#to change fields a bit

[upfrog]

An AI-generated art hot-take

Time to get some people mad at me.

I just saw a post where someone was expressing their frustration at generative AI, specifically the risk it poses to artists, and how it continues/worsens/partakes of a tradition of reducing art to a finished product. There was a particular piece of it that made me very annoyed, and I've seen this piece in a lot of posts about generated art. Well, it's past midnight where I am, I'm tired, and I'm tired of shutting up about my view on this.

"It's [AI art's] entire central premise is built on the grim truth that many people don't see artists as skilled laborers using years of practiced skill to create something unique, but as data to be exploited"

Some other posts also emphasize a perceived sense of entitlement to art; that AI art advocates feel it is unfair for artistic creation to be limited to the elect few.

I would like to give a very strong rule. Like all rules, no doubt you could come up with exceptions to it. But this rule is foundational to the world around us, it's development, and it's future.

Making it easier to create things is good. Period. Making it take less time, effort, people, and training to create things is good. Period.

Technology making jobs redundant is a good thing. It is the foundation of almost all human progress. We are all descendants of farmers who were cruelly put out of work by new technological developments. The day when one person and a computer can do the work of an entire department of artists will be a good day - we are not there, maybe we'll never get there. But technology making people redundant is good. Expanding the ability of the average human to do things is good. And the fact that we have gotten to the point where people are unironically saying "it's *good*, actually, that it takes years of practice and effort to be able to produce good art, and you shouldn't want it any other way" is... Perverse? Horrifying? Taking self-interest into the realm of actively tearing your fellow humans down?

To be clear (because this is the internet, and if I don't specify then someone will fill in the gap with the worst things imaginable) I'm not saying that a future where generative AI is extremely good, widespread, and accessible will not have downsides. The threats of bespoke scams, deepfaked videos, floods of bots with a superb ability to guide the narrative, and so on are real, dangerous, and may already be coming to pass.

I know that one aspect of the anti-AI-generated art kickback has to do with the nature of professional art, and the type of people who do it. "Art", broadly defined, is substantially a passion field. You don't do it to get rich, or to have a stable life. You do it because you love the work, and are willing to put up with a thousand downsides, annoyances, and more in order to do what you love. And having this taken away feels cruel in a way that, say, keeping grad students and accountants from having to manually calculate thousands of sums doesn't.

A few words of encouragement. Widespread literacy may have killed the scribal profession as it was understood at the time. But it opened up vastly more work than it destroyed, even if you just count the directly writing-related work. Mass-produced off-the-shelf clothing shrunk the tailor (as once understood) into practical insignificance. Does that mean that no one who is passionate about making clothes can work in the field now? No. We have far, far more clothing (insert anti fast fashion rant here, I'm all on board with that kickback), and more variety, and lots of people working with clothing. The development of software code compilers unemployed a large number of human compilers. In many ways, programming has gotten easier over the years, with a lower barrier to entry, more comprehensible languages, more resources, and so on. But that hasn't meant that software developers are stuck in an unemployment hell of too many job seekers and not enough openings. We, as a society, keep on finding more and more things we want them to program, and demand for the skillset keeps rising. I can't see the future. Maybe AI-generated art will be the end of employment for artists. Maybe the generative AI revolution is fundamentally different from every past productivity revolution. But I doubt it.

[jacksoldsideblog]

something i've never understood is the idea that the narrator is just a pathetic guy who can't even handle the mild annoyance of having an office job. like. the reason his job is so deeply soulsucking isn't really because it's in an office. it's because it's the corporatized murder of hundreds wherein he actively is used as the smoking gun. he's a cog in a deeply inhuman machine that literally, point blank values minute costs over human lives.

and yes, it's in an office, meaning he has to pretend he and everyone else working there are normal people and not complete and utter monsters for what they do. and their jobs are made easier by this artificial distance that also imposes them away from material society in general, deepening all senses of alienation. and they are all monsters for it but they ARE normal people, he idealizes and hates his coworkers who can do all of this while staying happy and normal. he senses there's something very wrong with that. he knows if he was gone there would be someone in his place.

and yes, it's in an office, so he has all the arteficial office banality and stupid little politics and utter pointlessness, all while they all pretend his job isn't to be actively complicit in further deaths.

it would drive me insane. it would drive anyone insane. why isn't it driving his coworkers insane? how can they live with themselves? how can anyone furthering a system like this live with themselves? how can he live with himself, with anyone, knowing this is all within their capacity? how can he function, knowing that even if he stopped, even if many of them stopped, all of this would march on, new atrocities forming in this one's place?

he could go to the press, tell all about his company and their lack of recalls. it's his leverage. it's why he hasn't lost his job. but would it really make a difference? has it ever really made a difference? Ford sold the exploding pinto and for all the hubbub it generated, clearly the company is still just fine. they used the formula, even admitted it, and here they still are. the inability to stop all of this is maddening.

honestly, the narrator's job is fundamental to Tyler Durden and the entire events of the novel and movie, both literal and thematic.

