#ts analysis

[unhinged-jaw]

I rewatched SVSredux and it has been plaguing my thoughts so. Rambles.

Watching Logan vs Deceit Pretending To Be Logan is So fascinating. This is no drag against Logan, but he allows himself to be talked over. Most of his 'Logan Lowdowns' are him making the soft pixel talking sounds. True to his earlier statement he acts detached to the debate, merely adding information (that is largely ignored). He only audibly gets involved when Patton asks for his input, clearly assuming Logan was going to help make his point clearer. Especially since Patton spends the whole episode struggling to convey his point! But that's another topic for another day.

Conversely, Janus As Logan (who I will be referring to as Dlogan for rn) is Very confrontational. First of all, the entire time Dlogan is on screen he is *speaking*. He sort of manhandles the conversation into his hands. Its very important to me though that how Dlogan does it is *different* than how Logan has taken control of the conversation in the past. Dlogan proceeds to *shred* into Patton's logic. Like, genuinely, he is tearing that poor man apart. He points out when Patton is lying and fumbling. He points out the inconsistencies. *He* is the reason Patton ends up freaking the hell out! Patton and his extreme opinion on the whole thing is put directly into the light and it shows every single inconsistency.

The difference between Logan and Dlogan is *genuinely* fascinating. Dlogan is very persistent that he will not be ignored. He shoves himself to the forefront and is very aggressive. But! If you weren't paying attention you really wouldn't notice! You would just think (in Remus words) that he "reached his listening to others limit". But he didn't! Janus has the wheel here!

ALSO there is a moment where Roman goes "I thought you didn't care about this stuff Logan" (Paraphrased) and Dlogan sort of brushes that off. But it is noticed by the other sides that Logan suddenly seems to care more about the debate. Fun call back!

Bonus also, Logan goes from "giving relevant information" to Dlogan pushing the topic of Self Preservation and whether or not Thomas *should* go to those extremes to be morally good.

Genuinely fascinating and fun all around.

[loganslowdown4]

Today I was thinking about how the dark sides are represented as ‘villains’ because c!Thomas thinks that that side of himself is reprehensible. Like he sees completely in black and white. And because of this, any thought or action that comes from that side is immediately villainized, to the point where they act and even look like cartoon villains.

His point of reference for ‘bad guys’ has always been from his experience with the media he consumes, like cartoons or video games. It’s actually an immature way of looking at himself.

I get the wanting to separate good from bad, and this works for the big moral yes or no questions. But there gets to be a point where we grow up and realize that most instances in our lives have shades of grey answers, which is actually why Janus and Remus are there. We eventually just accept those sides of ourselves as part of us.

And eventually, they become more mellow and we realize they’re just there for self preservation. It’s not selfish to look after yourself if you have to lie about something. We’re not bad because we have intrusive thoughts. Being bothered by them literally shows us what NOT to do. In their way, they are a form of moral compass.

Neither sides are there to make him comfortable, but being comfortable leaves you vulnerable when you need protection. So Janus and Remus aren’t great sides but they aren’t ‘villains’ either, as Thomas sees them. They deserve acceptance just as much as Virgil does, because, like Virgil, they’re working to protect Thomas just as much.

Just some food for thought today! 😁 Also check out the colours in Thomas’ tie whoa 👀🤍🖤

[taylor-all-intents-and-purposes]

the bait and switch at the end of mastermind is the same as "even in my worst times, you could see the best of me // even in my worst lies, you saw the truth in me"

[yourgoldennotebook]

it makes me laugh (derogatory) that there’s people who genuinely seem to think taylor isn’t aware of what joe did for her. clearly, this man holds magnitude. it’s all over the music she made about him; it’s aching all over midnights, too!!! it’s so revealing that she has parsed through her sleepless nights to piece together where she’s gone wrong.

maroon, midnight rain, question...?, bejeweled all look back on past relationships. all of them, she wanted to work out at some point. two of them are more wistful & two of them playful, curious, sexy.

labyrinth, snow at the beach, high infidelity and glitch look back at the beginning of taylor & joe’s relationship. we know she fought it until she didn’t wanna be card sharks playing games anymore.

