#turns it into the ‘love story’ that the narrative keeps saying it is when the evidence suggests

[thecheshirerat]

On TAZ-

Wow that sounds like I’m about to summarize some sort of discourse but I promise I’m not. I guess I’ll say that I really like this show and I will keep listening even if my worst fears come to pass, so keep that in mind!

For reference, I started listening near the end of Amnesty.

I’ve noticed, with the past few arcs- really since Ethersea- the narratives have just… not been fulfilling their promises, so to speak. They’ve been placing a lot of guns that don’t go off. What I mean by that is, the characters are great. Excellent, really. Lady Godwin? HELL YES. Emerich Dreadway? Fuck yeah! And so on! And the settings and premises have been epic- the goofiness and also horrifying nature of Engrave, the mad and thrilling world of Steeplechase- these things are COOL AS FUCK.

and then the actual narratives keep flopping?

And honestly, I notice it most in the endings, because you can really tell when an ending doesn’t land. You feel the sense of disappointment. But with vs. Dracula, for example, I could kinda see leading up to it that the ending couldn’t really BE anything special, because they lowkey didn’t set themselves up for it.

They spent the campaign fucking around in Engrave, finding clues and solving problems and not really experiencing any particularly meaningful character arcs or growth or, idk, forming relationships? So there wasn’t much to pay off, I’m not gonna lie!

Of course it doesn’t feel quite as dissatisfying when you’re in the thick of it, because they’re funny and the stuff is cool and- oh hey! Lady Godwin’s been turned into a werehorse against her will?? that’s got some real potential for a LOT of allegories and exploration of some fun character development! And then it’s kinda played as a joke. And then they do that again and again.

And they actually said that that was a move they made intentionally, in the TTAZZ. I’m not quoting them perfectly here, this is from memory, but I do remember them mentioning that they wanted lighthearted comedy without the burden of real life story stuff. And I get that, honestly, but… it’s not the choice I would’ve made. I do think you can keep a lighthearted tone while also, idk, forming relationships and wholesomely engaging with some amount of emotion. And sometimes going way too deep is funny as a tone shift!

But I digress. One thing that’s also popped out to me is the almost complete lack of any kind of romantic storyline or even references. This becomes obvious if you’re in a fandom because everyone is always dying to ship SOMEONE, and you can tell when people are really getting desperate. I don’t blame them for not wanting to roleplay romance with their family, and I do think stories lacking romance are COOL and SHOULD BE ENCOURAGED!

However if you can’t find ANYBODY to ship together… that may mean you just don’t have character bonds. The growing popularity of the PC polycule is interesting to me; I wonder if it’s partially because

a) none of the pcs have significant relationships outside of their party and

b) even within the party, there doesn’t seem to be much chemistry between any given pair of characters…? I hope I’m making my point well here- the PCs all seem equally close and have more or less the same relationship to all of their compatriots with little distinction, meaning, essentially, no shipping fodder that doesn’t involve just all of ‘em.

Either way, it makes me wonder if I can blame the “Graduation has too many NPCs!” critique. They really stopped giving the parties tag-along main NPCs after graduation, with the exception of maybe.. Urchin? Kodira? Shlabethany? Poppy? and even they get relatively little “screen” time. Steeplechase has great NPCs, I love them to death, but none of the PCs seem to ever have one on one conversations with NPCs or each other that do not explicitly focus on the plot. And I think that’s part of why the characters feel so underdeveloped despite having spent a lot of time with them- because in this character-driven genre, we get very little insight into their feelings or motivations or even their rudimentary backstories.

I started watching Fantasy High recently and it made me realize a couple things about TAZ.

1) Recently, TAZ has sooo few core NPCs, and it’s weird that the characters aren’t doing more one-on-one purely character based scenes. And that makes it really tough to develop them.

2) TAZ is- and I should have realized this before- one of many good dnd podcasts. They’re probably looking for a niche they can master.

And it sounds like they’re trying to get back to that old “Here there be Gerblins!” energy. They’ve referenced it so many times in recent TTAZZes- they wanted to be job-focused, allowing story stuff to happen organically, so they tried a more open world vibe with Ethersea. They wanted to be less afraid to kill stuff, so they tried playing criminals (and were still afraid to kill stuff). They wanted to be silly and light on character, as they tackled with taz vs dracula. Now they’re trying to bring in the silly cartoon vibe with Abnimals. I think they’re trying to make that family-friendly, funny and goofy show their niche. Something other actual plays can’t be better at them at.

And honestly it kinda makes me sad, that they keep trying to go back to Balance while ignoring everything they learned during it. Because I loved Dust. Because I loved Amnesty. Because I loved Ethersea. I loved these past arcs! But they keep doing their brilliant characters dirty for some reason!!! And i don’t know why!!!!

You know that meme about people who ask questions in movies and then the person responds “Have you ever been to a movie before? You watch them and the information is revealed.” There have been so many times in TAZ recently where information has Not been revealed and if they keep doing it the audience will stop bothering to suspend their disbelief, because the trust just isn’t there.

What is Montrose’s deal? What on earth was Carmine Denton’s whole thing? Tell me more about Zoox’s feelings, about Devo’s past, about Amber’s future. Show me how Lady Godwin feels about the body horror that is her life- like, seriously! WHY DID WE HAVE TO COMPLETELY DISMISS THE OPPORTUNITY TO DISCUSS GENERATIONAL TRAUMA IN MUTT’S LIFE FOR A JOKE??

Do you remember in Steeplechase where the boys were getting medical attention or something- i don’t remember, but they were all in one room and only talking about The Plot. And Poppy literally banged on the door (speaking for both Justin and me, tbh) and was like “does anyone want to share any feeeeelings??” and they were like NOPE! and they moved on!!

like. cmon. you can’t just put a character like montrose out there and then leave them severely underdeveloped to the point that what would be interesting in proper context, with audience insight, becomes confusing and chaotic.

I just wish they would take their stories as seriously as we do.

It feels to me like they don’t believe in themselves, and it makes me sad. Maybe they didn’t get the response they wanted from Ethersea and so they’ve been trying to pivot, hoping to recapture whatever it was that earned them a loyal audience.

Again, I love them. They’re so funny and I’ll keep listening until the day they stop making this show, and when it happens I’ll cry.

But i KNOW they have more in them. Remember the “we’ll grow gills” monologue from Justin in the Prologues? Remember Travis’s SOLID acting with Devo? Or his awesome choice to give Lyndon/Beef a clearly delineated work/irl identity? His excellent narration and prose? Remember when Montrose described being lonely?! Remember all those moments where Shit Got Real and you cared??? The nanofather said some dope shit! dracula and victor and sweater dracula had such a wild dynamic! Clint’s acting in Dust 2- I can’t remember the characters name right now- was ASTOUNDING, I genuinely didn’t know he had that in him and it blew me away!

I’m not referencing Balance on purpose, both because the fandom is way to hung up on it and because I want to prove that you don’t even have to look at Balance, or even Post-Balance arcs, to see this kind of good cool stuff!

GAAAAAAAGHHHH!!! I want them to have fun. But also. We’re starving out here.

[wilcze-kudly]

Thoughts on…

https://www.tumblr.com/miss-sweetea-pie/731463633376313344/zutara-lens-vs-kataang-lens?source=share

Is it fair to even mention Zuko seeing as Katara never had feelings for him?

Honestly, I find it kinda funny that OP is sorta telling on themselves by seemingly primarily viewing Jet's storyline through a shipping lens, a stepping stone for Kataang or Zutara.

But sure, let's go with this narrative.

OP claims that Jetara could be seen a foreshadowing to Zutara, as they say that Zuko ans Jet have some similarities. And I suppose that can be true on a surface level. As OP says: Rugged teenage boys with traumatic back stories. But franky, other than being mildly edgy and also having been through some sort of trauma, there's not much there.

In fact, if you compare Aang and Jet, I think you'll find many deeper similarities than just "bad boy with questionable morals".

Aang and Jet have both experienced great loss at the hands of the Fire Nation. Aang losing his entire people and Jet losing his parents and village, presumably leaving them both alone in the world and with a lovely case of survivor's guilt to boot.

Jet and Aang are both kids who were forced by the war to take up positions of responsibility over their fellow victims. Aang, of course, being the Avatar and being fated to end the war. While Jet takes up a leadership positions, persumably gathering kids orphaned and hurt by the Fire Nation, leading them and keeping them safe, while also fighting back. Let's not forget that the reason Jet decided to flood that city was because the firebenders occupying it were planning to burn the forest Jet and the Freedom Fighters resided in, forcing them out and putting them in danger.

We also see a very sweet parallel of Jet encouraging Katara's confidence in her waterbending skills, which is something Aang does on numerous occasions, showing us exactly what affection Katara values in a potential partner and that both Jet and Aang not only believe in her skills, but also intuit her needs.

This is why Katara fell for Jet and why she fell for Aang. They're both protectors and heroes of the people, they're both victims of the Fire Nation who chose to stand up against it. They're revolutionaries, rebels, downright rabble-rousers. They both value communities, and do their best to uplift and defend their fellow victims, something Katara does as well. And they both connect with Katara over not only encouraging her in her own abilities, but also in their shared trauma, which leads me to my next point.

Aang works so well paralleling Jet, because both Jet and Aang were written and posited to parallel Katara. This aspect of Jetara is one OP completely neglected to mention, I suppose due to the fact that it doesn't hoist up Zutara as a ship.

Katara and Jet connect over their trauma very early in the episode, and I think this is where Katara's interest in Jet due to his role as a Freedom Fighter turns to a genuine connection over shared trauma.

Jet: The Fire Nation killed my parents. I was only eight years old. That day changed me forever. Katara: Sokka and I lost our mother to the Fire Nation. Jet: I'm so sorry, Katara..

