#violent action memes

[lizkeen]

ODDLY SPECIFIC INTIMIDATION AND VIOLENT RP PROMPTS PART IV. ( A collection of action and dialogue based roleplay prompts. Feel free to add information if you want. )

Send a dialogue tag and/or a # for reverse aka for receiver perform a chosen action on sender.

OBJECTS.

Send "knife trail" for sender to trail a knife along receiver collar bone.

Send "gun tilt" for sender to tilt receivers chin up with a gun.

Send "knife hand" for sender to stab a knife between receivers fingers.

Send "bat" for sender to smash a bat against head.

Send "axe" for sender to throw an axe at chained up receiver.

Send "roulette" for sender to play russian roulette with receiver for information.

Send "crossbow" for sender to shoot receiver with an arrow while they are running away.

Send "sling" for sender to choke receiver in a sling.

Send "plane" for sender to hold receivers head out of a plane.

Send "crossbow" to hold receiver at gunpoint with a crossbow.

Send "flail" to taunt receiver with a flail.

PHYSICAL.

Send "finger trail" for sender to trail their finger along receivers temple.

Send "grip" for sender to harshly grab receivers chin between their fingers.

Send "smash" for sender to smash receivers head against a wall.

Send "throat" for sender to hold receiver against a wall and cut off their oxygen.

Send "finger" for sender to bend receivers fingers back.

Send "chains" for sender to chain receiver up and torture them.

Send "yank" for sender to grab receivers hair and yank their head back.

Send "slavic squat" for sender to slavic squat down in front of receiver, taunting them.

Send "corner" for sender to walk toward receiver, cornering them.

Send "hand offer" for sender to hold out hand to receiver after they have tortured/hurt them.

Send "gun mirror" for sender to force receiver to hold a gun to senders head in a mocking way. (Works best when receiver is scared and trembling *eyes*)

LOCATIONS.

Send "mausoleum" for sender to kidnap receiver and take them to a mausoleum.

Send "forest" for sender to take receiver to a forest and tell them to run, hunting them down.

Send "boat" for sender to kidnap receiver and hold them captive ono a boat drifting away on the ocean.

Send "alley" for sender to finally have cornered receiver in an alley after hunting them down.

Send "house" for sender to show up at receiver's house after receiver had just run for their life from them.

Send "hunt" for sender to have hunted receiver for multiple weeks, now finally having found them.

[rejectclone]

Vintage, when seeing Skull violently blasting the head absolutely clean off a random Octarian soldier’s shoulders:

[shadowpeachyuri]

silliest guy in recorded history <3

[goodoldfashionednerd]

[oculusxcaro]

I absolutely love your portrayal of Khare! You thought through about how her mutation works. Which amphibians she was basically fused with and how they each have their own role in her mutation that when brought together makes for a very cool yet terrifying way to live.

Also such a beautiful tragedy with her story. How she had a normal life before being snatched away to get experimented on by Prometheus. Her escape, how the heavy trauma doesn't stop there nor does the practical storytelling as she had to survive in the wilderness on her own for a time. Gaining injuries and of the sort until she ends up in Gotham city. A perfect place to lay low from people who work for Prometheus as there still could be a chance they're out looking for her.

How her mutation slowly spreads, hindering her memory and slowly eating away her mind. And that's ALONG with the eyes and teeth growing all over her body especially after getting juried. The uncertainty of if there is a cure, or a way to keep the mutation at bay. Or if Khare's fate is sealed and she is living on precious time. How one day, she'll loose herself. Every bit that makes her human, the friends she's made, her compassion, kindness, her determination. All her emotions and thoughts slowly decay as she watches her own body deform into something else.

Not to mention how relatable and sympathetic someone may feel when Khare is too scared to tell her family that she's alive because of how powerful Prometheus is. Like, a giant corporation, with MANY connections. Surely they figured out where her family lives and are waiting for the day Khare might return.

All of this to say that you have a perfect balance of tragedy along with a slice of life. The way you write Khare being drained from long shifts hits the nail on the head on how it actually feels like. It's so easy getting entranced with your writing! always worth waiting for as it's always so descriptive even when it's just a few sentences! Khare is just so human and I love it!

Her mutations are very cool but they actually come with a cost and you show it. Which I don't think is done enough in media. (especially with some superhero powers where theirs "comes with a cost" but it actually doesn't show or feel like it does. It's just generic and on top of that the superhero is out doing superhero shit. Contradictory with Khare. Who actually reads and FEELS like a normal person being stuck with powers that come with a cost but only wants a normal life. And actually lives a normal life! That's what makes Khare stand out. Because in the situations where she does fight it feels more genuine and so much less scripted.)

Please tell me your favorite things about my portrayal/muse?

RUUUUUUUUUE, WHY YOU GOTTA SLAY ME LIKE THIS???? 😭😭😭😭 This right here? Is hands down is the loveliest message EVER like... where do we even begin? First and foremost, thank you so, so much for taking the time to write down and send such a dedicated and thoughtful message - it means the world to me, as do YOU in having been such a phenomenal writing partner through both Rorschach and Oswald (and while we're at it, let's not forget Dan!) Receiving such a detailed message about the things you like concerning Khare is just about the highest praise imaginable considering what an excellent writer you are yourself! You have a fantastic eye for storytelling, delving deep into the narrative to shape not only your muse but the world they live in, how they grow and develop through interacting with that world which is not always the easiest take and yet somehow you always make it seem so effortless? Ever since we started talking, your writing has been a huge influence and a stellar example of roleplaying to not only look up to but to admire and emulate. Writing is hard as fuck even on the best of days but you? Have really helped shape my perspective on so many things, how to write well without padding everything with purple prose and to get into a muse's head. Rorschach is a beautiful example of that what with being very much in his head (and not the forthcoming man in his feelings or words.) It's just one of the many reasons I love the relationship our muses have, Rorschach being incredibly unhinged and aggressive as he was during Watchmen but clearly having changed since his untimely demise, awakening somewhere in the middle of Gotham. You've made that feel so real, how very disconcerting it would feel to die only to wake up in a completely different world, in a universe oddly similar yet so different to the one you left behind. And then there's Dan over on @made-of-archimedes, being Rorschach's polar opposite in being so much more approachable and affable but having his 'darker' side present too, his woes, his worries and very real concerns. I guess what I'm trying to say is that you encapsulate personality so well, making your muses feel so very human with minds of their own, as though you've plucked them straight from the movie. You mentioned once before how you didn't feel you did that, that maybe you weren't writing them 'right' but that's not true at all. Your portrayal made me love your two ragingly repressed men and to appreciate their characters all the more after seeing them from your lens. Ah, I'm so sorry to have waffled on like that but honestly Rue, how you're always so kind and thoughtful is a mystery even Dr. Manhatten couldn't solve. Thank you again so much for saying so many wonderful things about Khare! I've tried so hard to describe some of these things (with less success than I'd have liked) so for you to have nailed everything on the head like you did? Means a lot to me, from your thoughts regarding her mutation to her struggles and fears to why she doesn't contact her family back home. She's fucking scared, completely at a loss on what to do or even if she'll manage to survive when every day there's a new tooth or eye to greet her. Her mutation isn't a cute issue at all, instead being the shit-covered end of the stick of gaining a 'useful' power with very heavy costs. Not everybody gets superpowers like Peter Parker and her story is an example of what happens when things go terribly, terribly wrong. Tumblr is getting fucky now and won't save this post so again, from the bottom of my heart, thank you for such a lovely, uplifting message! It means so much that you like my silly frog-fish shambling flesh horror of a girl and her relationship with Rorschach is hands down my favourite part about her development as a character! I look forwards to interacting with him (and Dan) much more in future and for their stories to continue!

[xiao-come-home]

PLEASE PLEASE PPLLLEEEAAAASE GIVE ME HEADCANONS OF BOOTHILL WITH AN INSECURE CHUBBY S/O. I KNOW THIS MAN WOULD SHOW EXTRA LOVE AND KILL ANYONE WHO MAKES FUN OF HIS BELOVED

Oh wow hehe twirls hair did you just call me out in this ask because its so me 🧐 some are a little sugg/estive but yea, you ask and I shall deliver 🙏

Boothill does not care that you're chubby at all - quite the opposite, he loves it! He genuinely thinks you look gorgeous, but most importantly, he's obsessed with hugging you and how soft you are! It gives him the fuzzy memories and reminds him how much he misses his old body.

Boothill does not tolerate yours or - aeons forbid - anyone else's bad comments about your body. Sure, he might laugh at some jokes you make, but once you take it too far, he gently reminds you that you're just as human as anybody else and should respect yourself! He won't judge you either, I mean - you're dating a cyborg, so if you love him for who he is in and out, he'll do the same.

Boothill might be a little too happy to touch your love handles at any occasion he gets. He's a little bit of a chubby chaser (like Itto, but it ain't about him) in the best way possible, he really likes to just... Grab stuff. Especially if it's about you.

Boothill might not be that good with words, but will always reassure you that he truly just loves you, regardless of how you think about yourself. Boothill will scoop you in his arms, kiss your cheek gently and wipe your tears if you truly feel down about your looks that day.

"Listen up, sweet pea," Boothill smiles at you softly, "all I can see is absolute perfection. Ya might not feel the same and it's fine - but I promise ya, pretty thing, I'll never get tired of seein' these beautiful curves."

He's definitely willing to prove his words with actions, though..

Try prying away Boothill from your thighs when he gets to them, I dare you. God, he loves, fuck, LOVES everything about your thick thighs. Having them as pillow, having his face squished between them... He jokes it's his only place to die the second time (💀). He just might go insane if you wear shorts that emphasize your revealed thighs.

He might just be laying between your thighs when he recharges. There's no reason to it, he's enveloped by two warm pillows and he's on cloud nine. Deal with it.

You may not notice, but Boothill sometimes just drools over you. If you're chubbier in the butt - he fights himself internally not to pull you from behind by your shorts against him and shamelessly grope you. Chubbier tits? He's almost barking when they spill from your bra. Chubbier stomach? God, the way some of your clothes stick to it, it makes his head dizzy. A little bit of everything? Good, he wants it all. Just sit on his face and stop talking.

Boothill might short-circuit when you sit on his lap for the first time because any aeons out there, this is heaven. Literally just marry him on the spot please. He isn't letting you go once you sit down. He's literally the "let's fucking go" meme afterwards.

You just have to slap away Boothill's hands in public from time to time because this man's hands slowly progress from just holding your waist, then firmly holding your hips, and traveling to finally hold your ass.

Though, when someone dares to speak something that makes you doubt yourself even more, let alone make you cry - things are going to get violent. Boothill won't let it slide, and on top of that, he's fucking pissed off. Boothill will hunt them in every lifetime.

[anam-mana]

Tips for “Good-Aligned” Astarion Romance/Approval

I see a lot of people saying they find it difficult to romance Astarion on more good-aligned play throughs (though bg3 doesn’t have an alignment system but you all get my drift).

