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#view from the boat
kleinefreiheiten · 1 year
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04.2017 Hamburg
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nivelna · 2 months
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my comic beginning
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paulpingminho · 1 year
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hpowellsmith · 6 months
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I was already having a rough day. And this is really sad.
Working on Love Island the Game wasn't always easy in a variety of ways, especially at the end, but even after most of us were laid off amid dramatic circumstances, more than two years ago now, it was nice knowing that some people enjoyed our work that was still out there.
The Season 3 episodes and scenes, and the ones I edited, were my first experiences in a game studio team (shoutout to the scenes with Tai, Rafi, and Lily that were the first pieces of writing I did on the game!). I learned so much from that, from The Wedding, Chelsea's Murder Mystery and The Boat Party, from all the prototypes and ideation that never went anywhere (that wonderful Regency-era Noah art... sigh...), from how the characters and storylines came together for Season 4 aka Bombshell (I loved coming up with the original concepts for Bruno, and Oliver, and Juliet, and Lexi, and Tiffany, and Valentina, and Kobi, and Hazeem: absolute joys to write and to see other writers bringing them extra sparks of life, and to do the same with helping bring other writers' concepts to life, and to start doing all sorts of exciting senior role stuff). It was very sad and stressful when it turned out that we couldn't be there to complete Season 4 in as polished a way as all of us wanted.
I'm still friends with many of the people I worked with on Love Island the Game and our other projects, and the things that didn't end up going out there, and I've worked with some of them since which was an absolute pleasure. I saw a lot of them earlier this month, and chatted with one on a video call just this morning. The way it ended for us was very painful, but a lot of it up to that point was so much fun.
There will still be some of the work I did for Love Island the Game out there in Season 4/Bombshell and Matchmaker. But what a shame that a huge chunk of the work we all did, and the work before my time that got the studio its audience in the first place, turns out to be so ephemeral.
Thank you to all the people who played and enjoyed the work we made.
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fromtheseventhhell · 5 months
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Imagine being 9 years old and asking your dad about the things you're interested in doing when you grow up and he's like "No ❤️! But you can get married, have babies, and then maybe your sons can do those things ☺️🫶 "
#arya stark#one of those /wtf Ned/ moments#then people act like she invented misogyny cause she was like /uuuhhhhh no thanks that's not me/#/Arya is masculine/ and she's literally just a child who has interests outside of her patriarchy-assigned role#the way people read this and then demonize Arya for not silently conforming like people expect her to...#that's the ingrained misogyny from being socialized in a patriarchal society speaking babes 😭#cannot stress enough how Arya is just an average little girl and what makes her behavior stand out is their society's strict gender norms#her life + learning almost entirely revolves around the fact that she is being raised to be a wife and people resent her for wanting more :#she is NINE in AGoT and her parents are discussing her refinement because /In a few years she will be of an age to marry/#the way misogyny is explored in Arya's story is actually so brilliant and well-written (+ underappreciated) though#we feel the full weight of how restrictive their society is through her POV and get the experiences of lower-class women too#which is why it's so significant that George wrote her based on feminists who realized they wanted more than becoming wives/housewives#she's one of his key characters who will /change the world/ but people think he's sticking her on a boat bc she isn't feminine enough 😭#thank god he's writing the books and not any of these reductive hacks who thinks misogyny is subversive 🙏🏾#sidenote: would've loved to see this from her POV to get her feelings when he said this cause I'm sure it doesn't match Ned's perception#considering he views her main issues as being stubborn/difficult while we know about the self-esteem issues she has
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bruhstation · 7 months
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Now that the co-workers have all spilled tea, what does Captain Zero think about his gaggle of idiots they call the Z stacks?
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as zebedee puts it; could've been worse!
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jojo-oliver · 9 months
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oceans and forests 🌲paintings i did
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scarefox · 27 days
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(Opening Fashion Show Playboyy Lounge)
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ikemenomegas · 1 year
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Getou Suguru x Reader
"Somewhere there is a simple life"
or "four sorcerers' day in the world of humans, four years after betrayal"
tw: omegaverse, geto typical murderous mentions? children being cute? hints of past satoxsuguxreader, mentions of pregnancy
Sometimes you wonder if things could have been different, if you could have had this happiness in some other time, in some other place. It doesn't matter now, you suppose. There are no other times, no other places. Suguru has made his choice, and you have made yours.
And you have chosen to have moments of happiness, just like this one, for as long as you can.
Morning light slants early and golden over the table. Mimiko is, as usual, quiet, but she is awake, responding in her breathy voice to your questions and tentatively padding around the kitchen with you. She takes small dishes from your hand and sets them on the table.
The table is filled with them. Many colors and a traditional set up of different kinds of vegetables, broiled fishes, salad, tofu and bean curds.
Nanako had tried to help, but she'd sat down and fallen asleep again with her head against the wall, phone face down on her thigh. She's drooling a bit, so deeply asleep, and it makes you want to laugh.
Mimiko catches your eye and you tilt your head to her sister. She rolls her eyes a bit, smile playing about her mouth and she silently sounds out "playing Ace Attorney" and goes back to working around her sleeping twin, rearranging the plates to her heart's content.
Suguru catches you on the shoulder, fondness in his voice when he says "We spoil them."
