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sweetestcaptainhughes · 2 months

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Wine Drunk

Word Count - 3600

Warnings - drinking I guess but that's kind of in the title so none.

Summary - A night filled with being wine drunk with Quinn at the lake house and he's letting you live out almost all your creative impulsive ideas.

Author's Note - Just thank you for reading, I've been missing writing for Quinn so I figured I'd throw this together. Also I couldn't contain myself writing this when it came to Trevor and Cole and if your not new here, you will know exactly why as you read this.

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It was one of those rare nights in the summer lakehouse, where the only people around were people that Quinn considered family. It was nice to be able to see everyone in the summer but just a night where you didn’t feel like you needed to play hostess and could relax was sometimes needed. The only people in the house were you, Quinn, his brothers, Cole and Trevor - chosen family. Although if asked Quinn would not count Trevor as family, but he was considered family to Jack which by extension meant Quinn but if asked would probably refuse to comment. He still hated Trevor for never being able to shut up, although even he will admit he’s more quiet when Cole is around.

Spending the night getting wine drunk with your boyfriend, and hanging out with the boys by the fire is sometimes needed. But, the thing about wine that you always seem to forget is how getting tipsy off wine is different. One moment you feel completely sober and the next your one drink away from going ‘night night’.

That small fact you seemed to forget is how you got here, trying to convince Quinn that it was a great idea for Trevor to teach you how to do a backflip. “Please Quinny, he’s so good at them.” you begged it was obvious to everyone around minus you and Trevor how intoxicated you both were. “He’s the only one who knows how and I wanna learn.” whining towards the end of another act that tells Quinn just how drunk you are.

Quinn, still sitting in his lawn chair, simply pulls you down to sit in his lap. “No not safe baby” he tried to reason but you were still softly protesting while he wrapped you in his arms trying to get you to stop moving. Trevor was also protesting, except he was hushed up quickly when they mentioned his old ankle injury and how he said it hurt after training this morning.

“Man fuck you guys! I’ve been doing them all summer.” he yells. Everyone could tell he was gonna put on a further protest but the pointed look from Cole and Quinn was enough for his ass to sit down right where it was, which just so happened to be on the grass in front of Cole. Trevor was pretty drunk and decided holding his own head up was too much work and used Cole’s legs as a backrest.

Still in that fidgety state, you struggled to stay still espically since you were still annoyed Quinn “stopped me and Trevs fun.” As the boys started getting lost in their own conversation, truly not paying attention to them. An idea popped into your head, a compromise if you will. If Quinn wasn’t going to let you do flips with Trevor you could just do them on Quinn. Immediately you got up from Quinn’s lap, the quick movement you could tell startled Quinn but he didn’t say anything.

“I’m doing a flip, watch me.” in your head you sounded a lot more badass and clear spoken than you actually did. All the boys could understand was “I’m flap watch.” Before Quinn knew it you were facing him and diving head first into his lap, trying to kick your feet up in the process. Quinn truly didn’t know how to respond except to put his hands on your waist to try to support your weight.

“Baby whatcha doing?” he asked softly. He wasn’t annoyed but he also didn’t seem very amused.

“Obviously flips! ME NEXT!” Trevor yelled as he decided to stand up and turn around facing Cole similar to how you did to Quinn a few moments ago.

“Not a chance bud.” Cole deadpanned. Trevor immediately frowned, mumbling about how no one cares about if he has fun tonight and sits back down on the grass.

After your first failed attempt Quinn takes his wine glass that was in his hand and sits it on the ground next to him. He didn’t say anything as you turned around and started dragging the empty lawn chair near you, playing it directly in front of Quinn’s. He knew that you ass wasn’t gonna sit down, but he didn’t know exactly what your drunk train of thought was. “Baby?” he asked softly in a questionable tone, as he eyebrows frowned to try and figure out what you were trying to do. He found himself relatively leaning forward, as your feet stepped on the chair, and you tried to again dive into him in order to do a flip.

All you could do was laugh at yet another failed attempt, Quinn wasn’t as easily amused. Especially when Trevor’s booming laughter was heard as he started screaming, egging you on more longer. “You go glenn coco..” he screamed which caused the other boys to laugh because what the actual fuck did he drink to get this drunk.

Helping you sit still in his lap for a minute, he took the hand that wasn’t on your hip to your face. He leans his forehead to yours and softly asks “baby what are you trying to do?” Although it was clear to you, and Trevor, the rest of the boys were truly clueless on what the end goal was.

“I wanna do flips.” you pout.

“On me??” he lets out a chuckle.

“Well you said none with Trev so I figured this was the best compromise.” you admit, now giggling at your own thought process. “I think I’m a little drunk”, finally admitting what Quinn already knew.

“Maybe a little” he chuckles and that’s when you notice his flushed cheeks, the wine finally catching up to him. “Wanna stay or go to bed?” His head goes to your inner shoulder to rest for a second, leaving a quick open mouth kiss on your collarbone.

“Too much energy to sleep.” you sheepishly admit.

“Alright well what’s something safe we can do? Hmmm..” he asks as his hand that was on your face wraps around you. A small smile spreads across his lips as he sees your face light up with excitement.

“Can we make smores and build a fort?” Quinn would never admit this but he’s pretty sure his chest swelled with love for you at that moment. It’s moments like these where the alcohol gives you liquid courage to act on your brain's creative impulsive thoughts.

“Of course baby, whatever you want.” stealing a quick kiss before you both get up stumbling a little in the process. Once you make your way inside, Quinn goes to the pantry to grab everything needed for S’mores that he just happens to always keep on hand in the summer. Running to the laundry room, you grab all your extra blankets. Quinn notices your heading for the back door with all the blankets and throw pillows from the family room you can carry.

It’s in that moment as he watches you struggle to carry everything to the screen door. With only the top of your head visible due to the many blankets and pillows, he finally realizes he never asked you where you wanted to build this fort. “Hey baby? Where is this fort going?” He can’t help the chuckle escape his mouth as he grabs some stuff from you so he can actually see your face a little while you answer.