[sincerely-sofie]

Cave-in: A comic starring Darkrai, Dusknoir, and an unconscious Twig on an expedition gone wrong.

(Note that this takes place after the ending of the fanfic, and people have settled into having Darkrai in their lives... for the most part. Dusknoir still hates his guts and doesn't trust him whatsoever.)

[the-eclectic-wonderer]

A big thanks to @witchybitchybisexual who tagged me in this amazing 30-questions Golden Girls-themed game; I had a *great* time answering these! I look forward to reading everyone's answers (including yours, @witchybitchybisexual!).

I'm hiding all questions after #1 under a cut, because this got long haha!

1. How did you find out about the show?

Via another show I love -- Good Omens! Or, actually, via the amazing book that inspired it. One of the main characters, the demon Crowley, is a big fan of The Golden Girls; there's a great scene in which the forces of hell hijack one of Rose's monologues to send him a message while he's watching the show! I was in need of something new to watch at the time, and I figured if Crowley liked it so much, it was at least worth checking out. :)

2. One storyline you’d eliminate?

Hmm... probably Miles' witness protection program storyline? I don't mind it that much (it gave us some fun jokes and some memorable scenes!), but I feel like that was a turning point in Miles' character, and I just don't like the person he became after that turning point.

There was no question 3 here, so I made up my own! Hope that's not an issue :)

3. Best guest star/character?

Lynnie Greene takes the cake as the best guest star, for sure. I adore her and she played a phenomenal young!Dorothy. The second place goes to Dick Van Dyke, just because I love him in general!

As for the best guest character, I think the honour goes to Angela, Sophia's sister! She's absolutely hilarious and her comedic chemistry with Sophia is stellar. I also have to mention John Neretti from S6E23 What A Difference A Date Makes for being the best man in the series imho.

4. Character you most relate to?

Dorothy! My personality nowadays is a bit of a mix between Dorothy and Rose, I feel, but the Dorothy side is prevalent (and it was even more prevalent a few years back). I love reading and literature (and I enjoy learning about history, although I don't have her passion for it); I share her love for teaching (although I'm not a teacher); I was a great student in school, but not a popular kid at all; I'm level-headed and responsible, but I can be impulsive under the right circumstances; I'm very protective of the people I love; I'm Italian and was brought up a Catholic; I'm often the tallest girl in the room (I'm just a bit shorter than Bea Arthur was!) and I'm not attractive (not that Dorothy isn't -- but she is perceived as unattractive in the show), so I also understand her self-esteem issues fairly well.

I'm not as quick-witted as she is, unfortunately, and nowadays my outlook on life is more positive and easy-going than hers, but she's still the one I relate to the most.

5. Favourite character?

Blanche, although the other Girls are very, very close. I adore them all and I especially love to see them interact, but if I have to pick one, then it's Blanche. She's the one who surprised me the most! At the start of the show I kind of wrote her off as 'the man-crazy one', and that's as far removed from me as possible, so I didn't really focus much on her at the beginning. Then came S1E4 The Transplant, and then came her family issues, and then came all her memories of George, and before I knew it I was head-over-heels in love with her. Rue was masterful in how subtly she played her; she showed Blanche's depth as a character little by little, letting the audience peek behind the mask only for moments at a time, so when I realized I hadn't given her the attention she deserved, I was already in too deep.

6. Favourite story of a cast member?

Oh, so many good ones to choose from! The first one that comes to mind is Bea's anecdote about the time she was Tallulah Bankhead's understudy. The awe with which she describes her coming down the stairs is palpable -- but I mostly admire how she took Bankhead's mean comment and turned it into motivation. And Bea did get her 'coming down the stairs to thunderous applause' moment (more than once!), so her vow came true!

A fun one that involves all four main actresses is this blooper related to Blanche's Christmas gift to the girls, the 'The Men Of Blanche's Boudoir' calendar. Watching all of them lose their marbles over this prank is priceless -- it always puts a big smile on my face!

