#thus he was never a compelling character for me

[maddyshome]

some of yall have such low standards that you think getou is a well written villain. no, no he is not susan.

[infizero]

i think one of the things that makes toby fox's writing so great is his ability to tell a compelling narrative AND metanarrative at the same time. undertale isn't JUST about how people play games and the need for completionism, and it isn't JUST the main story that you play through. it's both! and both are equally important.

and i think the same will be true for deltarune. some people tend to think of it as black and white when theorizing, either focusing too much on the meta aspects without taking the actual plot and character arcs into account, or doing the opposite and saying that the meta aspects aren't important and won't end up being relevant to the story. it's both! it's always been both!!!

[comradekatara]

Your atla analysis is the best so I wanted to ask your opinion on something I've found the fandom fairly divided on - what did you think of Azula's ending within the show proper? Unnecessarily cruel or a necessary tragedy? Would you say that her mental breakdown was too conveniently brought about in order to 'nerf' her for the final agni kai? Also, do you think it was 'right' for Zuko to have fought with his sister at all or would it have been better for him to seek a more humane way to end the cycle of violence?

okay so im saying this as someone who loves azula to death like she has always been one of my absolute favorite characters ever since i was a kid and i’ve always vastly preferred her to zuko and found her to be extremely compelling and eminently sympathetic. i am saying this now before the azula stans come for me. i believe in their beliefs. but i also think her downfall is perfectly executed, and putting aside all the bullshit with the comics and whatever else, it’s a really powerful conclusion to her arc. obviously that isn’t to say that she wouldn’t continue to grow and develop in a postcanon scenario (i have a whole recovery arc for her mapped out in my head, like i do believe in her Healing Journey) but from a narrative perspective, her telos is in fact very thematically satisfying.

no, she wasn’t nerfed so that they could beat her in a fight. the fact that she falls apart is what makes them feel that they can confidently take her on (although i do think in a fair fight katara could win anyway), but the whole point is that it’s not about winning or losing in combat. the whole point is that zuko and azula being pitted against each other in this gratuitous ritual of violence as the culmination of their arcs is fundamentally tragic. yes it’s a bad decision to fight her, and zuko should have chosen another path, but the whole point is that he’s flawed and can only subscribe to the logic he has spent his whole life internalizing through violence and abuse.

that’s why aang’s fight against ozai, while tragic in its own way, is also a triumph for the way in which his ideals prevail in the face of genocide, while zuko and azula’s fight is very patently tragic. there is no moment of victory or triumph. even as zuko sacrifices himself in a beautiful mirroring of “the crossroads of destiny” and as katara uses the element of her people combined with techniques across other cultures to use azula’s hubris and ideology of domination against her, it’s presented as moments of personal growth occurring within a very tragic yet inevitable situation. it was inevitable because azula had always been positioned as an extension of her father, and thus to disempower ozai also means disempowering azula, his favorite site of projection, his favorite weapon.

yeah, it does rub me the wrong way when zuko asks katara whether she’d like to help him “put azula in her place.” it’s not a kind way to talk about your abused younger sister. but it’s also important to understand that zuko doesn’t really recognize his sister’s pain, despite the fact that they obviously share a father, because he’s always assumed that she was untouchable as their perfect golden child and thus never a victim. and he’s wrong. zuko and katara expect a battle of triumph and glory, noble heroes fighting valiantly so that good may prevail over evil. but as they discover here, even more so than their previous discovery two episodes prior, a battle is not a legendary event filled with bombast and beauty until after it has been historicized. often a war is simply fought between pathetic, desperate people who see no other option but to fight.

aang’s ultimate refusal to fight despite having all the power in the world is what makes him so important as the protagonist. but katara and zuko both share a more simplistic view of morality and what it means to be good. and zuko assumes that by fighting azula, he can only be punching up, because she has always been positioned as his superior, and she (in her own words!) is a “monster.” and then azula loses, and his entire worldview shatters. joking about putting her in her place makes way for the realization that behind all her posturing and lying (to herself more than anyone) and performance and cognitive dissonance, azula has always been broken, perhaps even more than he is.

azula says “im sorry it has to end this way, brother,” to which zuko replies “no you’re not.” but i think azula is truly sorry, because in her ideal world, she wouldn’t be fighting zuko. she doesn’t actually want to kill him, as much as she claims to. she’s already reached the conclusion that zuko will only truly reach once their fight is over. she lacks a support system, and she needs one, desperately. if she could somehow get her family back, do everything differently, less afraid of the consequences, she would. she’s smirking, she sounds almost facetious, but really, she is sorry. as of this moment, she really doesn’t want it to end this way. but zuko cannot accept that, because in his mind, azula is evil. azula has no soul nor feeling. azula always lies.

her breakdown doesn’t come out of nowhere, either. it’s precipitated by everyone she has ever cared about betraying her. first zuko betrays her, then mai, then ty lee, and then ozai — the person she has staked her entire identity to and to whom she has pledged her undying loyalty and obedience, become nothing more than a vessel for his whims — discards her because she had the audacity to care about someone other than him. what i don’t think zuko realizes, and perhaps will never realize, is that azula betrayed ozai by bringing zuko back home. he was not supposed to be brought back with honor and with glory. azula specifically orchestrated the fight in the catacombs to motivate him to join her, and it’s not because she’s some cruel sadistic monster who wanted to separate a poor innocent soft uwu bean from his loving uncle, it’s because she genuinely believes that she’s doing what’s best for him. she believes that their uncle is a traitor and a bad influence, and she believes that bringing zuko home with his honor “restored” is an act of love. to her it is.

yes, she claims that she was actually just manipulating him so that she wouldn’t have to take the fall if the avatar was actually alive, but also, she’s clearly just covering her own ass. she didn’t know about the spirit water, and only started improvising when zuko started showing hesitation. but even if she was only using zuko, then that was an insane risk to take, because either way she was lying directly to ozai’s face. and zuko admits it to ozai while simultaneously committing treason, so of course ozai would blame azula, his perfect golden child who tried to violate his decree by bringing zuko back home a prisoner at best and dead at worst, and instead found a way to restore his princehood with glory.

we only see ozai dismissing and discarding azula in the finale, but it’s clearly a tension that’s been bubbling since the day of black sun. and we know this because we do see azula falling apart before the finale. in “the boiling rock” she is betrayed by her only friends. in “the southern raiders” we see that this has taken a toll on her, that she is already somewhat unhinged. she and zuko tie in a one on one fight for the first time. and she takes down her hair as she uses her hairpin to secure herself against the edge of a cliff. unlike zuko, who is helped by his friends and allies, who has a support system. it’s a very precarious position; she’s literally on a cliff’s edge, alone, her hair down signifying her unraveling mental state. azula having her hair down signals to us an audience that she is in a position of vulnerability. she is able to mask this terrifying moment wherein she nearly plummets to her death with a triumphant smirk, but it should be evident to us all that her security is fragile here.

and the thing is, even though she’s always masked it with a smirk and perfect poise, her security has always been fragile. azula has never been safe. azula’s breakdown is simply the culmination of her realization that no matter how hard she tries, she will never be ozai’s perfect weapon, because she is a human being. she is a child, no less. and there is no one in her entire life who loves her for nothing. zuko has iroh, who affirms to him that he could never be angry with zuko, that all he wants is simply what is best for zuko. but azula doesn’t have unconditional support in her life. she doesn’t even have support.

everyone she ever thought she could trust has betrayed her, and so she yells that trust is for fools. because she feels like a fool. of course fear is the only way; it’s what kept her in line all these years. azula is someone who is ruled by fear, and who is broken by the recognition that fear isn’t enough. her downfall is necessarily tragic because her worldview is wrong. the imperialist logic of terror as a tool for domination is her own undoing, just as ozai’s undoing is losing the weapon he has staked his national identity to. it’s a battle of ideals. aang v ozai: pacifism v imperialism. katara and zuko v azula: love and support v fear and isolation.

zuko is unfair to azula, it’s true. he tries to fight her even as he can clearly recognize that “she’s slipping.” instead of trying to help his little sister, he uses that weakness to his advantage, tries to exploit her pain so that he can finally, for the first time ever, beat her in a fight. it’s cruel, but it’s also how siblings act. especially considering the conditions under which they were raised, and how zuko has always viewed her. and in zuko’s defense, she has tried to kill him multiple times lately, both in “the boiling rock” and in “the southern raiders.” zuko is someone who gets fixated on a goal and blocks out everything else, including recognition of his surroundings or empathy for others. so of course when he’s promised to put azula in her place he’s going to exploit her weaknesses to do so. after all, isn’t exploiting his weaknesses exactly what azula does best? so he allows himself to stoop to her level, and in fact only redeems himself through his sacrifice for katara. but it is when azula is chained to the grate and zuko and katara, leaning on each other, look down and observe the sheer extent on her pain, that zuko realizes that “putting azula in her place” isn’t actually a victory. it feels really, really bad, actually.

they’re in a similar position as they were when they faced yon rha. and now it is zuko’s turn to understand that he is not a storybook hero triumphing over evil, but rather a human being, facing another human being, in a conflict that is larger than themselves. to “put someone in their place” is to imply a logic of domination, of inherent superiority, that someone has stepped out of line and must be reordered neatly into the hierarchy. but aang disputes the notion, ozai’s notion, that humanity can be classified along these lines, that there exists an ontological superiority among some and not others. so operation: putting azula in her place was always going to be flawed, even if she was performing competency the way she always does, because they’re nonetheless subscribing to her logic.

of course they should be helping azula, of course they should be reaching out to abuse victims through support instead of more violence. but first they must recognize her victimhood. first they must come to understand that they didn’t get lucky, and they didn’t dominate her because they are more “powerful,” that they weren’t “putting her in her place.” they must understand that they are not heroes fighting villains in a glorious trial by combat. that the logic of the agni kai is flawed. that they are all victims. that they are all just scared, hurt children who are still grieving their mothers.