I was able to do so fairly easily, on my first play through as a goody two shoes (or as much so as a Dark Urge can get) and I noticed some things that may have made it easier to do without sacrificing any in character goody-two-shoes decisions.

And this is the biggest one. Be nice to him, and be incredibly patient with him. Even though he occasionally expresses disgust with you acting “sweet”, overall being a saccharine ball of love to him wins you way more points than you’ll lose by being kind. He values positive personal interaction way more than he values agreeing with your decisions,

He does actually approve of some good decisions: petting owl bears and feeding an urchin in Baldur’s Gate being some examples. And more than that, he REALLY approves of tricking your way into peaceful resolutions, to the point where I have gotten many inspiration dice from him simply for avoiding conflicts. Also, any time you have a chance to support someone’s free will, do it. He varies from not having an opinion to approving in most of these cases. So really lean into those good actions he tends to approve of, though I admit they usually are later in the game.

Sometimes he’ll disapprove of the steps you take to make it to a good choice, but approve of the outcome. This applies to things like the hag quest, where you can lose approval but win it back at the conclusion, or through the non-violent path with the Orthon where he disapproves if the peaceful conversation but approves way more of the outcome than he ever disapproved of the conversation.

Be willing to disagree with him, and challenge him, even when it does get you disapproval, because, frankly, the push and very interesting unique dialogue he has with goody-two-shoes PC’s he’s in love with can be fascinating and informative, even if it means running into some bumps here and there.

Remember that this is just some tips for people who find the prospect of keeping Astarion approval high on a good play through daunting or challenging. I know I see a lot of memes and such that make it appear that only evil and/or grey characters can really get into this romance when I’ve seen firsthand that it is just as cool and possible with even the goodest of beans, so I wanted to share. But it is not, IN ANY WAY, meant to be a guide on how one should romance him. There are multiple paths to romance that can be played differently to create very custom PC/Companion ship dynamics in this game, and I encourage you to explore whichever narratives will be the most fun or fulfilling to you personally.

[glass--beach]

there is so much i could say about the way that transphobia is often enacted not through blatant use of slurs or overtly violent language but rather through coded language and tropes and memes that worm their way into the brains of trans people themselves and can cause even more fatal damage from the inside. it's an insidious weapon that sneaks into the littlest disputes and we all must recognize that bigotry is not an innate property of a human but rather something made manifest through words and actions. please be kinder to each other

[mysterycitrus]

i saw that user's reply to your jtodd post and wow were they projecting hard, it's one thing to feel a personal connection to a character through your own subjective read on them it's a whole other to act like that's the objective point of the actual character and his storylines

yeah look everyone interprets characters in different ways but i think it’s pretty out of pocket to reply to a meme post and talk about how a character who is explicitly, specifically portraying a radically violent “the punishment fits the crime” ideology is intended to be a competent metaphor for victims of sa? if that’s ur interpretation of that character more power to u, but positing as though that’s reflected in the text to smack down on people who are talking in the tags is pretty wild. that’s not even getting into denying that in fanon dick is crucified to make jason look better, whether it be framing him as the bad brother (to jason and tim) or reframing jason as the independent, powerful, and competent person that dick is established as in canon.

he does act differently in the lost days, sure, but even then he is singularly driven by a personal vendetta. u can make the argument that when he allows himself to actually act morally he can make tangible change — he acts selflessly to protect others. but that is not the norm when he arrives back in gotham.

i really wish people would stop trying to justify jason’s actions when they were never supposed to be justified! acting as if bruce is somehow the same or worse because what… he beats people up and then puts them in hospital? how is that remotely comparable to decapitating people and seizing control of the drug trade? the entire point is that he’s working differently to batman in a way that does not actually change gotham for the better! when the kids of the people he’s murdered grow up they’ll be going to the martha wayne foundation for housing and social support, or to leslie’s for free healthcare. they’re not going to be looking for college scholarships from the guy who shot a bazooka at black mask — and that’s fine! that’s what makes jason interesting as a foil to bruce!!

anyways like i said to rus

[cyborg-franky]

Hi OP I hope you’re doing well! ❤️ Can I request some hcs of one piece characters favorite video games?

Man this might seem so biased because I like/hyper fixate on only a handfull of games but lets see... [Yes, most of these are games I am into WOOPS]

Ace - Loves FPS - He plays games like Overwatch, TF2, L4D and Dead by Daylight. - He enjoys shoot first ask questions later type games. - DPS for life. - Borderlands is also a game he likes. - Saints Row, GTA, Duke Nukem. DOOM. Anything along these lines. - Action with a dose of horror element. - Explosions and fire are a huge bonus. Sabo - Sims - but on chaos mode. He loves to play God, and he’s the type of person who would build a pool without a ladder. - He might be against capitalism, but that doesn’t mean he won’t use a few cheat codes and pirate versions so his sims can live out their best lives.

Luffy - Pokemon games. He mostly plays Pokemon GO so he can go out and be social with his brothers and friends. He and Usopp do all the raids together. - Anything easy and brightly colored has his attention.

Nami - Mobile phone game queen. - Literally anything tycoon. - Where you can buy and sell and build. - Is like level 90000000 on every ‘swap something’ or ‘merge’ game. - Plays while making money at her job. Sanji - Dating sims, obviously. - Also, hentai games. - And Animal Crossing. Usopp - Minecraft, Strawdew Valley. Anything that's open and fun. - Also big into Pokemon and plays with Luffy, - He also loves point-and-click adventures like Monkey Island. Zoro - Pokemon sleep. - Streetfighter, TEKKEN, Mortal Kombat. All those sorts of games. - Shinobi games also.

Chopper - Cute, easy games or hardcore doctor simulators. - Animal Crossing. - Nintendogs, cats, anything silly and cute with animals.

Brook - Dating games - Hentai games - Among Us - Really dumb meme-bait games like I Am Toast and Goat Simulator

Franky - Minecraft, Roblox, anything that’s building and making. - Retro games, like Golden Axe, Sonic the Hedgehog, Streets of Rage, Toe Jam, and Earl. - Older platform and side-scrolling games.

Jinbei - Games you can farm and fish on. - Also racing/driving games. - Is a beast on Mario Cart Robin - Fantasy games like Skyrim. - Indie horror like FNAF, SCP, Zoochosis, I have no mouth, and yet I must scream. - All the really intense horrors like Silent Hill, Resident Evil, and Condemned. - Just anything with awful, horrible monsters and lore, and she is all over it and thinks the monsters are cute.

Corazon - Candycrush mom. Kid - GTA, Bulletstorm, the most bloody and violent games you can get your hands on. - Ones that are banned in countries. - Wolfenstein. -  Also partial to the Guitar Hero/Rockstar type games. Killer - Cooking Mama - Guitar Hero/Rockband Marco - He doesn’t game alot, but if he sees an old-school arcade, he’ll go and play things. - House Of The Dead, Packman, Space Invaders, Time Crisis. He often gets dragged to the arcade by Ace.

[irrelevanthough]

I feel like Astarion is misunderstood by this fandom

I see a lot of memes, videos, or conversations about how to get him to like you by doing things like kicking puppies, hating children, and being overall a bit evil, and how he's just a violent and power-loving guy.

Astarion approves of certain questionable choices and violent acts because that's all he knows. He spent centuries as a puppet controlled by a power-hungry sadist who taught him that's all there is to life, and to break out of this cycle of abuse, Astarion has to become his master and gain the same power he has; there's no other way to end his suffering.

When he meets Tav, that's the first time he has EVER been free and not controlled by his master. He's seeing the world around him without anyone manipulating or leading him for the first time in hundreds of years. Of course, the first actions he would want to take are chaotic ones—the ones that make him feel powerful for the first time in forever! He has the power! He can be more powerful than his master! Not only that, but he can get his revenge and finally be in control of his life forever!

That's where you, as a Tav, can come in and show him that the world he knows, of constant struggle for control and power, isn't everything. Being powerful is great, but not at an expense of someone else's life. As Larian said, Astarion's arc is about either breaking out of a cycle of abuse or continuing it.

Astarion at his core, isn't evil or a violence-loving vampire; he just doesn't know how to survive in this world by doing something else! It's normal to follow the example you've seen and to have the urge to show your abuser that you're stronger, and to want to take everything from him. I love the fact that we can take Astarion's act in such different ways.

To diminish his character to such simple statements irks me the wrong way, because I feel like this is a bit similar to how Fenris' character was simplified into "he hates all mages, he's broody and rude" when DA2 came out. Astarion and Fenris hate what they had to do, what they were forced into and the sourness of their character is only a natural outcome.

You can show people that there's another way, and they can always change because of the kindness they are shown, even if they don't understand it at first and that's why I love Astarion's character so much.

[am-i-the-asshole-official]

Was I the AH for making a joke no one told me they didn't like?

This happened back when I was 12.

I was pretty... not popular, but friends with a lot of semi-popular figures in a certain fandom. I know you aren't supposed to be on social media until you're 13 and all that, but it was a good while ago [2019ish] and I was a kid who never made friends IRL.

One of my friends [16, I think?] had a delusion [it was a diagnosed disorder they had and told me about, if I remembered I would tell you, MAYBE OSDD but I think it was something else] that they were one of the characters from the show the fandom was about.

I had other friend groups into the same show, and I would often make jokes "pretending" to be one of the characters [usually just posting a memed up version of a screencap and mimicking the speech pattern of the character], which would land well and make them laugh, so I saw no issue using this joke around the friend with delusions [who I'll call Lucas]. I only did it twice.

The first time I didn't notice anything different, but the second time they started treating me like this character [who I later learnt but didn't know at the time Lucas recalled having memories of being in a romantic relationship with]. Lucas was the only person I knew who had these types of delusions, so I didn't know what to do and just went along with it until they, uh... "snapped out of it", I guess?

Soon after, I was added to a group chat with a few other people. All of them were 16, except for who we'll call Dawn, who was 12 or 13, and who was the leader of their whole group. I'll call the other people Rosa [someone who I had gotten in a huge argument with before for a reason I don't remember but I think she started it and I overreacted, if this was about that it'd probably be YTA or ESH, but I apologized and we didn't really talk anymore], and Nate [someone who I hadn't ever talked to outside of a large group setting]. Lucas was also there in this group chat.

They were staging an... intervention? They were basically making me explain my actions and were telling me how I was a horrible person for "tricking Lucas into thinking I was this character". Lucas wasn't very responsive to the situation, and I was pretty sure Dawn was the one who orchestrated the whole thing and roped Lucas into it, maybe as a confidant or something like that. Rosa brought up how awful I was to her before, and how she never forgave me even though I thought she did. Nate also brought up how "aggressive and violent" I was, citing one of the only times I had talked to him [which I thought was just a funny way to greet someone, akin to like "*knocks a door off its hinges and it explodes everywhere, I take several minutes trying to put it back together but it clearly isn't done well* Hi guys"], using a screenshot he had taken MONTHS prior and had been saving for that moment, he told me.

