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good-beansdraws · 4 months

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Massive Milgramsona art/info dump as a treat to myself!! Alas, my fatal flaw is being unable to shut up about anything even while simultaneously embarrassed/nervous to share, so here's literally all the info I have on her 😅

Profile:

Name: For the sake of posting online I’ll call her Rose!

Number: 012

Color: #E7355B

Age: She’d be 20 when Milgram started

Status: Milgram Staff, Machine Technician

Song genre: Pop/theater (a mix of Mahiru and Kazui's vibes)

Backstory: She is studying abroad in Japan to work on technology related to the mv machine when she stumbles into top secret info about the trials. Horrified at the lack of prior testing, she demands to be included in the experiment to make sure the brand new tech runs smoothly and doesn't harm anyone in the process. To prevent her leaking info to the public and deciding an extra participant wouldn't hurt, Milgram agrees.

Role: Rose performs routine maintenance and updates on the extraction machine, and checks in with prisoners' health to make sure it's not having any adverse effects. She listens in on the interrogations, ringing the bell to signal Es when the machine is ready for use (re: my theory on how it works >:3). She then watches the mvs after Es to make sure there are no glitches.

(Though she is a personal milgramsona, her role in the story is supposed to reflect the audience's experience overall when it comes to how much info we know, emotions we experiencing regarding guilt/responsibility, and how much power over events we actually have given the voting system and trial breaks.)

Trial 1

Jackalope's comments during trial commencement: Oh, I almost forgot participant 012, Rose. We've never had more than one staff member before, so we figured that sort of numbering would be fine. Hey, don't look at me, it's not like it was our idea to include her. She's not a prisoner -- the only crime she's committed is sticking her nose where it didn't belong... You can ask her for the details, but she's just here for maintenance on our extraction machine. It's not easy keeping that thing running smoothly, you know? As part of her duties, she'll be privy to all the same information as you, but don't let her be any more of a busybody than she already is -- she has absolutely no authority when it comes to your verdict decisions, got it?

MV: Mic Check - “Can anyone hear me?”

VD: Positive Feedback

Cover: Pathological Facade - Ghost

Her album would release last in line. The VDs aren't interrogations since there's been no crime -- Es asks about her duties and observations of the prison. In them, she admits her predictions that she and Es will eventually be on trial for their involvement in the prisoner's fates.

Thus, her mvs are focused on her emotions towards the prisoners, her pride in helping bring justice, and her guilt at providing Milgram a means to pass judgement on people she cared about. I'm going to Goncharov the actual mvs/songs, but Mic Check is generally an introduction to her job behind the scenes prepping the equipment that will allow the prisoners' songs to be heard, as well kick off symbolism of her as a performer herself. She'll make a comment about how the experiment is leading to tragedy, "as if someone said Macbeth" (then covers her mouth, as she's standing in a theater herself).

I kept getting tripped up looking for Deco*27 songs that worked and weren't already taken, so I decided to go with some favorites and vibe-matching songs from other artists!

Comments during trial closing: It's good to hear you weren't a pushover when Rose gave her thoughts on the verdicts -- you guys disagreed on quite a few of them, eh? Ah... so she's not the type to pick fights, is that it? I guess that explains how she's managed to get along with everyone. (sigh) Even you knew better than to get attached like that. Well, at least she's kept our machine up and running the whole time.

Trial 2

Commencement: Now I need to wake Rose. We're going to need some extra upgrades to our machine if we want to get the most out of this round of extractions. I've got a sneaking suspicion that she and her bleeding heart are going to try and sway you during this trial. Her duty is specifically to look out for the prisoners' safety, but yours is only to judge them. Don't forget that.

MV: Changement - “Don’t say ‘break a leg,’ if it might just break.”

