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cherry-lala · 2 months ago

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The Devil waits where Wildflowers grow

Part 1, Part 2

Pairing:Female! Reader x Remmick

Genre: Southern Gothic, Angst, Supernatural Thriller, Romance Word Count: 15.7k+ Summary: In a sweltering Mississippi town, a woman's nights are divided between a juke joint's soulful music and the intoxicating presence of a mysterious man named Remmick. As her heart wrestles with fear and desire, shadows lengthen, revealing truths darker than the forgotten woods. In the heart of the Deep South, whispers of love dance with danger, leaving a trail of secrets that curl like smoke in the night.

Content Warnings: Emotional and physical abuse, manipulation, supernatural themes, implied violence, betrayal, character death, transformation lore, body horror elements, graphic depictions of blood, intense psychological and emotional distress, brief sexual content, references to alcoholism and domestic conflict. Let me know if I missed any! A/N: My first story on here! Also I’m not from the 1930’s so don’t beat me up for not knowing too much about life in that time.I couldn’t stop thinking about this gorgeous man since I watched the movie. Wanted to jump through the screen to get to him anywayssss likes, reblogs and asks always appreciated.

The heat clings to my skin like a second husband, just as unwanted as the first. Even with the sun long gone, the air hangs thick enough to drown in, pressing against my lungs as I ease the screen door open. The hinges whine—traitors announcing my escape attempt—and before I can slip out, his voice lashes at my back, mean as a belt strap. "I ain't done talkin' to you, girl." His fingers dig into my arm, yanking me back inside. The dim yellow light from our single lamp casts his face in a shadow, but I don’t need to see his expression. I've memorized every twist his mouth makes when he's like this—cruel at the corners, loose in the middle.

"You been done," I whisper, the words scraping my throat like gravel. My tears stay locked behind my eyes, prisoners I refuse to release. "Said all you needed to say half a bottle ago." Frank's breath hits my face, sour with corn liquor and hate. His pupils are wide, unfocused—black holes pulling at the edges of his irises. The hand not gripping my arm rises slow and wavering, a promise of pain that has become as routine as sunrise. But tonight, the whiskey’s got him too good. His arm drops mid-swing, its weight too much. For the first time in three years of marriage, I don't flinch. He notices. Even drunk, he notices. "The hell's gotten into you?" His words slur together, a muddy river of accusation. "Think you better'n me now? That it?" "Just tired, Frank." My voice stays steady as still water. "That's all." The truth is, I stopped being afraid a month ago. Fear requires hope—the desperate belief that things might change if you're just careful enough, quiet enough, good enough. I buried my hope the last time he put my head through the wall, right next to where the plaster still shows the shape of my skull. I look around our little house—a wedding gift from his daddy that's become my prison. Two rooms of misery, decorated in things Frank broke and I tried to fix. The table with three good legs and one made from an old fence post. The chair with stuffing coming out like dirty snow. The wallpaper peels in long strips, curling away from the walls like they're trying to escape too.

My reflection catches in the cracked mirror above the wash basin—a woman I barely recognize anymore. My eyes have gone flat, my cheekbones sharp beneath skin that used to glow. Twenty-five years old and fading like a dress left too long in the sun. Frank stumbles backward, catching himself on the edge of our bed. The springs screech under his weight. "Where you think you're goin' anyhow?" "Just for some air." I keep my voice gentle, like you'd talk to a spooked horse. "Be back before you know it." His eyes narrow, suspicion fighting through the drunken haze. "You meetin' somebody?" I shake my head, moving slowly around the room, gathering my shawl, and checking my hair. Every movement measured, nothing to trigger him. "Just need to breathe, Frank. That's all." "You breathe right here," he mutters, but his words are losing their fight, drowning in whiskey and fatigue. "Right here where I can see you." I don't answer. Instead, I watch him struggle against sleep, his body betraying him in small surrenders—head nodding, shoulders slumping, breath deepening. Five minutes pass, then ten. His chin drops to his chest. I slip my dancing shoes from their hiding place beneath a loose floorboard under our bed. Frank hates them—says they make me look loose, wanton. What he means is they make me look like someone who might leave him.

He's not wrong.

The shoes feel like rebellion in my hands. I've polished them in secret, mended the scuffs, kept them alive like hope. Can't put them on yet—the sound would wake him—but soon. Soon they'll carry me where I need to go. Frank snores suddenly, a thunderclap of noise that makes me freeze. But he doesn't stir, just slumps further onto the bed, one arm dangling toward the floor. I move toward the door again; shoes clutched to my chest like something precious. The night outside calls to me with cricket songs and possibilities. Through the dirty window, I can see the path that leads toward the woods, toward Smoke and Stack's place where the music will already be starting. Where for a few hours, I can remember what it feels like to be something other than Frank's wife, Frank's disappointment, Frank's punching bag. The screen door sighs as I ease it open. The night air touches my face like a blessing. Behind me, Frank sleeps the sleep of the wicked and the drunk. Ahead of me, there's music waiting. And tonight, just tonight, that music is stronger than my fear.

The juke joint grows from the Mississippi dirt like something half-remembered, half-dreamed. Even from the edge of the trees, I can feel its heartbeat—the thump of feet on wooden boards, the wail of Sammie's guitar cutting through the night air, voices rising and falling in waves of joy so thick you could swim in them. My shoes dangle from my fingers, still clean. No point in dirtying them on the path. What matters is what happens inside, where the real world stops at the door and something else begins. Light spills from the cracks between weathered boards, turning the surrounding pine trees into sentinels guarding this secret. I slip my shoes on, leaning on the passenger side of one of the few vehicles in-front of the juke-joint, already swaying to the rhythm bleeding through the walls. Smoke and Stack bought this place with money from God knows where coming back from Chicago. Made it sturdy enough to hold our dreams, hidden enough to keep them safe. White folks pretend not to know it exists, and we pretend to believe them. That mutual fiction buys us this—one place where we don't have to fold ourselves small. I push open the door and step into liquid heat. Bodies press and sway, dark skin gleaming with sweat under the glow of kerosene lamps hung from rough-hewn rafters. The floor bears witness to many nights of stomping feet, marked with scuffs that tell stories words never could. The air tastes like freedom—sharp with moonshine, sweet with perfume, salty with honest work washed away in honest pleasure. At the far end, Sammie hunches over his guitar, eyes closed, fingers dancing across strings worn smooth from years of playing. He doesn't need to see what he's doing; the music lives in his hands. Each note tears something loose inside anyone who hears it—something we keep chained up during daylight hours.

Annie throws her head back in laughter, her full hips wrapped in a dress the color of plums. She grabs Pearline's slender wrist, pulling her into the heart of the dancing crowd. Pearline resists for only a second before surrendering, her graceful movements a perfect counterpoint to Annie's rare wild abandon. "Come on now," Annie shouts over the music. "Your husband ain't here to see you, and the Lord ain't lookin' tonight!" Pearline's lips curve into that secret smile she saves for these moments when she can set aside the proper church woman and become something truer. In the corner, Delta Slim nurses a bottle like it contains memories instead of liquor. His eyes, bloodshot but sharp, track everything without seeming to. His fingers tap against the bottleneck, keeping time with Sammie's playing. An old soul who's seen too much to be fooled by anything. "Slim!" Cornbread's deep voice booms as he passes, carrying drinks that overflow slightly with each step. "You gonna play tonight or just drink the profits?" "Might do both if you keep askin'," Slim drawls, but there's no heat in it. Just the familiar rhythm of old friends. I step fully into the room and something shifts. Not everyone notices—most keep dancing, talking, drinking—but enough heads turn my way that I feel it. A ripple through the crowd, making space. Recognition.

Smoke spots me from behind the rough-plank bar. His nod is almost imperceptible, but I catch it—permission, welcome, understanding. His forearms glisten with sweat as he pours another drink, muscles tensed like he's always ready for trouble. Because he is. Stack appears beside him, leaning in to say something in his twin's ear. Unlike Smoke, whose energy coils tight, Stack moves with a gambler's grace, all smooth edges, and calculated risks. His eyes find me in the crowd, lingering a beat too long, concern flashing before he masks it with a lazy smile. My feet carry me to the center of the floor without conscious thought. The wooden boards warm beneath my soles, greeting me like an old friend. I close my eyes, letting Sammie's guitar and voice pull me under, drowning in sound. My body remembers what my mind tries to forget—how to move without fear, how to speak without words. My hips sway, shoulders rolling in time with the stomps. Each stomp of my feet sends the day's hurt into the ground. Each twist of my wrist unravels another knot of rage. My dress—faded cotton sewn and resewn until it's more memory than fabric—clings to me as I spin, catching sweat and starlight.

"She needs this," Smoke mutters to Stack, thinking I can't hear over the music. He takes a long pull from his bottle, eyes never leaving me. "Let her be." But Stack keeps watching, the way he watched when we were kids, and I climbed too high in the cypress trees. Like he's waiting to catch me if I fall. I don't plan to fall. Not tonight. Tonight, I'm rising, lifting, breaking free from gravity itself. Mary appears beside me, her red dress a flame against the darkness. She moves with the confidence of youth and beauty, all long limbs and laughter. "Girl, you gonna burn a hole in the floor!" she shouts, spinning close enough that her breath warms my ear. I don't answer. Can't answer. Words belong to the day world, the world of men like Frank who use them as weapons. Here, my body speaks a better truth. The music climbs higher, faster. Sammie's fingers blur across the strings, coaxing sounds that shouldn't be possible from wood and wire. The crowd claps in rhythm, feet stomping, voices joining in wordless chorus. The walls of the juke joint seem to expand with our joy, swelling to contain what can't be contained. My head tilts back, eyes finding the rough ceiling without seeing it. My spirit has already soared through those boards, up past the pines, into a night sky scattered with stars that know my real name. Sweat tracks down my spine, between my breasts, and along my temples. My heartbeat syncs with the drums until I can't tell which is which. At this moment, Frank doesn't exist. The bruises hidden beneath my clothes don't exist. All that exists is movement, music, and the miraculous feeling of being fully, completely alive in a body that, for these few precious hours, belongs only.

The music fades behind me, each step into the woods stealing another note until all that's left is memory. My body still hums with the ghost of rhythm, but the air around me has changed—gone still in a way that doesn't feel right. Mississippi nights are never quiet, not really. There are always cicadas arguing with crickets, frogs calling from hidden places, leaves whispering to each other. But tonight, the woods swallow sound like they're holding their breath. Waiting for something. My fingers tighten around my shawl, pulling it closer though the heat hasn't broken. It's not cold I'm feeling. It's something else. Moonlight cuts through the canopy in silver blades, slicing the path into sections of light and dark. I step carefully, avoiding roots that curl up from the earth like arthritic fingers. The juke-joint has disappeared behind me; its warmth and noise sealed away by the wall of pines. Ahead lies home—Frank snoring in a drunken stupor, walls pressing in, air thick with resentment. Between here and there is only this stretch of woods, this moment of in-between. My dancing shoes pinch now, reminding me they weren't made for walking. But I don't take them off. They're the last piece of the night I'm clinging to, proof that for a few hours, I was someone else. Someone free.

A twig snaps.

I freeze every muscle tense as piano wire. That sound came from behind me, off to the left where the trees grow thicker. Not an animal—too deliberate, too singular. My heart drums against my ribs, no longer keeping Sammie's rhythm but a faster, frightened beat of its own. "Who's there?" My voice sounds thin in the unnatural quiet. For a moment, nothing. Then movement—not a crashing through underbrush, but a careful parting, like the darkness itself is opening up. He steps onto the path, and everything in me goes still. White man. Tall. Nothing unusual about that. But everything else about him rings false. His clothes seem to match the dust of the woods—dusty white shirt, suspenders that catch the moonlight like they're made of something finer than ordinary cloth. Dust clings to his shoes but sweat darkens his collar despite the heat. His skin is pale in a way that seems to glow faintly, untouched by the sun. But it's his eyes that stop my breath. They don't blink enough. And they're fixed on me with a hunger that has nothing to do with what men usually want.

"You move like you don't belong to this world," he says, voice smooth as molasses but cold like stones at the bottom of a well. There's a drawl to his words. He sounds like nowhere and everywhere. "I've watched you dance. On nights like this. It's… spellwork, what you do." My spine straightens of its own accord. I should run. Every instinct screams it. But something else—pride, maybe, or foolishness—keeps me rooted. "I ain't got nothin' for you," I say, keeping my voice steady. My hand tightens on my shawl, though it's poor protection against whatever this man is. "And white men seekin’ me out here alone usually bring trouble." His lips curve upward, but the smile doesn't touch those unblinking eyes. They remain fixed, assessing, and patient in a way that makes my skin prickle. "You think I came to bring you trouble?" The question hangs between us, delicate as spiderweb. I don't trust it. Don't trust him. "I think you should go," I say, taking half a step backward. He matches with a step forward but maintains the distance between us—precise, controlled.

