#this was such a directing choice

[blue-cheeseinmyoffwhites]

Buck stroking the table while staring at Eddie has to be the most sexually frustrated shit I’ve seen in my life

[bet-on-me-13]

The Timeline Shifted, and Sam is conflicted...

So! A Timeline Shift occurs one day (thanks Barry) while Team Phantom are in the Ghost Zone helping Clockwork with a few things. As they are going back to the Human World, Clockwork gives them another cryptic piece of advice.

"Unfortunately the world will not be the same as it once was. Samantha, you will find this especially Jarring, but keep an open mind."

Before they can ask what happened, he shoves them through their own respective Portals, and Sam lands in an Alleyway in Gotham.

She is confused, but a green glowing sticky note appears in front of her telling her 'go to the nearby park, you will see what I was talking about'

She walks over, and sees a lady with Green Skin tending to some flowers. Her head is covered by a Hat, so Sam can't see her face.

They strike up a Conversation, and Sam finds that this Lady is great. She loves taking care of Plants, she hates it when Companies pollute the Earth, and she even has Plant Powers just like Sam!

It occurs to her that she never asked for the Lady's name, so she asks and the lady lifts her Hat to reveal her face. And Sam freezes.

"Oh, sorry for not introducing myself. My name is Pamela Isley."

Thats her Mom's Maiden Name.

This lady has her Mom's Name.

This is her Mom.

Oooooooohhhhhhhhhh shit.

...

Read the tags for extra context

[hedgehog-moss]

In the fir woods

[stagefoureddiediaz]

The fact that the Eddie we saw this episode was seen almost entirely from bucks perspective and he had this heightened full of life joy about him - that that is how Buck sees Eddie. As this light in his life - full of joy energy and life - even when viewed through his jealous not fully understanding eyes.

[chronically-chaotic-cryptid]

weirdly enough, you do not actually have to think out loud 'wow look at that disabled person I'm going to do something and be ableist towards them' for the things you do to be ableist

[rynliadon]

the scene in the rwrb movie where alex is on the phone with henry which manifests itself AS henry in the flesh on his bed, but his voice switches from sounding like it’s coming from a human in the room to sounding like a phone speaker as he says “i’m hanging up now” … immersing you in the conversation as alex is immersed in the conversation and the reminder pulls you out of that by changing his voice …. exemplifying the distance between them and how henry feels like he could be both right next to alex and an ocean away ….. that was so fucking cool.

[medicalunprofessional]

wunderbar !

[blue-mood-blue]

I can pinpoint the moment that destroyed my life today:

It’s been a handful of weeks since Murderbot came within inches of having a new, organic governor module implanted in its head via infection - do you think, maybe, that’s also been hiding behind the redacted? Not the way everything else is, just as a deep-seated reminder of what it can’t afford to lose?

What a way to be told “I love you” - to be told “I will not lose you, I will not let go, I will do the hard part of holding on even if you don’t want me to”

[podcastenthusiast]

The way BG3 approaches revenge is so interesting. It never says anyone is wrong to kill someone who's done them harm, but it does say that doing so alone won't fix the trauma.

Aylin just feels empty after killing Lorroakan. Astarion admits killing Cazador didn't feel how he expected it would either; he feels numb for a while and it changes his perspective on things. Karlach kills Gortash and it isn't satisfying, because he never felt sorry for the life he took from her and now she has to grapple with how little she has left.

Again, they weren't wrong to crave that catharsis and the safety it brings them. But revenge is never the end of healing. It's only the beginning. Choosing to live again is maybe the best revenge there is.

[haunted-xander]

Sometimes I think about Urianger's role in and feelings on the Thancred-Ryne dynamic and I think watching it kills him a bit inside. For several reasons.

Like, to begin with there's the guilt he's been carrying with him since he ushered Minfilia to the first, how he effectively killed the person Thancred cared about the most in the world and who's "death" ended up causing Ryne's entire Situation. He looks at what's happening between them and can only think "I caused this" even though that's not really true. No one person is responsible for this outcome, it's a culmination of several circumstances and the consequences of them. Logically, Urianger knows this. But it doesn't matter, because his guilt is overpowering his logic.