VD: Control Variable

Cover: TOXY - Kujiragi

I did my best to write out the title pronunciation out in katakana since I wanted it as the name of the dance move, not a direct translation of meaning. I went with シャジェモ "sha-je-mo" as the closest I could get to the "shanj-mou" sound, but feel free to correct me if there's a better way to write it. The door is based off of various set designs for Clara's home in The Nutcracker. (There's no deep meaning that this is the only one not opening -- I realized too late all the others are cracked open and my art app doesn't have the tools to easily fix that so I'm sticking with it 😭)

A changement is a small jump in ballet -- I thought it was fun to combine that (which means "to change") with Control Variable (refering to the variable in an experiment that never changes). The video shows conflicting emotions as her decisions/inaction caused so much to happen between trials, yet at the same time she feels like there's so much she'll be unable to change even if she really wants to intervene. Her mvs show the prisoners pretty regularly (since they are her crime, she's realized), and the teaser line is paired with references to Mahiru's broken leg.

The thumbnail combines different areas of study -- mechanical, medical, musical, mathematical (theater spotlight, muscles, Weakness notes, motion formulas). I think it's super cool how many areas of expertise are passed around the fanbase when discussing the characters. I've picked up new facts about plants, food, anatomy, geography, music, animals language, (sigh. color theory.), hobbies, professions, mythology, etc from fans with different fields of knowledge. While that's one of my favorite aspects of the project from the outside, I think it would be super intimidating to someone on the inside trying to tackle so much information at once.

Closing: As for Rose... (laughs) I thought she was dooming herself before--! Not only has she gotten hopelessly attached to everyone over the course of this trial, she's even started a relationship with one of the prisoners! And of all the people she could have chosen... Eh? Oh no, we have no policies against that for our staff. I mean, the whole point of Milgram is to explore human nature, the power of emotions, the complexities of connections, all that crap. I'm just grateful she shows a bit more common sense when she's operating the machine...

Trial 3

MV: Showstopper - “There won’t be applause, but I’ll take a bow, okay?”

VD: Please Exit Left

Cover: Ironina - Nilfruits

I don't know the album theme yet, but this is the tentative sprite and thumbnail design. The T2 sprite was kind of an "innocent" one, since at the beginning she still has faith in her role in the prison, excited to work with everyone there. (Plus, I joined the fandom a little after t2 started so that's peak excitement time lol). The T3 sprite has much more of a "guitly" feel to it because, at the end of T2 and after this hiatus, she'd harbor a lot more guilt about her position and fear about the experiment's conclusion. As a fun little detail, her pencil has been replaced with a more permanent utensil as final verdicts are locked in.

Now listen. My artist brain was constantly fighting my science brain when doing sprite designs -- I know gloves like that and nothing else isn't proper PPE. I know none of those are safety shoes (god forbid wearing just socks??? to the lab???). There should be no jewellery at all. The whole point of a lab coat is that you don't roll up the sleeves and expose your bare skin. However. It's anime character design. There can be compromise.

Referencing Rose's personal life as a performance and comparing Milgram's trials to one, I wanted the mv to play on "showstopper" as both a great show and a literal attempt to stop the project before it reaches its finale. There would be creepy comparisons in the mv between operating stage equipment and prison executions: curtain/set ropes and nooses, heavy duty lightswitches and electric chairs, etc.

Misc.

And lightening things up again -- birthday art and minigrams :3

Birth flower: Camellias. Pink camellias symbolize love but also longing. The fact that they bloom in winter, and have a quick death (the entire flower wilts at once, instead of individual petals falling off), have inspired different meanings in different cultures -- overcoming hard times, facing death in battle, inseparable lovers, and so on

Three minigrams featuring my own annoyance that her design is a bit close to Shidou's coat/gloves look, a mandatory short joke, and a pun that works so perfectly for my Put-In-Situations guy