(Is this what you meant by this question? I wasn't sure!)

7. Which was the episode that got you hooked?

The pilot, lmao. It might be a cheesy answer, but it's true! I was immediately hooked from S1E1 scene one. Dorothy's incredible entrance got me.

8. You could wear one girl’s wardrobe for the rest of your life, who would you pick?

It's a toss-up between Blanche's and Dorothy's.

9. How many kids do you think they all actually had?

... this ask made me realize there are doubts about this, lmao. I've never done the math! Had to go check on wikipedia 😂

As far as I can tell, it's fairly set in stone that Rose had five children, of which we meet two (Kirsten, with two different faces 😂, and Brigit, who I assume is her youngest one).

It also seems reasonably certain that Dorothy had two kids -- Kate and Michael. I will say I've always thought Kate was much younger than she should have been in her appearances on the show, considering Dorothy was pregnant with her when she married, but maybe she just looked much younger than she actually was, I don't know.

Blanche is more complicated. We see both of her daughters, Janet and Rebecca, and in S3E3 Bringing Up Baby she mentions three sons, Matthew (also known as 'Skippy'), Doug, and Biff. In that same episode, though, she also says she's had four kids! I get where the disconnect comes from, haha. To be precise, her quote is:

"I have had four kids, I have never had a Mercedes."

This is just off the top of my head, but I wonder if she means 'I have had' in the sense of 'I have given birth to' here? This would imply one of her children is actually adopted (which is very interesting to think about!!). Since she directly mentions her three sons after this quote, I suppose our suspects are Janet and Becky. I'll have to give this some more thought, though -- for now my answer is that Blanche has five kids, and that 'four' is a continuity error on the writers' part.

10. Do you think the actresses would’ve gotten along with their characters if they met in real life? Why/Why not?

Interesting question! I think so, yes.

Dorothy and Bea seem fairly similar already -- as far as I know Bea was a big sweetheart, a private, gentle person, and Dorothy's a big sweetheart too. Plus I feel like Dorothy would have been respectful of Bea's introverted nature, and Bea would have been understanding and accepting of Dorothy's personal history (not to mention, she wouldn't have mocked her for not dating/for her appearance).

In all the interviews I've seen, Estelle seems very respectful and very fond of old people in general -- I think she'd find Sophia a riot! I seem to remember a clip in which she actually says she likes Sophia, so I feel pretty secure in stating they'd get along.

There's this famous quote by Rue in which she essentially says that she's similar to Blanche in everything but the fact that she's not from Atlanta 😂 so I feel justified in assuming they would have had fun with each other! Rue's stated that she felt an immediate connection to Blanche as a character, and that playing Blanche helped her gain more self-esteem and confidence, so I think meeting her in person would have had a similar effect! And Rue (being a very open, honest, compassionate person) might have helped Blanche drop her mask a little bit.

The only one I have an inkling of doubt about is Betty -- mostly because she'd run circles around Rose! But ultimately I think any 'mocking' would be gentle and affectionate, much like the Girls' jokes in the show. I think they would have liked each other -- and they could have bonded on their common love for animals alone!

11. What are your other comfort shows?

Apart from the aforementioned Good Omens, I'm also very fond of Only Murders In The Building, a really fun show about solving murders and found family that I wholeheartedly recommend. Derry Girls is another recent favourite. Oh, if you like cartoons too, I recommend Steven Universe, Hilda, and Avatar: The Last Airbender.

12. Headcanons? (Feel free to list as many as you’d like)

Oh, my god. I have so many and I'm for sure going to forget some. Let's see...

I've already said some time ago that in my mind Dorothy drives stick shift. Reasoning for this is that Italians (including yours truly, haha!) drive stick shift, and she's of Italian descent, so... she knows how to drive an automatic car, she just learned how to drive on a stick shift one (and in the streets of Brooklyn, no less!). Still on Dorothy: I think she has a very neat handwriting (she feels like the type of person who consciously decided to improve her handwriting at some point in her life), but she's prone to leaving ink stains on the page (and on her hands!!), especially when she's writing in a hurry.

Rose is really strong! Physically strong, I mean. I know she was a housewife for most of her life, but she was a farm girl first! Farming takes a lot of physical resilience, and that's the kind of strength that stays with you, I think. She's the one who lifts up the furniture when they clean (S2E12 The Sisters), and I don't think they'd let her do that if she couldn't handle it. Plus, remember that time she broke a whole ceramic cup with one bare hand (in S7E19 A Midwinter Night's Dream)? Yeah. I also subscribe to some mutuals' hc that she's autistic (although they'll be able to comment on it much better than I can, if they want to!).