“Uhh outside next to the fire.” it’s not what you said that makes Quinn take a step back and laugh but you're almost accusatory tone about why Quinn would even have to ask, as if the most logical place would be next to a bonfire with a bunch of tipsy people. “And before you say anything I was gonna take the cushions of the patio furniture I’m not a monster.” you declared as you walked outside, you could hear Quinn chuckling behind you but chose to ignore him. Finally making it to the boys back at the fire, Luke almost ran into you trying to get the stuff for s'mores from his older brother.

“You know you know where this stuff is kept, Moose you could have gone inside for it.” Quinn continue to chirp his little brother “also don’t eat it all Rusty before Y/N gets at least one or you will be sleeping outside tonight because that’s the last of S’more stuff we have and you will be the one that deals with an emotional Y/N and Trevor if they don’t get any.”

“HEEEY!” Both you and Trevor yell at the same time, you lightly jokingly hit Quinn’s chest, he pulls you into his arms and kisses your forehead.

“We are not emotional Quinn, you are just emotionless.” Trevor is still not letting it go.

“Bro shut up and make your fucking s’more” Jack mumbles, earning a chuckle from everyone around.

“Let’s go get everything else.” As you pull Quinn back with you towards the house, you can hear all the boys still bickering, you're not sure what exactly he said but you know Cole got Trevor to let it go for now at least.

Once you're back on the deck, instead of turning to the couch like Quinn had grabbing pillows you make your way towards the screen door. “Where ya going?” Quinn asks softly.

“Uhh we obviously need more wine. Plus if we were having s’mores it only makes sense to get a more dessert wine.” Turning around to face Quinn with a cheeky grin.

“Says the girl who is literally the pickiest when it comes to any alcohol let alone wine.” He pointedly says as makes his way to you, grabs you and pushes you towards him so your back is pressed flush against his chest. Turning your head Quinn doesn’t miss the opportunity to steal a kiss. Turning you in his arms pressing you lightly against the glass door earning a moan from you which makes his smile more into the kiss. Quinn was a man of few words which was fine because you always joked that you could talk enough for the both of you. After dating for so long, you knew this was his way of saying “I love you” by stealing any kiss he could at any time of the day without physically saying the words, and it’s one of the things you loved most about Quinn.

Making your way slowly inside and to the kitchen you grab another bottle of wine, you went to cork it yourself but Quinn physically grabbed it out of your hands. Grabbing two new glasses since neither of you could tell you where your ones from earlier were. Before you left, you grabbed the rest of the case of the beer. There were only a few left for the boys outside. On your way out both of you grabbed multiple blankets off the couch to build the fort you so desperately wanted. By the time you came back you could tell that the DJ changed from Luke playing soft country music to Cole. All of a sudden your favorite song was playing, you turned to Quinn with a shocked face and begging eyes.

He softly nodded and you dropped all the pillows, quickly hugging him only taking your wine glass you ran towards the boys for your impromptu dance party. But before you could Quinn pulled you back with his hand that was still attached to yours. “I'll make your s’mores for you ok.” Kissing your cheek you pecked his lips as a thank you as you ran towards the boys well all except Luke, he wasn’t a dancer and also way too focused on the midnight s’mores snack he was making.

Quinn watched from a distance with a giant smile plastered on his face with you dancing as he walked towards his youngest brother. Luke was already eating his first s’more as he was roasting marshmallows for his second.. Quinn just shook his head as he started putting marshmallows on a metal stick to roast for your s’more.

“I never thought I’d see it.” Luke exclaims. Quinn only makes a sound of acknowledgement to his brother, as he watches all four of you now dancing and screaming the lyrics to “Imma Be” by Black Eyed Peas.

“The day your girlfriend likes Trevor and Cole more than you.” Luke chirps, a playful smirk on his lips as he glances towards his older brother automatically stepping to the side knowing Quinn’s fist is seconds from hitting his rib.

“Shut up Moosey and focus on not burning your marshmallow which by the way is on fire.” he remarks.

“Oh shit.” he quickly pulls it out of the fire and blows the small fire out. “Well jokes on your Q I like my food crispy.”

“Didn’t know crispy and burnt are the same thing. And she doesn’t like them as much as me. She's just more impulsive and hyper when wine drunk, which I think is adorable.” not noticing how defensive he sounds.

“God you're so whipped, I’m happy for you dude. It’s nice to see you happy.”

Before Quinn could have any type of response he heard the song change again to “You Belong with Me.” by Taylor Swift. Just as Quinn’s finishing up your s’more for you. He hears Jack yell for him.

“QUINN! Your shitty dance moves are needed! I’m not dancing with my future sister in law to this song! This song is strictly for couples or people that want to bone each other!” Finally Quinn makes his way over to you taking your s’more from him and taking a bite. Wrapping your arms around his neck, despite that this isn’t a slow pace song, Quinn’s hands find your hips pulling you close. Before Jack can continue to yell about how he’s sitting this one out, you have to point out the flaw in his logic.

“But Jackey… Cole and Trevor are still dancing and they aren’t a couple or wanna bone.”

Jack just blinks at you and says “I said what I said and I’m right. Now I need to go make a s’more before the human garbage can we left with all the food eats everything.” Both you and Quinn laugh as you get lost in your own little world still aware that Trevor and Cole are screaming the lyrics next to you but they seem even more lost in their own world then you and Quinn. Taking another bite of your s’more you were holding, lightly shoving it in Quinn’s direction. He finishes it for you knowing that’s your way of telling him you didn’t want any left.

“Now my lips are all sticky because you have a terrible aim baby.”

“Here let me fix it.” you mumble as you balance on the balls of your feet and kiss the marshmallow and chocolate leftovers on his lips. The kiss that started as playful slowly started to get heated but you teasingly pulled away before Quinn could get too worked up. “Let’s go make my fort!” you exclaim, quickly turning on your heel and heading towards where you left everything by the fire not even 10 minutes ago.