Katara, Jet and Aang share many similarities, which is why I suppose these two boys were Katara's only explicitly confirmed love interests. Just like Aang and Jet, Katara is community oriented, a voice for victims and the marginalised, a fighter for the good of the people.

Seeing these parallels almost makes me wonder if the design team took this into account when making Jet's design colours mainly blue and orange, colours assvociated with Katara and Aang. Though Jet's colour palette is more muted and darker, perhaps signifying the erosion of his morals due to his trauma.

Jet goes astray when he begins to value the fight over the people he is fighting for, something Aang and Katara actively go against, prioritising human life and their moral integrity.

Atla explores the concept of victimhood and how it affects our morality in various ways, especially when it comes to victims of war. The particular focus of this theme is Katara, as we see the writers often connect her to victims who lost that morality, in order to showcase her character. Hama and Jet both serve as excellent foils to show what Katara could've been if she wasn't as kind and compassionate as they were. The crowning jewel of this storyline for her being, of course, the Southern Raiders, which bears callbacks to both Jet and Hama.

But as much as I want this post to be about Katara, OP has other plans, so let's go back to their arguments for Jetara foreshadowing Zutara.

OP makes an argument about how both Zuko and Jet break Katara's trust, testing her charcter, which is a good point, albeit they conveniently omit Hama from the circle of people who connected with Katara over shared trauma and then betrayed her trust.

Can't imagine why. Is it because Hama isn't hot, isnt it? Op doesn't fancy a nice morally compromised gilf, I suppose. 😒 we used to be a proper country.

OP also claims that the show portrays Katara as too trusting, and even claims that the shows message in Jet's case is, in their words: So from a k.ataang lens it leads more towards the lesson that katara need to stop letting these “bad boys” break her heart, “dumb girl your too trusting just give the sweet guy a chance”.

Which is quite the claim, since I actually really enjoy that Katara is never portrayed as being in the wrong, or 'dumb' for trusting Jet, Zuko and Hama. In fact, the three of them are made to look like assholes for taking advantage of her.

The thing about Katara's trust of Jet, Zuko and Hama isn't that it comes from a place of foolishness or naiveté. It comes from empathy and connection. She connects over shared pain ans trauma with these three and she wants to make a connection to alleviate their pain. It just so happens that Zuko is going through his disaster boyfailure era, while Jet and Hama are morally compromised by the horrific events that brutally formed their mentalities.

Anyways, to wrap this point up, can Hama be an honourary bad boy too I think she deserves that

Another argument of OP is that Jet's death could foreshadow Zuko almost dying in the finale and that is could teach, in their words: how we waste time holding grudges and sometimes people don’t have the luxury of apologizing to the people they love.

Now, this is interesting, because Jet's death very clearly connected to Aang's actual death and then ressuraction via Deus ex Katara. However, unlike the theme of pure romance OP proposes in their post, the canon storyline uses these events to feed more into Katara's personal development and stoyline, that of her fear of loss and helplessness, on which I elaborate here:

That is not to say that this storyline doesn't affect Katara and Aangs romance, but I like that the main focus is Katara's meantality and trauma. Because the thing with Katara and Aang's storylines and development is that they intertwine and feed into each other but aren't overshadowed by their romance.

OP continues to speculate that the jetara storyline through a kataang lense is that "bad boys" will break Katara's heart and that she should just "give the nice guy a chance".

I find this a gross twisting of the nature of multiple characters, relationships and storylines.

First of all, reducing Jet to a "bad boy" is fucking demeaning and kinda disgusting. He's not an edgy boy who smokes in the school's bathroom and rides a loudass motorcycle. He's a traumatised child soldier, caring for other children and desperately trying to stop the advance of an army that already has like 3 genocides under its belt. His morals getting messed up in the process doesn't make him a bad boy, they make him a realisitic victim. A kid who tried his best but became misguided.

In the same, paragraph, OP also claims that, despite the message of the show being that everyone is capable of good and evil and that everyone deserves a chance, because people are complex, Jet is not afforded that dignity and understanding.

AND LET ME TELL YOU LET ME FUCKING TELL YOU

That was upsetting.

Because Jet's redemption was shown so wonderfully and symbolically, to the point where sometimes it makes me more emotional than Zuko's.

In B2 we see that Jet has left the forest (persumably bcs the firebenders did burn down the forest) and his entourage has shrunk to just Longshot our trans queen Smellerbee 🏳️‍⚧️. We are told that he is looking for a new life in Ba Sing Se. So far so good.

It seems that the Gaang intervening with his plans has definetly made him rethink his actions. And he's looking to start a new, kinder life. Even going so far as to remove himself from the fight against the Fire Nation, something he had previously been so passionate about, perhaps because he recognised that it brought out his uglier side. Hell yeah we love a king who can recognise his flaws and strives to better himself.

Jet: I've done some things in my past that I'm not proud of, but that's why I'm going to Ba Sing Se: for a new beginning. A second chance.

Despite not being on the frontlines anymore, he's still a hero for the people, straling food for the ferry passengers from the greedy captain. Noice. He immediately takes an interest in Zuko, assuming as many, that Zuko was a victim of the Fire Nation like him, due to Zuko's scar.

Jet: You know, as soon as I saw your scar, I knew exactly who you were. You're an outcast, like me. And us outcasts have to stick together. We have to watch each other's backs. Because no one else will.

I find this SO endearing because atla places such emphasis on the connections and solidarity between victims. And Jet is no exception to this, having taken so many children orphaned by the Fire Nation (or just orphaned as seemed to be the case with the Duke) and also connecting over being hurt by the Fire Nation with Katara, the same way he thinks he is connecting with Zuko. (Jetara and Jetko should parallel each other actually instead of Jetara and Zutara)

Now things turn south when Jet realises that Zuko and Iroh are firebenders, which while showcasing that Jet's need for redemption hasn't healed his trauma (not surprising) around the Fire Nation, I can't really blame him. Like, he's seen the worst of what firebenders can do, why on earth would he stand by and let them infiltrate the city that refugees flock to in order to escape the war. And yeah he sounds like a raving lunatic, but he is right. Zuko and Iroh are firebenders.

From then on, Jet is used as a pawn by Long Feng and the Dai Li, but he still does his best to help the Gaang, seemingly holding no grudge against them for ruining his plans of mass murder.

We see a nice lil trauma flashback of Jet's childhood trauma, giving us a tangible illustration of his motivations and pushing us to sympathise with him. We see him and Katara share a sweet moment as she literally alleviates the pain of the memories. This scene can not only be read as romantic but as another example of solidarity and support between victims in atla.

But it's in the bowels of Lake Laogai, as Aang and Jet face off against Long Feng, that we see the symbolic redemption for Jet really come to its crescendo.

Long Feng, compels Jet into fighting Aang, directly paralleling Aang and Jet's previous battle in the Jet episode. Aang is trying to solve the situation peacefully, even while Jet is trying to hurt him.

Aang: Jet, it's me, Aang! You don't have to do this! Long Feng: I'm afraid he no longer has a choice.

[...] Aang: Jet, I'm your friend! Look inside your heart! Long Feng: Do your duty, Jet! Aang: He can't make you do this! You're a Freedom Fighter!

And I can't not think how the brainwashing pushed Jet into an almost identical situation as his grief and anger did all those years ago. It's a decent comparison, I suppose. Both stem from a painful, stressful situation, influence his actions, pusging him to do things against his usual morals, turning him away from the caring, idealist Freedom fighter he is.

But this time, Jet breaks through the thing clouding his mind. He remembers himself. His trauma, his friendship and care for the freedom fighters and his connection to Katara. He sadly pays the ultimate price for this.

And while I dislike this plot point, because as a rule of thumb I dislike when a character gets a redemption arc and immediately dies or redeems themself by dying, but I can appreciate this scene for how it defined puts a lot of care into showing us the change in Jet, his perception by the gaang and his role in the story.

Katara tries to heal Jet, but is pessimistic(in the commentary of this episode, it's mentioned that there could be a few explanations as to why she didn't use the spirit water.) Here, Jet urges Katara and the Gaang to go find Appa, leaving him to essentially die.

And it's as the Gaang leave, we can compare the ends of the two Jet storylines. In Jet, the last time we look upon Jet's face, it is twisted by anger and rage. In Lake Laogai, he wears a sad, but reassuring smile, and somehow looks at peace.

When Katara first had to leave him in Jet, her expression is one of betrayal and disappointment. In Lake Laogai, she looks to be preparing to grieve, almost as if she were trying to hold back tears. She's conflicted and sad in both scenes, but for different reasons, showing how Jet has redeemed himself in her eyes.

Where in Jet, we leave Jet disgraced and in turmoil, in Lake Laogai we leave him dying, yes, but also a hero, kind and brave, and free. And I like to believe that the second is the real Jet.

Ok this just turned into me gushing over jet, but I think this was important to highlight the significance and uniqueness of Jet and Katara's relationship. Presenting it as "the proto-Zutara" is a disservice to this complex, heartwrenching storyline. And that was kinda gross of OP. Shame on them.

I also think OP is mistaken by labelling Aang as just the "nice guy" whom Katara should "give a chance to". Aang is indeed a nice, kind person and this is something that attracts Katara, because she's also a good person and she values such traits. But this is not the only reason Katara falls for Aang. Like with Jet, she connects with him over shared trauma. He enables her growth, respects her as a teacher, offers her comfort when needed, is her friend and supporter.

Katara is not "giving him a chance" their relation simply progresses very slowly and in a slightly unorthodox manner. We see that Katara has a growing crush on Aang, blushing over him and getting incredibly jealous when other girls try to get with him.