Regarding Blanche, I really enjoy @\eeblouissant's hc that she has a permanent tan! She's from the South, she's lived near the coast for ages, *and* she's expressed an appreciation for sunbathing in the show, so it makes perfect sense to me. Also: she's a cover hog! In the show Rose is the one who admits to stealing the covers (in S2E5 Isn't It Romantic?, iirc), but I like to think Blanche is the worst offender. It's a good way to complete the Girls' trifecta of sleeping annoyances (Dorothy snores, Rose sleeptalks, Blanche steals the covers!), and I think it's thematically appropriate for her -- considering her Southern origin, I think she's more sensitive to the cold than Dorothy and Rose are, and she's always looking for affection, so...

Oh, regarding their sexuality: I don't have a marked preference for any of them, but I tend to think of Blanche as a bisexual with a lot of internalized homophobia. Rose is also bi, and somewhere on the asexual spectrum (and I have textual evidence for this!). @\hecatesbroom has completely convinced me to read Dorothy as a repressed lesbian, but I'm fine with people considering her bisexual too. I prefer queer interpretations of all of them, but I'm honestly fine with any take, as long as the strong (platonic or romantic) bond between them is preserved.

Most of my headcanons on Sophia are just traits borrowed from my grandmothers -- for example, I like to think that she started getting into gardening once she moved in with the Girls, and she's really gifted at it (like my grandma!).

13. What would you change (if anything) about the show/ characters if it was set in the modern day?

This is a really hard question to answer properly, because while the show is still very relevant to the present day, some aspects are so grounded in their time that a lot of things don't make as much sense when transposed into the future. For example -- would Dorothy end up marrying Stanley and staying married to him for 38 years if he'd gotten her pregnant in the 90s? Single mothers weren't exactly celebrated back then either (Madonna's Papa Don't Preach is from 1986), but they still had it much better than they did back in the 40s-50s -- and divorce has become much more accessible (and socially acceptable) in the past few decades. Would she have left him earlier? Would she have married him at all?

And what about Sophia? Being an Italian immigrant in the 50s seems different from being an Italian immigrant in the 20s -- there was a whole World War between the two, for starters. Would she still emigrate to the US? Would she even emigrate at all? How would she have survived the fascist regime in Italy?

Blanche and Rose are perhaps less grounded in their time. St Olaf is so absurd it might as well be the exact same in the present day (and dying in childbirth is unfortunately still too common, so it's not strange to think that Rose would be an orphan in any case), and considering how some people still think and behave nowadays, Blanche's biography and opinions seem plausible even when transposed 30-40 years into the future (at least to me). But still -- many of the issues they deal with were grounded in their time. Take Rose's AIDS scare: would she react in the same way in the present day, knowing that care for HIV patients has progressed so much?

To be fair, apart from all these questions, all of the Girls are still plausible (and relatable) characters from a modern POV; but society has changed a lot in the past 30-40 years, and I think a groundbreaking, socially advanced show like Golden Girls would necessarily have to change as a consequence. It's just in the spirit of the show! The core idea of four women sharing a life is still a perfect premise, but the problems the Girls face, their careers, their economic stability, their ideas on love and relationships -- there's a lot that could be different when transposed to the present day! I feel like this question requires much more space, time, and analysis to be answered properly.

One thing I like to think is that at least some of the Girls might have been explicitly queer if the show was set in the present day! Which opens up a lot of avenues for plot-lines and relationships :)

14. Which other Fictional Characters would you like each one of the golden girls to meet?

I have a storyboard in my notes for a little comic in which the Girls travel to England and meet Aziraphale and Crowley from Good Omens, so them, definitely 😂

Also, the Derry Girls! Check out this great crossover fic on Ao3 -- the chaotic energy is just off the charts, I love it.

15. Who were your favourite duo?

Oh, I can't choose. Any duo within the Girls. Their 1:1 interactions are all amazing, there's no way I can pick just one. I love the bond between Dorothy and Sophia, I love Dorothy and Blanche's chemistry, I love how fun and silly Blanche and Rose get to be together, I love the ironclad trust between Dorothy and Rose, I love Blanche and Sophia's love-(fake) hate friendship, I love the way Sophia hides her immense affection for Rose under a veil of humour and the way Rose sees right through it. I could write an essay on each pair of them.