“Such a fucking tease.” you hear Quinn mumble as he watches you purposely sway your hips, you can’t help the smirk that’s on his lips as Quinn’s reaction every time all you do is simply kiss him. The fort you so desperately wanted turned out to be just some couch cushions long enough for you and Quinn to cuddle as with some blankets thrown on top, both of you being too lazy to put any real effort into it.

Quinn sat down the makeshift fort, as you leaned against him a blanket on top of both of you, even though you really didn’t need it. But you were too lazy to go get a hoodie all the way from your bedroom upstairs. Both of you getting lost in conversation with the group, Trevor and Cole just made it back to the group. Trevor couldn’t help himself from grabbing a blanket that you and Quinn didn’t happen to be using, wrapping it around himself.

“Z.” Cole warned, he really didn’t wanna deal with a moody Quinn, and Quinn was about to say something until your voice interrupted his train of thought.

“It’s fine Z keep it.” Snuggling closer to Quinn as you see Trevor wrap the blanket on himself and sit push Quinn’s now empty chair closer to Cole’s before plopping down. Jack looked at you over the fire, both of you sharing a look as he mouthed “told you” a laugh escaping you at Jack’s antics.

Time seemed to escape you as the bottle of wine you brought out was now half empty and the beers you brought out for the boys were gone. Luke called it a night after all the s’more stuff was gone and moose tracks ice cream from the freezer about 45 minutes ago. Trevor decided it was time to go into the lake, and that is when Cole decided that it was time to take a very drunk Trevor back to their shared room.

“Jack, can you at least help me get him up the stairs.” Cole begged his friend and Trevor was practically half asleep leaning onto Cole complaining about how first it flips and now the whole lake is off limits.

“Naw sorry dude. This one is all you.”

“You're such a dick sometimes.”

“Yes but be careful you might make Trev jealous.” Jack couldn’t help the laugh escape his lips as he walked into the house, waving both you and Quinn goodnight.

From where you and Quinn were now laying down you couldn’t see or hear everything that was happening between Trevor and Cole but you did hear Cole promise Trevor he could go in the lake tomorrow.

Once you both were alone, you glanced up at Quinn, he seemed a little lost in his own world staring at the very end of the fire burning. Deciding to poke his cheek to get his attention. He makes a sound of acknowledgement before he turns his attention fully to you. “Ready for bed baby?” he asks with a yawn escaping his lips.

“Nope.”

“Oh yeah and what do you wanna do?” shyly he asks as he pulls you closer to him by the back of your upper thighs.

“I’m hungry.”

“Oh really?” a smirk on his lips as he leans up for a kiss.

“Nooo not like that Quinny. I want food! I want pizza.”

“Pizza.” a chuckle escaping his lips as he glances at his phone. “Baby it is literally almost 1:30 in the morning this isn’t the city. I don’t know if any place is open for pizza.”

He hates the small frown and pout that’s plastered on your lips as he glances back at you. “Can you check?” you whine a pout on your lips. Quinn keeps one hand wrapped around you as he looks at every delivery service app he has, for pizza at this hour.

“I found something surprising. Do you want a personal or share?” Before you even respond verbally Quinn glances up at you and sees your face.

“Right. Two personal pizzas - mine gluten free and yours not. Do you want your usual?” Nodding your head yes, Quinn finalizes the order. “Should be here in 45 minutes.”

“45 MINUTES???” The shock in your voice is very clear, not sure if it’s your brain still used to living in a city or your drunk mind but that seems forever away.

“Like I said, we're not in Van anymore honey, this is kind of the middle of nowhere.”

“Yeah I can tell.” you drunkenly admit as you lift your head up and look out to the lake as if you're looking for more developed land you won’t find, leading Quinn to smile at you lovingly.

“Let’s go inside baby.” he whispers, kissing the crown of your head as you both get inside and drunkenly stumble inside. Before you knew it the pizza was here and you spent the remainder of the night until you passed out sitting criss-cross applesauce and gossiping about what you think Jack meant about Trevor and Cole. Well before Quinn told you he was going to projectile vomit all over the bed if you continued to talk about your theories. Laughing, you promised to stop and only gossip about it with Jack and Luke.

Yawning loudly all of a sudden once your stomach was full, Quinn decided it was time to call it a night for both of you. Not before making you get up and wash your face and brush your teeth. Although most of his drunkenness had worn off, he quickly found out yours had not and getting you ready for bed was no easy task. Finally, finishing you climbed into bed as Quinn came to your side of bed and gave you some advil to take now to get ahead of the headache you were bound to have hungover. That’s the last thing you remember as you heard Quinn turn on the shower for himself and you fell asleep. Quinn found you laying starfish in the middle of the bed 30 minutes later and took a picture because he found it hilarious before gently moving you to one side and pulling your back to his chest. He kissed your shoulder as he felt you stir “just me, go back to bed.”

“Okay, love you.” you mumbled already allowing sleep to lore you back into the comforting darkness.

“Love you too baby. More than you know.” as Quinn closed his eyes and let his body fall into the familiar slumper state.

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huginsmemory · 3 days

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Ideology of Exceptionalism and Gravity Falls; meta and character analysis

I had a whole ago read a post by @icanlife that had a quote by Alex Hirsch on Ford's greatest flaw, and wanted to explore what the flaw is, which is the ideology of exceptionalism; in the exploration, I’ll touch on what it is and how it is used in abusive relationships and cults, as well as how it drives multiple Gravity Falls characters and consequently how it impacts relationships between these characters, and how the show ultimately refutes exceptionalism.

Quick note here; I am not in any way, shape or form a psychologist nor have any formal training in psychology; this is written from my own experiences with this ideology and my own forays into psychology and trauma-informed learning. It is also written with a loose understanding that is likely not broad enough to cover all references to cults, extremist groups and abusive relationships.