I also like that Aang and Jet are never pitted against each other and Aang is never jealous of Jet. In fact Aang seems almost just as infatuated with Jet as Katara lol (jetaang rights babey).

OP also claims that a lot of people misinterpret TSR as Katara being manipulated by Zuko and "needing Nice Guy Aang to save her". Which is something I've talked about a few times. I don't believe Zuko was consciously manipulating Katara. He was simply trying to build a relationship with her because she was very adamant on hating him. And because he didn't know her that well, he tried to help by projecting his own needs and anger over his mother's loss onto her. Which is very 16 year old boy of him.

And I don't believe Aang was even trying to "save" her. I think he was simply trying to help Katara think through her actions throughly before she did something rash that may haunt her forever.

Aang bringing up Jet also seemed more like a : "hey remember when we saw a guy betray his morals due to his grief pain and trauma despite being a kind and good person with an good goal?" Which I think is a kinda understandable thing since it happened like twice to them already. And remember that Aang has also experienced how destructive his anger can be and he knows Katara's morality and idealism well enough to know that what she is planning is way out of character.

OP tags this post with "I swear zutara gives the show so much more depth" and while I don't want to deride the ship as a whole, the themes and storylines OP gave don't really bring that much depth into the show. It simply repurposes the arcs and storylines that served to either explore Katara, or the concept of victimhood and morality into serving a romance.

Which is... fine, if that's what you consider deep I suppose. I just think it's obvious that OP had clear biases when coming up with their post. And like, biases are fine, we're writing meta about a kid's show not a fucking reseaech paper, I'd be a hypocrite if I called OP out on having preferences.

But it's obvious that OP did their darndest to present Kataang in the least favourable light and didn't even try to consider giving it a shred of anything but a cursory, critical glance.

If I were to talk about their "Jetara foreshadowing Zutara" idea with its "bittersweet lesson how we waste time holding grudges and sometimes people don’t have the luxury of apologizing to the people they love" like they talk about Kataang, I could say (altering OP's text here):

"So from a Zutara lens it leads more towards the lesson that katara need to stop holding a grudge towards these boys who hurt and used her, “dumb girl you need to forgive them quickly cause what if they suddenly die and you realise you love them and regret it“ .

...which sounds like some manner of abuse apologism. I don't think OP had this in mind, but it just shows how easy it is to paint a benign message into something shitty if you're just salty enough.

I think that wraps this up. I can vaguely understand what OP meant, and it's a cute concept for Zutara shippers, I just don't know why Kataang slander had to get dragged in here. Since while OP seems fairly invested in Zuko, they visibly have a little issue giving thought to Katara, Aang and Jet's storylines.

Which is sad, especially in Jet's case, since he doesn't get nearly enough love from the fandom. So here's the little note from the atla cookbook that made me really emotional over Jet lol

HE COOKED FOR THE FREEDOM FIGHTERS AGH OUGH AGH

[rearranging-deck-chairs]

also, about carmillas control of her vampirism, while it's hot to think about, i dont think fangs actually come out during sex. like in the s3 scenes where shes actually still a vampire that we dont get to see but i dont think that happens

based on my inferences that the losing control of the vampirism happens mostly bc of anger/threat and it basically never happens atlaura and i think one of her worst fears is hurting laura, i think during sex is the least likely time for any loss of control like that

+ theres the fact that laura is the bitey one during sex, even with human teeth

[katierosefun]

i'm going to be seeing hadestown apparently, and i can't wait to sob my eyes out like a baby in front of my mom

[sskk-manifesto]

!

[kingdomoftyto]

"Carlos, if you could just pause your experiment for a second--if you could only hear me out, hear my hypothesis! I think once you understand the science of the situation, you--" Carlos opened the door. He was crying. She had never seen him cry. He was overwhelmed and unsure of how to express his emotions, since he usually only did so in carefully worded sentences, not with water from his body. "The science of the situation?" he snarled. "That Otherworld. I was trapped there, Nilanjana. I couldn't see Cecil for ten lonely years. I was kept away from the people I love, in that desolate place where you never get hungry and you never have to drink water and so you never live. It is a place that devours. It is a place that is empty. That is the science of the situation, and I study it so I can fix it. Only I can do that. Only these experiments can do that. I'm sorry, Nilanjana; I'm not going to stop so you can tell me what science is."

🫠

[ardentpoop]

the whole show does this to the point that it becomes almost unremarkable. fundamental spn knowledge

[widogastsweboffire]

.

[travalerray]

it's the WORST when you can't interact with a particular fandom at ALL because they are simply incapable of talking about the plot but WILL talk about your NOTP for hours on end so you just mope about it in silence

[eevees-hobbies]

An Accidental 'I Love You'

Synopsis: Saying ‘I love you’ is difficult for some of the Wind Breaker boys (some more than others), but sometimes intimacy is all one needs to be inspired to say those sweet three words. Characters are aged up.

Based on prompt #16 from @prompt-heaven. Dividers by saradika. Story banner by me.

CW: Female Reader. Smut & Fluff below. MDNI

Word Count: 1.6K

Authors Note: I genuinely love the Wind Breaker characters, so I’m excited to write for them for the first time. Remember, my requests are open if you'd like something written! As usual, I always appreciate a like, comment, or reblog.

Haruka Sakura has his issues. If you asked his closest enemies—and some friends—to list his flaws, they’d rattle off: impatient, hot-headed, kind of clueless. But you know Sakura, and, sure, he can be some of those things, but the flaw that makes your heart ache the most is what he exhibits in his most vulnerable moments: insurmountable insecurity. 

When you start to date Sakura, you know that he needs gentle praise and reassurance to build him up to combat the years of abuse he’s experienced—and it’s a delicate balance of the right amount of praise without sounding insincere.

So when you finally reach the next level of intimacy in your relationship, which admittedly felt like a slow crawl, you start to see another side of Haruka Sakura.

You’re his first everything—-date, hand-hold, kiss, and sexual experience. One thing about Sakura is that he’s eager to make up for lost time, gingerly touching you in places that make your bottom lip quiver, licking you in a way that makes your pupils dilate and your mouth open in a breathless moan. Sakura buries himself in you because while he’s never outwardly expressed it, he feels safe, accepted, and loved when he’s with you.

And maybe you’re a bit surprised when his face is buried in the crook of your neck, his hot breath tickling the hickey-covered expanse of your flesh as he whispers a quiet, “I love you.”

You both pause what you’re doing—your gentle scratching of his toned shoulder blades and his deep rolling of his hips. Suddenly, Sakura pulls back, beet-red and a horrified expression on his face. And you know him and his proclivity to shut down and run away when embarrassed, so you wrap your legs around his waist in an attempt to keep him from leaping out of the room and bolting down the street.

You can see the cogs turning in his head, the internal dialogue you’re almost always attempting to fend off, contributing to a new narrative that you may reject him.

“H-hey! Look at me.” You reach a hand up and stroke his face, the heat of his cheeks permeating against your palm. 

“Haruka, I love you, too. I hope that you know that.” You look down between you both, your bodies still connected, which you hope clearly indicates the feelings you share for one another.

He bites his lip, following your eyes, taking in your naked form splayed out underneath him, fleshy thighs wrapped around his waist, the insides of those thighs coated in your slick and him still throbbing inside of you. 

You can see him doing something that he doesn’t do often—fighting back the harmful dialogue in his head that says he isn’t enough. 

Sakura leans down so he’s back to hovering in your orbit, his strong arms on the sides of your head and caging you in. His voice remains slightly above a whisper, but at least he’s now gazing into your eyes with his luminescent ones. “I got in my head…again.” 

You rake the tips of your fingernails across his spine, earning a shiver and a low whimper from him—he doesn’t need much more of an invitation to recapture your lips in his own and continue to roll his hips into yours.

Hayato Suo is as calculated as they come; everything he says is said with reason—whether the other party knows that reason is another story. With that knowledge, I can’t imagine Suo accidentally saying those three special words. 

In fact, he’d never say those words if he didn’t mean it. So when Suo informs you that he loves you in a way that feels akin to asking you what you wanted for dinner on a random Tuesday, despite you both laying in bed, fully unclothed after a heated lovemaking session, you’re a loss for words. He doesn’t miss a beat as he places soft kisses against each of your knuckles, but you stare at him to make sure he’s not—excuse the language—fucking with you.

His eyes are closed, but he can feel you staring into his soul. A corner of his lips tilts upward in amusement. 

“Say it again.”  

And so he does. Every chance he gets, he tells you that he loves you, that he adores you, and that breathing you in sustains his very being. He not only whispers the sentiment during mundane moments like walking down the aisle of your favorite tea shop but also when you’re in the throes of experiencing his passion for you. 

Gentle caresses of your stomach as he delivers gentle suckles to your clit, devouring your essence one swallow at a time. And while what he says is muffled because his mouth is full of your sex, it’s clear to you that he’s showering you with praise among the sanctum between your thighs.

“I love you,” “you’re simply everything,” and “my pretty girl” consume the spaces you share, and no one can blame you if you develop a bit of a praise kink because no one has the unshakeable swagger that Suo does. 

Jo Togame has a feeling that there’s something about you when harmless flirting in the hangout turns into letting you wear his Shishitoren jacket to send a message that if anyone fucks with you, they’re going to have a massive problem on their hands. 

Among the stolen kisses, frenzied quickies in the cover of alleyways, and lazy weekends spent in bed with your legs wrapped around each other, it finally hits Togame as he’s drawing large circles on your skin with the tip of his finger. And it isn’t until one of the aforementioned lazy Sundays that he’s willing to share the revelation. 