"Who spoils them," you raise any eyebrow at him and press your lips to the juncture of his jaw, breathing in his scent, still heavy and warm after taking an early call in your bed.
With Mimiko's back turned and Nanako still soundly asleep, you nip a little at the skin over his scent gland and make a low playful sound in your throat at the spark of mischief and warning in your mate's dark brown eyes.
"Everything okay?" you ask him.
His arm slips around your waist as he sags against your back. "Yeah, just some little remnants that don't want to fall in line. Toshihisa is going to handle it."
"Good. You promised to take a break."
"You promised to take me to ride the boats," Mimiko appeared in front of you and looked up at Suguru.
He crouched down, backs of his pajama pants touching the floor. You missed seeing him like this more often. He was usually in the priest's garb which still made him seem somehow untouchable. It wasn't just the clothes, it was the persona.
You'd never really though of Suguru as an actor before, but now he had a half a dozen faces he seemed to switch between and some of them were less pleasant than others. You never feared he would hurt you, but it hurt nonetheless to see his pain curdled to hatred the way it had.
He ruffled Mimiko's hair. "Soup, showers, sheets," he listed off on three fingers, "then the boats."
Mimiko puffed out her cheeks. She might be the quiet twin, but she was often the more stubborn. Sometimes you thought Nanako just complained for her and that was why she was louder. It was good though to see them loud.
Suguru had told you from the beginning what happened in the village and it hadn't surprised you that both of the twins had been quiet and anxious for almost a year.
"Ah, right, the soup," you murmured and left them to their staring contest.
As planned, once Nanako was awakened and everyone had eaten, the girls had showered, and new bedding had been placed in your room and the twins' room, a load of the laundry started in the washer, you all headed to the park.
The train was not as crowded now that rush hour had passed but Suguru still pressed close to you, a twist to the corner of his lips which he hid in your hair when anyone human brushed by him. You beckoned Mimiko and Nanako close as a pack of students pushed onto the train.
You leaned up to murmur something in Suguru's ear and accidentally caught the eye of a beta woman sitting in one of the seats.
She must have mistaken the stress in your eyes, because she carefully rose and offered it to Suguru.
The transformation was disquieting, the way Suguru's expression relaxed into a sheepish laugh and he tried to refuse.
The beta woman said something about having young kids and Suguru finally sat down, half to shut her up you suspected. Nanako clambered on top of him. You had seen her watch the exchange with attentive eyes and it seemed she had resolved to help Suguru play act.
You inclined your head in thanks to the beta and covered your mouth with your sleeve, laughing a bit at his expense. Suguru gave you a sulky look when Mimiko joined her sister, choosing to stand with her hand braced on Suguru's knee while you pressed close behind her to give the train car a bit more breathing room.
Upon exiting the train at your station, Suguru found a restroom to wash his hands and yours before you all found your way above ground again.
Everyone relaxed once you reached the park. Natural green spaces were places of relaxation and healing and seldom attracted as many curses as other gathering places. If they were present they were usually easily dealt with.
It was a little more difficult to carry your tanto around these days. It was harder to hide the residuals of a cursed tool, and it was dangerous to carry a blade in public. You also typically didn't need it.
Suguru collected so many curses now, you thought sadly. Your grip on his fingers tightened as you walked side by side, watching Mimiko and Nanako run along the paths and into the forest.
One of those curses, a cute thing that looked somewhat like a couch cushion or maybe that footrest from the movie with the singing furniture, chased after them, baring its teeth like a little dog at the birds that fluttered around the pavement.
The twins called for you two to hurry up, dashing back and forth as you made your way to the boats.
They had already chosen a pair of swans - one white and one a pale blue - when you made it to the docks. They were deep in the process of deciding which one of them would sit with Suguru when he went over to egg them on.
You shook your head, smiling while you paid the woman at the counter. She offered you a knowing sort of smile when Suguru grabbed the back of Nanako's collar, preventing her from nearly dashing into the water.
You clapped your hands, holding up the tickets. "Who's going to ride with me first? Ah, you've been giving Suguru so much attention, I think I'm feeling lonely. The kids must not think I'm fun anymore."
Nanako shrugged out of Suguru's grip. "Mimiko, you should sit with them."
"No way," Mimiko said quietly, "you didn't help set up for breakfast. You should spend more time with them."
Suguru looked up at your stunned face and laughed, his brows crinkling together and shoulders shaking.
"You're their teacher," you said to him, putting on a show of being hurt, "shouldn't you teach them better manners?" You put a hand on your chest, "My feelings are hurt, no one wants to sit with me and win the boat race."
"Boat race?" the twins looked up in tandem with the cursed spirit that was still running around their feet.
You sighed, closing one eye. "Hmm. I don't know if I want to anymore. Everyone seems to want a peaceful ride with Getou-sensei. Maybe I should just go find us some ice cream instead."
The sisters looked at one another and you smirked to yourself, meeting Suguru's eyes. Something flashed through them, troubled or melancholy maybe.
Maybe you were laying it on a little thick, imitating the kind of games that used to work to distract Satoru and pull Shoko out of her isolating distance. Now your heart gave a real pang which you brushed aside as the twins seemed to come to a conclusion and flocked towards you, pushing you into the white boat. Nanako had leapt in and was poking around in curiosity.