The Ideology of Exceptionalism

First of all, we have to get through a drier bit, which is… what is the ideology of exceptionalism and how does it arise? Might be fairly obvious, but it is the belief that you are, or belong to, a group of exceptional people, thus more important and worth more than anyone else; ie, those who don't qualify as 'exceptional'. It is often a subconsciously learned ideology. Now, what qualifies one as exceptional can be extremely varied; generally it revolves around something that provides some form of privilege. Thus, it might be, as the main exceptionalist idea in Gravity Falls, 'intelligence', or power, or it can be such things as attractiveness, quantity of money one has, species, nationality, or skin colour and ancestral heritage. The ideology of exceptionalism, being by nature hierarchical, devalues, and at its worst, openly and violently dehumanizes those who do not qualify as exceptional.

For why exceptionalism occurs is an extremely broad topic, but I've personally found that, for exceptionalism revolving around intelligence, it's a result of a poor sense of self-worth, and having one's self-worth tied to what makes one exceptional. Poor self-worth itself (again, broadly) is a result of childhood trauma from a lack of positive affirmation and unfulfillment of the emotional needs of the child. Meanwhile, self-worth becoming tied to the quality of exceptionalism generally is a result of when positive affirmation was pretty much solely provided around their 'exceptionalism', especially when provided derogatory commentary, or a blatant example of how they would be treated if they aren't 'exceptional'. As a result of the general lack of affirmation, self-worth then becomes often solely reliant on the qualities of exceptionalism, as that is the only way for the child (and later, adult) to get affirmation of their worth, as well as out of fear of being ‘not worth anything’ like the examples of ‘non-exceptional’ people they have been given.

This is especially likely to occur when the child is a social outcast; the adoption of the hierarchical ideology of exceptionalism, and the devaluation/dehumanization of others often occurs subconsciously as an avoidance/minimization tactic from pain. This is to say, the child, and later the adult (if healthy self-worth is not established) goes 'it doesn't matter what the non-exceptional people say or if they accept me since I matter more than them because of my exceptionality'. It can even be taken further, that being shunned is part of one's exceptionalism, and becomes part of the qualifier of being exceptional. For instance, 'they just can't understand because they aren't exceptional and that's just a part of being exceptional'. This idea also neatly tailors into the part of the concept of being better then others means you are separate from others; this can be taken that someone who is special, needs to be alone to be truly special.

Obviously, exceptionalism is not a healthy coping mechanism for poor self-worth, as often such people constantly feel the need to prove and show off their exceptionalism to gain that affirmation and avoid rejection, which is stressful. As well, it often negatively impacts their relationships with other people as a result of the arrogance of believing that they are better than most others, or even deliberate sabotage due to their arrogance. This occurs as they flatten the complexity of human experience to black-and-white hierarchical categories of exceptional/not-exceptional through constant judgement of those they meet, and often refuse to engage with people who don't belong to their 'exceptionality', or even people they simply don't like, even if they technically qualify. Generally, those that they do like or have close relationships with, often due to being similar, are automatically labelled as 'exceptional'. Those judged as ‘exceptional’ also become privy to the open judgements of ‘non-exceptional’ others, out of a subconscious belief by the exceptionalist that the other believes similarly; something that may strain their relationship if the other doesn’t ascribe to exceptionalism. This all culminates in the exceptionalist being blind or even adverse to the diversity of experiences, which makes it difficult to create relationships and community outside of echo chambers of their own beliefs (if they can even find this), and subsequently, these people are often isolated and have very few to no close relationships with people.

However, all humans require connections with other people, relationships where one can rely on others emotionally and physically if needed and feel accepted; they also require to feel like they are worth something, that their life has meaning. Lacking meaningful connections and having a crippled sense of self-worth, a deep yearning hole is left in these people. Exceptionalism, especially as it is a narrative constantly pushed by Western society as it validates hierarchies, is then employed as a (often subconscious) trauma response to assuage this yearning hole, with arrogance and denial. And depending on the circumstances, it can be a very strong and definitive trauma response for people.

This isolation and lack of self-worth is catnip to abusive relationships, including cults and extremist groups. These types of relationships often heavily rely on isolating their victims or pulling them into echo chambers of solely the abuser’s rhetoric, to redefine what is healthy through gaslighting; as the exceptionalists are already isolated, this makes them extremely susceptible. They also often provide these people affirmation, and in these cases especially about their exceptionalism, thus confirming their self-worth, their 'specialness', while also providing them the connection they have been lacking, either through the cult community or through the abuser’s own presence. These emotional needs, which haven’t been met in a long time, if ever, begin to be fulfilled; something that abusive relationships and cults hinge on, rather than any form of logic.

Ideology of Exceptionalism and Gravity Falls

The main characters within Gravity Falls which are heavily ascribed to exceptionalism would be both Ford and Bill; this characterization deeply impacts the story and their relationships with others (technically the Northwest are another case regarding wealth, but less directly impact the storyline and thus tangential; Gideon also is an example, but as a mirror of Bill). With each of these characters I’ll go into detail within their sections on the way they began to ascribe to exceptionalism, and how it plays out later in their relationships; I will first begin with Ford, then move to Bill. Then, to cap it off, I’ll go into the characterization of Stan and the way Gravity Falls refutes exceptionalism.

Ford and Exceptionalism

Firstly, the quote from Alex Hirsch that kicked this whole baby off, as mentioned previously;

“Ford sees Dipper as someone who’s special like himself. That’s Ford’s great flaw, his arrogance is he believes that there’s special people, and everyone else. That human attachments are actually weaknesses. And the song and dance that he’s giving Dipper right now, is the song and dance that he gave McGucket, back when they were younger… ‘You and me are different, we’re better than everyone else. We have a path that no one else can understand, and only us can do this.’ It’s a very seductive idea for Dipper… Dipper is a smart kid, but Ford’s projecting. Ford loves Dipper because he sees someone who’ll tell him ‘yes’ to everything. Who’ll never challenge him, who’ll do a really insane dangerous mission.”