"I'm called Remmick."

"I didn't ask." My voice sharpens with fear disguised as attitude.

"No," he says, nodding thoughtfully. "But something in you will remember."

The certainty in his voice raises the hair on my arms. I study him more carefully—the unnatural stillness with which he holds himself. Something is wrong with this man, something beyond the obvious danger of a man approaching a woman alone in the woods at night. The trees around him seem to bend away slightly, as if reluctant to touch him. Even the persistent mosquitoes that plague these woods avoid the air around him. The night itself recoils from his presence, creating a bubble of emptiness with him at the center. I take another step back, putting more distance between us. My heel catches on a root, but I recover without falling. His eyes track the movement with unsettling precision.

"You can go on now," I say, my voice harder now. "Ain't nobody invited you."

Something changes in his expression at that—a flicker of satisfaction, like I've confirmed something he suspected. His head tilts slightly, almost pleased. "That's true," he murmurs, the words barely disturbing the air. "Not yet."

The way he says it—like a promise, like a threat—makes my breath catch. The moonlight catches his profile as he turns slightly. For a moment, just a moment, I think I see something move beneath that worn shirt—not muscle or bone, but something else, something that shifts like shadow-given substance. Then it's gone, and he's just a man again. A strange, terrifying man standing too still in the woods who wants nothing to do with him. I don't say goodbye. Don't acknowledge him further. Just back away, keeping my eyes on him until I can turn safely until the path curves and trees separate us. Even then, I feel his gaze on my back like a physical weight, pressing against my spine, leaving an imprint that won't wash off.

I don't run—running attracts predators—but I walk faster, my dancing shoes striking the dirt in a rhythm that sounds like warning, warning, warning with each step. The trees seem to whisper now, breaking their unnatural silence to murmur secrets to each other. Behind me, the woods remain still. I don't hear him following. Somehow, that's worse. As if he doesn't need to follow to find me again. As I near the edge of the tree line, the familiar sounds of night gradually return—cicadas start up their sawing, and an owl calls from somewhere deep in the darkness. The world exhales, releasing the breath it had been holding. But something has changed. The night that once offered escape now feels like another kind of trap. And somewhere in the darkness behind me waits a man named Remmick, with eyes that don't blink enough and a voice that speaks of "not yet" like it's already written.

Two day passed but The rooster still don’t holler like he used to. He creaks out a noise ‘round mid-morning now, long after the sun’s already sitting heavy on the tin roof. Maybe the heat got to him. Maybe he’s just tired of callin’ out a world that don’t change. I know the feel. But night comes again, faster than mornin’ these days. Probably cause’ I’m expectin’ more from the night. Frank’s out cold on the mattress, one leg hanging off like it gave up trying. His breath comes in grunts, open-mouthed and ugly. A fly dances lazy across his upper lip, lands, takes off again. I step over his boots; past the broken chair he swore he’d fix last fall. Ain’t nothin’ changed but the dust. Kitchen smells like rusted iron and whatever crawled up into the walls to die. I fill the kettle slow, careful with the water pump handle so it don’t squeal. Ain’t trying to wake a bear before it’s time. My fingers press against the wallpaper, where it peeled back like bark. The spot stays warm. Heat trapped from yesterday. I don’t talk to myself. Don’t say a word. But my thoughts speak his name without asking.

Remmick.

It don’t belong in this house. It don’t belong in my mouth, either. But there it is, curling behind my teeth. I never told a soul about him. Not ‘cause I was scared. Not yet. Just didn’t know how to explain a man who don’t blink enough. Who moves like the ground ain’t quite got a grip on him. Who steps out of the woods like he heard you call, even when you didn’t. A man who hangs ‘round a place with no intention of going in.

I tug the hem of my dress higher to look at the bruise. Purple, with a ring of green creeping in around the edges. I press two fingers to it, just to feel it. A reminder. Frank don’t always hit where people can see. But he don’t always miss, either. I wrap it in cloth, tug the fabric of my dress just right, and move on. I don’t plan to dance tonight. But I’ll sit. Maybe smile. Maybe drink something that don’t taste like survival. Maybe Stack’ll run his mouth and pull a laugh out of me without trying. And maybe, when it’s time to go, I’ll take the long way home. Not because I’m expectin’ anything. But because I want to. The juke joint buzzes before I even see it. The trees carry the sound first—the thump of feet, the thrum of piano spilling through the wood like sap. By the time I reach the clearing, it’s already breathing, already alive. Cornbread’s at the door, arms folded. When I pass, he gives me that look like he sees more than I want him to. “You look lighter tonight,” he says. I give a half-smile. “Probably just ain’t carryin’ any expectations.” He lets out a low laugh, the kind that rolls up from his gut and sits heavy in the room. “Or maybe ‘cause you left somethin’ behind last night.” That makes me pause, just for a beat. But I don’t show it. Just raise my brow like he’s talkin’ nonsense and keep walkin’.

He don’t mean nothin’ by it. But it sticks to me anyway.

Delta Slim’s at the keys, tapping them like they owe him money. The notes bounce off the walls, dusty and full of teeth. No Sammie tonight—Stack said he’s somewhere wrasslin’ a busted guitar into obedience. Pearline’s off in the corner, close to Sammie’s usual seat. She’s leaned in real low to a man I seen from time to time here, voice like honey drippin’ too slow to trust. Her laugh breaks in soft bursts, careful not to wake whatever she’s tryin’ to keep asleep. Stack’s behind the bar, sleeves rolled up, but he ain’t workin.’ Not really. He’s leanin’ on the wood, jaw flexing as he smirks at some girl with freckles down her arms like spilled salt. I find a seat near the back, close enough to the fan to catch a breath of cool, far enough to keep my bruise out of the light.

Inside, the joint don’t just sing—it exhales. Walls groan with sweat and joy, floorboards shimmy under stompin’ feet. The air’s thick with heat, perfume, and fried something that’s long since stopped smellin’ like food. There’s a rhythm to the place—one that don’t care what your name is, just how you move. Smoke’s behind the bar too, back bent over a bottle, jaw set tight like always. But when he sees me, his mouth softens. Not a smile—he don’t give those away easy. Just a nod. Like he sees me, really sees me. “Frank dead yet?” he mutters without looking up. “Not that lucky,” I say, voice dry as dust. He pours without askin.’ Corn punch. Still too sweet. But it sits right on the tongue after a long day of silence.

“You limpin’?” he asks, low, like maybe it’s just for me.

I shake my head. “Just don’t feel like shakin’.” He grunts understanding. “You don’t gotta explain, Y/N. Just glad you showed.” A warmth rolls behind my ribs. I don’t show it. But I feel it.

I don’t dance, but I play. Cards smack against the wood table like drumbeats—sharp, mean, familiar. The men at the table glance up, but none complain when I sit. I win too often for them to pretend they ain’t interested. Stack leans over my shoulder after the second hand. I smell rum and tobacco before he speaks. “You cheat,” he says, eyes twinkling. “You slow,” I fire back, slapping a queen on the pile. He whistles. “You always talk this much when you feelin’ good?” “Don’t flatter yourself.” “Oh, I ain’t. Just sayin,’ looks Like you been kissed by somethin’ holy—or dangerous.” “I’ll let you decide which.” He laughs, pulls up a chair without askin’. His knee brushes mine. He don’t apologize. I don’t move.

I leave before Slim plays his last note. The night wraps itself around me the moment I step out, damp and sweet, the kind of air that clings to your skin like memory. One more laugh from inside rings out sharp before the door shuts and the trees hush it. My feet take the path without me thinking. I don’t look for shadows. Don’t linger. Just want the stillness. The cool hush after heat. The part of night that feels like confession. But halfway down the clearing, I see him again. Not leaning. Not hiding. Just there. Standing like the woods parted just to place him in my way. White shirt. Sleeves rolled. Suspenders loose against dusty pants. Hat in hand like he means to be respectful, like he was taught his mama’s manners. I stop. “You followin’ me?” I ask, but it don’t come out sharp.

His mouth twitches. Not quite a smile. “Didn’t know a man needed a permit to take a walk under the stars.” “You keep walkin’ where I already am.”

He looks down the path, then back at me. “Maybe that means you and I got the same sense of direction.” “Or maybe you been steppin’ where you know I’ll be.” He doesn’t deny it. Just shrugs, eyes steady. I don’t move closer. Don’t move back either.

“You always turn up like this?” I ask. “Like a page I forgot to read?” He chuckles. “No. Just figured you were the kind of story worth rereadin’.” The silence after that ain’t heavy. Just… close. The kind that makes your ears ring with what you ain’t said. “You always this smooth?” I say, voice low. “I been known to stumble,” he replies. “Just not when it counts.” I shift. Let my eyes roam past him, toward the tree line. “Small talk doesn’t suit you.” “I don’t do small.” His eyes meet mine again. “Especially not with you.” It’s too much. It should be too much. But my hands don’t tremble. My breath don’t catch.

Not yet.

“You always walk the same road as a woman leavin’ the juke joint alone?” “I didn’t follow you,” he repeats. “I just happen to be where you are.” He steps forward, slow. I don’t retreat. “You expect me to believe that?” I ask. “No,” he says softly. “But I think you want to.” That lands between us like something too honest. He runs a hand through his hair before putting his hat on. A simple gesture. A human one. Like he’s just another man with nowhere to be and too much time to spend not being there. He watches me, real still—like a man waitin’ to see if I’ll spook or bite. “Figured I might’ve come off wrong last time,” he says finally, voice soft, but it don’t bend easy. “Didn’t mean to.” “You did,” I say, but my arms stay loose at my sides. A flick of something passes over his face. Not shame, not pride—just a small, ghosted look, like he’s used to bein’ misunderstood. “Well,” he says, thumb brushing the brim of his hat, “thought maybe I’d try again. Slower this time.” That pulls at somethin’ behind my ribs, makes the air stretch thinner between us. “You act like this some kinda game.” He shakes his head once. “Not a game. Just…timing. Some things got to take the long way ‘round.” I narrow my eyes at him, trying to make out where he’s hidin’ the trick in all this.

“The way you talk is like running in circles.” He laughs—low and rough at the edges, like it ain’t used to bein’ let out. “I won’t waste time running in circles around a darlin’ like you.” I cross my arms, squinting at the space between his words. “That supposed to charm me?” He shrugs, one shoulder easy like he don’t expect much. “Wouldn’t dream of it,” he says. “Just thought I’d give you something truer than a lie.” His voice ain’t sweet—it’s too honest for that. But it moves like water that knows where it’s goin’. I shift my weight, let the breeze slide between us.

“You ain’t said why you’re here. Not really.” He watches me a long moment, like he’s weighing how much I’ll let in. “Maybe I’m drawn to your energy,” he says finally. I scoff. “My energy? I don’t move too much to emit energy.” That gets him smilin’. Slow. Not too sure of itself, but not shy either. “You don’t have to move,” he says, “to be seen.” The words hit like a drop of cold water between the shoulder blades—sharp, sudden, and too real. I take a step forward just to ground myself, heel pressing into the dirt like I mean it. “You a preacher?” I ask, voice sharper than before. He chuckles, deep and close-lipped. “Ain’t nothin’ holy about me.” “Then don’t talk to me like you got a sermon stitched in your throat.” He bows his head just a hair, hands still at his sides. “Fair enough.”

A pause stretches long enough for the night sounds to creep back in—cicadas winding up, wind sifting through the trees. “I’m Remmick,” he says, like it matters more now. “I know.” “And you?” “You don’t need my name.” His mouth quirks like he wants to press, but he don’t. “You sure about that?” “Yes.” The silence that follows feels cleaner. Like everything’s been set on the table and neither one of us reaching for it. He nods, slow. “Alright. Just thought I’d say hello this time without makin’ the trees nervous.” I don’t smile. Don’t give him more than I want to. But I don’t turn away either. And when he steps back—slow, like he respects the space between us—I let him. This time, I watch him go. Down the path, ‘til the woods decide they’ve had enough of him.

I don’t look back once my hand’s on the porch rail. The key trembles once in the lock before it catches. Inside, it’s the same. Frank dead to the world, laid out like sin forgiven. I pass him without a glance, like I’m the ghost and not him. At the washbasin, I scrub my face until the cold water stings. Peel off the dress slow, like unwrapping something tender. The bruises bloom up my side, but I don’t touch ‘em. I slide into a cotton nightgown soft enough not to fight me. Climb into bed without expecting sleep. Just lie there, staring at the ceiling like maybe tonight it might speak.

But it don’t.

It just creaks. Settles.

And leaves me with that name again. Remmick.