You’re laying in bed with one another—-he, the big spoon to your little one, his cock buried deep inside of you as he rolls his hips in a manner that only Togame can—-in no particular rush to bring on his orgasm but having a preference to prioritize yours.

You’ve gotten used to the sensual lovemaking, the slow build of your orgasm bubbling deep within you as you tremble from the overstimulation.

Togame presses his lips against your neck, slowly trailing kisses near the edge of your hairline and upward until you can feel his tongue sucking gently at your lobe, and a deep, slow rumble emits from his chest, “God, I love you.” 

Togame says it with the conviction of someone who has resolved themselves to one person, his person, you, you, you. There is no room for doubt because once Togame commits to you, he’s simply committing to the destiny of your love story, which was always inevitable. 

Hajime Umemiya is also someone who would never proclaim his love for someone unless he meant it, but unlike Suo, his reasoning has little to do with a preference for remaining aloof and more to do with the fact that once he says, ‘I love you,’ he’s marrying that person.

In a perfect world, Umemiya would plan a romantic date somewhere where you’d be surrounded by blooming flowers, the rays of the sun beaming down on you, and creating a golden halo around the crown of your hair. You’d never looked as beautiful as you do now, and he was ready to express to you what you meant to him. Umemiya would be visibly nervous, and because you know him so well, perhaps this would indicate that something was amiss. 

Unfortunately, sometimes things don’t always go according to plan because one thing about Umemiya is that he can be caught in the heat of the moment. 

Umemiya has your hands pinned above your head, his fingers intertwined with yours because there’s not a world in which he doesn’t crave that connection with you. And as he slides into you—an unashamed moan escaping his lips, he takes in your smell, the way you murmur and sigh his name as he fills you up; he can’t help but sputter out a shakey, “I…i love you.”

Instead of being embarrassed that this wasn’t what he planned, he chuckles because this is as good a moment as any and says it again, and again, and again, while placing tender kisses against your lips, “I love you. I love you. I love you.” 

Ren Kaji has had quite the stressful day—even by Makochi’s standards. After throwing fists with thugs terrorizing the town's shop owners, he seeks you out, his anchor, the one person who can keep him from losing control and beating people within an inch of their lives. 

And you’re more than happy to take on that role, not only because you adore the sweet-toothed man but also because it results in some rough romps in the bedroom, which you could never complain about. 

Hard smacks to your bare ass, angry, dark hickeys littered across every inch of you, and a soreness radiating between your legs later warrants intensive aftercare, according to Kaji. So after he’s done massaging your scalp, helping you into your cute pajamas, and grabbing you a glass of water, he holds you. 

With your ear pressed against his chest, you listen to the soft, rhythmic repetition of his beating heart as he drifts in and out of sleep. 

And in between soft snores and a relaxed dream state, Kaji utters a simple “I love you.”

You laugh softly so as not to wake him because, of course, he does, and this isn’t the first time he’s spoken those words in his sleep. But every morning, neither of you mention the confession. 

His actions are more than enough proof to show that he loves you, and you aren’t sure that he remembers, anyway. Regardless, you have no doubt that the day in which Kaji speaks those words to you will come.

[endless-ineffabilities]

Chemical Override (bonus chapter 4) - Above The Gods Eye

Ewan Mitchell x actress!reader

a/n: I had envisioned bonus chapters as not too integral to the main plot (as in, you will be able to follow the story without reading them), but this one... this one might just count.

series masterlist ▪︎ main masterlist

A series of moments from the vault, occurring in part eight of the story, now yours to enjoy. 🤍

The one with the second sons…

The photoshoot has wrapped, and the cast of House of the Dragon has drifted into all corners of the set, exchanging laughs in between much-needed sips of caffeine. The next item on Entertainment Weekly’s agenda is the video segment recordings, pairing cast members for various games and interviews.

Fabien and Freddie finished their narrative recap of season 2, with more jokes than actual informative recaps. Harry and Bethany played a game where they guessed whether the line is from House of the Dragon or Game of Thrones. Tom and Emma played a ‘which sibling' game, leaning into the dynamic between Aegon and Rhaenyra that clearly should have been explored in previous seasons.

As it happens, Matt and Ewan are paired up for an Aemond or Daemon game, meant to give the audiences a glimpse of what to look forward to. Their notorious rivalry, culminating in a battle that will be their last. 

The two film their segment in Studio E, the set consisting of the great cellar of the Red Keep where Balerion’s massive skull looms on a pedestal. The dozens of candles surrounding it have been lit, casting dramatic shadows as they take their seats, facing each other in what could easily be mistaken for the start of a duel.

“My name is Ewan Mitchell and I play Aemond Targaryen,” Ewan starts.

“And I’m Matt and I play the Daemon Targaryen,” Matt follows. “And we’re about to play Second Sons: Aemond vs Daemon.”

“Let’s go,” Ewan rolls his shoulders, his sense of competitiveness all fired up, intensified by the fact that the man in front of him potentially could become his rival off-screen. That is, when it concerns the battle for your affections. 

He can still hear it ringing in his ears, the sound of your laughter in the background, distracting him during the photoshoot. That laugh, so addictive, so yours, was a melody he could listen to forever - except when it’s Matt Smith who’s the culprit. 

The lads take their cue to read the first prompt displayed on a screen above the camera. The game begins. 

“Who is the better swordsman?” Matt reads aloud with a smirk. “Well, that’s obviously Daemon, mate. He’s older - ”

“Age doesn’t always mean better,” Ewan counters smoothly.

“Ah, but he’s battle-tested. He fought in the Stepstones, and was the Commander of the City Watch, for heaven’s sake. What’s Aemond got?”

“Aemond spent years and years training with Criston Cole in the Red Keep yard, honing his skill,” Ewan argues. “He clearly has the dedication. He’s disciplined.”

“Training,” Matt scoffs, turning to the camera as if sharing an inside joke. “Put Aemond out there in a real battle, then we’ll talk.” 

“Alright, alright,” Ewan concedes, biting his cheek to keep from saying more. “Next one. Who’s the better dancer at the royal ball?”

Matt can’t help but chuckle, “Neither of us are inclined to - ”

“Yeah, I don’t know.”

“But if we had to pick, then I'd say Daemon. We saw him dancing in the first season, didn’t we?”

“I don’t think Aemond would be much of a dancer,” Ewan says, before adding with a smirk to the camera, “unless it’s with Vhagar.”

“Oh, yeah?” Matt asks him. “Short of dancing partners, is he? Can’t say I’ve got that problem. I’ve got Rhaenyra, I’ve got my daughters, and of course, the lovely Alyna.” His voice drops at the mention of your character, and he notices a telling flicker in Ewan’s expression. The younger boy latches on to it, hook, line and sinker. 

Ewan’s brows scrunch, not missing the bait. “Oh, she wouldn’t dance with you,” flies out of his mouth before he can stop himself.

“Alyna wouldn’t?” Matt tilts his head, feigning hurt. 

“She’s… she’s too busy fighting the war,” Ewan quickly musters. “She’s got better things to do.”

“Mate, I think we all are. But that wasn’t the question.”

“I just don’t think she - ”

“She’ll dance with Daemon,” Matt says confidently. “Once she realises how good he is, then it’s game over.”

“I disagree,” Ewan easily says to the camera, willing the viewers to side with him.

“Next,” Matt continues, “Who’s more likely to get into a fight at the tavern? Is this… so far, it's been all Daemon! This one too.”

Ewan nods, but adds slyly, “Aemond’s not one to waste his time at the tavern, no.” His answer is an apparent concession to Daemon, until he adds, “which is why Alyna would prefer to spend her time with him. He’s calmer… more reliable… no unnecessary tavern brawls or anything…”

“Calmer, mate?” Matt rolls his eyes, chuckling to himself. “Come off it, yeah?”

“Compared to Daemon, he clearly is.”

“He killed Luke and Rhaenys!”

“That was an accident,” Ewan shrugs. “He feels bad for it.”

“Alyna better steer clear,” Matt points to the camera, making his point. 

Ewan shakes his head in protest, “I don’t agree.”

“So, for this one, again, it’s Daemon,” Matt finishes. 

Ewan lets it go, the Alyna comment lingering in the back of his mind. It didn’t seem like an Alyna reference; it felt like a message to you. His stomach twists, suspicious of the other game Matt seems to be playing at. Turning to the prompter, Ewan reads, “Who’s got… the better hair care routine? Oh wow.”

“Daemon’s been at some dingy castle,” Matt says, “clearly no showers there. Forget it.”

“Aemond’s got this locked down,” Ewan grins.

“Has he? Alright then,” Matt responds, amused. “He does have that pin-straight hair, doesn’t he? It’s almost like… well it’s almost like it’s a bloody wig!” He laughs, and some of the onlookers behind the camera mirror the sentiment. 

“I did read somewhere about Aemond having a 20-step hair care routine… ”

“20 steps? Blimey, mate. I’m surprised he even makes it out the door,” Matt says. “Would you say he’s got better hair than the women on the show? Than Alicent or Alyna maybe?”

“Oh,” Ewan leans back, mulling it over. How to one-up Matt without making it seem too obvious? He’s about to respond, when he hears some soft giggling in the corner. It appears that you’ve made your way into Studio E with Phia and Liv. The sound came from Phia, who gives him a thumbs up when she notices his diverted attention. 

Matt notices your presence too, and when the director waves a hand for them to carry on, he answers for Ewan, “We could say Aemond has the better hair. Alyna’s way too busy training with Daemon anyway. We do tend to get into that rough and tumble during our sword fights.”

“Mmm,” Ewan narrows his eyes. He then ignores or conveniently forgets the fact that it’s Matt's turn to read the next question. “Who’s more likely to fight a dragon for their lover?” 