15. Who should’ve got more 1:1 screen time with each other?

I'm pretty happy with the amount of 1:1 time each pair of Girls got with each other, actually! One of the strengths of the show imho is how well-balanced the interactions between the main cast are. If I really have to nitpick, I think I might have liked a couple of episodes specifically on Dorothy and Rose in the last couple of seasons; it feels like they interacted 1:1 less after S5, but that might just be me.

I also think the Girls' interactions with secondary characters and guests were well-balanced, in general; I can't think of any specific example where I wished for one of the Girls to have more interactions with a certain character.

... okay, there is one instance, but it's not really a matter of screen time, more of what happened during said screen time. I really, really wanted to see Blanche (with Rose as support) tear into Stan. I think we deserved a scene where she tells him off for the way he treats Dorothy -- she's already pretty caustic in the show when it comes to him (except in S6, for some reason...), and a proper confrontation would have been glorious.

16. Calmest season?

Is there one? 😂 the first season, I guess? It feels a bit more 'domestic' and contained in scope, likely because it was the first -- but it's still a wild ride!!

17. Most chaotic season?

Season 3, for sure. It's a bit all over the place, and it contains some of the wildest premises in the whole series -- I mean, Bringing Up Baby? Letter to Gorbachev? Mister Terrific? I could go on -- there's lots of chaotic episodes in there! (Just to be clear: I love the chaos! S3 is not my favourite season, but it's still great -- and it's got some amazing episodes!)

18. Favorite Season?

I think the honour goes to season 5! It would probably be S6, if not for the whole 'Dorothy falls back in love with Stan' plot line. S7 is the one that contains the highest count of favourite episodes for me, but I think S5 is stronger as a whole, and it's got some true gems.

19. If the girls hadn’t had their established careers, what other ones could you picture them doing?

Oh, let's see! Stan mentions Dorothy always wanted to open an antique shop back in S1E11 The Return of Dorothy's Ex, and I think that really fits her. I can also see her as a (very passionate) librarian! And, of course, she'd be great as a college professor / history researcher.

Despite the Girls' lack of confidence in her ability to keep things alive, I think with proper training Rose would work well as a nurse. She already volunteers for the hospital, she can be competent when given the chance, she's a giving person, and she loves taking care of people, so I think she at least has the right attitude for it -- although I'd never place her in a stressful unit, especially at the start of the show! Apart from this, anything to do with animals, of course -- a zoo, a farm, a pet shop, she'd excel in all of them!

I can see Blanche thriving as a trophy wife, haha 😂 but that's not properly a career, so it's not a valid answer. Taking her keen artistic eye into account, I think she'd be great as a designer -- either a fashion designer, or an interior decorator. She also showed some talent and interest in psychology during the series, although I'm not sure she'd manage to remain completely professional as a psychologist. 😅

As for Sophia, I think she'd do well in any position that allows her to be a motivator! She's great at encouraging people through a bit of tough love, and she's a very driven person herself -- so I think she'd do well as a manager of sorts, although the kind of manager that still works hands-on too. I believe she'd manage to hold her own in more or less any field; she's very adaptable! I do think she's at her best in a kitchen, though.

20. Best aspects of the show in your opinion?

There's a lot! The writing, the performances, the costume department, it was all exceptional. I think the best aspect to me is the premise, and how seriously they took it! The idea of a show centered on four older women living together is groundbreaking, especially since it didn't make a mockery of them -- the Girls are serious, well-rounded characters, with full lives, written with lots of love and respect. I think this show really convinced me that life isn't over once you hit 30, and that there's plenty to look forward to as you age! A lot of people my age are terrified of growing older, and here I am, eager to see what's coming next -- and I owe at least some of this attitude to this show. I'm really grateful!

21. (This question is for my fellow cheesecake lovers) favourite cheesecake flavour?

:) Great question! I love cheesecakes in general, but I'm especially partial to raspberry cheesecakes.

22. Storyline you wished they had expanded upon?

The show has an unfortunate tendency to introduce characters and then forget about them, which allowed for more variety in the stories they chose to tell, but I would have liked to see some of the Girls' relatives and friends return! Like, I don't know -- Jean, for example, or Blanche's nephew from back in S1. Some of the guests' arcs are complete within their episode (as happens eg for Lily, Rose's sister), but others remained a bit 'in the air', and I think it would have been nice to see them again.