I was supposed to go out shopping, so I couldn't keep on checking my phone without my parents getting suspicious of me. I was also hyperventilating and kept on having to take breaks to make sure I didn't freak out. I kept on trying to reply to things in chronological order, and they were getting more and more progressively upset. I told them the first part about my parents getting suspicious, and one of them even told me that "your parents should know what kind of sick fuck you are, maybe then you'll understand your actions." Eventually, we DID go shopping, and I couldn't reply for several hours.

When I got back, Dawn and Rosa had made several call out posts on their social media each, and I had several DMs from other people about it. I couldn't read the posts, and all I did was deactivate my account. I couldn't post art I had done online until about a year ago, couldn't even think about the show until a few months ago when my friend wanted to try it out, and I still can't go onto that social media platform because it makes me so nervous and I can't breathe, afraid that someone will recognize me even now and "expose me". Lucas wanted to keep in touch, but they were a bit clingy and only came to me when they were having mental breakdowns. I couldn't handle the constant reminders, so I eventually deleted their number.

Note: while I am very safe about my identity online, these people [at least Dawn, since she said how old she was before me and even showed pictures of herself in cosplay online before, she WAS very 12] did know what age I was [I had lied about it before then to other people].

I still feel really bad about this, and I was wondering if I really was being an asshole. Maybe I was just being biased because I was the one being persecuted? I don't know. Maybe I was the AH because I was suffering from the horrible illness sweeping the nation called being 12 years old?

I'm sorry if this is a little silly, but I'm 17 now and this is still a part of my past I'm ashamed of.

Could you tag this post "12 year old confrontation" so I can find it? Thank you. Sorry, again.

What are these acronyms?

[txttletale]

this is a question that on other blogs would likely get me exploded with hammers but you seem nice and i swear im just genuinely just trying to understand, but do you have any thoughts on why marxist-leninists are so dismissive of anarchists?

first of all i'd like to preface that i think that marxist-leninists being dismissive of anarchists (and conversely anarchists hollering about evil tankies) is something that is much more common among Posters Online than among people of either political persuasion who are actually meaningfully involved in communist organization -- if 'anarchist' or 'Marxist-Leninist' is primarily an online identity to you, then you're likely to want to signal that identity by loudly and pointlessly disdaining a designated out-group -- if anarchist or marxist-leninst praxis is something you actually do, you will quickly realize, however much you disagree or even dislike the other tendency, that for most practical purposes you will be much served working together when it comes to any anticapitalist or antifascist action.

secondly i'd also like to add that i, personally, am much more tolerant of anarchists than most marxist-leninists even by the standards of actual organizing. i have mutuals, friends, and comrades who are anarchists -- while i believe that the differences between marxism-leninism and anarchism are irreconcilable in a revolutionary situation, i believe that in the vast majority of the world the situation is so far from revolutionary that there is no material or practical conflicts between marxist-leninists and what lenin called "the best of the anarchists". many anarchists have made incisive and useful critiques of capitalism and even of socialist projects (even though i think those critiques are weakened by the anarchist inability to provide a viable alternative).

all that out of the way, here are some problems that i (and other marxist-leninists) have with anarchists:

#1: class-blind & idealistic theoretical frameworks. a lot of anarchists tend to view political systems and articulate criticisms in terms of extremely abstract ideas about 'power', 'authority', and 'hierarchy'. this flattens a lot of substantially different class relationships into broad and inexact categories such as 'domination' -- the result of this is that anarchists lose sight of class relations and the material basis from which power emerges and is maintained. often they will psychologize these elements, explaining systems and the way they function by projecting a psychoanalytical framework onto the holders of power. i find these analyses usually produce incoherent and politically useless truisms. being based purely on ideals and not on materialism leads a lot of these anarchist suppositions to tie themselves into knots -- as engels said, "a revolution is the most authoritarian thing there is", yet many anarchists are revolutionary (supporting the violent seizure of power from the bourgeoisie) but viciously opposed to the DoTP (the violent maintenance of power over the bourgeoisie), with the imo totally incoherent rationale that the latter is 'authoritarian' while the former is not.

#2: individualism. anarchists are generally very concerned with 'individual freedoms' and the importance of the individual as a political unit -- as i often say on this blog, i deny the individual as a meaningful political unit. to me 'liberation' means the working class as a whole being able to live comfortably without the threat of death hanging over their heads if they fail to sell their labour -- 'freedom' is only meaningfully possible when there is a liberation of the working class in totality. in its worst manifestation, this leads a lot of anarchists to totally reject the concept of socially necessary labour or the need for labour to be organised at all (cf. this meme)

#3: the cult of spontaneity. anarchists (obviously) do not believe in centralised organisations. i think, frankly, this is silly, because centralised organisations are the only body capable of mobilizing the working class to mass action. without centralisation, it's impossible to coordinate and act in unison -- that is, to do the very things that make any revolutionary action feasible at all. the revolutionary strategy of simply waiting for the people to 'spontaneously' rise up and install communism because they have all separately decided to is one that's, quite simply, fantastical and has no basis in reality. this holds true for action that falls short of 'armed revolution' too -- to be effective and replicable, direct action needs to be planned, deliberate, and coordinated, and this just isn't possible without an organizing body.

#4: repeating imperialist talking points. now this is not true of all anarchists -- there are lots of principled anti-imperialist anarchists in the world. however, there are also a lot of anarchists who will engage in borderline apologia for US imperialism, who will parrot lines about 'dictators' and 'totalitarian regimes', who refuse to oppose US imperialism because 'all states are the same'. this ultimately (in the most charitable interpretation) stems from #1, where the choice of whether or not to oppose US imperialism is seen mostly as a personal idealistic moral choice (decide What Is Good and What Is Bad) rather than a material choice about what political action can be taken. and of course there are many valuable critiques to be made of the USSR's many failures, and some of these critiques have been made by anarchists -- but some anarchists will descend to Black Book of Communism levels in an attempt to get one in on a strawman of 'Stalinism'

if you want a more detailed in-depth criticism of anarchism from a marxist-leninist perspective that i mostly agree with, this medium article is fantastic. but these four reasons are the main ones i -- while not dismissive of anarchists -- am not an anarchist and generally disagree with anarchist theory.

[blackstarchanx3new]

Four Swords Returns Pages 451-455

The only thing that goes through my head when Dark asks "Would you like too?!"

is the fucking Lazy town meme:

"Have you ever heard the sound of a rubber ball breaking a window?" "Nuh-uh..." "WOULD YOU LIKE TOO!?"

I imagine dude's delivery would be about as manic.

Really long rant about Green and Dark's dynamic under the cut since I had a lot to say XD

Smth I just find very fun is showing off how everyone deals with Dark differently and what actually WORKS. Since so far we've mostly seen failure on actually communicating with this guy in a meaningful or productive way.

Shadow and Vaati escalated with Dark while Green's response is to deescalate and show compassion. Which is smth he chooses to do rather than it feeling obligated...which is a huge difference from Shadow already. More on that later.

Because the difference between Green and Vaati/Shadow is Green is approaching Dark not as this unstoppable entity or spooky mindless curse or purely as some evil guy hurting his team, but as a person.

An unhinged crazy manic but a person. And PEOPLE can be reasoned with...At least in theory.

The second he realized Dark wasn't what he expected (An immature, excitable person who's obviously lonely and apologizes weirdly enough vs what he thought was going to be an entity more similar to Shadow's scheming and cruelty) he shifted gears to work with this situation.

Vaati gave up on properly communicating with Dark and Shadow tries to exert too much control over the situation and gives into the smaller traps like caring what Dark calls him due to Dark's misunderstanding. "Don't call me Dad" "Don't call me Gannon" Shadow fundamentally gets distracted from the main things on the table instead trying to control Dark to his idea of what being a good guy is. And cause Dark knows a lot of it is selfish in nature he ain't up for it. (He isn't willing to apologize to Vio because he's not sorry and the lie isn't worth making himself look good to Vio or Shadow in Dark Link's idea of morality)

When Dark says concerning shit and shows his excitement in very unnerving ways, Green's response is to ask him to calm down and gently push him off him rather than being more physically violent (Even if I think everyone would understand if he DID do that considering Dark's behavior hah.) and feeding back into the loop by panicking and responding negatively verbally.

Like in a twisted way Dark and Green are working on the same wavelength. So this works into why Dark clearly has respect for Green where for Vaati and Shadow he doesn't.

Green: Is consistent. And Dark Link likes consistency.

Like Green isn't being fake around Dark at the moment. He's not being nice purely for self preservation or PURELY because he thinks it'll solve the problem. Green's motives are lining up with his actions. The dude's just nice. He doesn't want to hurt Dark Link knowing he's a person. And if you remember Shadow's motives being selfish or him lying about them is smth that deeply pissed Dark off.

I don't really have a proper conclusion to these thoughts but I'm excited to get deeper into Dark's relationship with the four Links and Link himself down the line.

It's very fun to think about.

[archivalofsins]

hey, do you remember if mikoto/john ever made any comment about the viewer's opinions? fuuta outright tells the voices to shut up, amane acknowledges them when fuuta asks her about it, and mahiru mostly just feels like her thoughts and love are being rejected. i dont think mikoto/john ever even acknowledge the viewers thoughts about their situation outside the double mv and vd, and even then that could be about what es thinks about them and not the omniscient viewers.

They do!

It's one of the things specifically highlighted by Milgram and Yamanaka within his tweet about Mikoto's voice drama. Through the fact that they recognize and view what Es has deduced through Milgram as valid.

To keep it short. Mikoto references the audience opinions in these instances.

This has been editted to get rid of spellings errors and add more context. Editted on 02/28/24. (There were so many spelling errors to correct don't know if I got them all. I added so much more quotes from the timeline and interrogations and tried to adjust for tone.)

"Eheheh... But...it's not coming to an end. All of this. With things I've never even heard before, the whole ti- The whole time... Haah... I have to see through all of these irritating experiences...!" (Doesn't directly reference Es just that things now feel like they never end. Along with things he's never even heard before.)

"As for alters... Why do you think they're born?" (Specifically asking Es how they think this works instead of divulging any information he's heard from the audience that would in fact be beneficial to Es who after being asked immediately shows they don't know a damn thing about it. Staying consistent with what happened in Amane's voice drama prior.)

"Right. You're decision to not forgive me is especially stress inducing." (Recognition of the punishment attached to the guilty verdict working properly for Mikoto and that's adding to his stress. So, yeah he's hearing the voices.)

"You know that because of Milgram! I don't care about the law, I want to know what you think!"

His birthday interaction from last year. (Him asking if there's really another him implies, he has heard the audience bring it up.)

His birthday interaction with Futa after his verdict.

21/10/06 (Mikoto’s Birthday) Mikoto: ……ah, Futa? What’s up? Did you come to celebrate my birthday? Futa: Hah!? Like I care about your birthday. ……what’s up with you, though, you’re usually a lot more excited. I thought you were the sort of idiot who’d make a big deal over your birthday. Mikoto: Yeah, usually that’d be the case. ……I think I must be getting tired. It’s like I’m anxious over something but I can’t really explain what it is…… Like, the feeling that I’ve been totally wrong about something. Haha, but it’s not like talking to you about it is gonna do anything. Futa: Yeah, yeah, just like you say. Talking to me about it isn’t gonna help. ……but, it’s not like I don’t get what you’re saying. Or rather, I understand exactly what you mean. And if it’s the same thing as I’ve been feeling, then it will just get stronger as time goes on…… probably. But anyway, rather than talking to someone like me you should go and bother the others. Go and get showered with their stupid birthday wishes.