I whisper it once, barely enough sound to stir the dark. Three days pass. The sun’s just fallen, but the air still clings like breath held too long. I’m on the back stoop with my foot sunk in a basin of cool water, ankle puffed up mean from Frank’s latest mood. Shawl drawn close, dress hem hiked above the bruising. The house behind me creaks like it’s thinking about falling apart. Crickets chirp with something to prove. A whip-poor-will calls once, then hushes like it said too much. And then—

“Evenin’.”

My hand jerks, sloshing water up my calf. I don’t scream, but I don’t hide the startle either. He’s by the fence post. Just leanin’. Arms folded over the top like he been there long enough to take root. Hat low, sleeves rolled, collar open at the throat. Shirt clings faint in the heat, pants dusted up from honest walking—or the kind that don’t leave footprints. I say nothing. He tips his head like he’s waiting for permission that won’t come. “Didn’t mean to scare you.” “You always arrive like breath behind a neck.” “I try not to,” he says, quiet. “Don’t always manage it.” That smile he wears—it don’t shine. It settles. Soft. A little sorry. “I wasn’t sure you’d want to see me again,” he says.

“I don’t.”

He nods like he expected that too. I don’t blink. Don’t drop my gaze. “Why you keep comin’ here, Remmick?”

His name tastes different now. Sharper. He blinks once, slow and deliberate. “Didn’t think you remembered it.” “I remember what sticks wrong.” He watches me a beat longer than comfort allows. Then—calm, measured—he says, “Just figured you might not mind the company.” “That ain’t company,” I snap. “That’s trespassin’.” My voice cuts colder than I meant it to, but it don’t feel like a lie. “You know where I live. You know when I’m out here. That ain’t coincidence. That’s intent.” He don’t flinch. “I asked.”

That stops me. “Asked who?”

He lifts his hand, palm out like he ain’t holdin’ anything worth hiding. “Lady outside the feed store. Said you were the one with the porch full of peeled paint and a garden that used to be tended. Said you got a husband who drinks too early and hits too late.” My mouth goes dry.

“You spyin’ on me?” “No,” he says. “I don’t need to spy to see what’s plain.” “And what’s plain to you, exactly?” My tone is flint now. Sparked. “You don’t know a damn thing about me.” He leans in, just enough. “You think that bruise on your ankle don’t show ‘cause your dress covers it? You think folks ain’t noticed how you don’t laugh no more unless you hidin’ it behind a stiff smile?” Silence folds in between us. Thick. Unwelcoming. He doesn’t press. Just keeps looking, like he’s listening for something I ain’t said yet.

“I don’t need savin’,” I murmur. “I didn’t come to save you,” he says, and his voice is different now low, but not slick. Heavy, like a weight he’s carried too far. “I just came to see if you’d talk back. That’s all.” I pull my foot from the water, slow. Wrap it in a rag. Keep my gaze steady. “You show up again unasked,” I say, “I’ll have Frank walk you home.” He chuckles. Real soft. Like he don’t think I’d do it, but he don’t plan to test me either. “I’d deserve it,” he says. Then he tips his hat after putting it back on and steps back into the night. Doesn’t rush. Doesn’t look back. But even after he’s gone, I can feel the place he left behind—like a fingerprint on glass. ——— Inside, Frank’s already mutterin’ in his sleep. The sound of a man who ain’t never done enough to earn rest, but claims it like birthright. I move around him like I ain’t there. Later, in bed, the ceiling don’t offer peace. Just shadows that shift like breath. I lay quiet, hands folded over my stomach, heart beatin’ steady where it shouldn’t. I don’t say his name. But I think it. And it stays.

Mornings don’t change much. Not in this house. Frank’s boots hit the floor before I even open my eyes. He don’t speak—just shuffles around, clearing his throat like it’s my fault it ain’t clear yet. He spits into the sink, loud and wet, then starts lookin’ for somethin’ to curse. Today it’s the biscuits. Yesterday, it was the fact I bought the wrong tobacco. Tomorrow? Could be the way I breathe. I don’t talk back. Just pack his lunch quiet, hands moving like they’ve learned how to vanish. When the door finally slams shut behind him, the silence feels less like peace and more like a pause in the storm. The floor don’t sigh. I do.

He’ll be back by sundown. Drunk by nine. Dead asleep by ten.

And I’ll be somewhere else—at least for a little while. The juke joint’s sweating by the time I get there. Delta Slim’s on keys again, playing like his fingers been dipped in honey and sorrow. Voices ride the walls, thick and rising, the kind that ain’t tryin’ to be pretty—just loud enough to out-sing the pain. Pearline’s got Sammie backed in a corner again, her laugh syrupy and slow. She always did know how to linger in a man’s space like perfume. Cornbread’s hollering near the door, trading jokes for coin. And Annie’s on a stool, head tilted like she’s heard too much and not enough. I don’t dance tonight. Still too tender. So, I post up at the end of the bar with something sharp in my glass. Smoke sees me, gives that chin lift he reserves for bad days and bruised ribs. Stack sidles up before the ice even melts. “Quiet day today,” he asks, cracking a peanut with his teeth. I don’t look at him. Just stir my drink slow. “Talkin’ ain’t always safe.” His brows go up. He glances around like he’s checking for shadows, then leans in a bit. “Frank still being Frank?” I lift one shoulder. Stack don’t push. Just keeps on with his drink, knuckles tapping the bar like a slow metronome.

Then, quiet: “You got somethin’ heavy to let go of.” That stops me. Just a second. But he catches it. “Huh?” He shrugs, doesn’t look at me this time. “You ever seen a rabbit freeze in tall grass? That’s the look. Ears up. Heart runnin’. But it ain’t moved yet.” I run a fingertip down the side of my glass, watching the sweat bead up. “There’s been a man.” Now Stack looks. “He don’t say much. Just… shows up. Walks the same road I’m on, like we both happened there. Then he started talkin’. Knew things he shouldn’t. Last time, he was near my house. Didn’t come in. Just… lingered.” “White?” I nod.

Stack’s whole posture changes—draws tight at the shoulders, jaw working. “You want me to handle it?” I shake my head. “No.” “Y/N—” “No,” I say again, firmer. “I don’t want more fire when the house is already half burnt. He ain’t done nothin.’ Not really.” Yet. He lets it settle. Don’t agree. But he don’t argue either. Behind us, Annie’s refilling her glass. She don’t speak, but her eyes cut over to Mary. Mary catches it. Lips press together. She looks at me the way you look at something you’ve seen before but can’t stop from happening again. And then, like it’s all normal, Mary chirps out, “You hear Pearline bet Sammie he couldn’t outdrink Cornbread?” Annie scoffs. “She just tryin’ to sit on his lap before midnight.” Stack grins but don’t fully let go of his watchful look. The mood shifts easy, like it rehearsed for this. Like they all know how to laugh loud enough to cover a crack in the wall.

But I ain’t laughing.

I nurse my drink, fingers cold and wet around the glass. My eyes flick toward the door, then away. Remmick. That name’s been clingin’ to my mind like smoke in closed curtains. Thick. Quiet. Still there long after the fire’s gone out. I think about how he looked at me—not like a man looks at a woman, but like he’s listening to something inside her. I think about the way his voice wrapped around the air, soft but steady, like it belonged even when it didn’t. I think about how I told Stack I didn’t want to see him again.

And I wonder why I lied.

Frank’s truck wheezes up the road like it’s draggin’ its bones. Brakes cry once. Gravel shifts like it don’t want to hold him. Inside, the pot’s still warm on the stove. Not hot. He hates hot. Says it means I was tryin’ too hard, or not tryin’ enough. With Frank, it don’t matter which—he’ll find the fault either way. The screen door creaks and slams. That sound still startles me, even now. Boots hit wood, heavy and careless. His scent rolls in before he speaks—sweat, sun, grease, and the liquor I know he popped open three miles back. I don’t turn. Just keep spoonin’ grits into the bowl, hand steady. “You hear they cut my hours?” he says. His voice’s wound tight, all string and no tune. “No,” I say. He drops his lunch pail hard on the table. The tin rattles. A sound I hate.

“They kept Carter,” he mutters. “You know why?” I stay quiet. He answers himself anyway. “’Cause Carter got a wife who stays in her place. Don’t get folks talkin’. Don’t strut around like she’s single.” The grit spoon taps the bowl once. Then again. I let it. “You callin’ me loud?” “I’m sayin’ you don’t make it easy. Every damn week, somebody got somethin’ to say. ‘Saw her smilin’. Heard her laughin’. Like you forgot what house you live in.” I press my palm flat to the counter, slow. “Maybe if you kept your hands to yourself, folks’d have less to talk about.” It slips out too fast. But I don’t take it back. The room goes still.

Chair legs scrape. He rises like a storm cloud built slow. “You forget who you’re speakin’ to?” I feel him move before he does. Feel the air shift. “I remember,” I say. My voice don’t rise. Just settles. He comes close—closer than he needs to be. His breath touches the back of my neck before his hand does. The shove ain’t hard. But it’s meant to echo.

“You think I won’t?” I breathe once, deep. “I think you already have.” He stands there, hand still half-raised like he’s weighing what it’d cost him. Like maybe the thrill’s dulled over time. His breath’s ragged. But he backs off. Steps away. Chair squeals across the floor as he drops into it, muttering something I don’t catch. I move quiet to the sink, rinse the spoon. My back still to him. Eyes locked on the faucet. Somewhere behind me, the bowl clinks against the table. He eats in silence. And all I can think about the man who ain’t never set foot in my house but got me leavin’ the porch light on for him. —— Two weeks slip past like smoke through floorboards. Maybe more. I stopped countin’. Time don’t move the same without him in it. The nights stretch longer, duller. No shape to ‘em. Just quiet. At first, that quiet feels like mercy. Like I snuffed out something that could’ve swallowed me whole. I sleep harder. Wake lighter. For a little while. But mercy don’t last. Not when it’s pretending to be peace. Because soon, the quiet stops feeling like rest. And starts feeling like a missing tooth You keep tonguing the space, even when it hurts. At the juke joint, I start to dance again. Not wild, not free—just enough to remember how my body used to move when it wasn’t afraid of being seen. Slim plays slower that night, coaxing soft fire from the keys. The kind of song that settles deep, don’t need to shout to be felt. Pearline leans in, breath warm on my cheek. “You got your hips back,” she says, low and slick. “Don’t call it a comeback,” I grin, though it don’t sit right in my mouth.

Mary laughs when I sit back down, breath hitchin’ from the floor. “Somebody’s been puttin’ sugar in your coffee.” “Maybe I just stirred it myself,” I say. But even as I say it, my eyes go to the door. To the dark. Stack catches the look. He always does. Doesn’t press. Just watches me longer than usual, mouth tight like he wants to say somethin’ and knows he won’t.

Frank’s been… duller. Still drinks. Still stinks. Still mean in that slow, creepin’ way that feels more like rot than fire. But the heat’s gone out of it. Like he’s noticed I ain’t afraid no more and don’t know how to fight a ghost. He don’t yell as loud now. Doesn’t hit as hard. But it ain’t softness. It’s confusion. He don’t like not bein’ feared.

And maybe worse—I don’t like that he don’t try. Some nights, I sit on the back step long after the world’s gone to bed. Shawl loose around my shoulders, feet bare against the grain. The well water in the basin’s gone warm by then. Even the wind feels tired. Crickets rasp. A cicada drones. I listen like I used to—for the shift in the dark. The weight of a gaze. The way the air used to still when he was near. But there’s nothin’. Just me. Just the quiet. I catch myself one night—talkin’ out loud to the trees. “You was real brave when I didn’t want you here,” I say, voice rough from disuse. “Now I’m sittin’ like a fool hopin’ the dark says somethin’ back.”

It don’t.

The leaves stay still. No footfall. No voice. Not even a breeze. Just me. And that ache I can’t name. But he’s there. Further back than before. At the edge of the trees, where the moonlight don’t reach. Where the shadows thicken like syrup.

He doesn’t blink. Doesn’t speak. Doesn’t move. Just waits. Because Remmick ain’t the kind to come knockin’. He waits ‘til the door opens itself. And I don’t know it yet, but mine already has.

The road to town don’t carry much breath after sundown. Shutters drawn, porch lights dimmed, the kind of quiet that feels agreed upon. Most folks long gone to sleep or drunk enough to mistake the stars for halos. The storefronts sit heavy with silence, save for McFadden’s—one crooked bulb humming above the porch, casting shadows that don’t move unless they got to. A dog barks once, far off. Then nothing. I keep my pace even, bag pressed close to my side, shawl wrapped too tight for the heat. Sweat pools along my spine, but I don’t loosen it. A woman wrapped in fabric is less of a story than one without. Frank went to bed with a dry tongue and a bitter mouth. Said he’d wake mean if the bottle stayed empty. Called it my duty—said the word slow, like it should weigh more than me.