Oh, and also -- I would have liked some little references to the Girls' issues and problems outside of the episodes they're tackled in! References to Blanche's pacemaker, for example, or to Rose's addiction, or to Dorothy's CFS (or her hearing aid!!). I understand that the time was limited, but even a small callback or two would have been nice!

23. Questions you’d ask the actresses?

Does 'will you marry me' count? 😭

I'm not sure -- knowing me, I'd probably be unable to utter a word in their presence! Rather than ask questions, I think I'd just thank them for bringing such an incredible, wonderful show to life. It wouldn't have been the same without them.

24. Episode that brings you the most comfort?

Most of them, really. Even the sad ones; I hear the first few notes of the opening theme and my spirits are already lifted. I can pick one per season, if that's alright:

S1E25 The Way We Met

S2E17 Bedtime Story

S3E3 Bringing Up Baby

S4E4 Yokel Hero

S5E23 The Mangiacavallo Curse Makes a Lousy Wedding Present

S6E26 Henny Penny -- Straight, No Chaser

S7E23/24 Home Again, Rose

But honestly there's so many more I could mention! I just love these ladies so much and I love to watch them in situations, haha.

25. Episode that made you laugh the hardest?

This is a cruel choice! Golden Girls is infamous in my house as 'the show that makes the-eclectic-wonderer howl with laughter', and I think that speaks for itself 😂

Let me pick at least three: S2E4 It's a Miserable Life, S7E2 The Case of the Libertine Belle, and S7E4 That's For Me To Know.

26. Which other work that the actresses did you enjoy the most?

I believe most of Estelle's career prior to The Golden Girls was in the theater, so I'm not sure it's even possible to watch her other works, unfortunately.

Show me Bea Arthur singing literally anything and I will be on my knees in seconds. Her musical performances are peak. Also -- I still haven't watched Maude, but I already know I'll love it.

Maude includes Rue as well -- I cannot wait to fall in love with her as Vivian too! And I have one of her early movies in my watch list, although I'm waiting for the right moment to watch it (homegirl plays a stripper and I'm not sure I can handle it in company without making a fool of myself, considering my big gay crush on her).

As for Betty -- Life With Elizabeth, absolutely. She's so funny and so beautiful and so captivating in it! She's simply charming, I love her to bits.

27. Best St Olaf Story?

The Great Herring War from S1E25 The Way We Met, no question. It's not necessarily the strongest from a comedy point of view (although it's certainly up there -- it's hilarious!), but the context and the way Dorothy and Blanche contribute to it make it the most memorable one, imho. It's my favourite, for sure.

(The story of Gunilla Bjorndunker, St Olaf's tallest woman, as told in S6E3 If At Last You Do Succeed is in second place).

28. Best slut story?

It changes every time I hear one, lmao! I love all of Blanche's stories!

If I must pick one -- I really enjoy Blanche's retelling of that time she realized she was even more devastating by moonlight in S1E25 The Way We Met, if only for that incredible final line ("It was at that moment I realized my bosoms had the power to make music!"). I'm not sure if it counts, because it's so brief, but her involuntary remembrance of that time she had to call a cab to get home because the sailor she hooked up with wouldn't wake up (S2E17 Bedtime Story) always has me in stitches -- I love how unexpected and effective it is!

Oh, and I'm really fond of the one she tells her mama in S3E25 Mother's Day. I'm very sensitive to the theme of loved ones getting older and having trouble remembering stuff, so that whole flashback hits close to home for me, and I love how Blanche's story helps her and her mama connect over shared memories. It's really touching (and Rue's acting is spectacular).

29. Best Sicily story?

Sophia's alleged encounter with Pablo Picasso, as narrated in S6E24 Never Yell Fire In A Crowded Retirement Home: Part 1. I somehow didn't anticipate the punchline, and I lost my shit when Sophia name-dropped Picasso. I still lose my shit every time I listen to it. It's a classic.

30. Which girl would you be most interested in seeing a prequel of? And at which point in their life?

I would pay dearly for a young!Dorothy show. It might be depressing (because her life with Stan was... well... yikes) but also imagine -- Dorothy learning how to be a mom, her life at college, building herself a life... so many possibilities!!! And it would be even better if it featured some flashbacks to Sophia's life in Sicily!

I would enjoy a show about teenage Blanche's adventures, too, but a part of me thinks those stories are at their best when retold by Blanche herself (ie when there's a good amount of doubt as to their veracity, lmao).