#lol it really is a DUMP - ive been collecting little pieces for so long and decided to just drop everything at once #my art app doesnt have a good text function so you must deal with my handwriting 🤷‍♀️#im usually pretty willing to do accurate uniform runes but i did not have it in me to do it this time lol #it was so fun learning to mimic the minigram style!! i tried my best at Manga Humor TM but idk if i succeeded adfsdf #the panel where fuuta is zoning out -- the notes are the mii channel music 😂#aww and i found a really cute wobbly cake reference that i used :D #i own like no fancy shoes (i always borrow my parnters/moms/sisters if needed sadfasdf) so i thought itd be perfect to use my pointe shoes #even though my favorite color is yellow i went with pink because 1. muu already has the standard bright yellow id want #and 2. i own So Many pink clothes and accessories LOL #still -- i didnt want to go crazy figuring out a million outfits so i just drew her in the same one each time rip #definitely a good exercise to combat the usual self loathing..... it was really interesting to do and im... much happier with the #final pieces than i ever expected..... ;-----;

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1000sunnygo · 7 months

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Dressrosa Archives: Kappei Yamaguchi (Usopp) x Kamiya Hiroshi (Law) talk (2015)

Here's another interview that was released during Dressrosa, Kamiya was hosted by Kappei (x). The conversation focused on Kamiya's experience voicing Law, analyzing characters (notably Law and Rosinante) and the studio's atmosphere.

It's a long interview that was separated in two parts (bless Kamiya's photographic memory). Starts below the cut!

Yamaguchi: This time on Usopp's 'This is Real!', we have the talented Hiroshi Kamiya who plays Trafalgar Law - a character who has been very active in the TV series lately (applause)!

As we're reaching a crucial point in the battle against Doflamingo, we'd like to delve deep into Law' s character. Thank you for joining us!

Kamiya: Thank you very much!

Yamaguchi: Let's get straight to it. Law is still a character shrouded with mysteries. But what was your first impression of him?

Kamiya: No seriously, he was a mysterious fellow alright (laughs).

I believe Shabondy Archipelago 2 years ago was his first appearance. There was hardly any information other than being a "Rookie with a bounty exceeding 100M who leads a pirate crew aiming for the New World." I had no idea how to portray him. I felt like other rookies stood out more.

Captain Kidd, for example, made it to the back cover of the manga. Since Namikawa Daisuke was casted for the role, I thought he might become a big character in the future.

Yamaguchi: But I felt that Law was the craziest one. For a mysterious role like this one...was there an audition, again?

Kamiya: No. I was approached by the producer from that time. Recently I was told by the producer that he didn't think the role would become so important!

Yamaguchi: Same here (laughs). Law really entered the spotlight during the Summit War, didn't he? That's where he got closer to Luffy, or that's where he might have started considering the off chance of an alliance...

Kamiya: You may be right. Looking back on his encounter with Luffy; after learning about Law's past and his relationship with Doflamingo, I think Law might have sensed some possibilities when he saw Luffy defy the Celestial Dragons.

If that's the case, just my personal speculation, it somewhat makes sense as to why Law saved Luffy during the Summit War. But back at that time I didn't know any of it. It was impossible for me to foresee Law's role there (in the war). I thought he would reappear after like 5~10 years (laughs).

Subsequently, when Law saved the passed out Luffy from Akainu's attack, I thought, "Is this why his character existed?" I was wondering if his role as a rookie pirate was done. But then at Punk Hazard... It was rather a quick reunion (lol)

Yamaguchi: Seeing him at Punk Hazard at that time, I was like, "Huh? Where are Bepo and team? Did he end up alone?!" (laughs)

Kamiya: Same here. I was like, "????" (laughs)

Yamaguchi: Even though Law was a character veiled under mystery, he has gradually revealed his human side in the flashback. You played Law's childhood as well. How was the experience?

Kamiya: When I read the flashback in the manga, I really wanted to voice him. Initially, Law proposed an alliance with Luffy to take down Kaido. But there was also this desire deep down to crush Doflamingo himself.... All these make him rather a suspicious character with unclear motives from reader's perspective, right?

But after knowing his intense past that lead to that point, I decided "I want to portray Law's childhood too!" I was very eager to do it, I expressed my wish to the producer. It turned into an audition.