So I go.

Buying quiet the only way I know how. The bell above McFadden’s door rings tired when I slip inside. The air smells like dust and vinegar and old rubber soles. The clerk doesn’t look up. Just mutters a greeting and scribbles into a pad like the world don’t exist past his pencil tip. I move quick to the back, fingers brushing the necks of bottles lined up like soldiers who already lost. I grab the one that looks the least like mercy and pay without fuss. His change is greasy. I don’t count it. The bottle’s cold against my hip through the bag, sweat bleeding through cheap paper. I step out onto the porch and down the wooden steps, gravel crunching soft beneath my heels. The lamps flicker every few feet, moths stumbling in circles like they’ve forgotten what drew them here in the first place. The dark folds in tight once I leave the storefront behind. I don’t rush. Not ‘cause I feel safe. Just learned it looks worse when you do. Then—

“You keep odd hours.” His voice don’t cut—it folds. Like it belonged to the dark and just decided to speak. I stop. Not startled. Not calm either. He’s leaned just inside the alley by the post office, one boot pressed to brick, arms loose at his sides. Shirt sleeves rolled to the elbow, suspenders hanging slack. His collar’s open, skin pale in the low light, like he don’t sweat the same as the rest of us. He looks like he fits here. That’s what makes it strange. Ain’t no reason a man like that should belong. But he does. Like he was built from the dirt and just stood up one day. I keep one foot planted on the sidewalk.

“You don’t give up, do you,” I say. He shifts just enough for the light to catch his mouth. Not a smile. Not quite. “You make it hard.” “You looked like you didn’t wanna be spoken to in that store,” he says, voice low and even. “So I waited out here.” The streetlamp hums above us. My grip on the bottle shifts, tighter now. “You could’ve kept walkin’.” “I was hopin’ you might,” he says.

Not hopin’ I’d stop. Not hopin’ I’d talk. Hopin’ I might.

There’s a difference. And I feel it. I glance down at the bottle. The glass slick with sweat. “Frank drinks this when he’s feelin’ good. That’s the only reason I’m out this late.” He doesn’t move. Doesn’t press. “Is that what you want?” he asks after a beat. “Frank in a good mood?” I don’t answer. I just start walking. But his voice follows, smooth as shadow. “I was married once.” I pause. Not outta interest. More like the way a dog pauses before crossing a fence line—aware. “She was kind,” he says. “Too kind. Tried to fix things that weren’t broke. Just wrong.” He says it like it’s already been said a thousand times. Like the taste of it’s worn out. I look back. He hasn’t taken a single step closer. Just stands there, hands tucked in his pockets, jaw set loose like he’s tired of carryin’ that story. “How do you always end up in my path?” I ask. Not curious. Just tired of not sayin’ it. He lifts a shoulder, lazy. “Some people chase fate. Some just stand where it’s bound to pass.”

I snort, soft. “Sounds like somethin’ you read in a cheap novel.”

“Maybe,” he says, eyes flicking toward mine, “but some lies got a little truth buried in ‘em.” The quiet after settles deep. Not awkward. Not empty. Just close. “You shouldn’t be waitin’ on me,” I say, voice rougher now. “Ain’t nothin’ here worth the trouble.” He studies me. Not like a man tryin’ to see a woman. More like he’s lookin’ through fog, tryin’ to remember a place he used to live in. “I’ve had worse things,” he murmurs. “Worse things that never made me feel half as alive.” For a breath, the light catches his eyes. Not wrong. Not glowing. Just sharp. Like flint about to spark. Then he tips his head. “Goodnight, Y/N.” Soft. Like a promise. And just like always, he disappears without hurry. Without sound. Back into the dark like it opened for him. And maybe, just maybe, I hate how much I already expect it to do the same tomorrow.

The next day dawns heavy, the sun a reluctant guest peeking through gray clouds. I find myself trapped in that same tired rhythm, the kind of day that stretches before me like an old road—the kind you know too well to feel any excitement for. Frank’s got work today, though I can’t say I’m sure what he’ll be cursing by sundown.

As I move around the kitchen, pouring coffee and buttering bread, the silence feels thicker than usual. It clings to me, wraps around my thoughts like a vine, and I can’t shake the feeling that something's shifted. Maybe it’s just the weight of waiting for Remmick to show again, or maybe it’s that quiet ache gnawing at my insides—the kind that reminds you what hope felt like even if you’re scared to name it.

Frank shuffles in with those heavy boots of his, barely brushing past me as he grabs a mug without looking my way. He doesn’t say a word about the food or even acknowledge me standing there. Just pours himself another cup with a grimace. “How long’ve you been up?” he mutters, not really asking.

“Early enough,” I reply, holding back the urge to ask if he slept well.

He slams his mug down on the table hard enough for a ripple of coffee to splash over the edge. “What’s wrong with the damn biscuits?” He doesn’t wait for an answer, just shoves one aside before storming out, leaving behind his bitterness hanging in the air like smoke.

I breathe deeply through my nose and keep packing his lunch—tuna salad this time; at least that’s something he won’t moan about too much. Still, every sound feels exaggerated, each scrape against porcelain echoing louder than it ought to.

Outside, I stand at the porch railing for a moment longer than necessary, feeling the sunlight warm my skin but unable to let its brightness seep into my heart. Birds are flitting from one tree branch to another—free from this heavy house—or so it seems.

I want to run after them. Escape to where everything isn’t tainted by liquor and regrets. But instead, I stay rooted in place until Frank’s truck roars down the road like some angry beast.

Once he's gone, I let out a breath I didn’t realize I was holding and pull on my shoes. A decent day to grab some much-needed groceries.

The heat wraps around me as I stroll through town—a gentle reminder that summer still holds sway despite all else changing. I walk through town, grabbing groceries on the way as I enjoy the weather. I run by grace’s store to grab some buttered pickles frank likes. The bell jingled above me as I entered the store, and grace comes from the back carrying an empty glass jar. She paused when she looked at me before smiling. “Hey gurl, haven’t seen ya in here for a while. Frank noticed he ate up all them buttered pickles? That damn animal.” I chuckled at her words as she set the glass jar down on the front counter. Grace moves behind the counter with that same easy rhythm she always has—like her bones already know where everything sits. The store smells like dust and sun-warmed glass, sweet tobacco, and something faintly metallic. Familiar.

“He Still workin’ over at the field?” she asks, pulling a new jar from beneath the counter. “Heard the boss cut hours again. Seems like everyone’s gettin’ squeezed ‘cept the ones doin’ the squeezin’.” “Yeah,” I mutter, glancing toward the shelf lined with dusty cans and glass jars. “He’s been stewin’ about it all week. Like it’s my fault time’s movin’ forward.” Grace snorts, capping the pickle jar and sliding it across the counter. “Girl, if Frank had his way, we’d all be wearin’ aprons and smilin’ through broken teeth.” I pick up the jar, running my fingers absently along the cold glass. “Some days it’s easier to pretend I’m deaf than fight him.” Grace leans forward, voice dropping low like she don’t want the pickles to hear. “You need somewhere to run, you come knock on my back door. Don’t matter what time.” That almost cracks me. Not enough to cry, but enough to blink slow and hold the jar tighter. “I appreciate it,” I say. She doesn’t press, just gives me a knowing nod and starts wrapping the jar in brown paper. “Also grabbed you a couple of those lemon drops you like,” she says with a wink. “Tell Frank the sugar’s for his sour ass.” That gets a real laugh outta me. Just a little one, but it lives in my chest longer than it should. Outside, the air’s heavy again. Thunder maybe, or just the kind of heat that makes everything feel like it’s about to break open. I tuck the paper bag under my arm and make my way down the street slow, dragging my fingers along the iron railings where ivy used to grow. Everything’s changing. And I don’t know if I’m running from it, or toward it. But I walk a little slower past the edge of town. Past the grove of trees that hum low when the wind slips through them. And I wonder—not for the first time—if he’ll be waiting there. And if he ain’t, why I keep hoping he will.

——

I don't light a lamp when I slip out the back door.

The house creaks behind me, drunk with silence and sour breath. Frank's dead asleep like always, belly full of cheap whiskey and whatever anger he couldn't throw at me before sleep took him.

The air outside ain't much cooler, but it's cleaner. Clear. Smells like pine and soil and something just beginning to bloom.

I walk slow. Like I'm just stretching my legs.

Like I'm not wearing the dress with the small blue flowers I ain't touched in over a year.

Like I'm not heading down the narrow path through the tall grass, the one that don't lead nowhere useful unless you're hoping to see someone who don't belong anywhere at all.

The night hums soft. Cicadas. Distant frogs. The kind of stillness that makes you feel like you've stepped into a dream—or out of one.

I settle on the old stump by the split rail, hands folded, back straight, pretending I ain't waiting.

He doesn't keep me waiting long.

"Always sittin’ this straight when relaxin'?"

His voice folds in gentle behind me. Amused. Unbothered.

I don't turn right away. Just glance sideways like I hadn't noticed him there.

"Wasn't expectin' company," I say.

He steps into view, lazy as twilight, hands in his pockets, shirt sleeves rolled and collar loose. Looks like the evening shaped itself just to dress him in it.

"No," he says. "But you brought that perfume out again. Figured that was the invitation."

I shift on the stump, eyes narrowed. "You pay a lotta attention for someone who don't plan on talkin'."

"Only to the things that matter."

He stays a little ways off, respectful of the space I haven't offered but he knows he owns just the same.

"You just out here wanderin' again?" I ask, trying not to sound like I care.

"Nah," he says, grinning a little. "I came out to see if that tree finally bloomed. The one you like to lean on when you think no one's watchin'."

I feel heat crawl up my neck. I smooth my skirt like that'll hide it.

"You always this nosy?"

He shrugs. "Just got good aim."

I shake my head, but I don't tell him to leave. Don't even ask why he's here.

'Cause I know.

And he knows I know.

He moves slow toward me and sits—not close enough to touch, but close enough I can feel it if I lean a little.

We sit in it a while. That hush. That weightless kind of silence that feels full instead of empty.

Then, out of nowhere, he says, "You laugh different at the juke joint than you do anywhere else."

I blink. "What?"

He doesn't look at me. Just watches the dark ahead, like he's reading the night for meaning.

"It's looser," he says. "Like your ribs don't hurt when you do it."

I don't answer. Can't. I ignored the question rising in my head about how he knows what’s goes on in the juke joint when I’ve never seen him in there or heard his name on peoples' lips there.

But somehow, he's right, and I hate that he knows that. Hate more that I like that he noticed.

"You got a way of sayin' too much without sayin' a damn thing," I mutter.

He huffs a laugh. "I'll take that as a compliment."

We go quiet again. But it ain't tense. It's like we're settlin' into something neither one of us has had in too long.

Eventually, I say, "Frank don' like it when I'm gon’ too long."

"You wan’ me to walk you back?" he asks, like it's the easiest offer in the world.

"No," I say, but it comes out too soft. "Not yet."

He nods once. Doesn't press. Just leans back on one elbow, eyes half-lidded like the night's pullin' him under same as me or so I thought.

"You got stories?" I ask.

He raises a brow. "You askin' me to talk?"

"Don't make a big thing outta it."

He grins slow. "Alright then."

And he does. Tells me some nonsense about stealing peaches off a preacher's tree when he was too young to know better, how he and his cousin swore the preacher had the Devil chained under his porch to guard it. His voice wraps around the words easy, like molasses and wind. Whether it was true or not, I don’t seem to care at the moment.

I don't laugh out loud, but my smile finds its way out anyway.

When he glances at me, I see it in his eyes—that same look from the last time. Not hunger. Not charm.

Something gentler. Something like… understanding.

And for the first time, I let it happen.

Let myself enjoy him.

Not as a ghost. Not as a threat.

Just as a man sitting in the dark with me.

——

I've been lookin' forward to the night often these days, not because of him, of course… The night breathes warm against my skin. I'm on the porch, knees drawn up, pickin' absently at blades of grass growin' between the cracked boards like they're trespassin' and don't know it. I pluck them one by one, not really thinkin', not really waitin'—but not exactly doin' anything else either. I'm wearing the baby blue dress, The one with the lace at the collar, mended too many times to count but still hangin' right. I don't light the porch lamp. The dark feels easier to sit in. And then I hear him. Not footsteps. Not a branch snapping. Just… the way quiet shifts when something enters it. He steps from the tree line, slow like he don't want to spook the night. This time, he's carryin' something. A small bundle of wildflowers—purple ironweed, white clover, queen anne's lace—loosely knotted with a bit of twine. He stops at the porch steps and looks at me. Then, without a word, he sets the flowers down between us and lowers himself to sit at the edge of the stoop. Close. Not too close.