It had already been four years. You'd only been at the school for three.
A dull bang on the outside of the boat startled you from your thoughts. Suguru leaned through the window. "Do you know how to drive this thing?"
You looked down at the pedals below your feet. "It can't be that hard," you replied.
"And," you grinned at him, "it's not like I was planning on playing fair."
Suguru smiled back. "How funny, neither was I."
It was fun to stretch the limits of your power for once. Since living at Suguru's compound you didn't need to go and risk your life as often. Sometimes you went out to deal with matters that stressed his tolerance for human hypocrisy, but mostly people came to him.
You used your cursed technique to make the boat go faster while Suguru summoned a pair of water-born curses to pull his boat.
The twins laughed and cheered each of you on, clambering between boats in a manner that would have gotten you all yelled at if you hadn't made your way to a quiet part of the river.
Eventually they grew tired and the boats were returned. They were tired enough to be subdued while eating the lunch you brought but the food restored enough of their energy that they clamored to be carried home.
Suguru huffed under Nanako's weight when she threw herself onto his back. "I think it's time to find something big enough to carry everyone. You're getting taller."
Mimiko made the decision to keep a hold of your sleeve.
"Are you sure you don't want to be carried too?"
Mimiko looked up Nanako who grinned at her. When you crouched down, she carefully wrapped her arms around your neck before you stood up.
"Aren't we taking the train back to the temple?" she asked quietly.
You glanced at the back of Suguru's head but he gave no indication one way or the other. He'd do anything for the twins. They'd grown up in the countryside and the Tokyo trains in their massive stations could sometimes still be something exciting for the girls.
"Getou-sensei doesn't want to go down there with all the stinky monkeys," Nanako said, loudly.
"Na-"
"It's alright," Suguru said. "If you want to take a train back."
You felt Mimiko lean her head against yours. The girls were not quite yet nine. They would get heavy if you carried them for long, but you'd carried heavier.
"Let's walk for a bit," you said, drawing up to him so you were shoulder to shoulder, so the twins' knees would nearly knock together if it weren't for your mate's advantage in height. "Manami can come pick us up when we're done."
Suguru purred, in some kind of encouragement you thought, the deep sound rumbling out to encompass the four of you. You knew he hadn't brought it up because some of the curse users who were showing up were making you... territorial. Manami maybe wasn't entirely to blame. She was another alpha and had shown up when the bond-mark between you and Suguru was still new.
But Suguru had since made it very clear that she was lower in the hierarchy of the family than you were, which helped. A little. Enough that you were comfortable ordering her around for his comfort at least.
Manami still passed Suguru a tablet once she found you with a car. When you tried to glare at her in the mirror, he just handed it to you with a laugh.
Opening it filled you with dread. You didn't want to know what he was up to half the time. But it wasn't the worst thing you'd seen. And most of it was - oh.
"This is my project," you murmured, flipping through a document.
It wasn't very detailed. At best it could be called an outline of the information you'd sought, but you could fill in more of it.
Suguru leaned over your shoulder, pulling back from talking to the twins likely unwisely seated together in the front seat. He had rolled up his sleeves at some point and his skin where it brushed yours was very warm.
You glanced up at him, only for him to raise an eyebrow and hum in expectation.
You pressed your lips together and looked back at the tablet, slowly curling up with Suguru around it as he pointed out details and you made notes with a stylus.
He took it back when Manami said something you hadn't heard, but this time you let him, after giving him a stern look. "Nothing stressful," you reminded him lowly. Both of you knew it was more a hope than command, but he took it good naturedly.
He leaned forward to discuss a job with the other alpha and you leaned back, head on the sun-warmed leather seat, pressed thigh to thigh with Suguru, thinking of what was in the refrigerator to make for dinner, of how you would get around the school's - it was still weird to think of that as the marker for the sorcerer world, to be on the other side of "us and them" - monitoring in order to get the project going, wondering if it would be harder or easier to get Nanako to actually go to sleep after the day you'd had.
Who would have thought running off with a condemned criminal would turn out to be so domestic? It wasn't a new thought, but it certainly made it easier to pretend that this was not as bad as it could be. It was not as bad as it could be. Maybe there wasn't only blood at the end of the road.
Nanako called your name and you lifted your head up to see her squishing her head between the seat and the wall, hair all scrunched up against the plastic.
"Hmm?"
"Do you think Mimiko should dye her hair?"
"Does Mimiko want to dye her hair?"
The girls had decided on western style food for dinner and had finally quieted down enough that they were settled in front of the television with the workbooks one of the tutors Suguru tolerated had them working on.
Yet another reason to the move the project forward. For now, the girls had not yet divided the world around them into sorcerers and non-sorcerers. They were still receptive to genuine kindness from normal humans. But Suguru's distaste for the visitors was obvious to you and you didn't want to wait for the twins to start mirroring it to their tutors' faces.
You moved laundry from the washer to the dryer and filled the first machine up again while Suguru pulled ingredients down from the cabinets.
When you got back to the kitchen, it was your turn to sag against him, flopping to the floor and resting your head on his lower back when he went to rummage in the refrigerator for a drink.
"What?"