And also, like. What Thancred is doing here, the way he's knowingly letting Ryne be and stay hurt because he literally cannot bring himself to tell her his feelings, is the exact same mistake Urianger made with Moenbryda. Of course, the circumstances are vastly different, and the potential consequences to Thancred telling Ryne the wrong things or her misinterperating it is far greater (being a matter of literal life or death), it's still the same sort of paralysis they are trapped in.

And he knows it. He sees it. But he can't say or do anything about it, he doesn't have the right to. He acknowledges the mistake, but he hasn't really improved upon it yet. He still doesn't voice his thoughts and feelings as he should. He's also non-confrontational by nature, he doesn't argue or try to change peoples minds, he probably doesn't think he has any place to.

So, he tries to help in what little ways he can. Because he doesn't want it to become Monebryda again, he doesn't want to know he stole not one but two people from Thancred. So he does what he can. He tells Ryne little tidbits about Thancred, things that help her understand him but are safe to share. Nothing too deep, nothing too personal. Just small things, things that are purely factual, because he can't afford to give her a false image of who Thancred is. He teacher her fun and interesting things, because Thancred isn't in the mindset to provide her with non-essential skills.

I like to think Urianger has brought it up with Thancred at least once, during one of his stays. But nothing would've come of it. Not really. Unlike Y'shtola, Urianger isn't pushy, he'll bring it up once or twice and when he sees this won't go anywhere, he gives up. He wants to help, but he knows that persistance only does do much, and he is not the person who has the resiliance needed to push and push until Thancred finally budges (because he won't budge, it won't help anything but to sour things further by adding aditional stress to an already strained dynamic).

And like. Urianger gets it. He gets it because he's been the same way- not saying what he should to someone he loves more than anything else because she was meant to figure her life out herself, and 'steering' her in any direction by telling her his feelings (regardless of if the 'steering' is intention or not) will go against that. He gets it. He gets it and it's all the more painful for it. He knows it can't just be fixed by acknowledging it or with encouragement, something needs to happen to break the stasis.

I think this is probably why he stayed behind while they went off to Nabaath Areng. This is the very last chance they have to say what they want to, and he can't afford to be the anchor anymore. This is about them, not him, he can't let their resolution be buffed by his presence, so he stays behind. Which was probably for the best. Ryne got nervous when Urianger said he's staying behind, probably not too excited about being alone with Thancred (well, not alone, but WoL doesn't count) so soon after she had ran away crying. But she needs to be nervous. For anything positive to come out of this Thancred and Ryne both can't afford to be too relaxed. As sad as it is, the stress is necessary for anything to happen. He knows it. Does he like it? Absolutely not, but nor does he like his other plots. At least no one dies this time if it goes right.

[wizardnuke]

the mighty nein thesis. is. you are not what the world and your abusers want you to be and we are all going to fight so hard to make sure that you turn out okay. we are going to hit your abusers so fucking hard. we are going to chase your mind-controlled or came-back-wrong ass across the continent to get you back. we are going to hold you accountable and you're gonna do the same for us. it takes a fucking village to not go down the path that was set for you but thankfully there are seven to nine of us working together to keep you safe. from yourself and others. it's gonna be okay we are gonna make sure of it. on god you are going to be okay

[abbeyofcyn]

i know it defeats the point but would you ever elaborate on the other options on the comic? i really wanted to see donnie in the future and im really curious as to what your plans were

I might drop some sketches here and there if there's interest and I sure don't mind rambling about any ideas either!

Sending him to the past would also have been fun, but alas...no terrible babysitter Dee

[anyataylorjoys]

THIRTEEN 2003, dir. Catherine Hardwicke

[jessiethewitchzard]

There's something about the way Lois' attraction to Clark is framed in My Adventures With Superman that I can't quite put my finger on.