Also, the fact that Mikoto's entire defense for his actions pivoted from I don't remember, and Milgram probably got the wrong guy by mistake to the other one did it. Which not much different from the excuse he gave before but was an excuse widely jumped on and presented by the audience after he was called out for faking for a good period of time and being bad rep. Well, to say the least- It puts a different meaning behind this line,

"“He’s a liar”, you said, and made me out to be a scoundrel, why?"

Since it encapsulates what his first trial was like in a nutshell. Where people either called him out for faking/lying or blamed the alter for all the violent acts making him out to be the scoundrel. People even posited that what we see in MeMe is fake because it's far more graphic than the others and cuts and that this could be due to him having DID and lookie here.

In fact Mikoto's mental footage was so violent... "It's unforgivable." That was my judgment. "That too could be just a fake or attributed to multiple personalities, right?!"

Overall Mikoto, like many of the prisoners, does not state what the audience has told him. However, he heavily implies through his actions he's been told something. What that something is we don't know and given his first verdict percentage he would not be as inclined to tell us as the others would. Hell, even then a lot of others don't tell is. We were never shown what innocent does to a person outside of this from Mu.

21/07/05 (Mu’s Birthday) Mu: Yuno. Don’t you have something to say to me? Yuno: Huh? To you? Me? ……ahh, uh? Your birthday, right? Happy birthday~ Mu: How mean…Since it’s my birthday, I really wish you’d said something before I had to come and tell you myself. Yuno: Right, right, I’m sorry. I’ll be more careful in future~ Later! Haha… things have become even more of a bother… ……so was that Mu-chan’s real personality, then? It’s probably because the guard did something, right?

But yeah, since you were just asking if he referenced the audience outside of his voice drama and music video there's no need to read the rest here. What comes after this basically goes over how I tend to tell when the prisoners are subtly referring to the audience and other things but it's very long.

Now onto the interesting stuff. Because I wrote this before rereading the question and seeing you were asking about things outside of the voice drama and song. So, I'm leaving it.

Mikoto discusses the audience in the way similar to how Mahiru does. Never referring to the audience or the voices as an individual entity or directly instead either referring to that as Milgram collectively or referring to it as an extension of Es' actions and decisions.

Even in Double and I Love You neither of them refer to a big group of people but go "You".

"What you trampled is my, “This is how to be in love with you”."/ "“He’s a liar”, you said, and made me out to be a scoundrel, why?"

Unlike the rest of the prisoners who refer to multiple parties, Mikoto and Mahiru couldn't give a damn less about who is causing them problems and considers the audience, Es, and Milgram all the same entity. Never really separating the three. Because they don't care to.

Other prisoners that do this are Haruka, Shidou, and Kotoko if I'm remembering correctly.

"I will definitely make you love me again."-"Hug me again as you once did."

"You don’t even know yet, and yet."- "What do you mean INNOCENT, if this is my punishment... Now I see, this world is cruel and merciless. The vote that negates the option of death, the love that won’t perish."- "No thank you, it’s none of your concern."- "Shall I fulfill your request and elect to live."

"That's why I became your fangs."- "Tell me why you tell me, “Stop'. Don’t you dare stop now."

Kotoko and Shidou do something interesting in their second trial songs having parts where they both directly refer to Es and the audience separately within their songs. Referring to Es at the beginning and then the audience in the second half.

"I want to be INNOCENT, I want to live. So this is unpleasant, hurling slurs of “hostage game”, you do know that it’s up to me? That’s right, there are lives that need safeguarding. So hey, prolong my life, I’m indispensable. The correct answer, I don’t yet know, but there are lives that need safeguarding. So hey, prolong my life, I’m indispensable."

Shidou Trial 2 Voice Drama

"But... as long as Milgram continues in this direction. We won't be able to save those who get injured if I'm not forgiven." ...! "Even now, Shiina-kun is in a condition where any digression could be fatal. She can't live without my treatment. If I'm not forgiven she will end up dying."

Just want to highlight how Shidou uses the same tactic as Mu but somehow what he does ends up succeeding and what she did doesn't. A lot of people may think that's because none of them asked to be put in that situation and Kotoko was the one who attacked. Yet, my honest response to that would be what the fuck is actually stopping Shidou from helping if he was guilty?

Like prisoners who were Guilty once can still move around and interact with others and the things around them. Unless one is assuming that the punishment for being guilty trial two is worse than one. Something I don't believe would make sense and would not be fair considering this would just simply for many of the prisoners be their first time being guilty. Although, this is Milgram so maybe who knows.

Even in a situation where the trial two punishment for being guilty is harsher than trial ones; what the fuck is stopping him from teaching or instructing someone else within the prison on how to help if he were restrained? He even said Amane could be assisting him and Yuno has been. He's very replaceable, actually. So, it's wild this worked.

As we will get into it is wild any of them are getting away with what they are.

He also doesn't say this as if it will change later. Instead he literally states that Mahiru now just can't live without his help which given injuries should not be true. Yet considering that she hasn't been getting better over the course of trial two honestly yeah, I guess he's right.

That's... true I suppose. "From now on conflict between the prisoners will probably become more frequent."

Dude why the fuck does he say this??? Like no I'm being serious why does he fucking say this? Especially considering last we heard from Haruka in his second trial voice drama Shidou and Kazui were meant to have been negotiating a ceasefire? This sounds like something an individual about to start a conflict would say. A person about to throw down if you will.

Like what the fuck does he know in regards to this? The most good faith interpretation is the ceasefire negotiations have failed. Yet, it's still a weird thing to just add. Especially since he says conflicts between the prisoners. Implying that people other than Kotoko may end up instigating fights.

Even though most of the other prisoners are simply attempting to mind their business and he's the only one who directly states hostility towards Kotoko in various ways.

Others that state having animosity towards someone are

Yuno,

Q.11 Which of the other prisoners do you get along with least? Yuno: I wonder. The ones that are painful just to watch are Haruka and Mu-chan.

Futa,

Q.12 Are there any prisoners you don’t get on with? Futa: Can you not tell by looking at my face? Obviously Kotoko.

Mu,

Q.12 Are there any prisoners you don’t get on with? Mu: Yuno has been really cold lately so maybe her a bit.

Shidou,

Q.06 Do you forgive Kotoko? Shidou: No. I can’t forgive someone for trying to achieve thing with violence.

"To extract that fang, now."/“That’s why I became your fangs.”

Oh, and he has some feelings on Mikoto as well.

Q.07 Are there any prisoners you get along with? Shidou: Kayano-kun has become like that, and I can’t spend my time smoking at the moment, so the smoking trio has disbanded, which is a bit lonely.

What those feelings are beyond me. However, he speaks of his current disposition as though it's a problem. So, I'm putting it.

Kazui,

Q.06 Are there any prisoners you don’t get along with? Kazui: To be honest, probably also Kashiki-chan. It feels like she sees through all the things I don’t want anyone to notice.

Amane,

Q.06 Are there any prisoners you don’t get along with? Amane: Kirisaki Shidou.

and Mikoto,

Q.12 What do you think about Kotoko? Mikoto: I don't like her.

It makes sense that we the audience would know whom everyone is hostile towards. Especially since we just blatantly asked in some written interrogations. However, it's not as though many of them have been presenting their hostility towards each other openly.

Outside of Amane and Kotoko everyone else attempts to be cordial with each other or just outright avoid people they dislike. So, it's still weird he would know this unless he's really good at reading the mood and paying attention to others.

Something he has not shown himself to be. Though, maybe he really is. Still considering he has two individuals he'd could possibly have an issues with this really sounds like some shit somebody who wants start trouble says.

"If I'm not there... They will be in even more danger!"

Bitch you will be there- Guilty or not. You're not getting out of this panopticon any earlier unless you see yourself out buddy. Where do you think you go if you're guilty? The sunken place? You gonna mentally tap out because of the guilt and constant bombardment of being told you're wrong by the audience?

Other people who have been Guilty before you with no warning of what that mental or evironmentally entailed were still able to help and speak to others while suffering under the affects of said verdict. The child did it grow a backbone man! You're an adult and apparently you hold a lot of stake in the fact that you are... So, at least make it make sense why you do with your actions.

In case Shidou has forgotten we have a third trial. So, he's just being a fucking manchild here. Does he think we're gonna kill him immediately after he's voted guilty in this second trial out of three? Does he think as soon as the guilty verdict hits Kotoko is going to attack him? That's the most reasonable and good faith interpretation of this statement.

Like she did attack guilty people that's a fair concern to have. Yet, he's currenty being guarded. Because now that an attack has happened once the others are more on guard.

As Yuno implied would be the case,

Q.09 What do you think about Kotoko’s attacks? Yuno: Is she an idiot? Nothing’s going to change in the world if you just act out violently where everyone can see.

If a person just acts out violently where everyone can see most people will reasonnable recognize that person is apart of the problem too. They won't usually assume they're the solution to anything. Plus again the fact that other people were guilty before him and he knows what that could reasonably entail he should be preparing for that possibility. It's clear that he wants to avoid it by any means and is doing his best to do that.

Which I can't fault the man for that's only natural. But-The fuck is Shidou's second voice drama fearmongering 101?! Why the fuck is he acting like this towards the end?

I bet you're thinking Gunsli is this your first time listening to Shidou's voice drama and honestly yeah it is.

This man is in here like what will they do without me. Despite the fact that a majority of viewers have pretty much agreed the child can take him out/is a serious threat to his safety. At the point the previous statement is widely considered a genuine concern true if anyone wants him dead outside of himself in this facility he is going to die. Because we know that from the beginning Shidou has wanted this all to end and to get the death penalty.

That he's been smoking to be unhealthy,

20/08/04 Mikoto: By the way, why did you two start smoking? For me it was just a means for communication with people at work. Kazui: Hm? I don’t really remember……It’s maybe changed nowadays, but in the past it was just natural for everyone to smoke. What about you, Shidou-kun? Do you remember? Shidou: ……I wonder. I suppose…… I just wanted to do something that was bad for me. Mikoto: Ahh, I kinda get that. It’s like eating instant ramen in the middle of the night.

So, he came into Milgram already trying to get out of life in general. So, he can't threaten himself like Haruka can. He's still gunning for that death sentence even now.

"The scale tilts to and fro, I yearn to be found “GUILTY”."

The only thing he can do is what he's always done used the lives of those around him to excuse his actions and validate his own existence.

"But it tilts towards, find me “INNOCENT”. If the voices crying out in pain, can be saved by me- Allow it to be my charge and mission."