[anthurak]

So I’ve been thinking more about one of the more subtle but striking questions brought up by Ruby’s tree vision:

Namely; to where or rather to who were Raven and Summer portaling to? After all, it’s been established that Raven’s semblance, Kindred Link, allows her to create portals specifically to people she has established a certain bond and connection with.

And this is particularly interesting, because of the people we thus far know have Raven’s ‘Link’, only ONE was otherwise not present in the flashback; Qrow.

And wouldn’t you know it; Qrow also happens to be one of the people we can definitively say DOESN’T know what happened to Summer, going off his talk with Ruby in Volume 7 where he mentions having no idea where Summer went or what she was doing on her mysterious last mission.

Now, as I’m sure some people will bring up, it IS possible that Qrow was actually present and is simply keeping quiet about it to Ruby. However, personally I seriously doubt that. As I simply don’t see the writers cheapening such a personal and important scene between Ruby and Qrow by later revealing that Qrow was actually outright lying to Ruby at the time.

So that seemingly leaves us with seemingly only one other option: That Summer and Raven portaled to someone else.

As to who that someone might be? Well personally, I think it would have to be someone we likely haven’t met yet. I know some people have suggested it could have been Ozpin, but frankly I don’t buy that one bit. Whatever happened to Summer is clearly meant to have MASSIVE implications, impact and general status-quo shattering revelations, all things it would make much more sense that Oz has NO idea to. Not to mention it’s kind of hard to imagine Raven forming a link, clearly a very close connection, with someone she seems to have always distrusted like Ozpin. Meaning that we’re left with a character that we simply haven’t be introduced to yet.

However, after giving it some more thought, I think there may be a THIRD option:

Raven and Summer DIDN’T actually portal to a person.

Remember just how we learned the mechanics of Raven’s semblance?

It was via Yang explaining it, via information she was told by TAI.

Here’s the thing though; Tai certainly knew how Raven’s semblance worked back when they were a team with Summer and Qrow. But it’s also been a LONG time since then. And wouldn’t you know it, these last couple volumes have ALSO introduced us to the concept of SEMBLANCE EVOLUTION.

So what if in the near-twenty-odd years since leaving her team, Raven’s semblance ALSO ‘evolved’? To the point where she can form her ‘Links’ with more than JUST people?

Perhaps now Raven can form a link with objects that have particular significance to her? Or, and this one I find the most compelling, LOCATIONS that are particularly important to her?

It’s funny that we’ve never actually known for sure where or to who Raven has been portalling to all the times we’ve seen her. Sure, in hindsight I think we’ve all been assuming it was Vernal in Volumes 2, 3, and 4, and to Taiyang at the end of Volume 5. But the funny thing is, we DON’T actually hear the characteristic sound of Raven’s portal opening in the V5 post-credits scene with Tai, only the flapping of wings. Implying that Raven may not have actually portalled to Tai directly…

Meaning that throughout the show, perhaps Raven wasn’t actually portalling to Vernal, but rather to the camp, the home which now has great significance and meaning to her. And at the end of Volume 5, she portalled not to Tai, but rather to the home she once had on Patch. Or, for the REAL spicy alternative, to Summer’s grave.

So what if at the start of their world-most-homoerotic-suicide-mission together, Raven and Summer portalled not to a person, but rather to a LOCATION that Raven was able to set up a link to?

(shoutout to @mikey-polo420 for the ask that got me thinking about this :D)

[kopfkino-o]

Ok so I don't know if I'll be able to describe this correctly. But let me at least take a crack at it.

I'm not pro-Elriel because the couple, per say, I'm pro-Elriel because the story we'd get from an Azriel x Elain pairing. Stay with me, this is pro-Elriel, I promise.

I just find an Elriel, and thus a rejected mates, storyline so damn compelling.

In a narrative world so shrouded in prophecy, fate, and destiny, I love the idea of exploring what happens when a character decides to defy said destiny. When they decide that the path they forge for themselves, and all the good and bad that might come with it, is the path they want to walk.

Exploring a love story where two people choose to defy Fate, to defy what is essentially their religion, and choose to be together is so fucking powerful.

And so far, Elain's character has been so wonderfully written for this sort of narrative. The passive, docile, people-pleaser standing against fate itself in the name of love, who finally finds her voice and decides what she wants for her damn self, even if it goes against everything she’s been taught to believe.

Elain, whose life has largely been decided for her, who is a people-pleaser and prone to putting the wants of others above her own self, being the one to break what's perceived as the biggest blessing in Fae culture for Azriel. Azriel who has never been chosen, who has never felt he's worthy of love or goodness.

Like, for me, if Elain were to accept the bond, it would feel like a regression in her character's growth. She'd be doing what the Cauldron essentially wanted. She'd be doing the "right" thing in the eyes of Fae society. She'd be giving in to the pressures that stem from her Court and the alliances she knows her mating bond is helping to maintain. Her accepting the bond wouldn't mean Elain is growing. In my mind, it would mean she's laying down and deciding that she, in fact, has no autonomy or desire to do anything but what's expected of her.

And I just don't think that's as compelling of a story! Not just because I want her with Azriel. If she came out of the Cauldron as Azriel's mate, but had chemistry and potential for an epic love with Lucien or another character she'd reject the bond for, then that's the ship I'd be down for!

It's the story I want more than the endgame couple. I want the drama that comes with a rejected mating bond. I want to explore the lore behind the bonds. I want to see a different type of love story. I want to explore what it means to defy fate and the Cauldron and societal expectations in the world of Prythian.

I want to see what it means to find a love that trumps even a mating bond.

[jakes3resin]

im an advocate for bucky's curls™!! they're a very important character. it does mean i think about what if when they met and for the rest of the canon bucky has a military cut (or anything short) and that's how gale has known him. those curls don't make an appearance until they're in the camp and bucky's hair grows. gale already is "spacing out" when he sees bucky's longer hair but it's still matted with blood and dirt so he doesn't really get to see it properly. he doesn't get the full force of it until after the war when bucky has let it grow out more since and no dirt and grime can hide them. gale feels like he might lose his mind because he didn't think bucky could be any more prettier than he is but he nearly loses it when bucky mentions he might get a cut soon.

Anon you're so right about his curls being an important character. In my opinion and heart, they are the Main Character, and even thinking about them not being there hurts me. But I do like this scenario you've brought up!

Bucky with a shorter hairstyle during the war would be interesting. Maybe he lost a bet the first few days of training where he had to cut them short and decided he liked the shorter cut since he doesn't have time to take care of his curls during flight school. Gale never sees his curls at full power thus develops his obsession with them late.

Imagining the boys making it through the war without Bucky's Emotional Support Curls because Bucky just cuts them when he thinks they've grown out too much, its wild. But it compels me.

I think he'd look like the picture below.

(I'm adding this photo because I found it when I went on a wild internet journey this morning looking for pics of Callum. Enjoy)

After the war, Bucky decides to grow his hair out again, maybe to reclaim his Old Self, maybe because now he has time to take care of them which in turn is calming for him. The routine of haircare would potentially be very therapeutic for him I think. Maybe he even decides to grow them out to cover the scars on the back of his head. The reasons are endless, but very importantly, Gale does not factor into them (outside of Bucky potentially being into Gale pulling his hair during sex) because Gale's never expressed an interest in Bucky's hair. This will soon change.

His hair once grown out would look closer to these pictures.

Gale barely notices how Bucky's hair has been growing longer. It's one of those you see it every single day and don't really catalog the minute changes until it hits you like a frying pan to the head. The pair are both still trying to transition back into civilian life, and he's too focused on Bucky's health and his own nightmares to notice Bucky's hair, which he's never had to focus on before. Outside of battling for bathroom space now that Bucky's hair products take up most of the counter space (there are so many products, I lived with a curly haired girl for a few years trust me) Gale is oblivious to what is about to happen to him.

A while after he starts growing out his hair, Bucky goes back home to Wisconsin to see his mother for a few weeks. His hair grows more before the pair are reunited, so he definitely resembles the above photos. Bucky shows back up on their doorstep with a cheerful "Honey, I'm home!" that goes unanswered because Gale is frozen solid staring at him. Eyes wide, mouth open in shock, Gale experiences his first real look at The Curls.

Gale gets hit full force with the reality of Bucky's Curls, something he'd been vaguely aware of but didn't think about, and he wonders why he was denied such a sight until this moment.

With the sun setting just behind Bucky's frame, his curls are lit up. The rays showing off the highlights in his chestnut curls. The curls aren't tight and springy but loose and wavey. Bucky runs a hand through them, and Gale nearly falls to his knees.

It's official. Gale is enamoured. He's obsessed. He's running his hand over the soft curls (and pulling them just so), and Bucky melts into the touch. Gale will take any opportunity to touch Bucky's hair now. Walking by Bucky asleep on the couch? Perfect opportunity to run a gentle hand over his curls. A curl refuses to stay put and falls onto Bucky's face while he's reading? Gale's there to tuck it back into the style Bucky prefers. Bucky hurts his shoulder on accident and can't really lift his arm while it heals? Gale will gladly help Bucky wash his hair whenever he wants.

After a while, Bucky's hair grows too long, nearly hitting his shoulders, and he's starting to remember why he kept his hair cut short all those years. Maybe he offhandedly mentions over breakfast how he's gonna cut his hair, cut his curls off. Maybe he asks Gale to help him. Maybe he even mentions shaving them all off.

Gale would have preferred Bucky to shoot him.

Listen, those Curls are the 2nd most important thing in his life at this point (the first being Bucky himself of course). Gale won't admit to how much he relies on them to calm down on his bad days, but he will admit that he doesn't want them cut short, lost to him once more after he's just seen them. Gale begs Bucky not to, desperate to save Bucky's hair.