I can't recall the last time I saw a show depicting a woman's sexuality in this way. Like, the camera work is telling us that she is extremely attracted to Clark's body, but the show isn't engaging with any of the standard tropes that would judge her for it and call her a slut or a pervert or whatever(not even to reject them, its like they're not even there). The camera assumes that ogling Clark's body is an obvious neutral thing that of course any viewer would be interested in. Certain scenes remind me of a gender-swapped version of ecchi anime tropes, with how much focus is put on Clark's body. Lois literally trips and falls into his boobs. He gets his shirt lasered off in a fight. We get a lingering shot of his abs before Lois puts a shirt over him. It is *strongly* implied that the reason his costume has shorts is that without them, his bulge is uncomfortably obvious. This show is putting Clark's body front and center. I don't know that I'd go so far as to say that it's totally objectifying him, but it's definitely leaning a lot further in that direction than I expected.

[posletsvet]

Was anyone going to point out to me that the reason why curses were swarming the streets and filling every empty nook and cranny in the summer of Geto's spiral was actually Gojo Satoru?

The narrative already bears witness to how Satoru's mere birth tips the balance of the world. As the first Gojo to be born with both the Limitless and the Six Eyes in what is almost a half-millenium, he holds unparalled power. Him simply existing is enough for curses to spring into action and start growing in strength as well.

When he suffers a crushing defeat by the hands of Toji and subsequently thrusts himself vigorously into perfecting his technique, this rapid increase in his strength puts into motion a similar process. He becomes stronger, and so cursed spirits follow suit. He breaks the fragile equilibrium, and cursed energy seeks means to restore it.

First time Satoru Gojo changes the world, he is named the strongest. Second time Satoru Gojo changes the world, he becomes the strongest.

Now, this might be a bit of a stretch on my part, but what if Geto's defection and everything in its aftermath is how the world responds to Gojo being the strongest? After all, you cannot balance the scales by putting too much weight on just one side.

Suguru's abilities as a sorcerer are inherently deeply tied to Satoru's, and intentionally so. The stronger he is, the more potent the curses are -- and therefore the more potential there is for Geto's technique. I have said it before and I'll say it again: they are a perfect counterbalance to each other. The equilibrium is broken by Gojo twice. Each time, Geto is there to restore it: first by being born with the ability to manipulate curses, then by creating the opposition to jujutsu society, which Gojo has become the centrepiece of.

Ever since Suguru Geto entered the narrative, he has been the one to keep Gojo's powers in check -- hence preserving the balance. That's why the narrative brings him back: in order to be well-balanced, it needs both of them to be present.

[3lostyears]

i adore how protective nine is of rose but i also think what is regarded a lot of the time as ten not caring about or valuing rose in the same way is him having more faith in her. it’s kind of like when people complain about rose not challenging ten the way she did nine when they’re just much more on the same page in s2 because they know each other better, so she doesn’t really need to.

in theory, ten could have yelled at rose in the idiot’s lantern for not waiting for him when she confronted magpie. but he doesn’t, he loses his mind trying to save her (VERY nine) and also acknowledges that her observation was spot on. the whole “domestic approach” line gets attention but i have never really interpreted his intention as being to insult her; in some ways, i feel her reaction is a holdover from nine, who did put down the idea of domesticity (and also actively manipulated her into leaving her mum in world war 3 which never really gets mentioned).

and of course, rise of the cybermen is a parallel to father’s day. the doctor starts out harshly talking to her the way he did when he was nine, forbidding her to see her father, but then he gives in when she just looks at him. which is exactly what he does that in father’s day too of course.

like, why do you think she refuses to be sent away in doomsday, another direct parallel to parting of the ways? she’s saying she’s not a kid anymore, that she already made her way back to him once before. she can’t be protected from the hard choices anymore and she won’t be, because she understands everything that it means to be the doctor’s companion. you never see it on-screen but clearly sometime between tooth & claw and doomsday she asks about what happened before he regenerated; she has to learn that she is the bad wolf, especially when she is to continue her journey of turning into nine in s4 and making hard choices. ten wouldn’t have known that, but it’s a mark of the respect and faith (he believes! in her!) that he stops protecting her from the truth.