Yamaguchi: So that required an audition. (laughs)

Kamiya: Exactly. At that time, the manga volume wasn't out yet. So, they gave me a copy of the Jump magazine. After finishing the usual recording, I was reading some lines from it. I remember you asking me, "What are you doing, Kamiya kun?" and I said, "I have an audition after this." (laughs)

Yamaguchi: I remember too. I was wondering, "What audition?" (laughs)

Kamiya: Strictly speaking, it might not have been a traditional 'audition' - given that there were no other candidates. It was more like having my voice heard (by the staffs) and assessing whether I could voice the character.

Yamaguchi: It's common to hire a different actor for flashback roles to match the character visuals. But letting the same actor voice in flashback makes a character more consistent. Law's encounter with Cora san was a turning point in his life, you being able to play that role should become crucial for depicting his character from now onwards.

On this topic, did knowing Law's past influence your performance of his role?

Kamiya: I didn't consciously change my acting. But there are some differences in his portrayal when I know Law's past compared to when I didn't.

In the early days, I voiced Law with a subdued, cool tone; but as the story progressed and his character unfolded, I believe my tone range expanded.

Yamaguchi: I totally get it. Back when Law started interacting with the Straw Hats and yelled "I hate breads!" - it left a strong impression in me. I felt that line alone made him instantly more relatable and easy to like.

Kamiya: That's right. Actually, at the "I'm a doctor!" scene in the Summit War, I was told not to raise my voice. So I focused on acting cool. But I'm more comfortable being expressive and yelling these days; I feel like I've been allowed some leeway since "I hate bread!" (laughs)

Yamaguchi: (laughs) I remember "I hate bread" most vividly, but which line do you think left the biggest impression on you?

Kamiya: Not mine, but Cora san's "I love ya!" made me go, "Uwoh, so that's how it's delivered!"

As for Law's lines, hmm.. "I'm a doctor!" and "Drake-ya, how many people have you killed?" are memorable. Also, "I've broken the gears!" after slashing Suwabe san..No, Vergo.

(Junichi Suwabe: Vergo's actor. Currently acting as Green Bull.)

Yamaguchi: Back when Vergo was slashed, none of us had any idea about the the two's real relationship.

Kamiya: Indeed. But the scene was remarkably balanced. While maintaining a calm expression, Law sliced through everything in the background in half, including Vergo. This spoke of how intense his deep emotions were. This scene really etched in my memory.

Yamaguchi: Amazing, it's still giving me chills!

Kamiya: Since I was under the request to not raise my voice, so I acted coolly. But seeing the intensity transmitted so well in the art... I felt glad.

Yamaguchi: Breaking the gears in Punk Hazard and tying up loose ends in Dressrosa – it feels like even after Dressrosa, Law's journey with the Straw Hats is far from over. They still need to reunite with Sanji's group and visit Bepo and team!

Kamiya: That's right. Hasn't it been about two years since Law mentioned them being left at Zou?

Yamaguchi: In real world, it's been about two years. But in the story, it's like the same morning?! (laughs)

Kamiya: Pretty much like just a moment ago. (laughs)

Yamaguchi: That was insane! When Law told Doflamingo, "You called CP0 this morning", all the cast members made faces like, "THIS morning!?" (laughs)

Kamiya: We've been through some insane times, haven't we? (laughs)

Yamaguchi: This conversation had been insane too. Sadly, it's time to wrap up. Thank you so much, Kamiya kun!!

Bonus talk (website special edition) : Child Law and the Donquixotes

Yamaguchi: Law's past is currently unfolding in his flashback. What were you particularly mindful of while playing Law's childhood?

