I'm gonna bend the rules a bit and merge two of the FE questions together because I think they're more interesting hand in hand.
32 and 26: What direction do you wish the series would take, and what would your pitch be for the first title to go in that direction?
I want to see them lean harder into strategy, or at least give us reasons to not juggernaut. I ain't good at designing games yet so this'll be a fun thought exercise.
Smaller cast of units with greater distinction between units. Units are locked in their class (unless they have like, story promotion stuff idk), they have personal skills and stats that give them specific niches in their class. Maybe someone has Adept and high speed as a Mercenary but another has Pavise, so you have one that is really really good at killing shit, and another who's a tank and spank unit for an example. They feel distinct from each other, and one has the overkill combat that makes them good with priority targets while the other has the ability to handle multiple enemies well to buy time/create space. This is probably the biggest departure as we haven't really had a game that did this imo.
More challenges that aren't just about your stats. Status staves, enemy packs with reaver weapons, packs vulnerable to strong effectives, somewhat open maps, things that allow you to engage with the maps differently. Maps that aren't straight lines but have multiple options for egress and reasons to use those options based on your available tools are great!
Inventory items that give stat bonuses. These were a really good thing that allowed for flexibility to hit benchmarks that we saw in Gaiden, FE4, SOV, Houses, and sort of Engage that added legitimately meaningful depth in the kind of solutions to problems you could find. They can be "win more" things which sucks I won't deny that, but I also value their flexibility too much to really dislike them.
So, with that, I'll try my hand at a pitch.
Your lord is a staff unit. This means that designing things can be done around you *always* having a utility unit and you can be expected to use/react to enemy magic accordingly. You've got a prepromote wyvern who'll be good at combat for a while, and as their combat worsens their utility as a mobility tool is a much more relevant reason to use them. Motley cast goes forth from there, I just think those two things are legitimately interesting ideas to me I want to explore more.
As for story, I've got the least expertise here but... Let's say our main lord haaaates fighting and is optimistic about people. That's why they prefer to disable their foes, heal or protect their allies, that's why they're a staffer. Give them a personal weapon to reflect that, too. There's a background war going on that the lord doesn't get involved in for a while but you *feel* it as you're recruiting your early playable cast (maybe your lord is on some personal mission and your prepromote is their escort. Could have some knight/liege yuri there idk I like that). Townspeople talk about what they've lost along the way because of the war, some people are displaced by it and you can help them out on maps for rewards, etc. Eventually, the cast ends up fighting one of the factions in the war, the other comes to reinforce on that map, and *that's* when the story picks up, as the cast is thrown into the deep end of it. Your lord is convinced to help one faction end the war, and they reluctantly agree because they think it's the best way to stop the fighting because they can't just stay out of it. Things proceed as normal for FE, but there's a greater emphasis on the civilian cost of war along the way, because your lord *wants* to help the people that are hurting because it's their nature. And they're getting *so* tired of what they're hearing, but they keep going on, because at this point that's all they can do. Help those who are hurting, and end the war. Unsurprisingly, the war came about because of the Problem Dragon, who you learn more about the chapters before you fight them. Maybe this dragon is why your lord is on their quest, they wanted to find them? Uncertain about that plot thread especially, but either way they need to in some way be sympathetic or redeemable for one reason or another. Not just because I think that these games are at their best when there is some tragedy with the dragon, but because the lord needs *some* reason to have their faith in the goodness of people be what carries them through this conflict. Maybe they get exploited for it throughout it, maybe they didn't, idk how I'd wanna frame that but the point needs to be them *giving a damn* about people is what lets them end this (yeah I like Idunn, how did you know).
In short, small ragtag cast with a focus on the lord primarily (most other people are there just supporting them) tempering their perception of reality but not letting it get them down. It's a coming of age for them, but they keep their sense of hope for the world because the kindness they showed to others and got back in turn is what enabled them to survive. You need some genuine darkness for that light to show probably, but it needs to be a story about making a difference in other people's lives and how important that is, no matter how small.