Like I don't know why he came in here acting like this verdict gonna make him someone he ain't and never was. Like man you couldn't even take care of your own- You want us to leave you in charge and responsible of even more people. People who have no reason to have to listen to or take him seriously. People who don't even like him.

Meanwhile Shidou's kids in Triage out here looking like they need Yusuke Urameshi not Shidou Kirisaki. What will they do without me? Man I don't know probably have a better grasp of road safety. You know just spitballing some guesses here.

He came in here really pretending to be the guy and for who? Himself because he's fucking weak and emotinally immature. He can't handle the mental stress of a guilty verdict, he couldn't even handle his own social relationships when his wife was alive,

Q.19 What was your partner like? Shidou: A strong person. I tend to be a bit careless in my personal life, so I was always relying on her.

or taking care their kids after she either died or got ill.

Like listening to the end of his second trial interrogation is legit hearing him hype up his own importance. As though he's going to be a meidcal doctor on the frontlines of a war and voting him guilty is equivalent to immediately killing him in front of a bunch of injured civilians. Halting people from getting aid. When that's not what's occuring here at all!

He's still going to be in Milgram and he will still have another trial. Like maybe he thinks that's what's occuring because of Kotoko but that's even weirder. Because there are more people against Kotoko's actions in the prison than for them.

One of which is fucking Kazui who is already guarding him.

Shidou... "I need to be punished... But I also need to stay alive or young lives will be lost."

Oh, Shidou you're such a martyr.... Pushing to the side your selfish desire to die because you're sick of living with yourself, your own failures, and the fact that the things you worked towards weren't the benefit you thought they would be and instead a massive failure-

Q.15 Do you think you’ve made a contribution to society? Shidou: I used to think my work was a contribution to society.

All because you've found something that validates your existence again. Something that,

"Tells me, the reason it’s ok to be here."

Again I need to highlight we're not fucking killing him with this verdict. Telling someone what they did was wrong is nowhere close to comparable to murder. Also, Kotoko can attack prisoners whether they're innocent or not. Jackalope's brought up that the prisoners are allowed to attack each other during the intermission all of them regardless of verdict.

Unless they're physically restrained and thuse made unable to they can still do it. Plus some of them are shown in full restraints within Undercover still ready to attack somebody if needed. It's not like she is completely bound to acting in accordance with Milgram's rules as has been highlighted before.

22/08/05 (Kazui’s Birthday) Kotoko: ……Mukuhara Kazui. Thanks to you, I wasn’t able to properly serve justice to those who did something unforgivable. I’m currently acting as an agent for our prison guard Es. Don’t get in my way next time. Kazui: Oi oi, don’t be silly, Yuzuriha-chan. There’s no way I could just look away from your outrageous display of violence. Anyway, even disregarding the fact violence against those voted guilty isn’t a part of Milgram’s system, what you’re doing is just acting recklessly based on a broad interpretation. As long as I’m free myself, I’ll stop you. Kotoko: ……what a pointless argument. Hmph. Since Es forgives you, I have no choice but to forgive you myself too. If you to keep to your words, then you’d best do what you can to keep being forgiven. If you’re not, then next time you’ll be one of my targets. Kazui: Oh, how scary. That girl truly is frightening. ……well then, I wonder what the guard will decide to do with me. That’s the one thing I really can’t make out. Honestly……

Yet, throughout his second trial voice drama he keeps subtly pushing this idea that not only will Mahiru die if we vote him guilty but he will too. That not even really touching on the fact the one to bring up a death sentence or execution as a result of the trials to begin with was Shidou.

He brought it to this point and is now lamenting about it being there like oh what should I do.

"I... I don't know what to wish for anymore. I'm starting to think that I want to live. That I want to be forgiven... Despite being so riddled with sins...! ..." Shidou... Do you remember what i told you? "..." Back when you were still fine with dying at any moment, I told you to deperately want to live. "Punishments for sins exist in the first place because we have an attachment to life. your existence in itself is a sacriliege to Milgram and myself", I said. "Yes... I remember." And now, finally, you've gotten attached to life and finally become a real prisoners of Milgram. That's what I believe. You wanting to be forgiven and your wish... Those are the steps that now represent you. "...That won't do... I musn't be forgiven. Otherwise... the countless lives I've taken will never be paid back." Heh. If you're really trying to give up your life as compensation for the people you've killed, then there's no reason to stay alive that will hold up anyway. "..." Don't face them with a life that you're so willing to throw away.

Es greatly sums up the main issue with Shidou's logic.

He is ready and willing to die.

Yet, all the people he killed weren't. Usually people seek medical attention for help, because they want to live. Because they're in pain and they don't want it to get worse. Thesse are people who are trying to survive and seeking out what they believe is the most appropriate help for either themselves, a family member, hell even a stranger on the street if someone calls an ambulance.

It's incredibly tragic when help doesn't get there soon enough but it's down right dispicable when the help is there and decides no you'll die today because I feel like it. You understand what it's like to have to take in order to give and I need to take from you to give something to myself. We're all suffering and you know some people like myself deserve to suffer less than others so this is just how it has to be.

Since that's the case-

"You're in my way...hurry up and die."

I see no difference between this and this.

"Please, go ahead and die already."

Excpet one of the people making this sort of statement puts a lot of stock in being a mature adult and never acting childishly. While the other is at least emotionally honest about their mistakes.

Why did I bring all of this up? To highlight a key difference between Shidou's voice drama and his song. Es never rebuts Shidou for saying he's the only one that can help or calls what he's doing a hostage game.

Making it more than likely Shidou is referring to the audience and the voices he heard discussing his case or something from his real life given the quotes around the phrase. This is more than likely something Shidou has said in reality or had said to him. I lean more towards the first interpretation when it comes to viewing these put in quotations lyrics as direct snippets of quotes from statements the prisoners have said but I'm not that committed either way.

The point is it highlights that he's not just referring to Es here,

"I want to be INNOCENT, I want to live. So this is unpleasant, hurling slurs of “hostage game”, you do know that it’s up to me? That’s right, there are lives that need safeguarding. So hey, prolong my life, I’m indispensable. The correct answer, I don’t yet know, but there are lives that need safeguarding. So hey, prolong my life, I’m indispensable."

He's instead speaking past Es and directly pleading to the audience or voters.

Which is the same thing Kotoko does here-

"So, make yourselves my reason. Just choose the only choice, GUILTY. Say that sympathy is useless. Hate evil as the evil that it is. Don’t you dare stop now. I want a reason for judgment execution, I want it. Give me the next target “UNDER”."

Notably not stating that she became our fang before that but leading into that again. These lyrics (along with the prisoner 011 line in Kotoko's case) recontextualizes the entire song as a direct plea to the audience with allusions of concern towards Es. Mostly merging the two and going if you're on good terms with me I'll be on good terms with all you and your proxy if not things could get messy.

This showcases that they all see no difference between the audience, Es, and Milgram like stated before.

The ones who are more direct while referring to the audience are Yuno, Futa, Mu, Kazui, and Amane. Instead referring to multiple parties through their songs or one.

"I’m the one who chose, let you and you and you all in."

Yuno mentions two others before stating she let "you all" referring to the audience in.

"Don’t get cocky, you in that cypher."- "Tolerate, impress those spectators."- "This prison hosts ears and lethal eyes, I’m sick of it. You and you, throwing around rules for fun, hoisting up morality and feeling good. Should I succumb, make your wish come true? Full of yourselves, are you?"

Futa seperates the prison host from the audience the spectators. In a way showing off that he views Es as an entity hosting an event and the ones spectating as the actual entity he needs to impress or sway to his side. He's basically going if the audience likes me I'll be fine.

"So, it’s wrong? Oh shove that! INNOCENT, isn’t that right?"

It's a personal dislike of mine. People who act based on their sexual urges like that, that is. "It's personal?" Yeah. That's right. "That's strange. I did think that, despite being neutral as a warden you did have some things you dislike, but..." ... "Isn't it unusual to openly reavel a personal dislike as a personal dislike?" You're splitting hairs. "Seems like you really disliked my crime... I get it! Maybe it's because you're so young... Which is to say... ..." Hah? Stop staring at me so openly. It's disgusting. "..." ... [Es punches him]

Honestly warranted he is making fun of Es for the same reasons Jackalope did in Es' voice drama. Being a bit green behind the ears. Which is never fun. So, of course after that the first thing Es does is do the same thing to Amane in her interrogation after this.

... Now I feel better. "-Ow! What are you doing all of a sudden..?!" It was an instinctive reaction. Don't take it personally. "Would you stop just punching me in the face without any hesitation? ...huh Anyways... That's how it is, huh? That's how it is...?"

Kazui stating "That's how it is..." highlights that he does take note of Es' personal feelings. He not only does that but seems to take a moment to mentally compare them to what he's been hearing from the voices over the course trial one. Really honing in on the fact that Es says them disliking Kazui's crime is a personal thing.

Meaning that Kazui knows full and well that Es' personal opinion does not matter when it comes to the verdict and may have concluded as such. Something made even more clear by his second trial song opening with him telling Es to just go shove it. Fuck off get that nonsense out of here.

Kazui literally forgoes Es' statements on his actions from his second voice drama at the jump of cat like oh well the guard said it was wrong but fuck that- Innocent is the right answer. It's the conclusion you all came to the first time so.

Double down. Hence the-

"Lie, until it gets better, follow the king of the masquerade. Lick that sin and oppose punishment, until you can meet the king of the masquerade."

The only allusion to Es in Cat is,

"So it’s wrong? Oh shove that!"

This is because Es has already said they personally dislike Kazui's crime or people who act based on their sexual desires. Meaning if Kazui's crime is that of a sexual nature trying to sway Es on seeing it any other way is pointless. So, he no longer has an interest in convincing Es his behavior was okay. Plus he's not even really concerned by what the audience themselves have assumed or figured out. Something alluded to through how comfortable he in while singing Cat in comparison to Half.

Amane's is rather straight forward as well. Considering her song starts with direct recognition of the audience/spectators going-

"Good morning, ladies and gentlemen! It’s the beginning of a most wonderful day! However, there are blasphemers and silent by-standers, who would have it otherwise. We must not give into them, they are the ones that should be judged." - "I disavow you, eyes corrupted must be crushed."

These are the only references Amane makes to the audience and Milgram. Literally going those who agree with me you know what to do. Those who don't well we can't give into those people now can we!

Then there's Mu,

"I am innocent as everybody desires."- "We are just the same. Don’t you think it’s wonderful to control them with my gentle sting?"

Mu compares how what the audience is doing is no different from what she has done. So of course it only makes sense she'd be Innocent. Then specifically speaks of Es after. The one who is also controlling people with their gentle sting. (This statment does apply to the audience as well. Since we're impacting the prisoners through the press of a button a gentle sting/poke. )

The lines calls attention to the emotional and psychological abuse Kotoko points out as being just as bad as what she's doing in her voice drama. Something Es also brings up as a factor in Mu's case during you guessed it her second voice drama.

When Mu says she never really hit anyone herself and Es goes yeah you just had other people do it for you.