The two men lock eyes, the air between them charged, more so due to your appearance. If a rivalry is what the viewers expect, then that is what they’ll get. 

Matt puts a hand up. “I think Daemon’s the one with the guts to fight a bloody dragon. Daemon will stand against anything and anyone. Without a doubt.”

“It’s different with him, though, isn’t it?” Ewan responds. “Daemon would be doing it for the glory. He’d be doing it for himself. Whereas Aemond… he’d be doing it out of pure devotion.”

“Are you talking about the same devotion he had for his brother? I’d say he’s more likely to burn his lover to a crisp, than fight a dragon for her.”

“There is a completely different dynamic with his brother,” Ewan explains. “I think that when Aemond falls in love, there is nothing at all that he wouldn’t do for them. In season 2, we already kind of saw him leaning into this reputation of being the most wanted man in the realm. So… he’d fight anything for his lover, that’s for sure. He’d burn the seven kingdoms down if necessary.” He turns to look at the camera, but he catches your eye instead. You’re shaking your head slightly at his answer, but the small smile that graces your lips tells him that you enjoyed it. 

He simpers at your apparent show of approval, but Matt cuts the shared moment short. 

“I think Aemond’s a young buck,” Matt says, “who’s desperate to make his mark. He wouldn’t know the first thing about devotion. But Daemon… that’s been his internal struggle this whole time. He’s proven that he stands behind his brother and Rhaenyra, no matter how much he tries to act to the contrary. But yeah, we’re going a bit off track here. What was the question? Who’d fight a dragon… ”

“For their lover,” Ewan finishes. “I would still say Aemond. Daemon is too unpredictable.”

“Of course you’d say that,” Matt wags his eyebrows at him. “But I’m standing by my answer. We clearly saw Daemon basically pledge himself to Rhaenyra in the last episode. What more proof do you need?”

“Aemond’s got something up his sleeve,” Ewan says. “He just wants to be loved, that’s it, and when he finds that, there’ll be no question of what he’s capable of doing for Al - ” He catches himself at the last second, before he fully lets slip your character’s name. “I mean - ”

Matt’s eyes light up, sensing an opportunity. “For Alys, you mean?” To the camera, he adds, “spoiler alert, everyone.”

“Right,” Ewan lets out a breath, “Of course.”

“Can’t be anyone else,” Matt challenges him. 

“I don’t know for now,” Ewan tries to keep up. 

“You currently have a bit of a lack in the lover department,” Matt smirks. 

Ewan narrows his eyes at the apparent insinuation. He better be referring to the show. “Fine, then, we can give this one to Daemon. But as to their real-life counterparts,” he locks eyes with you again, “who’s to say? I bet I have this in the bag.”

Matt follows his line of sight, pleased when your attention switches to him. “I think that’s yet to be decided.”

“Alright, we’ve got some more,” Ewan quickly says, in an attempt to divert Matt’s gaze from you. 

Matt reads, “Who’s more likely to maintain a good social media presence? Oh, bloody hell, we’re crossing over into uncharted territory with this one.”

“That’s interesting.”

“I’ve never touched it myself,” Matt shrugs. “I’m not on anything, only Facebook for a moment ages ago, but I did not have any desire in going back. Oh wait, we’re meant to answer for our characters. Apologies.”

“Hmm,” Ewan nods. “I don’t know if Aemond would be on social media, no.”

“Yeah, this is a weird question,” Matt says. “Maybe Daemon then? But only to post pictures of Caraxes or something. What do you think?”

“Yeah, Daemon can take this one,” Ewan replies. “Personally, I’m not on social media too much - ”

“But didn’t you jump into the fray recently? With… which one was it?”

“Instagram? Yeah, yeah, that was something.” His mind flashes back to the pictures he had up, both attesting to his love for you. But you had asked him to take the latest one down, which led him to deactivate the account altogether. Temporarily. If the fans assumed that the action was meant to symbolise an end of his involvement with you, then now would be the perfect opportunity to prove them wrong. “I did have to take a step back, because it was kind of overwhelming. I just needed to take some proper time off.”

“Oh really? I wouldn’t know,” Matt says. “Did you actually share some photos there?”

Ewan smiles, pleased at being able to answer this question. “Yeah, I shared a few of my most treasured ones. They were some great pictures, but I’ve got loads more of the same in my phone, and I - ” He throws a warning glance to the camera “ - I think I’ll be keeping those to myself for now.”

Matt, oblivious as to what he’s hinting at, reads the next one. “Who’s the better brother?”

“Aemond for sure.”

“Clearly Daemon.”

And so the banter continues for a couple more prompts, sharp yet flowing naturally, foreshadowing the frenzied fan reactions when the segment is shared online for all to see. 

The one where Ewan needs his cowgirl…

Ewan paces around his dressing room, settling into his outfit, awaiting his cue from set. The outfit is a bold mix of traditional Western elements and high fashion: a tailored deep brown leather jacket with intricate embroidery, a crisp white shirt with ruffled cuffs, fitted trousers, and a wide-brimmed cowboy hat. His boots click against the wooden floor as he moves. He’s nervous but determined to impress you, even though it’s always been you with a knack for making his heart race.

After a while, he makes his way out of the dressing room and into the bustling set. The set is decked out to the theme. The director and crew are scattered all around, but Ewan focuses solely on finding you. 

When he finally does, his world seems to slow down. You are standing near a vintage saddle, dressed in your own Western-inspired attire. Your smile is radiant as you speak to your assistant, and the way your eyes light up when you see him makes his heart skip a beat. No, it never gets old, he realises, you will always have a maddening effect on him.

He takes a deep breath, squaring his shoulders, and saunters over with as much swagger as he could muster. “Howdy, darling,” he greets in his best cowboy lilt.

You look him up and down with a smile. “Why, hello, good sir,” you say, even doing a playful curtsy. 

“Ready to give them a show?” he asks, gesturing to the expanse of the set. Ready to be my cowgirl, darling? He wants to ask instead. 

You hum a response. “As I’ll ever be. I’d say you’re a natural at this whole cowboy thing.”

“Oh, darling,” he smirks, “you’d be surprised by what I can do with my lasso.”

“Down, Mitchell.”

“Whatever you want, my cowgirl.”

The atmosphere is electric throughout the shoot, with Ewan constantly leaning down to whisper suggestive lines in your ear. 

He finds himself getting lost in the intensity of the shoot, but his focus remains on you. It isn’t as if you are making it easy on him, with your lingering touches and flirtatious remarks. 

The camera's shutter clicks away, and Ewan and you pose for one perfect shot after another. The set is alive with activity, but he only sees you, the lighting casting a warm glow on your rouge-stained cheeks. Forgetting where he is for a moment, his hand reaches up to caress your face, and he leans in slightly. 

You pose accordingly, likely thinking that he’s just giving the shoot what it demands. 

“What was that you were saying about a lasso?” you smirk, in an attempt to diffuse the tension, but it only spurs him on. 

“Care for a demonstration?” he shoots back.

“Why not?” you reply easily, adjusting your stance. 

“We may need a more intimate setting for that, darling.”

“More intimate than this?” you laugh breathlessly, the warmth of it fanning his face. He’s close enough that the tip of his nose brushes against yours. 

He smiles, deaf to the low warning that escapes your lips when he leans in for a kiss on instinct. 

Just as his lips are about to graze yours, the director’s voice cuts through the charged silence.

“Cut! Break, everyone!”

The spell is broken instantly. Ewan pulls back, his expression shifting from one of intense concentration to surprise and a hint of frustration. 

You stand facing each other, flustered and left wanting. Ewan wants nothing more than to just reach for you and pull you in a closet, and show just how well he can use that bloody lasso. If you want him to. But he forces himself to croak, “To be continued, darling?”

You mirror his heated gaze, nodding once, before turning on your heel and heading to the break room. 

When the set is mostly emptied, Ewan picks up the hefty lasso that’s been put aside. With a determined look on his face, he swings it expertly through the air, causing a resounding thwack. The movement is deliberate, a release of his frustrations about you. About Matt. About everything. 

But it doesn’t quite bring him the relief he needs, because only you can offer that. 

It’s only ever been you. 

The one with the first date…

You glance at your phone to check the time, heart fluttering with anticipation. Matt had promised to pick you up at 2, and it is only a minute past, but you’re already standing nervously in your living room. Not a moment too soon, your buzzer alerts you of his arrival, and you press the button to allow him upstairs. 

You sneak one more glance at the mirror, smoothing a hand over your t-shirt and jeans. You opted for a casual look, dressed up with some jewelry and heeled boots. 

Finally, there’s a knock at the door and you grab your purse as you walk up to meet your awaited visitor. 

There he is, standing in the doorway, as impossibly charming as ever. Matt’s dressed in a perfectly fitted black shirt, the sleeves rolled up to his elbows, revealing strong forearms, paired with staple dark jeans. His tousled hair looks like he ran a hand through it on his way over, and his signature mischievous grin plays at the corners of his mouth as he takes you in.

“Hello there,” he greets cheerfully.

“Hey, Smithy,” you blush under his gaze. 

“You look absolutely incredible,” he says, his gaze sweeping appreciatively over you, “As can be expected. You are my Alyna, after all.”

“Thanks,” you manage to say, your voice soft, almost breathless. “You don’t look too bad yourself.”

“Glad to hear it. I was worried I’d underdressed,” he teases, though the way he carries himself shows that he knows exactly how good he looks. He steps a little closer, his hand lightly grazing your arm as he does. 

“You ready to go?” he asks, his voice just a shade deeper, his eyes locked on yours with an intensity that still catches you off guard, no matter how exposed you have been to his charms.

“Yeah,” you nod, suddenly aware of how close you’re standing, the air between you thick with tension. “Let’s do this.”