So the pair compromise. Gale will help Bucky cut his hair to whatever length he wants. He just won't help Bucky shave his hair off. Gale gets to run his hands through Bucky's hair, and Bucky gets to make Gale smile. A win-win if you ask them!

Bucky's Curls- keeping your flyboys sane since 1940!

[corioheinous]

Can I just say how much I love love love it when a character or a group of characters are haunted by the absence of a person who was once integral to their lives. Especially when the entire narrative is structured around that particular loss like hands down my favorite television shows right now are Fleabag and The Bear which are both Masterful fucking examples of this (Fleabag’s dead best friend, though you could probably make a case for her mother too, and Carmy’s dead brother respectively).

And it’s like. The loss of these loved ones is so inextricable from the characters that survived them to the point where everything they do and say every choice they make whether good or bad is ultimately influenced by their grief. I’m catching up with the current Blue Period arc right now and really enjoying it, mostly bc of the complicated friendship dynamic between Momoyo, Murai, and Hachiro—and the lone piece missing from their friend group—Sanada. Murai’s experience with grief in particular is so fascinating to me because unlike Momoyo and Hachiro, he hasn’t been able to “move on” or cope with his grief in a healthy way. It’s sort of become this unsurmountable weight on his shoulder, this ghost-like presence that looms over his character constantly. When Yatora reflects on his loss in ch. 62, there’s an interesting emphasis placed on Murai’s expression—

—which made me realize just how emotional of a character Murai is through his facial expressions alone. Not necessarily in this chapter, because he’s very much putting on a brave face, but in chapter 64, you practically witness him going through every stage of grief at once. It’s honestly a massive transformation given that he’d been stuck in the “denial” stage for so long.

I think it’s interesting to think of Murai as both a character who is avoidant, repressive, in denial about his own feelings and the reality of the world around him (it’s mentioned also in ch. 64 that Murai didn’t even attend Sanada’s funeral, which is exactly the kind of immature behavior/inability to cope that you would expect from a character like him) WHILE simultaneously being someone who wears his heart on his sleeve. I reckon he forces himself to feel nothing at all out of fear that he’ll feel too much at once, and thus end up causing a scene like he did at Sanada’s posthumous exhibition.

Besides the cool back tat and funky earring, I wasn’t all that compelled by Murai’s character until I read through this chapter and experienced this entire emotional upheaval alongside him. I kind of just had to sit down for a bit after reading the last scene, after Yotasuke’s Murai-san, it’s okay to live your life holding onto that grief forever, isn’t it? comment which is such a bonkers thing to say (/pos) and God. Not to quote The Bear FX here but it really is satisfying to watch a character that you know needs to let it rip just let it rip. That laidback attitude and nonchalant expression of his were never truly the whole of it. I’m really satisfied with the way grief & loss has been framed through Murai, and I’m excited to see what his character becomes as he continues to both carry these feelings inside him and live to grow around them.

[fallingtowers]

the way buffy the vampire slayer uses guns is really interesting. it's very consistent, and might be divided into three different "tiers" depending on the wielder's role in the story, each of which signifies certain traits:

unnamed background characters, usually police officers, who carry guns as a matter of course. in and of itself i don't think this means much -- it's not much deeper than "cops have guns in the show because cops have guns in real life" -- but because of the way btvs depicts the police, we might call this part and parcel of a symbolic set which marks a character as a "civilian," unaware of the supernatural world and not equipped to deal with it. guns can't kill vampires, so the gun here ironically becomes a symbol of powerlessness.

antagonists. here, the gun signifies callousness, cynicism, and a disregard for life. we see this for example in cain ("phases"), the german commandos ("homecoming"), and patrice ("what's my line"). an interesting case is coach marin ("go fish"), who as far as i can remember never fires his gun but who possesses the traits associated with this tier regardless. note also that characters in this tier are almost universally driven by a desire for money, so that the gun here is also associated with selfishness and greed.

(mostly) major, (mostly) sympathetic characters. here, the gun signifies desperation and psychological anguish on the part of the wielder. the wielder is cracking under some great pressure, and the gun symbolizes a desperate and misguided attempt to reassert control. the standout example here is riley, who does this twice -- once in "goodbye, iowa" and again in "the yoko factor" -- but we might also mention james in "i only have eyes for you" and spike in "fool for love." note also that warren falls into this category, rather than tier 2 (hence why i specified "mostly sympathetic") -- his shooting buffy is a crime of passion, not a dispassionate, cynical act, and crucially he only resorts to using the gun after buffy has bested him at every turn for almost a full season: a last-ditch attempt to regain control. the gun again comes to symbolize helplessness, but here has an added layer in that its use will actively make one's situation worse. james and warren both pulled the trigger, and see where that got them. riley and spike didn't, so they were spared by the narrative.

again and again, we see the show go out of its way to avoid its characters using guns except in these very specific cases. buffy's projectile weapon of choice is a crossbow; the initiative rank-and-file almost exclusively use taser guns. even faith, after her heel turn, doesn't use guns, because her motives don't align with those of tier 2; instead, she uses a bow.

as an aside, it would be inaccurate to say that buffy never uses a gun -- in "i only have eyes for you," when james possesses her, she confronts angel at gunpoint. similarly, willow gets her hands on a gun in "the killer in me." these two cases share an interesting similarity -- in both examples, the character is being compelled to act uncharacteristically by forces outside her control, thus reinforcing the gun as a symbol of powerlessness.

(it's also worth noting that there's a pattern where the gun is associated with specifically gendered violence. the characters in tier 3 are almost universally male, and they almost universally shoot or threaten to shoot women. buffy and willow break the mold, but both of their cases are echoes of earlier events where a man shot a woman. something something phallic imagery.)

this all speaks to a very measured and clear-sighted moral stance. in the world of btvs, guns are bad. at best, if you use one, you are a clueless idiot way out of your depth; at worst, you're going to die badly. or, in buffy's own words (from "flooded"):

[griseldagimpel]

Why Basira Hussain in The Magnus Archives Isn't Textually Muslim

I've noted before that Basira Hussain in The Magnus Archives isn't textually Muslim and is implied not to have strong religious faith. And it is religious faith I want to talk about in this post. Basira may very well come from a Muslim cultural background. But she isn't depicted as a capital B Believer.

Let's start with: a character's background - of any and every sort - is going to have some kind of impact on that character. The specifics of that impact will vary - there is no universal experience of anything - and the extend of the impact will be affected by the specifics of the story they are inhabiting. But a character's background shouldn't just be garnish.

With The Magnus Archives, it's a story that deeply involves religion and religious faith, what with the fear entities being worshiped as gods and all. And that means that characters' non-fear-god religious background comes up more than it might in another narrative. Thus, we get stuff like Eugene opining that the Cult of the Lightless Flame shouldn't just imitate Christianity and Martin & Jon discussing whether the Christian God is a force they can invoke.

As such, the fact that religion never comes up with Basira - when it comes up with so many other characters in the story - leads me to believe that she doesn't have a strong religious background.

Are you following me so far?

Right. So why is this? Why did the creative team make this creative decision?

Well, it's because of season five.

The fourth season ends with the fear apocalypse beginning, and then throughout all of season five, no deity intervenes to stop the fear apocalypse. (Well, unless you want to argue this was the case with Georgie and Melanie's immunity, and there, yeah, I think from an in-story perspective their cult's pretty justified, honestly.)

We spend most of the our time with Jon & Martin, who explicitly come from culturally Christian backgrounds but don't have particularly strong Christian faith themselves and predominantly experience religion in the context of the fear gods. Then there's Basira, Georgie, and Melanie.

The goal of the fifth season is the stop the fear apocalypse, which the characters do, and then the series quickly ends. And the sequel series is over there in a whole different parallel universe.

Because, look, even after being undone, the fear apocalypse was going to fuck with a lot of humanity's religious faith (or lack there of!) something fierce. Gods are real but also they're monsters and also no other god intervened.

That's...a lot.

Basira's doesn't have strong religious faith because if she did, she'd have to process season five through the lens of her religion.

And that's...a lot.

And the creative team wanted Basira's story arc to be about her confronting the harm she and Daisy did as corrupt cops.

Also, look, a British podcast depicting the Christian God as either probably nonexistent or useless? That's like, whatever. England's got a whole Church of England. Christians in England aren't being persecuted for being Christian. The episode "The Architect of Fear" can have Robert Smirke write, "I am certain the Dread Powers cannot take a soul who keeps faith in the Resurrection." and then drop dead before he can even finish his letter. It's fine.

But a British podcast specifically depicting a Muslim character having to confront that their faith is false?

Muslims in England are a religious minority. They don't have a whole institutionalized Mosque of England behind them.

Yeah, that could easily end up coming off as Jerk Move.

Not saying that it couldn't be done or couldn't make a compelling narrative, but it would be a lot to take on. It would risk overpowering the corrupt cop reckoning character arc. And the creative team would have to tread carefully for it not to be a Jerk Move.

Ergo, it's easier on the creative team for them to just...not have Basira be religiously Muslim.

Relatedly, Melanie and Georgie aren't depicted as strongly religious for similar reasons. Because they're outside of the Eye's power! If either of them had a strong religious faith, the characters would likely be interpreting their exemption as being a reflection of their faith! And that would be another plotline where the creative team would likely feel like they had to tread carefully lest their story come off as Jerk Move. Again, not impossible to pull off. But difficult.

[insomniac-101]

Metacrisis Doctor Character Analysis

Sooooo… I heard some of you are still on the fence about Tentoo.

Now, why you would be is completely understandable. I mean, it took me rewatching the show as an adult to really understand the nuance behind his ending but it’s been years, and it truly saddens me to see that there is still so much confusion surrounding his existence. Especially since he essentially reaffirms the overarching message of the show, and without him, it would not be as impactful.

But no fear! I love analyzing this era in particular and so, it would be an honor to share with all of you my interpretation of how he fits in Ten’s overall development as well as the potential questions raised by his existence. 