You let out a helpless giggle, all the thoughts you had quieted while in public rushing back now that you were back at home.
Suguru bit back a wide smile, the sort of genuine smile that reminded you why you'd left, made you glad that you'd followed him.
He sat on the floor at your side, arm propped up on one knee as he popped open a melon flavored pouch of vitamin jelly he'd found.
The sounds of Doraemon came from down the hall but neither of the kids made much noise. Still, you kept your voice low. "We're twenty-one with twin girls. I'm exhausted."
Suguru laughed, leaning over until his head was resting on top of yours. You just breathed in the scent of him, the faint remaining smell of sunlight and fresh water from the park which overlaid the traces of the inoffensive laundry soap you all used and over that his scent, shifting layers of pine and blackberry, mint, and white tea. You would know him anywhere.
You reached up and felt his forehead with the back of your fingers. Still warm, like you had worried it might be.
Suguru pulled your hand away, pressing his lips to your index finger and threading your fingers together on his lap.
"It's fine."
"Let me worry for you," you say. If there is no one else, let me be the one to remember you are human.
"Alright," he says, such a soft affirmation, using his thumb to massage circles on your still captured hand while he humors you.
All the words pile together at the base of your tongue, flooding up now that they are given permission. He's been working too hard - consuming curses from humans that make even you tempted to try your hand at the kind of murder that's more than just business, relocating to this temple in the last year, making sure that the operation is entirely under the radar so that he doesn't get caught before he's ready, managing the incredibly petty squabbling between the chairmen and leaders of the cults he's pulled together under his feet.
And it's not like you're not also stressed. You're not kidding when you say it's hard work parenting when you're technically still on the run. It's easy to transfer money so thankfully you don't have to do something as stereotypical and dastardly and inconvenient as drag actual bags of cash around, but at your insistence there are go-bags in your closet, one for each of you. You know Suguru has made that stupid little worm with the infinite stomach swallow things other than weapons.
Maybe there is money in there. Who knows. But the point is you're not the one that gets hit with dry heats on top of migraines and nausea so bad he can't eat, and you're not the one suffering through them just to make another point in front of the monkeys.
And you miss Satoru. You don't know why you're thinking of him so much today. Maybe because he always found a way to make Suguru laugh and it's getting harder and harder to do that these days. He spends too much time behind the faces he wears when he's in that stupid monk's uniform.
You eye the vitamin pack and Suguru rolls his eyes at you, squeezing more of the jelly into his mouth.
"We don't know if this one is going to go all the way," he reminds you. Which is probably why he picked that and not one of the calpico or canned teas. You swear he eats like an old man (or a child, you recalled Suguru and Satoru picking through bags of candy on the lawn, no middle ground). You'd learned to make shojin ryori dishes as a joke about the priest thing and because doing it calmed you down whenever you started panicking about what Suguru was doing at the rebranded Star Cult and what you were doing waiting at home like his stay-at-home alpha.
"The thing I hate most--" you hesitated but Suguru's clear apprehension spurred you on. "The thing I hate most is seeing you in pain."
He barely hesitates before he's pulled back enough to let you see the slightly licentious look on his face, a growl behind his words when he leans in close to your ear. "That's not what it felt like when you made me come screaming last time."
Immediately your face flares hot, rushing from your chest to the top of your head. You know he's trying to distract you. It doesn't stop you from whipping your head to the door and your breath going silent, shallow and quick. You're praying there are no approaching footsteps to match the rapid pattering of your heart in your ears.
There's nothing. Everything is right here in front of you, one hand clutching his stomach as tears of silent laughter spring to the corner of his eyes.
He's trying to be quiet as you are, cognizant of the kids not too far away, but a peal of laughter still escapes when he goes to take a breath. "Wish you could see your face."
It's very tempting to remind Suguru what his face looked like, flushed and panting, too strung out to look like anyone but himself, but you're not quite that shameless.
You're also not quite detached enough not to etch this face into your memory too. The one that looks like it comes from a different time and place entirely from anywhere you've been with Suguru before. You think that maybe this is what's on the other side of Suguru's poisoned dream.
Someone joyous and terrible, who does not need to understand their place on the altar of the world because it is already known, someone who understands without burden.
Yet it's distinctly immature the way he snickers at you trying to restore a bit of your composure by channeling the heat in your body away.
If anyone ever finds this memory, you will blame the impulsiveness of youth on the way you hiss out "maybe we should actually get you pregnant with twins and see who's laughing." It's not exactly fair to start something you can't finish - you can hear water boiling on the stove - but you can also hear the way the air catches in his throat and see red splashing across his cheeks like you've slapped him.
There's a tingle that goes down your neck when you watch Suguru shiver, even while your hands are already going to your mouth. "Sorry," you squeak out past your fingers.
Suguru coughed out a sheepish laugh, red slowly making its way to the tips of his ears. "Weren't you the one that just said two makes you tired? What are we going to do with four?"
Keep you out of trouble for a year?
"I don't know," you say instead, almost without thinking, still in shock at your own words. "People says babies are cute. We missed the twins' terrible twos so we'd get to do that."
"Who wants to experience temper tantrums?"
At that you scoffed your eyes, "Like you haven't seen someone way older through a tantrum before."