The late afternoon air is crisp as you walk with Matt down a quiet street near Hyde Park. The anticipation from earlier has settled into something more relaxed, yet there’s still an undercurrent of excitement, an unspoken awareness of the new territory you’re both navigating.

Matt leads you to a small café tucked away from the bustle of the city. It’s quaint, with ivy creeping up the walls and soft lights glowing through the windows. As you step inside, the rich aroma of coffee and freshly baked pastries envelops you, and you can’t help but smile. The interior is just as charming as the exterior, and a few patrons sit scattered throughout, each absorbed in their own worlds. Too absorbed to notice two somewhat renowned actors entering the premises.

“Pick a spot,” Matt says, his hand gently brushing the small of your back. The touch is fleeting, but it’s enough to send a warm tingle up your spine.

You choose the table with a view of the park just beyond the glass. Ever the gentleman, Matt pulls out a chair for you before settling into the one across from you.

“Hope you like this place,” he says, his tone easy and genuine. “It’s one of my favourites. Feels like a bit of an escape from everything, you know?”

“It’s perfect,” you reply, taking in the cozy atmosphere. “I can see why you come here.”

A waitress comes over to take your order, and Matt gives you his recommendations which you happily go along with. The familiar way with which she addresses him as Mr. Smith confirms his frequent visits. Once she leaves, you lean back in your chair, letting yourself relax into the moment, though you are aware of his eyes watching you the entire time. 

“So, how are you finding the city? It’s different from set life, that’s for sure.” Matt asks, his eyes studying you with a mix of curiosity and something deeper. Something you can’t pinpoint just yet, though it’s not unfamiliar. You’ve seen that look before. From Ewan. The sudden thought of him drives a wedge in your focus, and you have to shake it off before you answer.

“It’s been great,” you say, smiling. “It’s nice to be able to explore it more this time around, since I've got some downtime. And, of course, the company’s been pretty good too.” You add the last part with a playful tone, which makes him chuckle.

“Oh, I’m sure it has,” he replies, a teasing glint in his eye. “But don’t let Ewan monopolise all your time. I’m around if you ever need a break from him.”

The mention of Ewan brings a subtle shift in the conversation. It’s light, but there’s a hint of something more - an awareness of the connection you share with Ewan that both complicates what you have, or what you could have, with Matt. 

“You’re a good friend, Matt,” you say, your tone still light but more sincere. “I appreciate that.”

He nods, a small smile playing on his lips, though there’s a flicker of something in his eyes. “Friend, sure,” he says, his voice low and smooth. “But, just so you know… I’m here, if you ever want more than that.”

It’s a simple statement, but the weight of it hangs in the air between you. He’s not pressing, not trying to make you uncomfortable, but it’s clear that he’s laying his cards on the table. Matt’s always had a way of being direct without being pushy, and this moment is no different.

You meet his gaze, feeling the sincerity behind his words. There’s a part of you that’s tempted, drawn in by the way he makes you laugh and feel seen. But there’s something - someone - holding you back. 

“I’ll keep that in mind,” you reply, smiling softly. 

Matt nods again, his smile resurfaces, as sure as the sun rising. “That’s all I ask.”

The waitress returns with your coffee and pastries, breaking the tension with the clink of cups and the sweet scent of buttery croissants. 

After a moment, Matt takes a sip from his own cup and raises an eyebrow. “You know, I heard that drinking coffee in a café like this can increase your charm significantly. I think it’s working, do you?”

You play along, pretending to consider this. “Hmm, I don’t think you need help in that department. But… I’ll still be careful. Just in case you charm me into agreeing to a second date.”

Matt leans closer with a grin. “Second date? Love, if I’m being honest, I’m already planning our third date.”

The conversation shifts back to lighter topics - your favourite places in the city, funny stories from the set, and his many revealing anecdotes about Fabien. Like the one where he got properly sloshed after a night out at the pub, so much so that he stuck some croissants in his washing machine thinking it was the oven. 

“To his defense,” Matt exclaims as you giggle uncontrollably, “the two appliances are similarly shaped!”

As the date progresses, you feel undeniably warm and comfortable in Matt’s presence, but you also can’t ignore the lingering thoughts of Ewan. Your phone had buzzed at some point, and when you snuck a glance at the screen, it lit up to reveal three missed calls from Ewan One-Eye. He knows you’re on a date, so he must be interrupting on purpose. Thankfully, Matt’s enthusiastic regaling keeps you from lingering on Ewan - from worrying about him, missing him… from wishing that he could freely allow himself to take you on a date just like this. 

As you and Matt stroll back to your apartment, the city lights cast a warm glow on the pavement, creating a magical backdrop for the end of your evening. His arm around your shoulders brings you a sense of ease, and you no longer feel that nervous flush as earlier. 

He walks with you inside your building, and when you reach the door to your apartment, Matt pauses by the entrance, turning to face you with a gentle smile. “Well, this has been quite the evening,” he says. “I’m really glad we got to do this.”

You return his smile. “Me too. It’s been a lovely night.”

There’s a moment of hesitation, a shared look that speaks volumes without words. 

“Well, I - ” you swallow, your nerves returning, “I better head inside.”

As you reach for your keys, Matt’s hand gently wraps around yours, causing a jolt of electricity to travel up your arm. “Before you do,” he says, his voice dropping to a husky whisper, “there’s something I’ve been wanting to do all night.”

You look up at him. Screw your newfound sense of ease. Your heartbeat now pounds in your ears like an erratic drum. “Oh? And what’s that?” But something tells you that you know just what he means. 

Without breaking eye contact, Matt leans in slowly, his face drifting closer.

“This,” he mumbles the word as if it's the most obvious thing in the world. And then his lips touch yours.

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Some notes in the margins...

This poll caused quite the stir amongst yous, I see. Consider me amused. Since part 9 isn't out yet, and my mind isn't set either - if you've got something to let off your chest, some supporting arguments, you've got one more chance to let me know below (or let each other know) 😉 I always read all your opinions, and they are properly taken into account. What did you think of Matty after this?

When Ewan called her at the end of part eight, do you think she had company? Anyway, something sweet is coming in part nine with Ewan and his darling!

To those who are seriously worried about the outcome, note that is and always has been a Ewan x reader fic. I am a Ewan girl just like yous. Hold fast and have fun on the wild ride, darlings 💙

[joesalw]

Taylor Swift has an unhealthy obsession with changing her personality according to the men she dates from time to time. It’s funny how she talks about how she's never gonna get back the six years of her life being wasted for being private. But this is the same person who released interviews saying she craves privacy and it has made her life manageable and feel real instead of being the objective of tabloid stories by the media.

It's like she doesn’t have her own perspective of life, she always sees the world the way her partners see them. When she first started dating Joe and started talking about him, she made it look like he is the best thing that has ever happened to her, even in her songs she wrote so highly of him. All the things that she's rejecting now are the things that she admired back in 2016-2022. With all the privacy cravings back then, her fans were dragging Tom hiddleston and Calvin Harris for being so public with her, they dragged these guys saying they only used her for fame and never seen the real Taylor. Back then the narrative was, only Joe was a real guy who loves Taylor for being herself and not the Taylor Swift tm. But since the relationship didn’t work out, she switched the whole narrative again.

This time Joe is the villain for not being public with her. She is so proud of Kelce, she loves to enjoy his shows and apparently she doesn’t care about how many people are pissed of seeing her face everyday, she made a quote on that. But how long since she will switch this narrative too? Again swifties will villainize Travis Kelce and not TS. It's funny how they totally erased the existence of Matty Healy from the interview as well, since it was bad for her image. But we didn’t forget it Taylor that you were proudly hanging out with a racist, xenophobic, islamophobic, zionist guy and publishing articles on how your relationship is NOT platonic.

Her whole activism era started because Joe was an activist. He didn’t stop it after the breakup because it's a part of his personality, he still signed the ceasefire letter. But Taylor didn’t utter a single word about genocide, she's busy learning football and crying about how oppressed she is in her billionaire lifestyle. And somehow she is the Person of the Year in Times magazine.

And talking about her new boyfriend so publicly is something she never did even with Calvin Harris, which was (in comparison) her third most public relationship. But somehow all of this is directed towards Joe as if he was the one in fault for keeping her silent for so long. She is a grown ass woman who can take her own decisions. If she wanted an out from being locked for so long in her own mansions, she could've done that anyway. But to make it look like someone else fault is something she never gets tired of. It's always her exes' faults and not hers. When will you take accountability for your own decisions Taylor Swift?

Like this woman is pushing 40 and is still acting like a high school bully. She is proud of having a boyfriend from football team which is fulfilling her dreams from high school. She loves the attention, loves to play a cheerleader role as a gf. She got a platform like Times magazine’s person of the year where she could talk about serious issues in the world but she'd rather talk about how independent she feels being in a public relationship like this.

Btw it will take no longer than two years for this to turn into a victim trap again, she will then release another article about how she hates so much attention from public and how she craves privacy again, (based on whatever her then boyfriend would want lol) and her fandom will again forget everything she's said in this interview and make an ultimate villain out of Travis Kelce. Literally the same way they did with Jake Gyllenhaal, Calvin Harris, Tom Hiddleston, Harry Styles and Joe Alwyn. It is a never ending cycle and it will go on forever until she decides to seek some therapy for herself.