After all, he is such a great addition to canon and so I wish to spread my excitement now that there is a chance we might see more of him!

(P.s I swear I will get to Ten eventually lol but his character in particular tends to mesh into other character arcs so much, that it is easier to address them in parts rather than all together.)

Now then, let’s set something straight from the get-go. 

Tentoo’s existence does not get in the way of the Doctor and Rose’s romance. It is actually quite the opposite, it only goes to reaffirm how much they love one another. 

How they were essentially made for one another (Literally and figuratively lmao).

So much so, that Ten was essentially split into two as a means of holding onto the hope of keeping her in his life.

To reduce his existence as a mere love rival, in my opinion, is such a disservice to the narrative because not only does it imply that Rose’s ultimate choice to be with Tentoo is shallow but it also does not take into account crucial aspects of the Doctor’s character arc overall. Who by extension, also applies to Tentoo.

During his tenure as the Doctor, we observe Ten's strong inclination to merge with humanity, as he fervently yearns for it. That increasing temptation is what often puts him at odds with his role in the universe, and in turn, compels him to uphold strict barriers between himself and other humans. Even if it means causing harm to himself and the people he holds dear

As the only time lord in the universe, he cannot afford the luxury of possessing a human life, so he attempts to convince himself that his fascination with our way of life is merely admiration, rather than a genuine desire to experience it firsthand. Thus, he considers himself an outsider because he realizes that if he were to succumb to his desire, his happiness in experiencing it would be fleeting.

Despite his longing to experience a different way of life, he cannot bring himself to give up his identity as the last living time lord, as that would mean forfeiting an essential aspect of himself and the final vestiges of his people. Thus, although he may yearn to live a more leisurely existence, he would never do so, as it would entail sacrificing too much. 

Not to mention, it would mean pitting his own needs against those of the world, and his selflessness would never allow that to happen.

At least, not yet anyways.

In spite of his upbringing, his rebellious attitude that made him stand out amongst other time lords made him curious and flighty. Often roaming the universe in an attempt to find strange occurrences that counter his understanding of how it works. He finds joy in living a life on the run, and for a while that is all he really wanted.

However, with constantly moving, there comes a point where one realizes that there is no one to return to. That the thrills only serve as a distraction of what is actually compelling him not to remain stationary, and by not stopping to consider what he is leaving behind, he is not being conscious of the consequences. 

The Doctor's decision to become a wanderer stands in stark contrast to the nature of his people.

A problem that only worsens once the time war effectively orphans him.

Traveling and saving others allows him to put aside all his self-loathing and forget what it feels like to be utterly alone, but it is not enough to fill the void of loss. Don’t get me wrong, I am not saying this is a solely negative thing by any means, but the manner in which he utilizes it is harmful because it comes at the cost of never changing his tendencies to self-sabotage. Given that he doesn't stick around long enough to have it catch up to him.

Frankly, it enables his assertion that he doesn’t deserve happiness and so he never seeks it out, in spite of knowing what it is he wants.

In his eyes, it is easier to let go than to let in. 

To fall deeper to cynicism and negativity because it protects him from further pain

 And boy does the narrative pull the ultimate uno card on him, flipping his whole perception on his manner of living by introducing one major character. 

The individual, who practically embodies this very temptation is none other than Rose Tyler.

It is her introduction into his life that almost seems to further prod at this desire of his. Before,it appeared that he watched human life from a distance simply because it was less painful than being alone and grieving the loss of his own people. But with her, he is left to consider whether he could actually experience something as deeply fulfilling as love. Whether a man drenched in the blood of his kind is worthy of change and forgiveness. It is because of this that his final act as Nine is one of self-sacrifice, as he dies hoping that this new form will embrace the humanity and kindness that she utilized to save him in his darkest moments

But between him and humanity will always be a barrier, which is all the more tragic once one considers how Ten was born out of Nine’s pursuit of it. It makes the unattainable nature of it, all the more hurtful.

Now I can name multiple examples of this longing being implied all throughout the RTD era but I assume most people know what they are. I mean they’re not exactly subtle lol but I urge you to keep those in mind as I continue.

With that in mind, however, I can now address the most overt display of this desire of his and that is none other than in the episode “Human Nature.”

Within this story, we are introduced to John Smith. A persona, that was curated by the Tardis as a means of saving him from falling victim to a gang of evil shapeshifting aliens. Here, we are shown a version of the Doctor that is weirdly familiar but at the same time, completely different.

However what I make of these differences is not really to prove that they’re so different that they're incomparable, but rather that they share way more than one would think at first glance.

John Smith is unremarkable. He is kind, intelligent, witty, and imaginative in the ways the doctor is but his demeanor is drastically different. More often than not, being seen as quiet and shy, and more of a follower than a leader.

I don’t think him taking on the role of a soldier in his final moments is a coincidence. Rather it is a testament to who the time lord is: a traumatized man who has a knack for finding himself in the same position over and over again because he has a tendency of repeating mistakes.

Think about it, in the war, the Doctor was not one who stood to the side and never took part in the violence. He admits that he took an active part in the fight, with him being the one who ultimately stopped it against his better judgment. This is to say that this more obedient version of himself (that seemingly seems fine with physical punishment and sacrificing the life of his students, if it is not under his call) isn’t really all that foreign to us given that at one point, he assumed a similar role in the time war. His ability to resort to violence, even when human, is a testament to this. That he is bound to his past deeds and that a human life will not change that he is deeply changed by this event in time lord history.

He is more prone to violence when prompted and he is not one to disregard an order that is given to him. He even seems to be more classist by nature of living in the current time period. So much so that he doesn’t seem to form much of a bond with Martha in spite of them spending so much time together under her employment.

Although he is brave when it matters, there are moments when Ten can be rather cowardly. And that holds true to both John and the Doctor, with both seemingly running the moment they are confronted with the consequences that come as a result of their impulsive decisions. This knack for running from their problems never impedes their awareness that what they are doing is incorrect but nonetheless, it's that temptation to defy the unavoidable that makes them avoid confrontation. Resorting to denial as a scapegoat, before ultimately returning to do what is right. 

While the Doctor's innate selflessness sets him apart from others of his kind, he is still susceptible to making similar mistakes.

That haughty, and arrogant nature of his people are the very same qualities that can be found in him. This is especially shown through the manner in which John interacts with people he perceives as below him.

The culture of time lords is quite classist by nature. They assumed themselves to be the rulers of the universe and claimed superiority over other races because of their advancements. It is because of this complete disregard for others that aren’t themselves that they suffer greatly in the war.

With that said, it is because of this that I think he is able to assume a more indifferent demeanor towards the servants in his household. Mainly because a huge part of who the Doctor became was a direct result of the opposition he held toward the beliefs of his own people. He found their rules arbitrary and outdated, but just because he knew better does not mean he is exempt from repeating their mistakes even when he is conscious of who he is.

No this manner of assuming self importance takes on a different form, when he is aware of it.

He often assumes himself untouchable and the wisest in the room, and wields his status as a time lord as a means of making sly comments toward humankind. Of course, one could argue it is harmless as it does not come from a place of malicious intent. However his assumed superiority can make him incapable of recognising his own faults as a person, which can lead to disastrous results. Especially when he seemingly doesn’t consider the consequences of his involvement in other people’s lives.

Something that Joan points out.

“Answer me this, just one question, that’s all. If the Doctor never had visited us…never chosen this place on a whim, would anyone here have died?”

To completely deprive him of his timelord nature, would mean to leave him vulnerable to adopting the very same attitudes he resented in his own culture. This is why John Smith does not respect the opinions of his employees, in spite of knowing better than to underestimate the importance of the people around him. It would make him unable to recognize the patterns of discrimination elsewhere as he is no longer privy to the wisdom he gathered from his years of living.

By completely adopting humanity, he is none the wiser to fall into their faults as individuals.

That being said, this quiet side of him is really not that strange either once one considers that we have seen that Ten in particular has a knack for hiding his feelings behind a mask of cheerfulness. This version of himself may not be boisterous and loud, but that does not make him any less thoughtful. Shown to have strong stances on certain matters even if he doesn't share them with others. He is more honest with his feelings, and with this comes perhaps the biggest indicator that John Smith shares a lot more with the Doctor than we initially thought.

John Smith falls in love.

It is no coincidence that in this very episode, he develops romantic feelings for the school nurse and he has a dream about Rose Tyler. One where she keeps walking away but all the more, he is motivated to follow. All for the sake of recovering a “perfect Rose.”

Even when he is fully human and not aware of who she is, there is a part of the Doctor that fiercely hangs onto her, manifesting in his dreams. The thought of being with her and finding her, is of the utmost importance even when he cannot seemingly remember why. Which goes to show you just how much the Doctor treasures the love he has for her. It is she, that is able to tempt these feelings even in her absence because she is the reason they exist to begin with.

This inclusion of her in the story ties his pursuit of humanity into a pursuit for her. Making both the main motivation behind his need to experience it, even if he is not fully aware of why.

“You knew this all along and yet you watched while Miss Redfern and I …”

“I didn’t know how to stop you. He gave me a list of things to watch out for, but that wasn’t included.”

“What falling in love? That didn’t even occur to him?

“No”

“Then what sort of man is that?”

This is why John Smith expressing horror at the thought of there being a version of himself that cannot love someone is so heartbreaking. Because through him we know more than ever that that is not true, that he is more than capable of loving others as the Doctor but the problem is that he never would allow himself to do so. It is not a matter of whether or not he can, but rather why he can't.

When John chooses to sacrifice himself, it mirrors the same actions the Doctor takes in his present life. Choosing to leave behind what he wants for the sake of what the universe requires him to do. 

So when he reasons with Joan that John Smith is still a part of him, he means it. For it is an expression of the Doctor at his most vulnerable and honest, that allows for the existence of someone like John Smith. But alas, his life is not a life he can assume given his alien nature.