lavendar haze, karma, sweet nothing, paris, mastermind and the great war romanticize and/or celebrate a solid present – there’s a dreamy dramatism to all of them. [or what we assumed was the present, at least. except apparently it wasn’t – and tgw does shatter some of the dreaminess of the others with a stark reality that’s an escalation of the joe’s goodness vs. 1) the drama of Thee taylor swift’s life that’s all over reputation, and 2) her personal self-loathing, which makes appearances all over lover and folkevermore (where you can look for it).] paris, to me, feels like it was written either pre-pandemic or is about pre-pandemic.

dear reader insists she is the unreliable narrator. she can make beautiful art out of her messy emotions and life choices and muses. but they’re art; they aren’t answers. she doesn’t have the answers. it’s all over yoyok: her career is her constant. maybe once it was the fans, but plenty turned out to be fickle – i.e. culmination of rep era. but no, it’s her who is alone. and she says it in dear reader, too: if you knew where i was walking / to a house, not a home, all alone ‘cause nobody’s there / where i pace in my pen / and my friends found friends who care/ no one sees when you lose / when you’re playing solitaire — like she’s trying to reason why she’s alone. like yoyok and dear reader are two sides of the same coin

hits different is uncertain. is it the end? is it not the end? not even she knew. there’s a desperation there.

you’re losing me is when she’s getting tired of waiting. because he wouldn’t give her anything. and she didn’t have anything left to give either.

[thenewromanticspod]

our queer analysis of cruel summer is out now

[brunettemermaid]

Dear John is about realizing you’ve been played, it’s about seeing what kind of relationship you could’ve gotten into if you hadn’t took the matches before fire could catch you. 

In the very beggining Taylor sings:  Long were the nights when my days once revolved around you. It’s not clear she was actually with him those nights, it seems more likely like she couldn’t get him out of her mind. It’s not we’re dancing ‘round the kitchen in the refrigerator light, it’s much less descriptive, vague, just like the non-relationship was. It was an illusion, a posibility but never a reality, just think of keeping lines blurry. In fact, she refers to games twice thorough the song: I lived in your chess game and To be played by your dark twisted games. It was all games, she admits having been played. The line which version of you I might get on the phone means she didn’t see him face to face that much. It might suggest they talk over the phone most of the time. It wasn’t serious, not for him clearly, cause she does say: when I loved you, so.

When she says she’s stopped picking up the phone it means she doesn’t want to give him attention anymore. It’s well-known that a player loves attention. And we know he’s a player: All the girls that you’ve run dry have tired lifeless eyes cause you burned them down. Would’ve, could’ve, should’ve brings more light into this, cause the thing is, she didn’t get her heart broken like she did in the relationship she talks about in Red: she lost her innocence. She says maybe it’s me and my blind optimism to blame, as she was maybe too naive, not aware of a player’s bad tricks yet. She was too young for that as she recalls if he hadn’t had saved her from boredom she hadn’t had danced with the devil at nineteen. 

She also knows that he, a narcissistic, will never admit doing anything wrong, he got to wash his hands anyway as she sings in WCS. Everyone seemed to have warned her: how I ignored when they said "run as fast as you can" but it’s not until she stops picking the phone when she gets to see the situation in hindsight and realizes there was never really anything but sick games. In WCS she sings I wish you left me wondering cause he saw her the twisted and dark side of men(people, love, whichever term you prefer) In that song she says she lost her faith, exactly she lost innocence, and that’s not something you forgive, that’s something that sounds like this:

God rest my soul, I miss who I used to be The tomb won't close, stained glass windows in my mind I regret you all the time I can't let this go, I fight with you in my sleep The wound won't close, I keep on waiting for a sign I regret you all the timeIf clarity's in death, then why won't this die? Years of tearing down our banners, you and I Living for the thrill of hitting you where it hurts Give me back my girlhood, it was mine first

[addressedtothefire]

Friends, we are not talking enough about this photo!!!! She’s holding the real phone out in front of her and holding nothing to her ear! She’s having an imagined conversation instead of dealing with a real one! You can call a hundred times but she’s not picking up!!!

[prod-1989]

clara bow being described by one of her directors as “pitifully eager to please everyone” and taylor calling herself a “pathological people pleaser” in you’re losing me. clara bow being a very famous 20s star, a personification of the roaring 20s, and taylor who’s arguably the artist of our generation… oh my heart. MY HEART, TAYLOR.