[busket]

I understand personal preference and that some people just don't like ships with men, and that's ok! but I'm annoyed at the implication from some fans that labru has less depth as a relationship than farcille or any other wlw ship in dungeon meshi, and the idea that people are only shipping it as a joke, or because they're horny, or because they're misogynistic and don't want to look at female characters, etc etc. I've seen people call it like, "bloodlust obsession that turns to horniness" and it made me realize that the people who don't ship labru don't understand their dynamic at all. labru shippers didn't just pull this out of our asses lol

a lot of the story around kabru involves how he and laios are perfect opposites of eachother. NARRATIVE FOILS, if you will. everywhere kabru thrives (social interaction, charisma, the surface) laios completely fails. and everywhere that laios is most successful (in the dungeon against monsters) kabru keeps getting killed. not only that but their desires are mirrors of each other too: laios grew up bullied by humans and wanted to become a monster, kabru grew up dehumanized by his villagers and then the elves, so he wants to affirm his identity as a human being.

despite how kabru should be repulsed by laios due to his hatred of monsters, he's drawn to him instead. kabru spends the entire story trying to get to laios to talk to him and to get to know him. firstly he knows laios is closest to defeating the dungeon lord and needs to sus out if he's a good person, but he admits that he really wants to be friends with laios too, not just to determine his virtue but to see what value laios sees in monsters. he wants laios to share his interest in people, he wants laios to be interested in him back. kabru never had any true bloodlust or desire to kill laios, he was prepared to go that far if laios wasn't a good person, but once finding out that he has good intentions kabru spends all his energy trying to help laios instead. and when you consider that kabru spent his childhood believing he was half monster because of how he was ostracized in utaya, his curiosity about how laios could possibly love monsters feels so much more personal.

and for laios, he's not used to anyone taking an interest in him. people are constantly telling him he's weird, and the person he believed to be his best friend told him he couldn't stand him. he misses falin so dearly because she thinks he's the coolest man on earth, so meeting someone and being told "I hate monsters but I still want to know YOU" would have an impact on him, I think. in postcanon they become good friends, kabru becomes laios' right hand man to help him with more of the dicey social aspects of being a leader. laios asks him to stay by his side and help him, and kabru says "yeah, that's what I've been doing this whole time"

I wouldn't claim that a romantic relationship between them is CANON, but I wouldn't even say that about farcille either tbh (and I love farcille just as much so don't come for me lol) this isn't a comedy crackship that yaoi fans just made up. laios and kabru are really multi dimensional characters and they're made to reflect eachother in every way, even down to their physical design. so it's not out of nowhere that people ship them

[blue-mood-blue]

I have been thinking about the blackening (as one does)…

…and it’s so interesting to me, the penalty Shen Qingqiu is faced with should he not decide to yeet his disciple into hell.

Account termination. Instant death. Sent directly home to his already-long-dead body, and that’s it for the villain of the piece who outright refuses his villainy. The protagonist needs a blackening for the story to continue, and Shen Qingqiu is going to provide it or get written out of the narrative. Either way, Luo Binghe is going to lose him. Either way, this is a turning point.

I wouldn’t claim that this is the intent of the penalty, but it fascinates me that the System has, potentially, backed the plotline into a corner - because Binghe still stands to be blackened even if Shen Qingqiu took the other choice.

Think about what that would look like, to him. He’s at the Immortal Alliance Conference, and everything is going wrong. He’s been outed as a demon, and not just a demon - the top tier of demon, as bad as it gets from the perspective of a righteous cultivator. His beloved teacher, the person who has been kindest to him and opened his home and heart to him, is standing there with his sword in hand, deciding what he’s going to do about what must look, to him, like a horrific betrayal. Binghe is apologizing. Binghe is begging for his life.

Shen Qingqiu hears him. Maybe it shows on his face, or in his voice, that he already knew; maybe there’s no hint at all, but Shen Qingqiu is suddenly talking quickly with an abrupt sense of urgency that Luo Binghe is having a hard time keeping up with. Telling him he’ll be wonderful - telling him he’s the best. Telling him the world will be his, with emotions cracking through that aloof mask that Binghe has never seen on Shizun’s face before, and it’s terrifying for reasons that Binghe cannot identify.

(He will, later. When he has time to think, he’ll realize it sounded like a goodbye.)

And then Shen Qingqiu is bleeding. And then Shen Qingqiu is on the ground. And then Shen Qingqiu is dead. There’s no countdown for Binghe - there’s no System, there’s no warning, there’s no answers.

Luo Binghe is a heavenly demon in the middle of a conference sabotaged by demons. Luo Binghe is alone. His fellow competing disciples are scattered, some dead or injured. The Peak Lord of Qing Jing Peak, the second in command of Cang Qiong Mountain Sect, maybe the only person he loved and who loved him back, is dead at his feet. No one will believe him if he says it isn’t his fault.

(He can’t believe it isn’t his fault.)

What choice does he have but to run? The last heavenly demon the cultivation world went up against has been sealed under a mountain for years, and one of the people responsible for that is probably looking for Shen Qingqiu already. They’ll be looking for him, too. There isn’t anywhere to hide; there isn’t any time to mourn.

There isn’t even enough time to ask why. Why again.

There is no closure waiting for him, because there is nothing to explain what happened. It just is.

It would be a different kind of blackening, certainly - less intense, probably, less of a warping, desperate thing. But how many times can one person have all the love and safety in their world torn out from under them before it starts to show? Before they just don’t allow things like love and safety to touch them, because that’s the better option?

Interesting to consider that, simply by offering the choices it did, the System rigged the story to guarantee that Luo Binghe would end up in hell (deliberate or not).

Interesting to consider that, even if Shen Qingqiu made what might have seemed like a kinder choice, there was every chance it wouldn’t have been.

[morphodae]

Gregory Violet |Headcanons

Including general, relationship (x reader), and some modern au as a bonus!

These headcanons kind of trickle down into a story/narrative so please bear with it lol (plus: these are to warm up! I have ideas for future oneshots)

cw: none

Read more P4 headcanons here: 🦉x ,🌹 x ,🌱 x

General:

I see Gregory coming from a well-off family. They might not have the highest rank out there (they’re probably a viscount or baron nobility rank), but they have enough to send Gregory to Weston.

Either Gregory is an only child, eldest, or youngest. I have a feeling that he may not be super close with his family; perhaps he comes from a blended family or doesn’t have many siblings.

Naturally, his talents sent him to Weston College— which is unnatural for a lot of noble, rich London boys. Most get in for status and money, Gregory got sent there for his talents. Gregory was born with talents and had great expectations placed on him while he was content to create art and do things on his own.

When he was younger, he was obviously different compared to noble boys and girls around him— or general kids of the era. Being so “different, odd, and weird” was something that bothered him in his younger years, but once he turned 18 he stopped caring about others’ opinions. He’s his own person and he couldn’t care less what others have to say about it.

As such, he’s very obviously not thrilled to go to a crowded, renown, high-end school, but thankfully he was sorted into a House that accentuates his eccentricities with others like him. Still, he tends to keep to himself (as most introverts) save for a few close friends— Redmond, Greenhill, and Bluewer.

He’s “eccentric” by many peers but if he were in modern times, he’s definitely neurodivergent at the least. Definitely not me projecting my own autism /s lol.

One misconception is that people believe him to be antisocial or too “moody” when this is not the case. Gregory has a vibrant inner world and is an excellent observer; which allows me to transition into how a relationship with him might be.

Relationship:

Gregory isn’t one to actively seek anyone out, let alone a significant other. For any sort of relationship to have with this artsy fellow, you’d have to either 1) be someone who stands out with the time period’s standards (like him) or 2) have to be brought into his life suddenly and stay for a while before anything remotely romantic happens.

It’s fun to see him with someone who is either a lot like him or someone who is a bit of an opposite— although mostly in external appearance and I’ll explain why.

I don’t think someone who is a polar opposite to be someone who suits Gregory.

If say, someone preferred cutesy girly things or pastel colors and sunlight, that’d be fine. However, I see a calmer personality with a lot of empathy and respect being something he’d need. Otherwise I don’t think a boisterous loud person to be someone that he’d see himself with romantically.

With that said, courting you is… a feat lol. It takes Cheslock (poor Gregory), and the rest of the P4 to really push him in the direction of you.

When it finally happens and Gregory and you are able to formally meet and court, all five of them practically cheer lol. No one thought he’d be the type to find a s/o and Gregory’s parents were concerned he’d die alone :(

Because of expectations of his nobility, I do expect he’d marry you in some way irregardless of gender. But with you, someone he’s not arranged to and someone he truly loves, he tends to view it as a romantic and passionate expression of his commitment towards you.

A relationship with Gregory is majorly spent in comfortable silence. I’d say quality time is a major thing with him. However, he, like a lot of introverts, still needs ample time to himself— so don’t expect him to be glued at your hip. Plus, for that time period, PDA and general overt displays of affection whether in public or private was generally seen as odd. Gregory, for one, doesn’t care too much for the status quo but he is still figuring out his first relationship with you and how to navigate it while respecting you.

In a modern au, he’d be a bit more clingy in private. I see him as the type to play with your hair, study its shape and color for his sketches but mostly because it feels nice to him. If you are reading or gaming then I see him the type to sit behind you with his chin on your shoulder just enjoying quiet contact. It’s very wholesome. Alternatively, whether you lay with him on his chest or he on yours, he just enjoys quiet moments where he can be close to you.

He’s very reciprocal. By this I mean; you respect him and his hobbies, he respects yours. You show him kindness and care, so does he. He’s actually quite a classically romantic guy and is one to surprise you with flowers, food, and of course, sketches and art! He definitely cares and worries about your well-being and happiness (as seen in manga with his friends too!), so he will have his moments where it seems like he’s mother-henning you if he feels that you aren’t taking care of yourself.

Don’t be surprised that one of his first drawings of you was during his pining phase before the two of you formally spoke or courted lol.