But with this choice to live on, as is, we are only left to come up with a single conclusion.

In order to live a life that is both fulfilling and meaningful, the Doctor can neither be fully human nor a timelord. 

Although he is a timelord, the overwhelming sense of loneliness that he experiences is debilitating. He can try to reason his way around needing companionship and love, but no amount of thinking will deny that it is something he desperately craves.

Humanity provides him with all the necessary attributes he lacks, but in exchange, it demands that he sets aside his principles as a protector of time. To put aside his own fears of seeing those he loves wither away if it means he'll get to know them for the entirety of their short lives. 

Individually, achieving either one is impossible since pursuing a single path would leave the other side of himself unfulfilled. He is at war with himself, essentially.

Therefore, he must endeavor to discover a balance between the two divergent viewpoints, instead of attempting to abandon one in favor of the other.

….Guess who embodies middle ground is?

Tentoo represents that balance, down to the biological level.

In order to understand why though you have to understand one crucial detail: Ten and Tentoo are the same person.

What Tentoo is, in relation to Ten, is himself lol

A regeneration that went wrong because the regeneration energy that was meant to heal the time lord body, was siphoned into his once freshly regenerated hand. In other words, instead of remaining within one body like the usual regenerative process, it was put into a separate vessel that came from the original body. Which allowed it to regenerate the body it was missing, and essentially created what would be a second Doctor.

The reason why this process differed from previous regenerations is due to the fact that the transferred regeneration energy was already partially depleted, resulting in a reduced dosage that could facilitate partial healing but not a complete regeneration.

(It was established prior to the Christmas invasion that there are limitations to the cellular energy that a time lord uses to regenerate, mainly in the sense that it can run out. When in small quantities, however, it can be used to heal smaller injuries if it is used within the first 15 hours of a regeneration cycle. It's this small amount he has left that allows him to regenerate the hand he lost to begin with.)

We are aware of this fact because the time lord Doctor utilized a portion of the energy to recover from the Dalek's attack, but not a sufficient amount to trigger a full regeneration. This is why he sends the rest into his severed hand, because if not, the cycle would have proceeded.

Due to this, however, the energy seems to not be able to proceed with anything it was planned for. So it sits on standby, not by choice, but because the hand itself is technically a regenerated hand. It can't do much other than wait until it receives more energy from the original time lord body or find another source of energy that is compatible to recover the body of the disembodied hand in its entirety.

So what ends up happening?

It's Donna.

Donna is what ends up happening.

Upon touching it out of curiosity, Donna appears to experience no immediate negative effects.. This serves as another indication that the remaining regenerative energy was minimal, as we, the viewers, are well aware that the standard dosage would be detrimental to humans.

However, this is where it gets interesting because seemingly the energy is utilized in a manner that is unlike any prior regeneration process. 

As previously mentioned, it can be deduced that the reason why other time lords never considered becoming human as a way to avoid regeneration was due to their sense of superiority. They did not view humans as equals, therefore, a human existence would not be regarded as advantageous.

Furthermore, their society places little importance on outward appearance due to the frequency with which time lords undergo transformations. Thus, this occurrence is primarily a result of Ten's deviation from their viewpoint on regeneration. He perceives it as a form of dying, akin to the experience of a human, even though this does not apply to him.

It is worth considering the anatomy of a time lord when attempting to comprehend how he appeared to transform into a hybrid. According to our understanding, although they appear human on the outside, a time lord's body contains numerous organs that are absent in a human body. As a result, it is theoretically more intricate than that of a human, but at the same time, similar enough to be somewhat compatible as a point of comparison.

Given the limited amount of energy remaining, it would be logical for the energy to use a human body as a template when attempting to essentially create a new body out of nothing.Not only because Donna was the only one available to touch it, but because the anatomical similarities as well as the less complex nature of a human body would prove to be easier to make than a fully timelord one.

In other words, the regenerative process was utilized as a means of healing both bodies without resulting in a complete regeneration, which is what makes this instance unique.

(that we know from prior scenes, at times, requires so much energy to heal that that it is capable of damaging the Tardis)

This is why he says that he essentially came out of Donna. Because in a way, he did. His body was fashioned off of her biological makeup as a means of compensating for the lack of cellular energy used to heal his body normally.

This is why it in turn makes her half time lord, because the energy changed her according to the metacrisis. Transferring Time lord DNA into her, as a means of making up for the loss of DNA she experienced in the process.

But where the two differ is in creation. Donna was already human. Herbody is that of a full human, not of a hybrid. Her brain in particular is not capable of handling the centuries of knowledge/memory of a timelord and so that is why her body eventually gives out. That is why, the Doctor has to lock her memories away.

Because theoretically, it is easier to make an immortal body mortal. Given that their body is meant to be extremely resistant to factors that would usually decimate a mortal one, but the same cannot be said about the opposite as we are far more delicate.

Tentoo though, he's chillin. 

Not only because his body is able to effectively restore itself with that leftover energy and the human boost, but also because his entire body is made to handle both timelord and human aspects. He will not suffer the same fate as Donna because he is born as both. 

They're in perfect harmony within his body, unlike Donna whose human aspect was being taken over by the superior time lord genes.

This is why they are fundamentally the same person: Ten and Tentoo.

Because not only do they come from the same body, but the same regenerative energy as well. This is also why they share the same memories. The regeneration energy appeared after he was shot by the dalek ray, and so, that moment was effectively the point by which their shared consciousness stopped. No longer existing in a sole body, but two.

It is because of this same shared energy that the appearance of neither changes: because it was utilized to heal both vessels and abort the regenerative process.

(Also it technically did take up a regeneration canonically hence why I called it a sort of botched regeneration. Which would make sense, given the amount of energy that was used to carry out the healing of two bodies.)

In summary, everything that makes the Doctor, the Doctor, is still in both bodies.

They're not twins, they're the same man through and through. Down to the manner in which they're born, with both effectively existing out of their love for Rose and humanity.

In the same way that the doctor claims that Tentoo was born out of hatred and war, it is his love and wishes to appease her that spawned his existence. So really the differences between the two are almost non-existent if not for one crucial detail: unlike the time lord, Tentoo is not bound by the obligation to serve the universe.

This is where things get fascinating.

Now that there are two bodies, they essentially function as parallel versions of the same man. 

They are different, not because they're not both the Doctor, but because their circumstances allow them to make different choices. From there on out, both will inevitably grow to be different people. As Tentoo essentially embodies the most authentic representation of a human Doctor, having had the option to abandon his responsibility as the guardian of the universe, he provides us with an insight into what the Doctor would be like at his most honest.

That is why Tentoo acts on impulse and commits genocide. Not because Ten wouldn't have done the same given the chance to give into the temptation, but because the fact that he is not fully time lord affords him the privilege to do whatever the hell he wants. He is not bound to the obligation to put the wellbeing of the universe above his own personal interest, so he erredicates them as a means of protecting the people he loves. Choosing to prioritize the people he cares for even if it comes at the expense of the dalek race

He is, effectively, free.

This is why him choosing to spend his life with Rose is such a major decision. Why when prompted by Donna, he chooses to confess his love for Rose in her ear. Despite having the freedom to choose anything, what he desires most is her. 

This revelation solidifies that this Doctor also has deep love for her, and it also implies that this is likely what the Doctor would have chosen as well, had he been given the option to leave his responsibilities behind.

Through Tentoo, we get insight into who the Doctor would be if not for his duty. A person who has the means to express themselves without any apprehension of potentially outliving their loved ones. In simpler terms, someone who can evolve and grow without the burden of guilt for being the only survivor of their kind constantly plaguing their mind. At present, this version of himself will never be alone again and can fully immerse himself in a dimension of existence that was previously only possible through John Smith.

This is why the Doctor seemingly resents him because he wishes he had the freedom to choose this life. 

It’s due to this that the notion of them being romantic rivals is also ludicrous because they are the same man. 

Had it been under different circumstances, the one who would have confessed his feelings and given Rose the chance to choose would have been the timelord. But because he is not afforded the liberty to not consider his alien nature and by extension his obligations, he cannot bring himself to initiate it. 

This is why Rose choosing to kiss Tentoo in front of the time lord doctor is crucial because it is her way of expressing that the love she extends to Tentoo is also his. That she understands that they're the same man but that ultimately, she understands that his duty is what needs to be prioritized. It is a goodbye, but also an act of gratitude for baring the extent of his feelings to her through Tentoo.

Their happy ending is not coming at the cost of Ten’s, no, rather it is what ensures that he will have one at all.

But consider this, does this not raise some major questions about who the meta crisis doctor can become?

Think about it.

Since he is no longer bound to the role of the universe's protector, there is no longer a necessity for him to act in accordance with his previous principles or obligations to do what is right.

Although Ten usually aimed to make selfless choices, he must now prioritize his own life. The stakes have shifted, and he can no longer place others' needs above his own, especially since his newfound life with his loved ones can be taken away at any moment.

As a human, he would come to understand that he cannot simply leave behind the problems he creates for others to handle. He must face the consequences of his actions and learn to maintain good relationships with those around him. With staying in one place, he bears the responsibility of building trust with others and can no longer solely rely on his reputation to get by.

Remember, he is effectively starting from scratch in Pete’s universe. He has no background on their history nor the tools he wielded when they first landed there. While waiting for the tardis to grow, he would have to effectively assume a human life until it reaches maturity.

With that in mind, he also no longer has any semblance of power over anyone. He is practically on the same level of awareness as anyone else albeit with more wisdom. Meaning he cannot hold what he knows about the future over others, and will have to adjust on collaborating with others to get things done even if it comes at the expense of his own ego lmao.

Most importantly, he can no longer stew in that self-hatred he is so privy to, and with time he will have to relearn what it means to forgive not only others but himself. To put aside that hatred and embrace the time he has with the woman he loves, even if it means confronting parts of himself he is not fond of. This will involve intimately acquainting himself with the perspective of humans to a degree that was impossible before. 