"I haven't bullied anyone! I'd never do such a mean thing!" ... "I've never once hit anyone or poured water over anyone's head. I wouldn't do something like that!" ... "I'm not lying. I'm not being dishonest! I really haven't done anything!" I see. I'll take note of that.

Just like Kotoko did with Es. Saying just because you never hit anyone doesn't mean you haven't caused harm or incited it to occur. As Es attempts to highlight they never really used excessive physical violence/took it as far as Kotoko did with the prisoners. Despite the fact that they have hit them and impacted some of them just as negatively as Kotoko has.

Even more so from the admission of Mahiru in her second voice drama.

"I mean it. It doesn't hurt. Compared to the way I felt when you chose not to forgive me... Not at all." ...! "Not at all... Nothing. None of it hurts. It's not...as big of a deal. Ever since, I've constantly been hearing...voices saying I couldn't be forgiven. Yours? Whose? I don't know... I don't know, but... I've heard them this whole time." Mahiru, calm down... "Was what I did such a bad thing? I just... had a normal relationship like everyone else...! That's all I did! Why can that not be forgiven? Hey, why? Why? Why?"

Kotoko's second trial voice drama does well to follow up on those similarities It's Not My Fault, Bring It On, and Backdraft highlighted between the prisoners and those who watch Milgram. The same mentality to jump into something that is quite frankly no one other than the parties involved business just to turn around and blame others when things get bad.

Later

"Ah- But if you don't forgive me, then Haruka-kun will die. So, I think it'd be best not to do that." ...! So, you've heard about that nonsense, too? "Mhm! Haruka-kun told me. So, I could rest easy according to him. That made me happy... It made me really feel our friendship!" You know about it and you're not trying to stop him? Haruka, that is? "Why would I? Haruka-kun says that's what he wants. So, there's nothing I can do, right?" But you're calling him your friend? "Isn't it exactly because he's, my friend? Isn't friendship about letting your friends do the stuff they want?" ... "Are you planning to tell me, "That's not what friendship is."? Then, what is it? It's about sticking together because it's beneficial for everyone involved, isn't it?" I don't think Haruka is benefitting from that at all. "No way... It's not like you'd know what's good for him." ... You sure are tough to beat. "I really don't get what it is you're trying to say, Warden-san. Haruka-kun is free to decide what he wants, and I'm not doing anything wrong. It's not like I asked him to do that!" I see. So, that's how it is, huh. You don't say anything; just because you're present, the wishes of those around you evolve to benefit you- Oh, so that's it. Like, a born queen. No, it's as if you're influencing your surroundings not with words but with pheromones... Just like a queen bee. "Pheromones...? I'm not sure what you're going on about but I'm not a fan of that lewd-sounding stuff." That's not the nuance i was talking about. "Either way there are prisoners much more deserving of not being forgiven than me. So, I think you should focus your energy on those guys instead. Like, Kotoko-san has been up to no good, for example. Ah, but what she did was approved by you, wasn't it?" ...You're making my blood boil. "Anyway... I think you would do good to forgive me. Then Haruka-kun will be safe, too. Ah, actually- Couldn't you just forgive everyone? Then Kotoko-san won't run amok, and you won't have to think about all the difficult stuff." ...That is...a very enticing proposal. "Right? Hah, hehehe." Abandoning all thinking... How nice it would be if I could just do that. "...If you ask me, I don't really get why you don't do it..." Because this is the role I'm playing! "But this role was giving to you, wasn't it?" ...! "You didn't end up doing this because you wanted to, right? It's not a dream you've had for a long time or anything, Warden-san? So, there's no need to let it tie you down. Couldn't you just quit?" What are you... "Warden-san- We call you warden, because that's what you are, right? And I wa sassigned the role of prisoner, but that doesn't mean I'm now nothing but a prisoner at heart, too. After all, I'm still me." ...! "Are you okay warden? Are you feelings sick again?" Haah...haeuahh... "That's because you keep thinking too much about difficult things." ...Gyh!... Haah... "Just stop. Being the warden, that is."

Es brings up that Mu is emotionally manipulative. That she hones onto any weakness to exploit in those she dislikes and makes herself look small so those around will feel more inclined to help her. Through her voice drama, like many of the other prisoners, Mu uses the same tactics that got her into Milgram to begin with.

From her first voice drama Mu is well aware that Es has issues when it comes to thinking about themselves outside of their job as prison guard. She recognizes it as a trigger which she willfully exploits in an attempt to get her point across better.

Then despite saying what Kotoko did is no concern of hers and since it was approved by the warder it'd be wrong of her to disagree with it earlier in the same voice drama her tone changes a lot near the end.

"Huh? But that has nothing to do with me." What? "The ones who are suffering are the ones who have done bad things right? You know, like, what goes around comes around?" ... "Besides Kotoko-san hurt and was mean to the people who you chose not to forgive, right?" ...Yeah. "Wouldn't it be weird for me to have any thoughts on that, then? After all, I didn't do anything wrong. You forgave me!"

Yet, suddenly when the idea that she might be viewed as in the wrong later comes up Kotoko is running amok and is a prisoner more deserving of not being forgiven than her. Because Mu as she has always done puts targets on other people to avoid being singled out herself. Then to add insult to injury she directly contradicts what she says about friendship and it being letting the people around you do what they want.

By continuing to badger Es into quiting being a guard and stop taking the role so seriously. Because Es taking their job seriously does not benefit Mu. It puts her at risk of being singled out and votes guilty later down the line. So, it's better if they just drop it.

If they don't/can't she has no issues, or qualms making the situation more difficult for them by poking at weak spots until Es-

If you want to betray from jealousy I’ve told you what’s gonna happen.

What's the point of highlighting all of this? Why include all the others when this is just meant to be about if Mikoto references the audience over the course of trial two.

Well, to be completely honest this isn't about them.

Even though at times this seems to be about the others. They're only being used as examples of how I analyzed the information provided and discerned through my own perspective when the audience was being referred to, how it was being referred to and why.

It is just easiest to explain that method over the course of all the prisoners and build up to Mikoto.

It just so happens that this may stand out more overtly with Mu than any of the other prisoners. Because of how consistent a character she is. Like she states in her voice drama no matter what labels external forces put on her, inside, in her heart she will always be Mu. She, like all the other prisoners, isn't changing and has no desire to change.

Their only desire is to escape punishment and gain social power and influence by any means necessary at times.

This is important with how they refer to the audience and the entities they choose to suck up to. Many of the prisoners have recognized being nice to Es just does not matter long term because they are just a proxy. They don't have much power or influence over how the prisoners are viewed.

Sure, it's good to get along with them for images sake during the interrogation but ultimately how well off they are with the guard doesn't heavily impact their verdict.

Yet, as long as they aren't outwardly and overtly malicious, they can get away with harassing Es if they want to. Mu's whole thing is making it appear as though she had no malicious intent or at least if she did it was a warranted response to the circumstances. She's just a victim, an underdog biting back. It's not her fault people were mean to her, but she doesn't just have to take it on the chin and wear it.

She has a right to protect herself after all she was-

"Having such a hard time." and "Trying so hard."

She was at a point where she couldn't take it anymore. Her heart was all dried up and her sorry spells weren't working.

Mikoto is the same way throughout his voice drama.

A mix of Mu and Mahiru's behavior. Basically, they're all passive aggressive about it. Dancing around the point instead of tackling it head on.

Not really elaborating on what they've heard but more so implying it through their emotional states and responses.

"If you just laugh and pretend, usually things will work out in the end right?"

X

"I'm pretty good at that! Making things work out to the best of my abilities." Is that so... "Eheheh... But...it's not coming to an end. All of this. With things I've never even heard before, the whole ti- The whole time... Haah... I have to see through all of these irritating experiences...!" You emerged, huh. "Hey. Looks like you haven't received a beating yet, Warden brat." ...! ... "Hah? What, are you scared?" Like you didn't get beaten by Kotoko...! "Heheh... That was just because she caught me off guard. We went at it again while you were asleep and it's not like i lost there."

Mikoto in his second voice drama similarly to Mahiru and Kazui does not willfully give Es or the audience information. Instead questioning Es on what they believe and what they saw.

"As for alters... Why do you think they're born?" In precise terms it's called, Dissociative Identity Disorder. Generally speaking it refers to when a person experiences severe pain or stress, and a new personality is created in order to isolate the original personality from the resulting trauma. "Yeah. I... probably come out to ease the stress I experience."

It's important to note that Mikoto (John) is not speaking in past tense here but present tense. So, he's not stating I emerged in the past in response to the stress Mikoto was experiencing. He's literally saying I'm coming out now to ease the stress he's currently experiencing.

Subtly calling to attention that Milgram, the verdict and the audience voices are causing Mikoto stress and he was brought out to handle and relieve Mikoto from that.

Even elaborating after that-

"The fact that I come out for longer just means that I'm constantly under extreme stress."

Again highlighting the negative impact Milgram has had on Mikoto's mental health and wellbeing. Yet also calling to attention that Mikoto (John) doesn't have a clue about what the source of the stress is. Just that Mikoto must be stressed for him to be here. Saying that just means and going off the fact that he's here at all to discern that.

Them asking this at least confirms again that they both recognize the audience as well as Es at least know Mikoto has Dissociative Identity Disorder. Something Mikoto states he's heard from the voices on his birthday as well.

The fact that he's questioning if there's really another "me" on his birthday means he more than likely heard that from the audience. He doesn't really get the chance to broach it in his voice drama or doesn't broach the topic.

Yet it is made abundantly clear before that occurs that Mikoto is aware due to the voices he's heard from the audience. So there's that as well.

All this makes the moment after this particularly interesting.

Stress... Namely, the environment of Milgram, right? "Right. You're decision to not forgive me is especially stress inducing. That's why I'm entrusting me with my heart." I see. "Not like I can blame myself. From my point of view, I'm being blamed for a crime I can't even remember." If that's the truth, then... You're the one who committed the murder? "Yeah, it was me. I killed them off." ... "So, I, Mikoto really didn't do it." Can i ask... Why you killed them? "They annoyed me." Who did you kill? "Just whoever was walking around nearby." ... How many did you kill? "Can't remember I was just born back then, you know. It's kind of fuzzy."

Just whoever was walking around-

In this empty ass back alley looking underpass in the dead of fucking night. Okay, Lil' Slugger. I believe you.

I too walk around in the dark of night to secluded spaces with no public foot traffic and a loud passing train that would mask not only my screams but those of anyone else around this is true and reasonable. It's something we all have to do we can't control where our homes are located or find other safer alternative night routes at times. Sometimes you just gotta do what you gotta do and people like Mikoto are there.

Sometimes you have to walk up to or past a suspicious ominously posted up stranger that definitely doesn't look in any way to be waiting to initiate a hit. That's not something any person would want to avoid in the middle of the night on their walk by all means. I would have seen you like this and went whelp fuck my house is that way... Aw, damn he's either gonna kill me or I'm gonna get home but I gotta walk that way. Better start praying and speed walking.