Very blatantly Alex Hirsch calls Ford out on his arrogance in the belief that he is special, in his belief in the 'lone hero' complex, in his belief in exceptionalism. And really, it should be no surprise that Ford does so, considering the way he's depicted as a social outcast as a child (other than Stan), and the way his parents have been clearly shown to be not particularly emotionally supportive (“I’m not impressed”); they don't provide positive affirmation except for his intelligence (mostly due to the possibility of money making through it…), while also actively comparing him to Stan who is derogatorily ‘not-exceptional’, and ‘worth less’. This all sets Ford’s self-worth up to be fragile, and other than Stan who wholeheartedly accepts him, he is isolated and invalidated; plus, the only other validation he receives is around his intelligence. All very classically fitting the profile for exceptionalism.

Image id: Stand and Ford when they were children, both clearly enjoying each other's company.

Ford’s belief in his exceptionalism catalyzes after the shattering of his and Stan’s relationship. Previously the twins are shown to do everything together, having a very close caring relationship; something unlikely if Ford thought he was better than Stan. Also, when Ford is talked to about his opportunities, Ford looks uncomfortable at the way they talk about Stan as inferior, compared to how he himself is being praised; but in the offer he’s simultaneously finally being validated, he’s being told he’s someone worth something, and he’s going to be someone worth something after this. And then the science fair incident occurs, and Ford loses that validation from his parents, from the judges and a future of more validation; after being promised validation and acceptance, it slips through his fingers. And in his anger of being denied that, it becomes easy to begin to slip subconsciously into the rhetoric the others have been feeding him; that he’s exceptional, that Stan isn’t, and he deserved to be recognized for his worth. So he breaks the relationship with the only person who accepted and validated him for who he is. With that loss of previous support, Ford becomes then deeply obsessed with proving his exceptionalism to the world to assuage that fragile self-worth, to become accepted, or even better, revered, confirming that he is someone of worth, someone special, like he was promised.

Ford’s obsession also doubly functions as a way to alleviate his guilt over shattering their relationship; if he’s exceptional as he believes, then he’s within the right to respond the way he did, as he’s worth more than Stan, he's better off alone, and he has a right to be angry over being denied that validation. As well, in much the same way as it is used as a way to alleviate his guilt over the end of their relationship, it is also likely used in a way to minimize the pain of being ostracized (although not directly depicted); afterall, Ford’s keenly aware and insecure about his social ineptitude and his six fingers as things that make him different from other people, case in point with his experience visiting Lazy Susans Diner. Thus it wouldn’t be unsurprising if he uses the idea of being worth more than those who ostracize him to imply it ‘doesn’t matter’ what they think. His ostracization by nature keeps him from generally forming close relationships, with the exception of Fiddleford (who much like him, is socially outcast, and intelligent) during his university days. As a result, he's isolated and acutely lonely, having lost Stan.

Image id: One of the missing Journal 3 pages in TBOB, detailing Ford's botched social interaction in Lazy Susans Diner. In the background is the print of his six-fingered hand.

In his obsession over being acknowledged, Ford, like many others who believe in exceptionalism, identifies strongly with the causes of his ostracization (his intelligence, his six-fingeredness) as part of, or wholly, makes him exceptional. It is obvious through his choice of study; with the grant he has been gifted, he chooses to revolve his work around the weird, the outcast, something that you see Ford gravitate towards being an outcast and deemed 'weird' himself (which in Journal 3 he openly talks about). Something that can be, much like him, framed as 'exceptional'. His work is even recorded in a journal that Ford deliberately chooses to put his six-fingered hand on the cover of. Intertwined with the way it becomes adopted into the idea of exceptionalism, is the keen loneliness from his ostracization and a deep desire to be accepted and a wish to find a community of other weird people.

Image id: Two pages from journal 3, labelled 'Myself', in which Ford is open about being weird, and a social outcast, while also noting his ambitions and that 'Gravity Falls, [is] the place that I fit in.'

Ford and Bill

All of this culminates in Ford becoming an incredibly easy target to manipulate by Bill. He’s desperate to be acknowledged (and thus accepted) by an authority figure so that his belief in exceptionalism is justified and his self-worth confirmed. And he knows he’s intelligent, that he's exceptional because people have told him so, but he just needs to prove it with something that shakes the world. And the grant is finally his second chance after the fair, but he's stuck, and the research is going nowhere, and he's in a town where he doesn't really know anyone and he’s so terribly lonely. And sure, he clings to his exceptionalism but if he can't even prove it then is he really exceptional? Is he even worth anything like he thought he was? And what about what he's left behind, rejected, because of his exceptionalism?

And THEN he finds an incantation and he ignores the warnings because maybe, just maybe, this will be his break to get that acceptance/validation he has been chasing his whole life?

And then it's better than that.

A god, essentially, shows himself to him, an ultimate figure of authority. And he tells him that yes, he is special, he’s worth more than other people, and Bill’s only showing himself to Ford because he is so much more intelligent than anyone else. Ford is suddenly getting his exceptionalism confirmed by a god of ancient knowledge, an immensely intelligent interdimensional being, and he’s also showering him with affirmations, specifically affirmations around what Ford's fragile self-worth is based on. And even better, he's delighted by Ford's six-fingeredness; he's not put off at all, it even becomes his main nickname for Ford, just like it used to be for Stan all those years ago. On top of it all, Ford's own social ineptitude doesn't phase Bill, another thing Ford is self-conscious about; Bill's own social ineptitude as he's not human probably makes Ford feel comfortable, knowing that's not expected from him.

Through Bill, not only does Ford find someone who validates his self-worth through intelligence and even confirms to him that his weirdness is part and parcel of making him special, he also finds someone who he regularly (generally) is in contact with, who enjoys talking to him and even banters with him familiarly. Hell, Bill even deliberately goes out of his way (literally possessing a whole wack ton of rats, then dream karaoke) to celebrate his birthday with him; how long do you think Ford has simply skipped his birthday since he had no one to really celebrate it with? The loneliness, beneath his arrogance and belief in exceptionalism, is being fulfilled; for the first time since Ford was a teenager, he's fully accepted by someone, social awkwardness, six fingers, exceptionalism and all.

Image id: One of the lost pages from Journal 3 in TBOB, the 'one thing led to another' page, with Bill and Ford singing karaoke and drinking together, both clearly enjoying themselves; Bill has an arm slung around Ford's shoulders.

