#to end up here.

[meatmensch]

The people that have abandoned me really need to stop talking to me like they have any right to tell me what to do, or I swear to God, I'm gonna get the FUCKING hammer.

[sanctus-ingenium]

and when you do swallow the sun, what next? | buy a print of this piece here

[inkskinned]

at some point it's just like. do they even fucking like the thing they're asking AI to make? "oh we'll just use AI for all the scripts" "we'll just use AI for art" "no worries AI can write this book" "oh, AI could easily design this"

like... it's so clear they've never stood in the middle of an art museum and felt like crying, looking at a piece that somehow cuts into your marrow even though the artist and you are separated by space and time. they've never looked at a poem - once, twice, three times - just because the words feel like a fired gun, something too-close, clanging behind your eyes. they've never gotten to the end of the movie and had to arrive, blinking, back into their body, laughing a little because they were holding their breath without realizing.

"oh AI can mimic style" "AI can mimic emotion" "AI can mimic you and your job is almost gone, kid."

... how do i explain to you - you can make AI that does a perfect job of imitating me. you could disseminate it through the entire world and make so much money, using my works and my ideas and my everything.

and i'd still keep writing.

i don't know there's a word for it. in high school, we become aware that the way we feel about our artform is a cliche - it's like breathing. over and over, artists all feel the same thing. "i write because i need to" and "my music is how i speak" and "i make art because it's either that or i stop existing." it is such a common experience, the violence and immediacy we mean behind it is like breathing to me - comes out like a useless understatement. it's a cliche because we all feel it, not because the experience isn't actually persistent. so many of us have this ... fluttering urgency behind our ribs.

i'm not doing it for the money. for a star on the ground in some city i've never visited. i am doing it because when i was seven i started taking notebooks with me on walks. i am doing it because in second grade i wrote a poem and stood up in front of my whole class to read it out while i shook with nerves. i am doing it because i spent high school scribbling all my feelings down. i am doing it for the 16 year old me and the 18 year old me and the today-me, how we can never put the pen down. you can take me down to a subatomic layer, eviscerate me - and never find the source of it; it is of me. when i was 19 i named this blog inkskinned because i was dramatic and lonely and it felt like the only thing that was actually permanently-true about me was that this is what is inside of me, that the words come up over everything, coat everything, bloom their little twilight arias into every nook and corner and alley

"we're gonna replace you". that is okay. you think that i am writing to fill a space. that someone said JOB OPENING: Writer Needed, and i wrote to answer. you think one raindrop replaces another, and i think they're both just falling. you think art has a place, that is simply arrives on walls when it is needed, that is only ever on demand, perfect, easily requested. you see "audience spending" and "marketability" and "multi-line merch opportunity"

and i see a kid drowning. i am writing to make her a boat. i am writing because what used to be a river raft has long become a fully-rigged ship. i am writing because you can fucking rip this out of my cold dead clammy hands and i will still come back as a ghost and i will still be penning poems about it.

it isn't even love. the word we use the most i think is "passion". devotion, obsession, necessity. my favorite little fact about the magic of artists - "abracadabra" means i create as i speak. we make because it sluices out of us. because we look down and our hands are somehow already busy. because it was the first thing we knew and it is our backbone and heartbreak and everything. because we have given up well-paying jobs and a "real life" and the approval of our parents. we create because - the cliche again. it's like breathing. we create because we must.

you create because you're greedy.

[chloesimaginationthings]

Michael Afton’s awkward family reunion in FNAF 3,,

[time-woods]

EMOTIONAL WIN ! ! the bug lets his emotions make decisions for once !

[threadbareturnbacks]

You know what? Happy Disability Month to those who were disabled by accident. Cars, skis, ice, sand, rocks, horses, just plain bad luck. Broken bones and backs that never heal. Shoulders that can't lift or move right. Wrists that don't turn. Hands that can't grasp. Brains that don't work right anymore. Legs that don't move anymore and eyes that won't recover.

The shame, the blame, the frustration, the wishful thinking that tears you apart. The beauty of small victories and simple kindness. The community you build. Reshaping a life with no warning. Mourning for the person you once were. Joyfully embracing the person you now are. Happy Disability Month to you too (even if you aren't ready to use that word yet)

[araneapeixes]

in the bathroom at the gay clubbbb

[steelsartcorner]

BG3 Comic: An Unwelcome Surprise

(Be forewarned: Dark Urge Act 3 Spoilers. Post is tagged. Click “read more” for the full comic.)

I always find myself wondering about the side conversations that must happen between the other characters while your PC is busy talking to the plot point givers.

[iwoulddieforienzo]

Personally I think percabeth is at its best when Grover is in it. I don’t necessarily mean in a polycule way I just think it’s great when he’s around

[weirdmageddon]

help whats with him clinging to shit. almost every panel he is shown theres something hes clinging to

[mortiscausa]

Whether fate be foul or fair, Why falter I or fear? What should man do but dare?

march to camelot #1: quest

[axiliern]

tim drake + bonus rotating tim ..........

[gatoiberico]

the depths

print

[eeldritchblast]

I truly wonder if white fans are even capable of understanding how hard it is just being in a fandom space when you're not white. How alienated you feel every other day. How often you're told "it's not that big a deal" or "it's just a fantasy game get over it" or "it doesn't matter" or "go save the rainforest instead of crying over a game" or etc. etc. etc. to the point where you yourself start to question if there's something wrong with you... that it's your fault for being hurt all the time. Because it's never just about one racist mod, or one piece of whitewashed art, or one offensive post... it's all of it. Together. All the time. It's so fucking exhausting and it's why POC quit fandom spaces a lot.

[katabay]

ONCE UPON A TIME, THERE WAS A KNIGHT...

the visual inspiration for this was a combination of Frederic William Burton's Meeting on the Turret Stairs and also Bernardo Cavallino's The vision of St. Dominic receiving the Rosary from the Virgin

this was supposed to be just a one off illustration to get the thoughts out of my system, but then I started thinking about medieval politics and warfare and plagues and a castle and home as both a place of refuge, a prison, and a tomb, so perhaps they will end up as ex voto characters as well.

you may say, hey! that rosary looks like it has too many beads! it's a fifteen decade rosary, probably. dominicans are really into marian devotions. it works out.

also. spiral style stair cases. oh boy. it was that unexpectedly more difficult than I originally thought it would be to draw. the more I think about it, the less I understand them, even though I had a million photos of the stairs in front of me while I was drawing it.

⭐ I have a tip jar (ko-fi)!

⭐ and other places I’m at! bsky / pixiv / pillowfort /cohost / cara.app

[time-woods]

im not ready for his whimsy im not ready but im ready who knew one mans whimsy could strike one down