Kamiya: Since he carries a tragic past, I was conscious of portraying the notion of "no belief in humans" and "humans only harbor malice." It's somewhat a tunnel vision of the world. But considering he was a child, I convinced myself of that. (laughs)

Yamaguchi: When the story transitioned back to present from the flashback, I was a bit sad thinking how I won't hear little Law's voice anymore. But then it felt so natural to hear adult Law's voice. I remembered, "Oh right! Kamiya kun had always been Law." (laughs)

Kamiya: I'm so happy to hear you say that!

Yamaguchi: Speaking of the flashback, Cora san plays a crucial role.

Kamiya: Yes. When I heard Cora san would be played by Yamadera san, I thought, "Woah, a freaking amazing person has joined!" As I mentioned before, his performance of "I love ya!" is so touching that just remembering it makes me tear up.

Well, my first impression to Cora san was "Who's this dude?", though (laughs). He's a guy who gets annoyed by children and throws them out...Frankly, it was hard to believe he's sane. It was inevitable for Law to be pissed off and yell "I'll kill him!"

Yamaguchi: From Cora san's exchange with Sengoku afterward, it seems he intentionally treated Law and the children harshly to keep them away from The Family... but there could be a better way to do it (laughs)

Regardless, Cora san struggled with many hardships from his childhood; I feel sorry for him.

Kamiya: He had a hard time due to his idealist father. His father was a goodie-two-shoes blind to reality, so to speak; unable to recognize the poor intent of others. I think he was the type of person whose survival was meant to be a struggle in the world of One Piece.

Yamaguchi: True. This caused his wife and children to suffer. I felt like telling the father, "you're too naive."

Kamiya: Actually, in the scene where Doflamingo's father says, "I'm sorry I'm your father," I couldn't cry even though it was a tragic scene of a parent being murdered. Instead I was very angry at him.

Yamaguchi: In that scene it's easier to resonate with Doflamingo: "What has father done!"

Kamiya: When I read the manga, I didn't feel much. But once it was animated and I could hear the lines, I really understood Doflamingo's feelings. "Ok, he's an idealist dumbass." "This man's is no good, I couldn't possibly keep up with him either!" (laughs)

Yamaguchi: Being sandwiched between these two, I pity Cora san.

Kamiya: Cora san probably had perceptions of both a Celestial Dragon and an ordinary human since childhood. That's likely why he could handle special missions like being a spy.

Yamaguchi: Unlike Doflamingo who couldn't adapt to the world, Cora san didn't really do anything wrong but ended up being crucified anyway. I felt really bad for him.

Kamiya: The flashback elaborated quite well on Law's feelings. But the mystery behind why Cora san suddenly changed his demeanor after learning Law is a D is still there.

Actually, that's the only part that left me unconvinced. Why's that a man who hit him is suddenly saying let's pack up and run - I couldn't wrap my head around it. But Yamadera san's presence and persuasiveness left me feeling, "this person definitely knows something, I must listen to what he has to say."

Yamaguchi: I get you. Even though Yamadera san is no different from us and knows practically nothing (laughs). By the way, I'm really looking forward to how it'd go when the last bit of the flashback airs.

Kamiya: I'm curious about its reception.

Yamaguchi: Lastly, any message you'd like to share with the fans?

Kamiya: It was fun talking with Kappei san and sharing personal impressions and perspectives, but please forget everything I said! I want everyone to enjoy it naturally, I'll be happy if you continue supporting One Piece from a neutral perspective.

Yamaguchi: Kamiya kun, thanks for today!

Kamiya: Likewise, thank you very much!

Interview #2, Studio Experience and popularity

Source: [x]

Yamaguchi: By the way, I was at the restaurant Baratie for an interview recently, and they were showing the first episode of One Piece. I saw your name credited among the cast and went "Gweeeh?!" (laughs)

Kamiya: (laughs) Yeah. In the first episode, I played pirate A.

Yamaguchi: One of Alvida's henchmen?

Kamiya: Yes. As pirate A, my role was to discover Nami sneaking onto the ship, and then immediately to get knocked out by a groin kick.