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I decided to start compiling speech patterns and such for the Hermits I watch the most, because being a fic writer is hard sometimes 😭 then I thought “why not share it here?”
so here’s my very rough analysis of my most viewed Hermits, this is just what I’ve managed to gather so please don’t call me out for what I’m missing
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Scar
Rarely stutters in normal speech. Maybe pauses if he’s started a sentence and doesn’t know where it’s going, but he doesn’t tend to trail off unless something interrupts his train of thought
Stutters a LOT when he’s startled. Also makes ‘hoo!’ noises repeatedly before he finds his words
Lays on the charm THICK when he’s trying to convince someone over literally anything; compliments their looks, their handiwork, and then pitches his proposition in smooth segue. Not one to entertain haggling though (however he DOES do a ‘look if you’ll pay full price I’ll throw in xyz’ thing). King of upselling even the most mundane things.
His tone is cheerful most of the time, no matter what he’s saying. He’ll actually often say very disturbing things with a light voice (ex. when discussing how to retaliate ie “what should we do about him?” “we could kill him! :)”)
Builds and locations somehow are always capitalized in his voice?? Like he says them differently. I can’t really explain it (when he talks about Aqua Town or Scarland or The Big Dig)
Literally has an evil laugh when he thinks of a way to prank someone or mess with people
Hums in thought quite often, and uses “huh!” quite often when confused or finding out something new (Mostly with redstone)
His farewell is almost always “Byeeee, have a great time!” even if the conversation he left was not a pleasant one. I’m almost certain he does this in tense situations just to get under other people’s skin and really push how unbothered he is
Doesn’t tend to insult people, the farthest he’ll take it is backhanded compliments
That said he is not afraid to outright threaten (“I will murder them.”)
References media a lot, both for concepts for builds and in speech (ie his greeting “Well hello there!” is from Star Wars)
Number one exclamation is “Sweet Baby Jellie!”
(More under the cut!)
Grian
Cold opens, both in videos and conversations (rarely says “hello, how are you, etc” when encountering someone, but he does say farewells/‘thank you’s)
Likes to sneak up on people and scare them if he realizes they haven’t noticed him yet, usually does so by getting real close and then yelling (“HEY!”/“HI!”/“WHAT’S THAT?”)
Uses the name of whoever he’s talking to pretty often while speaking to them (“Well, Mumbo, you never know”/“So, Scar, as you can see here-“), same goes for often addressing his audience (“you all”/“you lot”/“you guys”)
Usually pretty focused (when he wants to be) but oftentimes takes a minute to laugh at things he notices in the natural environment (An accidental face in a build, a mob in a strange place, etc)
Takes the lead in a conversation if nobody is the clear leader, but generally only speaks when spoken to if someone else has risen to that spot
Clarifies instructions after something is explained, both to his viewers and to anyone he’s grouped up with (most often seen in the Life Series)
Uses “Pardon?!”/“Beg your pardon?!” most often when surprised or startled (he’s very British), also sometimes uses “Sorry??”
Things are way more funny to him when he’s tired
Deadpans a lot in conversation ie “why not do xyz?” “Well because we’ll horrifically die 😑“
This man is allergic to committing to the bit unless he’s the one that initiated it
Not one to sugarcoat (“how is it?” “well to be honest it’s miserable”)
Number one exclamation is “WHAT?!” (though he often uses “oh my GOODNESS” quite a bit)
Mumbo
The start of nearly every episode is almost a pitch, does the same when bringing up an idea to others (“I have this idea”/“I was thinking”/“I noticed” etc)
Often laughs a little at himself when he speaks
Also often brings up how inexperienced/unqualified he thinks he is with literally any task he’s doing
Gets very distracted with the smallest things
Uses similes a lot when trying to describe a concept (“I’m thinking a this-type thing”/“Something like a [xyz]”/“Imagine like a [thing]”)
His voice gets higher when he’s startled or panicking
A very vocal thinker, which makes sense because he’s a MC Youtuber, but he also just. Seems to think out loud regardless
Comments a lot on the feel of things (“Oh this feels menacing”/“This looks like it’d mess you up”/“This makes it feel very intimidating”), often with building
Extremely modest. However will celebrate when he does something right in redstone/building (“YES! Oh my days, that took forever”)
Once and a while will have a rare banter moment with people he’s comfortable with (ie teasing and making fun)
Related to above, he gets very giggly when he’s hanging out with people he’s familiar with (Grian and Scar most often, but also Iskall)
Number one exclamation is “What on earth?!”