The red was finally fading from Suguru's cheeks as he rolled his eyes in agreement. He sucked thoughtfully on the supplement pack, sitting back against the wall. You knew you were thinking of at least one of the same people.
He stayed on the floor when you got up and dumped a package of pasta into the now roiling pot, stirring it doubtfully. It wasn't what you had grown up eating and even following a recipe you weren't always sure you had gotten things right. The kids seemed to think it was good enough though so you left it after dumping more salt into the water.
You settled back down next to him. So rare were the days when you got him, just him, all to yourself. No robes, no swallowing down bitter curses, no cruel, empty shape to his face when he returned.
The sun was starting to set.
You pressed your forehead to Suguru's temple, caressing his cheek and pulling him as close as he would allow. Something in him fell away, resistance or tension. He gave the vaguest shiver once more when you used your other hand to slip beneath the collar of his shirt and trace your fingers around the bite on the back of his shoulder.
It wasn't a sorcerer's mating. Suguru accepted your distance from the cults' cursework but would not risk the hold on his power. He'd wanted the mark though. You were not sure why.
He still seemed less on-edge when the inevitable scuffle came down the hall and you pulled apart with one last nuzzle.
"Can I have a snack?" Nanako asked, but you could see Mimiko hanging in her shadow for a second before she brought her workbook up with her and set it down on the ground at your side.
Suguru offered Nanako the rest of the vitamin supplement and she just wrinkled her nose at him. His eyes were soft when he heaved himself up with a sigh, stretching to treat you with a flash of his toned stomach.
He just seemed smug when you tsk'd at him and he went to start cutting up an apple for the girls to share.
You brought Mimiko over to the table where you pointed out the correct strokes on her kanji practice.
Dinner was a more subdued affair, children tired but satisfied in their adventures. The twins recount the boat ride. It seems to have satisfied Mimiko's curiosity but now Nanako wants to go back. There's a zoo in your future apparently, but also she likes the water. And clambering back and forth between the boats. She's got a delinquent streak in her, a confident irreverence that makes it all too easy to imagine some other way for how she'd come into your life.
Mimiko cajoles her, already intent on imitating Suguru's surface level decorum. Nanako's power has to do with pictures but Mimiko is the one who watches with sharp dark eyes.
It's disrespectful to the food to be filled with such dark feelings but you again feel a pulse of hate for the villagers you had never met. The ones who had locked such bright young girls in a cage. The ones who had likely been involved in their parents' deaths.
You're not glad that Suguru killed them all but you are glad that they have you now. Spilling pasta sauce across the table and pouring their salad on top of it so they have a hard time finishing both things and all.
More dishes, more laundry, then the children to brush their teeth while Suguru showers and then you do the same right after while he reads to them, telling them sorcerers stories of spirits and old heroes. It's a rhythm that is all too easy to follow. There is always something to do in the house and Suguru refuses "monkey" servants in his living space so you two do it all yourselves.
If you wanted, it would be easy to forget just how far you've stumbled from the life you once thought you would live.
Suguru's hair is so long it is still damp when you pull a comb through it, sitting cross legged on the low bed. It's left a wet patch in the middle of his back and you pull the shirt from his skin so it dries faster. Your knuckles brush the soft skin at the back of his neck when you lift his hair but it's so typical you are in one anothers' space he barely blinks.
How strange to be sentenced to death but, in these moments, no longer feel destined to die.
You twist layers of Suguru's hair around your fingers to keep it from frizzing up while he reads to you, book lying open in one broad palm while he turns the pages with his left hand.
It's a book of poetry. Suguru claims that practicing the careful cadences helps him when he has to speak at the cult. There is something rhythmic and hypnotic, quietly powerful and passionately mad about the speeches he makes to the masses, stepping into that role. But you like listening to him read because he does it without flinching, without forcing himself to passionately hate the hands that wrote the words. He does better when he doesn't see normal people. You've not quite figured out how to bring up the fact that non-sorcerers do most of the producing in the world and you're not sure how he expects modern life to survive the purge.
You suppose he doesn't, expect it to that is.
"-here I choose to dwell, the world in which I live, men have named a 'Mount of Gloom'. The color of the flower has already passed away while I set my gaze on trivial things-"*
His black hair is heavy like silk in your hands when you tug it out of the way to begin kneading into his back. Suguru's always been so beautiful. His shoulders are broad, his arms thick with muscle, his waist is wide too. He has a strong, solid silhouette built from years of fighting. He has scars, including the faded remains of the cross Toji had carved into his chest.
Sorcerers in this world did not often get a life of happiness.
Suguru put down the book in favor of pressing a kiss to the inside of your arm, pulling your fingers away from the scar. "You know having kids hurts, right?"
You buried your face in the back of his neck with a snort, rubbing your face into the soft sleep shirt and his solid back to scent your mate as he stroked the soft skin where his lips had just touched, wrapping both of his hands around yours so it was engulfed in his warmth, dipping his head to press his brow to your wrist. The wrong kind of hurt, masked again by a poor attempt at humor.
With your free hand you pressed circles into the muscle of his lower back and hips. Suguru folded forward with a low hum. He let you go so he didn't pull you over his shoulder, but his hand chased yours, fingers still tangled together for a moment over his shoulder.