Yamaguchi: I didn't show up until episode 9. You were earlier than me! (laughs)

Kamiya: Actually, I debuted earlier than even Kazuya Nakai san (Zoro's seiyuu), since Zoro only had a brief appearance at the end of the first episode.

Nakai san came to tour the recording. I remember asking "what's up, Nakai san?" and he mumbled something like "Ah, well, um" and just quietly sat there.

Yamaguchi: (laughs) Did you have any other roles after pirate A?

Kamiya: I did a couple more after that, but the first episode left the strongest impression on me. I still clearly remember Luffy bursting out of the barrel in his debut scene. Deep down, I got excited during the recoding, thinking "Woah! One Piece has really begun."

Another memorable role was Eddy, the four eyed helmsman of the Bellamy Pirates. It was strange to voice Law facing off Bellamy himself in the Dressrosa arc, having voiced one of his ex-subordinates long ago. (laughs)

Yamaguchi: Wasn't it in Mock Town? When Ueda Yuji san was there?

Kamiya: Yes. Ueda Yuji san voiced Sarquiss, the vice captain of the Bellamy Pirates.

After that was the story of Shichibukai meeting arranged by the World Government. Doflamingo appeared and used his strange power to make two marine officers fight each other to the death. The two marines who were made to fight each other - Marine Officers A and B, were played by me and Ueda san. They knew they were being controlled, but nobody knew how it was being done, or the power of something like Ito Ito no mi.

Yamaguchi: We didn't know anything either! Bet you didn't expect to end up fighting against the same Doflamingo years later.

Kamiya: That's right. I never imagined I'd get to play a character with a connection to Doflamingo. Moreover, at the time of Law's debut, I didn't think he'd be the one to with such connection. (laughs)

Yamaguchi: Seriously. Life is full of surprises. (laughs)

Anyway, changing the subject, how do you like the atmosphere in One Piece voice studio?

Kamiya: I absolutely love the atmosphere on the One Piece set! There are many seniors there who can be called legends, so of course, there's tension. But it's the type of tension that makes you feel comfortable as a professional.

Yamaguchi: It's okay to be honest, you know (laughs)

Kamiya: (laughs) But I am being honest.

In presence of legends like Mayumi Tanaka san who has been leading One Piece for 15 years, I'd always think that I have to give my absolute best. Of course, when it comes to the actual recording, being serious isn't an option for us. But only recently I've realized that it's okay to ease up and have fun outside the recording sessions.

Yamaguchi: Well, that's the captain for you. (laughs)

Kamiya: She's really something else! (laughs)

t/n:the strawhat VAs all call Luffy's VA Mayumi san 'captain.' I've noticed Kamiya doing the same few times. HMmm

Yamaguchi: The Straw Hat crews are scattered during Dressrosa and the team's brain cell Akemi Okamura chan, who plays Nami, isn't around. So, I personally consider you the only remaining brain cell in the current studio, Kamiya kun. You're the last straw that keeps the studio standing as a "workplace". (laughs)

Kamiya: What, really?! (laughs) That's a lot of responsibility. But I've recently realized that even if I'm criticized for it, it's best to get along the flow when I'm high on energy. (laughs)

(T/N: not confident with my translation for this sentence^)

Yamaguchi: (loud laugh) Come to think of it, you sure have been doing that a lot lately! I thought it was quite like Law.

Speaking of which, do you think the One Piece cast resembles their characters in some aspects?

Kamiya: Hmm... Law is such a serious character, so I always feel like I need to be firm with myself, but I often find myself like a puddle (laughs). Especially when Mitsuya Yuji san (Pica) and Mayumi san (Luffy) keep fooling around, I'm all over the place.

Yamaguchi: Those two... even though they're both in their sixties! (laughs)

Kamiya: I can't anymore... They say "Just ignoore", is that really okay?

Yamaguchi: I think it's fine. (laughs)

Kamiya: Even though they're like that most of the time, they completely change when it's showtime. It's amazing. Every time we record, I'm in awe, watching them carry the weight of the series on their shoulders.