[esotericswiftie]

1. anti-hero, taylor swift / 2, 19. “taylor swift’s ‘sexy baby’ lyric is more than a ‘30 rock’ reference,” sophia june for nylon magazine / 3, 4, 12, 22. taylor swift ages 14-16, photographed by andrew orth / 5, 23. dominique swain age 15, photographed for lolita (1997) / 6, 17. “the fetishization of girlhood,” m.c. easton / 7. lolita (1962), dir. stanley kubrick / 8. 22 (mv), taylor swift / 9. anti-hero (mv), taylor swift / 10, 14, 18. nothing new, taylor swift ft. phoebe bridgers / 11. “2008’s country lolita: taylor swift,” gavin edwards for rolling stone / 13, 21. lolita (1997), dir. adrian lyne / 15. okcupid dating chart: age preferences by gender / 16. all too well (ten minute version), taylor swift / 20. university of pittsburgh 2021-2022 undergraduate catalog / 23. would’ve, could’ve, should’ve, taylor swift

apologies for this ridiculously long megathread, but i found a ton of these photographs of taylor from when before she was famous, around ages 14-16, and ooh boy, did they get me thinking…

sometimes i wonder if she just really lucked out with the mostly desexualized “innocent girl-next-door” persona becoming her brand throughout her early career, because it looks like things could have gone in a very different direction for her in another universe.

like you can literally see taylor being de-aged between her debut and fearless era as her public image cemented…the posing, the makeup, the hair, the clothing…it’s all very deliberate and sinister.

and now, all these years later, no one knows better than taylor herself that the most desirable thing a woman can be is not a woman, but a girl…a sexy baby, if you must.

her heart-shaped sunglasses, nothing new, the ten minute version of all too well, would’ve could’ve should’ve…she knows all about society’s sickness, its simultaneous fetishization and destruction of girlhood. she knows because she’s lived through it.

we don’t often categorize her or think of her as one, but she was a child star, and she barely escaped its curse. just barely. but unlike so many other child stars, unlike dolores haze, she survived with her voice and her pen, and she can see it all now, it was wrong.

[thermodynamic-comedian]

i bring a sort of "sanders sides poses some genuinely interesting questions about identity and how we define and seperate parts of ourselves" vibe to the club that nobody likes.

[tentacle-therapissed]

After Roman says ‘I thought I was your hero’ and Thomas says, ‘you are’, Roman looks over to Janus and Janus nods.

Janus just told everyone his real name moments ago in order to prove that he is both capable of sincerity and willing to be honest with the other Sides so they can start seeing eye to eye. His glove is still off and he is currently in an uncharacteristically vulnerable position that he willingly put himself in. He nods to Roman as if to say "Yes, as the person intrinsically in tune with Thomas’s lying, I can confirm he is telling the truth."

But Roman is looking at Janus as the embodiment of Thomas’s deceit. He’s so used to being played and manipulated by Janus’s lies and faux camaraderie and has now become so on edge that he can’t understand how anyone else could possibly trust anything Janus is saying. He sees the nod as a confirmation that c!Thomas was lying about Roman being his hero and scoffs in shock and betrayal.

c!Thomas looks utterly bewildered at this reaction,

and Janus's smile fades as he realizes how Roman interpreted the nod.

And when Patton says 'we love you', Roman assumes that's a lie too. In the Puzzle Song Roman needs to be reassured that no one hates him, heavily implying this is an underlying insecurity of his. Assuming this is the case, it wouldn't take much for him to believe Patton's 'we love you' meant just the opposite.

Roman's self esteem is so fragile that he takes the others listening to Janus personally. Because if Janus was right, that means Roman made the wrong call in sentencing Thomas to the wedding and doomed them all. If Janus was right, that means he let Thomas down- and it was revealed in Am I Original that Roman is terrified of letting Thomas down.

So now he's convinced (and let's be real, Janus's dig at him for making mistakes didn't help) that he isn't Thomas's hero anymore. Devastating stuff :)

[taylor-all-intents-and-purposes]

i cannot discern a single THING that is on that table

[agirlwiththoughtsandnegativity]

‼️I think a great message Taylor put in ttpd is that she’s mad at the fans…and good for her. Many fans still don’t see her as human, as a real person, just some toy they can manipulate to entertain them and fit their narrative. Many fans think their entitled to her personal life too: the letter for her to stop dating matty (yes I think Matty sucks but that was just weird af), speculation on who each song is about, the extreme discourse after her and joe broke up, the gaylor shit, even the talk about her and Travis. Taylor is finally saying it is weird to talk about REAL PEOPLE like that, like they’re tv show characters or your little toys. None of us are entitled to Taylor’s personal life and it is extremely odd to believe you should have a say in it. As Taylor says, NO the fans cannot come to the wedding, because we’re JUST FANS. Even now, some swifties need to see Taylor doesn’t know you, she’s not your best friend, not your sister. She makes music for us. She’s not trying to be a little circus for you to direct.