I ain't even a religious person but I need something to have me right now.

We already made eye contact. I saw him see me. That was my first mistake. Can't get out of it now. Whelp, I have the perfect song for this. I'm such a fucking disappointment. Oh, this route will be shorter there's not many people on it! We'll get home faster. Now I'm about to die.

I would be so pissed to die because this guy was just what fucking waiting to hurt somebody. What the fuck man pick up a contact sport and put the bat down!

Think I was fucking around when I said okay I belive you well ha ha; no. I wasn't. I don't believe this is the truth in this instance. However, I one hundred percent believe this is some city shit. The fucked up thing is what he just said isn't unreasonable like that shit happens there's senseless violence all the time. That doesn't make it better he really went on the mic and said,

"I killed someone because it really was just one of those days, I'm quirky like that. I didn't even know them. Didn't even know their name. They were just annoying had those hit me with a bat vibes you know."

Like dude fuck you that's not better. That's substantially worse actually. I'm sorry this has nothing to do with the question. It's just... Rewatching Mikoto's second voice drama is a trip. One second it's like if you did do that for the reason you stated then you're kind of just objectively the worst person here and continuing to vote you guilty would be better.

He just admitted he just does this shit to relieve his own stress and it doesn't matter who he hits. It's not personal in any way. Does having a hard time and demanding job excuse that? I don't think it does. These were all people to his own quick and flimsy admission had no connection to him. Never wronged him, hell they're strangers whose only crime was walking near him.

Yet the child who killed their abuser is barely treading water while he's here coasting-

That's fucked up! The fanbase did Amane Momose dirty and it really just seems like it's because she's a child. Because these fucking adults be acting hell of childish and they are not getting as much heat as this twelve year old has. Be better. The fuck type of defense is this. He really came in here and said,

"I felt like it so I did. What's the problem?"

Then a majority of people went alright go off he's such a victim- Of what nepotism, marginally good looking priviliege?! Being shippable and okay to sexualize leading to people liking and projecting on him more than a twelve-year-old?! Because all of those things are actually helping him a lot if you take a step back to think about. Like if you take in the image in full he's doing quite well now in comparison to the shit start he had.

He literally said I killed just because they annoyed me. I didn't even know them and people went I do not dee the problem with that. Go off king people do be annoying. If you don't want to die don't be annoying in public. Being annoying death penalty actively abusining your child for years and killing a cat come on Amane jumping to murder due to that was a bit of leap wasn't it. Like even if your religion said so sweety killing is bad.

Because the truth is if he was Amane's age and gave the excuse that was given here it wouldn't be working. It would be giving repeat offender energy he would need to learn a lesson. He would be hiding behind his disorder.

Even though Mikoto (John) may only be admiting to committing the murders to cover for Mikoto which I'll go into again later... I'm mostly highlighting this to go this should not have made him be more favorably viewed. Like people really just ignored he said that shit.

Yet, then other times in the voice drama it really sounds like listening to your friend lie about the disorder they have blatantly and without restraint to get out of something they simply did not want to do to begin with. To an individual that is woefully underinformed about how the disorder works. Which is me saying it's fucking hilarious. It is absolutely amazing. He should keep doing that actually.

It's not Mikoto or Mikoto (John's) fault that people are ignorant when it comes to dissociative identity disorder and stereotype people that have it. He should take advantage of what aids him. If that's the ignorance of others in this age it takes ten seconds to start researching. No one has to teach anybody in the real wold except teachers and they ain't paid well for it.

We gotta figure it out on our own. He is in jail he doesn't owe society or anyone in that jail shit especially the truth and he isn't giving it.

Mikoto (John) goes me fronting longer has allowed me to stabilize which probably isn't good and means Mikoto the prisoner is disappearing. That is not typically not how Dissociative Identity Disorder works. I don't know why anyone would want to present it as though it does work the way Mikoto (John) is purporting. He's basically saying that alters are born at random and are immediately violent.

This is a a very weird and stereotypical way of discussing and presenting people with DID. That has led to the demonization and stigmatizing of the disorder. It's not like it can't happen people can have violent alters but usually they're responding to a trigger not just being violent towards uninvolved parties or just lashing out at anyone while outside of stressful situations.

Plus, alters can go dormant but that doesn't just happen due to someone else fronting. They can also be integrated. Everyone is different though. So, maybe that's just how this works for Mikoto. Though, alters do disappear for a bit that happens as well. So, why is Mikoto (John) acting like Mikoto's gonna die?

It's difficult for me not to question how this was phrased, especially given what others have pulled over the course of trial two. A good deal of trial two has been prisoners going well if you vote me Guilty someone else will disappear/die- So, you should just like find me innocent. It's that easy find me innocent and everything will be fine.

Like these assholes have genuinely forgotten they are in here because someone has already died. They really be out here like I will certainly take a life but it won't be mine. Do as I say not as I do. Violence is bad and we wouldn't want to hurt anyone let's all just get along.

Where was this Barney ass logic when you were giving people head-on collisions with bats, knives to people's chest, committing malpractice. Like none of these people have said there's no reason to take a life because they've all fucking done it. Just that there's no reason to take away their lives. At least with the people who have brought that sort of thing up.

Isn't that sort of fucked up? That all of trial two a good deal of prisoners threatened the audience with the idea of someone dying as a result of the audiences' actions. Completely ignoring, downplaying, or evading the fact that someone has already died because of their actions.

Instead, it's about reducing harm in the present suddenly. Yet they weren't thinking about reducing harm when they did what they did. Maybe reducing harm to themselves. Then when their victims come up they get real quiet suddenly. Unless it's Shidou or Mahiru who immediately turn it around and make it about how the victims deaths are impacting them.

How it's making them feel bad.

Even ignoring all of the emotionally questionable things presented here and over the course of trial two. Pushing that to the side and just taking the voice drama by itself.

It's riddled with contradictions. For example, this statement

"Evidently, the time I've been fronting has been getting longer. So, this "me" has been able to stabilize. Isn't that the reason we can talk properly?"

Let's again ignore the fact that you were working and taking the fucking train before Milgram. Something that is not only expressly shown in your music video but corroborated by Mikoto's own testimony that directly conflicts with seeing you on a fucking train,

Q.12 How do you travel to work? Mikoto: Road cycling. It’s one of my hobbies, and it’s good exercise too. The fact I don’t have to worry about making the last train can be both a blessing and a curse.

Meanwhile in clown town where the alibis are shit and keeping a story straight is dead.

Q.17 Do you smoke? Mikoto: Only electric. I used to smoke real cigarettes in the past, but since I started my job I’ve stopped.

Like they even change the tote bags they carry so one has the color we fucking have had associated with Mikoto (John) and the other doesn't so the person taking the fucking train is more than like Mikoto (John).

Not even adding to the fact Mikoto confirms that he's the one who works at night in his fucking first written interrogation through this answer-

Q.06 What do you hate? Mikoto: working overnight / reptiles / violence

All things that appear or are alluded to in MeMe. Either from the tarot cards or expressly shown like with the images of him returning home.

Ah, man it'd be a fucking shame if on top of all that there was canonical merch that showed Mikoto vaping after the murder or holding an e-cigarette.

Certainly no one has that and the staff wouldn't provide us with something so damning because they like to keep things up to interpretation and it's not meant to be solvable. It's about how we all view it, view it in our hearts through our feelings.

Meanwhile the third anniversary art coming in with a steel chair.

(Something I brought up way before, along with the idea that the art from the third anniversary is in fact the prisoners after their crimes. Even getting this merch to check more closely. )

Oh, Holmes I'm absolutely stumped at what this could mean. Surely this is still just Mikoto (John) too. It could be no one else. Mikoto is an honest innocent man who couldn't hurt a fly.

All he did was dream. Except when that witty bastard plum forgot he still smoked cigarettes occasionally just a few times. Quitting is difficult, yes, even when moving over to the same thing in a different form. It doesn't mean he's a liar.

For another example, here

This is not Mikoto (John) in MeMe smoking in the tub but still Mikoto. He's an honest but confused man. Who wouldn't know or rightfully remember no longer smoking cigarettes.

Okay time to stop joking around-

It is more reasonable to recognize that they both appear throughout MeMe and Double and this is subtly displayed through their stated habits, clothing, and facial expressions. Then just ignoring the pile of evidence that shows Mikoto (John) clearly had a life outside of here too.

Along with that again to Mikoto's own admission trial one he was the one more active at night until recently. Stating with extraordinarily little prompting-

Q.20 Are you more of a morning person or a night person? Mikoto: I used to be basically nocturnal. Recently though I’ve been falling asleep pretty early.

Ignoring all of that again he's still just fucking lying.

Just because alters don't front doesn't mean they don't have a stable internal existence. What the fuck are you on about right now? Like at most I can generously say he meant it was becoming easier for him to front but this was bullshit.

This was not a good way of phrasing that. Again alters that don't front have personalities and could even have rich lives internally. So, Mikoto (John) is on some nonsense. Like he's just testing what he can fucking get away with because he knows Es is stupid and ill informed.

Every day I question how he is getting away with it when the honest answer is,

People frankly don't care to see it and that's fine.

There's even the fucking fact that Mikoto (John) directly fucking contradicts himself right after stating this.

"Evidently, the time I've been fronting has been getting longer. So, this "me" has been able to stabilize. Isn't that the reason we can talk properly?" ... "If I had stayed a monster maybe that would've been better. ...What?" You've turned out to be much more rational than I expected... I'm surprised. "I'm a university graduate after all."

Alright, Mikoto (John) which the fuck is it?

Have you only recently been fronting enough to stabilize leading to you being able to communicate properly or did you front for all of fucking college?

You were at least aware enough of it to consider yourself a college graduate. So, what's the truth? Huh which fucking is it?

"Can't remember I was just born back then, you know. It's kind of fuzzy."

I am once again asking how you fucking remember college Mikoto (John)?! Yet, were just born back then?

Okay, let's talk about the elephant in the room-

The threekoto or trikoto theory.

Because some people may want to say if you take into consideration the existence of a third unknown alter than all these inconsistencies can be explained, Gunsli. This is what all those inconsistencies are hinting towards, it's the perfect explanation you're just choosing not to see it.

Yes, I am choosing not to see it that way.

Yet that's not only because it doesn't bring me any narrative joy and subtracts from it. It's also because I view that concept as a cheap fix-it solution where a new factor has been shoved into the narrative in order to account for things within it that could be logistically explained by other means. There's also no actual evidence to this being the case.

One could rightfully say what about the inconsistencies you just pointed out though.

Those could simply be explained by a fact that Milgram has brought up since the beginning of the series-

The prisoners can lie.

If the prisoners who are under more restrictions than Mikoto (John) still have the freedom to lie why are people assuming Mikoto (John) isn't lying as well? Especially when being faced with an unknown, dangerous situation, in which he's been threatened with the death sentence? Like wouldn't the reasonable response to such an odd situation be to keep your information yours alone. Not willfully give it to an entity exerting power over you?

So, the inconsistencies found here very well could be there to hint at what exactly happened once all the information is examined together.

