#to show she’s actually interested

[united-under-skyfall]

leverage is so fucking funny. man manages to find the most mentally ill and neurodivergent group of thieves on the market + an even more mentally ill guy whose literal job description was trying to chase all of them, and forces them into a found family speed-run by trying to blow them all up. they lowkey stage a full fucking country wide coup and are like eh 🤷 just another wednesday. this might be a fun place to vacation tho i guess. sophie shows up to her own funeral twice. they're so good at convincing people of their shit that they make a guy's body start reacting to an illness he doesn't have because it isn't real. go completely out on a limb and basically hand this one guy a new password for his computer so they can get into it and he goes with it. parker and hardison have straight up just "fake it 'till you make it"d into the fbi without even attempting to cover their tracks beyond just These Two Guys. half their clients never asked to be their clients and don't know they're their clients, and the other half are random people who find them who fuckin knows how, meanwhile no government agency can track them down without selling their soul to sterling. they make a point to have a dramatic scene w a Big Bad Shadowy Government Guy who doesn't actually get caught or brought to justice or anything telling them he's going to hunt them all down, and in any other show this would probably earn at least a minor arc later on but he literally never shows up again. an entire season finale hinged on a cake and a bunch of clams. they accidentally made eliot a celebrity not once, not twice, but three times. parker blew up her foster parents' house when she was like. nine. and it's hardly a footnote. hardison is just casually an artistic prodigy but it's only ever brought up for the most background of background gags. eliot's biggest beef with parker and hardison for like two and a half seasons is that they won't stop making weird food with lasers and refuse to realize they can't make a decent beer to save their lives. sophie's immediate response to being shot is to call her shooter a wanker. there's a character who has literally killed a man with a mop and they had the audacity to only put her in one episode.

[mytimetooutshine]

I really want there to be a scene in part 2 where Eloise is talking to Cressida about Polin’s engagement and is like “I can’t believe this, I didn’t see this coming at all” and Cressida’s just like “…You didn’t see this coming?“ lol

[goblins-riddles-or-frocks]

forever obsessed with dynamics between vampires, specifically that of a maker and fledgling, as a way to explore abuse. the creation of a vampire itself can so easily be a literalization of the lasting impacts of trauma and also much more simply the ways a perpetrator might shape their victim’s very identity. the extremes of isolation in the way that the new vampire, in most narratives, must cut all ties to their mortal life, or else go through an elaborate charade to maintain the facade of humanity, while forever still being removed from it. and the sheer dependence and vulnerability of being in an entirely new state of being, wholly uncertain of what it entails, and relying on another person to define… everything.

[sevenines]

i saw this tweet and found it interesting for two reasons. one is that some people base how good cartoon network would be to toh by how it treated su, and despite the fact that su’s treatment by the network was considered poor at the time, now its thought to be exceptionally good in comparison to modern shows.

two is how exactly su got impacted by a limited budget. a common criticism is how characters like connie, peridot, and lapis are left out of missions. but balancing a lot of characters is not only hard but also costly (extra animation, extra voices—it’s been revealed that the show is limited to a set number of characters per episode otherwise they’re over budget). animation mistakes are not uncommon since retakes cost extra. the entire reason the original show got cut short was due to loss of funding!

[raeofgayshine]

Thinking again about the fact that when Eddie and Dustin finally convince Steve to play DnD with the party, all of them, but especially Eddie, quickly become exasperated with Steve who has extremely high charisma, and decides that he can fix almost any situation by flirting with whoever they were in conflict with. Especially the fucking monsters, this man is bound and determined to himself a monster boyfriend and until it happens, he will make every single person they come across fall in love with him. So naturally, this happens a lot:

Steve: I’m going to flirt with them

Eddie, exasperated: Steve, you can’t date this monster, he’s trying to kill you-

Steve: Hot.

Steve: I’ll flirt with them harder then

[jessmalia]

Mal's Avatar: The Last Airbender rewatch: The beach 3.05

[cluescorner]

A Batman who kills people is a bad Batman. Except for Terry because he is my special boy. Terry can drown a man it's ok. He can literally shatter a woman it's fine.

[linusbenjamin]

But if you erase my memories, how will I learn from my mistakes? Person of Interest 5.01 — B.S.O.D.

[mayhaps-a-blog]

OK but really Crystal is so interesting on a rewatch, because you can see it! You can see the Mean Girl(tm)! She's bitchy and she's pissed off and she's picking at the boys and she straight of tries to insult Charles for literally no reason!

But then...

Charles doesn't respond. You can see how taken aback she is: she insulted him, he's supposed to get mad, the answer is yes. Get mad, get angry, write her off and leave her alone like everyone else - but he doesn't. He smiles! He chuckles, he flirts, he completely flies past that moment like it never even happened.

Crystal gets angry, gets scared, gets frustrated, and takes it out on other people. Mostly the boys, because they're there, and Edwin does respond - he does get angry, he does talk down to her, and that, that gives her ammunition. She's manipulative, finds ways to get people talking - good and bad. Jenny with the Devlin House and her letters, Charles and his history, twitchy Richie and the kids at school - and she loved dealing with Richie. Scaring him, pushing him around, showing off her power - she loved it!

And why wouldn't she? We don't know much about her life - but given her parents didn't even notice her missing, it hasn't exactly been great. Being mean, well, it helps, doesn't it? Piss off enough people, maybe even her parents would notice - actually look at her.

And then, well... it's a safety, isn't it? She's a psychic. How many times has she been caught talking to herself? Talking about ghosts? And kids, especially rich kids like her, can be so cruel. Better to be mean first, right? Get it out of the way. Ahead of it, even - better to be the mean girl than the crazy girl, right?