So it's really no surprise at all that Ford fell for this, hook line and sinker. Hell, if I was in Ford's shoes I would fall for it just as hard. And I've seen a few posts floating around talking about how Bill is bad at manipulating, and no, he's not. He was able to pinpoint exactly what Ford wanted and needed, and provided that, was charismatic enough to provide that. Again, manipulation isn't about logic. It really isn't; it's about the emotional core in people, what people lack and what you can give them to slowly reel them in to sing your dance and song. And people will ignore vast swaths of red flags when you're finally being accepted, when you're finally getting your emotional needs met at least in some way or form. It's better than not having them met at all, such as previously. So Ford worshipping Bill is really not a surprise, especially as Bill deliberately stoked it.

All of this is part of why you see Alex Hirsch call Ford's belief in his exceptionalism his greatest flaw; because it allowed him to be very easily manipulated by Bill, and by its nature kept Ford isolated from others, evident by his arrogance in assuming he knows best and refusing to see other people who aren't as 'intelligent/weird' as him as worth getting to know, listen too and even reach out to ask help from, it's him believing he has to be the lone hero as someone whose 'special'. It's something that blinds him to the danger of his work around the weirdness of gravity falls because he’s desperate to seek a place where he and his weirdness belong, and it's something that plays out in each and every relationship he has because it's something he clings to so deeply. It's what cost him his relationship with Stan, who previously accepted him completely, and, as he's disinclined to form new relationships and as Bill actively strokes his paranoia (Trust No One…), ultimately further increases the hold Bill has over him. It's only Fiddleford’s presence as he works with Ford that allows him some form of outside reference and reprieve from solely Bill’s influence, something that Bill resents deeply and is clearly jealous and angry about, even if Fiddleford is helping create the portal. And it's ultimately Fiddleford, once he was aware enough of what was happening, calls Ford out on it, seriously jeopardizing Bill's influence over Ford; but Ford is too invested in the portal, in chasing his own ambition and caught up in Bill’s manipulation to take him seriously, until the incident with the trial, and Ford beginning to hear other voices then Bill.

Ford’s Exceptionalism and Wider Relationships

Now back to how it plays out in all Ford's relationships; we've already gone over it with Bill's influence, because it made him extremely easy to manipulate, and with his disregard of Stan in favor of validation of his exceptionalism. But Ford, as pointed out by Alex Hirsch, also exerts the ideology's seductive rhetoric to both Fiddleford and Dipper (who look up to Ford) in a similar way that Bill does with him (although there is a difference of it being used intentionally and maliciously, compared to subconsciously and earnestly, even if it is problematic). Ford, with his black-and-white view of exceptionalism, sees both Fiddleford and Dipper as people who are like him; 'exceptional', and so he treats them as such, and uses this rhetoric to coerce them into helping him.

For Fiddleford, the lure is how he can change the world, how he can be finally acknowledged if he helps Ford with the portal. And it works well; he willingly chooses to leave his own work and his wife and young son, to work with Ford. Much like Ford, Fiddleford himself is also a social outcast and regularly presumed less smart than he is, and he’s got a chip on his shoulder to prove himself, to gain acknowledgement and recognition from the world at large. Although Fiddleford has a family which presumes he’s not entirely lonely like Ford is, he also clearly has deep feelings for Ford, some which are hinted to be more than just ‘friendly’ feelings; it is likely the combination of the lure of validation and spending time with Ford, a kindred spirit that accepts him and an old friend/crush, that causes him to agree (afterall, it was Ford who made Fiddleford feel accepted and choose to stay at Backupsmore). And Fiddleford’s not even considered a partner, but rather an assistant to Ford due to Ford's arrogance, and he still drops everything to go! It’s more about their relationship and connection rather than validation, but that doesn’t stop Ford from espousing exceptionalism. And this is a distinguishing difference, because although Fiddleford would like recognition, he’s not there solely because of it; he’s not a believer in exceptionalism nor arrogant about his skills, and so, unlike Ford who is blinded by his obsession, he’s much more aware of the dangers of the weirdness of Gravity Falls. Thus, he's actively calculating the risks involved, and when he realizes there could be potentially devastating consequences of the portal, he attempts to talk Ford out of it; this fails due to Ford’s own denial and obsession over the portal. In the end, it all goes terribly sideways, and Fiddleford ends up losing everything he had; his wife, his son, his friend, his memories and himself to the trauma he had experienced at the invitation of his friend with the lure of validation and company, due to the memory gun he had created himself.

As for Dipper, much like Ford, he also has issues with self-worth (many of the episodes deal with Dipper finding self-worth; ie, the manotaur episode), has a physical oddity (his birthmark) and by far the trait he relies on most for worth is his intelligence (for example, in one episode he rubs it into Mabel's face over and over again in beating her in games). He's also extremely desperate to be recognized by authority figures as someone intelligent, case in point when he summons the dead after being made fun of by the government agents to try and show them that the information he's gathered is important after Stan dismisses his knowledge. This desperation to be seen as someone of worth from Dipper, much like Ford, extends to the need to be a hero, something he even says at the end of the zombie episode; yet, due to Mabel, unlike Ford he's not a lone hero, and Mabel also half the time acts as the hero.

Image id: Zombies crawling out of a crack after Dipper summons them; Dipper and the two agents look on in horror.

It all culminates in Dipper hero-worshipping Ford when he returns; really, no different than Ford worshipping Bill. And Ford clearly finds it extremely flattering; Dipper's attention and amazement of him feeds his exceptionalism. Exactly how Ford responded to Bill, Dipper is willing to do anything for Ford, excited too, in an attempt to impress Ford and be validated and accepted. And for Ford, that's an extremely heady feeling, especially as someone who has been constantly alone the last 30 years, especially when he had one previously confirm his exceptionalism all those years ago and stopped, and now someone is once again affirming that idea. And Ford doesn't have to be alone again, because he's found a kindred spirit in Dipper as his assistant, someone ‘just’ like him, someone who is exceptional. Because he sees himself in Dipper, he begins to espouse exceptionalism unconsciously, by praising Dipper's own intellect and adventurous spirit, assuaging his feeling of self-worth, while also telling him he's more important or better than others because of it.