Overall a relationship with Gregory is mostly spent in quiet understanding in silence with a partner who is able to empathically express and respect him mutually. Despite being a bit of an oddball for the time period he lives in, he still is a traditional romantic who loves to look after your well-being and give you gifts 💜

[raven-at-the-writing-desk]

complicated feelings about book 7

Hey, hello, hi!!

I’ve been having a lot of thoughts and feelings about the direction the main story is going in ever since 7-100. I wanted to wait until the hype for the book 7 part 9 and anticipating part 10 settled down a bit before I made this post, as I wouldn’t want to impede anyone’s excitement for it—and now that time has come.

While I wouldn’t say I’m being entirely negative or harsh in this post (I’d say I’m being “worried” in my critique at most), I’d caution you to avoid it if you think it would upset you or mess with your enjoyment of the main story, especially knowing that the book 7 part 10 update is coming later in August.

Thank you for your time ^^ and without further ado…

I started to feel iffy about how the story is going around the part Idia wakes up. At the time, I remained optimistic and brushed it off. However, the inkling I had then has since magnified, especially with the recent Scarabia update.

What is that issue with, you may ask?

The dream hopping and waking segments.

They feel so… for lack of a better term, dissatisfying?? Rushed?? I don’t know, but I’m left still feeling like (just as Ariel says) I want more. I was hype when they first happened, but with each new update, I let myself sit with what happened for a few days and, thinking back on it, problems start to arise.

Don't get me wrong, I'm NOT saying that these segments are lame or that they don't make sense. I love being able to delve into the dreams and see a ton of novel yet absurd things, and I love how genius Idia's plan is. It makes sense narratively and I, of course, appreciate being able to see the dreamscapes and the desires of so many beloved characters. BUT... The problems primarily come down to pacing and the overabundance of contrivances.

The set-up itself is elaborate but also keeps piling up more “but also we need to do THIS” details that seem to overcomplicate things or act as red herrings. Silver’s UM itself is already warranting an explanation, then we got Idia’s video presentation, now we have to account for leaving people and hologram projections behind… all for the sake of limiting how many people travel to the dreams because OH YEAH we also need to consider Malleus catching on. It’s contrived for the sake of the narrative giving everyone a chance in the spotlight before the Big Finale. The universe has to dedicate so much time to explaining how this is feasible or why people need to stay behind in order to justify the pacing and to avoid an increasingly growing group from competing for attention. We spent SO long on just exploring Lilia's dream that the shift to waking up all these other characters seems so much quicker by comparison. It's natural that we can only devote so much time to each character (since we have so many students to collect), but it also results in some people feeling very rushed or not fully realized. For example, Epel only gets 5 parts dedicated to his turn-around but Kalim gets 8. This variance naturally occurs as some dreams are less serious than others, but despite this it still leans into some non-OB boys getting more of the spotlight than others. Additionally, we also see very uneven distribution of lines across individual segments. There is so much information crammed into some parts (like 140 and 141) while other parts are pathetically sparse and not much happens.

When it comes to the OB boys, they of course get longer segments than the others, so it doesn't feel as bad. However, I think the OB boys come with other issues... Namely the "resolutions" to their battles against their OB forms. Not only is there a formula to how they are woken up (which makes things less exciting compared to not really knowing what happens in the main story except for OB boy at the end), but there's also a part carved out for them to give a big speech about how they've changed or how they'll move on from the past, etc. This is especially true of Jamil, who probably had the longest speech of the OB boys thus far.

Now yes, I know it's an anime trope to give speeches (particularly for TWST, which primarily tells its story via dialogue). But does it have to be so... blatant??? Like, the OB boys are usually alone or just trapped with their inner darkness in these moments. Who exactly are they announcing their character change to? It does not feel diegetic at all. This is a lot of telling and not as much showing. That contrasts with the character development we saw in book 6; at least there the OB boys were paired up with other people, so there was someone to bounce off of and butt heads with. It feels like they're having a conversation, actually bonding with their peers, and learning from those tough interactions. (In fact, I would argue that book 6 did this growth in a much better paced and more cohesive manner.) In the dreams of book 7, the interactions have to be shared among several other students and they have to be so much shorter as a result of that.

What we’re seeing in book 7 is character growth we already knew about, but told to us in a more overt way. We are not learning anything new. Waking people in book 7 involves a lot of flashbacks to events that already played out, so rather than any real development being made, it's returning people to the state they were in before (since that "change" was in the process of occurring in the real world).

It feels like book 7 is trying hard to follow through with all the promises the earlier books built up to. And, quite honestly, many of these emotional conversations (like Kalim and Jamil shouting at each other about their flaws) NEEDED to happen. I just don't know if this was the appropriate context for it, because it comes off as an ultimatum or an ending to a story that had so much more left to say.

The way these book 7 segments are framed, the students "waking" is meant to mark a pivotal moment in their development. I worry what this means, because the dialogue is very... resolute? Especially for the OB boys. And them announcing how they've changed out loud rather than in a more subtle way (like Kalim saying he is 'frustrated' but not being able to explain why in book 4, Leona saying that Jamil is "not like him" in book 6; implying that there is hope for Jamil but not for himself, etc.)... It gives the impression that this is the "end" of their character arcs, that their growth is now "complete", even if that wasn’t the intention. I don't feel like that's how character development works?????? It's never really "done", it's a continuous and ongoing thing, so the vibes of it feel a little off. I would have liked it more if it were open-ended or at least vaguer. Still hopeful, but vaguer. These are meant to be triumphant moments, yet I don't get that feeling because it's very repetitive at this point. I've pointed out many patterns myself, and that makes future installments VERY predictable and boring aside from the actual dream settings we visit. We have 11 more students to hit up. E L E V E N. That's SO many. Do you realize how far away that is????? I even ran the numbers:

Idia spans 109 - 116 (7 parts)

Epel spans 120 - 124 (5 parts)

Rook spans 125 - 131 (7 parts)

Vil spans 133 - 139 (8 parts)

Kalim spans 140 - 147 (8 parts)

Jamil spans 148 - 157 (10 parts)

That means, on average, it takes 7.5 parts for each character to wake up. With 11 characters left to do, that means we have at LEAST 82.5 parts left (spread across 3 updates, one for Octavinelle, one for Savanaclaw, and one for Heartslabyul). With the current 157 parts out, that means book 7 is going on until at least part like 240... AND WE STILL HAVE A TON LEFT TO WRAP UP, like Yuu going home, Grim OB, Crowley's intentions, the mystery of Raverne’s disappearance, the truth behind Mickey and Yuu’s connection, beating the crap out of OB Malleus, etc. Book 7 is dragging on for a while, and the novelty of each dreamscape can only last for so long before the same old pesky problems creep in again 💀 The pacing is so weird; it simultaneously feels too long and yet also not long enough. Not only that, but because there are so many other characters to collect, it is robbing Diasomnia and Ignihyde of THEIR promised screen time in the second half of the book.

A lesser issue I had was the weird... tonal whiplash? The dream segments are largely silly and they spend a lot of them goofing around with the explanation of having to "investigate" the dreamer's weak point and hitting on that to wake them. (This complaint runs counter to the pacing issues I mentioned earlier; cutting down on the time spent being silly means we'd be rushing the story, but not having silly parts means dragging the story out. It's hard to really balance the two.) Here I am sitting here and thinking 1) there is NO sense of urgency, 2) what a waste of time, and 3) what a wasted opportunity for Yuu.

I'm not a huge game!Yuu fan; I see them as a blank slate for self-inserting, and since I'm not someone who likes to self-insert, Yuu has little to no value to me and just serves primarily as a vehicle to have things exposited to them and as a POV character. But hey, if the story wants to stress Yuu is important and helps these characters change, then why not do it here??????? There's so few times when they actually do something of importance in the main story (with perhaps their most involved points being books 3 and 4, maybe 6 when they took the initiative to go free their friends/rescue Grim).

A lot of it honestly feels like wasted time since most characters outside of the dorm leader do not change in significant way or in less serious manners. It really falls flat because Yuu largely did not do anything to influence those extra characters, let alone the OB boys.

While talking with a friend, they suggested that non-OB boy sequences could have been relegated to vignettes to go with limited story cards (that way TWST could have more banners, assuming one for each character) or as free bonus side-content that unlocks as an optional thing similar to how the collecting wishes worked in Wish Upon a Star; they are not essential. It feels like they were obligatorily thrown in as fanservice before the big closing. The narrative would have still worked and we would get to the point faster if we limited the main story componeny to just the necessary people (Ignihyde + OB boys).

Another potential route: if you insist on hitting up all the characters before the end, why not give Yuu a chance to DO SOMETHING in book 7 since they're the only person in the wake-up crew to have interacted with all these people we're trying to wake up? The only one who has experienced detailed and prophetic dreams associated with the OB boys???? The one who has been tasked with investigating and resolving various students' issues around campus? Why not let Yuu take the lead in discovering the best method to wake each boy up? Then we'd at least get character development on Yuu's part, get to see how Yuu is positively influencing the boys, and it cuts down on the down time of wandering in circles and making no meaningful progress.

*takes a deep breath*

Anyway, those are my thoughts 💦 I would like to reiterate that I do NOT "hate" book 7, I just disagree with the pacing and how they've decided to write in waking up the characters for this current stretch of it. It's no doubt a daunting task and I'm sure the writers are all doing their very best... I don't know if the end product managed to achieve what it wanted to for me though. It’s tiring and repetitive (like bouncing up and down on a roller coaster that cannot decide how it wants to go and leaves you no time to recover/catch your breath), and I’m left still feeling unsatisfied and wanting more.

Theoretically, I like the ideas but not the execution of them… I can only hope that the pacing improves for future updates (especially with the Octa update on the way and attempting to shake up the formula by introducing two story SSRs instead of one), or that book 7 can at least end strongly with that final battle.