[zytes]

strange wind

[welcometoteyvat]

society moved on too quickly from furina's demo

[redysetdare]

I think i would like sci-fi a lot more if more stories took the evolution route to it. so many sci-fi stories focus so much on the technology side and "Let's go to space! let's see capitalist hell!" and like, yeahh those have their purpose and place in sci-fi. But personally i love when sci-fi gets speculative with biology. How will the earth change? what animals developed from changed ecosystems - which animals evolved and which ones went extinct? I want people to take the science part of science fiction and explore biology and ecology and how the planet and animals change with the world. I"m tired of it only focusing on technology and robots and being more cyber fantasy.

[full-pockets]

One thing I don't like is when a game makes you have to care for an NPC who's done nothing to make you care about them.

Like with Cortana in one of the Halo games and Aria in Harvestella. The protag is so concerned about them but as the player, I feel no connection to them and it's actually made worse by the game forcing me to make 'caring' options about them. Maybe I didn't play enough of the other Halo game to feel anythin for Cortana, who's functioning kept messing up Master Chief on quests and stuff.

But Harvestella was what really made me post this. Our player cares so much for Aria despite her not doing anythin beyond being annoyed by us and her brushing us off at first. Like, our player is automatically some altruistic person despite having zero memories of themself beyond their name.

Aria goes missing, let's go find her despite her telling us to not go after her. Aria wanders off in the night, let's leave the safety of our house to go find her sitting outside then eavesdrop on her.

It's a bit annoying. Harvestella also gives us the illusion of choice while not actually making anythin change because of that choice. No dialgoue changes, it'll just funnel into the scripted dialogue the NPC was gonna say anyway.

I heard there was a good ending and bad ending, but I don't see how that can happen yet cause none of my choices matter. I choose to ignore somethin, oop, nevermind you gotta go investigate it anyway (this is regards to story stuff, not dungeon stuff).

[tacomedli]

@chayannecraft's Chayanne and Pomme from their amazing QSMP BOTW AU!!!!

(I'm probably gonna click "post" and immediately notice a bunch of mistakes aren't I--)

Original cutscene screenshot under the cut!

[francis-writes]

Just imagine tying Frollo to the bed or chair and overstimulating him. Sucking him off for ours as he comes again and again. He begs you to stop and cries, he repeats that he can't take anymore but you don't stop until you draw a few more orgasms from him

[dirt-str1der]

Love characterising nishikiyama as a booze hound drug hound meth addict high every day body mass 75% alcohol hands constantly shaking literally spacing out while driving fifty over the speed limit using elderly folk as speedbumps one hand on the wheel and one hand free to do more drugs and coming into work while functionally deaf and blind and he is still leagues more competent at his job than kiryu

[istherewifiinhell]

I hope to be able to communicate. An emotional vibe

[Mirage 28, Story: Stephen Murphy, Pencils, Inks and Letters: Jim Lawson (as far as i can tell and so says the wiki). 1 page each by Eastman and Rich Veitch, not included]

[The style for this issue has a softer painterly look to the duoshade. All panels are horizontal across the width of the page.]

[ID from alt: Two panels, Leo leaning over to look at Raph, who's in profile and glaring slightly downwards. He asks "Care to talk about it?". Close on Raph's face, still not looking at Leo, he says "No." END ID]

ID from alt: 3 Panels. Casey leans over, gripping bridge trusses on either side of himself, asks "Hey bro', What's going down?" Raph's feet dangling over the edge of the bridge, its shadow cast on the water below. Raph says "The River... I suppose..." Close on Casey as he looks down skeptically "Um, Yeah. -- Hey, talk to me Raph. Really talk to me."

ID from alt: Three panels. Raph in profile, gazes down somberly, he says "Can't. You wouldn't understand. You're... You're human. You can't possible understand. Wide to all three of them, Casey has shuffled closer, one hand still on the truss. He says "Say what? I'm what? You can kiss off, Pal." Leo on the other side leans back a bit. "The what about me Raph? Why won't you tell me?". Close on Raph, annoyed now. "You're crowding me Leo, you're both crowding me. -- Don't crowd me." END

^gets sick every time i look at this one (HIGHEST OF COMPLIMENT)

ID from alt: Two panels. Close on April's hand. Holding a small turtle in its shell. Caption box "No... not this time, baby." Raph in the foreground, still upset. April and the other turtles sit along the bridge, all apart from Raph. April still holding the turtle, looks over to him. Caption box "When the hell will he simply accept all that's happened to him?" END

Second caption box references April's line in the 3 issue Raph got de-mutated arc. Which he spent the most time being looked after by her.