But then she meets Charles, and he... doesn't think she's mean, or crazy. Just scared, and needing help, and with a big heart that she tries to hide sometimes. Like him. And Edwin, who doesn't like her - but helps anyway, and even comes to care. And Jenny, who's awkward but tries to help anyway, and Niko, who refuses to even consider that Crystal could be mean! Suddenly, it's not working anymore - more than that, it's not something she needs anymore. Her heart, how she can help - that's what matters now. She's allowed to care.

[bumblingbabooshka]

The worst trope in the universe is when someone accuses character A, who is part of a real or fantasy or coded minority, of doing something bad and everyone's like "That's just your prejudice against [real or fantasy minority]!" and it turns out character A actually did do that bad thing and everyone else was stupid for not believing they did that bad thing.

[blackhholes]

teen wolf meme: [5/5] motifs -> pain

It still hurt! And that's what keeps you human- pain.

[skywalkr-nberrie]

One of the biggest arguments I’ve seen used by the Ob*d*l*s against Anidala, is that scene in the ROTS novel where Padmé says she could trust OW with the secret of the rebellion and was hesitant to tell Anakin and I just wanna say:

Padmé wasn't an idiot. She was an extremely intelligent and competent woman, perfectly able to understand that loving Anakin and thinking that he could be trusted with a certain politic-related matter were two very different things and reducing her choice regarding who to trust with an important political matter only on the basis of her feelings of romantic love diminishes her professionalism, and this is why I say y'all could never understand her.

Padmé didn’t have to "love" OW or even like him at all to know he was the perfect Jedi to ask for help in a secret political matter.

That's the point being made in the novel, she’s hit with the realization that Anakin in this particular moment could not be told this piece of info because of his relationship with Palpatine, and Padmé specifically mentions in the Junior ROTS novel that she didn't want to make Anakin “keep a secret” if he didn’t agree with their stance because it’d be “unfair.” So this also played a part in why Padmé didn’t think it best to inform Anakin about the Rebellion. It honestly had little to do with her actually lacking trust in him, and more to do with the circumstances she was in not allowing her to be open with her husband and her not wanting to make him choose between his wife and his “father figure.”

However, Padmé knows OW’s political ideas aren't tied to ONE particular person but to a philosophy, one which is closer to her own, at that point. None of this was ever meant to be hinted as “romantic” or even remotely insinuated as romantic. It’s strictly professional and even the tone of the scene makes that so abundantly clear.

All I’m saying is that, some of these proshippers are doing the most out here to try and prove their ship, like my loves? You forgot a very important thing called ✨ context ✨ and regardless of her rational thinking, Padmé still went out of her way to try and talk out all of this Rebellion secrecy stuff with Anakin when she confronted him in the scene where she asks if he ever thought they were “fighting on the wrong side.” Padmé didn’t trust OW in the same way she trusted Anakin (with her entire self and being) she had the level of trust and love for Anakin that was only meant for him.

Mixing up her unwavering faith in Anakin as her husband with her trust in OW’s devotion to duty as her comrade/ally is purposely deluding yourself, because the two aren’t the same and therefore can’t be compared. An example of this is: Padmé constantly putting more value to Anakin’s words over OW’s in the end of ROTS when he came to tell her of Anakin’s “crimes”. She completely disregarded what OW had claimed about her husband and instead made her way to where Anakin was herself, to ask him directly. Despite what the truth was, this is proof of her trusting Anakin unconditionally, and I didn’t even think I had to spell that out because it’s as clear as day.

In conclusion, Padmé didn’t trust OW more than Anakin, she just knew the circumstances she was in didn’t exactly make it easy for her to openly talk with her husband about these matters and that’s part of what played into the issues they had in ROTS, it’s exactly what Sidious wanted.

[peteytheparrot]

Ok but only A Series of Unfortunate Events could open with such a good quote every episode like ‘Darling, Dearest, Dead’ goes SO hard wtf…

[brionysea]

allison and five are actually fascinating to write together. allison is the sibling for checking on people and asking in plain english if they're okay but five would literally rather bleed out than show a shred of vulnerability

[girlymatsu]

Erina’s Graduation day… she fancied herself up for school for once…

[ladyloveandjustice]

It's actually so hilariously hypocritical of Zuko to scoff at Aang when he talks about not taking revenge and not wanting to kill, when he went out of the way to try to save Zhao right after the man nearly succeeded in killing him. And also spared Zhao's life during their little Agni Kai. He repeatedly refused revenge and murder. I hope Aang finds out about it one day and gets his ass.

It honestly almost seems like he became MORE pro murder post-redemption, which is funny, but it's more like he'a pro righteous murder as long as someone else does it. Not him.

Notably he's all "Aang you have to kill my dad" but he didn't actually kill Ozai when he had the opportunity. He's all "it's the Avatar's destiny!" but come on. that was an excuse. He just didn't want to do it. Which is understandable, even though he knows Ozai deserves it, it would still be extremely traumatic for him to kill his father. So he passes it off to Aang. And then berates Aang for not wanting to kill his dad, the exact thing he didn't want to do, like a loser.

And fittingly, only time he seriously tries to murder someone was when he hired Combustion Man to kill Aang in peak desperation and even that was "someone else should do it. I don't have to be there or think about it. I didn't technically kill him someone else did"

(You can also argue that him being so passionate about helping with the righteous murder of people who were agents of the genocide is driven by a sense of guilt too, which is why he's so extra about it. It probably is. On top of that, I think he very much dragged his own mom issues into helping Katara specifically)

So yeah I also hope Aang finds out about his opportunity to kill his dad and roasts him like he deserves. Man who says murder is okay really means "it's okay if you do it".