And it's seductive to Dipper, because he wants to hear those affirmations of his self-worth, especially as he hero-worships him, but Dipper isn't sold on it, because it means leaving Mabel behind, it means believing that he's worth more than Mabel (and also, Stan, and all his friends he’s made in Gravity Falls). It's ultimately because of his relationship with Mabel that he rejects the ideology; he's not isolated the way Ford was with Bill, and he's not willing to break that relationship for that acknowledgement, because his relationships matter more to him.

Bill and Exceptionalism

Now of course, that's only on the Pines; what about Bill?

While it's obvious that Bill uses exceptionalism as a main manipulative tactic, it's not just an ideology he sprouts emptily; it's also an ideology he believes in, just like Ford, although it's less based on intellectual exceptionalism, and more on power and 'weirdness'.

This most distinctly can be seen in Bill's denial about what happened to his home dimension; Bill's belief in his exceptionalism occurs as a pain avoidance tactic from killing his whole dimension. Bill was clearly a social outcast within his dimension due to being able to see 3d; he's not accepted, and not trusted, to the point that there is medical intervention to make him blind. That's a deeply traumatic experience that completely erases one sense of self-worth, where one’s sanity is called into question by your parents on something that is not harmful, that's beautiful and you just want to share with them. It's a deep and clear rejection of who Bill is, and his ability. As a result, out of a desperate bid to be understood and accepted, he ends up trying to show them the stars. And it ends up killing everyone.

Image id: Page of TBOB, on 'The Early Years' which notes that Bill was an oddity for seeing 3d, something that was illegal to speak about. Bill frames it as something that made him 'special' and better than all the others.

Traumatized, and originally rejected by the dimension, he instead weaves an excuse of exceptionalism; that it doesn't matter what he did to them because he's exceptional and he's worth more than all of them because he can see 3d, because he's powerful, so he shouldn't/'doesn't' feel any remorse about it. With such a traumatic result of trying to be accepted by people, he rejects the idea of trying to be accepted for who he really is; instead adopting a facade of a monster that he believes he is (and eventually, becomes).

Even if he clings to the delusion of exceptionalism, and shuns attempts to find true acceptance, he still wants it; and that's where his henchmaniacs fit in, as they're all, as Bill's noted when trying desperately to get Ford to join him, weird; each has something 'wrong' with them, which is why Bill accepted them as his lackeys (although it's not like we know the context around these). It's a surface-level acceptance however, one more predicated on fear than emotional acceptance. He's taken his 'weirdness', much like many do who believe in exceptionalism,as ‘part of what makes him exceptional'.

In the same way that Ford wants to show the world that he's smart and intelligent by building the portal, Bill does so by wreaking havoc and taking over existences as a way to show the world that he's powerful, that he's someone to be reckoned with, that he's not someone to be ignored because he's someone who's worth more than others. If you can't be loved and accepted, then being hated and feared is better than being ignored; acknowledgement at least approaches acceptance, it's validation of some sort of worth. It also functions as deliberate self-sabotage of his morals, by proving that he is the monster that killed his entire dimension; if that's what he is, then that's who he's going to be, because if he wasn’t, then he has to come face to face with his remorse over what he did to his dimension and his whole house of cards around his exceptionalism and not caring collapses. So instead he keeps feeding the delusions the denial, and lies and lies and lies and keeps lying to ignore all of it, to wrap himself in this shroud of exceptionalism and brutality as a way to function. And it somewhat works, because he's mostly deluded himself about it all, even if subconsciously he knows.

And of course, this display of Bill's exceptionalism is what brings Bill to earth, to Gravity Falls, and to manipulating humans. In meddling with earth and humanity, beyond Bill's goal of taking over earth and fleeing his own unravelling dimension, he also enjoys reaping the benefits of being worshiped by humans, who find him awe-inspiring. Their amazement of who he is, and Bill's own posturing and manipulation of people leads to Bill literally forming cults (ie ciphertology) or having apprentices that worship/find him (to varying degree) inspiring; all reinforcing his feelings of exceptionalism.

Of course, Ford numbers among these people; he praises Bill and worships him, as he's played like a fiddle by Bill, because his self-worth and belief in exceptionalism is fucked up in a way that perfectly resonates with Bill’s. Because it's the exact same types of issues around self-worth, around being an outcast, being weird and wrong physically, and yet at the same time gifted. And Ford clearly is incredibly lonely and yearning for acceptance, but so is Bill; since the beginning he's been trying to find someone who would accept him, even if he's given up on it. And for his song and dance to entice Ford in, he pretends he's not crushed dimensions for fun, that he's not a 'monster'; a version of him he buried after he had tried to show his parents the stars, one that he occasionally resurrects and puppets around for manipulation (all lies are better when they have a grain of truth). And this version of him is worshipped, but above all is accepted, is loved by Ford. The softer parts of Bill, even if they are still weird as fuck, the parts that were never far beneath the surface for all his deluding, become loved by Ford. Much as Ford becomes hooked on Bill’s praise, Bill also becomes hooked on Ford's genuine love and care. It becomes personal, unlike any previous ‘inspirations’ and Bill over time gets to the point that he feels accepted, safe enough with Ford to share about his dimension much more close to the truth then he did with any of his henchmaniacs. He becomes vulnerable with Ford, in response to Ford’s own vulnerability with him. He’s finding acceptance for the first time in his life around the softer parts of himself, not just the feared acknowledgement that comes from his dimensions conquering; much like Ford is finally finding companionship and acceptance with Bill, not just only intellectual validation. Bill's also for once, not just self-serving; he cares, and goes out of his way to take time with Ford, even celebrating Ford's birthday (in the unique way he does things), both with the rats and the karaoke.

Image id: One of the lost Journal 3 pages in TBOB. Ford recounts Bill talking about the destruction of his dimension, and calls himself by implication a monster.