ID from alt: Two panels. Raph sitting with his back to his brothers, looking down and upset again. Wider shot shows everyone on a raft, the other turtles sitting and Casey pushing raft along at one end, Raph facing the rear, tense, observing the water. April sits between them, not facing either direction, observing Raph. END

ID from alt: Two panels, nighttime. The group sits around a camp fire, Casey standing to tell a story "-Like so much red white and blue Alpo. See, man, there was this..." Raph stands facing into the dark. Caption box: Raphael stood apart from the rest of us..." Wide of the landscape, moon reflecting on water, surrounded by trees and distant mountains. Caption box: "... And stared intently across the moonlit water." END

ID from alt: April and Raph trying to move an unconscious being, mostly humanoid with amphibious features, their three bodies lit against complete blackness. Raph holds her under the shoulders and says "You take her feet, I'll get her head." April kneels to hold her ankles and says "Thanks, Raph." END

ID from alt: Intricately detailed depiction of one of the aquatic beings while still in the egg, curled with its still developing limbs and large eyes. Caption boxes: I am conceived anew -- And as I grow -- I watch my people wither. END

ID from alt: Wide scene lit by the camp fire. April kneels with the beings head in her lap. Four more of the species approach her and the body. Casey stands back closer to the fire, and the turtles, even further back, towards the shore line. Caption box: They've lost her. END

ID from alt: 1. Two panels. Caption box: ... The only four of their species.... The turtles stand in line, Don, Mike, Leo and Raph, looking over the water, and the four remaining beings heads sink below the water. Caption box. "... just like-" The beings completely unseen now. Raph turns his head, looks behind them.

2. Two panels. Dramatic close up on Raph, looking back. The hint of pupil in the normally white eyes adds to the expressions intensity. Close on April meeting his gaze. Eyes wide with shock. She says a quite "-Omigod". END

ah. i was just gonna tag rant about this its getting way too long. oop

As i said earlier. this was ANOTHER ISSUE that was adapted into 03 during the Leo angst era. so they swapped Raph for Leo.

(NOT MAD ABT IT. i could go on a very long talk abt raph leo interchangeability and every time they've done that in adaptation, and why so many of the raph leo conflicts are about them being so so similar.

and how they are the person the other gets/gets them. and loss of that understanding due to separation or injury causes the blow ups.)

ANYWAY

03 didnt have the events that happened to raph that are referenced here anyway. those being. Raph almost being killed in a drive to solo kill the shredder (which... Leo Does btw) but more importantly admitting to Leo that he feels he has no control, that he cant think through his emotions.

And, again as mentioned, the de-mutation. It took him from weakened, to childlike, too deteriorating illness, until he's a particularly emotive large turtle, and then even less so to a normal smaller and smaller one. And this was caused by a very powerful being that thought he'd be happier that way, after feeling all the guys bask in the water, and be in awe of real baby turtles.

So these are the things he can't talk to Leo or Casey about. And this comic issue is one thats in the mode of "something written by april" like journal entries. And it wouldnt be clear cause i removed the CONTEXT lol. but that is her seeing a vision, from this dying being, of her [the being's] life and history, and its like. not pretty! not good things happening to the extincting amphibious humanoids.

So the lack of control, emotional and LITERAL, over his fate, his body, his being his mind? The things he cant tell his human best friend or his leader and brother. She goes through something impossible, she has no control, she fails at saving this being. And she sees it. And they see each other. And their is not a fix it at the end of that. She doesn't tell anyone else why she gets spooked. Everyone is just standing around each other in the moment, where its all not okay.

[doodlebeeberry]

fun fact i have just discovered: if you try to add 🃵 this unicode character (U+1F0F5, or Playing Card Trump-21) to a characters name in artfight

the page errors out

[dayurno]

kevin seems like the type of dweeb to have to sit in the front of the bus because he gets carsick (i’m also one of those dweebs)

PATHETIC...... gah i really can see it..... the funniest hc to me will always be that kevin has the complexion of an ancient royal who hasnt done a day of work in their life... hes allergic to pollen. he gets sick with a little breeze. he cant eat spicy food if paid to. he has rhinitis. hes like a super strong dps that consumes their own hp to deal damage in the end it doesnt matter though because we all know andrew would carry epipens and meds for migraines and nausea and basically anything that could cause harm. he gives kevin 10+ defense stats by existing

[bones-n-bookles]

Why did my coworker call me handsome twice today