Yamaguchi: Despite being small. (laughs)

Kamiya: ...Despite being small! (laughs)

Yamaguchi: Mayumi san's microphone is quite low, isn't it? Because she's small.

Kamiya: That's right. But I still get nervous when I think about using the microphone Mayumi san used. She's an amazing senior, but she also has this quirky side to her. I hope she stays this way forever. (laughs)

Yamaguchi: I also like Mayumi san's quirky sides (laughs) Once we start talking about Mayumi san, we could go on forever. So let's save that for another time!

Website Special Edition #2, More Law talks

Yamaguchi: Law is a cool and chill character, but I like how he playfully calls others "[ ]-ya". (laughs)

Kamiya: One Piece has many characters with distinctive speaking styles, as in the way they laugh or talk. Even a character cool at a glance can have this unique speech pattern that'd make them approachable. Law didn't seem to have any of that. At first I was worried - is this guy just cool? So when he started calling others with "[ ]-ya", I felt a weight off my chest (laughs)

But his accent is still a little troublesome, especially saying "Nose-ya" to call Usopp.

Yamaguchi: It seems he searches for someone's specific characteristic to come up with a nickname, like Luffy. But when he can't think of any, he just adds "ya" at the tail of their names (laughs)

Kamiya: Yeah (Laughs). Like how Nami becomes "Nami ya", Drake becomes "Drake ya". I find it funny.

Yamaguchi: This playful side is what makes 'the attractive guy' Law so endearing.

And he's insanely popular, isn't it? When I went to Universal Studios Japan the other day, there were many children cosplaying Law. Do you have a specific mindset when you're playing such a popular character?

Kamiya: Well...When Law ranked 2nd in the official popularity poll, I felt happy and pressured at the same time. Not because of the result itself, but because it made me more conscious not to undermine Law's charm in my acting.

On the other hand, I think it's a great privilege as an actor to be able to voice a character like this. If even one person becomes Law's fan after watching the tv series, I'll feel incredibly proud.

Yamaguchi: Yeah, I understand. It's a great honor as an actor when people start liking a character because of our performance.

By the way, how was the feedback from the people around you when you started playing Law?

Kamiya: Thankfully, the feedback from Law fans was amazing! On the flip side, the people around me were surprisingly chill. Like, "Oh, the ROOM dude?" (laughs).

Yamaguchi: "The ROOM dude"! (laughs) Which one is your favorite from Law's moves?

Kamiya: Got to be "Shambles." To be more specific, "Shambles" followed by "ROOM"!

Yamaguchi: The combination has such a catchy, memorable rhythm. To mimic Law, "ROOM" and "Shambles" are a must!

Kamiya: I'm a bit relieved. If such a catchy combination didn't gain attention, I would've blamed myself.

Yamaguchi: It's an awfully strong killer move. Depending on how it's used, the power can be invincible.

Kamiya: It's unfairly strong, isn't it? The fact that it can even grant eternal life made me think it's an outrageous Devil Fruit ability.

That said, it's not like magic - having known that using the technique depletes the stamina of the user. Cora san also mentioned that it's an ability that one can't handle without knowledge. Law must've been able to handle it because he studied medicine.

Yamaguchi: Indeed, like it was his destiny to eat the devil fruit.

Lastly, what do you think is the charm of Law?

Kamiya: Hmm, I generally try not to overthink about the charm of the characters I'm currently playing. If I understand the charm too well, I might start acting while thinking about things like, "This is their charm, right? So this is why they're popular?" So, I try to approach my work neutrally and avoid thinking too much.

Of course, there are times when I simply think Law is cool, but I deliberately don't dwell on what made him cool. I hope that when everything is said and done, I can look back and realize, "Wow, that thing Law did was ridiculously cool!", or "This is what makes Law so amazing!"

Yamaguchi: I see, that's an interesting perspective. Thank you for sharing all these insights today!

Kamiya: No, thank you so much for having me!