"I didn't bring 'em for a reason," he says after a while. "Just passed 'em and thought of you." My fingers drift toward the flowers, not quite touchin' them, but close enough to feel the velvet edge of a petal against my skin. The warmth of his nearness makes my breath catch somewhere between my throat and chest. "They're weeds," I murmur, though the word comes out gentle, almost like a caress. "They're what grows without bein' asked," he replies, and the corner of his mouth lifts in that way that makes my stomach drop like I'm fallin'. That quiet comes back. But it's a different kind now. Softer. Like the world's hushin' itself to hear what we might say next. I look at him then. Really look. Not at his mouth or his clothes ,that easy lean of his shoulders or those pouty eyebrows —but his hands. They're calloused, dirt beneath the nails. Not soft like the rest of him sometimes pretends to be. My fingers twitch with the sudden, foolish urge to trace those rough lines, to learn their map.

"You work?" I ask, the question slippin' out before I can catch it, betrayin' a curiosity I wasn't ready to admit. "I do what needs doin'." The words rumble low in his chest. "That's not an answer." I tilt my head, and the night air kisses the exposed curve of my neck. He turns his head, slow. "That's 'cause you ain't ready for the truth." The words wash over me like Mississippi heat—dangerous, thrillin'. My lips part, but no sound comes out. I go back to pickin' the grass, my fingertips brushin' wildflower stems now instead of weeds. Each touch feels deliberate in a way that makes my pulse flutter at my wrist, at my throat. He doesn't push. Doesn't move. Just sits with me 'til the moon's hangin' heavy over the trees, his presence beside me more intoxicatin' than any whiskey from Smoke's bar. The space between us hums with possibilities—with all the things we ain't sayin'. When he leaves, I don't stop him but my body leans forward like it's got its own will, wantin' to follow the trail of his shadow into the dark. But I take the flowers inside. Put 'em in the jelly jar Frank left on the windowsill.

——

The wildflowers sit in that jelly jar like they belong there—like they’ve always belonged. Their colors are faded but stubborn, standing tall in the quiet corner of the kitchen, drinking in the slant of light that filters through the window. I find myself glancing at them too often, like they might tell me something I don’t already know. I tell myself not to read into it, not to hope. But hope’s a quiet thing, and it’s been whispering to me since I first set foot in this place. By dusk, I’m already outside, wrapped in the blanket I keep tucked in the closet, knees drawn up tight. The dusty brown dress I wear is softer with wear, almost like a second skin. I clutch the two tin cups—corn liquor, waiting in the dark, like a held breath. It’s a ritual I don’t question anymore. He comes out the trees just after the steam from the day’s heat begins to fade, silent as always. No rustle of leaves, no announcement. Just that subtle shift in the hush, like the woods are holding their breath. I see him leaning on the porch post, eyes flickering to the cup beside me, like it’s calling him home. “Always know when to show up,” I say, voice low but steady, trying to sound like I don’t care if he’s late or not. Like I’m used to waiting. He tosses back, smooth as dusk, “Always pour for two?” I can’t help the smile that sneaks up—soft and slow. “Only for good company.” He steps closer, slower tonight, like he’s weighing each movement. Sits beside me, leaving just enough space between us for the night air to stretch its arms. I hold out the second cup, the one I poured just for him.

He wraps his fingers around it but doesn’t lift it. Doesn’t bring it to his lips. “Don’t drink?” I ask, voice gentle but curious, like I might catch a lie if I ask too loud. His thumb taps the rim, slow and deliberate. “Used to,” he says, voice quiet but firm. “Too much, maybe. Doesn’t sit right with me these days.” I nod, like that makes sense. Maybe it does. Maybe I don’t want to look too close at the parts that don’t fit. The parts that hurt, that choke down the hope I’m trying to keep buried. Instead, I take a sip, letting the liquor burn a warm trail down my throat. It’s a small comfort, a fleeting warmth. I watch the dark swallow the road that disappears into nothingness, and I say, “Used to think I’d leave this place. Run off somewhere—Memphis, maybe. Open a little store. Serve pies and good coffee. Wear shoes that click when I walk.”

He hums, low and distant, like a train far away. “What stopped you?” My gaze drops to my hand, to the dull gold band that’s thin and worn. I trace the edge with my thumb, feeling the cold metal. “This,” I say. “And maybe I didn’t think I deserved more.” He doesn’t say sorry. Doesn’t say I do. Just looks at me like he’s already seen the ending, like he’s read the last page and ain’t gonna spoil it.

“I worked an orchard once,” he says softly, voice almost lost in the night. “Peaches big as your fist. Skin like velvet. The kind of place that smells like August even in February.” “Sounds made up,” I murmur, feeling the weight of the quiet between us. He leans in closer, eyes steady. “So do dreams. Don’t mean they ain’t real.” A laugh escapes me—sharp and surprised, like I’ve been caught off guard. I slap at his arm before I can think better of it. “You talk like a man who’s read too many books.” “I talk like a man who listens,” he says, quiet but sure. That hush falls again, but it’s different this time—full, like the moment just before a kiss that never quite happens. I feel it—the space between us thickening, heavy with unspoken words and things I can’t say out loud.

— Days passed, he shows up again, bringing blackberries wrapped in a white cloth, stained deep purple-blue. The scent hits me before I see them—sweet, wild, tempting. “Bribery?” I ask, raising an eyebrow, trying to hide the way my heart quickens. “A peace offering,” he replies, with that quiet smile. “In case the last story bored you.” I reach in without asking, pop a berry into my mouth. Juicy and sharp, bursting with sweetness that makes me forget everything else—forgot the weight of my ring, forgot the man inside my house, forgot the world outside this moment. He watches me, a softness behind his eyes I don’t trust but can’t look away from. I hand him the other cup again. He takes it, polite as always, but doesn’t sip. We settle into stories—nothing big, just small things. The town’s latest gossip, a cow wandering into the churchyard last Sunday, the way summer makes the woods smell like wild mint if you walk far enough in. I tell him things I didn’t know I remembered—about my mama’s hands, about the time I got stung trying to kiss a bumblebee, about the blue ribbon pie I made for the fair when I was fifteen, thinking winning meant freedom. He listens like it matters, like these stories are something he’s been waiting to hear. And for the first time in a long while, I laugh with my whole mouth, not caring who hears or what they think. The sound spills out, unfiltered and free, filling the night with something real. I forget the ring on my finger. Forget the man inside the house. Forget everything but this—the night, the berries, and him. The man who doesn’t drink but still knows how to make me feel full.

——

The jelly jar’s gone cloudy from dust and sunlight, but the wildflowers still stand like they’re stubborn enough to outlast the world. A few petals have fallen on the sill, curled and dry, and I haven’t moved them. Let ’em stay. They feel like proof—proof that life’s still fighting, even when everything else is fading. A week’s passed. Seven nights of quiet—hushed conversations I kept to myself, shoulders pressed close under a sky that don’t judge, don’t say a word. Seven nights where my bruises softened in bloom and bloom again, where Frank came home drunk and left early, angry—always angry. Not once did I go to the juke joint—not because I wasn’t welcome, but because I didn’t want to miss a single echo from the woods, a single step that might carry me out.

Remmick never knocks. Never calls out. He just appears—like something old and patient, shaped out of shadow and moonlight, settling beside me without question. Sometimes he brings nothing, and I wonder if he’s even real. Other nights, it’s blackberries, or a story, or just silence, and I let it fill the space between us. And I do. God, I do. I tell him things I never even told Frank. About how I used to pretend the porch was a stage, singin’ blues into a wooden spoon. How my mama braided my hair so tight it made my scalp sting, said pain was the price of lookin’ kept. How I almost ran—bags packed, bus ticket clenched tight—then sat on the curb ‘til dawn, too scared to move, then crawled back inside like a coward. He never judges. Never interrupts. Just watches me, like I’m music he’s heard a thousand times, trying to memorize the lyrics. Tonight, I don’t wait on the porch.

I’m already walkin’. The night’s thick and heavy, like the land’s holdin’ its breath. I slip through the back gate, shawl loose around my shoulders, dress flutterin’ just above my knees. The clearing’s ahead—the path I’ve grown used to walking. He’s already there. Leaning against a tree, like he belongs to it. His white shirt glows faint under the moon, suspenders hanging loose, like he forgot to do up the buttons. There’s a crease between his brows that smooths when he sees me—like he’s been waitin’ for me to come, even if he don’t say it. “You’re early,” he says, low. “I couldn’t sit still,” I whisper back, voice soft but steady. His eyes trace me—like he’s drawing a map he’s known a thousand times but still finds new roads. I step toward him slow, the grass cool beneath my feet, and when I’m close enough to feel the pull of him, I stop. “I been thinkin’,” I say, real quiet. “Dangerous thing,” he murmurs, lips twitching just enough to make my heart kick.

“I ain’t been to the joint all week,” I continue, voice thick as summer air. “Ain’t danced. Ain’t played. Ain’t needed to.” He waits—patient, silent. Like always. “I’d rather be here,” I whisper, and something inside me cracks open. “With you.” The silence that follows ain’t cold. It’s heavy—warm, even. Like a breath held tight in the chest before a storm breaks loose, like the whole earth hums with what’s coming. “I know,” he says. Just that. Two words that make me feel seen and bare and weightless all at once. I don’t think. I just move. Step into him, hands pressed to the buttons of his shirt. My eyes stay fixed on his mouth, not lookin’ anywhere else. And when he doesn’t pull back—when he leans just enough to meet me—I kiss him. It starts soft. Lips barely grazin’, testing, waiting for something to happen. But then he exhales—like he’s been holdin’ somethin’ in for a century—and the second kiss isn’t soft anymore. It’s heat. It’s need. My fingers clutch his shirt like I’m drownin’, and he’s oxygen. His hands find my waist, firm but gentle, like he’s afraid of breakin’ me even as he pulls me closer. I swear the whole forest leans in to watch, silent and still.

He don’t push. Don’t take more than I give. But what I give? It’s everything.

He don’t say nothin’ when I pull back. Just watches me, tongue slow across his bottom lip, like he’s already tasted me in a dream. “C’mere,” he says low, voice rough as gravel soaked in honey. “You smell sweet as sin.” I step into him again without thinkin’, heart rattlin’ around like it’s tryin’ to climb outta my chest. His palm presses to the back of my neck, warm and heavy, pulling me into a kiss that don’t feel like a kiss. It’s a deal, made in shadows, older than us all—something that’s been waitin’ to happen. The second our mouths meet, he moans deep in his chest—like he’s relieved, like he’s been holdin’ back for years. Then he spins me—fast—hands already under my dress. “Ain’t no point bein’ shy now, baby. Not after all them nights sittin’ close, like you wasn’t drippin’ for me.” My knees almost buckle. He bends me over a log, and I don’t resist. I can’t. My hands grip the bark tight, dress shoved up, panties dragged down with a yank that’s impatient and sure. I hear him spit into his palm. Hear the slick sound of him strokin’ himself once, twice. Then he sinks into me—slow, too slow—like he’s memorizing every inch, every breath I take. My mouth opens, no words, just a gasp that’s all I can manage. “Goddamn,” he mutters behind me. “Look at you takin’ me. Tight like you was built for it.” He starts movin’, deep and filthy, grindin’ into me with purpose. I arch back into it, already lost in the feel of him. And then I see it. His face—just behind my shoulder. His jaw clenched tight. His pupils blown wide—no, glowing. A flicker of red embers in each eye, like fire trapped inside. I blink, and it’s gone. I tell myself it’s the moonlight, the heat, how mushy my brain is from what he’s doin’, like he owns me. He don’t give me a second to think. “Feel that?” he growls. “Feel how your pussy’s huggin’ my cock like she knows me?” I whimper—pathetic, high-pitched—but I can’t stop it. “Remmick—fuck—” He yanks my hair, just enough, til I tilt my head back. “You was waitin’ for this,” he says, voice low and rough. “I seen it. Seen the way you look at me like I’m the last bad thing you’ll ever let hurt you.” Leaning into my neck, lips brushing skin, breath cold now—too cold. “But I ain’t gone hurt you, darlin.’ I’m gone ruin you.” He bites—just a little, not sharp—enough to make me gasp, my whole body tensing on him. He laughs—soft, wicked. “Oh yeah,” he says, rutting harder. “You gone come for me like this. Face in the moss, legs shakin’. All these pretty little sounds spillin’ out your mouth like you need it.” I can barely keep up. Dizziness hits hard, slick runnin’ down my thighs, his cock hittin’ that spot over and over. “Say you’re mine,” he growls, hips slammin’ in so deep I cry out. “I’m yours—fuck—I’m yours, Remmick—” His voice drops—dark, velvet, dirtied—like he’s talkin’ from a place even he don’t fully understand. “Good girl,” he mutters. “Ain’t nobody gone fuck you like me. Ain’t nobody got the hunger I do.” And I feel his hand—big and rough—wrap around my throat from behind, just enough to remind me he’s still in control. Then he starts pumpin’ into me—fast, mean, nasty. My back arches. My moans break into sobs. “You gone give it to me?” he pants, barely human anymore. “Come all over this cock?” I want to answer. I try. But I can’t—my body’s already gone, trembling on the edge of something wild and white and all-consuming. And the second I come—everything breaks loose. He buries himself deep and roars—low and wrong, not a man’s sound at all. I feel him twitch, feel the flood of heat spill inside me, and his face presses into my neck, mouth open like he’s fightin’ the urge to bite down.