Such as in the way we humans seemingly uphold survival above all else.

Or how our morality can be very fluid in certain situations, as we are not afforded the guarantee of another life.

He will have to learn to cope with the helplessness all mortals feel when confronted by death and that in turn, could either harden him further or make him more aware of his own faults as an outsider. To understand where he went wrong in assuming that his human companions would sacrifice their perspective as a means of adapting his own.

That isn't to say that it is all bad though.

Just different.

Because this change in circumstance can either prove to be very detrimental to Ten or beneficial, and it all depends on how he manages to cope with it.

It makes him unpredictable, in a way that Ten was never afforded the privilege to be.

This could potentially demonstrate how a harmonious balance between Ten's human and Time Lord aspects would manifest in reality. To see what it would actually mean to have a time lord assume a life as a mortal. Reason being, that up until then, he only really saw humanity from a distance. This experience can aid him in developing a deeper understanding of humanity and its shortcomings as well as those of his own people.

Admittedly, John Smith served as a reference point for us. However, that modified version of the Doctor was oblivious to the gravity of his own existence. He possessed his own unique identity, with his Time Lord essence locked away. This highlights why adopting a purely human existence would never be suitable for him, as it would entail relinquishing his Time Lord perspective.

The sorrow of Ten's story lies in the fact that he could never truly embody both aspects of himself simultaneously. He was always bound by his alien nature and unable to fully embrace his human longings. This is why his story appears to have two different outcomes - with his human persona living a joyous existence, while his Time Lord form regenerates in isolation.

In his final moments, he chooses to reject this fate and resist the need for balance, instead becoming increasingly desperate to avoid regeneration. Consequently, he succumbs to the same power-hungry inclinations as his predecessors, as he tries to exert control over his fate without addressing the underlying problem.

“Well exactly look at you! Not remotely important! But me? I can do so much more! So much more! but this is what I get. My reward, well it’s not fair!....I’ve lived too long”

He could have done so much more, done so much differently if only he would have not put himself in a box. He did what was right, what was proper, yet the sacrifices done at his expense led to the same outcome.

The issue lies in his unwillingness to make compromises and achieve a state of equilibrium between his two perspectives. Instead of seeking balance, he retreats to his alien and disconnected nature, which creates a barrier between him and those around him. His decision to not confront his fate as a solitary wanderer earlier, prevented him from expressing gratitude to those who loved him when they needed it most. His need for distance denied them the chance to truly comprehend his appreciation.

He is solitary because he never allowed himself to consider an alternative, and this realization dawns on him too late. Now that everyone has departed to follow their own paths, he finds himself back where he began. 

His failure to take personal risks and develop attachments has fulfilled the very curse he sought to break.

Ultimately, what frightened him the most was not the idea of losing the people he grew to love, but the prospect of being alone while they continued to live on without him.

“Yeah what about you? Who have you got now?”

“No one, i’m traveling alone. I thought it was better alone..but I did some things that went wrong. I need..”

The central message of the RTD era is that happiness often comes at a cost and not every enjoyable experience will lead to a happy ending. However, the theme is not that an unhappy ending diminishes the value or significance of the moment, but quite the opposite - that the joy and meaning of the experience make it worth the cost, regardless of the outcome.

The RTD era's narrative encourages embracing the uncertainty of life and finding joy in the present moment, even if the outcome is uncertain or potentially disappointing. These moments can help alleviate the pain of difficult times, inspire risk-taking, and lead to unexpected achievements, ultimately leading to a more fulfilling life rather than a long one.

Create a life that is customized to your individuality and maturity gained through experiences, rather than one that fixates on regret and what-ifs.

The Doctor finds it difficult to fully embrace the present moment due to the constant reminder that everything is fleeting and temporary, causing him to always be looking towards the future.

Tentoo, on the other hand, is anchored in the present because his perspective will evolve through his exposure to humanity. He will learn to fully embrace the joy and sorrow of living life to the fullest, cherishing every moment, even the mundane ones. He knows that life is temporary and that every day is a precious gift, which is why he will live each moment to its fullest. Despite the inevitable challenges that will come his way, he will remain optimistic, confident that his joy will only grow as he continues to live.

His ability to balance both his human and Time Lord nature allows him to fully embrace all aspects of his life, without giving preference to one over the other. Which in turn, further establishes his unique identity and reinforces the qualities that made him a beloved incarnation of the Doctor.

Tentoo is able to love without hesitation, expressing his affection to those he cares for and acknowledging the importance of emotions that were once discouraged amongst his own kind.

In other words, be Tentoo.

(not the mass murder part though lol)

Be the version of yourself that doesn't hold back and don't commit the same mistakes that the Doctor did out of fear.

So yall be more kind to my boy!

[horizon-verizon]

To all the green/Alicent/Aegon/Aemond/Criston stans choosing to follow me of your own free will, make sure you're making the right choice bc you will see stuff that will likely upset you.

No, I do not think Rhaenyra was a whore or that her sexuality somehow makes or breaks her inherent moral character (this is a patriarchal invention that places more power in men over women's behavior bc as long as they have the political and legal advantage over women [as what has happened in many societies for millennia] it compels women to conform their overall behavior towards not even seeming to resemble the man's/larger developed ideas of "slut" rather than develop herself or have her own fun). And if a man can still be a good leader while having sex outside of marriage, if we truly look at woman as equal and inherently equal to men no matter the time period or place, then we should consider the same when women have sex outside of marriage! Reminder: Aegon SA or rapes; Rhanerya never once did that. which goes into my next point...

No, show!Rhaenyra did not SA or really even pressure Criston into sex. I explain why HERE & below form a past ask-post:

No, her first 3 kids were not bastards. "Bastards" only exist in the legal realm to separate a man/lord's and his family's resources/titles to those who carry his "blood". On principle, you shouldn't be accepting the objectification of women that is necessary to this formula, but aside form that, the meaning of bastardy has been subject ot change ust as many social construction, as we se in the Anstey case ands how William the Conqueror's bastardy was more defined as being that his mother was not noble rather than not married to his father. Because bastardry is more a legal phenomena more than anyting, Viserys--who has the only right and power to name anyone as bastard or legitimize them and thus is the final bulwark against the revelation of the boys being not Laenor's kids--was able to accept Rhaenyra's kids as his heir's heirs. Nobles keep secrets all the time for their own conience. Think about Lysa tully and all those rich people of various TV show and movies who cover up both actual harmful crimes as well as just those that would harm their reputation! This is what happens when you have any elite class AND mid-to-very strict social rules of conduct that you may be breaking anyway. And no, noble/royal wives of history weren't all sexually obedient little cupcakes...many had lovers while married and historically, some were even known by their families and husbands. (Check out Eleanor Herman's book Sex with the Queen).

No, Alicent of either thing didn't have any real reason, material reason to think her kids were in danger from Rhaenyra ascending. You can see why under posts tagged "alicent doesnt have any points" as well as this recent thread]

No I do not see Rhaenyra as uniquely "selfish", "'spoiled", etc. I do not make as if she is unacceptably and uniquely evil or the most amoral. That was overall Andal-FM patriarchay, Aenys I, Maegor I, Jaehaerys I, Viserys, and the greens, esp Alicent & Otto. Rhaenyra, of either the shoe or the book, was both trying to do her duty in her marriage as well as find some happiness AND autonomy alongside that. You were not supposed to readopt fedual patriarchal social "values" or prioritize them/social hierarchies over real human happiness, equity, and social harmony. If you have, you don't get ASoIaF!

For fuck sake, some of you like Jon Snow and think he's Azor Ahai! No, he is not legitimate, bc by the time Rhaegar and his generation was alive, polygamy had lost its validity and for any marriage to Lyanna he could have had needed to be reinforced by either force (Maegor) or public declaration or propaganda & deals careful planning (Doctrine of Exceptionalism) something along those lines...which even if we get the story of Rhaegar and Lyanna, we already know no such preparations occurred!

[fumifooms]

You're always so on point with your posts. On that note, it made me realize that; Considering the themes of desires in DunMeshi. It's also to say that what you think you want isn't what you actually want.

Like, Marcille thinks she wants the handsome prince from the novels she reads... But what she actually wants is someone maybe more like her father who she admired so much. Kind, virtuous, caring to a fault, a family man. Things she later finds in Chilchuck.

Because as traumatizing as it was to see her mother's spiral after her father's death; Her memories of her father itself are some of the most important to her. And it fits with her pursuit to increase her loved ones' lives, because she does want what her mother and father had.