Though, let's be serious for a bit.

Let me walk down that bridge with anyone who wants to go there? What's the actual probability that all the information that they gave us-

Including naming the songs,

MeMe and Double.

Along with willfully adding this fucking very overt line,

"Doesn’t matter if you didn’t wish for it, can’t get rid of me now. Just the two of us, relieved, aren’t you? I’ll protect you (us)."

Are all actually statements meant to mislead the audience and both Mikoto and Mikoto (John) are being honest about not remembering the murder and this third more recently born alter is the actual murderer. Because given that statement on the crimes and Mikoto (John)'s admission that yes, he is a college graduate, the lyrics in Double pointing out we made him out to be a scoundrel-

In my opinion that would be the most reasonable conclusion to draw if I were to believe this is true with the information we've been given so far.

Even if that were the case and all of these other things were red herrings.

These would all be objectively the worst red herrings in existence. Because that isn't a red herring it's a fucking school of them. Grab a fishing rod and get to it. This is past the point of being considered a red herring and instead would be more aptly described as a series of overt lies.

You know a good red herring is when people can actually figure out it is that and there's evidence in canon alluding to that being the case and what is commonly accepted as truth being disingenuous. I'm not the biggest Steven Universe fan nor do I hate it passionately. I'm more neutral to it.

So, let's use it as an example.

-Spoilers for Steven Universe-

In Steven Universe it turns out Pink Diamond and Rose Quartz are the same fucking person. There is art that alludes to this before this reveal. There were speculations and theories of this being the case. What Steven Universe did not do repeatedly at any point was go she's not a diamond we swear this is a normal Rose Quartz.

They didn't draw attention to the elephant in the room over and over. Most of the characters in the series believed fully that she was a quartz and had been lied to for years. It's never called attention to because it is a wildly accepted truth. So, nobody questioned it.

Yet, there were still hints this was the case enough for people to speculate such far before it was revealed to be the case. My point is red herrings are seen not heard, not repeated over and over. A red herring by definition is one misleading clue or accepted truth meant to trick the viewer into believing something that is untrue or move them away from the truth.

It's not a consistent pattern.

-End Spoilers for Steven Universe-

Then to add more insult to fucking injury why the fuck would Deco*27 say this-

This isn't a red herring this isn't even within the canon.

This is a statement he made independent of the canon. Outside of that he didn't even have to give a specific number but did anyway. He could have just said what will happen to the Mikoto's now. If they wanted this shit to remain ambiguous. Yet, he still used two unless this translation from the Milgram app is simply wrong and it added that.

It'd be weird but machine translations have been weirder.

Yet, considering everything I've seen it truly makes more sense for me to believe Mikoto and Mikoto (John) are both being dishonest for self-preservation reasons than to believe that the entire series has been lying from jump.

I just find it more likely that these two who found themselves in such a strange situation, who are vehemently trying to convince the audience and the other prisoners around them that they are honest trustworthy men are just fucking lying about a lot of provably false shit. Then as it tends to happen when someone is telling lies off the seat of their fucking pants there are many easily spotted contradictions and direct confirmation of actual truths.

Because the truth tends to be consistent lies aren't unless a person is very skilled at it. (Glances at Kazui.) Throwing all that to the side.

If the idea of there being three alters brings someone joy, then that's all well and good. I'm not trying to stomp that out or rain on anyways parade. I just don't personally want the information I discuss to be associated with that or have any interest in discussing that interpretation.

There are a lot of people who'd have a great time doing that. I am not one of them.

Because I feel using that idea to excuse the fact that the alibi, excuses, other statements Mikoto has given, and the reality of the situation through the songs extracted directly contradict each other in a way that highlights he may not be being honest is not only incredibly convenient for him but somewhat disingenuous.

This includes his voice dramas and the birthday interaction before Double premiered. Unsurprisingly.

I'm not looking for an easy fix for those inconsistencies that keep Mikoto looking infallible and like he couldn't hurt a fly. I'm not looking for something that frames Mikoto as being in the right, a good person, and a victim of circumstance while highlighting an alter as being completely bad and in the wrong always. Because that sort of story is lacking in nuances in my opinion and wouldn't be fun to me.

If that were the case it would make it feel as though the story itself was highlighting Mikoto's character having dissociative identity disorder as the reason for him being a murderer or the only thing that led to these issues occurring. Something that just doesn't feel right to me personally.

It's never like what has Mikoto done/chosen to do or how could he have responded differently or managed stress better. Nope it's always an alters fault, it's always the disorders' fault. There's no respect for Mikoto's own agency because he's a guy with a disorder, he didn't mean it, he couldn't help it, that's just how it is.

The impressive thing is how often Milgram as a series pushes back against this interpretation and simplification of dissociative disorders in general.

Then the fandom pretty much plays into this trying to tell others there's a definitive way to know if someone has it, how many alters they have, and at what time an alter is out just by vibes and speaking patterns alone.

As if dissociative identity disorder doesn't involve a shit ton of masking and trying to appear fine to avoid being singled out by others.

Milgram highlights this issue with the perception of dissociative disorder through Amane's voice drama.

Where Es literally implies that since Amane's case doesn't present the same exact way as Mikoto's and she cannot do the same things as him that solidifies to them that Amane herself cannot have a dissociative disorder. So, in Es' eyes what Amane is doing is just playing pretend by referring to herself as we and god. So, really all she is or appears to be to Es at the end of the day is a kid throwing a tanturm and playing make believe.

Well... It's in vain. So, you might as well listen to me while we're here. "I won't forgive you. I won't forgive you." Prisoners can't attack the warden. This is one of Milgram's core rules, although a certain guy with multiple personalities managed to slip past it. "I won't forgive you... I won't forgive you..." Which means Milgram doesn't dictate who the prisoners are by their body but by their mind. If the mind isn't accounted for then the rule doesn't apply. It bothers me that there's a loophole, but... "I'll kill you...! I'll kill you!" Thanks to this defective rule we can confirm this; The 'you' holding the scissors right now isn't a god or a concept. It's Amane Momose herself. "...I'll..." So, what you're doing right now really is just a game of pretending. This is stupid.

Then Amane later in her voice drama calls out Es for referring to themselves as we. Saying that Es must just be playing pretend to avoid taking accountability for their actions as well.

Es makes the very severe and common mistake of assuming all dissociative disorders present the same way and immediately has their own logic used again them. Leading them to have another crisis of identity. They're shown to have a serious lack of understanding of themselves and their opinion.

Something that from the beginning of Milgram has been shown to cause them discomfort in multiple voice dramas. Mu's first and second one, Kotoko's first and second one, and Amane's second one. This same logic could very well lead to the audience making a lot of the same mistakes as Es is presented making.

Well, that was longer than I anticipated. But, there's a lot of things about Mikoto that imply he not only heard the audience voices but took the reaction he received into account when deciding on how he proceeded.

Other than that, I've got a birthday to have. Sorry for the long answer and going much more in depth than I needed to. I also hope none of this was rude.

Though i can't really control how I'm interpreted.

[oh-nostalgiaa]

Writing Prompt Masterlist, Part Ten

Masterlist of Writing Prompt Masterlists

The Prompts

12 Days of Smutsmas Prompts

30 Top / Dom Prompts

A Collection of Five Times Drabble Prompts

A Few Various Sentence Starter Prompts

A Random Act of Kindness Prompts

Abilities & Super-Powered Themed Prompts

Affectionate Prompts

Affection Sentence Starter Prompts

An Extremely Self-Indulgent Physical Contact / Tickly Prompt Collection

Another Kiss Prompts

Around the World in 80 Prompts

Asking for Permission Prompts

Bed & Sleepy Prompts

Caring for Sick Muses Prompts

Casual NSFW Conversation Sentence Starter Prompts

Christmas AU Prompts

Cuteness Prompts

Different Ways to Hug Someone Prompts

Dirty Talk Prompts

Distracted by the Sexy Starter Prompts

Domestic Bickering Sentence Starter Prompts

Emotional Starter Prompts (Anger)

Even More Stuff Based on Personal Experiences Prompts

Febuwhump 2024 Prompts

Fictional Kiss Things That End Me Prompts

First Meetings Prompts

Fluffbruary 2024 Prompts

Fluffmas List Prompts

Fluffy & Cute Prompts

For a Lover's Reassurance Prompts

Friends with Benefits OTP Prompts

Gentle Touch Prompts

Grumpy x Sunshine Prompts

Heartbreak Prompts

Heroic Intervention Prompts

Holiday AU's for the Christmas Spirit Prompts

I Deserve Better Than This Prompts

I Love You But I Can't Say Those Words Prompts

I Miss You Dialogue Response Prompts

I Really Want to Kiss You Right Now Prompts

I'm Sorry Starter Prompts

Idiots to Lovers Romantic Starter Prompts

It's So Fluffy! Sentence Starter Prompts

January OTP Prompts

Just Like a Pillow Prompts

Kisses Prompts

Levels of Intimacy Prompts

List of AU's That Aren't Themed At All Prompts

Lyrics for Unconventional Ship Dynamics Prompts

Marriage Proposal Starter Prompts, Part One

Marriage Proposal Starter Prompts, Part Two

Miscellaneous Action Meme Prompts

Missing Them Sentence Starter Prompts

More Touch Starved Prompts

Non-sexual Acts of Affection Prompts

Non-Verbal NSFW Prompts, Part One

NSFW Muse Reaction Prompts

NSFW Sentence Starter Prompts

Oddly Specific Sensual Touches Prompts

Only One Bed Prompts

Pinned Against a Wall Prompts

Powerful Prompts

Prompt List, Fluff Edition

Prompts for Fake Dating & Going Undercover

Prompts That Hit in All the Right Places

Question Sentence Starter Prompts

Random Sentence Starter Prompts

Random Settings Prompts

Reassurance Starter Prompts

Sacred Romantic Moments Prompts

Sacrifices Sentence Starter Prompts

Setting Prompts

Sexual Sounds, Words, & Actions Prompts

Sexual Tension / Attraction Prompts

Smut NSFW Starter Prompts

Smut Oneliner Prompts

Smut Starters & Symbols Prompts

Smutty One-Liners Part VI Prompts

Soft Action Prompts

Soft Fic Prompts

Soulmate & Significant Connection AU Prompts

Spots to Kiss Prompts

Starters for Quiet Muses Prompts

Stoic x Cheerful First Kiss Prompts

Sweet and Intimate Actions Which Make Me Go Feral and Have Me Folding Like a Folding Chair Prompts

The Enormity of My Desire Prompts

The Five Senses Starter Prompts

The Intimacy of Hands Prompts

The Sweet, Early Morning Things Prompts

Things You Said Prompts

Touch Starved Prompts

Touching Tenderly Prompts

Undercover Sentence Starter Prompts

Underrated Affectionate Gestures Prompts

Unspoken Fluff Starter Prompts, Part 2

Violent Starter Prompts

What We Almost Had Starter Prompts

Wisdom Teeth Removal AU Prompts

Would You ... ? Prompts