But he doesn’t. He just stays there. Still. Breathin’ like he ain’t breathed in years. ——

The morning creeps in slow, afraid to wake me, like it knows I’ve crossed a line I can’t come back from. I roll over, the sheet sticky against my skin, last night’s heat still clingin’. For a second—just a second—I forget where I am. Forget the weight of the house, the stale scent of bourbon and sweat baked into the walls. All I feel is the ghost of him—Remmick—still there in the ache between my thighs, in the buzz that lingers low in my belly. Remembered the way remmick carried me back to my porch and kissed me goodnight before walking away becoming one with the night. My fingers drift without thought, pressing just above my hip where a dull throb pulses. I wince, then pull the blanket back. And there it is. A dark, new bruise—shaped like a handprint—only it ain’t right. Too long. The fingers are too slim, curved strange, like something trying too hard to be human. My breath catches. I press again—harder this time—hoping pain might wash the shape away, or that pressure might flatten whatever’s twisted inside me.

But it doesn’t.

So I pull the blanket up, wrap it tight around me, and lie still, staring at the ceiling—waiting for some sign, some answer, some permission to feel what I shouldn’t. Because the truth is—I should be scared. I should be askin’ questions. Should be second-guessin’ everything last night meant.

But I’m not.

Instead, I replay how he looked at me—how his hands, too warm, too sure, moved like they’d known my body in another life. How he said my name like it was already his. I press my legs together under the sheet, close my eyes, and breathe deep. A girl gets used to silence. Gets used to fear. But nobody warns you how dangerous it is to be wanted that way. Touched like you’re somethin’ rare. Somethin’ sacred. Somethin’ wanted.

And I—I liked it. More than that—I craved it now. Even with the bruises. Even with the shadows twisting in my gut. Even with the memory of those eyes—burnin’ too bright in the dark. Don’t know if it’s love. But it sure as hell felt like it.

——

I move slow through the kitchen that morning, feet bare against cool linoleum. The coffee’s already gone bitter in the pot. Frank’s still in bed, his snores rasping through the cracked door like dull saw blades. I lean against the sink, sip from a chipped mug, and glance out the window. The jelly jar’s still there. Wildflowers wiltin’ now, but proud in their dying. I touch the bruise again through my dress. And I smile. Just a little. Because maybe something ain’t quite right. But for the first time in a long while—I’m happy, or well I thought…

——

The nights kept rollin’ like they belonged to us. Me and Remmick, sittin’ under stars that blinked like they was tryin’ to stay quiet. Sometimes we talked a lot. Sometimes we didn’t too much. But even the silence with him had weight, like it was filled with words we weren’t ready to say yet.

I’d tell him stories from before Frank, when my laughter hadn’t yet learned to flinch. He’d listen with that look he had—chin dipped low, eyes tilted up, mouth soft like he was drinkin’ me in, slow. He never interrupted. Never tried to solve anything. Just sat with it all. That kind of listenin’ can make a woman feel holy.

And I guess I got used to that rhythm. I got too used to it.

Because on the twelfth night, maybe the thirteenth—don’t really matter—he said something that pulled the thread straight from the hem. We were sittin’ close again. My shawl slippin’ off one shoulder, the moonlight makin’ silver out of the bruises on my thigh. He had that look on him again, like he wanted to ask somethin’ he’d already decided to regret. “You know Sammie?” he asked, real casual. Like it was just another name. I blinked. The name hit strange. “Sammie who?” He shrugged like he didn’t know the last name. “That boy. Plays that guitar like it talks back. You said he played with Pearline sometimes.” I sat up straighter.

I never said that.

I’d never mentioned Sammie at all. I swallowed. My smile faded before I could think to save it. “I don’t remember bringin’ up Sammie.” The pause that followed was heavy. And not in the good way. Remmick shifted beside me, slow. His jaw ticked once. “You sure?” I nodded, eyes never leaving him. “I’d remember talkin’ ‘bout Sammie.” He looked out at the trees, the edge of his mouth tight. “Huh.” And just like that, the air changed. It got thinner. Like breath didn’t want to come easy no more. I pulled the shawl closer. Suddenly real aware of the fact that I didn’t know where he slept. Didn’t know if he ever blinked when I wasn’t lookin’. “You alright?” he asked, too quick. “You askin’ me that, or yourself?” He turned to me then—real sharp. Real focused. “Why you gettin’ quiet?”

I didn’t answer. Not right away.

“Just surprised, is all,” I finally said, trying to smooth it over like I hadn’t just tripped on somethin’ sharp in his words. “Didn’t think you knew anybody round here.” “I don’t,” he said, fast. “You’re the only one I talk to.” “Then how you know Sammie plays guitar? I’ve never seen you at the juke joint nor heard word about you from anyone there.” His stare was too still now. Too fixed. Like a dog watchin’ a rabbit it ain’t sure it’s allowed to chase. “Maybe I heard it through the wind,” he said, not responding to the other part. But there was no smile behind it. Just the shadow of a man used to bein’ questioned. A man who didn’t like the feel of it. I stood, brushing grass off my legs. “I should head in.” He stood too, slower. Taller than I remembered. Or maybe the night just made him bigger.

“You mad at me?” he asked, quiet now. “No,” I said. “Just thinkin’. That alright with you?” He nodded. But it didn’t look like agreement. It looked like calculation. I didn’t turn my back on him till I hit the porch. And even then, I felt his eyes stick to my spine like syrup. Inside, I sat by the window, hands still wrapped around the cup I didn’t finish. The wildflowers were dry now. Curlin’ in on themselves. And I thought to myself—real quiet, so it wouldn’t wake the rest of me: How the hell did he know Sammie and what business he wan’ with him?

——— The days slipped back into that gray stretch of sameness after I started avoidin’ him. I filled my hours with chores, with silence, with tryin’ to forget the way Remmick used to sit so still beside me you’d think the night made room for him. But the nights weren’t mine anymore. I stopped goin’ to the porch. Stopped lingerin’ in the dark. The quiet didn’t soothe me—it stalked me. I felt it behind me on the walk home. At the edge of the trees. In the walls. I knew he was there.

Watchin’. Waitin’.

But I didn’t let him in again. Not even with my thoughts. That night, the juke joint buzzed with life. Hot bodies pressed close, laughter thick with drink, music ridin’ high on the air. I hadn’t been back in weeks, but I needed noise. Needed people. Needed not to feel alone. I sipped liquor like it might drown the nerves rattlin’ under my ribs. Played cards with a few men, some women. Slammed down a queen and grinned as I scooped the pot. That’s when Annie approached me.

“Y/N,” she whispered, voice tight. I looked up. “Frank’s here.” The name hit like a slap. I blinked. “What?” “He’s outside. Ask’n for you.” Annie’s face was pale, serious. Not the usual mischief in her eyes—just worry. I rose slow. “He’s never come here before.” Annie just nodded. We moved together, my heart poundin’. Smoke, Stack, and Cornbread were already standin’ at the open door, muscles tense, words clipped and low. When Frank saw me, he smiled. That wide, too-big smile I’d never seen on him. Not even on our wedding day. “Hey baby,” he drawled, too casual. “Wonderin’ when you’d come out here and let me in. These folks actin’ like I done somethin’ wrong.”

My stomach dropped. He never called me baby.

“Frank, why’re you here?” My voice was calm, but confusion lined every word. He laughed—soft, amused. “Can’t a man come see his wife? Thought maybe I’d finally check out what keeps you out so late.” Something was off. Everything was off. “You hate loud music,” I said, heart poundin’. “You said this place was full of nothin’ but whores and heathens.” He looked… wrong. Eyes too glassy. Skin too pale under the porch light. “Can’t we all change?” he said, teeth flashin’. “Now can I come in and enjoy my night like you folks?”

I looked at Smoke. He gave me that look—the one that said “you don’t gotta say yes.” But I opened my mouth anyway. Paused. Frank’s smile dropped just a little. “Y/N,” he said, his voice darker now. Familiar in its danger. “Can I come in or not?” My hand flew up before Stack could step forward. I swallowed hard.

“Come in, Frank.”

The words fell like stones. And just like that, the door to hell opened. The moment he crossed that threshold, the temperature dropped. I swear it did.

He didn’t speak. Didn’t drink. Just sat at the bar, stiff and still, like a wolf wearin’ man’s skin. Annie leaned into Smoke’s shoulder. “Somethin’ ain’t right,” she muttered. Mary nodded, arms folded. “He looks hollow.” Thirty minutes passed. Then Frank stood. Didn’t say a word. Just turned and walked into the crowd like a man on a mission. Headin’ straight for the stage.

Straight for Sammie.

Smoke pushed off the wall, followin’ fast. But before anyone could act, Frank lunged—grabbed a man near the front and tackled him to the floor. Screamin’ erupted as Frank sank his teeth into the man’s neck. Bit down. Tore. Blood sprayed across the floorboards, across people’s shoes. The scream that left my throat didn’t sound like mine. Smoke pulled his pistol and fired. The sound cracked through the joint like lightning. The man jerked, then stilled. Frank’s body fell limp over him, gore soakin’ his shirt. Then suddenly Frank stood back up like he wasn’t just shot in the head, the man he bitten standing up besides him the same eerie smile on both their blood stained mouths.

I stood frozen in place.

People screamed, chairs overturned, glass shattered. Stack wrestled another body that started lurchin’ with glowing -white eyes. Mary grabbed Pearline, draggin’ her through the back exit. Annie grabbed me. “Y/N—we gotta GO!” We burst through the back, runnin’. I took the lead, feet slammin’ down the path I used to walk like a lullaby. Not now. Not anymore. Now it felt like runnin’ through a grave. Behind me, I heard chaos—growls, screams, more gunshots. I looked back once. Bodies jumpin’ on each other, teeth sinkin’ into flesh. All Their eyes— White. Glowing like candle flames in a dead house. Annie was right behind me.

Then she wasn’t.

I turned. They were all gone. Sammie. Pearline. Mary. Annie. Gone.

I kept runnin’. The clearing opened up like a mouth, and I stumbled into it, chest heaving. And that’s when I saw him. Same silhouette. Same calm. But he wasn’t the man I knew. Remmick stood just beyond the tree line, Same shirt. Same pants. But now soaked through with blood. But his face— That smile wasn’t his smile. Those eyes weren’t human. Red. Glowing like coals. Just like I thought I saw that night I gave him everything. I froze. My legs locked. My throat closed up. Remmick tilted his head, playful. Mocking.

“Oh darlin’,” he cooed, stepping forward, arms out like a man offerin’ salvation. “Where you think you runnin’ off to? You’re gonna miss the party.” I stumbled back, tears burnin’ in my eyes. “What are you?” He stepped forward, arms open like he meant to cradle me, like he hadn’t just let blood dry on his chest. “Don’t look at me like that,” he said, like it was me betrayin’ him. “You knew. Somewhere in that smart little head of yours, you knew. The eyes, the voice, the way I don’t come out durin’ daytime—”

“You lied,” I whispered. “Only when I needed too,” he said. I shook my head. “I thought you loved me.” Remmick stopped, cocking his head. Everything soft in him was gone. Only sharp edges now. “You thought it was love?” he asked, teeth glintin’ between blood. “You thought I wanted you?” I flinched.

“All I needed was a way in. You—” he stepped closer, “—were just a door. But you kept it shut. Had to break you open. Took longer than I liked.” “I trusted you,” I said, voice crumblin’. “And you broke so pretty,” he said. “I almost didn’t wanna finish the job. But then you ran. Made it… inconvenient.” He hissed softly, a grin curling up like a scar.

“I didn’t want you, Y/N. I wanted Sammie. That boy’s voice carries somethin’ old in it. Ancient. And that joint?” He gestured back toward the chaos. “It’s sacred ground.” “You used me,” I whispered, tears burnin’ now. “I let you in. I trusted you.”

“You believed me,” he corrected. “And that’s all I ever needed.” My breath caught somewhere between my ribs and spine, all my blood screamin’ for me to run. But I couldn’t move—just stared at Remmick, my chest heavy with grief, with betrayal, with rage. He tilted his head again, eyes burning like iron pulled from a forge. “I didn’t want you,” he said again, voice soft as a lullaby. “I wanted the key. And girl, you were it.”