Sipping. I do go over ‘what you think you want vs what you actually want + what you need’ in my (upcoming) Marcille & Chil arc analysis ;) It’s a part of Dunmeshi that I really like and is super fascinating, I’d honestly like to make an analysis-post on the topic: all the different threads and characters in canon that reflect that, desires vs wants and themes of idealization in Dunmeshi, but it’s one of those things that’s just so huge to make. See this is the freaking problem with doing Dunmeshi meta you start talking about the themes or a narrative and everything is so interwoven you get distracted with tangents BUT IT’S ALL COMPELLING AND RELEVANT

I know that’s something laimar does a lot too, the dad thing, with Marcille in a post-canon comic knitting beside him paralleling her parents and whatnot. I don’t know if I fully agree on the angle but there’s definitely stuff to dig at there…

Like I know that I’d like to analyze Marcille’s succubus more, it comes up in my analysis draft but it’s not the point I’m trying to make there so I focus on other stuff but… I always saw the focus of Marcille’s succubus as that she sought out an emotional connection most of all, it’s romantic and courtly in nature but more importantly there’s personality and behavior there and it’s a character she already loves and knows deeply from having read the series, so it’s not like Chil where it’s just a pretty face whose identity doesn’t matter. A friend of mine though, @room-surprise, goes with the angle that it shows she isn’t ready for a relationship and that the appeal is very self-centered, and I def think compelling points are made…

Point I was trying to make, the succubus is definitely at the crux of figuring what it is Marcille wants and craves in someone I’d say, where she’s emotionally at wether consciously or subconsciously, or how she sees herself being involved in romance at least… It’s true Marcille is enthusiastic about romance, but always someone else’s, never hers, and she seems unwilling to examine her own relationships with people. She oversteps boundaries either obliviously or carelessly and doesn’t like change…

and then there’s how complex people’s relationship to fiction can be on top of that and graaaaah

Edit in bc I forgot I wanted to mention this like an idiot: OH and I do think the Daltian Clan serves a role in the general tapestry of Dunmeshi as well, sometimes in in depth ways that Room-Surprise will tackle in their research paper way better than me I’m sure. My understanding of the importance of general Hagreus in a more general narrative sense is that he reinforces the theme of idealization/fantasy vs reality that’s super present through the manga. Beyond just Marcille’s arc and his importance to her he’s designed uncannily close to Mithrun, it feels parallels of real elves and their very flawed military system and the broken people it cultivates vs the romanticized elves put on an aesthetic pedestral in novels, especially considering it’s "general" Hagreus

To give some previews of the analysis wip: Thus the succubus targets Marcille’s wish for a perfect knight who could cherish her forevermore, someone safe and known and fantastical, just hers in a way, free to see and construct however she wants because he’s a character to interpret Dungeon Meshi is in part about resisting desires, the irrational cravings, mostly through the character of the demon. I mentioned needs earlier, and to ideals vs wants we also add vs needs, both emotional and physical. And needs alongside wants are what Dungeon Meshi wishes to promote for a healthier person. Dungeon Meshi illustrates very well with the dungeon lords that you can be a slave to your desires. Dunmeshi prones the important of balance for both a healthy body and a healthy mind, and the arc of optimism vs pessimism with Marcille & Chilchuck is one such case <3

Ouuuugh how flawed relationships with flawed people can still be made into somehing good and healthy that make the world brighter…

We’ve gone far from the topic of how her family shaped what she seeks in relationships haha, I think you put it well already though I don’t have much to add on that front Edit in 2: SIKE! I’ll add that there’s an interesting thread in the manga of Marcille maturing and becoming more like her mother, which would be interesting and fun to pair with the fatherhood of Chil. Because Marcille is sometimes a mother figure as well: she’s the mom friend. I go over it here, and since when I made that post I’ve seen more interesting analysis on the topic too, like noticing she hides behind her mother’s portrait in the nightmare chaoter, perhaps the inspiration behind her more mature reserved academic persona she sometimes has. Her parents are def important to her so it’s interesting to see how all the dynamics and her own psychology fit into that….

But yeah I think what she (thinks she) wants out of romance has a lot of layers, both conscious and subconscious… I haven’t gone into the bigger picture of how fiction affects her relationship here but it’s the central topic of my Marcille & Chil arc analysis so. She idealizes the trope of the prince charming and finds it attractive but is that what she would actually latch onto… Is it fully superficial, is it more about herself than it is about her potential partner... Is it mainly because she wants to get validation, from being special that she typically gets from high academic performance… We do see she can be rather insecure and worried about others’ perspective of her, that they think she’s not useful or capable enough, especially in the mandrake chapter… Unconditional love perhaps

What is your emotional landscape Marcille. How emotionally intelligent are you. I don’t think she knows what she wants romantically. I think she has a job so she don’t really care about that rn I’m just not sure if we can figure out what she ~actually~ wants on her behalf that might be too many levels of interpretation but idk idk, thinking on it still

[rewatching-sam-and-dean]

Oh, how I hate Destiel, let me count the ways

Let me preface my rant by noting that I know none of these ideas are new, but I just have to get it off my chest because it’s annoying me today. (I may delete this later, but I need to say it somewhere for now.)

1) The hardcore shippers are insufferable and entitled. They also act like shipping two fictional characters is activism and throw around "homophobe" at anyone who doesn’t love their ship. It’s gross.

2) Dean and Castiel claim to be best friends while treating each other like crap a lot of the time. Cass in particular lies to and goes behind Dean's back often, while Dean is often borderline hostile with Castiel.

3) Castiel is in a stolen body. He forced Jimmy to agree to be possessed so his daughter wouldn’t have to be his vessel. So, in early, days there is no consent here. Later, Castiel is basically a parasite living off of a dead body.

4) Dean literally says Cass is like a brother to him, thus he’s not attracted to him. (He also says Castiel is like a talking dog and a baby in a trench coat. Not sexy.)

5) Dean is straight. No matter how much "bi lighting" Dean stands in or how much cake he eats, his own words and actions show he is not attracted to men.

6) Castiel broke Sam's hell wall, making him go insane and almost killing him in the long-run, just to distract and worry Dean, and I will never get over it. He doesn’t deserve Dean after doing this. And he doesn’t deserve to be in the same "family group" as Sam.

7) Angels are generally portrayed as lacking the depth of emotion that humans have, or a consistent sexual drive when they have their grace. Thus, I don’t believe he even has the capacity to be "in love" with or "attracted to" Dean.

8) Castiel takes very little responsibility for his own actions and often blames Sam for things that are partially, or entirely, his own fault. (Apocalypse #1, letting Lucifer out of the cage, etc.) This isn’t strictly ship-related but it makes me dislike him as a character and want him around both brothers less.

9) Almost every "subtext" clue that destiel shippers claim "proves" their ship has a corresponding, or greater, equivalent that would support Wincest. In short, if one thinks Destiel is real because of tiny little clues (despite Dean being straight) then they can’t rightly say Wincest doesn’t exist in the show because there is way more "subtext," and text, to support it (despite the brothers being … brothers).

10) Sam and Dean's insane relationship renders all ships outside of them pointless. I don’t ship Wincest, but it also doesn’t really bug me because they are fictional characters. I love the show strictly FOR the brothers" relationship. They love each other more than anyone else, and that what makes the show compelling.

Bonus:

[littlerosetrove]

The point of this post is to explain why I, personally, enjoy Buck/Tommy. I’m not trying to convince or persuade anyone to feel as I do. And in that same vein, whoever reads this, if you read this all the way until the end and you’re still neutral or still dislike Buck/Tommy, honestly that’s fine. However, please do not comment or reblog to try to dissuade me from my enjoyment. If by the end of this post, whoever you are, still feels unsure about Buck/Tommy, truly that’s fine, but I’m not the person to talk to about your unease or hesitancy, okay? 

All right. 

I’ll state it up front that, yes, Buck/Tommy did happen a bit quickly. I agree, but it doesn’t really bother me. Allow me to explain and elaborate. I’ll be jumping around talking about Buck, Buck/Tommy and just Tommy, so bare with me.

For starters, I’m just happy to see Buck so giddy, excited, and happy about a love interest. The last time we’ve seen Buck remotely like this was with Abby. So it’s just a refreshing thing to witness and frankly for Buck to experience. Once Buck got past admitting, “oh yeah, my date was with a guy,” Buck was so excited to talk about Tommy with Maddie, someone very important to him. As well, I don’t think any previous love interests have looked so charmed and smitten with Buck the way Tommy does. On that note. Tommy has seen Buck be goofy, jealous, inquisitive, awkward, nervous, sweet, honest, a little bit of a mess, and still thought, “yeah, I’m attracted to this one.” <3

Now I fully recognize that Buck is not suddenly fixed by having gone on one official date with Tommy. Certainly not. Buck most definitely still has plenty of issues to work through, and on some level, probably always will because - just look at his past. Now I don’t know how long Buck is going to be with Tommy, but I don’t think there’s any inherent harm in Buck, even with his issues, dating Tommy for a little while. I don’t see it as Buck doing some kind of irrevocable damage to himself or Tommy if they just date for a bit. Yes, at some point Buck should be on his own and do some self reflection (which he struggles with), but until then? I’d just like to see Buck continue to be excited to get to know Tommy, and work on figuring out how he feels about his uncovered queerness. 

Tommy is a breath of fresh air in many ways to me. A big thing is that he already had a connection to the 118. He’s a firefighter and also air rescue, thus can understand and click with Buck on a major and important level. Abby was a first responder, yes, but she too like all other past love interests of Buck’s were still pretty much disconnected from Buck’s friends, family, and his job. They were almost always separate. Then we can add on the fact that Tommy is friends with Eddie, which is another big connecting point for Buck and Buck and Tommy in general. Hell, Tommy has already met Christopher who already appears to like Tommy, too. The only previous girlfriend of Bucks that met Christopher was Taylor Kelly of all people, and I doubt Chris and Taylor interacted all that much since Eddie and Buck were there as buffers. Plus that dinner was for Eddie’s sake more than anyone else. To be clear about Bucks previous relationships, Abby was an interesting character that I liked, but I was certainly not impressed with her ghosting Buck and then not really apologizing for that. Ali was perfectly fine, but she was barely there, so there was no time or reason to get attached. Taylor Kelly is the only one I hate and do I really need to explain why? Natalia was fine I guess. She was hardly developed, so I certainly never got attached to her. We never understood why she liked Buck beyond him dying. She was also very much a “no homo” insert, but that’s just me. In addition, the only compelling relationship Buck has had up to this point was with Abby. There was nothing to grasp onto for Ali or Natalia, and please tell me what was compelling or fun to watch about Taylor and Buck being in an unhealthy and miserable relationship. Idk, maybe if I’d watched season 4 live, I might have felt a little more open towards Taylor and Buck and their friendship, but I kinda doubt it. When I did watch it all I could think of was, “why does Buck want to be friends with Taylor Kelly of all people so bad?” But anyway. Tommy is the first love interest of Bucks that I actually like, without any hesitation. He’s just a good guy, and a little bit silly (fake mouth static you’ll always be famous). Though some people ignore it, Tommy did change in season 2. Yes he started out as a jerk, someone just going with the bad flow of the firehouse (and to protect himself), but he did change from that. I think in his last episode of season 2 it shows him being on much better terms with Hen and Chimney. They threw him a “moving to Harbor” party! In present times? Tommy’s clearly more at ease, confident, friendly, charming, sweet, has shown vulnerability, is honest, social, mature, and helped Hen and Chimney at the drop of a hat - at the risk of being suspended or fired - to save Athena and Bobby. I’m sure I can list off more traits and interesting attributes, but you get it. To me Tommy already has a lot of personality and I do look forward to discovering and learning more about him. And that’s an important thing, that I’m interested in Tommy as a character. I’m not trying to be a dick, but I couldn’t say the same for most of Buck’s previous love interests (nor Eddie’s). 