"You always get tight when you're stressed and then you get headaches," you murmured. Still the wrong kind of hurt.
Suguru called your name. He lay the book in its nook within his bedside table and twisted around so that he was looking at you.
Looking at you with one of those half-stranger faces, as he often did when he wanted to lie to you. Only for it to become him again, only him, a flicker of something through his eyes.
"I'm fine," he said finally. "We knew that achieving my dream doing was going to be difficult."
You hadn't gone with him to change the world together. You also hadn't gone with him knowing that you could love someone this much. Even through this madness.
His cheek was soft and his lips softer when you kissed him. "I know."
Suguru's soft expression was the last thing you saw before using your technique to turn off the light. He huffed in faint amusement but didn't complain. He had not released you and you did not want to let him go.
You were already half tangled together before you laid side by side in the dark but as you always did, you curled around one another. Even if you did not start out this way, as long as you woke in the same bed beside your mate, it always ended up like this - twined together like choking vines, legs slotted together, arms tossed around one another.
Tonight Suguru hooked you close by your waist. His head you tucked under your chin, slowly resuming running your fingers through his hair, massaging circles at the base of his skull and rumbling in pleasure when he purred low and sleepy in response.
Even though I cannot help you, thank you for letting me take care of you.
You didn't know what mask he would put on tomorrow, but you knew who he was right now. It felt like stealing, all these moments and days when he was just with you, young and laughing and finding out who he was without the weight of a new world on his shoulders. Forgetting for a moment the blood on his hands.
No, most sorcerers did not get a life of happiness, but you would take what you could get and tuck it tight to your chest. No matter if it took longer and longer to find Suguru, no matter if one day you could still lose him.
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*the poems are the end and start respectively of tanka 8 and 9 (Kisen Hoshi and Ono no Komachi) pulled by happy chance from the Hyakunin isshu which was an anthology collected by Fujiwara no Teika in 1235 and translated in 1917 by Clay MacCauley.
#getou suguru x reader#omega!suguru#alpha!reader#reader insert#alpha reader#omegaverse#io.omegas#jujutsu kaisen#i am quickly realizing that I might actually prefer writing the alpha goes with gojo version of this tragedy#it's not at all that i don't enjoy writing this. i love getou dearly#but there's a specific kind of pain associated with watching himfall further and further and knowing nothing can stop it#and writing from the point of view of someone who's not sure if they should lose themselves with him or hold onto the way things are normal#trying to keep him from being alone in the dark#i'm not sure if he's dark enough to make the alpha kill humans#but i also don't think they think they have the power/safety to teach the girls that they shouldn't kill humans#they don't think they have that right given the twins' history#incidentally the park they went to is probably Inokashira park#that's where the swan boats are famous but i'm also not thee most invested in 100% geographic accuracy#especially given i have no idea where getou's temple is located in the city (or if it's even in Tokyo)#calpico is actually really tasty it's like a milky fruit drink. it tastes like it should have yogurt in it but doesn't#shojin ryori is the overarching term for japanese style buddhist food#it's incredibly delicious and always seemed like it would be a pain to make because full sets really do come on like 10 different plates#anyway happy birthday you punk (fondly)#(guys i wrote this in like? december??? and I was so torn up about waiting until suguru's birthday but!#i didn't realize it would be here so soon! and i think it was worth the wait. I hope you do too <3)#happy birthday getou suguru
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forestgreenivy · 7 months
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McClellanville, SC
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dollypopup · 9 months
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listen, i'll say it
if S3 doesn't give us significantly more Colin scenes, it'll be a failure
Colin is completely underdeveloped as a character. He has gotten just about 0 POV. All we know about him is either filtered through Penelope or in an ensemble scene with everyone else. And at this point, even if S3 is half and half, it still won't be fair. To balance out the discrepency, it should at *least* be 75% Colin and maaaaaaaaybe 25% Pen because we've gotten nothing for him
I ship Polin, I like Pen, but I'm over getting Pen's POV all the time. We've had enough of it. We've certainly had an unfair amount of it in comparison to his. I'm sick of seeing all the Whistledown behind the scenes and all her quiet contemplative moments when Colin doesn't so much as get 5 minutes focused on him being on the boat, or on his travels, writing his letters or talking through a problem to himself.
I love Colin. He's my absolute favorite character. And it sucks to have a favorite character who is *supposed* to be a lead but has had a grand total of nothing. Bton stripped him of character qualities and threw them onto Benedict, gave Colin like 5 lines, and filtered near all his 'development' through Penelope. Aside from his 'everyone says that [I'm Daphne's favorite]', our literal second scene of Colin is through Penelope's eyes. Everything he says, everything he does: it's always through Penelope's eyes. And I'm over it. I wanna see the world through *Colin's* eyes. And it would only deepen the narrative if we do.
Listen, the directors and showrunners have called Colin 'stupid' or 'dim' or 'not smart enough for Penelope'. The fandom has been rather blatant with their disregard of him, calling him boring, that he's not leading man material, writing him as a cardboard cutout in fics, assuming he's an empty charmer (hmmmm, just like what he's upset about in the books), and it's all because he's been denied a narrative. Colin is a rich, nuanced character. He's funny, he's kind, he's compassionate, he rejects toxic masculinity, he's got imposter syndrome like nothing else, he has a very unique role in his family and experienced a very unique perspective after his father died, he has hobbies (writing, boxing, fencing, studying, traveling) and strong values. But we've barely gotten any of it. Sure, we're *told* some things about him, but we never *see* it.
