Mobile Suit Gundam: The Witch from Mercury reminded me that I actually do enjoy watching anime, and since I have a bit of a backlog of ones I’ve either watched a few episodes or haven’t started at all, I was inspired by this post to make a scorecard of anime that I intend to watch over the course of this year.
My self-imposed rules are I will not start any other anime before I have finished these 16 (with the exception of Witch from Mercury, see below), I will be watching them with Japanese voice acting and subs, and that, gvien my experience with watching Witch from Mercury on a weekly basis, I won’t try to binge and instead watch an episode or two each day, since that will fit better into how busy life can get, and also give me more time to really think about what I just watched before moving on.
The shows above are listed in chronological order of release (1979-2023), but not the order I’ll necessarily watch them in (I like having the freedom to pick and choose), with additional notes below:
1.) Mobile Suit Gundam (1979; dir. Yoshiyuki Tomino): A more experienced Gundam fan who is also fond of Revolutionary Girl Utena recommended this and War in the Pocket (see below) if I was curious about other Gundam shows. Since I’ve been meaning to watch some older anime for awhile anyway, this seemed like a good series to start with, especially with its historical importance to the medium. I have previewed the first episode and I think it holds up well so far. I will only be watching the 43 episodes of the original anime at this time, so not the movie compilations or the sequel series like Zeta or ZZ (yet).
2.) Mobile Suit Gundam 0080: War in the Pocket (1989; dir. Fumihiko Takayama): I mentioned that I would permit myself freedom to choose the watch order, but since War in the Pocket is a side-story set around the same period as Mobile Suit Gundam, I feel it would be better to watch the former after the latter, so that I’ll have a better understanding of the setting.
3.) Goldfish Warning! (1991; dir. Junichi Sato): Goldfish Warning! has an interesting history, in that it’s something of a predecessor to Sailor Moon: the latter would reprise the former’s timeslot, much of its staff (including the director and his assistants, among which was a young Kunihiko Ikuhara), and a similar style of slapstick comdey. As a bonus, I’m 99% certain that one of the leads, Chitose Fujinomiya, would serve as inspiration for the Revolutionary Girl Utena character, Nanami Kiryuu. I will be watching both the 45 episode anime series and its accompanying film.
4.) Neon Genesis Evangelion (1995; dir. Hideaki Anno): The thing that piqued my interest in this show was a short review that I read years ago (don’t remember when or where), and that may have been translated from Japanese iirc. The review talked about how gender roles in Eva were inverted compared to mecha shows that came before it, such as how Shinji acted more like stereotypical female characters from such shows, while Asuka acted like what you’d expect from stereotypical male characters. I don’t know how true that observation is, but it stuck with me, and I’ll be keeping an eye out for that. I will be watching the original 26 episodes as well as the End of Evangelion film. I’m debating if I also want to include the Rebuild of Evangelion films, but I’m currently leaning towards watching those sometime later.
5.) FLCL (2000; dir. Kazuya Tsurumaki): I watched the first four episodes at a con, but never finished, so I’ll be doing a rewatch from the first episode. I’ll be watching the original OVA series, but leave the sequel seasons for another time.
*6.) Princess Tutu (2002; dir. Junichi Sato & Shogo Koumoto): I needed to watch this anime after watching an amv of it titled Dance of Death (it’s got spoilers, including for what I’m assuming are the last episodes, but if you don’t mind that or have already seen it, I highly recommend giving it a gander). I watched ‘til around episode 16~ until real life interrupted, so I’m starting over and watching it from the beginning. This is the first of the three shows I’m currently watching, and up next is Ep. 02.
7.) Michiko & Hatchin (2008; dir. Sayo Yamamoto): Multiple reviewers I trust said it was good, the setting and premise sound pretty different from anime norms, and I’m intrigued by the bit of trivia that apparently the director made it explicitly for office ladies to enjoy after coming home from their shift.
8.) Star Driver (2010; dir. Takuya Igarashi): Pretty sure I learned about Star Driver from this chart tracing the work of some of the members of Be-Papas (not *everything* anime-related comes back to Revolutionary Girl Utena, but a lot of it does, yeah ¯\_(ツ)_/¯ ). I’ll be watching the series, but I’m not sure about the movie since apparently it’s a compilation film, so I’ll have to think about it.
9..) Penguindrum (2011; dir. Kunihiko Ikuhara & Shouko Nakamura): I’ve heard mixed opinions on this one, but it’s an Ikuhara-directed anime so I want to watch regardless, and form my own opinions about it. I’ll watch the 24 episodes, but I’m not sure about the Re:cycle films that came out recently.
10.) Mob Psycho 100 (2016; dir. Yuzuru Tachikawa, Takahiro Hasui): Someone made a vhs recording of the show’s first OP that ran on loop, and that was apparently enough to lodge itself in my brain. I watched the first season and a couple episodes of the second, until real life interrupted, so I’ll start fresh and watch all three seasons, plus the two OVAs that were apparently made.
11.) Sarazanmai (2019; dir. Nobuyuki Takeuchi & Kunihiko Ikuhara): Another Ikuhara-directed anime. I was halfway through before real life interruptions, but watching 11 episodes should be relatively easy.