Joel
Greets people most often with “How you doing [name]?”/“How are ya [name]?”
He’s very northern. He often leaves out words in his sentences bc that’s just the way his dialect is (“What you doin’?” vs “What are you doing?”)
Says his th’s like f’s (“somefing”/“nofing”/“finking”) ((Stress also does this))
His jokes/teasing are very deadpan (“I made you this extra thing, because you’re trash at this”)
Actually gives gifts of resources very often, and always leaves it with a little note and signs his name
His voice gets higher pitched when he’s defensive/being extremely cheeky but other than that his tone rarely changes
This man. Flirts so much. If any other person initiates even the slightest of flirty banter he takes that and dials it to eleven I cannot believe this is a straight married man sometimes
Joel commits to the bit 100% of the time (slightly related to above), unless of course it’s jokes about his height
Makes a point to compliment himself if he gets the chance (words most often used are “handsome” “strong” and “humble”, as well as comments about his muscles and physique)
Insults his enemies diminutively (“look at you down there, tiny idiot”/“You’re wrong and also weak”) ((seen most often in Empires SMP)
His most often used insult is “idiot”
When he’s flustered/frustrated he uses “bloody” a lot (ie “bloody heck” or “this bloody thing” (loves to toe the PG line), also uses “blooming” (“bloomin’ heck”)
Most often used exclamation is also “WHAT?!”
Bdubs
Opens videos very jovially, talks almost like a radio host
Breaks down his builds down to the block, spends a lot of time discussing his block pallet choices and giving tips while he builds
Uses the affirmation “sure enough” a lot, and often addresses himself as “Ol’ Bdubs”
Talks affectionately about other hermits often (“[name], the absolute sweetheart, left me some materials”, “[name], you angel!”)
Adding to above, “angel” or “sweet angel” seems to be his most often used affectionate terms
Switches on a dime, though, if he gets offended (which of course causes others to poke fun at him even more)
Calls mobs “stupid” a lot when they don’t do what he wants (but takes it back if he says it to one of his horses ex. “Come here, stupid—wonderful, I mean, beautiful”)
THIS MAN IS THE #1 HORSE ENJOYER. He gets a horse first thing every season and rides it everywhere, and they’re always a focal point of his theme or builds in some regard
Pauses whatever he’s doing to sleep as soon as it’s possible, and gets very antsy if he can’t do it for some reason (“One moment, time to shreep!”)
Related to above, EVERYONE messes with him if he’s trying to sleep in their presence ie breaking his bed over and over, and he gets increasingly more frustrated when it happens
Rarely is soft spoken or quiet, he projects his voice and uses a lot of emphasis in his tone
Either straight up screams (and peaks the mic 😭) if he’s startled or scared, or yells “oh my GOODNESS!!”
Number one exclamation is “HEY!”
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Ooo can we have a blurb where bombshell! R and Spence were either on a date or were about to have their first time but got called into work? They both look a little annoyed at being interrupted. The bombshell reader series has my heart 🥺
im picturing boyband reid here maybe <3 fem
cw suggestive content
“These are trick buttons,” you accuse.
Spencer laughs for the tenth time in as many minutes, perhaps tickled under your hands, more likely that he’s just feeling the same rush of hormones (namely adrenaline) as you are. “They’re not trick buttons, it’s ‘cos your hands are shaking.”
He takes your poor hands in his. “It’s okay,” he adds softly, “I can do it.”