My throat worked around a sob. My legs, finally rememberin’ they was mine, shifted. I turned to bolt— And stopped.

There they stood.

A wall of them.

Faces I knew too well. Cornbread. Mary. Stack. Even Annie—lips pulled in a wide, wrong smile. Their skin was pale, waxy. Their eyes—oh God, their eyes—glowin’ white like candles lit from the inside. They didn’t speak at first. Just smiled. Stared.

And then—slow and soft—they started to hum. That same song Sammie used to play on slow nights. The one that never had words, just a melody made of aching and memory. But now it had words. And they all sang ‘em. “Sleep, little darlin’, the dark’s gone sweet, The blood runs warm, the circle’s complete, its freedom you seek…”

I backed away, breath shiverin’ in and out of my lungs. The chorus kept swellin’. Their voices overlappin’, mouths stretchin’ too wide, white eyes never blinkin’. Like they weren’t people anymore. Just shells. Just echoes.

I turned back to Remmick— And he was right in front of me. So close I could see the dried blood on his collar, the gleam of teeth too long to belong in any man’s mouth. He lifted his hand—calm, steady. Like he was invitin’ me to dance. “Come on, Y/N,” he whispered, smile almost tender now. “Ain’t you tired of runnin’?” I didn’t know if I was breathin’. Didn’t know if I wanted to be. Everything hurt. Everything I’d carried—love, hope, grief, rage—it all sat in my mouth like copper.

I looked at his hand again. And maybe, for just a moment, I thought about takin’ it. But maybe I didn’t. Maybe I turned and ran straight into the woods. Maybe I screamed. Maybe I smiled. Maybe I never left that clearin’. Maybe I did. Maybe the darkness that took over me, was just my eyes closed wishing to wake from this nightmare.

#jack o'connell #remmick #sinners #sinners 2025 #sinners x reader #sinners imagine #remmick x reader #vampire #vampire x human #smut #18 + content #fem reader #fanfiction #imagine #sinners fic #angst fanfic #dark romance #my writing #cherrylala

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hanniebaeee · 5 months ago

Text

Pieces of Us

Chris Bang x fem!reader

Warnings: SMUT MDNI

Genre: Exes to lovers, second chance love, fluff, smut

Summary: Even a year after your divorce, you can't get over Chris. You keep seeing him all the time because you're co parenting your daughter, and you see that he's still the same man you fell in love with. And you both haven't moved on at all.

It’s late. Your apartment is silent except for the hum of the refrigerator, as you sit on the sofa, nursing a glass of wine when you hear the doorbell.

You find Chris on your doorstep, punctual as usual, holding your toddler, Mia, against his chest, her small body curled into him like she’s still a newborn.

Your heart does a funny little lurch. It must be the wine. Definitely the wine.

“She fell asleep in the car,” he whispers, stepping inside. He is still dressed in his formals, and your traitorous eyes drink him in.

“Rough day?” he asks softly, noting the wine and the way your shoulders sag.

“Something like that,” you mutter, gesturing to Mia’s room. “You can put her to bed.”

Chris nods, carrying her toward her bedroom. He emerges moments later, quietly shutting her door behind him. His gaze locks onto yours, dark and a little too comforting.

“What happened?” he asks, folding his arms against his chest.

“It’s nothing,” you say, but Chris raises an eyebrow.

“Bullshit,” he counters smoothly, sitting next to you on the sofa. “You know you can't lie to me.”

You roll your eyes but relent and say, “Work politics. Same old garbage.”

Chris winces, before he leans forward and says, “You’re too good for them, you know that, right?”

Those are simple words, but they hit harder than they should. You glance at him, something raw flickering in your chest.

“Oh please,” you murmur, looking away.

“What?” He asks. “It’s true.”

You don’t answer, reaching instead for the bottle of wine. Chris doesn’t stop you as you pour a second glass.

“Here, celebrate my failures with me,” you tease, trying to ease your own heart. “I don't feel like wallowing in self pity alone tonight.”

He snorts, shaking his head, but takes the glass.

“You're so dramatic,”

“And yet, you were married to me for five years,” you quip, with a grin.

The wine loosen you both faster than it should. Soon, you’re reminiscing about Mia’s first words, and the road trip to Busan where the car broke down, and you ended up making out in the car till Minho came to rescue you both.

“I miss this,” you admit quietly, the words slipping out before you can stop them. “Talking...and everything,”

You and Chris had been good friends before you both fell in love. It had been the most beautiful years of your life before things started falling apart.

He doesn’t say anything, but reaches out, his fingers brushing yours. It’s subtle, but it sets your heart racing. Like always. Even a year after your divorce, you clearly haven't moved on.

“I miss it too,” he finally says, his voice low. “All the time.”

“Please don’t say that if you don’t mean it.” you mumble.

He leans in, closer than he’s been in a more than year, his dark eyes locked onto yours.

“You think I don’t mean it? You think I ever stopped wanting you?”

Your breath catches as he closes the distance between you. His lips hover inches from yours as he says, “I never stopped…”

It’s reckless, stupid, maybe even a mistake - but you don’t care. You let him close the gap, his lips crashing into yours, and everything you’ve been holding back spills over.

The kiss is messy and heated - all the pent-up frustration and longing coming crashing down. His hands find your waist, pulling you closer, and you melt against him, your arms circling his neck. His lips move against yours desperately, like he is afraid to let go.

When you finally break apart, breathless and a little lost, Chris brushes a thumb over your cheek.

“This doesn’t fix anything,” you whisper.

“No. But it’s a start.”

It’s intoxicating - the feel of him, the heat radiating off his body. You both pull each other close again, his lips moving down your neck, leaving soft kisses.

But somewhere in between, reality raises its nagging head and you falter.

“Wait,” you murmur, pulling back slightly.

Chris freezes, his breathing ragged, as he asks, “What’s wrong?”

“This is… reckless,” you whisper, though your heart won't allow you to let go of him.

He exhales sharply, leaning back just enough to meet your gaze. “Y/N, I -”

“Don’t,” you interrupt, your voice trembling. “I don't want us to mess up again.”

He gives you a look and you think he might argue. But then he sighs. He looks exhausted and a little heart broken. But he stands up and says, “You’re right. We can’t… not like this.”

“You have to go.” You swallow hard, the lump in your throat threatening to choke you.

He stares at you for a long moment, then he nods.

“Right. I’ll… I’ll call tomorrow to check on Mia.” he says, clearing his throat.

You nod, biting your lip to keep it from trembling. Because this feels even harder than the first time.

“Goodnight, Chris.” you whisper.

“Goodnight,” he says, his voice rough.

As soon as he’s gone, the tears you’ve been holding back spill over. You sink onto the couch, your face in your hands, and you cry until your throat is raw. You missed him. And you still hate yourself for letting this happen.

It starts with a look. It always does.

The next time Chris comes by, it’s late again, Mia’s tiny backpack slung over his shoulder, and her hand clutching his tightly as they walk to your door. You try to play it cool, standing in the doorway with your arms crossed and a polite smile fixed on your face.

But then he looks at you and the air shifts.

“Hi,” he says, his voice lower than it needs to be, his gaze lingering on your mouth.

“Hi,” your voice shakes but it's soft.

Mia is already running into her room, way too excited to get to her new playset, and Chris watches her for a moment, before his gaze settles on you.

And then there are no words exchanged as his hands grab you towards him and he's pushing you against the kitchen counter, kissing you.

You moan softly as his tongue slips into your mouth. His hand slips down your back, cupping your butt before pulling you flush against himself.

“Is this going to keep happening?” you ask breathlessly, as he kisses down your neck. Past your collarbone. Down your chest. His face is buried in your breasts, before he kisses them over your t-shirt.

Your fingers tangle in his hair, holding on to him, and you gasp as he bites your nipple over the fabric and a dull pleasure courses through your body.

“What?” he murmurs, his lips back on yours again.

“This,” you say between kisses.

He kisses you again, rougher than before and says,

“Tell me to stop,” he says, and his hands cup your cheeks, gazing into your eyes.

You don’t. You can’t. Instead, you pull him closer, your bodies so familiar with each other.

It becomes a pattern after that. Anytime he comes over - whether he’s dropping off Mia or picking her up - it happens.

Sometimes it’s rushed and frantic, like the time he cornered you in the kitchen, your lips colliding as the coffee maker sputtered in the background. And other times, it’s slow and sweet. Especially when he knows you're a bit down or you're having a bad day.

You don’t talk about it. It’s easier to pretend this is just an outlet, a way to scratch the itch that never seems to fade.

You tell yourself this is only because he's the only man you've been with for so damn long. You two had married so young. You hate thinking about it.

So you don't. But deep down, you know it’s more than just sex. But you’re not ready to acknowledge it. Neither is he.

Friday evenings with Minho are sacred. He's your best friend, your big brother, your pillar of support. The one person who held you up during your separation from Chris. The only person who knows that you still loved him with everything in you.

Minho brings take out, you both talk, watch a movie, sometimes two. And fall asleep on each other because obviously, you both were the laziest besties in the world.

You've been trying to tell Chris to leave, but he is busy pounding into you. You stand with your hands grips the kitchen counter as he thrust into you from the back, his hands holding onto your hips tightly.

“He's gonna be here any minute!” You hiss, and Chris moves faster, and more rough. You try not to moan as waves of pleasure hit you, and you clench so hard around him, he's shuddering with his release.

“Fuck-” He groans, pressing his face against the back of your neck before slowly pulling out of you.

You both clean up and look somewhat presentable when the doorbell rings. You sigh because Minho will see right through you.

And he won't let you live this down. Ever.

You glance at Chris before opening the door. And Minho steps in already ranting about his day and he stops in his tracks when his eyes land on Chris.

Well that's a first - Minho being at a loss of words.

You freeze, your cheeks burning, while Chris awkwardly shoves his hands in his pockets.

“Hi, Minho,” Chris says, giving him a quick nod.

Minho doesn’t answer immediately. Instead, he looks between the two of you, his lips twitching in amusement, before slowly smirking.

“Hey, Chris.” Then, he strolls further inside saying, “Don’t mind me. I'm just here for my niece.”

He disappears into the living room, leaving you and Chris standing there like a couple of teenagers caught doing something bad.

“I should, uh, get going,” he says, though he doesn’t move.

“Right, yeah,” you stammer, smoothing your hands over your skirt nervously.

“See you on Sunday,” he says, opening the door.

“See you,” you manage, your heart racing again, and Chris flashes you a smile before leaving.

The moment the door shuts, Minho reappears, a wicked grin plastered across his face.

“Soooo…”

“Don’t start.”

“Oh, I’m starting,” he says, leaning against the wall, arms crossed. “You’re clearly fucking Chris freaking Bang and you want me to not start?”

“Minho,” you warn, making a beeline for the living room, and he follows you with that menacing grin still in place.

“So, when exactly did this ‘we’re just co-parents’ arrangement turn into ‘we’re fuck buddies again’?”

“It’s not like that!” you protest, though your face feels like it’s on fire.

“Uh-huh.” He says, starting to plate up the food. “You two were totally not flushed and guilty. Try again.”

You bury your face in a throw pillow.

“Linooooo stopppp!! It’s complicated.” you whine.

“It always is with you two,” he says, rolling his eyes. “You’re like Ross and Rachel, except somehow more frustrating.”

You peek out from behind the pillow, glaring at him.

“We’re not -”

“Don’t even think about saying you’re not into him,” Minho interrupts, pointing his chopsticks at you. “I know you, Y/N.”

You open your mouth to argue but immediately close it, because he's stating the obvious and there is no real use of denying it.

“I’m just saying, if you’re going to jump your ex-husband, at least warn me so I can avoid walking into it.” Minho smirks, leaning back smugly.

You groan, throwing the pillow at him. He dodges it easily, laughing as you sink further into the couch, hands covering your face.

“Seriously, though,” he says after a moment, his tone softening. “Are you okay? I mean, this whole Chris thing… are you sure about this?”

You sigh, staring up at the ceiling.

“I don’t know. I love him, Minho, and I swear I tried to move on…but, everytime I look at him…he's the same person I fell in love with. He's not a monster. He's a great father. He's a good friend. And.. and I don't even know why…” Your voice cracks a bit as you struggle with your thoughts. “Then we talked, and it’s like… like nothing’s changed. But everything has changed, and it’s so… messy.”

“Messy’s okay. You deserve to be happy, Y/N. Whether that’s with Chris or someone else.” he says softly. “If you're sure, then go for it.”

His words hang in the air, and for a moment, you let yourself imagine what it would be like to be honest with Chris. To let go of the pride and the fear and just… try again. Because God, you really want to.

Sunday arrives, and Mia is up early, ready for her day with her daddy. She even picks out her favorite toy to take along with her and insists on wearing the sparkly dress she knows Chris loves.