anyways, taylor is a real human, not a puppet. her personal life is hers, not your circus. and taylor doesn’t know you. she appreciates the fans for giving her her career, for listening to the music, but she has never met you; she. is. not. your. friend.‼️

[mayfly-stampede]

so, in the manga…

did Vash really have a romantic interest in Meryl?

spoiler alert: Trigun manga, Trigun Maximum

In the case of Meryl, there are several signs she has developed feelings for him. She accepts it and lets Vash be himself.

Mmm with Vash it’s hard to answer…

We see they’re good friends…she can be a bit tough with him but Vash always smiles to her.

I think that’s really sweet and he acts like that with everyone…

BUT

When Zasie kidnapped Meryl, Vash goes to rescue her and yes, that is something he could do for anyone who needs his help…but in Trigun Maximum chapter 28 when Vash suffers remembering all July’s tragedy…he thinks about Meryl in danger and keeps going.

And when he finally finds her in chapter 29, the worry and fear in his face is undeniable.

Then, there’s something really interesting FOR HIM happening after that.

Meryl witnesses July’s tragedy in a memory…and then she begins to be afraid every time she sees Vash in his angel form.

After seeing her so frightened, Vash says he feels like crying…

That could have separate them…

BUT

Vash receives a revolver from Meryl, being really surprised that she still wants to look after him, and smiles…relieved.

Meryl continues by his side, even after seeing his scariest power…and cares about him no matter the circumstances.

If we look for a romantic relationship…I think this is more complicated than that.

Oxford Languages defines romance as a feeling of excitement and mystery associated with love.

We can’t say Vash is excited or nervous about Meryl…All we see is Vash nervous about Meryl crying most likely because he doesn’t know what to do, but that’s all (and that’s really cute).

Instead of that, Vash could be more oriented to “love” instead of “romance”.

But for someone like him, who is 150 years old, full of sorrows and regrets…what does “love” mean?

Cambridge Dictionary says:

Love is used to describe all strong feelings of closeness and care between two people.

After all they have been though together, they developed really strong feelings for each other, especially closeness and care.

And there is this moment, one of the most precious to me in this relationship.

Almost at the end, Vash is going to confront Knives but he makes a promise to Meryl before he leaves.

(Yes, we know he was a bit late but remember he was really injured, he had to heal at human speed at that time…but he was already on his way when he was found again).

He could have made promises many other times in his life but here he doesn’t only says he will return. He, who never asks nothing from anyone, asks her to wait for him.

Ok yes, he may be capable of love all humans…but he has always been a lonely wolf. He has friends, but he always travels alone.

It is until he meets Wolfwood and Meryl that he wants to stay with someone.

And Meryl is the one Vash wants to wait for his return.

[part-time-zombie]

I really love this little detail about janus

When he showed up in the embarrassing phases end card, he talked about his appreciation of halloween as a purely deceptive interest, how halloween is a time to disguise yourself as someone else and That's the reason he participates in it.

Patton makes the same assumption when he talks with janus in the into the unknown cover video, saying that janus must only like the holiday for the element of disguise.

This time however, janus is upset by the remark. He can't understand how patton sees That as all he is even though they have been spending more time around each other recently. Patton does correctly point out that janus keeps information about himself incredibly close to the chest, which janus cannot and does not deny, but this time he decides to open up and tell the truth.

He tells patton how his honest reason behind having a love for not just halloween but all holidays, is the chance to pretend that things are better off than they truly are, and how for once, it's not going to be seen as a bad thing. During the holidays, everyone falls fool to the folly, and noone is left feeling alone or worse off for it.

This is what he can offer for thomas. Maybe not all of the time, but every now and then he can give thomas the chance to convince himself that everything is okay, give him something to hope for, to look forward to. And for the rest of the time, when he has to focus on the reality of his situation, janus will be there to make sure he looks after himself and takes care of his health.

I find it fascinating that he is so open and honest around patton despite these two having every reason to disagree, yet he still maintains this aloof and devious persona when around virgil, who arguably could have the most history with him.

