the problems and not saying the right things to him, but by claiming that Shouto is the hero of the family they continue to neglect why Touya ended up the way he did. Shouto was supported in reaching his goals. Obviously, Endeavor wanted Shouto to become a hero, but Shouto also always wanted to be a hero on his own accord. His mom reassured him that he could be whatever hero he wanted to be and not just be the next Endeavor. He was always supported both in his journey of becoming a hero and also emotionally through his family and his friends. That isn’t to say that he is somehow less of a victim, but it’s important to acknowledge that the reason he ended up on the “good path” was that he had people that reminded him that he wasn’t Endeavor and that he was free to be his own person. He was never held back from reaching his goals.

Touya, on the other hand, received the exact opposite treatment. He was kept from pursuing his goal and was only met with cheap excuses as to why he shouldn’t train, yet none of those arguments ever worked on him and so he continued to train on his own for almost ten years. Despite both his parents knowing about this, they never did more than just say “stop training” and thus actively ignored his problems. Even when he lashed out to Rei, she just watched as he walked away. It’s not surprising he calls her and Fuyumi useless when both of them sided with Endeavor instead of acknowledging his pain. Of course, he was going to end up on a “bad path” when he didn’t have a proper support system.

So saying that Shouto is the family’s hero might sound like an innocent compliment at first glance, but it only further shows how little the family understands why Touya has become Dabi, which becomes a bigger problem when they want to save him, something they won’t be able to do as long as they continue to fail to really see him and his pain.

「ここに。。。来る前お母さんと話した。おまえが。。。もう戦えねェと思って俺がやるしかねェって思ってた。。。でも違うみてえだ。」

「ここ ; koko 」-> here

「に ; ni 」-> to

「来る ; kuru 」-> to come

「前 ; mae」-> before

「お母さん ; okaasan 」-> mom

「と ; to 」-> with

「話した ; hanashita 」-> spoke

「おまえ ; omae 」-> you

「が ; ga 」-> subject marker particle

「もう ; mou 」-> yet

「戦えねェ ; tatakaenee 」-> unable to fight/ compete against

「と思って ; to omotte 」-> thought

「俺 ; ore 」-> I

「が ; ga 」-> subject marker particle

「やる ; yaru 」-> to do

「しか ; shika 」-> only (with neg. verb)

「ねェっ ; neee 」-> not

「て思ってた ; te omotteta 」-> was thinking

「でも ; demo 」-> but

「違う ; chigau 」-> to differ

「みてえ ; mitee 」-> looks; seems

「だ ; da 」-> be

= “Here… before coming, I spoke with mom. You… I thought you couldn’t fight anymore and I was thinking only I would do it.... but, it seems different.”

「泣き終わったら立てよ。皆で燈矢兄を止めに行こう」

「泣き終わったら ; nakiowattara 」-> when you’re done crying

「立て ; tate 」-> stand up

「よ ; yo 」-> emphasis particle

「皆 ; minna 」-> everyone

「で ; de 」-> with

「燈矢兄 ; touya nii 」-> Touya-Nii

「を ; o 」-> direct object marker

「止めに行こう ; tome ni ikou 」-> let’s go stop

= “When you’re done crying, stand up. Let’s go stop Touya-Nii with everyone.”

Anyway, that concludes the comparison for chapter 302, which took a while to make because, to be honest, this is a very odd chapter. I know people continue to view this as the Todofam intending on saving Dabi, but the problem is simply that the present time scenes don’t really make sense in context with the flashbacks. Endeavor crying for three chapters straight somehow symbolizes that he regrets the past and has changed when in reality, none of them fully understand where everything went wrong and are trying to fix the problem incorrectly. It feels a bit as though they are downplaying what happened and how much Endeavor and Rei are responsible for Dabi’s existence by simply boiling it down to them not knowing what to say to Touya and by having both Fuyumi and Natsuo say they are also responsible without their parents telling them that they were children and thus could not possibly be held responsible the same way.

Personally, I’m glad that the focus seems to be shifting away from this storyline for now because it was really hard to read this chapter with all these weird lines. While I do continue to hope that Dabi will be redeemed and saved by the end of the story, I also still think that Horikoshi isn’t writing this in a good way, considering the contradictions and the constant “good vs. bad victim” mentality that all these characters are constantly voicing paired with the really odd ways characters are acting at the moment (= Rei in chapter 303???). It’s odd they want Endeavor to be involved in this and even weirder that they (in chapter 303) accept Hawks and Best Jeanist wanting to be part of this too, when they all saw the broadcast and thus all saw that Hawks killed Twice, aka Dabi’s friend and someone on the same side as him, which makes it feel like they are either too dumb to realize or simply don’t care that there is a high chance that Hawks is just going to end up killing (or at least trying to) Dabi, too. It’s also odd that Rei is apologizing to both Hawks and Best Jeanist since Dabi hasn’t done anything to Best Jeanist so what’s up with that? Anyway, she better apologize to Dabi too...

Anyway, so right now, the translation differences aren’t so much a problem as the writing in itself is and for now, we will probably have to wait a while to see how this storyline will continue and how exactly they plan on taking care of Dabi.

Thanks for reading!

#translation #302 #todoroki #dabi #touya #bnha #mine #japanese #shouto

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