“I’m not nervous, I’m excited,” you say, less soft, more desperate than he is, or at least on the surface.
“I know, I know–” He catches your lips in a sudden eager kiss, a hand jumping to your cheek to ferry you closer, the other sewing down between your two chests to work open his fiendish buttons.
“See,” he says between kissing, “easy.”
“I’d like to see this level of dexterity when you unclasp my bra,” you mumble, kissing with every bit of hunger and love you have for him, lips drifting to his cheek, and then down to his jaw. Your mouth opens of its own accord. Spencer lets a breath slip from him coloured with wanting, the most amorous sound he’s ever made under your hands as you kiss, and nip, and—
Your phone rings from the nightstand, a heavy, repetitive vibration.
“Ignore it,” you say easily, climbing up over Spencer’s lap, hand to the side of his face and rubbing tenderly.
“I was planning on it,” he says. He was shy at first, those first few kisses, but Spencer’s a person like any other and he squeezes your hips closer to his without further argument.
Your phone stops ringing a half a minute later. You smile into his mouth, even more when his fingers climb the length of your spine to slip playfully under the clasp of your bra. “How many tries do I get?” he asks.
You sit back just a touch to meet his charming gaze. “As many as you need, handsome… I’m very patient.”
He pulls you in to kiss your neck just as his phone begins to ring.
“It’s work,” he guesses, paused regretfully under your chin.
“We don’t know that.”
“That’s my ringtone for work.”
You breathe heavily atop him. “Can’t we be late?”
He smiles at you gently. “I’m sorry, angel. If we’re late again this week he might actually bite your head off.”
Things were so perfect. This was it, this was the moment you finally knew each other to the very core, and your stomach aches with how badly you want him. You're startled at the heat behind your eyes knowing it’s not gonna happen.
“Not tonight,” Spencer says, like he can read your mind. Maybe he’d been thinking a similar thing. “But soon, okay?”
You wrap your arms around his neck.
His phone stops ringing before he can catch it. Both of your phones ping with simultaneous text messages quickly afterward, before your ringtone begins again in earnest.
He leans graciously toward the nightstand, allowing you to continue hugging him while also answering the phone. “Hello?” you ask.
“Agent Hotchner’s calling you in.”
You press your nose to Spencer’s shoulder. “Okay. I have Dr. Reid with me too. Please stop calling, we’ll be there as soon as possible,” you say, flustered. You hang up quick.
Spencer pats your back with his fingers, palm flat to your shoulder, apparently the less gutted of the both of you at your missed moment. “Let me get you dressed, okay?” he says. “You’re too sulky. It wouldn’t have even been that good.”
“How rude.”
His teasing continues. “I’m serious. I haven’t been with anyone since that girl in Vegas–”
“What girl in Vegas?”
“–and anyways,” he says, tilting your head back, his smile both playful and adoring at once, “you shouldn’t have been on top.”
“Spencer,” you laugh, pressing your hand to your eyes.
“I have a head full of statistics on female pleasure and I don’t need them to know you should be laying down when we–”
You kiss him. “That’s enough,” you say, pressing the tips of your noses together. “I get the picture.” Your arm curled around his neck feels right, and you’re heartbroken to let it slink back to your side, but you do. “I love you. I wish we’d chosen different careers.”
“I love you, too, but I don’t. Then we never would’ve met,” he says simply.
You let out a happy breath. “I guess not.”
Spencer hoists you off of his lap in an impressive show of strength, but then he dumps you in the mess of sheets, which is less lovely. “What do you want to wear?” he asks, springing up, heading straight for his closet. “I pressed your pinstriped dress yesterday, that would look cute with your stockings. And you won’t need a jacket, it’s hotter out there than it is in here. Why are you looking at me like that? We literally don’t have time for this.”
You love him. You’re gonna rock his world when you get home. “The dress is fine.” You put your arms up in the air. “I’m waiting. And look! We’re half undressed already. How convenient.”
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