So if S3 is going to be his time to shine, his season, his falling arse over elbow in love era, they *have* to give us his perspective, and I don't fucking want it all to be his perspective about Pen. I am *tired* of Colin as an extension of Penelope. Penelope has had so much room and time and care to be a character on her own. Colin has gotten nothing. And that kind of dynamic does not a good love story make. And if all that underdevelopment wasn't to pull an Uno Reverse on us and give us a season that focuses on him and builds him up, what was it even for?
S3 should be Colin's story
#polin#bridgerton#colin bridgerton#penelope featherington#bridgerton season 3#yeah yeah penelope's a fan favorite#i wonder why#maybe it's because she has the lions share of scenes and development compared to literally every other character#and i get it: she's a main#but so is colin#why do constantly have to undermine him in order to prop her up?#did we *really* need all those 'pen writes LW' scenes when we haven't even seen Colin in Greece? or gotten him writing letters on the boat?#did we need all that unnecessary backstory when the only scene we got of him processing his broken engagement on his own was him in bed#for 30 seconds?#do we really need to center penelope's point of view for every single aspect of their relationship?#colin is supposed to be falling in love in season 3 too#give us his fucking perspective!!!! *show us* who he is#what he wants and values#AND we'll finally get Penelope from someone else's eyes. . .who ISN'T Penelope#how can you NOT want Colin pov???#the writing has failed him *and* us because we don't even fucking have POLIN right now#we have Penelope and a sexy lamp she throws her romantic feelings and frustrations and expectations onto#and before the 'bton is aimed at a specific audience' bit (namely women)#some of us wlw (who often find ourselves relating to the male love lead *because* we both love women) also deserve a slice of the story#it's not just you straight girls out here#and as a wlw? right now the fanon version of penelope is the kind of woman i'd run crying and screaming from
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delightfuldevin · 9 months
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Been seein some rather cold takes about Daisy lately…
I’ve seen some people say that she has no personality outside of fanon, but that’s just not true. There is a very very common misconception among the fandom (at least that I’ve noticed) that if a character doesn’t appear in a “mainline” game, then they have no personality. But I’d argue that the spinoffs actually offer waaaaay more in terms of looking into character personalities. And no, I’m not talking about the RPGs ala M&L and Paper Mario as those are obviously full of personality (and Daisy isn’t in those). I’m talking about the Party, Kart, Tennis, and other sports games.
Yes, Daisy hasn’t appeared in any mainline game since her debut, but she’s been in nearly every sports game and her traits, stats, abilities, victory/loss animations, and various other tiny details add up to her personality. The fact that she’s nearly always yelling or just speaking really loud in general (noticeably more than any other character), the fact that she constantly feels a need to say her name and make herself known, how she loves flowers and considers even a small patch of flowers worth protecting, how she’s easily bored by tasks that don’t excite her and isn’t so reliable for them. She tends to jump around a lot, and spin and dance around when she’s excited! She’s apparently a rather fast runner and that is considered her specialty! These are all traits that are displayed in the spinoffs, and there’s probably soooo many more that I just can’t remember right now.
Now, I do think her tomboyish nature is probably fanon, as I don’t really remember seeing anything to show that she acts that way in the games. I think people probably think she’s tomboyish due to how loud and energetic she is. But hey, there’s plenty of fanon for just about any character from any fandom out there. And what’s so wrong with that? Isn’t the whole point of making fanworks to expand on the framework already provided by canon? If we want to stick to what’s actually “canon” then nearly everything the fandom has created would have to be tossed, because there really isn’t much to work with. Fanworks and fandoms thrive on what fans can create based on the canon work, not just sticking to it perfectly.
It’s fine if you think the “fanon” Daisy outshines the “canon” Daisy and you dislike that. But to say that she has no personality aside from fanon interpretations just tells me that you have a very narrow idea of what counts as “canon” in an already rather simplistic world. The Mario games are very simple and straightforward without much consistent lore that actually makes sense cohesively, but the characters are what keep everything tied together despite that. The characters are nearly always consistent, and that includes Daisy. Even when the setting is completely different and some random new villain shows up with some random new power source to steal or species to torment, our same well-known lovable characters will be the center of the story and that’s what makes it fun!