And sure Buck needed some nudging from Eddie to not give up on Tommy, but he did actively reach out to and meet up with Tommy, and was honest about where he is in all this, you know? That’s a key thing, Buck being more active. He passively fell into every other relationship he’s been in. That’s not me dismissing those relationships, because Buck did learn something from each. I’m pointing out an important difference. Buck, before Tommy kissed him at the loft and when they met up at the cafe, has been quite open and honest with Tommy. At least on screen, idk when Buck has been quite this upfront about stuff at the start of things, so to speak, with a love interest. That’s progress for Buck. Perhaps not massive, but it’s not nothing. 

Like. Buck just discovered a whole new and big part of himself. He discovered this missing piece of him that’s eluded him for so long (basically his whole life). He’s going to be messy about it. But just because he’s going to be a bit off balance about it doesn’t mean he shouldn’t date someone (re: Tommy) right now. Tommy is aware that this is all new for Buck (side note: here’s a link to a post that talks about the nuance of Tommy, while gentle with Buck, was a bit annoyed at the end of their date and wanted to leave, which was fair and valid. it’s a good read). At the same time, as I mentioned early on in the post, I also think that yeah, at some point Buck does need to be on his own to do some much needed self reflection. Until then, damn, I just want him to try out this sweet thing he has going with Tommy. 

And yeah, I just think Buck and Tommy are cute together. I do think they have chemistry (which was lacking/absent in some of Bucks previous relationships). I’m intrigued by the potential they have together, even knowing they’re not meant for something long term, and that’s okay. Even for a short time they still can have a good and happy time. And in my ideal world, they’ll remain friends when they part ways.  

If I had to attempt to sum this all up… I find Tommy interesting on his own, and I like what I’ve seen with Buck and Tommy together. I’m thrilled to see Buck so into and smitten with Tommy, since we haven’t seen Buck like this since Abby. Buck and Tommy are cute and refreshing to watch. Plus, I want to see Tommy stick around and not just for Buck, but because of his friendship with Eddie, and to see him continue to? properly? reconnect with Chimney, Hen, and Bobby. 

If you read till the end, thanks! Even now I feel like I probably missed explaining something haha.

[impossible-rat-babies]

15 lines of dialogue

Rules: Share 15 or fewer lines of dialogue from an OC, ideally lines that capture the character/personality/vibe of the OC. Bonus points for just using the dialogue without other details about the scene, but you're free to include those as well!

i got tagged by @lilas! ty friend! im gonna tag (sorry for possible double tagging): @thevikingwoman, @hythlodaes, @lavampira, @consulaaris, @gefiltefished, @scionshtola, @starrypawz and anyone else!

a lot of these are from unfinished wips w/o context, im so sorry

1. “Nay, I should have spoken my mind soon after arriving Slitherbough. Mistaken as you were to my nature upon us reuniting, I would not so easily cast aside that which you beheld.” They pause, a bitter smile coming to their lips. “A brilliant soul, I have been called before— nomenclature befitting Hydaelyn’s Chosen. And yet it is not Her light which eats away at me now.”

2. “I care in the loneliness that stood before me in the place beyond the stars. How it looked down at me and I wondered how I had not yet memorized its face. How it asked me if this would be the last time I would gaze upon its face, and if the ache between my ribs would leave me.”

3. Eyrie pauses, worrying their lip. “Pity—pity and sorrow ‘twas what I felt most keenly. Not truly alive, but never allowed to die. A most vile fate for a once great wyrm of the first brood.”

4. “Keeping yourself busy are you?” Alisiae asks, shutting the door behind her. They hold up the book idly, a sigh escaping their lips.

“T’was Krile’s idea. A measure put in place should my vision stagnate at this state, or deteriorate further.”

5. “I know, Alisaie.” They whisper softly, reaching out again to take her hands. Tinged with barely there warmth and stiff fingers as their hold her hands tight. “I know I am dying. I can feel it—beneath my chest, next to my heart. ‘Tis so very dark and cold there.”

“Then why?” She asks, voice tender in her throat. Fingers tensing in their gentle hold. “Why keep telling us it is going to be okay?”

“I would not have us give into grief.” They reply.

“Tis for the dead we grieve, not for the living. With the ache in my chest comes fear, but I would not give up hope. I would not see sorrow rob us of what time we have left. I would not see you mourn just yet.”

6. “Tis easy to peer from the outside in and question why your grandfather gave his life unto a people so fit to squabble and worry naught of any greater threat than that beyond their own borders. Your anger was not unfounded, Alisaie.”

“Still…I should have known better. What would grandfather have had to say?”

Eyrie grins, inclining their head towards her. “Oh something important I would imagine—he was oft given to providing sage advice…if asked or not.”

7. They look up at the sky stretching so far above—the distant twinkling of the stars.

“Ignorant I was to the horrors that would follow. All of my many long years in the wood had made me blind. To what one had to endure—what one would be asked to do; what I have done to my fellow man. There came a time when I stopped and looked back to see myself very far from the intentions that first compelled my feet to walk forward. And there would be no returning.”

8. “I can storm the tower, Y’shtola. ‘Tis simply…”

They rub their hands together, eyes narrowing.

“I do not trust my hands. Alphinaud tended to some of my hurts, but I was more afraid of his touch. Afraid of my own hands should he have found a bruise too tender or raw; what horrors a simple touch would invite into my head. If i had grabbed his wrist in my terror and broken it…how could I forgive myself for that? For hurting him?”

9. They pause, letting the words sink in as the boy deflates, working his lips in ill disguised frustration.

“Alphinaud.” They break the heavy silence looming above them. “I am not a sword to point at the enemies of Eorzea, or the Scions. I am not a soldier to be ordered about—told of my singular duty and thus committed to the cause without fear. Without despair or anxiety. Standing as a shield before the plight of a helpless world, begging for a hero to lead her to a new path. There is resentment there, Alphinaud—I will not lie. I love Eorzea.”

[neoyi]

When I found out Seonhee would be a playable character in Infinite Wealth, I cheered. YASSSS, there she was, my Korean Queen, ready to join Ichiban and Kiryu's adventures as a main character.

I've not played any other Yakuza games sans IW's predecessor, Like a Dragon, but was immediately drawn by an important, reoccurring plot centered on three international Mafia group respectively comprised of Japanese, Chinese, and Korean members - all of them working discreetly together to keep their hometown, Ijincho, at bay from bigger, badder criminal groups who'd likely destabilize it.

Seonhee immediately drew me in for being (from what I researched anyway) the first woman mafia leader in the game without temporarily holding it for a man, AND Korean to boot.

I'm aware of the complicated relationship between Korea and Japan and it's often reflected by their media, but I've noticed the year when Like a Dragon and later, Infinite Wealth, came out, played an amazing part in their storytelling and how changes reflect its characters (and I want to talk about this in depth on another post sometime) and the world they live in.

Seonhee is a fantastic example of that. By Infinite Wealth, she's the leader of both the Geomijul (her faction), and Zhao's (who's now a civilian) Liumang, and thus the de facto head honcho in charge of keeping the peace over Ijincho. She's presented as an iron lady with marginal hints of femme fatale, but I'm amazed at how subtle her outward appearances are in light of her inner dilemmas and personality. Sure, she's dressed like a sex bomb, and sure, one of her attacks involve using a power cable as a whip, but that's not really her whole deal.

I'm compelled by her personal story, one who already has an experience as a leader, but is now grasping to maintain a new power structure she's never held before. As a young woman in a position of power, she's often stuck with elderly men who see her as a little girl playing with toy guns. That, and a need to maintain strength mean she keeps vulnerabilities to herself and refuses help because it shows weakness.

There are very few people she could really talk to about this. Her second-in-command, Joongi Han, is fortunately, her staunchest supporter (and from idle chats with her, they seem to have a cute brother-sister relationship), but I really love her interaction with the Kiryu Kazama more.

Because you DO have this older former Yakuza whom she looks up to as an example of the ideal leader: calm and fair, but with strong conviction, Kiryu is the living embodiment of Be Kind, But Take No Shit. He's her personal hero and an older gentleman who genuinely respects her and fully supports her position and what she does.

And I love that she slowly opens herself up to him. I love that she's dorky and awkward whenever they engage in casual conversation, I love that she has a subtle crush on Kiryu that she's not that shy flirting with him about while maintaining a distance (as if she knows this is just a crush and nothing more will come off of it, but she sure will indulge in their company while she can.) I love that she comes off as pretty casual when she isn't working and is prone to little idiosyncrasies as her teammates. She can unwind and relax when among friends, allowing a moment to breathe before getting back to work. It's good to see she has people who can give her that.

Kiryu understands and sympathizes the difficulties that he, an older man, could never and would never face. He's not here to undermine her and he especially knows that once people like him pass on, the younger generation will take over, and he wants to help Seonhee achieve that without undermining her.

Seonhee may seek Kiryu's approval, and he may impose at times, but the game understands these are two adults. Kiryu doesn't treat her condescendingly just because she is a woman and younger, and Seonhee realizes that her personal hero is also just a guy and one willing to learn from her generation just as much.