It makes me excited to see what happens next between them.

[orbmanson7]

Let's do a quick analysis of this new short video "The Sides Need a Nice Day" which is clearly meant to be mostly for fun, but there's definitely some hints and easter eggs to pay attention to that I'd like to explore a little further.

I'll address this in three parts in separate posts, the first for Patton and Logan, the next for Virgil and Roman, and the last for Janus and Remus.

Let's start with the first part, about Patton and Logan.

Patton's initial approach, as we can see, was flawed despite his good intentions. He wants to do something nice for Logan, he thinks out ideas based on what he knows Logan enjoys, and he likes to see Logan actually having fun. These are all very emotion-based notions and motivations, which we can expect from Patton. He's inspired by his own emotions in response to seeing the videos online, and takes matters into his own hands to give Logan in particular a special day.

Why Logan? Because Patton's very in tune with emotions and can recognize that Logan has been having a tough time lately. He empathizes with this a lot (considering it's kind of his thing) so he wants to do something that he'd like someone to do for him if he was having a bad day - do something to cheer him up!

This is very sweet and he clearly puts a lot of thought into this idea...but it's not an immediate success because he only really puts the emotional concept and vision into it, and didn't think practically or make his decisions with logic in mind.

Wonder who could have helped with something like that...

First, he approached Logan about making a quick decision, which is not something Logan is ever known to do. Logan resists this right away by questioning him for clarification and is already annoyed to start because Patton is being vague and trying to get Logan to play along without giving consideration to Logan's need to understand a situation and weigh his options before deciding anything. Logan takes no action lightly and always thinks his actions through first, as opposed to Patton, who prefers gut instincts and impulsive action. He doesn't bother to offer Logan the information and time to make a more informed decision, all because he wants to hurry up and get to the fun part!

Patton (like Roman) is someone who is able to envision what he wants, but Logan is someone who actually figures out the steps needed to make that a reality. Without the steps, that vision is but a dream, and without the vision, the steps are just work with no purpose.

These sides need to learn to work together to accomplish goals, not just do things on their own, and this part of the episode gives us a hint towards that notion.

The peculiar way that Patton then explains the situation to Logan is also interesting, as he states that whichever option Logan chooses will be something Patton wants to do, and because Patton wants to do it, Thomas will want to do it, meaning Logan gets to do it, too.

This, by itself, is such an alarming concept to drop into this video, especially with Patton saying it so cheerfully.

In case it's not clear, Patton is implying that he has so much power and sway over Thomas' decision-making process that he can have Thomas do something just because he, Patton, wants to do it. None of the sides should have that level of influence over Thomas, but Patton not only has that power but also knows that he does.

(And to clear up any confusion, this is not the same as Janus saying during his part of the video that he's convinced Thomas to lean into certain thoughts for the day. Patton is suggesting that if he wants something, Thomas will do it, as if it's automatic and doesn't require convincing. That may be Patton oversimplifying it a bit, but it's still indicating his status above others in that sense.)

In this case, he's using it to give Logan a nice day by doing (read: permitting Thomas to do) things he knows Logan would enjoy...but in other context, that's a very dangerous situation, especially since Patton has been shown to make bad or skewed judgement calls in the past due to his biases as well as making some very impulsive, emotionally-driven decisions.

But he recognizes this status that he holds and is attempting to use it for good, so at least there's that?

The next and more obvious part of this section shows that Patton is rushing Logan through the activities chosen, talking over him or cutting him off when Logan questions Patton about this, and Logan grows more annoyed by this as time goes on.

He is not quick to anger, even when he was initially forced into deciding something with very little information, and it takes a few times of being pushed and talked over before he even shows his frustration at all.

It's important to notice this because Logan's anger is not just born of nothing. It's valid because it's a natural reaction to the situation he's in not being properly catered to him.

This is something we see in episodes of the series a lot, and when it comes to the specific moments where Logan has truly gotten angry enough to show it, it's never out of nowhere, even if it may seem that way. If you are properly paying attention, you will see the gradual buildup, where Logan keeps holding himself back, staying calm and collected as long as he can, before the emotion bursts out and he acts rashly (and then regrets it).

Logan's anger has been shown to appear after moments where he is repeatedly cut off, spoken over, and ignored or disregarded completely. Being silenced and skipped over so often, it's a wonder Logan keeps trying at all, but he does. At some point, the last line is crossed, and he explodes with that anger.