#devin speaks#super mario bros#princess daisy#i mightve gotten a bit too personal with my views of canon vs fanon but i still think it needs to be said#people who argue over what is considered canon in a video game series are so funny to me#especially a series like mario that has expanded soooo far from its original premise#its different than a show or movie since most shows will finish their main story before delving into spinoffs#most of the mainline games are literally just bowser kidnapped the princess and mario has to save her#very few of them offer any insight to personality of anyone#that isn’t to say theres none at all but i still think the party kart and sports games offer waaay more#of course everyone is entitled to their own opinions and if you dislike daisy or think shes boring then whatever you do you#i am simply sharing my opinion as well :)#sorry time to be salty real quick#literally the entirety of waluigis personality comes from the spin offs but no one talks about him???#he is literally in the same boat as daisy but i never see anyone saying they dislike him for his ‘fanon personality’#really makes you think#people rag on peach for ‘having no personality’ too but hers shines through the spinoffs as well#and even the rpgs!! shes actually in those and has multiple voicelines and cutscenes and people *still* say she has no personality!#i know this is about daisy but gosh mario ladies in general are treated rather poorly unless theyre eye candy#im glad rosie debuted in a mainline game with a clearly given backstory spoon fed to the player so she doesnt get this treatment lol
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paulpingminho · 4 months
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anxhelotosuni · 1 year
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ShhS
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lutiaslayton · 8 months
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Professor Layton and the Eternal Diva
PART 08
〚FIRST〛〚PREV〛〚NEXT〛
Disclaimer: This is a fan-translation for the Japan-exclusive novellisation of the movie Professor Layton and the Eternal Diva. The original novel was written by Aya Matsui under the supervision of Akihiro Hino, and belongs to Level-5.
This translation only aims to be a pleasant read for non-Japanese fans, nothing more: I made a few deliberate changes while translating in order to get the writing style closer to what is usually found in English fanfictions, as the Japanese storytelling can sometimes be different than what we are used to.
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* Puzzle n°001
“Let’s get going. Puzzle n°001: ladies and gentlemen, please take a good look around you, and assemble under the oldest thing you can find.”
The man’s voice had just told us the first puzzle.
“Now, do note that there is a time limit.”
Spotlights were switched on and a long, narrow box-like object was raised up. A music box.
The paper containing the score, rolled around a cylinder, slowly unwrapped and ended up swallowed into a slit. Soon, the machine began to play a tune.
“You have until the music ends… so there is no time to lose.”
The audience had been stunned by the unexpected turn of events; but everyone soon rushed out of the hall. Their one and only goal was simple: to find this ‘oldest thing.’
We could not afford to stay idle. I stood up in a hurry.
“Professor, let’s go find it!”
The professor replied with a calm nod, and slowly walked towards the door.
“I’m coming too,” Janice said as she rushed to catch up with us.
I glanced… sideways at her. Even in normal clothes, without her costume as the Queen of Ambrosia, she was still a very beautiful person. And even though she was now back to being Janice Quatlane… Her lively sparkling eyes and the impression of dignified strength that she radiated had remained exactly the same.
I wanted to protect her. But I was a child, wanting to protect a famous adult opera singer… if anyone could hear this, they would surely laugh at me.
Still, I was very serious. I couldn’t let Janice suffer the same fate as those who had disappeared under the floor earlier. And the only way to do that was to keep winning this game.
I was going to become a gentleman too. It was only natural to help a lady in need.
I decided to focus my thoughts on the puzzle. The Crown Petone was decorated here and there with fossils, rough crystals, and antiques, all looking very old. We had to find the oldest item out of all of these… My eyes would scurry here and there, all around, but I only felt like our limited time was being wasted.
Janice looked very worried. I had to do something… The sound of the music box playing made me feel even more impatient.
“Professor, there are way too many things on board that could be the right answer! Which one could be the oldest?”
The professor did not respond. I stopped asking.
I had soon learned that when he was silent and had this kind of expression on his face, it meant that his mind was moving at full speed. I did not want to disturb his thoughts by talking about unnecessary things.
Suddenly, he looked up with a start. He must have solved it!
“It’s alright, Luke. Now, let’s hurry back to the theatre.”
And there it was. I was glad I hadn’t bothered him.
When we returned back to our starting point, I noticed that quite a few other people were already here.
Suddenly, the professor said:
“The clue was in the puzzle itself.”
“Huh?”
I quickly pulled out my notebook, reading again the mysterious man’s exact words. I had written them down as soon as he had announced the puzzle.
“Try to remember,” the professor continued. “The host said ‘take a look around,’ but at no point did he say ‘look on this ship’…”
I ran my eyes hastily over my notes.
“He certainly didn’t use the words ‘on board.’”
“This is because the ‘oldest thing’ we are supposed to find is not on this ship.”
Janice asked with a surprised look on her face:
“But if it’s not on the ship, then where is it?”
“The oldest thing we are supposed to look for…”
The professor suddenly looked up. Janice and I did the same. Above us was a clear, starry sky.
“…are the stars that have existed for tens of thousands of years,” he soon concluded.
The oldest things were the stars! This was not an answer I had considered. But now that I had heard it, it sounded obvious. All the fossils and other objects that had been placed all over the Crown Petone were simply decoys meant to mislead us.
“You did it again, Professor!”
As I just finished saying this, the music box fell into silence.
“Your time is up. The oldest things were the stars in the sky that still shine in the night to this day… Congratulations to all that stand in this hall. You have earned the right to try your hand at the next puzzle.”
Many contestants around us breathed a sigh of relief. But at that moment, dozens of screams reached my ears from outside.
I was reminded of all the people who had disappeared when the floor collapsed earlier.
If we could not solve the puzzle, then we had to offer our life… This was a terrifying game of life and death. Once again, fear was palpable.
“Let us now move on to Puzzle n°002. Ladies and gentlemen, please gather this time around the place ‘from which you can see the largest crown.’”
The man’s voice sounded to me like a death sentence…
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bay-views · 5 months
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