12.) Sleepy Princess in the Demon Castle (2020; dir. Mitsue Yamazaki): In retrospect, I slept on this show, as I hadn’t realized it was another comedy by the director of Monthly Girls’ Nozaki-kun, not to mention that the premise is a nice subversion of a classic fantasy trope.
13.) Shadows House (2021; dir. Kazuki Ouhashi): I dug the gothic fantasy vibe I got from the review I read. I will be watching both seasons.
*14.) Bocchi the Rock! (2022; dir. Keiichirou Saitou): Repeatedly saw the protagonist compared to Suletta Mercury due to social anxiety, and am staying for the show’s willingness to experiment with animation. This is the second of the three shows I’m currently watching, and up next is Ep. 05.
*15.) Mobile Suit Gundam: The Witch from Mercury (2022; dir. Hiroshi Kobayashi & Ryou Andou): The whole reason I started watching this show was this post. And now I have brainrot am perfectly normal about this show. Starting with Ep. 02, I watched this show every Sunday it was out, and intend to resume doing so in April. It is possible that I might not be able to finish this show in 2023, since previous Gundam shows have run about ~50-ish episodes, and this show’s predecessor, Iron-Blooded Orphans, was initially slated to run only 25 episodes, only to reveal that the show length had been doubled in what would have been the last episode. So, I’ll finish Witch from Mercury in either 2023 or 2024.
*16.) The Magical Revolution of the Reincarnated Princess and the Genius Young Lady (2023; dir. Shingo Tamaki): Another lead compared to Suletta, this time due to rescuing a bride from her jerk fiance and being really gay. This is the third of the three shows I’m currently watching, and up next is Ep. 04.
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Wait one more thing oh my god I’m so sorry I was rereading your thoughts on my fic remembering Giyuu doing CPR on Sabito while I was writing I was like “wait his whole head got. Mega Smooshed. Why would he be doing CPR what is he stupid (yes)” but then. I pictured little Giyuu like dragging Sabito(‘s body) away from the battle and he isn’t an idiot he can tell he’s long dead but he just can’t accept it and tries and tries and tries and tries anyways bc he didn’t even GET to try with his sister so he has to try he has to and when he gets home to Urokodaki (alone) Urokodaki just takes one look at him sees all the blood on the sleeves of his little training robe thing and KNOWS because his eyes are so far away he’s just completely catatonic and doesn’t speak for like. Weeks probably.。゚(゚´Д`゚)゚。
Anyways. IM ANIME ONLY I DONT EVEN KNOW IF THEY EVEN WENT THROUGH FINAL SELECTION TOGETHER AT ALL so this is all just bullshit but. I’m so sorry please ignore me I just had to put that out into the world so it wasn’t torturing my brain anymore ok bye again I’m so sorry
I KNOW I WAS LIKE "did he??? did he actually?!!??!??" and I'm anime only as well but like they have the same pattern so that's my excuse. I say they went through Final Selection and now Giyuu cries alone :) also THANK YOU for sending me this bullshit, one person's trash is another person's food and oh boy is this the Good Bullshit!
I'm inspired for the angst after my long day today sooo
(No graphic description of violence or gore.)
Giyuu knows that it was useless to try. It was completely useless. Urokodaki's technique was only for people whose heart stopped beating and their chests stilled with the lack of breath. It didn't work for people who were bleeding out. It didn't work for people missing body parts. It wouldn't work for Sabito.
But, he couldn't give up. Sabito never gave up, so he couldn't either. The sun dawned on them for the sixth day, meaning things should get better now. The sun was a good sign, wasn't it?
His little hands couldn't move faster than the rate of the song he hummed to himself through broken sobs. The song Urokodaki taught him for the correct rhythm of a beating heart. Sabito's heart didn't beat like that right now. Sabito's heart didn't beat at all.
He couldn't give up despite his rational mind screaming at him the truth. It was right in front of his eyes, so he closed them and counted in his head until he had to force air into Sabito's lungs. Gently, he did so, but gentle wasn't in Sabito's vocabulary. He doubted if it would even work for him if he had a chance to save him.
Soon enough, his hands- entwined like he practiced on straw dummies- wouldn't go as deep as he urged them too. He didn't know what else to do. This was his only chance to try, he would never get another after this. He had to do something. The sun moved positioned and he could barely breathe with his efforts. He slumped forward, struggling to keep his eyes open as he passed out from exhaustion.
It was midday when he awoke again. Flies circled around both of them. Giyuu only had one thought in his mind. Sabito's body would not be eaten. He didn't have any tools other than his sword, so he went to digging a small hole in the ground. It was almost sunset when he made it deep enough to keep him level with the ground.
The shallow grave was covered with loose dirt and leaves. Giyuu did his best, he really did, but it was quite obvious that something was hidden underneath. He kneeled down, said a short prayer for him to rest in peace and to keep his body hidden, and turned around to face the moon.
Revenge wasn't his to enact, but one day, someone would be strong enough to decapitate the hand demon...
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