While the resulting behavior may be inappropriate or rude, the feelings motivating that behavior are extremely valid, because he's being pushed to this breaking point by others. Anger serves the purpose of making it known when someone's boundaries have been crossed and when they have been wronged, so it makes sense for Logan to experience it at these times.

So, in this short video, Patton is trying to do something nice for him, and Logan can recognize and appreciate Patton's intention, but the execution is filled with the same mannerisms that build Logan's anger - being cut off, spoken over, ignored. It's not that he doesn't enjoy these activities, either, but he's not being given the chance to enjoy them with the way Patton is presenting them to him. It's a recipe for disaster because Logan's needs and boundaries aren't being respected despite the whole point being to do something nice for him.

This is also a tough situation for someone to oppose, by the way! When someone does something nice for you but you honestly hate it, how do you begin to tell them that? You don't want to hurt their feelings because you know they were trying to be nice and meant no harm, but if you don't speak up about the issues you had with it, your boundaries could wind up violated over and over again and the other party would be none the wiser.

Logan must voice his frustration. He has to explain why he's upset. And, thankfully, in this section of the video, he does!

He starts by stopping Patton directly, hand out and everything. He speaks calmly and clearly, using the same tone he used when speaking to the others during DwIT to get them to chill out and not be so impulsive. Logan is using what he knows to work to make his case here, and he tells Patton that he appreciates what he's trying to do. But then, he raises his voice and informs Patton what's annoying him about it, that he can't enjoy these activities because he's being rushed through them. This is a direct communication of the issue at hand and why it's bothering him.

Patton then pauses, reflects, realizes his mistake and where he had messed up, and then alters his behavior to fix the issue.

It's so simple and succinct that Logan, while still annoyed, seems confused that Patton actually listened to him and by how easy it was to find that resolution.

And I think that's our next piece of foreshadowing, as well.

Logan has been holding back about his genuine anger and frustration over how he's treated by the other sides and Thomas. He feels ignored and only utilized as a tool, as if he were a book rather than a person (or the metaphysical manifestation of one, at least).

These are not feelings that have only sprung up recently, either - this has been happening for a very long time without Logan ever addressing it.

Until he does, the others won't realize the impact their words and actions truly have on him. He needs to speak up and the others need to listen and adjust accordingly.

With the way Patton responded in this part, though, perhaps this shows that they may have an easier, calmer solution in store than one might initially anticipate, but we shall see.

Speaking of foreshadowing, during the times Logan is shown in the library throughout this part, he is reading a book titled A Gentleman in Moscow by Amor Towles. Knowing past easter eggs and hints, it's likely this is not a coincidence.

Having read the book myself, I think it's very possible this is a potential nod to something that may occur soon within Logan's upcoming arc (whenever that may happen), as the book happens to deal a lot with the concept of imprisonment and finding ways to live through adversity.

In the book, the main character is put on house arrest in a bustling hotel in the city, but he's relegated to a cramped attic space and had left all of his books away from home so he cannot access them, because if he dares to leave the hotel, he'll be shot dead. So he stays inside, and he self-reflects because he now has a lot of time to think. He gets to know the people who work and live in the hotel, how their lives are so different than his own had been and continues to be. For quite some time, he feels the true punishment of his stay there, how the whole world outside is moving on so fast, but he is stuck inside, removed from it. He becomes effectively useless, unable to be or do anything for others (outside of giving amazing wine pairings for meals, of course), but he stays true to himself despite it all. He remains his charming and intelligent self, he makes new friends, he finds ways to be happy despite being trapped there.

The most popular quote from the book is one that says, "if a man does not master his circumstances then he is bound to be mastered by them." And while the main character in that story manages to make the best of his life and circumstances, we know that Logan is still struggling with his fate right now, being trapped within Thomas' mind as someone who cannot fully explore his own interests, who has less and less purpose since Thomas left college, and feels less respected and listened to every day.

Logan has to find a way to obtain happiness despite his circumstances, because he can't change his situation, but he can change how he responds to it.

This book may be a clue as to how he finally figures out how to do that.

The outcome of this part of the video with Logan and Patton is a satisfying one. Logan expressed his frustration, Patton listened and was able to correct the issue, and Logan was able to have a nice day after all, which is what Patton had set out to accomplish. There were quite a few bumps along the way, but it was successful in the end!

Now, onto the next part...