They're both fulfilling each other's emotional needs, needs which both of them have struggled with most, if not all of their lives (although their relationship is certainly not healthy, considering it's codependent as fuck, riddled with exceptionalism and oodles of power imbalance issues). And suddenly, against Bill's plans, Ford's no longer just a disposable pawn, but someone Bill wants as part of his team, someone by his side, closer than his henchmaniacs are. He's unwittingly fallen for Ford, and so when everything goes sideways in his plan, and Ford swears it off, suddenly cutting off their relationship and that acceptance Bill had finally felt, he spirals into grief and anger from the rejection. As a result, he becomes extremely abusive to Ford in desperate attempts to continue their relationship, and ultimately he becomes obsessive over Ford joining him again as Ford continues to refuse, as evidenced by both Weirdmageddon and the Book of Bill.

Stanley Pines, and the Refuting of Exceptionalism

Exceptionalism, being a negative driving factor behind many core character dynamics, is ultimately refuted by the show. This occurs multiple times over the show, such as with Mabel in the Pioneer Day episode, especially compared to Pacifica, but mostly through Stan's characterization. Stan is someone who has been since the beginning characterized (if lovingly so) as someone who is a failure by societal standards; he’s an older man running a run-down tacky tourist shop to swindle gullible tourists out of their money, has multiple divorces, has an ongoing feud with a literal 12 year old, clearly has had multiple mishaps with the law (some ongoing), is generally pretty self-serving and is extremely lonely and really had no close relationships until Mabel and Dipper showed up. He's not exceptional; he's not even what we would consider 'decent' enough to have a 'typical, hard working job’. In short, he’s a failure, a stark difference to the idea of 'exceptionalism' that characterizes Ford. If he's gifted in any area, it would be charisma (debatedly), not anything else.

But it's still Stan who rebuilds the portal from literally only one journal (not all three!) and gets it to work. It even seems like he only needs some codes from the other two journals when he does get them, suggesting that he was able to extrapolate from what was left and the first journal’s blueprints to fix it entirely, something that is extremely difficult and technically complicated (Ford, Bill and Fiddleford all worked on it together!). Stan's able to do it, even if it's been shown he's not 'naturally' gifted in that area. And it's something he does as a result of his deep care for Ford; because even after their fights, he cares about Ford and wants to right his wrongs, believes he should, because of his whole life of being defined as a failure and even worse than that, screwing up his ‘exceptional’ brother’s life. And he’ll do it even if that means learning how to build an interdimensional portal, even if it takes up thirty years of his life doing so, and he doesn't waver. Much of this is connected to his own complexes around being deemed a failure compared to Ford, having failed to succeed in his life, and how he feels that he needs to atone for screwing up Ford’s life, now for the second time; but beneath it all, he also cares. Much like Ford, he's extremely lonely, but he's not blinded by Ford's arrogance, and as a result he wants to make sure Ford's safe, because that's what he used to do, they’re twins, they grew up together, they once they had fully accepted and cared for each other, and dammit that still means something, and Stan hasn't found that depth of emotional connection since. So if possible, he wants to rekindle that closeness they had, but first, he needs to bring Ford back.

And in the end, it's not Ford's own special gun he built using his intelligence that 'kills' Bill. It's Stan, someone who Ford had long ago broke it off with in search of validation of his exceptionalism, someone who both Ford and Bill labelled as 'not-exceptional', who defeats Bill. It's exceptionalism's devaluation of people who are 'not-exceptional' that causes Bill to underestimate the Pines beyond Ford, and it's only when Ford put aside his exceptionalism and his refusal to accept and trust 'non-exceptional' people, that is, trust Stan once more, that causes Bill to end up defeated by Stan.

In the end, it's not about who's 'smarter'; it's a reminder that everyone has different skills and are better at different things, but that doesn't diminish one's worth or value, and that just because someone isn't naturally 'gifted' in an area doesn't mean they can't learn or use different ways to get around obstacles. Ultimately, it comes down to that no one is worth more or less than other people; exceptionalism is a lie. It’s a lie and an excuse, and it's certainly not a healthy way to assuage one's poor self-worth. What does matter is creating positive healthy connections with other people, and caring about them. This creates a community where you can be yourself and be emotionally fulfilled through these connections; and when opposition does arise, you become able to fight it together, and fight so much stronger than if you are alone.

And by the end of the show, you see that. Ford begins to let go of the ideal of exceptionalism and its black-and-white categorization; finally recognizes his own faults around prioritizing validation of his intelligence and exceptionalism over his relationships, and finally, after all the years, chooses to create and rekindle positive relationships with people, trust people, and make amends. And in the end, he goes sailing with Stan, prioritizing their relationship, finally fulfilling their childhood promise.

Image id: One of the pages written by Ford into TBOB. Ford refutes Bill's idea of happiness, and says he has finally found his own happiness, and it looks like the photo taped in, of Stan, Ford, Dipper, Mabel, Soos and Wendy, all smiling together.

TLDR: Exceptionalism, an ideology of categorizing people into being special and worth more vs plebian and worth less, is a trauma response and subconscious ideology that characterizes Ford and Bill’s lives, deeply impacting all their relationships as it is used to coerce people into doing what they want, makes Ford easily manipulated, and breaks relationships through their arrogance. It is ultimately denounced through the way Dipper chooses to reject Ford’s offer and his rhetoric of being exceptional, and through the way it's not Ford’s intelligence, but rather Stan, who has been labeled as 'not-exceptional' and a failure at life, that defeats Bill through trickery. It's a reminder that everyone has worth, and no one is worth more than other people, even if one may be gifted in certain areas; the ideology of exceptionalism is fragile and a lie. In the end, creating a caring, loving community around oneself is where strength truly lies, as is seen with the deep care and love the characters have for each other, and the repairing of Ford and Stans relationship.

Thanks to the lovely @eshtaresht who deigned to beta read this monster of a post for me

If you enjoyed this meta, (first of all if you read all this you're a champ!) I've also done another gf meta post! (It's shorter I swear)