When Chris texts, you think it's to let you know that he's on his way. But it wasn't.

Chris: Hey, something came up. Can we reschedule Mia’s time for today?

You blink at it for a moment, heart sinking slightly. You don’t question it - life happens, after all. But Mia doesn’t take it as well.

“Daddy’s not coming?” she asks, her lower lip trembling and her little shoulders slump in disappointment.

You kneel down, brushing a stray lock of hair from her forehead.

“No, sweetheart. He’s just busy today, but we’ll see him soon. How about we have a girls' day instead?”

She looks up at you with big tear filled eyes.

“Girls' day? With Mommy?” she asks, and you nod, pulling her into a tight hug.

“That’s right. Just you and me. Let’s make it special.” You say, kissing her cheek and getting on with it.

You spend the afternoon indulging in ice cream, shopping for new art supplies, and of course, toys. You also take her to an indoor play area that she loves, and by the time you get home, Mia is falling asleep in your arms.

You carry her to her room, tuck her into bed, and she’s out within minutes. Pressing a soft kiss to her forehead, you step out of her room.

The apartment falls into a quiet, peaceful lull. You wash up quickly and sit in front of the TV, hoping to watch an episode of that show you've been trying to watch for a while now. It's not exactly easy with a toddler around.

But around fifteen minutes into the show, you hear the sound of the doorbell. You open the door, and there stands Chris, holding a small box in his hand.

“Hey,” he says, his voice low, as he meets your gaze. “I'm sorry about today. I brought her favorite cupcakes.”

Your heart does a little flip at the sight of him.

“That’s sweet of you.” you say, “But she's already asleep.”

“Oh…I was hoping to see her before....ah,” Chris says with a little sigh.

You give him a small, sympathetic shrug.

“It's okay, she can eat them tomorrow,” You say with a smile and step aside to let him in.

He nods, stepping inside and setting the box of cupcakes on the kitchen counter. There’s disappointment in his eyes and it stirs something deep inside you.

“I’m really sorry, Y/N,” he says, and it feels like he’s apologizing for more than just missing his day with Mia.

“It’s really okay. Mia missed you, but we still had a good day. She was really happy.” you tell him.

Chris’s gaze lingers on you a moment too long before he says,“I feel like I keep letting you both down.”

“Chris, please don't say that,” you reply, giving him a small smile. “We know you’re doing your best. I know you’re trying.”

He nods, though he doesn't look completely convinced.

“So,” you say, trying to keep it light, “I’m about to have dinner… want to join me?”

It’s an innocent enough invitation. Casual. Polite. But the way he looks at you gives you an idea of what's about to happen next.

Chris takes a step forward, his hand gently cupping your cheek, and then his lips are on yours. The kiss deepens almost instantly and he pulls you closer, your bodies pressed together.

You stifle a sob, and Chris is quickly pulling back to look at you, tipping your chin up to see you better.

“Baby, please don't-”

“I love you-”

There is a moment of silence - Chris's eyes soften as he watches the tears fall. You can't believe you just said that. But this whole thing was getting more and more difficult to manage. The constant need to be close to him. Waiting for the days he spent with Mia, just so you could see him.

And then he's kissing you again, mumbling a hundred ‘I love yous’ you against your lips, and the next thing you know, he's scooping you up in his arms and carrying you towards your bedroom.

He closes the door gently (so that it doesn't wake Mia), and places you on the edge of the bed, kneeling down in front of you on the floor.

“Baby, I never stopped loving you. And there isn't a day where I don't regret letting you walk out of my life… we could've handled things better…and everytime I came here for Mia, I wished you would just ask me to stay. I selfishly wished that you wouldn't move on.” he says, his voice soft and his touch even softer as he placed his hands on your knees.

“I don't think I can ever love anyone like I love you. If you give me another chance, I promise I'll not let you down. I'll spend every day of the rest of my life proving to you that you're my everything… and I will be here for you, always.”

You nod and tears falling more rapidly now, and throw your arms around Chris's neck, and he wraps his arms around your waist, his face pressing against your neck as he holds you close.

“I love you, baby I'm sorry-” You cry, your arms tightening around him. “I didn't know what to do…the baby, the job, there was so much noise, and I wasn't well…I'm sorry I didn't see that you were suffering too-” you hiccup through your tears.

You feel his hand moving up and down your back in an attempt to comfort you.

“I know baby, I'm not mad. We were both suffering. We were both hurt. But we're here now.” Chris whispers.

“I love you, I want you back. Please don't leave me again-”

Chris kisses you again, stealing your breath away.

“No more crying over me ok?” He says with a soft smile. “I'm not going anywhere…I love you and Mia so much, I am going to be here-”

More kisses follow and you move back into the bed, and he follows, both of you pulling at each other's clothes.

He trails his lips down your neck, and it feels like the world outside your bedroom might as well not exist. His hands glide over your skin, gentle, but just as desperate.

You can feel the way he trembles against you, the way his breath catches as your hands move down his chest. And then when he slips inside, as gentle as ever, you can't help but cry, because as beautiful as the moment feels, you realize just how miserable you have been without him.

Chris moves slowly at first, and you close your eyes as the pleasure builds. He peppers so many kisses on your lips and neck, like he can't kiss you enough.

His fingers work on your clit as he moves, and soon your body shudders as your orgasm ripples through you. You moan softly, and it obviously has him crashing down too.

You don't let go, because truth be told, you're afraid he's going to leave. And tonight? You don't want him to. Actually, you don't want to see him walk out that door ever again.

And Chris isn't planning to, because he holds you just as tight, promising softly that he'll be here when you wake up in the morning. And you let your eyes fall shut, trusting him.

You both decide to take it slow, for Mia's sake.

Chris doesn’t officially move in, yet, but his presence is…undeniable. There are more of his things around the house, and more than anything else, it's the way Mia’s laughter grows louder every time he walks through the door. You’ve caught yourself smiling more too - wide, genuine smiles you hadn’t worn in ages.

You love watching him help Mia with her bedtime routine, fixing squeaky hinges around the house you’ve ignored for months, and finding every excuse to stay a bit longer.

And Minho? Well, he’s having the time of his life.

---

One Friday evening, you’re all gathered in the living room. Chris is helping Mia build a tower with her blocks while you sip wine and half-listen to Minho’s dramatic story about his latest “date gone wrong.”

“And then she said she didn’t like cats. Cats, Y/N. Can you imagine the nerve?” Minho says, gesturing wildly with his chopsticks as he digs into the takeout he insisted on bringing.

“Oh my God” you say, laughing as Chris adds, “Sounds horrible, but maybe try not to bring home every stray you find?”

“Don’t think I don’t see you trying to steal my best friend away. Again.” Minho narrows his eyes, pointing at Chris.

“Jealous, Minho?” Chris quips, and Minho scoffs, leaning back dramatically.

“Of you? Please.” Minho says. “But whatever this setup is, it's sure looks promising.”

You freeze mid-sip of your wine, while Chris raises an eyebrow.

“And what’s that supposed to mean?” you ask.

“I’m just saying, for exes, you two sure look cozy.” Minho grins, and your cheeks burn, as you try not to look at Chris.

“Minho…” you warn.

“Don’t worry, Y/N. I’m rooting for you,” Minho says, winking before turning back to Mia. “Besides, if it doesn’t work out, I’ll adopt Mia. Because you two are idiots. And we're done dealing with you. Sorry, not sorry.”

Mia giggles at the mention of her name before getting back to her game.

---

Later that night, after Minho has left (eyeing you mischievously because Chris was still there) and Mia is asleep, you and Chris are clearing up the kitchen.

“You know,” he says, his voice low, “Minho isn’t wrong.”

“About what?” You ask, glancing at him, wiping your hands on a dish towel.

“About us. About this.” Chris says, leaning against the counter and folding his arms.

Your heart skips a beat as you gaze at him, watching him push off the counter and walk towards you.

The towel slips from your hands as his fingers brush against your cheek, and his lips land on yours.

It’s slow at first, warm and tender, but it doesn’t take long for it to snap and you're both pulling each other closer. Your fingers tangle in his hair, your body responding to his touch like it always has.

He pauses, his forehead resting against yours as you both catch your breath.

“I love you,” he says, pressing a soft kiss on the tip of your nose.

“I love you too,” you admit, and he smiles, his dimples making an appearance and your heart races as you reach up to run your fingers over it.

He kisses you again, slower this time, like he’s savoring every second of it. And at that moment, this doesn't really feel like a second chance.

It’s the beginning of everything you’ve ever wanted.

The smell of pancakes fills the house as sunlight filters through the kitchen windows. Chris stands at the stove, a spatula in one hand, flipping golden-brown pancakes onto a plate. He’s wearing his usual gray shorts and a fitted black T-shirt. His hair is messy, a sign that he’s only been up for about twenty minutes, and he’s humming softly to himself as he works.

Mia sits at the table, still in her pajamas, happily coloring into a giant coloring book. This is such a dream. You lean against the counter, sipping your coffee, watching Chris with a faint smile that you haven’t been able to shake since he stayed over last night.

For the first time… in a very long time.

And then, the doorbell rings. You frown, setting down your coffee.

“Expecting someone?” He asks and you shake your head, walking to the door and opening it to find your mum standing there, a purse slung over her shoulder and a smile on her face.

“Mum?” you say, blinking in surprise.

“Surprise, sweetheart!” she says, stepping inside without waiting for an invitation. “I was in the neighborhood and thought I’d stop by. Wanted to see my girls, and I brought muffins!”

She holds up a bakery bag, grinning, then stops dead in her tracks.

Her gaze falls on Chris, who’s just turned around from the stove, spatula still in hand, his expression frozen like a deer caught in headlights.

“Oh,” your mom says.

There's silence for a second before Mia screeches, “Grandmaaaaaaaa!!!”

Your mum picks Mia up, pressing a kiss to her cheek before asking if she could play in her room for sometime. Mia pouts, but runs off with a muffin.

Her eyes narrow slightly, taking in how casual Chris looks, his messy hair, and the way he just seems to be part of the scene.

“Good morning, mum,” Chris says smoothly, recovering faster than you could've thought.

He smiles, dimples flashing, as he asks, “Pancakes?”

Your mum raises an eyebrow, clearly not buying his innocent act. She folds her arms, looking at you.

“Y/N… what’s going on here?”

“It’s not what it looks like,” you start, suddenly feeling like a child again.

“Mhm.” She gives you a look that says she doesn’t believe you for a second. “You’re telling me it’s normal for your ex-husband to be in your kitchen, making pancakes, looking like he just rolled out of bed?”

“Technically, I did just roll out of bed,” Chris says, unable to resist.

You shoot him a glare, but he has already turned back to the stove, hiding a smirk.

“Y/N?” Your mom’s eyes narrow further.

“It’s… kind of...,” you say finally, rubbing the back of your neck.

“Yes?” she prompts, looking from you to Chris and then back at you. You think she's going to give you a nice big lecture about responsibility. But she lets out a sigh, her posture softening.

“You know,” she says, her tone gentler now, “I always thought the two of you were good for each other. When you got divorced, I was shocked and devastated - for you, for Mia.” She pauses, her eyes locking with yours. “But if you’re giving this another try… I just want to make sure you’re happy, sweetheart. That you’re doing this for the right reasons.”

“I know I messed up before. I know I hurt your daughter. But I love her. I always have, and I’m doing everything I can to show her - and Mia - that I’m here to stay. I realize that I need them more than they need me…so yeah,”

Your mum’s gaze softens as she studies him, and then she looks at you.

“And you, Y/N? Are you happy?”

You glance at Chris, who’s watching you with that steady loving gaze that’s always made you feel safe and sure, and you nod.

“Yeah, Mum. I am.”

Your mom smiles, stepping forward to press a kiss to your cheek.

“Well, then. I suppose I’ll have to stick around for breakfast. Those pancakes smell amazing.”

Chris grins and gets back to work, and your mum nods, making her way in to properly greet her granddaughter again.

Just as she disappears, Chris slides up beside you, his hand brushing yours as you start setting the table for breakfast.

“That went better than expected,” he murmurs, his voice low.

“You’ve always been her favorite, you know.” You glance at him, your lips twitching into a smile.

He smirks, leaning in just enough to make your heart skip a beat.

“Good to know I still am.” He pecks your lips quickly before getting back to work.

You roll your eyes, but your smile lingers as your mum comes back with Mia in her arms. And you all sit around the table and enjoy breakfast.

It’s chaotic and imperfect, but it's home. And for the first time in a long time, you feel like everything is exactly where it’s meant to be. All the scattered pieces of you finally fit.

Divider by @saradika-graphics

Tags: @moonchild9350 @velvetmoonlght @eastjonowhere @pixie-felix @sailor--sun @satosugu4l

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